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Aurora over Scotland (72 files)

Aurora Borealis or Northern Lights displays photographed taken over Aberdeeshire in Scotland since 1989 covering some 350 events with arc, rays, coronas with a wide rnage of shapes and colours
Deeside Aurora au721112ajhp 
 Scotland Auroral Glow airglow Neuk Crathes Banchory Deeside spring 1990 night sky taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the morning of 9th October at 00.35hrs UT was observed as a regular occurrence on nights preceding active Aurora displays and the Auroral Glow was described in Neil Bone’s The Aurora: Sun-Earth Interactions p112 as against airglow see p147. This was in the days of no Internet predictive sites like Spaceweather.com and the only way I could see displays was to sit on every clear night and watch the skies. This noticeably brighter night sky, rather like twilight that should not have been there at midnight in October encouraged me to make sure of being on site the following evening, in this case at 21.47hrs UT on the 9th when the glow was visible. Activity started around 22.15 with faint beams visible. I have already added other photos taken using Fuji RSP-416 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Auroral Glow, airglow, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa Major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, blue, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, October, winter, 9th, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au816ajhp 
 Scotland Aurora Borealis Rays red oxygen strong colours Christmas Day 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 24th December at 22.15 hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, December, 25th, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au76224ajhp 
 Scotland Aurora Borealis Neuk hayrake Cassiopeia moonlight Deeside spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 27th April at 23.15hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. This evening was followed a day later by a very active morning on the 1st May which started after midnight and lasted until after dawn. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 27th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7624ajhp 
 Scotland Aurora Borealis Ley tree faint red rays Deeside Banchory spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 27th April at 22.50hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. This evening was followed a day later by a very active morning on the 1st May which started after midnight and lasted until after dawn. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 27th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7168jhp 
 Scottish aircraft strobe lights Aurora Borealis red colour Deeside February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February this one around 21.50hrs UT as it started to come active and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. The line of dots are the landing lights from commercila aircraft on approach to landing at Aberdeen Airport and in those days no flights could land after 10.00pm. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Glen Dye au61058jhp 
 Scottish Aurora Borealis display ray single Plough Aberdeenshire autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61054jhp 
 Scottish Aurora Borealis display Glen Dye faint multiple rays red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610536jhp 
 Scotland Aurora Borealis rays red clouds moving shapes Aberdeenshire autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film, the end of my first film, and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610535jhp 
 Scotland Aurora Borealis Glen Dye strong rays red clouds patterns autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610533jhp 
 Scottish Aurora Borealis Northern Lights display rays red clouds stars autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610531jhp 
 Scotland photo Aurora Borealis display rays pink clouds windy shapes autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61052jhp 
 Scotland Aurora Borealis display Glen Dye overexposed rays trailing stars red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610527jhp 
 Scotland Aurora Borealis night sky strong multiple rays red Arc autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610526jhp 
 Scotland Northern Lights Glen Dye many strong bright rays red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610525jhp 
 Scottish active Aurora Borealis Glen Dye rays large red clouds autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610524jhp 
 Scotland Merry Dancers display rays red stars several Aurora autumn September 26th & 27th 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610523jhp 
 Scotland Aurora Borealis Glen Dye rays red long exposure clouds 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610521jhp 
 Scotland Northern Lights Clachnaben hill rays mulitple red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610520jhp 
 Scotland Aurora Borealis display rays red clouds Jim Henderson Photo autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film, the first film I tried out, and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61051jhp 
 Scotland Aurora Borealis display Glen Dye rays clouds first photo autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo was the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible and some rays visible through the gaps. This was probably an underexposure, maybe 10 seconds or so. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610517jhp 
 Aberdeenshire Aurora Borealis display Glen Dye faint rays clouds gaps autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617120jhp 
 Scotland Aurora Borealis maximum bright strong display winter hills Boxing Day December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617119jhp 
 Scotland Aurora Borealis Boxing Day December rays bright Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617118jhp 
 Scottish Aurora Borealis display Boxing Day west rays Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, multiple, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617117jhp 
 Scotland Aurora Borealis moving ray red headlights Boxing Day Aberdeenshire December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617115jhp 
 Scotland Northern Lights multiple rays arc red yellow display 1989 Boxing Day December Cairn O’Mount taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617114jhp 
 Scotland Aurora Borealis several rays moving arc hill starting display Boxing Day December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617113jhp 
 Scottish Aurora Borealis early stage arc active Cairn O'Mount rays display Boxing Day December 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617111jhp 
 Scotland Aurora Borealis arc start display Aberdeenshire Jim Henderson Photograph Boxing Day December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61065jhp 
 Scotland Aurora Borealis display Clachnaben hill torr Glen Dye autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, upright, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610615jhp 
 Scottish Aurora Borealis Glen Dye red purple gas September 1989 slide film taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610613jhp 
 Scotland Aurora Borealis red display Glen Dye earliest first autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610612jhp 
 Scottish Aurora Borealis display Plough stars Glen Dye Aberdeenshire first autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610611jhp 
 Scotland Northern Lights Ursa Major red rays display Glen Dye earliest first autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Deeside bnm1931jhp 
 Merry Dancers Scottish display March green rays stars westerly view Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one taken at 21.42.29UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1954jhp 
 Aurora Borealis Scotland bright strong green red rays Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 21.51.42UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. 
This particular photograph was an experiment using a 50mm f1.8 lens and using very short exposures of 2-5 secs at 3200ISO as there was substantially more movement in this far more compact area of activity however depth of field effect is significant as seen in the out of focus trees whereas in similar views using the 24mm lens it is hardly noticeable. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, bright, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1951jhp 
 Northern Lights Scotland bright red green rays Aberdeenshire March Deeside taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 21.50.59UT, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. 
This particular photograph was an experiment using a 50mm f1.8 lens and using very short exposures of 2-5 secs at 3200ISO as there was substantially more movement in this far more compact area of activity however depth of field effect is significant as seen in the out of focus trees whereas in similar views using the 24mm lens it is hardly noticeable. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1942jhp 
 Aurora Borealis Scotland multiple rays streaming Deeside Aberdeenshire display west taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 21.47.59UT, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. 
This particular photograph was an experiment using a 50mm f1.8 lens and using very short exposures of 2-5 secs at 3200ISO as there was substantially more movement in this far more compact area of activity however depth of field effect is significant as seen in the out of focus trees whereas in similar views using the 24mm lens it is hardly noticeable. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, streaming, flaring, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1939jhp 
 Aurora Borealis Scottish many flaming rays Jim Henderson Photo experiment taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one taken at 21.47.37UT, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. 
This particular photograph was an experiment using a 50mm f1.8 lens and using very short exposures of 2-5 secs at 3200ISO as there was substantially more movement in this far more compact area of activity however depth of field effect is significant as seen in the out of focus trees whereas in similar views using the 24mm lens it is hardly noticeable. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, flaming, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1937jhp 
 Aurora Borealis Scotland green arc red rays Cassiopeia trees Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 21.44.50UT, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, Cassiopeia, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1934jhp 
 Norther Lights westwards Scottish photograph spring green rays Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one taken at 21.43.51UT, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1922jhp 
 Aurora Lights display Scotland bright flaming yellow rays Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one taken at 21.39.00UT, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. 
This particular photograph was an experiment using a 50mm f1.8 lens and using very short exposures of 2-5 secs at 3200ISO as there was substantially more movement in this far more compact area of activity however depth of field effect is significant as seen in the out of focus trees whereas in similar views using the 24mm lens it is hardly noticeable. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, 50mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1918jhp 
 Aurora Borealis Scottish hotspot streaming green arc active rays Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one taken at 21.36.52UT, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. 
This particular photograph was an experiment using a 50mm f1.8 lens and using very short exposures of 2-5 secs at 3200ISO as there was substantially more movement in this far more compact area of activity however depth of field effect is significant as seen in the out of focus trees whereas in similar views using the 24mm lens it is hardly noticeable. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, westwards, flaming, patching, streaming, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, 50mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1917jhp 
 Aurora Borealis Scottish spring green bright strong rays Aberdeenshire trees silhouette taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 21.36.04UT, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, westerwards, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1912jhp 
 Aurora Borealis Scotland March westerly trees dyke green rays Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this photo at 21.33.37UT, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, upright, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1909jhp 
 Aurora Borealis Scottish display west early spring green red rays Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 21.32.19UT, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1908jhp 
 Merry Dancers Northern Scotland green red rays easterly Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm this one at 21.32.00UT, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, north, eastwards, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1906jhp 
 Aurora Borealis Scotland westwards green rays red display Cassiopeia Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 21.31.25UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, Cassiopeia, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1905jhp 
 Aurora Borealis Scottish display north house spring green rays Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 21.30.28UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, Cassiopeia, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1901jhp 
 Aurora Borealis Scotland Cassiopeia green arc west trees Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, upright, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1900jhp 
 Aurora red ray west Orion stars forest Scotland spring Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, taken at 20.50.33Ut, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, Orion, Pleiades, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1897jhp 
 Northern Lights Scottish Cassiopeia westwards spring green red trees Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 21.48.11, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, Cassiopeia, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1896jhp 
 Aurora Borealis Scottish shed roof northwards March green double arc Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 20.46.53UT, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, Cassiopeia, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Torphins bnm1961jhp 
 Aurora rays arc village lights Scottish Deeside March green red Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this at 21.54.30UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Torphins bnm1959jhp 
 Aurora Borealis Scotland Torphins later stage green red rays Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this at 21.54.00, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. 
This photo was one of several taken with the display active again around 9.30pm during a second phase of activity from an arc lying eastwards across Torphins whose house and street lights are visible at the bottom right towards the end of the overall display around 10pm. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Torphins bnm1957jhp 
 Northern Lights Scotland photo spring green rays Torphins village Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this at 21.53.03UT, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. 
This photo was one of several taken with the display active again around 9.30pm during a second phase of activity from an arc lying eastwards across Torphins whose house and street lights are visible at the bottom right towards the end of the overall display around 10pm. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Torphins bnm1904jhp 
 Aurora Borealis Scottish display spring night green red rays Torphins Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this at 21.30.09UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. 
This photo was one of several taken with the display active again around 9.30pm during a second phase of activity from an arc lying eastwards across Torphins whose house and street lights are visible at the bottom right towards the end of the overall display around 10pm. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Torphins bnm1892jhp 
 Aurora Borealis Scotland light pollution Torphins lights arc rays Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 20.29.36UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. This photo was one of several taken with the display active around 8.20pm from an arc lying eastwards across Torphins whose house and street lights are visible at the bottom right. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, pollution, light, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Torphins bnm1887jhp 
 Aurora Borealis Scotland Torphins village spring green rays Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 20.28.44UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. This photo was one of several taken with the display active around 8.20pm from an arc lying eastwards across Torphins whose house and street lights are visible at the bottom right. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Torphins bnm1881jhp 
 Aurora Borealis Scottish Torphins March green rays Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 20.25.45UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. This photo was one of several taken with the display active around 8.20pm from an arc lying eastwards across Torphins whose house and street lights are visible at the bottom right. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Torphins bnm1878jhp 
 Northern Lights Scotland Torphins spring green rays Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 20.24.51UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. This photo was one of several taken with the display active around 8.20pm from an arc lying eastwards across Torphins whose house and street lights are visible at the bottom right. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Torphins bnm1874jhp 
 Aurora Borealis Scotland tree spring green ray patch Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 20.23.24UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. This photo was one of several taken with the display active around 8.20pm from an arc lying eastwards across Torphins whose house and street lights are visible at the bottom right. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Torphins bnm1869jhp 
 Aurora Borealis Scotland early stage green rays village Torphins east Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 20.21.22UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. This photo was one of several taken with the display active around 8.20pm from an arc lying eastwards across Torphins whose house and street lights are visible at the bottom right. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Torphins bnm1866jhp 
 Aurora Lights Scottish spring start green rays over Torphins Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 20.20.29UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. This photo was one of several taken with the display active around 8.20pm from an arc lying eastwards across Torphins whose house and street lights are visible at the bottom right. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1889jhp 
 Aurora Borealis Scotland house chimney pot active spring green red rays Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm and this was into the second stage of activity at 20.29.36UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1862jhp 
 Aurora Borealis Scotland photo spring green arc Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 20.18.03UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, upright, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1860jhp 
 Aurora Borealis Scottish photo spring green red rays Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 20.16.03UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1855jhp 
 Aurora Borealis Scotland early photo March green rays Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 20.14.25UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1853jhp 
 Aurora Borealis Scottish house roof spring green red rays Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 20.08.29 UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, upright, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1850jhp 
 Northern Lights above house Scotland spring green red mauve Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 20.07.29 and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, mauve, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1847jhp 
 Aurora Borealis Scotland photo spring early red ray Aberdeenshire arc green taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 19.58.52UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1845jhp 
 Aurora Borealis Scottish photo green arc start March Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 19.58.17UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph

