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Aurora over Scotland (6 files)

Aurora Borealis or Northern Lights displays photographed taken over Aberdeeshire in Scotland since 1989 covering some 350 events with arc, rays, coronas with a wide rnage of shapes and colours
Aurora-Borealis-wsc6931jhp Aurora Borealis Scotland Northern Lights green red West display Deeside Aberdeenshire taken on the evening of 25th November, 2023 at Crooktree, 25 miles west of Aberdeen, at 18.35hrsUT and was indicated by the magnetometer readings on AuroraWatch as a Red Storm. This was viewed with a full moon behind so it has a subdued colour balance to it but very accurate of what the human eye would have seen; looking Westwards. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm Nikkor Wide angle manual lens at f5.6 aperture, ISO setting of 6400 for 10 seconds. The increased ISO sensitivity of modern DSLR’s allows for shorter exposures circa 10 sec average times giving more accurate recordings of these moving. Clouds increased and displays during the rest of the evening were not seen. I use the older manual lenses as they are much easier to set at Infinity, modern zoom lenses are harder to focus on infinity especially in very dark conditions. No additional filters are added. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, village, Aurora Borealis, Arc, Rays, Northern Lights, Merry Dancers, Cassiopeia, North, West, landscape, CME, solar, wind, night, sky, stars, oxygen, nitrogen, gas, molecules, magnetic, green, red, purple, high, grade, colourful, colorful, colours, colors, brief, evening, winter, full, moon, moonlight, November, 2023, D700, Nikon, DSLR, Nikkor, f5.6, 24mm, lens, manual, digital, tripod, time, exposure, photo, photos, photography, photograph, landscape
Aurora-Borealis-wsc6930jhp Aurora Borealis Scotland November green red West display Grampian Aberdeenshire taken on the evening of 25th November, 2023 at Crooktree, 25 miles west of Aberdeen, at 18.33hrsUT and was indicated by the magnetometer readings on AuroraWatch as a Red Storm. This was viewed with a full moon behind so it has a subdued colour balance to it but very accurate of what the human eye would have seen; upright looking Westwards. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm Nikkor Wide angle manual lens at f5.6 aperture, ISO setting of 3200 for 10 seconds. The increased ISO sensitivity of modern DSLR’s allows for shorter exposures circa 10 sec average times giving more accurate recordings of these moving. Clouds increased and displays during the rest of the evening were not seen. I use the older manual lenses as they are much easier to set at Infinity, modern zoom lenses are harder to focus on infinity especially in very dark conditions. No additional filters are added. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, village, Aurora Borealis, Arc, Rays, Northern Lights, Merry Dancers, Cassiopeia, North, West, landscape, CME, solar, wind, night, sky, stars, oxygen, nitrogen, gas, molecules, magnetic, green, red, purple, high, grade, colourful, colorful, colours, colors, brief, evening, winter, full, moon, moonlight, November, 2023, D700, Nikon, DSLR, Nikkor, f5.6, 24mm, lens, manual, digital, tripod, time, exposure, photo, photos, photography, photograph, upright, portrait
Aurora-Borealis-wsc6929jhp Aurora Borealis Scotland November green red West display Grampian Aberdeenshire taken on the evening of 25th November, 2023 at Crooktree, 25 miles west of Aberdeen, at 18.33hrsUT and was indicated by the magnetometer readings on AuroraWatch as a Red Storm. This was viewed with a full moon behind so it has a subdued colour balance to it but very accurate of what the human eye would have seen; looking Westwards. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm Nikkor Wide angle manual lens at f5.6 aperture, ISO setting of 3200 for 10 seconds. The increased ISO sensitivity of modern DSLR’s allows for shorter exposures circa 10 sec average times giving more accurate recordings of these moving. Clouds increased and displays during the rest of the evening were not seen. I use the older manual lenses as they are much easier to set at Infinity, modern zoom lenses are harder to focus on infinity especially in very dark conditions. No additional filters are added. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, village, Aurora Borealis, Arc, Rays, Northern Lights, Merry Dancers, Cassiopeia, North, West, landscape, CME, solar, wind, night, sky, stars, oxygen, nitrogen, gas, molecules, magnetic, green, red, purple, high, grade, colourful, colorful, colours, colors, brief, evening, winter, full, moon, moonlight, November, 2023, D700, Nikon, DSLR, Nikkor, f5.6, 24mm, lens, manual, digital, tripod, time, exposure, photo, photos, photography, photograph, landscape
Aurora-Borealis-wsc6928jhp Aurora Borealis Scottish November red rays high North display Grampian Aberdeenshire taken on the evening of 25th November, 2023 at Crooktree, 25 miles west of Aberdeen, at 18.32hrsUT and was indicated by the magnetometer readings on AuroraWatch as a Red Storm. This was viewed with a full moon behind so it has a subdued colour balance to it but very accurate of what the human eye would have seen; looking due North. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm Nikkor Wide angle manual lens at f5.6 aperture, ISO setting of 3200 for 10 seconds. The increased ISO sensitivity of modern DSLR’s allows for shorter exposures circa 10 sec average times giving more accurate recordings of these moving. Clouds increased and displays during the rest of the evening were not seen. I use the older manual lenses as they are much easier to set at Infinity, modern zoom lenses are harder to focus on infinity especially in very dark conditions. No additional filters are added. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, village, Aurora Borealis, Arc, Rays, Northern Lights, Merry Dancers, Cassiopeia, North, landscape, CME, solar, wind, night, sky, stars, oxygen, nitrogen, gas, molecules, magnetic, green, red, purple, high, grade, colourful, colorful, colours, colors, brief, evening, winter, full, moon, moonlight, November, 2023, D700, Nikon, DSLR, Nikkor, f5.6, 24mm, lens, manual, digital, tripod, time, exposure, photo, photos, photography, photograph, landscape
Aurora-Borealis-wsc6927jhp Aurora Borealis Scottish November green red North display Grampian Aberdeenshire taken on the evening of 25th November, 2023 at Crooktree, 25 miles west of Aberdeen, at 18.31hrsUT and was indicated by the magnetometer readings on AuroraWatch as a Red Storm. This was viewed with a full moon behind so it has a subdued colour balance to it but very accurate of what the human eye would have seen; looking due North. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm Nikkor Wide angle manual lens at f5.6 aperture, ISO setting of 3200 for 10 seconds. The increased ISO sensitivity of modern DSLR’s allows for shorter exposures circa 10 sec average times giving more accurate recordings of these moving. Clouds increased and displays during the rest of the evening were not seen. I use the older manual lenses as they are much easier to set at Infinity, modern zoom lenses are harder to focus on infinity especially in very dark conditions. No additional filters are added. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, village, Aurora Borealis, Arc, Rays, Northern Lights, Merry Dancers, Cassiopeia, North, landscape, CME, solar, wind, night, sky, stars, oxygen, nitrogen, gas, molecules, magnetic, green, red, purple, high, grade, colourful, colorful, colours, colors, brief, evening, winter, full, moon, moonlight, November, 2023, D700, Nikon, DSLR, Nikkor, f5.6, 24mm, lens, manual, digital, tripod, time, exposure, photo, photos, photography, photograph, landscape
Aurora-Borealis-wsc6925jhp Northern Lights Scottish November green red North Aurora display Grampian Aberdeenshire taken on the evening of 25th November, 2023 at Crooktree, 25 miles west of Aberdeen, at 18.28hrsUT and was indicated by the magnetometer readings on AuroraWatch as a Red Storm. This was viewed with a full moon behind so it has a subdued colour balance to it but very accurate of what the human eye would have seen; looking due North. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm Nikkor Wide angle manual lens at f5.6 aperture, ISO setting of 3200 for 10 seconds. The increased ISO sensitivity of modern DSLR’s allows for shorter exposures circa 10 sec average times giving more accurate recordings of these moving. Clouds increased and displays during the rest of the evening were not seen. I use the older manual lenses as they are much easier to set at Infinity, modern zoom lenses are harder to focus on infinity especially in very dark conditions. No additional filters are added. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, village, Aurora Borealis, Arc, Rays, Northern Lights, Merry Dancers, Cassiopeia, North, landscape, CME, solar, wind, night, sky, stars, oxygen, nitrogen, gas, molecules, magnetic, green, red, purple, high, grade, colourful, colorful, colours, colors, brief, evening, winter, full, moon, moonlight, November, 2023, D700, Nikon, DSLR, Nikkor, f5.6, 24mm, lens, manual, digital, tripod, time, exposure, photo, photos, photography, photograph, landscape

