Home

 

Searching all stock for "manual":

Aurora over Scotland (165 files)

Aurora Borealis or Northern Lights displays photographed taken over Aberdeeshire in Scotland since 1989 covering some 350 events with arc, rays, coronas with a wide rnage of shapes and colours
Aurora-Borealis-wsc6931jhp Aurora Borealis Scotland Northern Lights green red West display Deeside Aberdeenshire taken on the evening of 25th November, 2023 at Crooktree, 25 miles west of Aberdeen, at 18.35hrsUT and was indicated by the magnetometer readings on AuroraWatch as a Red Storm. This was viewed with a full moon behind so it has a subdued colour balance to it but very accurate of what the human eye would have seen; looking Westwards. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm Nikkor Wide angle manual lens at f5.6 aperture, ISO setting of 6400 for 10 seconds. The increased ISO sensitivity of modern DSLR’s allows for shorter exposures circa 10 sec average times giving more accurate recordings of these moving. Clouds increased and displays during the rest of the evening were not seen. I use the older manual lenses as they are much easier to set at Infinity, modern zoom lenses are harder to focus on infinity especially in very dark conditions. No additional filters are added. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, village, Aurora Borealis, Arc, Rays, Northern Lights, Merry Dancers, Cassiopeia, North, West, landscape, CME, solar, wind, night, sky, stars, oxygen, nitrogen, gas, molecules, magnetic, green, red, purple, high, grade, colourful, colorful, colours, colors, brief, evening, winter, full, moon, moonlight, November, 2023, D700, Nikon, DSLR, Nikkor, f5.6, 24mm, lens, manual, digital, tripod, time, exposure, photo, photos, photography, photograph, landscape
Aurora-Borealis-wsc6930jhp Aurora Borealis Scotland November green red West display Grampian Aberdeenshire taken on the evening of 25th November, 2023 at Crooktree, 25 miles west of Aberdeen, at 18.33hrsUT and was indicated by the magnetometer readings on AuroraWatch as a Red Storm. This was viewed with a full moon behind so it has a subdued colour balance to it but very accurate of what the human eye would have seen; upright looking Westwards. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm Nikkor Wide angle manual lens at f5.6 aperture, ISO setting of 3200 for 10 seconds. The increased ISO sensitivity of modern DSLR’s allows for shorter exposures circa 10 sec average times giving more accurate recordings of these moving. Clouds increased and displays during the rest of the evening were not seen. I use the older manual lenses as they are much easier to set at Infinity, modern zoom lenses are harder to focus on infinity especially in very dark conditions. No additional filters are added. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, village, Aurora Borealis, Arc, Rays, Northern Lights, Merry Dancers, Cassiopeia, North, West, landscape, CME, solar, wind, night, sky, stars, oxygen, nitrogen, gas, molecules, magnetic, green, red, purple, high, grade, colourful, colorful, colours, colors, brief, evening, winter, full, moon, moonlight, November, 2023, D700, Nikon, DSLR, Nikkor, f5.6, 24mm, lens, manual, digital, tripod, time, exposure, photo, photos, photography, photograph, upright, portrait
Aurora-Borealis-wsc6929jhp Aurora Borealis Scotland November green red West display Grampian Aberdeenshire taken on the evening of 25th November, 2023 at Crooktree, 25 miles west of Aberdeen, at 18.33hrsUT and was indicated by the magnetometer readings on AuroraWatch as a Red Storm. This was viewed with a full moon behind so it has a subdued colour balance to it but very accurate of what the human eye would have seen; looking Westwards. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm Nikkor Wide angle manual lens at f5.6 aperture, ISO setting of 3200 for 10 seconds. The increased ISO sensitivity of modern DSLR’s allows for shorter exposures circa 10 sec average times giving more accurate recordings of these moving. Clouds increased and displays during the rest of the evening were not seen. I use the older manual lenses as they are much easier to set at Infinity, modern zoom lenses are harder to focus on infinity especially in very dark conditions. No additional filters are added. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, village, Aurora Borealis, Arc, Rays, Northern Lights, Merry Dancers, Cassiopeia, North, West, landscape, CME, solar, wind, night, sky, stars, oxygen, nitrogen, gas, molecules, magnetic, green, red, purple, high, grade, colourful, colorful, colours, colors, brief, evening, winter, full, moon, moonlight, November, 2023, D700, Nikon, DSLR, Nikkor, f5.6, 24mm, lens, manual, digital, tripod, time, exposure, photo, photos, photography, photograph, landscape
Aurora-Borealis-wsc6928jhp Aurora Borealis Scottish November red rays high North display Grampian Aberdeenshire taken on the evening of 25th November, 2023 at Crooktree, 25 miles west of Aberdeen, at 18.32hrsUT and was indicated by the magnetometer readings on AuroraWatch as a Red Storm. This was viewed with a full moon behind so it has a subdued colour balance to it but very accurate of what the human eye would have seen; looking due North. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm Nikkor Wide angle manual lens at f5.6 aperture, ISO setting of 3200 for 10 seconds. The increased ISO sensitivity of modern DSLR’s allows for shorter exposures circa 10 sec average times giving more accurate recordings of these moving. Clouds increased and displays during the rest of the evening were not seen. I use the older manual lenses as they are much easier to set at Infinity, modern zoom lenses are harder to focus on infinity especially in very dark conditions. No additional filters are added. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, village, Aurora Borealis, Arc, Rays, Northern Lights, Merry Dancers, Cassiopeia, North, landscape, CME, solar, wind, night, sky, stars, oxygen, nitrogen, gas, molecules, magnetic, green, red, purple, high, grade, colourful, colorful, colours, colors, brief, evening, winter, full, moon, moonlight, November, 2023, D700, Nikon, DSLR, Nikkor, f5.6, 24mm, lens, manual, digital, tripod, time, exposure, photo, photos, photography, photograph, landscape
Aurora-Borealis-wsc6927jhp Aurora Borealis Scottish November green red North display Grampian Aberdeenshire taken on the evening of 25th November, 2023 at Crooktree, 25 miles west of Aberdeen, at 18.31hrsUT and was indicated by the magnetometer readings on AuroraWatch as a Red Storm. This was viewed with a full moon behind so it has a subdued colour balance to it but very accurate of what the human eye would have seen; looking due North. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm Nikkor Wide angle manual lens at f5.6 aperture, ISO setting of 3200 for 10 seconds. The increased ISO sensitivity of modern DSLR’s allows for shorter exposures circa 10 sec average times giving more accurate recordings of these moving. Clouds increased and displays during the rest of the evening were not seen. I use the older manual lenses as they are much easier to set at Infinity, modern zoom lenses are harder to focus on infinity especially in very dark conditions. No additional filters are added. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, village, Aurora Borealis, Arc, Rays, Northern Lights, Merry Dancers, Cassiopeia, North, landscape, CME, solar, wind, night, sky, stars, oxygen, nitrogen, gas, molecules, magnetic, green, red, purple, high, grade, colourful, colorful, colours, colors, brief, evening, winter, full, moon, moonlight, November, 2023, D700, Nikon, DSLR, Nikkor, f5.6, 24mm, lens, manual, digital, tripod, time, exposure, photo, photos, photography, photograph, landscape
Aurora-Borealis-wsc6925jhp Northern Lights Scottish November green red North Aurora display Grampian Aberdeenshire taken on the evening of 25th November, 2023 at Crooktree, 25 miles west of Aberdeen, at 18.28hrsUT and was indicated by the magnetometer readings on AuroraWatch as a Red Storm. This was viewed with a full moon behind so it has a subdued colour balance to it but very accurate of what the human eye would have seen; looking due North. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm Nikkor Wide angle manual lens at f5.6 aperture, ISO setting of 3200 for 10 seconds. The increased ISO sensitivity of modern DSLR’s allows for shorter exposures circa 10 sec average times giving more accurate recordings of these moving. Clouds increased and displays during the rest of the evening were not seen. I use the older manual lenses as they are much easier to set at Infinity, modern zoom lenses are harder to focus on infinity especially in very dark conditions. No additional filters are added. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, village, Aurora Borealis, Arc, Rays, Northern Lights, Merry Dancers, Cassiopeia, North, landscape, CME, solar, wind, night, sky, stars, oxygen, nitrogen, gas, molecules, magnetic, green, red, purple, high, grade, colourful, colorful, colours, colors, brief, evening, winter, full, moon, moonlight, November, 2023, D700, Nikon, DSLR, Nikkor, f5.6, 24mm, lens, manual, digital, tripod, time, exposure, photo, photos, photography, photograph, landscape
Aurora-Borealis-behind-clouds-wsc6824jhp Aurora Borealis Scotland cloud obscured display Deeside covered Aberdeenshire taken on the evening of 5th November, 2023 at Crooktree, 25 miles west of Aberdeen, at 20.05hrsUT and was indicated by the magnetometer readings on AuroraWatch as a Major Storm. As the photo shows it was completely obscured by dense cloud cover with a few gaps-enough to see some light. It then went 100% covered and despite a power display in progress nothing could be seen. This photograph was taken with a Nikon D700 full frame DSLR using a Tokina SD zoom at f5.6 aperture, ISO setting of 6400 for 10 seconds. The increased ISO sensitivity of modern DSLR’s allows for shorter exposures circa 10 sec average times giving more accurate recordings of these moving. Clouds increased and displays during the rest of the evening were not seen. I use the older manual lenses as they are much easier to set at Infinity, modern zoom lenses are harder to focus on infinity especially in very dark conditions. No additional filters are added. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, village, Aurora Borealis, Northern Lights, North, landscape, CME, solar, wind, night, sky, stars, oxygen, nitrogen, gas, molecules, magnetic, high, grade, clouds, obscured, cover, evening, winter, November, 2023, D700, Nikon, DSLR, Tokina SD, zoom, f5.6, 28mm, lens, manual, digital, tripod, time, exposure, photo, photos, photography, photograph
Deeside Aurora aucf14110jhp Scotland Northern Lights display faded winter west north Deeside Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen in the evening of 22nd November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th which with hindsight it was the biggest I have since on Deeside to date, 2018. This set of digital photos were taken from 21.58.03hrsUT for 17secs and these cf141 digital photos were taken at 1600ISO. The 8 photos in this cf141 sequence were taken in the space of about 20mins and followed the cf140 sequence taken in the early hours of the 21st. This photo showing a display dispersed west and interrupted by cloud cover. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, arc, yellow, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera, upright
Deeside Aurora aucf14107jhp Scottish Northern Lights arc rays fading colours winter Plough westwards Deeside Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen in the evening of 22nd November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th which with hindsight it was the biggest I have since on Deeside to date, 2018. This set of digital photos were taken from 21.43.06hrsUT for 15secs and these cf141 digital photos were taken at 1600ISO. The 8 photos in this cf141 sequence were taken in the space of about 20mins and followed the cf140 sequence taken in the early hours of the 21st. This photo showing a display with dispersing folding arc and rays to west of North with The Plough on right edge. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, arc, yellow, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera
Deeside Aurora aucf14106jhp Aurora Borealis Scottish arc folding rays colours winter west Deeside Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen in the evening of 22nd November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th which with hindsight it was the biggest I have since on Deeside to date, 2018. This set of digital photos were taken from 21.42.02hrsUT for 17secs and these cf141 digital photos were taken at 1600ISO. The 8 photos in this cf141 sequence were taken in the space of about 20mins and followed the cf140 sequence taken in the early hours of the 21st. This photo showing an active display with bright arc and rays to west of North with tail of The Plough on right edge. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, arc, yellow, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera, upright
Deeside Aurora aucf14105jhp Aurora Borealis Scottish rays colours red Plough winter north Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen in the evening of 22nd November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th which with hindsight it was the biggest I have since on Deeside to date, 2018. This set of digital photos were taken from 21.40.51hrsUT for 16secs and these cf141 digital photos were taken at 1600ISO. The 8 photos in this cf141 sequence were taken in the space of about 20mins and followed the cf140 sequence taken in the early hours of the 21st. This photo showing an active display with bright arc and set of strong oxygen red rays to due North-tail of The Plough on the right. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, arc, yellow, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera, upright
Deeside Aurora aucf14104jhp Aurora Borealis Scotland arc multiple strong rays colours winter north Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen in the evening of 22nd November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th which with hindsight it was the biggest I have since on Deeside to date, 2018. This set of digital photos were taken from 21.40.09hrsUT for 16secs and these cf141 digital photos were taken at 1600ISO. The 8 photos in this cf141 sequence were taken in the space of about 20mins and followed the cf140 sequence taken in the early hours of the 21st. This photo showing an active display with bright arc and set of developing rays to due North. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, arc, yellow, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera
Deeside Aurora aucf14103jhp Aurora Borealis Scotland green arc rays faint November 2003 north Deeside Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen in the evening of 22nd November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th which with hindsight it was the biggest I have since on Deeside to date, 2018. This set of digital photos were taken from 21.33.31hrsUT for 18secs and these cf141 digital photos were taken at 1600ISO. The 8 photos in this cf141 sequence were taken in the space of about 20mins and followed the cf140 sequence taken in the early hours of the 21st. This photo showing early stages of a display with bright arc and first signs of rays developing slightly west of due North. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, arc, yellow, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera
Deeside Aurora aucf14102jhp Aurora Borealis Scottish dispersed green arc Plough winter north Deeside Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen in the evening of 22nd November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th which with hindsight it was the biggest I have since on Deeside to date, 2018. This set of digital photos were taken from 21.32hrsUT for 16secs and these cf141 digital photos were taken at 1600ISO. The 8 photos in this cf141 sequence were taken in the space of about 20mins and followed the cf140 sequence taken in the early hours of the 21st. This photo showing early stages of a display with bright arc patches prior to rays forming slightly west of due North. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, arc, yellow, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera
Deeside Aurora aucf14101jhp Aurora Borealis Display Scotland dispersed arc winter north Deeside Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen in the evening of 22nd November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th which with hindsight it was the biggest I have since on Deeside to date, 2018. This set of digital photos were taken from 21.30.12hrsUT for 18secs and these cf141 digital photos were taken at 1600ISO. The 8 photos in this cf141 sequence were taken in the space of about 20mins and followed the cf140 sequence taken in the early hours of the 21st. This photo showing early stages of a display slightly west of due North. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera
Deeside Aurora aucf14007jhp Aurora Display Scotland Lights rays winter north Plough Stars Deeside Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen and started in the early morning 21st November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th and with hindsight it was the biggest I have since on Deeside to date, 2018. This digital photo was taken at 03.02.15hrsUT for 18secs and these cf140 digital photos were taken at 1600ISO. The 7 photos in this cf140 sequence were taken in the space of 5mins this photo showing colourful rays to due North with The Plough or Ursa Major on the right side. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera
Deeside Aurora aucf14006jhp Aurora Borealis Scotland rays moving faint clouds north Deeside Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen and started in the early morning 21st November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th and with hindsight it was the biggest I have since on Deeside to date, 2018. This digital photo was taken at 03.01.41hrsUT for 14secs and these cf140 digital photos were taken at 1600ISO. The 7 photos in this cf140 sequence were taken in the space of 5mins this photo showing fading rays on due North. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera, upright