Egypt > Abu Simbel (1 file)

Photographs of the Great Temple of Ramses 11 at Abu Simbel and those of his wife's temple of Nefertari with some interior images as well.
Abu Simbel Temple Hall EG051389JHP 
 Abu Simbel Great Temple entrance doorway rock cut Hall Osiride Ramses figures at what was once a River Nile site but now reconstructed in a mammoth UNESCO rescue project in the 1960’s and housed in an artificial hill high enough to save it from the total flooding with the creation of Lake Nasser. This is as near as it is possible to photograph these days and an lighting exercise of some challenge to the cameras of 2005. 
 Keywords: Egypt, ancient, Egyptian, Lake Nasser, River Nile, Nubia, Abu Simbel, rock, carved, huge, Great Temple, upright, entrance, door, hall, Osiride, statues, Ramses, Ramasses, Ramesses, pharaoh, history, antiquity, archaeology, Egyptology, UNESCO, cliff, colourful, colorful, colours, colors

Egypt > Abydos & Dendara (9 files)

Images of two important sites north of Luxor near the River Nile but usually visted as an extra tour either by road or a day cruise.
Dendara Temple EG962148jhp 
 Dendara temple Qena Nile Egypt entrance Coptic Basilica ruins approach to this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena. 
 Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, upright, archaeology, ancient, Egyptology, basilica, Coptic, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Ptolemy, Cleopatra, Roman, Tiberius, Nectanebo 1, 1996, 35mm, slide, film, Nikon, FM2, manual, scanned, scan
Dendara Temple EG962147jhp 
 Dendara temple Nile Egyptian ancient Nectanebo Coptic Basilica ruins sunny approach to this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena. 
 Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, archaeology, ancient, Egyptology, basilica, Coptic, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Ptolemy, Cleopatra, Roman, Tiberius, Nectanebo 1, 1996, 35mm, slide, film, Nikon, FM2, manual, scanned, scan
Dendara Temple EG9621413jhp 
 Dendara temple Egypt entrance hypostyle hall outer reliefs sistraform Hathor faces to this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena. 
 Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, upright, archaeology, ancient, Egyptology, basilica, Coptic, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Ptolemy, Cleopatra, Roman, Tiberius, Nectanebo 1, 1996, 35mm, slide, film, Nikon, FM2, manual, scanned, scan
Dendera Temple EG007129jhp 
 Dendera temple Egypt Tiberian Hall ceiling carvings painted Hathor damaged faces in this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.This photo is of the elaborate ceiling and columns of the Tiberian columned hall which first faces the visitor entering the temple proper. The tops of the columns have Hathor faces vandalised in antiquity, probably when it was filled with sand and seen as pagan for the earlier Christians who often used these temples as churches and were thus easily able to obliterate the faces. What is very wonderful even today is the elaborate nature of the decorations not only on the ceilings but also covering in exquisite details all the sides of the columns and the surrounding walls. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena. 
 Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, 2000, 35mm, slide, film, Nikon, FM2, manual, scanned, scan, Fuji, Velvia, 50asa
Dendera Temple EG007125jhp 
 Dendara Dendarah temple Nile Egypt hieroglyphs wall carving spotlight sun in this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena. Walking around the many darkly lit passages and rooms there are occasional gems like this where a hole in the ceiling or wall lets a spotlight of sunshine highlight just one part of the elaborately carved and decorated walls. 
 Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, 2000, 35mm, slide, film, Nikon, FM2, manual, scanned, scan, Fuji, Velvia, 50asa
Dendera Temple EG007123jhp 
 Dendara temple Qena Nile Egypt roof sacred lake chapel kiosk in this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.This photo shows the roof view of one of the two rooms on the roof of the hypostyle hall which were mortuary suites for Osiris. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena. 
 Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, upright, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, 2000, 35mm, slide, film, Nikon, FM2, manual, scanned, scan, Fuji, Velvia, 50asa
Dendera Temple EG007122jhp 
 Dendara Dendera temple Qena Nile Egypt roof sacred lake mudbrick walls desert taken from this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.This photo shows the view from the roof of the temple looking south westwards over the Sacred Lake, now filled with palm trees and beyond the mudbrick enclosure or boundary wall. The water here was used for rituals carried out during the Feast of Osiris and nearby is the well from which the water was drawn. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena. 
 Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, 2000, 35mm, slide, film, Nikon, FM2, manual, scanned, scan, Fuji, Velvia, 50asa
Dendera Temple EG007118jhp 
 Dendera Dendarah temple Egyptian wall Cleopatra Caesarion carvings outer wall in this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion as are shown in this photo taken of the outside wall at the south western corner near the Iseum and the Sacred Lake. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena. 
 Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, 2000, 35mm, slide, film, Nikon, FM2, manual, scanned, scan, Fuji, Velvia, 50asa
Dendara Mammisi EG21213jhp 
 Dendara temple Qena Nile Egypt mammisi birth house screen carving beautiful and considered some of the best and most delicate of workmanship of this period and here adorning the Roman mammisi of birth house attributed to Nectanebo 1. It shows the birth of the young God Harsomtus, child of Hathor and Horus of Edfu. This temple is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena. 
 Keywords: Egypt, Egyptian, Dendara, Temple, mammisi, River, Nile, west, Qena, history, landscape, archaeology, ancient, Egyptology, goddess, Hathor, Ihy, Harsomtus, son, Late, period, birth, house, Isis, Osiris, capitals, detailed, columns, screen, elaborate, light, beautiful, holiday, travel, tourism, cruise, child, necropolis, city, Shabaka, Roman, Nectanebo 1, 1996, 645, slide, film, transparency, Bronica, ETRSi, scanned, scan

Egypt > Aswan in general (36 files)