Egypt > Abu Simbel (13 files)

Photographs of the Great Temple of Ramses 11 at Abu Simbel and those of his wife's temple of Nefertari with some interior images as well.
Abu Simbel Wall Relief EG02073JHP Abu Simbel Great Temple interior wall paintings carvings reliefs chariot war in the hall with Nubian style Osiride Statues of Ramses 11 in the entrance Hall and extensive wall reliefs but not of the best quality in terms of detail and style. A photograph like this is no longer possible as there is a total ban in all such tombs in Egypt although these were taken when it was permitted but tripods were not allowed and in the very poor light the best quality is not always achievable and very strong tungsten lighting was used on the internal white plastered walls giving a colour caste beyond the camera at the time to balance. Keywords: Egypt, ancient, Egyptian, Lake Nasser, River Nile, Nubia, Nubian, Abu Simbel, rock, carved, huge, magnificent, Great Temple, landscape, entrance, hall, tourists, interior, digital, figures, deity, Godlike, Pharaoh, Ramses, Ramasses, Ramesses, wall, reliefs, warrior, battle, scenes, prisoners, chariots, bow, smiting, Kadesh
Abu Simbel Wall Relief EG02072JHP Abu Simbel Great Temple interior carving Ramasses chariot bow arrow lining the hall with Nubian style Osiride Statues of Ramses 11 in the entrance Hall and extensive wall reliefs but not of the best quality in terms of detail and style. A photograph like this is no longer possible as there is a total ban in all such tombs in Egypt although these were taken when it was permitted but tripods were not allowed and in the very poor light the best quality is not always achievable and very strong tungsten lighting was used on the internal white plastered walls giving a colour caste beyond the camera at the time to balance. Keywords: Egypt, ancient, Egyptian, Lake Nasser, River Nile, Nubia, Nubian, Abu Simbel, rock, carved, huge, magnificent, Great Temple, landscape, entrance, hall, interior, digital, figures, deity, Godlike, Pharaoh, Ramses, Ramasses, Ramesses, wall, reliefs, warrior, battle, scenes, prisoners, chariot, bow, horses
Abu Simbel Wall Relief EG02071JHP Abu Simbel Great Temple interior wall relief Pharaoh chariot war scene in the hall with Nubian style Osiride Statues of Ramses 11 in the entrance Hall and extensive wall reliefs but not of the best quality in terms of detail and style. A photograph like this is no longer possible as there is a total ban in all such tombs in Egypt although these were taken when it was permitted but tripods were not allowed and in the very poor light the best quality is not always achievable and very strong tungsten lighting was used on the internal white plastered walls giving a colour caste beyond the camera at the time to balance. Keywords: Egypt, ancient, Egyptian, Lake Nasser, River Nile, Nubia, Nubian, Abu Simbel, rock, carved, huge, magnificent, Great Temple, upright, entrance, hall, interior, digital, figures, deity, Godlike, Pharaoh, Ramses, Ramasses, Ramesses, wall, reliefs, warrior, battle, scenes, prisoners, chariot, bow, horses
Abu Simbel Wall Relief EG02070JHP Abu Simbel Great Temple interior seated Ramesses prisoners wall relief in hall with Nubian style Osiride Statues of Ramses 11 in the entrance Hall and extensive wall reliefs but not of the best quality in terms of detail and style. A photograph like this is no longer possible as there is a total ban in all such tombs in Egypt although these were taken when it was permitted but tripods were not allowed and in the very poor light the best quality is not always achievable and very strong tungsten lighting was used on the internal white plastered walls giving a colour caste beyond the camera at the time to balance. Keywords: Egypt, ancient, Egyptian, Lake Nasser, River Nile, Nubia, Nubian, Abu Simbel, rock, carved, huge, magnificent, Great Temple, landscape, entrance, hall, tourists, interior, digital, figures, deity, Godlike, Pharaoh, Ramses, Ramasses, Ramesses, wall, reliefs, offering
Abu Simbel Wall Relief EG02069JHP Abu Simbel Great Temple interior war scene battle fighting chariot in the hall with Nubian style Osiride Statues of Ramses 11 in the entrance Hall and extensive wall reliefs but not of the best quality in terms of detail and style. A photograph like this is no longer possible as there is a total ban in all such tombs in Egypt although these were taken when it was permitted but tripods were not allowed and in the very poor light the best quality is not always achievable and very strong tungsten lighting was used on the internal white plastered walls giving a colour caste beyond the camera at the time to balance. Keywords: Egypt, ancient, Egyptian, Lake Nasser, River Nile, Nubia, Nubian, Abu Simbel, rock, carved, huge, magnificent, Great Temple, landscape, entrance, hall, interior, digital, figures, deity, Godlike, Pharaoh, Ramses, Ramasses, Ramesses, wall, reliefs, warrior, battle, scenes, prisoners, chariot, bow, horses
Abu Simbel Wall Relief EG02055JHP Abu Simbel Great Temple interior Egyptian offering scene unfinished wall drawing in the hall with Nubian style Osiride Statues of Ramses 11 in the entrance Hall and extensive wall reliefs but not of the best quality in terms of detail and style. A photograph like this is no longer possible as there is a total ban in all such tombs in Egypt although these were taken when it was permitted but tripods were not allowed and in the very poor light the best quality is not always achievable and very strong tungsten lighting was used on the internal white plastered walls giving a colour caste beyond the camera at the time to balance. Keywords: Egypt, ancient, Egyptian, Lake Nasser, River Nile, Nubia, Nubian, Abu Simbel, rock, carved, huge, magnificent, Great Temple, landscape, entrance, hall, interior, digital, Pharaoh, offering, Ramses, Ramasses, Ramesses, wall, relief, Horus
Abu Simbel Wall Relief EG02054JHP Abu Simbel Great Temple interior frieze drawing figures offering Gods in the hall with Nubian style Osiride Statues of Ramses 11 in the entrance Hall and extensive wall reliefs but not of the best quality in terms of detail and style. A photograph like this is no longer possible as there is a total ban in all such tombs in Egypt although these were taken when it was permitted but tripods were not allowed and in the very poor light the best quality is not always achievable and very strong tungsten lighting was used on the internal white plastered walls giving a colour caste beyond the camera at the time to balance. Keywords: Egypt, ancient, Egyptian, Lake Nasser, River Nile, Nubia, Nubian, Abu Simbel, rock, carved, huge, magnificent, Great Temple, landscape, entrance, hall, tourists, interior, digital, figures, deity, Gods, Pharaoh, Ramses, Ramasses, Ramesses, wall, relief, offering, wine
Abu Simbel Hall EG02068JHP Abu Simbel Great Temple interior Hall entrance Nubian style Osiride Statues of Ramses 11 in the entrance Hall and extensive wall reliefs but not of the best quality in terms of detail and style. A photograph like this is no longer possible as there is a total ban in all such tombs in Egypt although these were taken when it was permitted but tripods were not allowed and in the very poor light the best quality is not always achievable and very strong tungsten lighting was used on the internal white plastered walls giving a colour caste beyond the camera at the time to balance. Keywords: Egypt, ancient, Egyptian, Lake Nasser, River Nile, Nubia, Nubian, Abu Simbel, rock, carved, huge, magnificent, Great Temple, upright, entrance, hall, tourists, interior, digital, Osiride, statues, figures, deity, Godlike, Pharaoh, Ramses, Ramasses, Ramesses, wall, reliefs, warrior, battle, scenes, prisoners, chariot, bow
Abu Simbel Hall EG02066JHP Abu Simbel Great Temple Egypt interior entrance hall Osiride Statues Ramses 11 in Nubian style and with extensive wall reliefs but not of the best quality in terms of detail and style. A photograph like this is no longer possible as there is a total ban in all such tombs in Egypt although these were taken when it was permitted but tripods were not allowed and in the very poor light the best quality is not always achievable and very strong tungsten lighting was used on the internal white plastered walls giving a colour caste beyond the camera at the time to balance. Keywords: Egypt, ancient, Egyptian, Lake Nasser, River Nile, Nubia, Nubian, Abu Simbel, rock, carved, huge, magnificent, Great Temple, landscape, entrance, hall, tourists, interior, digital, Osiride, statues, figures, deity, Godlike, Pharaoh, Ramses, Ramasses, Ramesses, wall, reliefs, warrior, battle, scenes, prisoners, chariot, bow
Abu Simbel Hall EG02065JHP Abu Simbel Great Temple interior inside entrance hall Nubian style Osiride Statues of Ramses 11 in the entrance Hall and extensive wall reliefs but not of the best quality in terms of detail and style. A photograph like this is no longer possible as there is a total ban in all such tombs in Egypt although these were taken when it was permitted but tripods were not allowed and in the very poor light the best quality is not always achievable and very strong tungsten lighting was used on the internal white plastered walls giving a colour caste beyond the camera at the time to balance. Keywords: Egypt, ancient, Egyptian, Lake Nasser, River Nile, Nubia, Nubian, Abu Simbel, rock, carved, huge, magnificent, Great Temple, upright, entrance, hall, tourists, interior, digital, Osiride, statues, figures, deity, Godlike, Pharaoh, Ramses, Ramasses, Ramesses, wall, reliefs, warrior, battle, scenes, prisoners, chariot, bow
Abu Simbel Hall EG02064JHP Abu Simbel Ancient Egyptian Great Temple interior columns hallway depicting Ramses 11 and Amun in the entrance Hall and extensive wall reliefs but not of the best quality in terms of detail and style. A photograph like this is no longer possible as there is a total ban in all such tombs in Egypt although these were taken when it was permitted but tripods were not allowed and in the very poor light the best quality is not always achievable and very strong tungsten lighting was used on the internal white plastered walls giving a colour caste beyond the camera at the time to balance. Keywords: Egypt, ancient, Egyptian, Lake Nasser, River Nile, Nubia, Nubian, Abu Simbel, rock, carved, huge, magnificent, Great Temple, landscape, entrance, hall, columns, interior, digital, Amun, figures, deity, Godlike, Pharaoh, Ramses, Ramasses, Ramesses, wall, reliefs, warrior, battle, scenes, prisoners, chariot, bow
Abu Simbel Hall EG02059JHP Abu Simbel Great Temple Hall interior Nubian style Osiride Statues wall reliefs celebrating Ramses 11 in the entrance Hall and extensive wall reliefs but not of the best quality in terms of detail and style. A photograph like this is no longer possible as there is a total ban in all such tombs in Egypt although these were taken when it was permitted but tripods were not allowed and in the very poor light the best quality is not always achievable and very strong tungsten lighting was used on the internal white plastered walls giving a colour caste beyond the camera at the time to balance. Keywords: Egypt, ancient, Egyptian, Lake Nasser, River Nile, Nubia, Nubian, Abu Simbel, rock, carved, huge, magnificent, Great Temple, landscape, entrance, hall, tourist, interior, digital, Osiride, statues, figures, deity, Godlike, Pharaoh, Ramses, Ramasses, Ramesses, wall, reliefs, warrior, battle, scenes, prisoners, chariot, bow
Abu Simbel Hall EG02058JHP Abu Simbel Egypt Great Temple interior Hall scene carved figures Nubian style Osiride Statues of Ramses 11 in the entrance Hall and extensive wall reliefs but not of the best quality in terms of detail and style. A photograph like this is no longer possible as there is a total ban in all such tombs in Egypt although these were taken when it was permitted but tripods were not allowed and in the very poor light the best quality is not always achievable and very strong tungsten lighting was used on the internal white plastered walls giving a colour caste beyond the camera at the time to balance. Keywords: Egypt, ancient, Egyptian, Lake Nasser, River Nile, Nubia, Nubian, Abu Simbel, rock, carved, huge, magnificent, Great Temple, upright, entrance, hall, interior, digital, Osiride, statues, figures, deity, Godlike, Pharaoh, Ramses, Ramasses, Ramesses, wall, reliefs, warrior, battle, scenes, prisoners, chariot, bow