Deeside Aurora aucf14005jhp Aurora Display Scottish Northern Lights rays waning north Deeside Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen and started in the early morning 21st November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th and with hindsight it was the biggest I have since on Deeside to date, 2018. This digital photo was taken at 03.00.44hrsUT for 12secs and these cf140 digital photos were taken at 1600ISO. The 7 photos in this cf140 sequence were taken in the space of 5mins this photo showing fading rays on due North. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera, upright
Deeside Aurora aucf14004jhp Aurora Display Scottish colourful rays north street lights Torphins Aberdeenshire Deeside photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen and started in the early morning 21st November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th and with hindsight it was the biggest I have since on Deeside to date, 2018. This digital photo was taken at 03.00.09hrsUT for 17secs and these cf140 digital photos were taken at 1600ISO. The 7 photos in this cf140 sequence were taken in the space of 5mins this photo showing a hint of purple from nitrogen gas in the red and green oxygen rays. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera
Deeside Aurora aucf14003jhp Aurora Borealis Scotland colourful strong rays trees north Aberdeenshire Deeside photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen and started in the early morning 21st November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th and with hindsight it was the biggest I have since on Deeside to date, 2018. This digital photo was taken at 02.59.34hrsUT for 17secs and these cf140 digital photos were taken at 1600ISO. The 7 photos in this cf140 sequence were taken in the space of 5mins this photo showing a hint of purple from nitrogen gas in the red and green oxygen rays. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera, upright
Deeside Aurora aucf14002jhp Aurora Borealis Scotland colours centre purple rays trees westwards Aberdeenshire Deeside photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen and started in the early morning 21st November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th and with hindsight it was the biggest I have since on Deeside to date, 2018. This digital photo was taken at 02.59.01hrsUT for 15secs and these cf140 digital photos were taken at 1600ISO. The 7 photos in this cf140 sequence were taken in the space of 5mins this photo showing a hint of purple from nitrogen gas molecules. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera
Deeside Aurora aucf14001jhp Aurora Borealis Scottish colours centre red rays treetops west Aberdeenshire Deeside photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen and started in the early morning 21st November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th and with hindsight it was the biggest I have since on Deeside to date, 2018. This digital photo was taken at 02.58.25hrsUT for 17secs and these cf140 digital photos were taken at 1600ISO. The 7 photos in this cf140 sequence were taken in the space of 5mins. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark at 1600ISO which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera
Aurora over Stone Circle SO0213981jhp Scotland Aurora Borealis Orion Pleiades Corona green zenith celestial wings from Tomnaverie Bronze Age stone circle site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south the last of the digital photos was taken at 00.18.10hrsUT for 10secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213980jhp Scotland flanker monolith Aurora Borealis Orion Pleiades Corona green zenith wings Tomnaverie Bronze Age stone circle site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 00.17.20hrsUT for 16secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213979jhp Scotland flanker Stones Aurora Borealis south Pleiades Corona green zenith wings Tomnaverie Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 00.16.23hrsUT for 16secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213978jhp Scottish flanker above Aurora Borealis south Orion Pleiades Corona zenith wings Tomnaverie Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 00.15.11hrsUT for 17secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213977jhp Scottish Stone Circle Aurora Borealis south Orion Pleiades Tarland Tomnaverie Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 00.14.32hrsUT for 13secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213975jhp Scotland Stone Circle Aurora Borealis above flanker red colours rays North Tarland Tomnaverie Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the north in the direction of Tarland was taken at 00.12.47hrsUT for 16secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213974jhp Scotland Stone Circle Aurora Borealis Corona red colours rays Plough North Tarland Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the north in the direction of Tarland was taken at 00.12.18hrsUT for 13secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213973jhp Scotttish Stone Circle Aurora Borealis Corona arms colours rays Tarland Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the north west in the direction of Morven was taken at 00.00.36hrsUT for 14secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213970jhp Deeside Stone Circle Aurora Borealis Corona dome rays Tarland Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the north west in the direction of Tarland was taken at 23.58.42hrsUT for 15secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213967jhp Scotland Stone Circle Aurora Borealis Corona rays recumbent Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.56.31hrsUT for 12secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213959jhp Scottish Stone Circle Aurora Borealis Corona red green rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.27.22hrsUT for 20secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213956jhp Scotland Aurora Borealis corona building red green rays dome stone Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.25.12hrsUT for 15secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213955jhp Scottish Aurora Borealis corona building red green rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.24.10hrsUT for 15secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213954jhp Scottish Aurora Borealis sweeping red green rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.23.29hrsUT for 14secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213952jhp Scotland Stone Circle Aurora Borealis sweeping red rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.21.36hrsUT for 19secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213951jhp Scottish Stone Circle Aurora Borealis sweeping arms Stars rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.20.58hrsUT for 13secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213949jhp Scottish Stone Circle Aurora Northern Lights Corona Orion Stars red rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.19.04hrsUT for 16secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213947jhp Scottish Stone Circle Aurora Borealis Corona Orion Stars rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.15.05hrsUT for 16secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213946jhp Scotland Stone Circle Aurora Borealis Corona activity rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.13.18hrsUT for 15secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213943jhp British Stone Circle Aurora Borealis Corona dome zenith Pleiades Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.08.44hrsUT for 13secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control but this early exposure is on the short side. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213942jhp Scottish Stone Circle Aurora Borealis Corona dome Pleiades Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.08.14hrsUT for 10secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control but this early exposure is on the short side. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213941jhp Stone Circle Aurora Borealis Corona Orion flanker red ray Tarland Deeside winter Scotland Tomnaverie recumbent and flankers of the Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo was taken at 22.57.10hrsUT for 13secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control but this early exposure is on the short side. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213940jhp Scottish Stone Circle RSC Aurora Borealis Corona west red ray Tarland Deeside Scotland Tomnaverie recumbent and flankers of the Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo was taken at 22.56.13hrsUT for 12secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control but this early exposure is on the short side. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213939jhp Stone Circle Aurora Borealis Corona Orion red ray Tomnaverie Deeside Scotland recumbent and flankers of the Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo was taken at 22.55.46hrsUT for 11secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control but this early exposure is on the short side. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213937jhp Scottish Stone Circle Aurora Borealis Corona Orion red ray Deeside Scotland Tomnaverie recumbent and flankers of the Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo was taken at 22.34.58hrsUT for 8secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control but this early exposure is on the short side. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, upright, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137034jhp Aurora Borealis Scotland Corona crown red purple nitrogen rays treetops west Aberdeenshire Deeside last digital photograph taken over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.15.02hrsUT for 15secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137033jhp Aurora Borealis Scottish Corona crown red wings sweeping rays treetops west Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.13.56hrsUT for 17secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137032jhp Aurora Borealis Scottish colours east car headlights arms Corona red Aberdeenshire Deeside photographed from Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.12.56hrsUT for 16secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137031jhp Aurora Borealis Scottish colours Corona centre crown red rays treetops west Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.12.12hrsUT for 17secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137030jhp Aurora Borealis Scottish colourful Corona zenith red rays treetops west Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.11.32hrsUT for 17secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137029jhp Aurora Borealis Scotland colours Corona red rays treetops west Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.10.48hrsUT for 16secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137027jhp Aurora Borealis red rays Scotland Torphins colours eastwards car street lights Aberdeenshire Deeside photographed from Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.09.12hrsUT for 13secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, telephone pole, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137026jhp Aurora Borealis Scottish winter Torphins colours east car street lights Aberdeenshire Deeside photographed from Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.08.42hrsUT for 11secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137025jhp Aurora Borealis Scotland Northern Lights November Corona red green rays colours west trees silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.07.58hrsUT for 15secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137023jhp Aurora Borealis Scotland Corona red wings centre colours west pine tree silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.06.50hrsUT for 12secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137022jhp Aurora Borealis Scottish winter east car headlights red rays colours Aberdeenshire Deeside photographed from Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.06.10hrsUT for 12secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Torphins, Glassel, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137021jhp Aurora Borealis Scottish winter November Corona zenith red wings centre colours west trees silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.05.25hrsUT for 15secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137020jhp Aurora Borealis Scottish winter display Corona zenith green red wings powerful colourful west trees silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.04.54hrsUT for 13secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137019jhp Aurora Borealis Scotland Corona zenith green red wings powerful colourful west trees silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.04.12hrsUT for 13secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137018jhp Aurora Borealis Scottish Corona zenith red wings centre power colours west trees silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.03.46hrsUT for 8secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137016jhp Aurora Borealis Scottish Corona centre green pink wings west above trees silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.02.16hrsUT for 13secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137015jhp Aurora Borealis Scottish Corona zenith green arms west trees silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.02.16hrsUT for 13secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137014jhp Aurora Borealis Scotland Corona zenith green rays forest silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.01.28hrsUT for 14secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137013jhp Aurora Borealis Scottish Corona display red green rays forest silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.00.52hrsUT for 18secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf13610jhp Aurora Borealis Scotland Corona red wings forest trees silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 17.46.34hrsUT for 19secs and these cf136 digital photos were taken at 100ISO, which was probably a mistake, but later in the cf137 photos it was set at 800ISO possibly as I felt the power justified going for a finer noise level to my usual 1600ISO.. The faint CCD bars suggest even with the long exposure this photo was underexposed. Photos were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf13609jhp Aurora Borealis Scottish Corona display red wings forest silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 17.45.56hrsUT for 19secs and these cf136 digital photos were taken at 100ISO, which was probably a mistake, but later in the cf137 it set at 800ISO possibly as I felt the power justified going for a finer noise level to my usual 1600ISO. The faint CCD bars suggest even with the long exposure this photo was underexposed. Photos were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf13601jhp Aurora Borealis Corona Deeside display red wings west Aberdeenshire Scotland photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This first digital photo was taken at 17.33.02hrsUT for 24secs and these cf136 digital photos were taken at 100ISO, which was probably a mistake, but later in the cf137 photos it was set at 800ISO possibly as I felt the power justified going for a finer noise level to my usual 1600ISO. The faint CCD bars suggest even with the long exposure this photo was underexposed. Photos were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Corona Forming aucf13119jhp Aurora Borealis Scottish strong Corona zenith shape green red rays Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 23.25.32hrsUT for 13secs, showing green and red oxygen rays forming the classic corona zenith or crown above the cottage roof looking southwards the colour chnage indicating the strength of the display increasing. This was a short exposure 13 as against 20 secs and very faint CCd structure lines are visible and indication of an under exposure. This was the last of the digital photos taken. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25.32 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Corona Forming aucf13116jhp Aurora Borealis Scottish Corona zenith centre shape green rays over cottage Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 23.23.31hrsUT for 20secs, showing green oxygen rays forming the classic corona zenith or crown above the cottage roof looking southwards. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Corona Forming aucf13114jhp Aurora Borealis Scotland Corona zenith forming green rays overhead Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 23.22.01hrsUT for 23secs, showing green oxygen rays forming the corona zenith or crown above the cottage roof looking southwards. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Corona Forming aucf13113jhp Aurora Borealis Scotland green rays shapes weird ghostlike south Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 23.20.56hrsUT for 25secs, showing green oxygen rays and shapes above the cottage roof looking southwards and forming weird shapes. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Corona Forming aucf13112jhp Aurora Borealis Scotland green rays clouds eastwards car lights Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 23.19.57hrsUT for 21secs, showing green oxygen rays sweeping down from the east visible through gaps in the clouds and with the street lights of Torphins and car headlights on the main road from Banchory. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, car lights, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Corona Forming aucf13110jhp Aurora Borealis Scottish green rays clouds east Torphins lights Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 23.16.29hrsUT for 19secs, showing green oxygen rays sweeping down from the east visible through gaps in the clouds and with the street lights of Torphins and car headlights on the main road from Banchory. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Corona Forming aucf13109jhp Aurora Borealis Scottish corona huge green rays west wings Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 23.03.27hrsUT for 16secs, showing green oxygen rays sweeping down from the west a precursor of another corona strength display with the rays appearing suspended in the celestial heights with no sign of an arc. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Corona Forming aucf13108jhp Aurora Borealis Northern Lights Scottish corona green red rays west fan Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 23.02.53hrsUT for 20secs, showing green and red oxygen rays sweeping down from the west a precursor of another corona strength display with the rays appearing suspended in the celestial heights with no sign of an arc. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, west, fan, sweeping, suspended, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Corona Forming aucf13106jhp Aurora Borealis Northern Lights Scotland corona green red rays sweeping east Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 23.02.11hrsUT for 18secs, showing green and red oxygen rays sweeping down from the east a precursor of another corona strength display with the rays appearing suspended in the celestial heights with no sign of an arc. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Corona Forming aucf13105jhp Aurora Borealis Scottish coronal glow south green red Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 23.01.36hrsUT for 17secs, showing green and red oxygen background glow a precursor of another corona strength display looking southwards which was an indication of the strength of the display. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, cornal, glow, background, strong, southwards, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Corona Forming aucf13102jhp Aurora Borealis Scotland Pleiades East green red rays rooftop Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 22.59.03hrsUT for 20secs, showing green and red oxygen rays and the start of another corona strength display looking eastwards. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Corona Forming aucf13101jhp Aurora Borealis Scottish Cassiopeia Pleiades East green red rays Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This first digital photo was taken at 22.58.22hrsUT for 20secs, showing green and red oxygen rays and the start of another corona strength display looking eastwards. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12838jhp Aurora Borealis Scotland Corona zenith green red rays Orion South stars cottage roof Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This last photo was taken at 02.28.39hrsUT for 23secs, showing strong red oxygen background light looking southwards marked by Orion in its winter position to the north and a very rare position in which to see Aurora displays at the end of this digital sequence and when cloud cover stopped further viewing. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12837jhp Aurora Borealis Scottish green red rays North Plough clouds increasing Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.27.34hrsUT for 24secs, showing green and red oxygen rays looking North with increasing cloud cover starting to blank out the Aurora display. The Plough is above gap between the two tree tops. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12836jhp Aurora Borealis Scotland green red rays North Torphins lights Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.26.26hrsUT for 22secs, showing green and red oxygen rays looking North eastwards past with the street lights of nearby Torphins village in the lower right and The Plough slightly above. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, street, lights, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12835jhp Aurora Borealis Scottish green red rays North Plough Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.25.29hrsUT for 20secs, showing green and red oxygen rays looking Northwards past The Plough, Big Dipper or Ursa Major stars dead centre of the frame. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12834jhp Aurora Borealis Scottish Corona zenith green rays west Pleiades birch Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.24.39hrsUT for 24secs, showing green zenith arms and strong background red oxygen forming another coronal zenith or crown looking south westwards with Pleiades visible in top of the tree. What is not recorded in this still image is the degree of movement around the centre with the swirling arms of the rays as the display continues to form. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12833jhp Aurora Borealis Scottish Corona zenith green centre Orion South stars cottage roof Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.23.58hrsUT for 20secs, showing green zenith or crown and some red oxygen backdrop looking southwards marked by Orion in its winter position to the north and a very rare position in which to see Aurora displays. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12832jhp Aurora Borealis Scotland Corona zenith green red rays Orion South stars cottage roof Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.22.56hrsUT for 20secs, showing green and some red oxygen rays looking southwards marked by Orion in its winter position to the north and a very rare position in which to see Aurora displays. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12831jhp Aurora Borealis Corona westwards green red rays clouds Scotland Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.21.59hrsUT for 23secs, showing green and strong red oxygen sweeping rays as a corona fades looking westwards. What is not recorded in this still image is the degree of movement with the swirling arms of the rays as the display continue. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12829jhp Aurora British Corona arms westwards green red rays clouds Cassiopeia Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.18.29hrsUT for 20secs, showing green and strong red oxygen sweeping rays of a coronal zenith or crown looking south westwards with Cassiopeia visible towards thye top centre. What is not recorded in this still image is the degree of movement around the centre with the swirling arms of the rays as the display continues to form. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12828jhp Aurora Scottish Coronal wings overhead green red rays clouds Cassiopeia Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.17.50hrsUT for 20secs, showing green and strong red oxygen sweeping rays of a forming coronal zenith or crown looking westwards with Cassiopeia visible towards top of the frame. What is not recorded in this still image is the degree of movement around the centre with the swirling arms of the rays as the display continues to form. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12825jhp Aurora Scotland Corona centre overhead tree green rays clouds west Pleiades Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.14.50hrsUT for 23secs, showing green and strong red oxygen sweeping rays of a forming coronal zenith or crown looking south westwards with Pleiades visible in top of the tree. What is not recorded in this still image is the degree of movement around the centre with the swirling arms of the rays as the display continues to form. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof, silver, birch
Aurora Cloudy Display aucf12824jhp Aurora Borealis Scotland Corona crown tree green red rays west Pleiades Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.14.50hrsUT for 23secs, showing green and strong red oxygen sweeping rays of a forming coronal zenith or crown looking south westwards with Pleiades visible in top of the tree. What is not recorded in this still image is the degree of movement around the centre with the swirling arms of the rays as the display continues to form. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12819jhp Aurora Borealis Scottish Corona zenith green red sweeping rays west Pleiades Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.10.49hrsUT for 23secs, showing green and strong red oxygen sweeping rays of a forming coronal zenith or crown looking south westwards with Pleiades visible in top of the tree. What is not recorded in this still image is the degree of movement around the centre with the swirling arms of the rays as the display continues to form. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12818jhp Aurora Borealis Scottish Corona zenith green red sweeping rays west Pleiades Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.55.02hrsUT for 24secs, showing green and strong red oxygen sweeping rays of a forming coronal zenith or crown looking south westwards with Pleiades visible in the lower quadrant. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12816jhp Aurora Borealis Scotland lights green red rays Orion South stars cottage roof Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.53.37hrsUT for 24secs, showing green and some red oxygen rays looking southwards marked by Orion in its winter position to the north and a very rare position in which to see Aurora displays. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12814jhp Aurora Borealis Scotland green red sweeping large rays west Cassiopeia Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.51.45hrsUT for 27secs, showing green and strong red oxygen sweeping rays looking westwards with Cassiopeia on its side in upper centre. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12813jhp Aurora Borealis Scottish green red sweeping large rays east cottage roof Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.50.49hrsUT for 23secs, showing green and strong red oxygen sweeping rays looking eastwards. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12812jhp Aurora Northern Lights British Scotland green red rays Orion South clouds cottage roof Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.50.05hrsUT for 25secs, showing green and some red oxygen rays looking southwards marked by Orion in its winter position to the north and a very rare position in which to see Aurora displays. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, uprights, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12811jhp Aurora Northern Lights Scotland green red rays Orion South stars cottage roof Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.49.13hrsUT for 21secs, showing green and some red oxygen rays looking southwards marked by Orion in its winter position to the north and a very rare position in which to see Aurora displays. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12810jhp Aurora Borealis Scottish green red rays Orion South stars cottage roof Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.48.14hrsUT for 29secs, showing green and some red oxygen rays looking southwards marked by Orion in its winter position to the north and a very rare position in which to see Aurora displays. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12809jhp Aurora Borealis Scotland green red oxygen rays Plough North stars clouds Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.47.30hrsUT for 23secs, showing green and some red oxygen rays looking northwards marked by Ursa Major or The Plough in its winter position to the north. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12808jhp Aurora Borealis Scottish red green rays Plough North Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.46.44hrsUT for 27secs showing mainly green and red oxygen rays in the early stages of a developing Corona looking northwards marked by Ursa Major or The Plough in its winter position to the north. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12807jhp Aurora Borealis Scottish display rays Plough North stars clouds Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.45.55hrsUT for 23secs showing mainly green oxygen rays looking northwards marked by Ursa Major or The Plough in its winter position to the north. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12806jhp Aurora Borealis Scotland red green rays cloud gap stars west Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.45.05hrsUT for 25secs showing mainly green oxygen rays through gaps in the cloud cover. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12804jhp Aurora Borealis Scottish forest red green rays cloudy west Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.42.06hrsUT for 23secs showing mainly green oxygen rays looking westwards. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12801jhp Aurora Borealis Scottish green rays clouds Plough North Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.39.28hrsUT for 23secs showing mainly green oxygen rays with a suggestion of red looking northwards. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12723jhp Aurora Scotland Deeside Corona display green red rays zenith clouds colour Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.49.26hrsUT for 25secs showing green and red oxygen rays at the centre or zenith of the corona looking directly upwards over Royal Deeside with some increasing cloud and strong wind. The cf127 session of which this is the last frame, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12722jhp Aurora Northern Lights Scotland deeside Corona green red rays zenith centre colour Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.48.42hrsUT for 22secs showing green and red oxygen rays dropping like a huge wings from the centre or zenith of the corona looking directly upwards over Royal Deeside with some swiftly passing cloud. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12721jhp Aurora Northern Lights Scottish Corona green red rays zenith crown colourful westwards Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.48.01hrsUT for 15secs showing green and red oxygen rays dropping like a huge wings from the centre or zenith of the corona looking directly upwards over Royal Deeside. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12720jhp Aurora Borealis Scotland Corona green red rays huge fan colourful westwards Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.25.38hrsUT for 28secs showing green and red oxygen rays dropping like a huge fan from the start of a corona looking to west of north over Royal Deeside. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12719jhp Aurora Borealis Scotland Corona display rays fan westwards Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.24.34hrsUT for 24secs showing green and red oxygen rays dropping like a huge fan from the start of a corona looking to the west over Royal Deeside. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12718jhp Aurora Borealis Scottish Corona display rays fan clouds Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.23.22hrsUT for 23secs showing green and red oxygen rays dropping like a huge fan from the start of a corona looking upwards. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12713jhp Aurora Borealis Scotland red green oxygen rays clouds west gaps Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.07.23hrsUT for 22secs showing mainly green red oxygen rays through the clouds looking westwards. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12712jhp Aurora Borealis Scotland green red Northern Lights rays clouds northwards Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.06.33hrsUT for 21 secs showing mainly green oxygen arc light with green and red oxygen gas rays appearing through gaps in the clouds looking northwards. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12710jhp Aurora Borealis Scotland strong green red rays clouds openings bright stars northwards Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.03.38hrsUT for 38 secs showing mainly green oxygen arc light with strong green oxygen gas rays appearing through gaps in the clouds looking northwards. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12709jhp Aurora Borealis Scotland display strong green rays clouds openings stars northwards Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.03hrsUT for 20secs showing mainly green oxygen arc light with strong rays appearing through gaps in the clouds looking northwards. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12705jhp Aurora Borealis Scottish display faint rays clouds cover gaps northwards Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.00.6hrsUT for 22secs showing mainly green oxygen arc light with very faint rays appearing through gaps in the clouds looking northwards. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12702jhp Aurora Borealis Scotland display clouds covered gaps north Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.58.09hrsUT for 19secs showing yellow green oxygen gas backlighting extensive cloud cover to the North. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12701jhp Aurora Borealis Scottish display rays clouds covered gaps Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 23.56.52hrsUT for 20secs showing yellow green oxygen faint ray visible through a cloud gap looking northwards. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Corona Display aucf12618jhp Aurora Borealis Scotland Corona green rays clouds westwards Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.30.43hrsUT for 17secs showing mainly green oxygen rays descending from the corona through increasing cloud cover looking westwards. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Corona Display aucf12615jhp Aurora Borealis Scottish autumn Corona Coronal display green red rays zenith fanlike overhead Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.28.40hrsUT for 20 secs showing mainly green oxygen rays from the centre of the Corona fanning downwards like monster wings but sadly not showing the subtle movements continuously going on. The cf126, the first digital set taken, was 13 frames over 13 mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Corona Display aucf12614jhp Aurora Borealis Scottish autumn Corona green rays zenith fanlike descending Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.27.45hrsUT for 16secs showing mainly green oxygen rays from the centre of the Corona fanning downwards like monster wings but sadly not showing the subtle movements continuously going on. The cf126, the first digital set taken, was 13 frames over 13 mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Corona Display aucf12613jhp Aurora Borealis Scottish autumnal Corona green rays spread fan huge Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.26.50hrsUT for 14secs showing mainly green oxygen rays from the centre of the Corona fanning downwards like monster wings but sadly not showing the subtle movements continuously going on. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Corona Display aucf12612jhp Aurora Borealis Scotland Corona green rays spread fan celestial Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.25.04hrsUT for 12secs showing mainly green oxygen rays from the centre of the Corona fanning downwards like monster wings but sadly not showing the subtle movements continuously going on. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Corona Display aucf12608jhp Aurora Borealis Scottish Corona green rays westwards colourful arc Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.23.44hrsUT for 25secs showing mainly green oxygen rays descending from the corona and ascending from the strong active arc on the right looking westwards. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Corona Display aucf12607jhp Aurora Borealis Scotland Corona zenith crown green rays spread Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.23.07hrsUT for 12secs showing mainly green oxygen rays from the centre of the Corona viewed directly overhead but sadly not showing the subtle movements continuously going on. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Corona Display aucf12606jhp Aurora Borealis Scottish Corona zenith centre above green rays colours north Deeside Aberdeenshire Scotland photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.22.17hrsUT for 22secs showing mainly green oxygen rays from the centre of the Corona directly overhead. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Corona Display aucf12605jhp Aurora Northern Lights arc streaming active green rays vivid Plough colours north Deeside Aberdeenshire Scotland photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.21.19hrsUT for 26secs showing mainly green oxygen rays from a very active arc with streaming towards the north marked by The Plough dead centre. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Corona Display aucf12604jhp Aurora Borealis October arc streaming active green rays colours north Deeside Aberdeenshire Scotland photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.20.39hrsUT for 21secs showing mainly green oxygen rays from a very active arc with streaming towards the north. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Corona Display aucf12603jhp Aurora Borealis autumn Scotland corona zenith crown centre Cassiopeia red green rays colourful Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.18.45hrsUT for 18secs showing red and green rays surounding a Corona crown or zenith over Crooktree roof towards the east. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Corona Display aucf12602jhp Aurora Borealis autumn corona zenith red green rays Pleiades colourful Deeside Aberdeenshire Scotland photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.18.11hrsUT for 16secs showing red and green rays descending from a Corona crown or zenith over Crooktree roof towards the east. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Corona Display aucf12601jhp Aurora Borealis Scottish autumn corona zenith rays colours Deeside Aberdeenshire Scotland photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.17.37hrsUT for 16secs showing red and green rays descending at the start of a Corona crown or zenith over Crooktree roof towards the east. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora and Cloud aucf11103jhp Aurora Borealis Scotland autumn October clouds red ray northwards Deeside Aberdeenshire Scotland two photos taken on the evening of the 15th October, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 23.29.10hrsUT for 18secs showing strong red ray activity from a very low grade arc and the constellation Ursa Major, The Plough or Big Dipper is just hidden behind the increasing cloud cover. I took 4 frames over 30 mins, so cloud cover stopped me photographing more of the display using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. There was a full moon that night sitting off to the east of this north facing display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora and Cloud aucf11102jhp Aurora Borealis Scottish Ursa Major October clouds faint rays northwards Deeside Aberdeenshire Scotland two photos taken on the evening of the 15th October, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 23.05.37hrsUT for 17secs showing faint suggestion of ray activity with the yellow green oxygen gas in low grade arc and the constellation Ursa Major, The Plough or Big Dipper is just discernible behind the increasing cloud cover. I took 4 frames over 30 mins, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. There was a full moon that night sitting off to the east of this north facing display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Active Aurora Display aucf11704jhp Aurora Borealis Scottish October autumn fading rays west Deeside Aberdeenshire Scotland four photos taken on the evening of the 21st October, 2003 at Crooktree, 25 miles west of Aberdeen looking to the north. This photo was taken at 22.58.52hrsUT for 20secs showing fading red and ray activity from a fragmented green arc towards the west. I took 4 frames over 4mins, before the display faded away using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October and again I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Active Aurora Display aucf11703jhp Aurora Borealis Scottish October autumn active rays colourful Deeside Aberdeenshire Scotland four photos taken on the evening of the 21st October, 2003 at Crooktree, 25 miles west of Aberdeen looking to west of north. This photo was taken at 22.56.03hrsUT for 19secs showing strong red and green ray activity from a fragmented arc towards the west. I took 4 frames over 4mins, before the display faded away using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October and again I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Active Aurora Display aucf11702jhp Aurora Borealis Scottish Northern Lights autumn active rays colourful Deeside Aberdeenshire Scotland four photos taken on the evening of the 21st October, 2003 at Crooktree, 25 miles west of Aberdeen looking to the north. This photo was taken at 22.55.19hrsUT for 20secs showing strong red and green ray activity from a fragmented arc and the constellation Ursa Major, The Plough or Big Dipper. I took 4 frames over 4mins, before the display faded away using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October and again I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Active Aurora Display aucf11701jhp Aurora Borealis Scotland autumn active rays colourful Deeside Aberdeenshire Scotland four photos taken on the evening of the 21st October, 2003 at Crooktree, 25 miles west of Aberdeen looking to west of north in the direction of Kincardine O’Neil. This photo was taken at 22.54.41hrsUT for 19secs showing strong red and green ray activity from a fragmented arc and the tail of the constellation Ursa Major, The Plough or Big Dipper on the right of frame. I took 4 frames over 4mins, before the display faded away using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October and again I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9565jhp Aurora Northern Lights Plough nitrogen faint rays fading display Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.13.32hrsUT for 20secs showing faint multiple ray activity with the yellow green oxygen gas in a waning arc as the display fades and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9563jhp Aurora Northern Lights Big Dipper purple nitrogen faint rays Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.09.46hrsUT for 17secs showing faint multiple ray activity with the yellow green oxygen gas in a waning arc as the display fades and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9561jhp Aurora Borealis Scottish Plough August nitrogen ray eastwards Deeside Torphins lights Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.42.46hrsUT for 19secs showing faint purple nitrogen ray activity over Torphins lights with the yellow green oxygen gas in a breaking arc and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9557jhp Aurora Borealis Scotland August purple nitrogen faint rays fragmented arc northwards Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.37hrsUT for 19secs showing faint multiple ray activity with the yellow green oxygen gas in a breaking arc and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9553jhp Aurora Northern Lights Scottish summer purple nitrogen faint rays northwards Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.30.03hrsUT for 16secs showing faint multiple ray activity with the yellow green oxygen gas in a breaking arc and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9552jhp Aurora Borealis Scottish Ursa Major August purple nitrogen faint rays northwards Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.29.04hrsUT for 20secs showing faint multiple ray activity with the yellow green oxygen gas in a breaking arc and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9550jhp Aurora Borealis Scottish Northern Lights summer purple nitrogen rays northwwards Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 27.43hrsUT for 17secs showing faint multiple ray activity with the yellow green oxygen gas in a breaking arc and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9549jhp Aurora Borealis Scottish Big Dipper August purple nitrogen rays northwwards Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.26.59hrsUT for 17secs showing faint multiple ray activity with the yellow green oxygen gas in a breaking arc and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9547jhp Aurora Borealis Scotland East summer Torphins moon purple nitrogen ray Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.24.41hrsUT for 17secs showing single nitrogen ray activity with the yellow green oxygen gas in a breaking arc loking eastwards over the lights of Torphins with a full moon to the right of the frame. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9546jhp Aurora Borealis Scottish Plough summer yellow green arc North faint rays Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.19.41hrsUT for 17secs showing faint multiple ray activity with the yellow green oxygen gas in a breaking arc and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9545jhp Aurora Borealis Scotland Plough summer August 2003 green arc faint rays Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.19.04hrsUT for 20secs showing faint multiple ray activity with the yellow green oxygen gas in a breaking arc and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Summer auSO7612jhp Aurora Northern Lights Scotland summer July north green arc purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.46hrsUT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.46hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open for 22 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, July, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera
Aurora Summer auSO7611jhp Aurora Borealis Scottish Cassiopeia eastwards summer purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.10hrBST showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera
Aurora Summer auSO7610jhp Aurora Borealis Scotland purple nitrogen rays green arc oxygen early morning Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.33hrsUT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open for 22 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera
Aurora Summer auSO7609jhp Aurora Borealis Scotland Northern Lights Plough summer purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.22hrsUT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide for open for 23 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera
Aurora Summer auSO7608jhp Aurora Borealis Scotland Plough stars summer rare purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.310hrsUT on 27th July showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open for 20 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera
Aurora Summer auSO7607jhp Aurora Borealis Scottish Northern Lights summer purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.30hrsUT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open for 18 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera
Aurora Summer auSO7606jhp Aurora Borealis Scotland Plough summer purple nitrogen rays green arc Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.29hrsUT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open for 18 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera
Aurora Summer auSO7604jhp Aurora Borealis Scottish Plough Big Dipper summer purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.28hrsUT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open for 15 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, July, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera
Aurora Summer auSO7603jhp Aurora Borealis Scotland Plough summer July 2003 purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.27hrsUT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open for 13 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera
Aurora Summer auSO7602jhp Aurora Borealis Scotland Plough summer July 2003 purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.26hrsUT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open for 8 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera
Deeside Aurora au03436Ejhp Northern Lights Aurora British summer 2003 nitrogen purple rays Plough Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.40hrs UT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly to left split by rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST ending the film. This photo was scanned from a 35mm colour slide film, Fuji RHP 11 400ASA film stock processed for a 1600asa rating using a Nikon FG20, 28mm f2.8 lens wide open with many exposures manually between 10 & 20 seconds because of the summer light levels. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, July, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RHP11, exposed, time, long, Nikon, FG20, DSLR, Fuji S2, digital
Deeside Aurora au03416jhp Aurora Borealis Scotland Plough summer July 2003 purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.10hrBST showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo was scanned from a 35mm colour slide film, Fuji RHP 11 400ASA film stock processed for a 1600asa rating using a Nikon FG20, 28mm f2.8 lens wide open with many exposures manually between 10 & 20 seconds because of the summer light levels. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, rays, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RHP11, exposed, time, long, Nikon, FG20, DSLR, Fuji S2, digital
Deeside Aurora au02736jhp Aurora Borealis Scottish display Cassiopeia rays winter February 2002 Aberdeenshire taken on the morning of the 6th February, 2002 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.40hrsUT showing strong patches with ray activity and the constellation Cassiopeia clearly visible top lefthand area, with activity stopping soon after this photo, the display having started with a low grade arc around midnight. The film numbering of 2001 was that the previous Aurora display covered was in November 2001 with this February display being the first recorded in 2002. This photo was scanned from a 35mm colour slide film, Fuji RSP processed for a 1600asa rating using a Nikon FG20, 28mm f2.8 lens wide open with many exposures manually around 20 seconds because of the lower light levels. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 2002, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP, RSP-434, exposed, time, long, Nikon, FG20
Deeside Aurora au0210jhp Aurora Borealis Scotland Cassiopeia rays winter February 2002 Deeside Aberdeenshire Scotland taken on the morning of the 6th February, 2002 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.42hrsUT showing strong patches with ray activity and the constellation Cassiopeia clearly visible top lefthand area, with activity stopping soon after this photo, the display having started with a low grade arc around midnight. This photo was scanned from a 35mm colour slide film, Fuji RHP11 400asa film processed for a 1600asa rating using a Nikon FG20, 28mm f2.8 lens wide open with many exposures manually around 20 seconds because of the lower light levels. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 2002, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RHP 11, 400asa, exposed, time, long, Nikon, FG20
Aurora Deeside vbn0362jhp Aurora Borealis Scotland photograph Jim Henderson unusual summer moonlight Scottish green rays Deeside Aberdeenshire taken on the 27th August, 2015, 23.26hrsUT at Crooktree, 25 miles west of Aberdeen and the first display since February 2014. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm Nikkor f2.8 lens at f8 and ISO settings of 25600 which allowed for an extremely short exposure of 1.2 sec with hopefully more accurate recordings of these moving events although noise is noticeable becuase of a degree of underexposure with this stopped down aperture-further experiments are planned at f2.8. at this sort of expsoure time and also with the camera on auto rather than manual. The light conditions were not perfect as the background light was from the full moon but dispels any myths that Aurora’s cannot be seen under such conditions. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, colourful, colorful, colours, colors, celestial, night, morning, August, 2015, summer, moonlight, full, moon, moonlight, D700, Nikon, DSLR, digital, tripod, time, exposure, photo, photos, photography, photograph

Egypt > Abydos & Dendara (8 files)

Images of two important sites north of Luxor near the River Nile but usually visted as an extra tour either by road or a day cruise.