Images in this gallery relate to Aswan in southern Egypt covering the city, the River Nile and related sites except for more important places such as Philae, The Nubian Museum and Seheil Island Rock carvings.
Aswan Souk at Night EG02425jhp 
 Egypt Aswan Bazaar night-time night shop Emporium Egyptians spices colours near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices, toys, leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy all day and as in this photo during the cool of the evening and it runs adjacent to the main River Nile waterfront for a mile or so. 
 Keywords: Egypt, Egyptian, Egyptians, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, city, holiday, landscape, bazaar, souk, large, display, people, men, traders, night, shops, tunnel, trading, colourful colorful, colours, colors, spices, jars, soft, drinks, fridge, sweets, baskets, merchandise, exotic, 2002, Fuji, S3, DSLR
Aswan Souk at Night EG02423jhp 
 Egypt Aswan Bazaar night-time shop dark costumes clothes jewellery near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices, toys, leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy all day and as in this photo during the cool of the evening and it runs adjacent to the main River Nile waterfront for a mile or so. 
 Keywords: Egypt, Egyptian, Egyptians, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, city, holiday, landscape, bazaar, souk, people, men, women, shopping, traders, night, shops, trading, colourful colorful, colours, colors, clothes, costumes, dancing, outfits, galabeas, dancing, outfits, jewellery, bangles, bands, chains, lace, flimsy, Belly, tassels, cotton, baksheesh, caleche, exotic, 2002, Fuji, S3, DSLR
Aswan Souk at Night EG02420jhp 
 Egypt Aswan Souk night shop spices Emporium Osiris glass bottles jars near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices, toys, leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy all day and as in this photo during the cool of the evening and it runs adjacent to the main River Nile waterfront for a mile or so. 
 Keywords: Egypt, Egyptian, Egyptians, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, city, holiday, upright, emporium, bazaar, souk, people, traders, night, shops, trading, colourful colorful, colours, colors, spices, jars, glass, display, merchandise, baksheesh, caleche, exotic, 2002, Fuji, S3, DSLR
Aswan Souk at Night EG02417jhp 
 Egypt Aswan Souk night-time night shops Egyptians caleche horse busy street dark near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices, toys, leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy all day and as in this photo during the cool of the evening and it runs adjacent to the main River Nile waterfront for a mile or so. 
 Keywords: Egypt, Egyptian, Egyptians, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, city, holiday, landscape, bazaar, souk, caleche, horse, people, men, women, shopping, traders, night, shops, trading, colourful colorful, colours, colors, spices, vegetables, tomatoes, clothes, galabeas, dancing, outfits, hardware, pots, pans, merchandise, groceries, fruit, cotton, blacksmith, baksheesh, caleche, exotic, 2002, Fuji, S3, DSLR
Aswan Souk at Night EG02415jhp 
 Egypt Aswan Souk night-time night old cinema minaret badr ruined near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices, toys, leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy all day and as in this photo during the cool of the evening and it runs adjacent to the main River Nile waterfront for a mile or so. 
 Keywords: Egypt, Egyptian, Egyptians, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, city, holiday, landscape, bazaar, souk, old, cinema, badr, art, noveau, design, minaret, lights, colourful colorful, colours, colors, spices, 2002, Fuji, S3, DSLR
Aswan Souk at Night EG02414jhp 
 Egypt Aswan Souk Bazaar night-time night Minaret Mosque lights Egyptian dark near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices, toys, leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy all day and as in this photo during the cool of the evening and it runs adjacent to the main River Nile waterfront for a mile or so. 
 Keywords: Egypt, Egyptian, Egyptians, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, city, holiday, upright, bazaar, souk, night, night-time, Minaret, tower, lights, Mosque, tower, colourful colorful, colours, colors, 2002, Fuji, S3, DSLR
Aswan Souk at Night EG02413jhp 
 Egypt Aswan Souk evening Egyptian blacksmith working repairing friendly smile near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices, toys, leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy all day and as in this photo during the cool of the evening and it runs adjacent to the main River Nile waterfront for a mile or so. 
 Keywords: Egypt, Egyptian, Egyptians, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, city, holiday, landscape, bazaar, souk, man, trader, night, shop, trading, colourful colorful, colours, colors, hardware, pots, pans, blacksmith, working, at work, repairing, smile, friendly, baksheesh, 2002, Fuji, S3, DSLR
Aswan Souk at Night EG02412jhp 
 Egypt Aswan Souk night shopping Egyptians dark vegetables apples stalls near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices, toys, leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy all day and as in this photo during the cool of the evening and it runs adjacent to the main River Nile waterfront for a mile or so. 
 Keywords: Egypt, Egyptian, Egyptians, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, city, holiday, landscape, bazaar, souk, people, men, women, shopping, traders, night, shops, trading, colourful colorful, colours, colors, spices, vegetables, apples, greens, tomatoes, clothes, galabeas, dancing, outfits, hardware, pots, pans, merchandise, groceries, fruit, cotton, blacksmith, baksheesh, caleche, exotic, 2002, Fuji, S3, DSLR
Aswan Souk at Night EG02411jhp 
 Egypt Aswan Souk Bazaar night-time night grocery shopping Egyptians dark near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices, toys, leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy all day and as in this photo during the cool of the evening and it runs adjacent to the main River Nile waterfront for a mile or so. 
 Keywords: Egypt, Egyptian, Egyptians, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, city, holiday, landscape, bazaar, souk, people, men, women, shopping, traders, night, shops, trading, colourful colorful, colours, colors, spices, grocery, sausages, vegetables, tomatoes, clothes, galabeas, dancing, outfits, hardware, pots, pans, merchandise, groceries, fruit, cotton, blacksmith, baksheesh, caleche, exotic, 2002, Fuji, S3, DSLR
Aswan Souk at Night EG02410jhp 
 Egypt Aswan Souk night-time night shops shopping hardware pots pans near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices, toys, leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy all day and as in this photo during the cool of the evening and it runs adjacent to the main River Nile waterfront for a mile or so. 
 Keywords: Egypt, Egyptian, Egyptians, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, city, holiday, landscape, bazaar, souk, people, men, women, shopping, traders, night, shops, trading, colourful colorful, colours, colors, spices, vegetables, tomatoes, clothes, galabeas, dancing, outfits, hardware, pots, pans, buckets, lamps, bowls, aluminium, merchandise, groceries, fruit, cotton, blacksmith, baksheesh, caleche, exotic, 2002, Fuji, S3, DSLR
Aswan Souk at Night EG02409jhp 
 Egypt Aswan Souk night-time night shop Egyptians general grocery jars packets near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices, toys, leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy all day and as in this photo during the cool of the evening and it runs adjacent to the main River Nile waterfront for a mile or so. 
 Keywords: Egypt, Egyptian, Egyptians, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, city, holiday, landscape, bazaar, souk, people, men, women, shopping, traders, night, shops, trading, colourful colorful, colours, colors, spices, merchandise, groceries, washing, powder, jars, tins, Coke-Cola, packets, baksheesh, caleche, exotic, 2002, Fuji, S3, DSLR
Aswan Souk at Night EG02408jhp 
 Egypt Aswan Bazaar night-time night stalls shopping Egyptians tomatoes clothes near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices, toys, leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy all day and as in this photo during the cool of the evening and it runs adjacent to the main River Nile waterfront for a mile or so. 
 Keywords: Egypt, Egyptian, Egyptians, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, city, holiday, upright, bazaar, souk, people, men, women, shopping, traders, night, shops, trading, colourful colorful, colours, colors, spices, vegetables, tomatoes, clothes, galabeas, dancing, outfits, hardware, pots, pans, merchandise, groceries, fruit, cotton, blacksmith, baksheesh, caleche, exotic, 2002, Fuji, S3, DSLR
Aswan Souk at Night EG02406jhp 
 Egypt Aswan Souk night-time night street drinks clothes shopping Egyptians dark stalls near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices, toys, leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy all day and as in this photo during the cool of the evening and it runs adjacent to the main River Nile waterfront for a mile or so. 
 Keywords: Egypt, Egyptian, Egyptians, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, city, holiday, landscape, bazaar, souk, people, men, women, shopping, traders, night, shops, trading, colourful colorful, colours, colors, spices, vegetables, tomatoes, clothes, galabeas, dancing, outfits, hardware, pots, pans, merchandise, groceries, fruit, cotton, blacksmith, baksheesh, caleche, exotic, 2002, Fuji, S3, DSLR
Aswan Souk at Night EG02405jhp 
 Egypt Aswan Souk night shops stalls spices shopping Egyptians dark near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices, toys, leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy all day and as in this photo during the cool of the evening and it runs adjacent to the main River Nile waterfront for a mile or so. 
 Keywords: Egypt, Egyptian, Egyptians, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, city, holiday, upright, bazaar, souk, people, men, women, shopping, traders, night, shops, trading, colourful colorful, colours, colors, spices, vegetables, tomatoes, clothes, galabeas, dancing, outfits, hardware, pots, pans, merchandise, groceries, fruit, cotton, blacksmith, baksheesh, caleche, exotic, 2002, Fuji, S3, DSLR
Aswan Souk at Night EG02404jhp 
 Egypt Aswan Souk Bazaar night-time night shops shopping Egyptians dark stalls near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices, toys, leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy all day and as in this photo during the cool of the evening and it runs adjacent to the main River Nile waterfront for a mile or so. 
 Keywords: Egypt, Egyptian, Egyptians, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, city, holiday, upright, bazaar, souk, people, men, women, shopping, traders, night, shops, trading, colourful colorful, colours, colors, spices, vegetables, tomatoes, clothes, galabeas, dancing, outfits, hardware, pots, pans, merchandise, groceries, fruit, cotton, blacksmith, baksheesh, caleche, exotic, 2002, Fuji, S3, DSLR
Aswan Souk Sunshades EG053083JHP 
 Aswan Southern Egypt Souk Bazaar street traders sunshades sunny photograph near the promenade in this area full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. 
 Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, trading, traders, shops, stalls, sunshades, hot, old, men, young, boy, sitting, squatting, upright, colours, colors, colourful, colorful, busy, shopping, baksheesh, bargaining
Aswan Souk Street Advert EG053106JHP 
 Aswan Egyptian Souk Photo Bazaar House Billboard soft drink Tang advert in this busy area adjacent to the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. 
 Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, house, mural, advertising, billboard, trading, upright, colours, colors, colourful, colorful, busy, drinks, Tang, motif
Aswan Souk Straw Hats EG053108JHP 
 Aswan Egypt Souk Bazaar straw hat woven basket display street, near the promenade, which is full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. 
 Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, shop, stall, hats, straw, display, stacked, baskets, woven, landscape, colours, colors, colourful, colorful, busy, shopping, baksheesh, bargaining
Aswan Souk Spices EG053071JHP 
 Aswan Egyptian Souk Bazaar colourful spice baskets containers colours display near the promenade in an area full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. 
 Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, trading, shops, stall, spices, spice, straw, woven, upright, colours, colors, colourful, colorful, busy, shopping, baksheesh, bargaining
Aswan Souk Perfume Bottles EG053068JHP 
 Aswan Egypt Souk Bazaar multi-coloured perfume bottles glass colours shapes display, located near the promenade, is an area full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. 
 Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, trading, traders, shop, display, perfume, bottles, shapes, styles, sizes, upright, colours, colors, colourful, colorful, busy, shopping, baksheesh, bargaining
Aswan Souk Many Colors EG053101JHP 
 Egypt Aswan Nile Souk Bazaar fabric dress shop multi-colored colours silk and located near the promenade in this srea which is full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. 
 Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, trading, traders, shop, fabrics, hanging, dresses, scarfs, cotton, upright, colours, colors, colourful, colorful, clothes
Aswan Souk Fabric Colours EG053097JHP 
 Aswan Egyptian Souk Bazaar silk fabric display many layers colours, located near the promenade, is full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. 
 Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, trading, traders, shops, stall, fabric, yarn, layers, multi-coloured, cloth, silk, shiny, landscape, upright, colours, colors, colourful, colorful
Aswan Souk Donkey Cart EG053114JHP 
 Aswan Souk Bazaar donkey cart man driver onions potato sacks to the colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. 
 Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, donkey, cart, onions, potatoes, bags, transport, driver, trading, traders, shops, stalls, upright, colours, colors, colourful, colorful, busy
Aswan Souk Cuddly Camels EG053103JHP 
 Aswan Southern Egypt City Souk Bazaar display cuddly camel toys in this trading area near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. 
 Keywords: Egypt, Egyptian, Aswan, city, souk, bazaar, street, trading, shops, stall, cuddly, camels, toys, display, upright, colours, colors, colourful, colorful, busy, shopping, baksheesh, bargaining
Aswan Souk Coca Cola EG053105JHP 
 Aswan Souk Bazaar old shop advertising sign copyright symbol Coca Cola in this busy area near the promenade which is full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. 
 Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, trading, traders, shops, Coca Cola, Coke, symbol, advert, upright, colours, colors, colourful, colorful, busy, shopping
Aswan Souk Street EG053078JHP 
 Aswan Egyptian Souk Bazaar busy street shoppers shops scene photograph near the promenade which full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. 
 Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, trading, traders, shops, stalls, upright, colours, colors, colourful, colorful, busy, shopping, baksheesh, bargaining
Aswan Souk Smoking Pipes EG053096JHP 
 Aswan Egypt Souk Bazaar photo sheesha smokers glass colours display is near the promenade which is full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. 
 Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, trading, shops, smoking, sheesha, display, pipes, tobacco, upright, colours, colors, colourful, colorful, busy, shopping, baksheesh, bargaining
Aswan Souk Pottery EG053107JHP 
 Aswan Egypt Souk Bazaar pottery bowls jugs bottles displayed road, near the promenade, which is full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. 
 Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, trading, traders, pottery, pots, jars, dishes, bowls, red, cream, road, display, landscape, colours, colors, colourful, colorful, busy, shopping
Aswan Souk Lemons EG053062JHP 
 Aswan Souk Egyptian Bazaar display lemons fruit stall pile yellow near the promenade adds to colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. 
 Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, trading, traders, shops, stall, fruit, lemons, landscape, yellow, colours, colors, colourful, colorful, busy, shopping, baksheesh, bargaining
Aswan Souk Jewellery EG053102JHP 
 Aswan Egyptian Souk Bazaar jewellery glass necklaces bangles beads stall near the promenade is full of colour with stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. 
 Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, trading, traders, shops, stalls, jewellery, necklaces, beads, glass, slippers, upright, colours, colors, colourful, colorful, busy, shopping, baksheesh, bargaining
Aswan Souk Fruit Display EG053094JHP 
 Aswan Egypt Souk Bazaar photo peaches apricots display rows patterns near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. 
 Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, trading, traders, shops, stalls, fruit, peaches, apricots, nectarines, shapes, patterns, landscape, pink, yellow, colours, colors, colourful, colorful
Aswan Souk Dress Colors EG053100JHP 
 Aswan Souk Bazaar clothing shop colourful street display scarfs, shawls, dresses, near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. 
 Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, trading, traders, shops, stalls, dresses, clothing, cotton, silk, jewellery, necklaces, scarfs, shawls, landscape, colours, colors, colourful, colorful, busy, shopping, baksheesh, bargaining
Aswan Souk Clothing Display EG053086JHP 
 Aswan Souk Bazaar shop display galabeas Egyptian belly dancing outfits near the promenade adding colour to the street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. 
 Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, trading, traders, shops, stall, clothing, galabeas, landscape, exotic, dance, outfits, lace, embroidered, colours, colors, colourful, colorful, busy, shopping, baksheesh, bargaining
Aswan Souk Butchers EG053079JHP 
 Aswan Souk Bazaar Egyptian butchers shop open air staff customers near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. 
 Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, trading, traders, shops, butchers, meat, landscape, customers, owner, serving, colours, colors, colourful, colorful, busy, shopping, bargaining
Aswan Souk Billboard EG053112JHP 
 Aswan Souk Bazaar house side billboard advertising palm trees painted near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. 
 Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, house, mural, advertising, billboard, trading, upright, colours, colors, colourful, colorful, busy, palm, trees, motif
Aswan Souk Advertising EG053095JHP 
 Aswan Souk Bazaar street house gable bill board avertising palm trees near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. 
 Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, house, mural, advertising, billboard, trading, upright, colours, colors, colourful, colorful, busy