Egypt > Aswan in general (1 file)

Images in this gallery relate to Aswan in southern Egypt covering the city, the River Nile and related sites except for more important places such as Philae, The Nubian Museum and Seheil Island Rock carvings.
Aswan Sunset EG961637jhp Egypt Aswan Sunset Nile Qubbet el-Hawwa Dome red purple fellucca silhouette on the West Bank of the River Nile viewed from the berth of cruseboat on the northern end of the Corniche on the outskirts of Aswan and it is near here that one can get a local public ferry to cross over to the bluff and after a steep climb explore the Tomb-Chapels of the Nobles, former Governors of Aswan. The building silhouetted is the Dome of the Wind, the Qubbet el-Hawwa, resting place of a Muslim Sidi Ali. This may need extra sharpening as taken on a tripod and was a time exposure but there would have been some movement from the boat on the water or engine vibrations. Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, village, holiday, landscape, sunset, Qubbet el-Hawwa, Qubbat al-Hawa, Dome, Wind, Tomb, Chapels, Nobles, Governors, bluff, tombs, governors, ferry, islands, cruiseboat, berth, history, antiquity, ancient, archaeology, Egyptology, riverside, night, corniche, colourful colorful, colours, colors, red, orange, water, reflections, birds, reeds, 1996, slide, film, medium, format, transparency, 645, Bronica, ETRSi, tungsten, daylight, balanced, scanned, scan

Egypt > Aswan Nubian Museum (33 files)