Dendara Temple EG962148jhp Dendara temple Qena Nile Egypt entrance Coptic Basilica ruins approach to this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena. Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, upright, archaeology, ancient, Egyptology, basilica, Coptic, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Ptolemy, Cleopatra, Roman, Tiberius, Nectanebo 1, 1996, 35mm, slide, film, Nikon, FM2, manual, scanned, scan
Dendara Temple EG962147jhp Dendara temple Nile Egyptian ancient Nectanebo Coptic Basilica ruins sunny approach to this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena. Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, archaeology, ancient, Egyptology, basilica, Coptic, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Ptolemy, Cleopatra, Roman, Tiberius, Nectanebo 1, 1996, 35mm, slide, film, Nikon, FM2, manual, scanned, scan
Dendara Temple EG9621413jhp Dendara temple Egypt entrance hypostyle hall outer reliefs sistraform Hathor faces to this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena. Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, upright, archaeology, ancient, Egyptology, basilica, Coptic, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Ptolemy, Cleopatra, Roman, Tiberius, Nectanebo 1, 1996, 35mm, slide, film, Nikon, FM2, manual, scanned, scan
Dendera Temple EG007129jhp Dendera temple Egypt Tiberian Hall ceiling carvings painted Hathor damaged faces in this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.This photo is of the elaborate ceiling and columns of the Tiberian columned hall which first faces the visitor entering the temple proper. The tops of the columns have Hathor faces vandalised in antiquity, probably when it was filled with sand and seen as pagan for the earlier Christians who often used these temples as churches and were thus easily able to obliterate the faces. What is very wonderful even today is the elaborate nature of the decorations not only on the ceilings but also covering in exquisite details all the sides of the columns and the surrounding walls. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena. Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, 2000, 35mm, slide, film, Nikon, FM2, manual, scanned, scan, Fuji, Velvia, 50asa
Dendera Temple EG007125jhp Dendara Dendarah temple Nile Egypt hieroglyphs wall carving spotlight sun in this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena. Walking around the many darkly lit passages and rooms there are occasional gems like this where a hole in the ceiling or wall lets a spotlight of sunshine highlight just one part of the elaborately carved and decorated walls. Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, 2000, 35mm, slide, film, Nikon, FM2, manual, scanned, scan, Fuji, Velvia, 50asa
Dendera Temple EG007123jhp Dendara temple Qena Nile Egypt roof sacred lake chapel kiosk in this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.This photo shows the roof view of one of the two rooms on the roof of the hypostyle hall which were mortuary suites for Osiris. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena. Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, upright, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, 2000, 35mm, slide, film, Nikon, FM2, manual, scanned, scan, Fuji, Velvia, 50asa
Dendera Temple EG007122jhp Dendara Dendera temple Qena Nile Egypt roof sacred lake mudbrick walls desert taken from this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.This photo shows the view from the roof of the temple looking south westwards over the Sacred Lake, now filled with palm trees and beyond the mudbrick enclosure or boundary wall. The water here was used for rituals carried out during the Feast of Osiris and nearby is the well from which the water was drawn. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena. Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, 2000, 35mm, slide, film, Nikon, FM2, manual, scanned, scan, Fuji, Velvia, 50asa
Dendera Temple EG007118jhp Dendera Dendarah temple Egyptian wall Cleopatra Caesarion carvings outer wall in this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion as are shown in this photo taken of the outside wall at the south western corner near the Iseum and the Sacred Lake. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena. Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, 2000, 35mm, slide, film, Nikon, FM2, manual, scanned, scan, Fuji, Velvia, 50asa

Egypt > Aswan in general (67 files)

Images in this gallery relate to Aswan in southern Egypt covering the city, the River Nile and related sites except for more important places such as Philae, The Nubian Museum and Seheil Island Rock carvings.
Aswan Nubian Village EG949123jhp Aswan Nubian village houses Nile felucca Waterfront Egypt ferry landing points for trips on the river to hotels, Elephantine Island and Museum, Kitchener Botanical Gardens and trips in feluccas to the Nubian Villages or Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile. Keywords: Egypt, Egyptian, Aswan, City, River, Nile, Nubian, village, houses, colourful, painted, waterfront, riverside, promenade, esplanade, berths, restaurants, ferry, felucca, feluccas, sailing, boats, cruiseboats, motorboats, street, municipal, gardens, park, upright, landscape, rocks, boulders, granite, Coptic, Cathedral, Oberoi, Hotel, square, tower, Nilometer, cartouches, Elephantine, island, museum, temples, ancient, predynastic, strategic, 1994, slide, film, Fuji, RDP, Nikon, FM2, manual, scan, scanned
Aswan Nile Cruise EG949334jhp Aswan Egypt cruiseboat deck swimming pool RA11 Eastmar Promenade Nile in southern Egypt with an array of restaurants, berths for cruiseboats and ferry landing points for trips on the river to hotels, Elephantine Island and Museum, Kitchener Botanical Gardens and trips in feluccas to the Nubian Villages or Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. This view is taken from the main top deck of the Eastmar RA11 which was the Egyptian end of the Kuoni package tours which at that time had a berth near the city centre. It was my first trip to Egypt in September 1994 and we had left Edfu after spending nearly a whole morning berthed after the temple trip because of gale force winds and rain storms and the journey south to Kom Ombo was decidedly uncomfortable at times. Arriving in Aswan to blue skies and glorious sunshine was a huge relief and sitting by the pool swept all those grey feelings away. Keywords: Egypt, Egyptian, Aswan, River Nile, waterfront, riverside, promenade, esplanade, berths, restaurants, ferry, felucca, sailing, boats, cruiseboats, motorboats, street, gardens, park, landscape, cruiseboat, RA11, swimming, pool, deckchairs, beds, towels, tourists, package, tour, Eastmar, boat, 1994, 35mm, slide, film, Fuji, RDP, Nikon, FM2, manual, scan, scanned
Aswan Nile EG005210jhp Aswan Egypt Municipal Gardens Promenade River Nile Oberoi Hotel panorama northwards in southern Egypt with an array of restaurants, berths for cruiseboats and ferry landing points for trips on the river to hotels, Elephantine Island and Museum, Kitchener Botanical Gardens and trips in feluccas to the Nubian Villages or Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Keywords: Egypt, Egyptian, Aswan, River Nile, waterfront, riverside, gardens, municipal, promenade, esplanade, berths, restaurants, ferry, felucca, sailing, boats, cruiseboats, motorboats, street, gardens, park, landscape, cruiseboat, package, tour, 2000, 35mm, slide, film, Fuji, Velvia, Nikon, FM2, manual, scan, scanned
Aswan Aga Khan EG949027jhp Egyptian Aswan river Nile Aga Khan Mausoleum start steps elegant beautiful and a visit is often a part of a trip to visit an exhibition Nubian Village passed by boats travelling to the cataract islands such as Seheil or on the traditional afternoon sail offered in most tour packages and one route for those visiting the Monastery of St Simeon. What is also important is the close awareness of the inhospitable nature of the cataracts, now benign because of the impact of the two dams across the river, but imagining these huge rocks in a Nile inundation and one could understand the barrier that it created for those travellers trying to head further south by boat. The Mausoleum is for the Third Aga Khan who died in 1957 built by his widow his Begum or former wife and is in solid marble. The current Aga Kahn, his grandson Karim, is the leader of the Shi i Sect of Ismaili Muslims. The Tomb is occasionally open but usually a visit entails a climb by steps and apart from a close view of this beautiful building offers wonderful view over Aswan and the River Nile. Keywords: Egypt, Egyptian, ancient, Aswan, city, River, Nile, Nubia, Nubian, sand, dunes, cataracts, water, riverside, riverbank, landscape, palm, trees, travel, tourists, tourism, cruise, desert, divine, wife, embracer, Islamic, Saint, venerated, prominent, hilltop, Begum, widow, Fatimids, Shii, sect, Ismaili, Muslims, Mausoleum, tomb, Aga, Khan, third, 1994, slide, film, Fuji, RDP, Nikon, FM2, manual, scan, scanned
Aswan Elephantine EG004832jhp Elephantine Island Aswan Egyptian script Satet Senusret temple hieroglyphs insert visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004831jhp Elephantine Egyptian restoration temple building Satet Satis Sesostris Senusret visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004830jhp Elephantine Island Aswan Egypt temple painted reliefs cartouche Gods outlines visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004829jhp Elephantine Island Aswan Egyptian restoration Satis temple pillar Hathor face visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004828jhp Elephantine Aswan Egypt restoration Satet temple God Amun Min ithyphallic visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004827jhp Elephantine Island Aswan Egypt restoration temple Satis Satet coloured reliefs lines visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004826jhp Elephantine Egyptian Satis painted relief carving lotus wine jars duck offering visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004825jhp Elephantine Island Aswan Egypt restoration temple painted relief Anukis Anuket visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004824jhp Elephantine Island Aswan Egypt Satis Tuthmosis embrace restored temple visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Tuthmosis 111, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004823jhp Elephantine Island Aswan Egypt restoration temple coloured relief Amun pharaoh khepresh visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Amun, Tuthmosis 111, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004822jhp Elephantine Island Aswan Egypt painted relief feet partial restoration Satis temple visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004821jhp Elephantine Island Aswan Egyptian restoration temple buildings coloured blocks visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004820jhp Elephantine Island Aswan Egypt restoration temple Satet Senusret Satis restored visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Senusret, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004819jhp Elephantine Island Aswan Egypt restoration Satis Sesostris Senusret temple column visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Senusret, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004818jhp Elephantine Island Aswan Egypt granite carved plinth Gods pharaoh offering scene visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005025jhp Elephantine Island Aswan Egypt River Nile fellucca Old Cataract Hotel sailing past visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, tourists, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005024jhp Elephantine Island Aswan Egypt River Nile Nilometer boulders huge riverbank visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005023jhp Elephantine Island Aswan Egypt Nilometer boulders carvings cartouche Nile water visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005022jhp Elephantine River Nile Nilometer riverside Aswan Egyptian water boulders brick wall visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005021jhp Elephantine Island Aswan Egypt garden museum seated statue nomarch peaceful visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005020jhp Elephantine Island Aswan Egypt museum open air garden seated statue visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005019jhp Elephantine Island Aswan Egypt garden museum trees flowers amphora Roman jar visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005018jhp Elephantine Island Aswan Egypt Nilometer steps measuring water Nile floods visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005016jhp Aswan Egypt Nilometer steps River Nile Old Cataract Hotel stone walls visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005015jhp Elephantine Aswan Nilometer Cataract Hotel steps stone Nile river water Egypt restoration temple buildings mudbrick visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004836jhp Elephantine Island Aswan Egyptian buildings mudbrick walls streets room houses visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004836Ejhp Elephantine Island Aswan Egyptian shrines cult Heqa-ib Heka-ib deified governor Abu restoration Egypt visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004835jhp Elephantine Aswan Egypt restored room column bases buildings mudbrick Abu visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004834jhp Elephantine Aswan Egypt late dynasty houses mudbrick tiers walls rooms visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004833jhp Elephantine Island Aswan Egyptian column palm buildings mudbrick walls village visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG00509jhp Elephantine Island Aswan Egyptian excavations temple Alexander Gate Cataract Hotel visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG00508jhp Elephantine Island Aswan Egypt restoration village buildings mudbrick Nile upstream view visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upstream, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, New, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG00507jhp Elephantine Island Aswan Nile River upstream Egypt buildings mudbrick walls visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG00506jhp Elephantine Island Aswan Egyptian buildings mudbrick Mausoleum desert Late Period remains visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG00505jhp Elephantine Island Aswan Egypt restored partially mudbrick houses Mausoleum Nile river visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, panorama, landscape, Mausoleum, Aga, Khan, Desert, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG00504jhp Elephantine Island Aswan Egyptian restoration temple buildings mudbrick modern city outline visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG00503jhp Elephantine Island Aswan Egypt overview restored houses buildings mudbrick village visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG00502jhp Elephantine Island Aswan Egypt restoration temple buildings mudbrick visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005014jhp Elephantine Island Aswan Egypt restoration Alexander gate gateway column visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, papyrus, gateway, gate, Alexander, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005013jhp Elephantine Island Aswan EgyptAlexander gatway carved papyrus column base visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, papyrus, gateway, gate, Alexander, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005012jhp Elephantine Island Aswan Egypt naos Nectanebo granite temple debris blocks scattered on this site visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, granite, naos, Pepi 11, Nectanebo 11, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005011jhp Elephantine Island Aswan Egypt Nile downstream Oberoi buildings mudbrick houses visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005010jhp Elephantine Island Aswan Egypt Nile New Cataract Hotel buildings mudbrick houses visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Quarry EG949313ajhp Aswan granite quarry levels layers hole marks Ptolemaic Roman period Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 1994, slide, film, 35mm, format, Fuji, RDP, daylight, scanned, scan, Nikon, FM2, manual
Aswan High Dam EG9617219jhp Aswan Russian monument inside tourists Russia crown concrete Egypt motifs construction huge project from 1960 to 1969 ultimately led to the relocation of many Egyptian temples from Abu Simbel to Philae. In this photo is the crown like monument built by the Russian workmen in celebration of the completion of the project which they built in co-operation with the People of Egypt. The High Dam is often visited during a trip to the Unfinished Obelisk in a local quarry as a break from many other after the Philae island excursion with many trips offered on the river to hotels, Elephantine Island and Museum, Kitchener Botanical Gardens and trips in feluccas to the Nubian Villages or Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile. Keywords: Egypt, Egyptian, Aswan, City, River, Nile, High, Dam, British, Russian, monument, crown, architecture, design, Lake, Nasser, reservoir, second, largest, Africa, waterfront, riverside, upright, cement, concrete, granite, flowers, flora, visitors, tourists, electricity, hydro, Nilometer, island, museum, temples, ancient, predynastic, strategic, 1996, slide, film, scanned, scan, Fuji RD, Nikon, FM2, manual