Egypt > Colossi of Memnon (1 file)

Photos of this most visited site on the west bank of the River Nile at Luxor -popular coach stopover for photo shoot.
Colossi Memnon EG206423jhp 
 Colossi Memnon statues seated Pharoah Egypt Jim Henderson Photograph summer day at this site with the most famous remains of Amenhotep's mortuary temple on the northern side of the approach road for the Valley of the Kings, Queens and all the other main West Bank sites. It is the visitor’s first site of major impact, not far from the main ticket office but is usually visited as a photo opportunity on leaving - recent excavations of the site are finding many hidden buildings and artefacts as well as defining the whole of the remains of the temple complex. 
 Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, hills, fields, River, Nile, landscape, upright, history, archaeology, ancient, Egyptology, Amenhotep, Amenophis, Pharaoh, Tiye, Queen, Mother, mortuary, temple, Colossi, Memnon, seated, statues, side, panels, Union, Upper, Lower, earthquake, damaged, repairs, Severus, blue, sky, sunny, sunshine, roadside, coachstop, excavations, 2000, July, 35mm, Velvia, slides, film, scanned, scan, camera, Nikon, FM2

Egypt > Edfu Temple (7 files)

Photos in this gallery are of Edfu Temple, one of the best preserved in Egypt, and usually the first first visit after leaving Luxor ona Nile Cruise.
Edfu Temple EG203629jhp 
 Edfu Temple carvings Egypt exterior pylon rear Ptolemy Horus large of this temple located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. This photo was taken of the outside of the huge enclosure wall which surrounds the temple giving some idea of the detailed and exquisite carvings that cover all the exterior walls. Edfu is one of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. In 200 the normal tourist entrance was from the north and you walked alongside the side of the temple wall and then round to enter the temple proper by the main pylon gate on the south face. However these days the tourist approach is from a new centre situated to the south and walking up to the temple is as was intended after its construction so that the immense pylon dominates as you arrive at the temple. 
 Keywords: Egypt, Egyptian, Edfu, Temple, West, Bank, River, Nile, cruise, visit, history, archaeology, ancient, Egyptology, temple, preserved, well, Horus, pylon, carvings, reliefs, Gods, Goddesses, outside, exterior, approach, ambulatory, walkway, construction, modernisation, new, relaying, enclosure, enclosed, waterspouts, walls, carvings, reliefs, decorated, detailed, details, good, condition, Pharaoh, Ptolemy, Ptolemaic, landscape, upright, July, 2000, slide, film, Fuji, Velvia, scanned, scan, Nikon, FM2, Tokina, lens
Edfu Temple EG203627jhp 
 Edfu Temple town center street calache horse carriage ride tourist transport to Edfu Temple located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. Edfu is one of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. In 200 the normal tourist entrance was from the north and you walked alongside the side of the temple wall and then round to enter the temple proper by the main pylon gate on the south face. However these days the tourist approach is from a new centre situated to the south and walking up to the temple is as was intended after its construction so that the immense pylon dominates as you arrive at the temple. Some cruise companies now use coaches as there have been complaints about the care of the horses that has upset visitors and I know on one occasion the driver of the carriage tried to make it race others to get to the temple first-our group warned him no baksheesh and he returned to a walking pace. 
 Keywords: Egypt, Egyptian, Edfu, Temple, West, Bank, River, Nile, cruise, visit, town, transport, horse, drawn, carriage, calache, caleche, street, scene, modern, history, archaeology, ancient, Egyptology, temple, preserved, well, Horus, pylon, carvings, reliefs, Gods, Goddesses, outside, exterior, approach, ambulatory, walkway, construction, modernisation, new, relaying, enclosure, enclosed, waterspouts, walls, carvings, reliefs, decorated, detailed, details, good, condition, Pharaoh, Ptolemy, Ptolemaic, landscape, July, 2000, slide, film, Fuji, Velvia, scanned, scan, Nikon, FM2, Tokina, lens
Edfu Temple EG203833jhp 
 Edfu Temple Egypt exterior North East face wall construction upgrade of this old entrance approach to this temple located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. This photo was taken of the outside of the huge enclosure wall which surrounds the temple giving some idea of the detailed and exquisite carvings that cover all the exterior walls. Edfu is one of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. In 200 the normal tourist entrance was from the north and you walked alongside the side of the temple wall and then round to enter the temple proper by the main pylon gate on the south face. However these days the tourist approach is from a new centre situated to the south and walking up to the temple is as was intended after its construction so that the immense pylon dominates as you arrive at the temple. 
 Keywords: Egypt, Egyptian, Edfu, Temple, West, Bank, River, Nile, cruise, visit, history, archaeology, ancient, Egyptology, temple, preserved, well, Horus, pylon, carvings, reliefs, Gods, Goddesses, outside, exterior, approach, ambulatory, walkway, construction, modernisation, new, relaying, enclosure, enclosed, waterspouts, walls, carvings, reliefs, decorated, detailed, details, good, condition, Pharaoh, Ptolemy, Ptolemaic, landscape, July, 2000, slide, film, Fuji, Velvia, scanned, scan, Nikon, FM2, Tokina, lens
Edfu Temple EG203832jhp 
 Edfu Temple carvings Egyptian exterior North face wall detailed many Gods of this old entrance approach to this temple located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. This photo was taken of the outside of the huge enclosure wall which surrounds the temple giving some idea of the detailed and exquisite carvings that cover all the exterior walls. Edfu is one of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. In 200 the normal tourist entrance was from the north and you walked alongside the side of the temple wall and then round to enter the temple proper by the main pylon gate on the south face. However these days the tourist approach is from a new centre situated to the south and walking up to the temple is as was intended after its construction so that the immense pylon dominates as you arrive at the temple. 
 Keywords: Egypt, Egyptian, Edfu, Temple, West, Bank, River, Nile, cruise, visit, history, archaeology, ancient, Egyptology, temple, preserved, well, Horus, pylon, carvings, reliefs, Gods, Goddesses, outside, exterior, approach, ambulatory, walkway, construction, modernisation, new, relaying, enclosure, enclosed, waterspouts, walls, carvings, reliefs, decorated, detailed, details, good, condition, Pharaoh, Ptolemy, Ptolemaic, landscape, July, 2000, slide, film, Fuji, Velvia, scanned, scan, Nikon, FM2, Tokina, lens
Edfu Temple EG203831jhp 
 Edfu Temple Egyptians workmen East side construction modern mudbrick enclosure of this temple located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. This photo was taken of the outside of the huge enclosure wall which surrounds the temple giving some idea of the detailed and exquisite carvings that cover all the exterior walls. Edfu is one of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. In 200 the normal tourist entrance was from the north and you walked alongside the side of the temple wall and then round to enter the temple proper by the main pylon gate on the south face. However these days the tourist approach is from a new centre situated to the south and walking up to the temple is as was intended after its construction so that the immense pylon dominates as you arrive at the temple. 
 Keywords: Egypt, Egyptian, Edfu, Temple, West, Bank, River, Nile, cruise, visit, history, archaeology, ancient, Egyptology, temple, preserved, well, Horus, pylon, carvings, reliefs, Gods, Goddesses, outside, exterior, approach, ambulatory, walkway, construction, modernisation, new, relaying, enclosure, enclosed, waterspouts, walls, carvings, reliefs, decorated, detailed, details, good, condition, Pharaoh, Ptolemy, Ptolemaic, landscape, July, 2000, slide, film, Fuji, Velvia, scanned, scan, Nikon, FM2, Tokina, lens
Edfu Temple EG203830jhp 
 Edfu Temple Egypt exterior East wall construction modern rear pylon of this temple located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. This photo was taken of the outside of the huge enclosure wall which surrounds the temple giving some idea of the detailed and exquisite carvings that cover all the exterior walls. Edfu is one of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. In 200 the normal tourist entrance was from the north and you walked alongside the side of the temple wall and then round to enter the temple proper by the main pylon gate on the south face. However these days the tourist approach is from a new centre situated to the south and walking up to the temple is as was intended after its construction so that the immense pylon dominates as you arrive at the temple. 
 Keywords: Egypt, Egyptian, Edfu, Temple, West, Bank, River, Nile, cruise, visit, history, archaeology, ancient, Egyptology, temple, preserved, well, Horus, pylon, carvings, reliefs, Gods, Goddesses, outside, exterior, approach, ambulatory, walkway, construction, modernisation, new, relaying, enclosure, enclosed, waterspouts, walls, carvings, reliefs, decorated, detailed, details, good, condition, Pharaoh, Ptolemy, Ptolemaic, landscape, July, 2000, slide, film, Fuji, Velvia, scanned, scan, Nikon, FM2, Tokina, lens
Edfu Temple EG203829jhp 
 Edfu Temple carvings Egyptian exterior East wall detailed many Gods of this temple located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. This photo was taken of the outside of the huge enclosure wall which surrounds the temple giving some idea of the detailed and exquisite carvings that cover all the exterior walls. Edfu is one of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. In 200 the normal tourist entrance was from the north and you walked alongside the side of the temple wall and then round to enter the temple proper by the main pylon gate on the south face. However these days the tourist approach is from a new centre situated to the south and walking up to the temple is as was intended after its construction so that the immense pylon dominates as you arrive at the temple. 
 Keywords: Egypt, Egyptian, Edfu, Temple, West, Bank, River, Nile, cruise, visit, history, archaeology, ancient, Egyptology, temple, preserved, well, Horus, pylon, carvings, reliefs, Gods, Goddesses, outside, exterior, approach, ambulatory, walkway, enclosure, enclosed, waterspouts, walls, carvings, reliefs, decorated, detailed, details, good, condition, Pharaoh, Ptolemy, Ptolemaic, landscape, July, 2000, slide, film, Fuji, Velvia, scanned, scan, Nikon, FM2, Tokina, lens

Egypt > Egyptian Museum Cairo (64 files)