Aswan Nubian Seated Statue EG052918JHP Aswan Egyptian Nubian Museum seated Menthuhotep-Aa, beloved of Satis, Lady of Elephantine, a quartzite statue from the First Intermediate period and an exhibit in this modern building whose foundations were laid in 1986, opened in 1997 and organised through UNESCO. Very low artificial light makes general photography difficult as well as affecting accurate colour balance. This now appears to be the only museum in Egypt where photography is still allowed although it is not easy as the ambient lighting is extremely subdued for conservation reasons. Keywords: Egypt, Egyptian, Aswan, Nubian, Nubia, Museum, exhibit, statue, seated, quartzite, Menthuhotep-Aa, inside, interior, ancient, upright
Aswan Nubian Schist Statue EG052956JHP Aswan Egyptian Nubian Museum schist statue of Amenirdis, Divine Wife of Amun and sister of Pharaoh Piankhi from the Kushite rulers in Dynasty 25 another fine exhibit inside this modern building whose foundations were laid in 1986, opened in 1997 and organised through UNESCO. Very low artificial light makes general photography difficult as well as affecting accurate colour balance. This now appears to be the only museum in Egypt where photography is still allowed although it is not easy as the ambient lighting is extremely subdued for conservation reasons. Keywords: Egypt, Egyptian, Aswan, Nubian, Nubia, Museum, exhibit, statue, schist, Amenirdis, Amenardis, Amenras, royal, sister, divine, wife, Amun, priestess, inside, interior, ancient, upright
Aswan Nubian Offering Carving EG052943JHP Aswan Egyptian Nubian Museum Pharoah Ramses offering to Horus on this relief exhibit in this modern building whose foundations were laid in 1986, opened in 1997 and organised through UNESCO. Very low artificial light makes general photography difficult as well as affecting accurate colour balance. This now appears to be the only museum in Egypt where photography is still allowed although it is not easy as the ambient lighting is extremely subdued for conservation reasons. Keywords: Egypt, Egyptian, Aswan, Nubian, Nubia, Museum, exhibit, relief, offering, Horus, pharaoh, Ramses, Ramasses, Ramesses, cartouche, inside, interior, ancient, landscape
Aswan Nubian Museum Skeleton EG052935JHP Aswan Egyptian Nubian Museum grave and skeleton dating to prehistory around 35-3000BC and found at Kubanieh, the 2nd Cataract on the River nIle at Aswan. Semi Nomadic tribe buring dead in oval/rectangular pits of a stone structure and including burial goods just as peronal ornaments made of ivory, faience, bone; shells and coloured stones. An exhibit in this modern building whose foundations were laid in 1986, opened in 1997 and organised through UNESCO. Very low artificial light makes general photography difficult as well as affecting accurate colour balance. This now appears to be the only museum in Egypt where photography is still allowed although it is not easy as the ambient lighting is extremely subdued for conservation reasons. Keywords: Egypt, Egyptian, Aswan, Nubian, Nubia, Museum, exhibit, skeleton, grave, burial' goods, pots, bowls, ornaments, bone, sand, inside, interior, ancient, prehistoric, nomads, landscape
Aswan Nubian Museum Pot EG052959JHP Aswan Egyptian Nubian Museum Kerma Pottery with black and red distinctive colours from the nature of its firing an interesting example on display inside this modern building whose foundations were laid in 1986, opened in 1997 and organised through UNESCO. Very low artificial light makes general photography difficult as well as affecting accurate colour balance. This now appears to be the only museum in Egypt where photography is still allowed although it is not easy as the ambient lighting is extremely subdued for conservation reasons. Keywords: Egypt, Egyptian, Aswan, Nubian, Nubia, Museum, exhibit, Kerma, pottery, black, red, colouration, firing, inside, interior, ancient, landscape
Aswan Nubian Museum Painting EG052976JHP Aswan Egyptian Nubian Museum early Christian wall fresco exhibited in this modern building whose foundations were laid in 1986, opened in 1997 and organised through UNESCO. Very low artificial light makes general photography difficult as well as affecting accurate colour balance. This now appears to be the only museum in Egypt where photography is still allowed although it is not easy as the ambient lighting is extremely subdued for conservation reasons. Keywords: Egypt, Egyptian, Aswan, Nubian, Nubia, Museum, exhibit, Christian, wall, painting, fresco, cross, religious, religion, symbolism, inside, interior, upright
Aswan Nubian Museum Necklace EG052983JHP Aswan Egyptian Nubian Museum Sudanese necklace of gold and semi-precious stones, another stunning exhibit in this modern building whose foundations were laid in 1986, opened in 1997 and organised through UNESCO. Very low artificial light makes general photography difficult as well as affecting accurate colour balance. This now appears to be the only museum in Egypt where photography is still allowed although it is not easy as the ambient lighting is extremely subdued for conservation reasons. Keywords: Egypt, Egyptian, Aswan, Nubian, Nubia, Museum, exhibit, necklace, gold, semi-precious, stones, jewels, Sudan, Sudanese, blue, red, golden, dangling, inside, interior, ancient, upright
Aswan Nubian Museum Lamp EG052977JHP Aswan Egyptian Nubian Museum Islamic Glass lamp in Mameluk style with enamelled naskhi test giving the Emir Qusun and his title from the Ottaman period and a specular example of the ancient craftmanship on show in this modern building whose foundations were laid in 1986, opened in 1997 and organised through UNESCO. Very low artificial light makes general photography difficult as well as affecting accurate colour balance. This now appears to be the only museum in Egypt where photography is still allowed although it is not easy as the ambient lighting is extremely subdued for conservation reasons. Keywords: Egypt, Egyptian, Aswan, Nubian, Nubia, Museum, exhibit, glass, lamp, large, text, nashki, enamelled, inside, interior, ancient, Ottaman, Islamic, Mameluke, upright
Aswan Nubian Museum Jewellery EG052957JHP Aswan Egyptian Nubian Museum display of early jewellery, a colourful display showing the craftsmanship of early Egyptians inside this modern air-conditioned building whose foundations were laid in 1986, opened in 1997 and organised through UNESCO. Very low artificial light makes general photography difficult as well as affecting accurate colour balance. This now appears to be the only museum in Egypt where photography is still allowed although it is not easy as the ambient lighting is extremely subdued for conservation reasons. Keywords: Egypt, Egyptian, Aswan, Nubian, Nubia, Museum, exhibit, jewellery, beads, necklace, ungunent, oil, pot, inside, interior, ancient, landscape
Aswan Nubian Museum Glassware EG052960JHP Aswan Egyptian Nubian Museum example of glassblowing and design from Nubia in this modern building whose foundations were laid in 1986, opened in 1997 and organised through UNESCO. Very low artificial light makes general photography difficult as well as affecting accurate colour balance. This now appears to be the only museum in Egypt where photography is still allowed although it is not easy as the ambient lighting is extremely subdued for conservation reasons. Keywords: Egypt, Egyptian, Aswan, Nubian, Nubia, Museum, exhibit, glass, bottle, glassware, design, local, etched, elaborate, inside, interior, ancient, upright
Aswan Nubian Museum Figurine EG052970JHP Aswan Egyptian Nubian Museum figurine of post Christian period and charming exmaple of mnay exhibits in this modern building whose foundations were laid in 1986, opened in 1997 and organised through UNESCO. Very low artificial light makes general photography difficult as well as affecting accurate colour balance. This now appears to be the only museum in Egypt where photography is still allowed although it is not easy as the ambient lighting is extremely subdued for conservation reasons. Keywords: Egypt, Egyptian, Aswan, Nubian, Nubia, Museum, exhibit, figurine, boy, sprite, inside, interior, ancient, upright
Aswan Nubian Museum Display EG052946JHP Aswan Egyptian Nubian Museum example of exhibits on display in this modern building whose foundations were laid in 1986, opened in 1997 and organised through UNESCO. Very low artificial light makes general photography difficult as well as affecting accurate colour balance. This now appears to be the only museum in Egypt where photography is still allowed although it is not easy as the ambient lighting is extremely subdued for conservation reasons. Keywords: Egypt, Egyptian, Aswan, Nubian, Nubia, Museum, exhibit, exhibits, display, inside, interior, ancient, upright
Aswan Nubian Museum Bowls EG052937JHP Aswan Egyptian Nubian Museum bowls with hunting scenes, wild animals and hunters from the 6th Dysnasty and found at Qubbet el Hawa on display in this modern air-conditioned building whose foundations were laid in 1986, opened in 1997 and organised through UNESCO. Very low artificial light makes general photography difficult as well as affecting accurate colour balance. This now appears to be the only museum in Egypt where photography is still allowed although it is not easy as the ambient lighting is extremely subdued for conservation reasons. Keywords: Egypt, Egyptian, Aswan, Nubian, Nubia, Museum, exhibit, bowls, dishes, pottery, hunting, scenes, huneters, lion, gazelle, leopard, hares, fish, inside, interior, ancient, landscape
Aswan Nubian Museum School EG052981JHP Aswan Egyptian Nubian Museum interior exhibit of Nubian school teacher and class in Nubia village design and decoration before flooding destroyed much of the Nubian lands and villages. Display inside this modern air-conditioned building whose foundations were laid in 1986, opened in 1997 and organised through UNESCO. Very low artificial light makes general photography difficult as well as affecting accurate colour balance. This now appears to be the only museum in Egypt where photography is still allowed although it is not easy as the ambient lighting is extremely subdued for conservation reasons. Keywords: Egypt, Egyptian, Aswan, Nubian, Nubia, Museum, exhibit, school, teaching, class, children, teacher, model, replica, history, historical, inside, interior, ancient, landscape
Aswan Nubian Museum Oil Lamp EG052972JHP Aswan Egyptian Nubian Museum bronze oil lamp in man's face design with silver and garnet eyes one of mnay fascinating exhibits in this modern building whose foundations were laid in 1986, opened in 1997 and organised through UNESCO. Very low artificial light makes general photography difficult as well as affecting accurate colour balance. This now appears to be the only museum in Egypt where photography is still allowed although it is not easy as the ambient lighting is extremely subdued for conservation reasons. Keywords: Egypt, Egyptian, Aswan, Nubian, Nubia, Museum, exhibit, oil, lmap, bronze, head, face, eyes, garnet, silver, inside, interior, ancient, Mameluke, landscape
Aswan Nubian Museum Coffin EG052921JHP Aswan Egyptian Nubian Museum Golden Coffin of bearded priest Wennefer an exhibit inside this modern building whose foundations were laid in 1986, opened in 1997 and organised through UNESCO. Very low artificial light makes general photography difficult as well as affecting accurate colour balance. This now appears to be the only museum in Egypt where photography is still allowed although it is not easy as the ambient lighting is extremely subdued for conservation reasons. Keywords: Egypt, Egyptian, Aswan, Nubian, Nubia, Museum, exhibit, gold, coffin, Wennefer, priest, bearded, colurs, colors, painted, shining, golden, inside, interior, ancient, landscape