Royalty Free photos of exhibits from the Cairo Egyptian Museum taken before current bans with slide film in available light not to studio quality
Model Boat EG012624JHP 
 Egyptian Museum Exhibit wooden model boats photo interior burial goods illustrating one of many grave goods in the form of model boats in this case to assist the deceased in the Afterlife here in the first floor of the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, boat, model, wood, burial, grave, good, Tut, collection, landscape, ancient, antiquity, antiquities, exhibit
Lancers EG012621JHP 
 Egypt Cairo Museum Exhibit Egyptian Lancers Tomb Assyut Prince Mesehti inside photograph and now in the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed; the shileds should be a background white. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, collection, landscape, Tomb, Prince, Mesehti, Assyut, Lancers, troop, shields, spears, burial, grave, goods, ancient, antiquity, antiquities, exhibit
Boy King Lotus EG1179JHP 
 Egyptian Cairo Museum young Pharaoh Tutankhamun head lotus flower photo was found in his Luxor tomb and is now in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, boy, pharaoh, head, lotus, flower, emergence, regeneration, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Boy King Lotus EG11710JHP 
 Egyptian Museum young Pharaoh Tutankhamun boys head lotus flower painted was found in his Luxor tomb and is now in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, boy, pharaoh, head, lotus, flower, emergence, regeneration, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Water Clock EG11830JHP 
 Egypt Cairo Museum Exhibit Amenhotep Water Clock astronomical design with main constellations inscribed in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Karnak, water, clock, Amenhotep, constellations, jupiter, orion, saturn, venus, collection, upright, ancient, antiquity, antiquities, exhibit
Tut on Leopard EG11702JHP 
 Egyptian Museum statue King Tutankhamun Tut gold gilt photo standing leopard in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, leopard, standing, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Tut War Chariot EG11722JHP 
 Egyptian Cairo Museum golden ceremonial chariot cabinet photograph Tut Tutankhamun in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, chariot, ceremonial, display, Tut, collection, landscape, ancient, antiquity, antiquities, exhibit
Tut Unguent Lion EG11714JHP 
 Egyptian Museum Interior alabaster unguent vase lion burial good Tutankhamun Tomb in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, unguent, alabaster, vase, lion, ankh, tongue, coloured, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Tut The Warrior EG01261JHP 
 Egypt Museum Cairo displays lifelike figures King Tutankhamun warrior pose in his Tomb at Luxor in various poses and now in the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, pharaoh, warrior, crowns, red, flat, lower, white, bulbous, upper, Tut, collection, landscape, ancient, antiquity, antiquities, exhibit
Tut Soldier Guard EG012616JHP 
 Egyptian Cairo Museum standing statue Ka Tut Tutankhamun interior photo from his Luxor Tomb and now in the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Ka, warrior, guard, kilt, skirt, shendyt, nemes, uraeus, serpent, club, stick, Tut, collection, landscape, upright, ancient, antiquity, antiquities, exhibit
Tut Small Shrine EG11706JHP 
 Egyptian Museum Exhibit small gilded gold wooden shrine King Tut royal figurine is thought to have been stolen in antiquity from the Tomb of Tutankhamun and is now in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, shrine, gilded, empty, small, golden, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Tut Shrine Isis EG11720JHP 
 Egypt Museum Isis Goddess protecting golden canopic shrine Tutankhamun tomb now in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Isis, goddess, canopic, shrine, golden, gilded, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Tut Shawabti Figures EG11806JHP 
 Egyptian Cairo Museum Exhibit shawabti figures Tomb Luxor Tutankhamun King Tut burial and now in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, usbati, shawabty, shawabti, figures, faience, displays, Tut, collectionc, landscape, ancient, antiquity, antiquities, exhibit
Tut Nut Plaque EG11736JHP 
 Egyptian Museum display pectoral Godess Nut Anubis shrine good, should be very gold looking and was shrine in the Tomb of Tutankhamun and is in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, pectorla, gold, Nut, Tut, collection, landscape, ancient, antiquity, antiquities, exhibit
Gilded Coffin Face EG11801JHP 
 Egypt Cairo Museum golden gilded sarcophagus face mummy coffin Tut in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, gilded, coffin, sarcophagus, face, uraeus, eyes, collection, landscape, ancient, antiquity, antiquities, exhibit
Tut Ointment Vase EG11713JHP 
 Egyptian Cairo Museum Exhibit alabaster Tut ointment vase Tomb Tutankhamun in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, alabaster, ointment, vase, Tut, collection, catouche, upright, ancient, antiquity, antiquities, exhibit
Tut Model Barge EG11715JHP 
 Egyptian Museum Cairo Egypt Exhibit miniature boats Tomb Tutankhamun photo in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, boat, model, inlaid, decorated, Tut, collection, landscape, ancient, antiquity, antiquities, exhibit
Tut Miniature Coffins EG11730JHP 
 Egyptian Museum Cairo Interior Exhibit Tutankhamun Burial four minature sarcophaguses for storage in the canopic jars and replicated the second sarcophagus of Tutaumkhamun in the burial chmaber. Now in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, canopic, sarcophagus, small, detailed, beautiful, replicas, Tut, collection, landscape, ancient, antiquity, antiquities, exhibit
Tut Jewellery EG11735JHP 
 Egypt Cairo Museum King Tut Exhibit Gold scarab jewellery necklace in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, pectoral, winged, scarab, gold, lapis lazuli, carnelian, glass, paste, uraeus, solar, disc, Tut, collection, landscape, ancient, antiquity, antiquities, exhibit
Tut Golden Throne EG012615JHP 
 Egyptian Museum Exhibit Tutankhamun Tut Golden Throne Display Interior Photograph of one of the most beautiful objects ever found in Egypt, the Throne from the Tomb of Tutankhamun now in the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, throne, gold leaf, Pharaoh, Ankhesenamun, wife, inlaid, silver, glass, paste, colours, colors, Aten, Amun, cartoches, Tut, collection, landscape, upright, ancient, antiquity, antiquities, exhibit
Tut Golden Serpent EG11704JHP 
 Egyptian Museum Exhibit cobra Ureaus Gilded Gold Hood Tutankhamun Exhibition in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, gilded, cobra, serpent, hood, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Tut Golden Lioness EG11703JHP 
 Egyptian Cairo Museum Tutankhamun Exhibition seated gold Sekhmet lioness goddess from his Luxor Tomb in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, golden, Goddess, lioness, Sekhmet, sakhmet, gilded, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Tut Golden Lioness EG01262JHP 
 Egypt Cairo Museum Exhibition Tut Tutankhamun Sakhmet gilded seated lioness goddess from the Tutankhamun tomb collection in the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Sekhmet, Sakhmet, lioness, goddess, seated, gold, gilded, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Tut Gold Shield EG01263JHP 
 Egyptian Cairo Museum Exhibit votive shields Tomb Tutankhamun Tut annexe in Luxor. In the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, votive, shield, gilded, wood, ceremonial, throne, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Tut Gold Mask EG11726JHP 
 Egypt Cairo Museum Tutankhamun Exhibition famous golden death funerary mask taken in 1994 in more natural conditions than today in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, funerary, mask, gold, lapis lazuli, carnelian, obsidian, turquoise, glass, paste, uraeus, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Tut Gold Mask EG01268JHP 
 Egyptian Cairo Museum Exhibit Tutankhamun Tut gold funerary mask photographed in 2001 under new enclosed artificial light conditions in the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, funerary, mask, gold, lapis lazuli, carnelian, obsidian, turquoise, glass, paste, uraeus, Tut, collection, upright, ancient, antiquity, antiquities, exhibit, artificial, light
Tut Gold Mask Back EG11729JHP 
 Egypt Cairo Museum Exhibit Tutankhamun back funerary mask hieroglyphs photographed taken under natural lighting in 1994 in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, funerary, mask, rear, back, tail, damaged, broken, hieroglyphs, magic, spells, gold, lapis lazuli, carnelian, obsidian, turquoise, glass, paste, uraeus, Tut, collection, landscape, ancient, antiquity, antiquities, exhibit
Tut Gilded Shrine EG11719JHP 
 Egyptian Museum Exhibit Tut canopic vase Golden shrine stucco uraeus freize from Tutankhamun tomb in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, shrine, gilded, canopic, wood, stucco, uraeus, serpents, frieze, goddesses, Isis, throne, Selket, scorpion, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Tut Fan Holder EG11723JHP 
 Egypt Museum Cairo Tut Exhibit ostrich feather fan holder photo made of wood with gold leaf from the tomb of Tutankhamun. In the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, ostrich, feather, holder, fan, wood, gold, leaf, chariot, horses, Tut, collection, landscape, ancient, antiquity, antiquities, exhibit
Tut Cow Bed EG11716JHP 
 Egyptian Museum Exhibit beds Tomb Tutankhamun burial goods cow head in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Tut, collection, bed, gilded, cows, head, solar, disc, upright, ancient, antiquity, antiquities, exhibit
Tut Ceremonial Seat EG11708JHP 
 Egyptian Museum Exhibit folding stool backrest ceremonial chair Tomb Tutankhamun now in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, ceremonial, inlaid, seat, ebony, ivory, gold, leaf, glass, paste, semi-precious, stones, folding, stool, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Tut Ceremonial Seat EG012613JHP 
 Egyptian Museum Cairo Tut Exhibit folding stool photograph with additional backrest from the Tomb of Tutakhamun and now in the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, ceremonial, inlaid, seat, ebony, ivory, gold, leaf, glass, paste, semi-precious, stones, folding, stool, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Tut Canopic Container EG11718JHP 
 Egyptian Museum Exhibit alabaster shrine Tutankhamun canopic jars internal organs found in his tomb at luxor. In the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, canopic, container, alabaster, shrine, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Tut Burial Chamber EG117EJHP 
 Egyptian Museum Tut Exhibit Burial Chamber Shrine outer Tutankhamun tomb at Luxor. In the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, shrine, burial, chamber, outer, djed, tit, symbols, decoration, gilded, gold, leaf, wood, oak, Tut, collection, square, ancient, antiquity, antiquities, exhibit
Tut Anubis Statue EG11701JHP 
 Anubis God Dog Black Gilt Statue Egyptian Museum Cairo Tutankhamun Exhibit in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Tut, Anubis, God, dog, collection, landscape, prone, black, gold, ancient, antiquity, antiquities, exhibit
Tut Anubis Exhibit EG01265JHP 
 Egyptian Museum Exhibit Anubis statue display prone God Dog black gold in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Tut, Anubis, God, dog, statue, black, gold, collection, upright, ancient, antiquity, antiquities, exhibit
Tut Alabaster Vase EG012612JHP 
 Egyptian Museum Exhibit alabaster vase floral collar smooth shapely Tutankahum discovery in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Tut, collection, alabaster, vase, coloured, colored, upright, ancient, antiquity, antiquities, exhibit
Tut Alabaster Container EG11712JHP 
 Egyptian Museum Cairo Exhibit alabaster perfume container Tutankhamun burial chamber in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Tut, collection, alabaster, perfume, container, sema, union, cartouches, hieroglyphs, union, plants, knots, upright, ancient, antiquity, antiquities, exhibit
Tut Alabaster Boat EG11711JHP 
 Egypt Cairo Museum Tut Exhibition display inside alabaster basin boat found in Tutankhamun tomb in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Tut, collection, landscape, alabaster, basin boat, decorated, gold, jewels, ivory, lotus, flowers, papyrus, ancient, antiquity, antiquities, exhibit
Tut 2nd Shrine Detail EG012610JHP 
 Egyptian Museum Exhibit second shrine Tutankhamun tomb interior photograph in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Tut, shrine, gold, second, detail, cobra, uraeus, gold, collection, square, ancient, antiquity, antiquities, exhibit
Tut 2nd Coffin EG11727JHP 
 Egyptian Museum Exhibit face mask second gilded sarcophagus Tutankhamun photo in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Tut, second, 2nd, coffin, lid, face, flail, lapis, lazuli, nemes, headress, uraeus, sarcophagus, beard, collection, landscape, ancient, antiquity, antiquities, exhibit
Tut 2nd Coffin Base EG11728JHP 
 Egyptian Museum Tut Exhibit base inlaid gold detail second gilded sarcophagus Tutankhamun in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Tut, collection, landscape, gilded, sarcophagus, base, patterns, hierogylphs, gold, glass, paste, ancient, antiquity, antiquities, exhibit
Stelae Cabinet EG011212JHP 
 Egyptian Museum Exhibits typical cabinets relics painted stele interior photo tucked away on the first floor full of fascinating relics such as these colourful stelae. In the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, stele, stelae, caninet, displays, collection, painted, colours, colors, carvings, necklaces, landscape, ancient, antiquity, antiquities, exhibit
Squatting Scribe EG11822JHP 
 Egyptian Museum Cairo Exhibit iconic nameless Saqqara scribe thoughtful pose with cane pen and papyrus in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, scribe, iconic, pose, seated, squatting, pen, papyrus, nameless, collection, landscape, painted, limestone, Saqqara, ancient, antiquity, antiquities, exhibit
Sheshonq 1 Falcon Mummy EG11805JHP 
 Egyptian Museum Exhibit pasteboard coffin Sheshong 1 Tanis falcon Horus in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Sheshonq, Tanis, cartonnage, coffin, Horus, falcon, first, floor, collection, upright, ancient, antiquity, antiquities, exhibit
Queen Merit-Amun Bust EG11811JHP 
 Egypt Cairo Museum Exhibit bust Queen Merit-Amun Ramasseum Rameses 11 in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Merit-Amun, Queen, bust, painted, headdress, uraeus, sun disks, wig, necklace, menat, limestone, Rameses, collection, upright, ancient, antiquity, antiquities, exhibit
Pyramidion Amenemhat EG11812JHP 
 Egyptian Museum Cairo hall basalt polished pyramidion Pharaoh Amenemhat 111 from the top of his mudbrick pyramid at Hawara dating from around 1800 DC. In the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, hall, collection, pyramidion, carved, hieroglypgs, eye, wings, solar, disk, cartouche, basalt, Amenemhat, pyramid, top, landscape, ancient, antiquity, antiquities, exhibit
Pharaoh Menkaure EG11820JHP 
 Egyptian Cairo Museum alabaster statue Pharaoh Menkaure ground floor photo in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, collection, ground, floor, alabaster, statue, Menkaure, pharaoh, upright, ancient, antiquity, antiquities, exhibit
Palermo Stone EG11826JHP 
 Egyptian Museum Exhibit fragment Palermo Stone Kings List flood dates such as the largest piece of the basalt historical stele is in that musuem in Italy and is tantalising source is earliest Egyptian history. In the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, first, floor, collection, Palermo, stone, fragment, kings, list, upright, earliest, history, ancient, antiquity, antiquities, exhibit
Narmer Tablet EG11832JHP 
 Egyptian Museum Cairo Narmer Tablet carved earliest Egypt dating Dynasty 0 around 3000BC in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, collection, Narmer, Palette, Tablet, entwined, cats, necks, vanished, unification, upright, ancient, antiquity, antiquities, exhibit
Narmer Tablet EG11831JHP 
 Egyptian Cairo Museum Narmer Tablet Pharaoh Smiting Enemy interior photograph in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, narmer, Tablet, schist, Palette, king, warrior, conqueror, prisoner, war, club, victory, collection, upright, ancient, antiquity, antiquities, exhibit
King Doser EG11836JHP 
 Egyptian Museum Exhibit statue King Doser missing eyes serdab Saqqara and now in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, King, Doser, Djoser, Saqqara, serdab, eyes, missing, ground, floor, collection, upright, ancient, antiquity, antiquities, exhibit
Faience Bowl EG012620JHP 
 Egypt Cairo Museum Exhibit pottery faience bowl painted patterns in the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, collection, faience, bowl, landscape, ancient, antiquity, antiquities, exhibit
Faience Bowl EG012619JHP 
 Egyptian Museum Cairo pottery faience bowl blue fish motif painted in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, faience, bowl, pottery, blue, flow, fish, decotated, painted, colours, colors, collection, landscape, ancient, antiquity, antiquities, exhibit
Diorite Khafre EG11824JHP 
 Egyptian Museum Cairo Exhibit Pharaoh Khafre ground floor inside photograph in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, diorite, Khafre, seated, statue, pharaoh, ground, floor, collection, upright, ancient, antiquity, antiquities, exhibit
Coffin Interior Detail EG011210aJHP 
 Egyptian Museum coffin interior treasury scribe illustrate elaborate colourful craftsmanship from the ancient Egyptians. In the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, scribe, priest, leopard, skin, Amun-Ra, food, offering, fruit, lotus, flowers, wife, sarcophagus, interior, painted, colours, colors, collection, square, ancient, antiquity, antiquities, exhibit
Cairo Museum Entrance EG596aJHP 
 Egypt Museum Cairo Entrance door gardens pond lilies seats photograph in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Mariette, entrance, front, pond, lilies, flags, collection, upright, ancient, antiquity, antiquities, exhibit
Cairo Egyptian Museum EG072608JHP 
 Egyptian Museum Cairo gardens seats exhibits entrance palm trees maindoor in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Mariette, entrance, front, collection, landscape, ancient, antiquity, antiquities, exhibits
Cairo Egyptian Museum EG072607JHP 
 Egyptian Museum Cairo seats exhibits palm trees gardens entrance in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Mariette, entrance, front, collections, upright, ancient, antiquity, antiquities, exhibits
Archaic Ostraca EG11834JHP 
 Egyptian Museum Exhibit archaic ostraca painted bull baboon prehistory dating back earliest times in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, archaic, ostraca, bull, baboon, painting, collection, landscape, ancient, antiquity, antiquities, exhibit
Amarna Nefertiti Head EG11818JHP 
 Egyptian Museum Exhibit unfinished sculpture Queen Nefertiti bust sculpture granite in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Amarna, Nefertiti, Queen, granite, head, sculpture, unfinished, collection, upright, ancient, antiquity, antiquities, exhibit
Amarna Nefertiti Head EG11817JHP 
 Egyptian Cairo Museum unfinished sculptured head Queen Nerfertiti Amarna photo in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Amarna, Nefertiti, Queen, granite, head, sculpture, unfinished, collection, upright, ancient, antiquity, antiquities, exhibit
Amarna Aten Relief EG11815JHP 
 Egyptian Museum Exhibit doorjam Amarna Aten God Pharaoh Akhenaten Nerfertiti in the rays of the Sun God, the Aten.Iin the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Amarna, Aten, relief, doorjam, Akhenaten, Nerfertiti, carving, painted, cartouches, colours, colors, hieroglyphs, upright, ancient, antiquity, antiquities, exhibit
Akhenaten Statue EG11816JHP 
 Egyptian Museum Exhibit limestone iconic shaped statue Pharaoh Akhenaten Amarna in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. 
 Keywords: Egypt, Cairo, Egyptian, Museum, Akhenaten, pharaoh, statue, limestone, shape, collection, landscape, upright, ancient, antiquity, antiquities, exhibit