Aswan Nubian Museum Chapel EG052963JHP Aswan Egyptian Nubian Museum Chapel of Usersatet Viceroy of Kush during reign of Amenhotep 11 and was rock hewn beneath Qasr Ibrim in sandstone during 18th Dynasty. The figures represent l-r Goddess Satest, Amenhotep and Horus of Aniba and now housed in this modern air-conditioned building whose foundations were laid in 1986, opened in 1997 and organised through UNESCO. Very low artificial light makes general photography difficult as well as affecting accurate colour balance. This now appears to be the only museum in Egypt where photography is still allowed although it is not easy as the ambient lighting is extremely subdued for conservation reasons. Keywords: Egypt, Egyptian, Aswan, Nubian, Nubia, Museum, exhibit, inside, interior, ancient, chapel, rock, hewn, sandstone, Usersatet, Viceroy, Kush, Amenhotep, Goddess, Satest, Horus, Aniba, landscape
Aswan Nubian Museum Centrepiece EG052931JHP Aswan Egyptian Nubian Museum main central area dominated by Ramses 11 Statue and giving a sense of the modern style of this building whose foundations were laid in 1986, opened in 1997 and organised through UNESCO. Very low artificial light makes general photography difficult as well as affecting accurate colour balance. This now appears to be the only museum in Egypt where photography is still allowed although it is not easy as the ambient lighting is extremely subdued for conservation reasons. Keywords: Egypt, Egyptian, Aswan, Nubian, Nubia, Museum, exhibit, inside, interior, ancient, centepiece, central, overview, upright
Aswan Nubian Museum Centre EG052930JHP Aswan Egyptian Nubian Museum interior centrepiece and giving sense of the main display area in this very modern building whose foundations were laid in 1986, opened in 1997 and organised through UNESCO. Very low artificial light makes general photography difficult as well as affecting accurate colour balance. This now appears to be the only museum in Egypt where photography is still allowed although it is not easy as the ambient lighting is extremely subdued for conservation reasons. Keywords: Egypt, Egyptian, Aswan, Nubian, Nubia, Museum, exhibit, inside, interior, ancient, centrepiece, overview, landscape
Aswan Nubian Museum Carving EG052934JHP Aswan Egyptian Nubian Museum prehistoric stone carving of cow and calf in this modern air-conditioned building whose foundations were laid in 1986, opened in 1997 and organised through UNESCO. Very low artificial light makes general photography difficult as well as affecting accurate colour balance. This now appears to be the only museum in Egypt where photography is still allowed although it is not easy as the ambient lighting is extremely subdued for conservation reasons. Keywords: Egypt, Egyptian, Aswan, Nubian, Nubia, Museum, exhibit, inside, interior, ancient, prehistoric, stone, carving, female, animals, cow, calf, landscape
Aswan Nubian Museum Bird Lamp EG052971JHP Aswan Egyptian Nubian Museum brass dove design oil lamp one of many exhibits in this modern building whose foundations were laid in 1986, opened in 1997 and organised through UNESCO. Very low artificial light makes general photography difficult as well as affecting accurate colour balance. This now appears to be the only museum in Egypt where photography is still allowed although it is not easy as the ambient lighting is extremely subdued for conservation reasons. Keywords: Egypt, Egyptian, Aswan, Nubian, Nubia, Museum, exhibit, inside, interior, ancient, bird, brass, oil, lamp, Mameluke, landscape
Aswan Nubian Life Model EG052980JHP Aswan Egyptian Nubian Museum interior exhibit of Nubian house design and decoration before flooding destroyed much of the Nubian lands and villages. Display inside this modern air-conditioned building whose foundations were laid in 1986, opened in 1997 and organised through UNESCO. Very low artificial light makes general photography difficult as well as affecting accurate colour balance. This now appears to be the only museum in Egypt where photography is still allowed although it is not easy as the ambient lighting is extremely subdued for conservation reasons. Keywords: Egypt, Egyptian, Aswan, Nubian, Nubia, Museum, exhibit, model, house, school, teaching, inside, interior, ancient, landscape
Aswan Nubian Gold Coffin EG052917JHP Aswan Egyptian Nubian Museum Golden Coffin of bearded priest Wennefer an exhibit inside this modern building whose foundations were laid in 1986, opened in 1997 and organised through UNESCO. Very low artificial light makes general photography difficult as well as affecting accurate colour balance. This now appears to be the only museum in Egypt where photography is still allowed although it is not easy as the ambient lighting is extremely subdued for conservation reasons. Keywords: Egypt, Egyptian, Aswan, Nubian, Nubia, Museum, exhibit, coffin, bearded, priest, Wennefer, painted, colourful, colorful, inside, interior, ancient, landscape
Aswan Nubian Female Statue EG052945JHP Aswan Egyptian Nubian Museum schist statue of Ankhesneferihre, daughter of Saite King and entitled Divine Wife of Amun dating from 26th Dynasty at Karnak and displayed inside this modern air-conditioned building whose foundations were laid in 1986, opened in 1997 and organised through UNESCO. Very low artificial light makes general photography difficult as well as affecting accurate colour balance. This now appears to be the only museum in Egypt where photography is still allowed although it is not easy as the ambient lighting is extremely subdued for conservation reasons. Keywords: Egypt, Egyptian, Aswan, Nubian, Nubia, Museum, exhibit, statue, Ankhesneferihre, female, daughter, Saite, King, schist, divine, wife, Amun, inside, interior, ancient, upright
Aswan Nubian Coffin Texts EG052940JHP Aswan Egyptian Nubian Museum Coffin Texts inside sarcophagus of Heketa found at rock cut tomb at Kubbet el Hawa and dating to 12th Dynasty, an exhibit inside modern air-conditioned building whose foundations were laid in 1986, opened in 1997 and organised through UNESCO. Very low artificial light makes general photography difficult as well as affecting accurate colour balance. This now appears to be the only museum in Egypt where photography is still allowed although it is not easy as the ambient lighting is extremely subdued for conservation reasons. Keywords: Egypt, Egyptian, Aswan, Nubian, Nubia, Museum, exhibit, coffin, lid, texts, hieroglyphs, book, dead, Heketa, sarcophagus, Kubbet el Hawa, Qubbet, Hawwa, inside, interior, ancient, landscape
Aswan Museum Quartzite Statue EG052942JHP Aswan Egyptian Nubian Museum quartzite statue of Horemakhet High Priest of Amun at Thebes and son of the Nubian Pharoah Shabaka around 700BC and an exhibit in a modern air-conditioned building whose foundations were laid in 1986, opened in 1997 and organised through UNESCO. Very low artificial light makes general photography difficult as well as affecting accurate colour balance. This now appears to be the only museum in Egypt where photography is still allowed although it is not easy as the ambient lighting is extremely subdued for conservation reasons. Keywords: Egypt, Egyptian, Aswan, Nubian, Nubia, Museum, exhibit, statue, quartzite, Horemakhet, priest, Amun, Thebes, Kushite, inside, interior, ancient, upright
Aswan Nubian Museum Ramses Statue EG052952JHP Aswan Egyptian Nubian Museum Statue of Ramses 11 from Garf Hussein temple colonnade built in the 19th Dynasty by Setau Viceroy of Kush in sandstone. En Exhibit inside a modern air-conditioned building whose foundations were laid in 1986, opened in 1997 and organised through UNESCO. Very low artificial light makes general photography difficult as well as affecting accurate colour balance. This now appears to be the only museum in Egypt where photography is still allowed although it is not easy as the ambient lighting is extremely subdued for conservation reasons. Keywords: Egypt, Egyptian, Aswan, Nubian, Nubia, Museum, exhibit, statue, Ramses, Ramasses, Ramesses, sandstone, Setau, Viceroy, Kush, Osiride, flail, hook, arms, crossed, inside, interior, ancient, landscape
Aswan Nubian Museum Ramses 11 EG052954JHP Aswan Egyptian Nubian Museum Statue of Ramses 11 from Garf Hussein temple colonnade built in the 19th Dynasty by Setau Viceroy of Kush in sandstone. En Exhibit inside a modern air-conditioned building whose foundations were laid in 1986, opened in 1997 and organised through UNESCO. Very low artificial light makes general photography difficult as well as affecting accurate colour balance. This now appears to be the only museum in Egypt where photography is still allowed although it is not easy as the ambient lighting is extremely subdued for conservation reasons. Keywords: Egypt, Egyptian, Aswan, Nubian, Nubia, Museum, exhibit, statue, Ramses, Ramasses, Ramesses, great, Osiride, sandstone, Setau, Viceroy, Kush, inside, interior, ancient, upright
Aswan Museum Philae Model EG052967JHP Aswan Egyptian Nubian Museum model of Philae Temple before relocation with the noticeable omission of Trajan's Kiosk and inside a modern airconditioned building whose foundations were laid in 1986, opened in 1997 and organised through UNESCO. Very low artificial light makes general photography difficult as well as affecting accurate colour balance. This now appears to be the only museum in Egypt where photography is still allowed although it is not easy as the ambient lighting is extremely subdued for conservation reasons. Keywords: Egypt, Egyptian, Aswan, Nubian, Nubia, Museum, exhibit, Philae, Temple, model, prior, relocation, inside, interior, ancient, landscape
Aswan Museum Osiride Ramses EG052950JHP Aswan Egyptian Nubian Museum Statue of Ramses 11 from Garf Hussein temple colonnade built in the 19th Dynasty by Setau Viceroy of Kush in sandstone. En Exhibit inside a modern air-conditioned building whose foundations were laid in 1986, opened in 1997 and organised through UNESCO. Very low artificial light makes general photography difficult as well as affecting accurate colour balance. This now appears to be the only museum in Egypt where photography is still allowed although it is not easy as the ambient lighting is extremely subdued for conservation reasons. Keywords: Egypt, Egyptian, Aswan, Nubian, Nubia, Museum, exhibit, statue, Ramses, Ramasses, Ramesses, Osiride, sandstone, Setau, Viceroy, Kush, standing, inside, interior, ancient, upright
Aswan Museum Model Soldiers EG052939JHP Aswan Egyptian Nubian Museum exhibit of model wooden soldiers from the 11th Dynasty of the Old Kingdom inside a modern air-conditioned building whose foundations were laid in 1986, opened in 1997 and organised through UNESCO. Very low artificial light makes general photography difficult as well as affecting accurate colour balance. This now appears to be the only museum in Egypt where photography is still allowed although it is not easy as the ambient lighting is extremely subdued for conservation reasons. Keywords: Egypt, Egyptian, Aswan, Nubian, Nubia, Museum, exhibit, inside, interior, ancient, prehistoric, Islamic, Mameluke, landscape, model, soldiers, wooden, archers, bows, arrows
Aswan Museum Coronation Stele EG052947JHP Aswan Egyptian Nubian Museum Coronation Stele exhibit of King Aspalta from Gebel Barkal and in a modern air-conditioned building whose foundations were laid in 1986, opened in 1997 and organised through UNESCO. Very low artificial light makes general photography difficult as well as affecting accurate colour balance. This now appears to be the only museum in Egypt where photography is still allowed although it is not easy as the ambient lighting is extremely subdued for conservation reasons. Keywords: Egypt, Egyptian, Aswan, Nubian, Nubia, Museum, exhibit, inside, interior, ancient, stele, coronation, king, Aspalta, Amun, ram, head, Mut, mother, Nasala, granite, Gebel Barkal, landscape
Aswan Museum Abu Simbel Photo EG052922JHP Aswan Egyptian Nubian Museum photo of Abu Simbel showing it by the River Nile in the 1960's before being moved and in a modern air-conditioned building whose foundations were laid in 1986, opened in 1997 and organised through UNESCO. Very low artificial light makes general photography difficult as well as affecting accurate colour balance. This now appears to be the only museum in Egypt where photography is still allowed although it is not easy as the ambient lighting is extremely subdued for conservation reasons. Keywords: Egypt, Egyptian, Aswan, Nubian, Nubia, Museum, exhibit, inside, interior, ancient, landscape, Abu Simbel, photo, original, setting, old, early, River, Nile, banks, riverside