Egypt > Giza Pyramids & Sphinx (50 files)

Photographs of the three Giza pyramids of Khufu, Khafre and Menkaure, the Sphinx, temples, Solar Barque museum and western cemetery mastabas, including the Light and Sound Show night views.
The Sphinx EG951094jhp 
 Giza Egyptian Sphinx Great Pyramid face carved limestone blue sky clouds this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, 1995, 645, slide, film, transparency, Bronica, ERTSi, 70mm, lens
Giza Sphinx Temple EG051009jhp 
 Giza ancient Egypt Sphinx Temple Khafre Pyramid limestone walls blue sky this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face is here seen from the Sphinx Temple by the main toursit walkway to the Valley Temple faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, Temple, pyramid, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, upright, lion, nem enclosure, excavation, Egyptology, archaeology, ancient, painted, colour, red, forehead
Giza Sphinx Stele EG051036jhp 
 Giza Egypt Sphinx Khafre Chephren Pyramid Paws Stele closeup telephoto this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. Here the famous 'Dream' Stele is taken using a 300 mm telephoto from the road to the Great Pyramid and as close as one can get without going into the enclosure. 
 Keywords: keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, stele, closeup, telephoto, lion, paws, enclosure, excavation, Egyptology, archaeology, ancient
Giza Sphinx Stele EG051013jhp 
 Gizah Egyptian Sphinx Khafre Chephren Paws Stele closeup telephoto this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. Here the famous 'Dream' Stele is taken using a 300 mm telephoto from the road to the Great Pyramid and as close as one can get without going into the enclosure. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, stele, Dream, closeup, telephoto, upright, lion, paws, enclosure, excavation, Egyptology, archaeology, ancient
Giza Sphinx Pyramid EG051033jhp 
 Giza ancient Egyptian Sphinx Khafre vista Pyramid Paws Stele Menkaure this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point above the Sphinx Temple where the main approach starts. Just on the left is the third Giza pyramids that of Menkaure. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, Menkaure, Mycerinus, causeway, landscape, vista, lion, stele, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Giza Sphinx Head EG051005jhp 
 Gizah Egyptian Sphinx head face eyes nose mouth nemes painted colours closeup this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face taken from the Sphinx Temple faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, head, face, eyes, nose, mouth, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, painted, colour, red, forehead
Giza Sphinx Head EG051004jhp 
 Giza Egyptian Sphinx head eyes nose mouth nemes ear painted colour this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face taken from the Sphinx Temple faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, upright, lion, head, face, eyes, nose, mouth, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, painted, colour, red, forehead
Giza Sphinx Head EG050998jhp 
 Giza Egyptian Sphinx head face eyes nose mouth nemes painted colours this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, head, face, eyes, nose, ear, mouth, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, painted, colour, red, forehead, concrete, repair, strengthen, addition
Giza Sphinx Face EG050996jhp 
 Giza ancient Egyptian Sphinx head face nemes headdress eyes ears nose mouth this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete
Giza Sphinx Face EG050994jhp 
 Giza Egypt Sphinx face eyes nose mouth nemes painted colours closeup this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, upright, lion, paws, haunch, face, eyes, nose, mouth, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, painted, colour, red, forehead
Giza Sphinx Detail EG050997jhp 
 Gizah Egypt Sphinx ear concrete repair nemes limestone erosion closeup telephoto this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, face, ear, closeup, detail, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, painted, colour, red, forehead
Giza Sphinx EG051040jhp 
 Giza Egyptian Sphinx Khafre Chephren faceon head face blue sky Paws Stele this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, stele, upright, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Giza Sphinx EG051035jhp 
 Giza Egyptian Sphinx Khafre Chephren Pyramid Paws Stele sunny temple this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, stewle, causeway, upright, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Giza Sphinx EG051034jhp 
 Giza Egypt Sphinx Khafre Chephren Pyramid Paws Stele police camel this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, stele, lion, police, camel, tourists, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Giza Sphinx EG051031jhp 
 Giza Egyptian Sphinx Chephren Pyramid Paws Stele Temple walls tourists this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, stele, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Giza Sphinx EG051020jhp 
 Giza Egyptian Sphinx Khafre Chephren Paws Stele sideon limestone blocks this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, stele, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Giza Sphinx EG051019jhp 
 Giza Egypt Sphinx head face Khafre Chephren Paws Stele side desert this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, stele, side, upright, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Giza Sphinx EG051016jhp 
 Gizah Egyptian Sphinx Khafre Chephren Paws Stele Face Torso head this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, stele, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Giza Sphinx EG051011jhp 
 Gizah Egypt Sphinx Khafre Chephren Pyramid Paws Stele face head this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, stele, upright, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Sphinx Temple Walls EG02029jhp 
 Giza Egyptian Sphinx Temple walls entrance Valley Pyramid erosion limestone frames this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, upright, lion, face, nemes, headdress, enclosure, entrance, Egyptology, archaeology, ancient, limestone, blocks, weathered, erosion
Sphinx Temple Walls EG020030jhp 
 Giza Egyptian Sphinx face Head Temple Khafre Chephren Pyramid wall framed this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on the entrance walk to his Valley Temple. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, walls, blocks, Valley, Temple, causeway, landscape, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Sphinx Pyramids Giza EG02014jhp 
 Giza Egypt Cairo Sphinx Cheops Khufu Khafre Chephren Pyramids Causeway this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, blue, sky, sunshine, clear
Sphinx Khafre Giza EG02028jhp 
 Giza Egyptian Sphinx Khafre Chephren Pyramid Temple walls limestone blocks frame this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, upright, lion, face, nemes, headdress, enclosure, Egyptology, archaeology, ancient, limestone, walls, blocks, eroded
Sphinx Giza Vista EG02003jhp 
 Giza Egypt Sphinx Cheops Khufu Khafre Chephren Menkaure Pyramids Vista show the context of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway approaching his Valley Temple. 
 Keywords: keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, Menkaure, soft, erosion, limestone, Valley, Temple, causeway, landscape, vista, panorama, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Sphinx Giza Vista EG02002jhp 
 Giza Egypt Vista approach Sphinx Khafre Chephren Pyramid entrance Temple offers the first ral look at this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on the entrance to Giza and the approach to his Valley Temple. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, vista, upright, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, entrance, approach
Sphinx Giza Vista EG02001jhp 
 Giza Egyptian panorama approach Sphinx Khafre Chephren Pyramid entrance Temple offers the first real look at this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on the entrance to Giza and the approach to his Valley Temple. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, panorama, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Sphinx Giza EG02020jhp 
 Giza Cairo Egyptian Sphinx Cheops Khafre Pyramid Enclosure Paws Stele this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, panorama, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Sphinx Giza EG02019jhp 
 Giza Egypt Cairo Sphinx Khufu Khafre Chephren Pyramid Paws Stele limestone this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, upright, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Sphinx Giza EG02018jhp 
 Giza Egyptian Sphinx Head Cheops Chephren Great Pyramid Paws Stele this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Sphinx & Great Pyramid Giza EG02012jhp 
 Giza Egyptian Sphinx Lion Head Khufu Khafre Great Pyramid Solar Museum this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple and just visible is the roof of the Solar Barque Museum at the base of the Great Pyramid. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, Solar, Barque, Museum, blue, sky
Sphinx & Great Pyramid Giza EG02011jhp 
 Giza Egyptian Sphinx Cheops Khufu Khafre Chephren Pyramid blue sky sets off this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple and just visible is the roof of the Solar Barque Museum at the base of the Great Pyramid. 
 Keywords: keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, Solar, Barque, Museum
Sphinx Enclosure Causeway EG02016JHP 
 Giza Egyptian Sphinx Cheops Khufu Khafre Chephren Pyramid Paws Stele this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Giza Sphinx Sideon EG02024JHP 
 Egypt Giza Sphinx Shoulder Cheops Khufu Pyramid Haunch Side Photo this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, soft, erosion, limestone, Valley, Temple, causeway, head, upright, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Giza Sphinx Pyramid EG02023JHP 
 Egyptian Egypt Giza Sphinx Cheops Khufu Pyramid Photograph Enclosure where this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, soft, erosion, limestone, Valley, Temple, causeway, upright, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Giza Sphinx Enclosure EG02022JHP 
 Egyptian Giza Sphinx Enclosure Cheops Khufu Pyramid Paws Stele Police by this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, soft, erosion, limestone, Valley, Temple, causeway, landscape, police, camels, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Giza Shinx Paws EG02013JHP 
 Egyptian Egypt Giza Sphinx Cheops Khufu Pyramid Paws Stele Photo this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Egyptian, Giza, Sphinx, pyramid, Khafre, Chephren, Menkaure, Mycerinus, soft, erosion, limestone, Valley, Temple, causeway, landscape, stele, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Sphinx Great Pyramid EG02633JHP 
 Egyptian Sphinx Giza Cairo Egypt Limestone Ancient Iconic Mystery Pharaoh, somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is off to the left, although some attribute it to the previous Khufu who built the first and Greatest Pyramid which is behind the head in this view. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Egyptian, Giza, Sphinx, pyramid, Khafre, Chephren, Great, Khufu, soft, erosion, limestone, Valley, Temple, causeway, upright, lion, stele, paws, stele, haunch, flank, profile, face, nemes, headdress, enclosure, conservation, repairs, Egyptology, archaeology, ancient, slide, scanned
Sphinx Great Pyramid EG02631JHP 
 Egyptian Sphinx Giza Great Pyramid Giza Ancient Royal Memorial Photograph, somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is off to the left, although some attribute it to the previous Khufu who built the first and Greatest Pyramid which is behind the head in this view. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Egyptian, Giza, Sphinx, pyramid, Khafre, Chephren, Great, Khufu, soft, erosion, limestone, causeway, upright, lion, stele, paws, haunch, flank, profile, face, nemes, headdress, enclosure, conservation, repairs, Egyptology, archaeology, ancient
Sphinx Evening EG02611JHP 
 Egyptian Sphinx Giza Vista Tourists Visitors Pyramid Cheops Evening Photo, somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is off to the left, although some attribute it to the previous Khufu who built the first and Greatest Pyramid which is behind the head in this view. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Egyptian, Giza, Sphinx, pyramid, Khafre, Chephren, Great, Khufu, soft, erosion, limestone, Valley, Temple, causeway, landscape, crowds, visitors, evening, lion, stele, paws, haunch, flank, profile, face, nemes, headdress, enclosure, conservation, repairs, Egyptology, archaeology, ancient
Giza Vista EG02921JHP 
 Egyptian Sphinx Giza Panorama Khufu Great Khafre Pyramids Approach Valley Temple, somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Egyptian, Giza, Sphinx, pyramid, Khafre, Chephren, Khufu, Cheops, Great, soft, erosion, limestone, Valley, Temple, causeway, landscape, vista, lion, paws, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, slide, scanned, morning
Giza Vista EG02920JHP 
 Egyptian Sphinx Giza Valley Temple Khafre Pyramid Vista Approach Photograph, somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Egyptian, Giza, Sphinx, pyramid, Khafre, Chephren, Menkaure, Mycerinus, soft, erosion, limestone, Valley, Temple, causeway, landscape, vista, panorama, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Giza Sphinx Vista EG02628JHP 
 Egyptian Sphinx Giza Great Pyramid Panorama Causeway Enclosure Morning Empty, somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is off to the left, although some attribute it to the previous Khufu who built the first and Greatest Pyramid which is behind the head in this view. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Egyptian, Giza, Sphinx, pyramid, Khafre, Chephren, Great, Khufu, soft, erosion, limestone, morning, causeway, landscape, lion, stele, paws, haunch, flank, profile, face, nemes, headdress, enclosure, conservation, repairs, Egyptology, archaeology, ancient, slide, scanned
The Sphinx Stele EG051038JHP 
 Sphinx Giza Egypt Paws Dream Stele Granite Limestone Erosion Front, somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau. Closeup of the Dream Stele attributed to Thutmosis 1V around 1400BC 
 Keywords: Egypt, Egyptian, Giza, Sphinx, Temple, Khafre, Thutmosis, soft, erosion, limestone, landscape, lion, granite, stele, dream, paws, enclosure, conservation, repairs, Egyptology, archaeology, ancient, sand, covered, cleared
The Sphinx Side EG051026JHP 
 Sphinx Giza Side Repairs Bricks Limestone Erosion Water Wind Sand, somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau. 
 Keywords: Egypt, Egyptian, Giza, Sphinx, Khafre, soft, erosion, limestone, desert, landscape, lion, side, blocks, detail, enclosure, conservation, repairs, Egyptology, archaeology, ancient
The Sphinx Profile EG051023JHP 
 Sphinx Profile Giza Ancient Egyptian Limestone Carving Pharaoh Muslim Cemetery, somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau. 
 Keywords: Egypt, Egyptian, Giza, Sphinx, Khafre, soft, erosion, limestone, causeway, landscape, upright, lion, profile, side-on, face, nemes, headdress, enclosure, conservation, repairs, Egyptology, archaeology, ancient, Musilm, cemetery, desert, bluff, outcrop
The Sphinx Profile EG051021JHP 
 Sphinx Crouching Profile Side Giza Cairo Egypt Desert Limestone Carving, somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau. 
 Keywords: Egypt, Egyptian, Giza, Sphinx, Khafre, soft, erosion, limestone, Valley, Temple, causeway, desert, landscape, lion, stele, dream, paws, haunch, flank, profile, face, nemes, headdress, enclosure, conservation, repairs, Egyptology, archaeology, ancient
The Sphinx Haunch EG051025JHP 
 Sphinx Giza Egypt Haunch Rear Legs Crouching Limestone Construction Repairs, somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau. 
 Keywords: Egypt, Egyptian, Giza, Sphinx, Khafre, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, haunch, enclosure, conservation, repairs, Egyptology, archaeology, ancient
The Sphinx Flank EG051027JHP 
 Sphinx Giza Shoulder Neck Construction Repairs Conservation Bricks Erosion, somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau. 
 Keywords: Egypt, Egyptian, Giza, Sphinx, Khafre, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, flank, profile, enclosure, conservation, repairs, Egyptology, archaeology, ancient
The Sphinx EG051010JHP 
 The Sphinx Front Head Face Body Gizah Paws Dream Stele Egyptian Carved Limestone Statue, somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau. The pyramid of Menkaure is just visible beyond the left hand headress flange. 
 Keywords: Egypt, Egyptian, Giza, Sphinx, pyramid, Menkaure, Mycerinus, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, stele, dream, paws, face, nemes, headdress, enclosure, conservation, repairs, Egyptology, archaeology, ancient
Sphinx fm Temple EG051007JHP 
 The Sphinx Giza Cairo Egypt Temple Valley Khafre Pyramid Blocks Eroded, somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau viewed from between the Valley Temple and the Sphinx's own temple exterior walls. 
 Keywords: Egypt, Egyptian, Giza, Gizah, Sphinx, pyramid, Khafre, Chephren, soft, erosion, limestone, Temple, causeway, landscape, lion, face, nemes, headdress, enclosure, conservation, repairs, Egyptology, archaeology, ancient