Egypt > Giza Pyramids & Sphinx (7 files)

Photographs of the three Giza pyramids of Khufu, Khafre and Menkaure, the Sphinx, temples, Solar Barque museum and western cemetery mastabas, including the Light and Sound Show night views.
Giza Tomb Sign EG050955jhp Neferbauptah Tomb Giza notice sign board information entrance Egyptian cemetery, who was Iymery’s son and a government official who held the title Steward of the Great estate like his father, and one of many private mastabas from the middle to late Dynasty V that make up the Western Cemetery near the Great Pyramid of Khufu at Giza with an interior painted wall relief in the tomb. Interior photography is difficult as flash and tripods are not usually allowed and interior lighting can be poor and gives inaccurate colour balances. This photo was taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions Keywords: Egypt, Egyptian, Giza, West, Western, Cemetery, digital, interior, landscape, noble, official, tomb, mastaba, mortuary, chapel, Great, Steward, Estate, Neferbauptah, son, Iymery, notice, board, information, burial, chamber, funeral, ceremonial, afterlife, religion, beliefs, death, burial
Tomb Carving Neferbauptah EG050964jhp Neferbauptah Tomb Giza painted colours freize hieroglyphs carving ceiling Egypt, who was Iymery’s son and a government official who held the title Steward of the Great estate like his father, and one of many private mastabas from the middle to late Dynasty V that make up the Western Cemetery near the Great Pyramid of Khufu at Giza with an interior painted wall relief in the tomb. Interior photography is difficult as flash and tripods are not usually allowed and interior lighting can be poor and gives inaccurate colour balances. This photo was taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions Keywords: Egypt, Egyptian, Giza, West, Western, Cemetery, digital, interior, landscape, noble, official, tomb, mastaba, mortuary, chapel, Great, Steward, Estate, Neferbauptah, son, Iymery, interior, painted, reliefs, agricultural, scene, cattle, bovine, fish, boats, sailing, rowing, burial, chamber, funeral, ceremonial, afterlife, religion, beliefs, death, burial
Tomb Carving Neferbauptah EG050961jhp Neferbauptah Tomb Giza painted seated offering food colours ancient Egypt, who was Iymery’s son and a government official who held the title Steward of the Great estate like his father, and one of many private mastabas from the middle to late Dynasty V that make up the Western Cemetery near the Great Pyramid of Khufu at Giza with an interior painted wall relief in the tomb. Interior photography is difficult as flash and tripods are not usually allowed and interior lighting can be poor and gives inaccurate colour balances. This photo was taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions Keywords: Egypt, Egyptian, Giza, West, Western, Cemetery, digital, interior, landscape, noble, official, tomb, mastaba, mortuary, chapel, Great, Steward, Estate, Neferbauptah, son, Iymery, interior, painted, reliefs, offering, food, fruit, scene, burial, chamber, funeral, ceremonial, afterlife, religion, beliefs, death, burial
Tomb Carving Neferbauptah EG050960jhp Neferbauptah Tomb Giza Wall agricultural cattle Scene Interior carving Egypt, who was Iymery’s son and a government official who held the title Steward of the Great estate like his father, and one of many private mastabas from the middle to late Dynasty V that make up the Western Cemetery near the Great Pyramid of Khufu at Giza with an interior painted wall relief in the tomb. Interior photography is difficult as flash and tripods are not usually allowed and interior lighting can be poor and gives inaccurate colour balances. This photo was taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions Keywords: Egypt, Egyptian, Giza, West, Western, Cemetery, digital, interior, landscape, noble, official, tomb, mastaba, mortuary, chapel, Great, Steward, Estate, Neferbauptah, son, Iymery, interior, painted, reliefs, agricultural, scene, cattle, bovine, fish, boats, sailing, rowing, burial, chamber, funeral, ceremonial, afterlife, religion, beliefs, death, burial
Tomb Carving Neferbauptah EG050959jhp Neferbauptah Tomb Giza carving donkey loads carrying ancient Egyptian interior, who was Iymery’s son and a government official who held the title Steward of the Great estate like his father, and one of many private mastabas from the middle to late Dynasty V that make up the Western Cemetery near the Great Pyramid of Khufu at Giza with an interior painted wall relief in the tomb. Interior photography is difficult as flash and tripods are not usually allowed and interior lighting can be poor and gives inaccurate colour balances. This photo was taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions Keywords: Egypt, Egyptian, Giza, West, Western, Cemetery, digital, interior, landscape, noble, official, tomb, mastaba, mortuary, chapel, Great, Steward, Estate, Neferbauptah, son, Iymery, interior, carved: relief, agricultural, scene, donkey, carrying, loads, back, sailing, rowing, burial, chamber, funeral, ceremonial, afterlife, religion, beliefs, death, burial
Tomb Carving Neferbauptah EG050957jhp Neferbauptah Tomb Giza Wall offering gifts list carved stone Scene carving Egypt, who was Iymery’s son and a government official who held the title Steward of the Great estate like his father, and one of many private mastabas from the middle to late Dynasty V that make up the Western Cemetery near the Great Pyramid of Khufu at Giza with an interior painted wall relief in the tomb. Interior photography is difficult as flash and tripods are not usually allowed and interior lighting can be poor and gives inaccurate colour balances. This photo was taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions Keywords: Egypt, Egyptian, Giza, West, Western, Cemetery, digital, interior, landscape, noble, official, tomb, mastaba, mortuary, chapel, Great, Steward, Estate, Neferbauptah, son, Iymery, interior, painted, reliefs, agricultural, scene, cattle, bovine, fish, boats, sailing, rowing, burial, chamber, funeral, ceremonial, afterlife, religion, beliefs, death, burial
Neferbauptah Giza Tomb Painting EG050963JHP Neferbauptah Tomb Giza Wall Painting Hieroglyphs Offering Scene Interior Photo, probably a government official, in the many mastabas that make up the Western Cemetery near the Great Pyramid of Khufu at Giza with an interior painted wall relief in the tomb. Interior photography is diificult as flash and tripods are not allowed and interior lighting can be poor and gives inaccurate colour balances Keywords: Egypt, Egyptian, Giza, West, Western, Cemetery, digital, interior, landscape, nobles, officials, tombs, mastabas, Neferbauptah, interiors, painted, reliefs, fish, boats, sailing, rowing, burial, chamber, funeral, ceremonial, afterlife, religion, beliefs, death, burial

Egypt > Luxor Nobles Tombs (27 files)

Photographs in this gallery are of the various Tombs of the Nobles on the West Bank if the Nile at Luxor in the area called Qurnet Murai
Luxor Nakht Tomb EG00679jhp Egyptian Luxor Tombs Nobles Nakht grapes fish ducks food preparing Tomb Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00678jhp Egypt ancient food Nakht grapes figs fish ducks baskets food feast pile Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00677jhp Egypt Luxor Astronomer Nakht honey wine food feast colours wall painting Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00676jhp Egyptian Luxor Tombs Nobles Nakht female harp player Tomb painted Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, musicians, women, flute, lute, harp, naked, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00675jhp Egyptian Luxor Tomb Noble Nakht food feast Tomb Colour Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00674jhp Egypt Luxor Nakht Tomb women servant lotus flower Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00673jhp Egypt Luxor Tombs Nobles Nakht women musicians naked Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, musicians, women, flute, lute, harp, naked, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00672jhp Egypt Luxor Tombs Nobles Nakht grapes food feast pile Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006714jhp Egypt Luxor Nakht Tomb tree Goddess Hathor food feast papyrus Colours Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006713jhp Egypt Luxor Tombs Nobles Nakht grapes wine making workmen Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006712jhp Egypt Luxor Tomb Noble Nakht grapes treading wine fowls workers Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006730jhp Egyptian Thebes Tombs Nobles Menna Marshland scene boat fishing fish water is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG9410023jhp Egypt Luxor Menna Wife Banquet eye damage food details Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 as this photo records and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji RDP 100asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 1994, Fuji, RDP, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006733jhp Egypt Luxor Tombs Nobles Menna colourful wine lotus flowers Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006732jhp Egypt Luxor Tomb Noble Menna marshland ducks ibis food hunting Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006731jhp Egyptian Luxor Noble Menna marshland fishing nets fish colours details Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006729jhp Egypt Luxor Tomb Mena herding Isis Horus mother unusual Anubis cattle Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. This depiction of the Goddess which I believe is Isis is very unusual with Horus on her head and I have not been able to find it elsewhere shown in my reference books or on the Internet. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006728jhp Egypt Thebes Noble Menna Scribe cattle Isis Horus ankh Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006727jhp Egypt Luxor Tombs Nobles Menna Banquet Wall covering colourful Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006726jhp Egyptian Luxor Tomb Noble Menna Scribe Royal Tomb Reliefs walls room is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006725jhp Egypt Luxor Tomb Noble Menna Wife Banquet scene Scribe Royal Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006724jhp Egypt Luxor Tombs Nobles Menna Scribe harvest farming scenes painted is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006723jhp Egypt Thebes Tomb Noble Mena Osiris seated colourful Relief God offering is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006722jhp Egypt Luxor Noble Menna Wife offering Osiris God food Scribe Royal Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006721jhp Egypt Luxor Menna Tomb Osiris Offering scenes Room ceiling walls is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006720jhp Egypt Luxor Tombs Nobles Menna Scribe Royal banquet eyes missing colors is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006719jhp Egypt Luxor Tombs Nobles Menna Mena Scribe offering table colours details Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm

Egypt > Philae Temple Aswan (1 file)

Photographs in this gallery are of Philae Temple dedicated to the Goddess Isis, a relocated site on an island in the flooded River Nile at Aswan including the Light and Sound Show night photos
Philae Light Show EG961647jhp Philae Light Show Aswan Egypt outer wall carvings lights night Gods offering in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited but this area on the outer wall after leaving the second pylon was slightly easier as the lights stayed on longer. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Aswan, River, Nile, Nubia, Agilkia, Philae, Temple, landscape, stele, outer, wall, second, pylon, pylons, Trajan, Kiosk, stele, Ptolemaic, Island, Sound, Light, Son, Lumiere, surreal, experience, spectacular, fantasy, dramatic, colours, colors, colourful, colorful, history, antiquity, ancient, Egyptian, walk, through, sitting, dark, night, stars, holiday, travel, tourists, tourism, boat, water, Egyptology, entrance, courtyard, colonnades, 1996, slide, film, medium, format, transparency, 645, Bronica, ETRSi, tungsten, daylight, balanced, scanned, scan

Egypt > Valley of Kings Luxor (12 files)