Egypt > Infra Red Photographs (79 files)

This is a collection of Infra Red Black & White film photographs taken of the main sites of mainly Ancient Egypt in the late 1990's and they give a very different feel to the sites with the particular ghostly effect of this specialised Kodak film. Sites covered include Abydos, Colossi of Memnon, Abydos temple, Osireion, Dendera Temple, Edfu Temple, Esna Temple, Esna Lock, Karnak Temple, Kom Ombo Temple, Luxor Temple, Philae Temple, Aswan Felucca; River Nile cruise, Pyramids of Giza and The Sphinx
Egyptian Giza InfR EG020836jhp 
 Giza Egypt Sphinx Chephren Pyramid infra red Temple B&W film view on the public approach to this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020835jhp 
 Egypt Giza Sphinx face front infra red temple view pyramid Khafre taken from the walk towards the Valley Temple of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, faceon, front, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020833jhp 
 Egyptian Giza Sphinx Temple face front infra red pyramid Khafre taken from the walk towards the Valley Temple of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020832jhp 
 Egypt Cairo Giza Sphinx Temple face oblique infra red pyramid cropped view taken from the walk towards the Valley Temple of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020830jhp 
 Egypt Sphinx Temple face oblique infra red Jim Henderson Photograph view taken from the walk towards the Valley Temple of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020827jhp 
 Egypt Giza Sphinx face head profile closeup infra red low causeway view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020826jhp 
 Giza Egypt Sphinx head face Khafre Pyramid infra red causeway view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, head, closeup, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020825jhp 
 Giza Egyptian Sphinx enclosure man scale figure Pyramid infra red causeway view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020824jhp 
 Egypt Sphinx enclosure worker scale figure Pyramid infra red causeway B&W view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020822jhp 
 Giza Egypt Sphinx Khafre Khufu causeway Pyramids infra red low view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, pyramids, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, panorama, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020821jhp 
 Egyptian Sphinx Chephren Cheops Pyramids infra red low causeway enclosure view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, enclosure, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020820jhp 
 Egyptian Sphinx Cheops Pyramid enclosure infra red low causeway low view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020819jhp 
 Giza Egyptian Sphinx panorama Pyramid Great infra red causeway Cairo view this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, camel, mounted, policeman, lion, paws, stele, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020817jhp 
 Giza Egyptian Sphinx Great Pyramid infra red view causeway camel police mounted to extreme right of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020816jhp 
 Egypt Sphinx Khufu Pyramid infra red camel police mounted causeway view to extreme right of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020815jhp 
 Egypt Sphinx Khufu Cheops Pyramid infra red B&W film causeway Giza view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020814jhp 
 Egyptian Sphinx Khufu Cheops Pyramid Cairo infra red causeway Giza view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020433jhp 
 Giza Egyptian Sphinx Khafre Khufu Pyramids infra red people tourists view causeway this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, panorama, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020432jhp 
 Giza Egypt Sphinx |Great Khufu Cheops Pyramid infra red B&W film causeway view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, cropped, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020431jhp 
 Giza Egyptian Sphinx side face Great Khufu Cheops Pyramid infra red B&W film causeway view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020430jhp 
 Giza Egypt Sphinx sideon body Khufu Cheops Pyramid infra red B&W film causeway view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, sideon, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG02085jhp 
 Giza Egypt Cairo Sphinx Khafre Chephren Pyramid infra red B&W first view approach this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG02083jhp 
 Giza Egyptian Sphinx Khafre Chephren Pyramid infra red first view approach this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02049jhp 
 Egypt holiday hotel Movenpick Giza cactus plants infra red film grounds taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips.

The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02048jhp 
 Egyptian Cairo hotel Movenpick jolie Ville cactus succulents infra red film grounds taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips.

The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02047jhp 
 Egyptian Cairo hotel Jolie Ville Giza cactus tree B&W infra red film grounds taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips.

The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02046jhp 
 Egypt hotel Jolie Ville Giza cactus leaves infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips.

The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02045jhp 
 Egypt hotel Jolie Ville mango tree cow sculpture infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips.

The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02044jhp 
 Egypt hotel Movenpick Giza mango tree cow ornament infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips.

The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02043jhp 
 Egypt hotel Movenpick Giza mangifera tree cow black infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips.

The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02042jhp 
 Egypt hotel Cairo Giza mangifera tree shrubs topiary infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips.

The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG020410jhp 
 Egypt hotel Cairo Giza Jolie Ville tree paths rooms infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips.

The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG021231jhp 
 Egyptian River Nile Cruising deck railings lifebelts water B&W infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise trader, boatmen, oars, boat, rowing, cruising, landscape, upright, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG021230jhp 
 Egyptian Cruise River Nile Cruising deckchairs loungers riverbank infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat leaving Esna Lock offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, loungers, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG021229jhp 
 Egypt River Nile Cruiseboat Romance berth riverbank infra red film ghostly on the journey from Luxor to Aswan anchored at Esna before this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, Romance, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG021228jhp 
 Egyptian River Nile Cruiseboat Romance Esna berth infra red film ghostly on the journey from Luxor to Aswan anchored at Esna before this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, Romance, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, upright, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG021216jhp 
 Egypt River Nile Cruise Esna lock passing through infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, upright, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG021215jhp 
 Egypt River Nile Esna boatmen rowing trader infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise trader, boatmen, oars, boat, rowing, cruising, landscape, upright, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG021214jhp 
 Egyptian Nile Esna boatmen rowing water trader infra red film ghosts on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise trader, boatmen, oars, boat, rowing, cruising, landscape, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG02128jhp 
 Egypt River Nile Cruise rocky riverbank infra red film ghostly trees on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG02127jhp 
 Egyptian River Nile Cruising deck railings lifebelts riverbank infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, lamps, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG02126jhp 
 Egypt River Nile Cruising riverbank houses trees infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, houses, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG02125jhp 
 Egyptian River Nile Cruise hot deck railings lifebelts riverbank infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, upright, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG02124jhp 
 Egypt River Nile minaret palm trees riverbank infra red film B&W on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, minaret, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG02123jhp 
 Egypt River Nile Cruise deck railings deckchairs lamps water infra red film ghostly effect on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, upright, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG021211jhp 
 Egypt River Nile Cruise hills desert trees water infra red shore film ghostly effect on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG021210jhp 
 Egypt River Nile Cruising riverbank infra red film ghostly palm trees water hills on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, upright, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna by Nile InfR EG021218jhp 
 Egypt Esna Nile town waterfront cruise berth houses infra red is a well known berthing area on the River Nile waiting for access to the locks and if time allows there is a beautiful Ptolemaic temple deep in a hollow under the modern town building line worth visiting. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998. 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, promenade, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021227jhp 
 Egyptian Esna Temple smiting enemies infra red Khnum Isis outer carvings north wall on a small gem of a building deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998. 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, battle, scene, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021226jhp 
 Egypt Esna Temple north wall infra red Khnum Isis outer carvings on a small gem of a building deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998. 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021225jhp 
 Egypt Esna Temple Nile town modern houses exterior B&W infra red film is a small gem of a building deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, north, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021224jhp 
 Egyptian Esna Temple town modern appartment flats B&W infra red film is a small gem of a building deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, north, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021223jhp 
 Egypt Esna Temple Nile town hypostyle hall infra red exterior walls west north of this small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998. 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021222jhp 
 Egyptian Esna Temple hypostyle hall north west walls infra red B&W is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998. 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, outside, walls, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021221jhp 
 Egypt Esna Temple outer wall infra red film hypostyle hall side is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021220jhp 
 Egypt Esna Temple Ptolemaic hypostyle hall infra red film floral capitals curtain screens is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021219jhp 
 Egypt Esna Temple hypostyle hall curtain screens infra red Gods offering scene is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG982427jhp 
 Egypt Egyptian River Nile Cruiseboat deck plants people infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. On checking this photo was badly overexposed so accounts for the very strong grain structure. 
 Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, shrubs, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Nile Cruise InfR EG982428jhp 
 Egypt River Nile Sonester cruise deck plants tourists infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, Sonester, Sun, Goddess, daily, life, upright, cruiseboat, water, cruise, cruising, landscape, shrubs, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Luxor Temple InfR EG981121jhp 
 Luxor Temple Egyptian infra red B&W colonnade processional pylon rear photo is taken from the outside of the colonnade looking back to the rear of the pylon and peristyle court located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues on the far side of the pylon that greet the visitor arriving at the Temple. To the left are a few small columns from the Roman castrum, a military complex with stone paved avenues and the streets defined by pillars. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, upright, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Luxor Temple InfR EG981120jhp 
 Luxor Temple Egypt obelisk side carvings cartouche infra red film in front of the main pylon greeting visitors to this Temple located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues. On the side of the huge black granite seats are carvings in excellent state of repair illustrating early the mythology of ancient Egypt, the Union of the Two Lands; Upper and Lower Egypt. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, upright, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Luxor Temple InfR EG981119jhp 
 Luxor Temple Egypt seated statues Ramses carvings infra red B&W in front of the main pylon greeting visitors to this Temple located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues. On the side of the huge black granite seats are carvings in excellent state of repair illustrating early the mythology of ancient Egypt, the Union of the Two Lands; Upper and Lower Egypt. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, upright, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Luxor Temple InfR EG981118jhp 
 Luxor Temple Egypt pylon obelisk statues carvings infra red B&W ghostly in front of the main pylon greeting visitors to this Temple located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues. On the side of the huge black granite seats are carvings in excellent state of repair illustrating early the mythology of ancient Egypt, the Union of the Two Lands; Upper and Lower Egypt. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, upright, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Luxor Temple InfR EG981117jhp 
 Luxor Temple Egyptian seated statues Ramesses carvings infra red B&W in front of the main pylon greeting visitors to this Temple located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues. On the side of the huge black granite seats are carvings in excellent state of repair illustrating early the mythology of ancient Egypt, the Union of the Two Lands; Upper and Lower Egypt. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, upright, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Aswan Souk InfR EG982426jhp 
 Aswan Souk Bazaar Egypt Egyptians people infra red film shopping near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so.
This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Philae, holiday, bazaar, souk, suk, shops, trading, selling, upright, landscape, bargaining, haggle, leather, goods, shapes, patterns, exotic, smells, donkeys, Egyptians, locals, native, colourful colorful, colours, colors, spices, vegetables, tomatoes, clothes, fruit, cotton, baksheesh, blacksmith, sunset, tourism, cruise, cruiseboat, berth, history, antiquity, ancient, archaeology, Egyptology, riverside, cataracts, motorboat, excursion, feluccas, sailing, boats, caleche, Elephantine, Triad, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Dendera InfR EG98119jhp 
 Dendarah Dendera temple Qena Nile Egypt entrance gate infra red propylon in this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena.

This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, upright, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Dendera InfR EG981116jhp 
 Dendarah Dendara temple Egyptian roof pillared hall infra red front B&W film in this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena.

This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, upright, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998