Photographs of the Valley of the Kings from tomb interiors as well as exterior views of the valley including the tombs of Ramses 1V, KV 43 and 19.
Tomb Ramasses IV EG0171EJHP Ancient Egyptian Tomb Ramses 1V [KV2] Valley Kings Luxor Thebes West Bank of the River Nile at Luxor, the ancient Egyptian capital city of Thebes and is a spectacular example of true majesty with scale, colour and elaborate craftsmanship carved out of solid rock. This was the only opportunity I had of using a tripod, special ticket available in 2001 and I had a roll of tungsten artificial light balanced slide film which allowed long exposures and a decent depth of field. The custodians could not have been more helpful and even cleared areas for me to photograph free of visitors but oh for my D700 DSLR. Keywords: Egypt, Luxor, West Bank, Thebes, Valley, Kings, Ramses, Ramasses, Ramesses, 1V, tomb, interior, inside, landscape, ancient, Egyptian, archaeology, Egyptology, tungsten, slide, scanned, burial, entrance, passagway, tunnel, hieroglyphs, coloured, colored, colourful, colorful, colours, colors, painted, ceiling, stars, spells
Tomb Ramasses IV EG01716JHP Ancient Egypt Tomb Ramses 1V [KV2] Ceiling Painted Nut Sky Goddess Interior in the Valley of the Kings on the West Bank of the River Nile at Luxor, the ancient Egyptian capital city of Thebes and is a spectacular example of true majesty with scale, colour and elaborate craftsmanship carved out of solid rock. This was the only opportunity I had of using a tripod, special ticket available in 2001 and I had a roll of tungsten artificial light balanced slide film which allowed long exposures and a decent depth of field. The custodians could not have been more helpful and even cleared areas for me to photograph free of visitors but oh for my D700 DSLR. Keywords: Egypt, Luxor, West Bank, Thebes, Valley, Kings, Ramses, Ramasses, Ramesses, 1V, tomb, interior, inside, landscape, ancient, Egyptian, archaeology, Egyptology, tungsten, slide, scanned, burial, Nut, Shu, heavens, holding, supporting, nightsky, chamber, hieroglyphs, coloured, colored, colourful, colorful, colours, colors, painted, ceiling, stars, spells
Tomb Ramasses IV EG01714JHP Burial Chamber Ancient Egyptian Tomb Ramses 1V [KV2] Barque Hieroglyphs Photo in the Valley of the Kings on the West Bank of the River Nile at Luxor, the ancient Egyptian capital city of Thebes and is a spectacular example of true majesty with scale, colour and elaborate craftsmanship carved out of solid rock. This was the only opportunity I had of using a tripod, special ticket available in 2001 and I had a roll of tungsten artificial light balanced slide film which allowed long exposures and a decent depth of field. The custodians could not have been more helpful and even cleared areas for me to photograph free of visitors but oh for my D700 DSLR. Keywords: Egypt, Luxor, West Bank, Thebes, Valley, Kings, Ramses, Ramasses, Ramesses, 1V, tomb, interior, inside, upright, ancient, Egyptian, archaeology, Egyptology, tungsten, slide, scanned, burial, Nut, nightsky, solar, barque, chamber, wall, hieroglyphs, coloured, colored, colourful, colorful, colours, colors, painted, ceiling, stars, spells
Tomb Ramasses IV EG01713JHP Tomb Ramses 1V [KV2] Valley Kings Egypt Painted Ceiling Walls Tungsten Photo on the West Bank of the River Nile at Luxor, the ancient Egyptian capital city of Thebes and is a spectacular example of true majesty with scale, colour and elaborate craftsmanship carved out of solid rock. This was the only opportunity I had of using a tripod, special ticket available in 2001 and I had a roll of tungsten artificial light balanced slide film which allowed long exposures and a decent depth of field. The custodians could not have been more helpful and even cleared areas for me to photograph free of visitors but oh for my D700 DSLR. Keywords: Egypt, Luxor, West Bank, Thebes, Valley, Kings, Ramses, Ramasses, Ramesses, 1V, tomb, interior, inside, landscape, ancient, Egyptian, archaeology, Egyptology, tungsten, slide, scanned, burial, Nut, nightsky, passages, chamber, hieroglyphs, coloured, colored, colourful, colorful, colours, colors, painted, ceiling, stars, spells
Tomb Ramasses IV EG017133JHP Tomb Ramses 1V [KV2] Painted Corridor Passage Egyptian Builders Skills in the Valley of the Kings on the West Bank of the River Nile at Luxor, the ancient Egyptian capital city of Thebes and is a spectacular example of true majesty with scale, colour and elaborate craftsmanship carved out of solid rock. This was the only opportunity I had of using a tripod, special ticket available in 2001 and I had a roll of tungsten artificial light balanced slide film which allowed long exposures and a decent depth of field. The custodians could not have been more helpful and even cleared areas for me to photograph free of visitors but oh for my D700 DSLR. Keywords: Egypt, Luxor, West Bank, Thebes, Valley, Kings, Ramses, Ramasses, Ramesses, 1V, tomb, interior, inside, upright, ancient, Egyptian, archaeology, Egyptology, tungsten, slide, scanned, burial, passageway, tunnel, sarcophagus, granite, chamber, hieroglyphs, coloured, colored, colourful, colorful, colours, colors, painted, ceiling, stars, spells
Tomb Ramasses IV EG01712JHP Egyptian Tomb Ramses 1V [KV2] Burial Chamber Sarcophagus Ceiling Nut Colours in the Valley of the Kings on the West Bank of the River Nile at Luxor, the ancient Egyptian capital city of Thebes and is a spectacular example of true majesty with scale, colour and elaborate craftsmanship carved out of solid rock. This was the only opportunity I had of using a tripod, special ticket available in 2001 and I had a roll of tungsten artificial light balanced slide film which allowed long exposures and a decent depth of field. The custodians could not have been more helpful and even cleared areas for me to photograph free of visitors but oh for my D700 DSLR. Keywords: Egypt, Luxor, West Bank, Thebes, Valley, Kings, Ramses, Ramasses, Ramesses, 1V, tomb, interior, inside, landscape, ancient, Egyptian, archaeology, Egyptology, tungsten, slide, scanned, burial, Nut, nightsky, sarcophagus, granite, chamber, hieroglyphs, coloured, colored, colourful, colorful, colours, colors, painted, ceiling, stars, spells
Tomb Ramasses IV EG017127JHP Burial Chamber Egyptian Tomb Ramses 1V [KV2] Granite Sarcophagus Photo Inside in the Valley of the Kings on the West Bank of the River Nile at Luxor, the ancient Egyptian capital city of Thebes and is a spectacular example of true majesty with scale, colour and elaborate craftsmanship carved out of solid rock. This was the only opportunity I had of using a tripod, special ticket available in 2001 and I had a roll of tungsten artificial light balanced slide film which allowed long exposures and a decent depth of field. The custodians could not have been more helpful and even cleared areas for me to photograph free of visitors but oh for my D700 DSLR. Keywords: Egypt, Luxor, West Bank, Thebes, Valley, Kings, Ramses, Ramasses, Ramesses, 1V, tomb, interior, inside, upright, ancient, Egyptian, archaeology, Egyptology, tungsten, slide, scanned, burial, Nut, nightsky, sarcophagus, granite, chamber, hieroglyphs, coloured, colored, colourful, colorful, colours, colors, painted, ceiling, stars, spells
Tomb Ramasses IV EG017124JHP Tomb Ramses 1V [KV2] Valley Kings Egypt Luxor Burial Chamber Colourful Reliefs Nut on the West Bank of the River Nile, the ancient Egyptian capital city of Thebes and is a spectacular example of true majesty with scale, colour and elaborate craftsmanship carved out of solid rock. This was the only opportunity I had of using a tripod, special ticket available in 2001 and I had a roll of tungsten artificial light balanced slide film which allowed long exposures and a decent depth of field. The custodians could not have been more helpful and even cleared areas for me to photograph free of visitors but oh for my D700 DSLR. Keywords: Egypt, Luxor, West Bank, Thebes, Valley, Kings, Ramses, Ramasses, Ramesses, 1V, tomb, interior, inside, upright, ancient, Egyptian, archaeology, Egyptology, tungsten, slide, scanned, burial, Nut, nightsky, sarcophagus, granite, chamber, hieroglyphs, coloured, colored, colourful, colorful, colours, colors, painted, ceiling, stars, spells
Tomb Ramasses IV EG017122JHP Tomb Ramasses Valley Kings Thebes Chamber Egyptian Custodian Painting Colours on the West Bank of the River Nile at Luxor, the ancient Egyptian capital city of Thebes and is a spectacular example of true majesty with scale, colour and elaborate craftsmanship carved out of solid rock. This was the only opportunity I had of using a tripod, special ticket available in 2001 and I had a roll of tungsten artificial light balanced slide film which allowed long exposures and a decent depth of field. The custodians could not have been more helpful and even cleared areas for me to photograph free of visitors but oh for my D700 DSLR. Keywords: Egypt, Luxor, West Bank, Thebes, Valley, Kings, Ramses, Ramasses, Ramesses, 1V, tomb, interior, inside, landscape, custodian, turban, galabea, ancient, Egyptian, archaeology, Egyptology, tungsten, slide, scanned, burial, Nut, nightsky, sarcophagus, granite, chamber, hieroglyphs, coloured, colored, colourful, colorful, colours, colors, painted, ceiling, stars, spells
Tomb Ramasses IV EG017120JHP Egyptian Tomb Ramesses KV2 Ceiling Painted Stars Colours Cartcouches in the Valley of the Kings on the West Bank of the River Nile at Luxor, the ancient Egyptian capital city of Thebes and is a spectacular example of true majesty with scale, colour and elaborate craftsmanship carved out of solid rock. This was the only opportunity I had of using a tripod, special ticket available in 2001 and I had a roll of tungsten artificial light balanced slide film which allowed long exposures and a decent depth of field. The custodians could not have been more helpful and even cleared areas for me to photograph free of visitors but oh for my D700 DSLR. Keywords: Egypt, Luxor, West Bank, Thebes, Valley, Kings, Ramses, Ramasses, Ramesses, 1V, tomb, interior, inside, landscape, ancient, Egyptian, archaeology, Egyptology, tungsten, slide, scanned, burial, ceiling, roof, cartouches, nightsky, chamber, hieroglyphs, coloured, colored, colourful, colorful, colours, colors, painted, stars, spells
Tomb Ramasses IV EG017119JHP Entrance Corridor Painted People Tomb Egyptian Pharaoh Ramses Valley Kings on the West Bank of the River Nile at Luxor, the ancient Egyptian capital city of Thebes and is a spectacular example of true majesty with scale, colour and elaborate craftsmanship carved out of solid rock. This was the only opportunity I had of using a tripod, special ticket available in 2001 and I had a roll of tungsten artificial light balanced slide film which allowed long exposures and a decent depth of field. The custodians could not have been more helpful and even cleared areas for me to photograph free of visitors but oh for my D700 DSLR. Keywords: Egypt, Luxor, West Bank, Thebes, Valley, Kings, Ramses, Ramasses, Ramesses, 1V, tomb, interior, inside, upright, ancient, Egyptian, archaeology, Egyptology, tungsten, slide, scanned, burial, entrance, exit, passageway, hieroglyphs, coloured, colored, colourful, colorful, colours, colors, painted, ceiling, stars, spells
Tomb Ramasses IV EG017111JHP Ancient Egyptian Tomb Ramses Corridor Wall Book Dead Hieroglyphs Afterlife Spell in the Valley of the Kings on the West Bank of the River Nile at Luxor, the ancient Egyptian capital city of Thebes and is a spectacular example of true majesty with scale, colour and elaborate craftsmanship carved out of solid rock. This was the only opportunity I had of using a tripod, special ticket available in 2001 and I had a roll of tungsten artificial light balanced slide film which allowed long exposures and a decent depth of field. The custodians could not have been more helpful and even cleared areas for me to photograph free of visitors but oh for my D700 DSLR. Keywords: Egypt, Luxor, West Bank, Thebes, Valley, Kings, Ramses, Ramasses, Ramesses, 1V, tomb, interior, inside, landscape, ancient, Egyptian, archaeology, Egyptology, tungsten, slide, scanned, burial, formula, Book, Dead, hieroglyphs, coloured, colored, colourful, colorful, colours, colors, painted, ceiling, stars, spells

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