Aswan High Dam EG9617218jhp Aswan Russian monument Dam Nile crown zenith upwards inside Lake Nasser Egypt construction huge project from 1960 to 1969 ultimately led to the relocation of many Egyptian temples from Abu Simbel to Philae. In this photo is the crown like monument built by the Russian workmen in celebration of the completion of the project which they built in co-operation with the People of Egypt. The High Dam is often visited during a trip to the Unfinished Obelisk in a local quarry as a break from many other after the Philae island excursion with many trips offered on the river to hotels, Elephantine Island and Museum, Kitchener Botanical Gardens and trips in feluccas to the Nubian Villages or Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile. Keywords: Egypt, Egyptian, Aswan, City, River, Nile, High, Dam, British, Russian, monument, crown, architecture, design, Lake, Nasser, reservoir, second, largest, Africa, waterfront, riverside, upright, cement, concrete, granite, flowers, flora, visitors, tourists, electricity, hydro, Nilometer, island, museum, temples, ancient, predynastic, strategic, 1996, slide, film, scanned, scan, Fuji RD, Nikon, FM2, manual
Aswan High Dam EG9617217jhp Aswan Russian monument High Dam Nile crown concrete Egypt flowers construction huge project from 1960 to 1969 ultimately led to the relocation of many Egyptian temples from Abu Simbel to Philae. In this photo is the crown like monument built by the Russian workmen in celebration of the completion of the project which they built in co-operation with the People of Egypt. The High Dam is often visited during a trip to the Unfinished Obelisk in a local quarry as a break from many other after the Philae island excursion with many trips offered on the river to hotels, Elephantine Island and Museum, Kitchener Botanical Gardens and trips in feluccas to the Nubian Villages or Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile. Keywords: Egypt, Egyptian, Aswan, City, River, Nile, High, Dam, British, Russian, monument, crown, architecture, design, Lake, Nasser, reservoir, second, largest, Africa, waterfront, riverside, upright, landscape, rocks, boulders, granite, flowers, flora, visitors, tourists, electricity, hydro, Nilometer, island, museum, temples, ancient, predynastic, strategic, 1996, slide, film, scanned, scan, Fuji RD, Nikon, FM2, manual
Aswan Quarry EG00459jhp Unfinished Obelisk Granite huge side view long to top Quarry Aswan ancient Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, heat, charcoal, fracturing, split, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG00458jhp Unfinished Obelisk Granite channel base pounding Quarry Aswan Egyptian holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, heat, charcoal, fracturing, split, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG00457jhp Abandoned Obelisk Granite side trench Quarry insitu background Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, heat, charcoal, fracturing, split, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG00456jhp Unfinished Obelisk Granite huge side channel gully long view Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, heat, charcoal, fracturing, split, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG00455jhp Granite huge Quarry workings techniques holes metal working Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, metal, copper, iron, chisel, marks, heat, charcoal, fracturing, split, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG00454jhp Granite huge Quarry workings techniques chisel marks remains pink Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, heat, charcoal, fracturing, split, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG00453jhp Granite pink red Quarry chisel cuts workings techniques Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG00452jhp Granite closeup quarry Ptolemaic Roman techniques slots line fracture technique Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG004515jhp Granite pink grey Quarry workings panorama later techniques Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG004514jhp Granite huge Quarry metal teeth late workings remains technique Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG004513jhp Granite Quarry general overview old workings levels removed Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG004512jhp Unfinished Obelisk Granite huge split side view fractured Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG004511jhp Unfinished Obelisk Granite huge top view broken fracture Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG9617232jhp Unfinished Obelisk Granite huge top view centre fracture Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the end as can be seen in this photo. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 1996, slide, film, 35mm, format, Fuji RD, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG9617231jhp Unfinished Obelisk Granite central over view fractured Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the end as can be seen in this photo. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 1996, slide, film, 35mm, format, Fuji RD, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG9617230jhp Unfinished Obelisk Granite channel pounded trench Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 1996, slide, film, 35mm, format, Fuji RD, daylight, scanned, scan, Nikon, FM2, manual

Egypt > Infra Red Photographs (171 files)

This is a collection of Infra Red Black & White film photographs taken of the main sites of mainly Ancient Egypt in the late 1990's and they give a very different feel to the sites with the particular ghostly effect of this specialised Kodak film. Sites covered include Abydos, Colossi of Memnon, Abydos temple, Osireion, Dendera Temple, Edfu Temple, Esna Temple, Esna Lock, Karnak Temple, Kom Ombo Temple, Luxor Temple, Philae Temple, Aswan Felucca; River Nile cruise, Pyramids of Giza and The Sphinx
Egyptian Giza InfR EG020836jhp Giza Egypt Sphinx Chephren Pyramid infra red Temple B&W film view on the public approach to this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020835jhp Egypt Giza Sphinx face front infra red temple view pyramid Khafre taken from the walk towards the Valley Temple of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, faceon, front, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020833jhp Egyptian Giza Sphinx Temple face front infra red pyramid Khafre taken from the walk towards the Valley Temple of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020832jhp Egypt Cairo Giza Sphinx Temple face oblique infra red pyramid cropped view taken from the walk towards the Valley Temple of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020830jhp Egypt Sphinx Temple face oblique infra red Jim Henderson Photograph view taken from the walk towards the Valley Temple of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020827jhp Egypt Giza Sphinx face head profile closeup infra red low causeway view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020826jhp Giza Egypt Sphinx head face Khafre Pyramid infra red causeway view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, head, closeup, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020825jhp Giza Egyptian Sphinx enclosure man scale figure Pyramid infra red causeway view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020824jhp Egypt Sphinx enclosure worker scale figure Pyramid infra red causeway B&W view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020822jhp Giza Egypt Sphinx Khafre Khufu causeway Pyramids infra red low view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, pyramids, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, panorama, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020821jhp Egyptian Sphinx Chephren Cheops Pyramids infra red low causeway enclosure view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, enclosure, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020820jhp Egyptian Sphinx Cheops Pyramid enclosure infra red low causeway low view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020819jhp Giza Egyptian Sphinx panorama Pyramid Great infra red causeway Cairo view this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, camel, mounted, policeman, lion, paws, stele, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020817jhp Giza Egyptian Sphinx Great Pyramid infra red view causeway camel police mounted to extreme right of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020816jhp Egypt Sphinx Khufu Pyramid infra red camel police mounted causeway view to extreme right of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020815jhp Egypt Sphinx Khufu Cheops Pyramid infra red B&W film causeway Giza view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020814jhp Egyptian Sphinx Khufu Cheops Pyramid Cairo infra red causeway Giza view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020829jhp Valley Temple Interior serdab statue places Khafre infra red B&W film looking into the centre of the temple at the base of the 550m causeway from Khafre Pyramid at Giza and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020828jhp Valley Temple Interior Giza Khafre Religion Limestone Blocks infra red looking into the centre of the temple at the base of the 550m causeway from Khafre Pyramid at Giza and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020813jhp Khafre Chephren Egypt Giza Cairo Causeway Pyramid infra red B&W photo at the base of the 550m causeway looking to his Pyramid at Giza from the Valley temple and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020811jhp Khafre Chephren Ancient Egyptian Causeway Pyramid Temple Stone infra red film at the base of the 550m causeway looking to his Pyramid at Giza from the Valley temple and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020810jhp Valley Temple Egypt Giza causeway gateway alabaster floor infra red pyramid looking towards the doorway at the base of the 550m causeway from Khafre Pyramid at Giza and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020437jhp Khufu Cheops Great Pyramid Egypt limestone blocks infra red B&W film photo of the largest of the Gizah site monuments and the first of the really truly huge constructions dating around 2500BC and still now one of the Wonders of the World. Standing 137m high, was 140m originally, was 230m on each size and probably was built using over 2 million blocks of stone averaging 2.5 tons although today it looks smaller than nearby Khafre Pyramid which higher on the Giza plateau. This view from some remaining smooth limestone finishing of a nearby mastaba was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, Great, pyramid, royalty, burial, tomb, Khufu, Cheops, blocks, erosion, finished, smooth, wall, mastaba, limestone, ancient, Egyptian, Egyptology, archaeology, gigantic, history, scale, huge, sky, blue, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020436jhp Khafre Pyramid Egypt Seshemnefer tomb statue infra red sunburst film B&W photo just off the main road climbing up between the Sphinx to the Great Pyramid of Khufu or Cheops which is the largest of the Gizah site monuments and the first of the really truly huge constructions dating around 2500BC and still now one of the Wonders of the World. Standing 137m high, was 140m originally, was 230m on each size and probably was built using over 2 million blocks of stone averaging 2.5 tons although today it looks smaller than nearby Khafre Pyramid which higher on the Giza plateau. This porticoed tomb of Seshem-Nefer, Overseer of the House of Life and Keep of the King’s Secrets, one of the largest of the private tombs at Giza, has been restored in recent years and is now open to the public although when this photo was taken in 2002 it was closed. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, Great, pyramid, royalty, burial, tomb, Khafre, Chephren, Khufu, Cheops, blocks, erosion, limestone, ancient, Egyptian, Egyptology, archaeology, gigantic, history, scale, huge, sky, blue, south, east, corner, Seshemnefer, Seshemnufer, overseer, house, life, keeper, king’s, secrets, 5th Dynasty, portico, seated, statues, public, open, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020435jhp Khufu Great Pyramid Egyptian Seshem-Nefer statue seated infra red film B&W photo just off the main road climbing up between the Sphinx to the Great Pyramid of Khufu or Cheops which is the largest of the Gizah site monuments and the first of the really truly huge constructions dating around 2500BC and still now one of the Wonders of the World. Standing 137m high, was 140m originally, was 230m on each size and probably was built using over 2 million blocks of stone averaging 2.5 tons although today it looks smaller than nearby Khafre Pyramid which higher on the Giza plateau. This porticoed tomb of Seshem-Nefer, Overseer of the House of Life and Keep of the King’s Secrets, one of the largest of the private tombs at Giza, has been restored in recent years and is now open to the public although when this photo was taken in 2002 it was closed. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, Great, pyramid, royalty, burial, tomb, Khafre, Chephren, Khufu, Cheops, blocks, erosion, limestone, ancient, Egyptian, Egyptology, archaeology, gigantic, history, scale, huge, sky, blue, south, east, corner, Seshemnefer, Seshemnufer, overseer, house, life, keeper, king’s, secrets, 5th Dynasty, portico, seated, statues, public, open, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020434jhp Cheops Great Pyramid Egypt Seshemnufer portico seated infra red film B&W photo just off the main road climbing up between the Sphinx to the Great Pyramid of Khufu or Cheops which is the largest of the Gizah site monuments and the first of the really truly huge constructions dating around 2500BC and still now one of the Wonders of the World. Standing 137m high, was 140m originally, was 230m on each size and probably was built using over 2 million blocks of stone averaging 2.5 tons although today it looks smaller than nearby Khafre Pyramid which higher on the Giza plateau. This porticoed tomb of Seshem-Nefer, Overseer of the House of Life and Keep of the King’s Secrets, one of the largest of the private tombs at Giza, has been restored in recent years and is now open to the public although when this photo was taken in 2002 it was closed. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, Great, pyramid, royalty, burial, tomb, Khafre, Chephren, Khufu, Cheops, blocks, erosion, limestone, ancient, Egyptian, Egyptology, archaeology, gigantic, history, scale, huge, sky, blue, south, east, corner, Seshemnefer, Seshemnufer, overseer, house, life, keeper, king’s, secrets, 5th Dynasty, portico, seated, statues, public, open, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020433jhp Giza Egyptian Sphinx Khafre Khufu Pyramids infra red people tourists view causeway this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, panorama, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020432jhp Giza Egypt Sphinx |Great Khufu Cheops Pyramid infra red B&W film causeway view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, cropped, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020431jhp Giza Egyptian Sphinx side face Great Khufu Cheops Pyramid infra red B&W film causeway view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020430jhp Giza Egypt Sphinx sideon body Khufu Cheops Pyramid infra red B&W film causeway view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, sideon, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020429jhp Giza Egyptian pyramids modern Muslim infra red Khafre tombstones Great pyramid B&W film, an area that lies roughly between the causeway of Menkaure and that of Khafre in which there are many old mastabas and rock cut tombs, some open to the public such as Debhen or Iwn-min and the most prominent of which is the Mastaba of Queen Khentkawes the last major Royal construction in the Giza complex. It is an area left to the individual to explore and has an eerie feel wandering amongst some grotesque eroded faces of limestone showing the natural damage that centuries of wind and blown sand can do to unprotected soft limestone. To the western boundary of this area is a large bluff with the modern Muslim cemetery beneath it captured in this photo. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, royalty, burial, necropolis, Menkaure, Mycerinus, Khafre, Chephren, Khufu, Great, pyramid, causeway, causeways, Central, Field, tombs, mastabas, rock-cut, Queen, pyramids, Khentkawes, Debhen, Iwn-min, Yun-min, Lunmin, Qar, Idu, Meres-ankh, Senezemib, Seshemnufer, limestone, erosion, shapes, weird, grotesque, ancient, Egyptian, Egyptology, archaeology, history, desert, sand, modern, cemetery, Muslim, Arabic, graves, trees, plants, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020428jhp Giza Cairo Egypt modern Muslim Arabic cemetery infra red Pyramid Khufu film, an area that lies roughly between the causeway of Menkaure and that of Khafre in which there are many old mastabas and rock cut tombs, some open to the public such as Debhen or Iwn-min and the most prominent of which is the Mastaba of Queen Khentkawes the last major Royal construction in the Giza complex. It is an area left to the individual to explore and has an eerie feel wandering amongst some grotesque eroded faces of limestone showing the natural damage that centuries of wind and blown sand can do to unprotected soft limestone. To the western boundary of this area is a large bluff with the modern Muslim cemetery beneath it captured in this photo. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, royalty, burial, necropolis, Menkaure, Mycerinus, Khafre, Chephren, Khufu, Great, pyramid, causeway, causeways, Central, Field, tombs, mastabas, rock-cut, Queen, pyramids, Khentkawes, Debhen, Iwn-min, Yun-min, Lunmin, Qar, Idu, Meres-ankh, Senezemib, Seshemnufer, limestone, erosion, shapes, weird, grotesque, ancient, Egyptian, Egyptology, archaeology, history, desert, sand, modern, cemetery, Muslim, Arabic, graves, trees, plants, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020427jhp Giza Egyptian modern Muslim Arabic graves infra red Pyramid Khufu film, an area that lies roughly between the causeway of Menkaure and that of Khafre in which there are many old mastabas and rock cut tombs, some open to the public such as Debhen or Iwn-min and the most prominent of which is the Mastaba of Queen Khentkawes the last major Royal construction in the Giza complex. It is an area left to the individual to explore and has an eerie feel wandering amongst some grotesque eroded faces of limestone showing the natural damage that centuries of wind and blown sand can do to unprotected soft limestone. To the western boundary of this area is a large bluff with the modern Muslim cemetery beneath it captured in this photo. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, royalty, burial, necropolis, Menkaure, Mycerinus, Khafre, Chephren, Khufu, Great, pyramid, causeway, causeways, Central, Field, tombs, mastabas, rock-cut, Queen, pyramids, Khentkawes, Debhen, Iwn-min, Yun-min, Lunmin, Qar, Idu, Meres-ankh, Senezemib, Seshemnufer, limestone, erosion, shapes, weird, grotesque, ancient, Egyptian, Egyptology, archaeology, history, desert, sand, modern, cemetery, Muslim, Arabic, graves, trees, plants, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020426jhp Giza Egyptian modern Muslim infra red Pyramid Khafre tombstones B&W film, an area that lies roughly between the causeway of Menkaure and that of Khafre in which there are many old mastabas and rock cut tombs, some open to the public such as Debhen or Iwn-min and the most prominent of which is the Mastaba of Queen Khentkawes the last major Royal construction in the Giza complex. It is an area left to the individual to explore and has an eerie feel wandering amongst some grotesque eroded faces of limestone showing the natural damage that centuries of wind and blown sand can do to unprotected soft limestone. To the western boundary of this area is a large bluff with the modern Muslim cemetery beneath it captured in this photo. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, royalty, burial, necropolis, Menkaure, Mycerinus, Khafre, Chephren, Khufu, Great, pyramid, causeway, causeways, Central, Field, tombs, mastabas, rock-cut, Queen, pyramids, Khentkawes, Debhen, Iwn-min, Yun-min, Lunmin, Qar, Idu, Meres-ankh, Senezemib, Seshemnufer, limestone, erosion, shapes, weird, grotesque, ancient, Egyptian, Egyptology, archaeology, history, desert, sand, modern, cemetery, Muslim, Arabic, graves, trees, plants, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020425jhp Giza Egypt Central Field tombs limestone blocks erosion infra red film, an area that lies roughly between the causeway of Menkaure and that of Khafre in which there are many old mastabas and rock cut tombs, some open to the public such as Debhen or Iwn-min and the most prominent of which is the Mastaba of Queen Khentkawes the last major Royal construction in the Giza complex. It is an area left to the individual to explore and has an eerie feel wandering amongst some grotesque eroded faces of limestone showing the natural damage that centuries of wind and blown sand can do to unprotected soft limestone. To the western boundary of this area is a large bluff with the modern Muslim cemetery beneath it. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, royalty, burial, necropolis, Menkaure, Mycerinus, Khafre, Chephren, causeway, causeways, Central, Field, tombs, mastabas, rock-cut, Queen, pyramids, Khentkawes, Debhen, Iwn-min, Yun-min, Lunmin, Qar, Idu, Meres-ankh, Senezemib, Seshemnufer, limestone, erosion, shapes, weird, grotesque, ancient, Egyptian, Egyptology, archaeology, history, desert, sand, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020424jhp Giza Egyptian Great Pyramid limestone pillars erosion infra red film, an area that lies roughly between the causeway of Menkaure and that of Khafre in which there are many old mastabas and rock cut tombs, some open to the public such as Debhen or Iwn-min and the most prominent of which is the Mastaba of Queen Khentkawes the last major Royal construction in the Giza complex. It is an area left to the individual to explore and has an eerie feel wandering amongst some grotesque eroded faces of limestone showing the natural damage that centuries of wind and blown sand can do to unprotected soft limestone. To the western boundary of this area is a large bluff with the modern Muslim cemetery beneath it. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, royalty, burial, necropolis, Menkaure, Mycerinus, Khafre, Chephren, causeway, causeways, Central, Field, tombs, mastabas, rock-cut, Queen, pyramids, Khentkawes, Debhen, Iwn-min, Yun-min, Lunmin, Qar, Idu, Meres-ankh, Senezemib, Seshemnufer, limestone, erosion, shapes, weird, grotesque, ancient, Egyptian, Egyptology, archaeology, history, desert, sand, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020423jhp Giza Egypt Khufu Pyramid limestone pillars eroded eerie infra red film, an area that lies roughly between the causeway of Menkaure and that of Khafre in which there are many old mastabas and rock cut tombs, some open to the public such as Debhen or Iwn-min and the most prominent of which is the Mastaba of Queen Khentkawes the last major Royal construction in the Giza complex. It is an area left to the individual to explore and has an eerie feel wandering amongst some grotesque eroded faces of limestone showing the natural damage that centuries of wind and blown sand can do to unprotected soft limestone. To the western boundary of this area is a large bluff with the modern Muslim cemetery beneath it. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, royalty, burial, necropolis, Menkaure, Mycerinus, Khafre, Chephren, causeway, causeways, Central, Field, tombs, mastabas, rock-cut, Queen, pyramids, Khentkawes, Debhen, Iwn-min, Yun-min, Lunmin, Qar, Idu, Meres-ankh, Senezemib, Seshemnufer, limestone, erosion, shapes, weird, grotesque, ancient, Egyptian, Egyptology, archaeology, history, desert, sand, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020422jhp Giza Egypt Khafre Pyramid limestone mastaba tomb infra red B&W film, an area that lies roughly between the causeway of Menkaure and that of Khafre in which there are many old mastabas and rock cut tombs, some open to the public such as Debhen or Iwn-min and the most prominent of which is the Mastaba of Queen Khentkawes the last major Royal construction in the Giza complex. It is an area left to the individual to explore and has an eerie feel wandering amongst some grotesque eroded faces of limestone showing the natural damage that centuries of wind and blown sand can do to unprotected soft limestone. To the western boundary of this area is a large bluff with the modern Muslim cemetery beneath it. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, royalty, burial, necropolis, Menkaure, Mycerinus, Khafre, Chephren, causeway, causeways, Central, Field, tombs, mastabas, rock-cut, Queen, pyramids, Khentkawes, Debhen, Iwn-min, Yun-min, Lunmin, Qar, Idu, Meres-ankh, Senezemib, Seshemnufer, limestone, erosion, shapes, weird, grotesque, ancient, Egyptian, Egyptology, archaeology, history, desert, sand, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020421jhp Giza Egypt Khafre Great Pyramids tomb blocks infra red B&W film, an area that lies roughly between the causeway of Menkaure and that of Khafre in which there are many old mastabas and rock cut tombs, some open to the public such as Debhen or Iwn-min and the most prominent of which is the Mastaba of Queen Khentkawes the last major Royal construction in the Giza complex. It is an area left to the individual to explore and has an eerie feel wandering amongst some grotesque eroded faces of limestone showing the natural damage that centuries of wind and blown sand can do to unprotected soft limestone. To the western boundary of this area is a large bluff with the modern Muslim cemetery beneath it. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, royalty, burial, necropolis, Menkaure, Mycerinus, Khafre, Chephren, causeway, causeways, Central, Field, tombs, mastabas, rock-cut, Queen, pyramids, Khentkawes, Debhen, Iwn-min, Yun-min, Lunmin, Qar, Idu, Meres-ankh, Senezemib, Seshemnufer, limestone, erosion, shapes, weird, grotesque, ancient, Egyptian, Egyptology, archaeology, history, desert, sand, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020420jhp Khafre Pyramids Cheops Egyptian tombs clouds infra red film photo of the second largest of the Gizah site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the south face with Khufu's Great pyramid to the righy right taken near the main road through the Giza complex showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, pyramid, burial, tomb, Khafre, Chephren, Khufu, great, largest, Cheops, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020419jhp Chephren Pyramids Khufu Egypt Giza Great largest infra red B&W film photo of the second largest of the Giza site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the south face with Khufu's Great pyramid to the righy right taken near the main road through the Giza complex showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, pyramids, pyramid, burial, tomb, Khafre, Chephren, Khufu, great, largest, Cheops, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020418jhp Khafre Pyramid Egyptian horse rider scale Giza infra red film photo of the second largest of the Gizah site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the west face with Cairo bottom right taken near the main road through the Giza complex showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, pyramid, burial, tomb, Khafre, Chephren, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020417jhp Chephren Pyramid Egypt top apex Tura casing clouds infra red film photo of the second largest of the Gizah site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the west face with Cairo bottom right taken near the main road through the Giza complex showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, apex, pyramid, burial, tomb, Khafre, Chephren, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020416jhp Chephren Pyramid Egypt Giza side Tura casing clouds infra red film photo of the second largest of the Gizah site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the west face with Cairo bottom right taken near the main road through the Giza complex showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, pyramid, burial, tomb, Khafre, Chephren, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020415jhp Khafre Pyramid Egyptian Giza blocks Tura casing clouds infra red film photo of the second largest of the Gizah site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the west face with Cairo bottom right taken near the main road through the Giza complex showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, construction, pyramid, burial, tomb, Khafre, Chephren, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020414jhp Khafre Pyramid Egyptian tomb limestone blocks Tura casing clouds infra red film photo of the second largest of the Gizah site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the west face with Cairo bottom right taken near the main road through the Giza complex showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, pyramid, burial, tomb, Khafre, Chephren, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020413jhp Egyptian Cairo Giza Pyramid Khafre Great Khufu infra red film with Cairo in the far distance and by the road to the favourite coach stop and photo call from the hundred’s of thousands of tourists who came every year to see these wonders of the ancient world. Left to right from this viewpoint there is the Great Pyramid of Khufu, the Turah limestone capped Khafre Pyramid and to the right the smaller of the three, that of Menkaure. These are taken from the roadside of the metalled road that runs through the Giza site from Giza up to the high ground to the south. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, pyramid, royalty, nobles, officials, burial, tombs, Khufu, Cheops, Khafre, Chephren, Menkaure, Mycerinus, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, capped, desert, sand, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020412jhp Egypt Cairo Giza Pyramid Khafre Great Southern aspect road infra red film with Cairo in the far distance and a favourite coach stop and photo call from the hundred’s of thousands of tourists who came every year to see these wonders of the ancient world. Left to right from this viewpoint there is the Great Pyramid of Khufu, the Turah limestone capped Khafre Pyramid and to the right the smaller of the three, that of Menkaure. These are taken from the roadside of the metalled road that runs through the Giza site from Giza up to the high ground to the south. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, pyramid, royalty, nobles, officials, burial, tombs, Khufu, Cheops, Khafre, Chephren, Menkaure, Mycerinus, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, capped, desert, sand, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020411jhp Egypt Cairo Giza Pyramid Menkaure South road infra red film Queens with Cairo in the far distance and a favourite coach stop and photo call from the hundred’s of thousands of tourists who came every year to see these wonders of the ancient world. Left to right there is the Great Pyramid of Khufu, the Turah limestone capped Khafre Pyramid and to the right the smaller of the three, that of Menkaure which is featured in this photograph along with the three Queen’s satellite pyramids. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, pyramid, royalty, nobles, officials, burial, tombs, Khufu, Cheops, Khafre, Chephren, Menkaure, Mycerinus, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, capped, desert, sand, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG02089jhp Egypt Valley Temple Sphinx Giza Limestone causeway entrance B&W infra red film photo looking towards the doorway at the base of the 550m causeway from Khafre Pyramid at Giza and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG02088jhp Valley Temple Interior Giza Khafre Limestone Granite Blocks infra red photo looking towards the doorway at the base of the 550m causeway from Khafre Pyramid at Giza and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG02087jhp Valley Temple Interior Giza Chephren Limestone Granite Blocks infra red photo looking towards the rear of the room at the base of the 550m causeway from Khafre Pyramid at Giza and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG02086jhp Cairo Valley Temple Chephren inside Limestone Blocks infra red photo looking towards the rear of the room as you enter the temple at the base of the 550m causeway from Khafre Pyramid at Giza and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG02085jhp Giza Egypt Cairo Sphinx Khafre Chephren Pyramid infra red B&W first view approach this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG02083jhp Giza Egyptian Sphinx Khafre Chephren Pyramid infra red first view approach this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02049jhp Egypt holiday hotel Movenpick Giza cactus plants infra red film grounds taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips. The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02048jhp Egyptian Cairo hotel Movenpick jolie Ville cactus succulents infra red film grounds taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips. The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02047jhp Egyptian Cairo hotel Jolie Ville Giza cactus tree B&W infra red film grounds taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips. The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02046jhp Egypt hotel Jolie Ville Giza cactus leaves infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips. The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02045jhp Egypt hotel Jolie Ville mango tree cow sculpture infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips. The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02044jhp Egypt hotel Movenpick Giza mango tree cow ornament infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips. The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02043jhp Egypt hotel Movenpick Giza mangifera tree cow black infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips. The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02042jhp Egypt hotel Cairo Giza mangifera tree shrubs topiary infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips. The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG020410jhp Egypt hotel Cairo Giza Jolie Ville tree paths rooms infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips. The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG021231jhp Egyptian River Nile Cruising deck railings lifebelts water B&W infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise trader, boatmen, oars, boat, rowing, cruising, landscape, upright, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG021230jhp Egyptian Cruise River Nile Cruising deckchairs loungers riverbank infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat leaving Esna Lock offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, loungers, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG021229jhp Egypt River Nile Cruiseboat Romance berth riverbank infra red film ghostly on the journey from Luxor to Aswan anchored at Esna before this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, Romance, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG021228jhp Egyptian River Nile Cruiseboat Romance Esna berth infra red film ghostly on the journey from Luxor to Aswan anchored at Esna before this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, Romance, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, upright, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG021216jhp Egypt River Nile Cruise Esna lock passing through infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, upright, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG021215jhp Egypt River Nile Esna boatmen rowing trader infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise trader, boatmen, oars, boat, rowing, cruising, landscape, upright, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG021214jhp Egyptian Nile Esna boatmen rowing water trader infra red film ghosts on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise trader, boatmen, oars, boat, rowing, cruising, landscape, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG02128jhp Egypt River Nile Cruise rocky riverbank infra red film ghostly trees on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG02127jhp Egyptian River Nile Cruising deck railings lifebelts riverbank infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, lamps, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG02126jhp Egypt River Nile Cruising riverbank houses trees infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, houses, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG02125jhp Egyptian River Nile Cruise hot deck railings lifebelts riverbank infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, upright, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG02124jhp Egypt River Nile minaret palm trees riverbank infra red film B&W on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, minaret, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG02123jhp Egypt River Nile Cruise deck railings deckchairs lamps water infra red film ghostly effect on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, upright, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG021211jhp Egypt River Nile Cruise hills desert trees water infra red shore film ghostly effect on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG021210jhp Egypt River Nile Cruising riverbank infra red film ghostly palm trees water hills on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, upright, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna by Nile InfR EG021218jhp Egypt Esna Nile town waterfront cruise berth houses infra red is a well known berthing area on the River Nile waiting for access to the locks and if time allows there is a beautiful Ptolemaic temple deep in a hollow under the modern town building line worth visiting. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998. Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, promenade, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021227jhp Egyptian Esna Temple smiting enemies infra red Khnum Isis outer carvings north wall on a small gem of a building deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998. Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, battle, scene, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021226jhp Egypt Esna Temple north wall infra red Khnum Isis outer carvings on a small gem of a building deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998. Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021225jhp Egypt Esna Temple Nile town modern houses exterior B&W infra red film is a small gem of a building deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, north, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021224jhp Egyptian Esna Temple town modern appartment flats B&W infra red film is a small gem of a building deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, north, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021223jhp Egypt Esna Temple Nile town hypostyle hall infra red exterior walls west north of this small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998. Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021222jhp Egyptian Esna Temple hypostyle hall north west walls infra red B&W is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998. Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, outside, walls, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021221jhp Egypt Esna Temple outer wall infra red film hypostyle hall side is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021220jhp Egypt Esna Temple Ptolemaic hypostyle hall infra red film floral capitals curtain screens is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021219jhp Egypt Esna Temple hypostyle hall curtain screens infra red Gods offering scene is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Philae InfR EG982425jhp Philae Egypt Aswan visit tourist market souk goods infra red B&W near the jetty for boarding motorboats for the visit to the relocated site established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG982424jhp Philae tourist shop stall trinkets infra red ghostlike light Aswan island trip at the jetty for a visit to this relocated site established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG982423jhp Philae Temple Agilkia Aswan island infra red boat view water rocks was relocated from the site established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, panorama, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG982422jhp Philae Temple island rocks boulders plants infra red ghostly light Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG982419jhp Philae Agilkia island boulders plants infra red B&W Aswan motorboat trip was used for the relocation of the original temple complex established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG982418jhp Philae visit island boulders plants infra red B&W boat water Aswan Agilkia island was used for the relocation of the original temple complex established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG982413jhp Philae Temple Ancient Egyptian Nilometer infra red film Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, upright, nilometer, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Nile Cruise InfR EG982427jhp Egypt Egyptian River Nile Cruiseboat deck plants people infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. On checking this photo was badly overexposed so accounts for the very strong grain structure. Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, shrubs, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Philae InfR EG98249jhp Philae Temple Trajan Kiosk Pharaohs bed infra red backlit Egypt columns carvings Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG98247jhp Philae Temple Ancient Egypt first pylon gate ptolemy infra red Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemy, gate, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG98246jhp Philae Egypt first pylon gate ptolemy infra red Jim Henderson photo was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG982417jhp Philae Temple Kiosk Nectanebo columns Hathor face carvings B&W infra red Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Kiosk, Nectanebo, Ptolemy, Gate, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG982416jhp Philae Temple Ancient Egypt second pylon infra red film carvings Gods Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG982415jhp Philae Temple Egyptian Isis Horus second pylon infra red film Ptolemy carvings Gods Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, landscape, record, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG982414jhp Philae Isis second pylon granite record Ptolemy infra red donation carving Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG982412jhp Philae Temple Trajan Kiosk infra red floral capitals Egyptian columns carvings Pharaohs bed Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG982411jhp Philae Temple wall carving relief offering Egyptian Isis infra red Gods Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG982410jhp Philae Temple interior infra red film ghosts people ghostly light Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG98245jhp Philae Temple Egypt Second Pylon Mammisi birth house infra red Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG98244jhp Philae Temple First Pylon Lion Ancient Egypt Isis Gate Aswan B&W Infra Red island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, colonnade, courtyard, entrance, approach, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG98243jhp Philae Temple courtyard Egypt pylon colonnade Infra Red B&W film Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, colonnade, courtyard, entrance, approach, landscape, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG98241jhp Philae Temple courtyard Ancient Egyptian Isis pylon columns Infra Red film Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, colonnade, courtyard, entrance, approach, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Nile Cruise InfR EG982428jhp Egypt River Nile Sonester cruise deck plants tourists infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, Sonester, Sun, Goddess, daily, life, upright, cruiseboat, water, cruise, cruising, landscape, shrubs, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Luxor Hotel InfR EG981122jhp Egypt Luxor St George Hotel River Nile modern design infra red looking over the shimmering River Nile on a sunny autumn afternoon on the riverside of this very modern luxurious building. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Thebes, Luxor, Waset, Ipetisut, East, Bank, River, Nile, St George, Hotel, riverside, riverbank, holiday, cruise, palm, trees, water, shimmering, sunshine, blue, sky, hazy, West, bank, Theban, hills, waterfront, promenade, esplanade, modern, architecture, stylised, Nile, Boat, poolside, style, stylish, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, autumn, upright
Medinet Habu InfR EG983713jhp Medinet Habu Temple Mortuary Ramasses pylon exterior infra red film B&W located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Medinet Habu InfR EG983712jhp Medinet Habu Temple Egypt Infra Red B&W Hypostyle statue carvings located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Medinet Habu InfR EG983711jhp Medinet Habu Temple Mortuary Egyptian second court painted infra red B&W located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Medinet Habu InfR EG983710jhp Medinet Habu Temple Ramesses Egypt first court statue king infra red B&W located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, engaged, statue, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Luxor Temple InfR EG981121jhp Luxor Temple Egyptian infra red B&W colonnade processional pylon rear photo is taken from the outside of the colonnade looking back to the rear of the pylon and peristyle court located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues on the far side of the pylon that greet the visitor arriving at the Temple. To the left are a few small columns from the Roman castrum, a military complex with stone paved avenues and the streets defined by pillars. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, upright, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Luxor Temple InfR EG981120jhp Luxor Temple Egypt obelisk side carvings cartouche infra red film in front of the main pylon greeting visitors to this Temple located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues. On the side of the huge black granite seats are carvings in excellent state of repair illustrating early the mythology of ancient Egypt, the Union of the Two Lands; Upper and Lower Egypt. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, upright, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Luxor Temple InfR EG981119jhp Luxor Temple Egypt seated statues Ramses carvings infra red B&W in front of the main pylon greeting visitors to this Temple located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues. On the side of the huge black granite seats are carvings in excellent state of repair illustrating early the mythology of ancient Egypt, the Union of the Two Lands; Upper and Lower Egypt. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, upright, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Luxor Temple InfR EG981118jhp Luxor Temple Egypt pylon obelisk statues carvings infra red B&W ghostly in front of the main pylon greeting visitors to this Temple located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues. On the side of the huge black granite seats are carvings in excellent state of repair illustrating early the mythology of ancient Egypt, the Union of the Two Lands; Upper and Lower Egypt. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, upright, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Luxor Temple InfR EG981117jhp Luxor Temple Egyptian seated statues Ramesses carvings infra red B&W in front of the main pylon greeting visitors to this Temple located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues. On the side of the huge black granite seats are carvings in excellent state of repair illustrating early the mythology of ancient Egypt, the Union of the Two Lands; Upper and Lower Egypt. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, upright, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Kom Ombo InfR EG982437jhp Kom Ombo Temple Egyptian hypostyle hall ghostly Infra Red B&W film ghostly effect for this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, hypostyle hall, pylon, columns, bas reliefs, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Kom Ombo InfR EG982436jhp Kom Ombo Ptolemy offering Temple River Nile Egypt Infra Red B&W film ghostly effect for this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, hypostyle hall, pylon, columns, bas reliefs, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Kom Ombo InfR EG982435jhp Kom Ombo Columns carving Temple Egyptian Infra Red B&W ghostly pharoah effect for this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, hypostyle hall, pylon, columns, bas reliefs, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Kom Ombo InfR EG982434jhp Kom Ombo Ptolemy custodian Temple Nile Egypt Infra Red B&W film ghostly effect for this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, hypostyle hall, pylon, columns, bas reliefs, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Kom Ombo InfR EG982433jhp Kom Ombo Ptolemaic Temple Sobek God Egypt Infra Red B&W film ghostly effect for this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, hypostyle hall, pylon, columns, bas reliefs, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Kom Ombo InfR EG982431jhp Kom Ombo Offering scene column carved Temple Egypt Infra Red ghost B&W film effect for this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, hypostyle hall, pylon, columns, bas reliefs, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Kom Ombo InfR EG982430jhp Kom Ombo Ptolemaic panorama hypostyle columns Infra Red B&W film ghostly effect for this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, hypostyle hall, pylon, columns, bas reliefs, coloured, colored, colours, colors, Silsilah, sandstone, landscape, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Kom Ombo InfR EG982429jhp Kom Ombo Ptolemaic Nile Temple Egypt hypostyle hall Infra Red B&W film ghostly effect for this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, hypostyle hall, pylon, columns, bas reliefs, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983735jhp Egypt Hatshepsut Thutmosis Granite Obelisks Karnak Temple infra red film is in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This view of Queen Hatshepsut's Obelisk, one of two remaining standing obelisks, is from between the fourth and fifth pylons looking north in the Transverse Hall. The obelisk of red Aswan granite is the third tallest standing in the world, weighs over 320 tons and stands nearly 30 metres. Encased by Thutmosis 111 who disapproved of his Aunt, his bid to remove her existence benefited us in that the lower section remained largely intact but higher sections were defaced by Akhenaten some 130 years later. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, Thutmosis, Hatshepsut, queen, woman, obelisk, red, granite, blocks, pylon, fourth, fifth, transverse, hall, columns, truncated, well, sandstone, obelisks, court, pharaoh, ruler, huge, monumental, encased, Thutmosis, Thutmose, Akhenaten, defaced, erased, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983734jhp Egyptian Hatshepsut Thutmosis Granite Obelisk Karnak infra red B&W film upwards is in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This view of Queen Hatshepsut's Obelisk, one of two remaining standing obelisks, is from between the fourth and fifth pylons looking north in the Transverse Hall. The obelisk of red Aswan granite is the third tallest standing in the world, weighs over 320 tons and stands nearly 30 metres. Encased by Thutmosis 111 who disapproved of his Aunt, his bid to remove her existence benefited us in that the lower section remained largely intact but higher sections were defaced by Akhenaten some 130 years later. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, Thutmosis, Hatshepsut, queen, woman, obelisk, red, granite, blocks, pylon, fourth, fifth, transverse, hall, columns, truncated, well, sandstone, obelisks, court, pharaoh, ruler, huge, monumental, encased, Thutmosis, Thutmose, Akhenaten, defaced, erased, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983733jhp Karnak Temple Egyptian Inner Sanctuary infra red B&W Jim Henderson photo near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph is looking back into the main area of the temple from the central court area, now a large open space in front of unusual Festival Hall of Thutmose 111. The figure is standing looking into the inner sanctum, the Granite Sanctuary of Philip Arrhidaeus who ruled briefly after the death of Alexander the Great. The obelisk is that of Hatshepsut while the smaller one on the left is that of Thutmosis 1. The distant view goes beyond the Processional Way of the Hypostyle hall, through the western Pylon, over the River Nile to the distant west bank Theban hills. In the foreground are the truncated columns of an area which was one of the oldest areas of Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, upright, Thutmosis, Thutmose, festival, hall, barque, sanctuary, Granite, Philip, Arrhidaeus, inner, sanctum, sixth, pylon, colours, painted, colors, history, archaeology, ancient, Egyptology, column, bases, obelisks, Hatshepsut, hypostyle, hall, Theban, hills, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983732jhp Karnak Temple Egypt Obelisk Sanctuary central court B&W infra red ghost near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph is looking back into the main area of the temple from the central court area, now a large open space in front of unusual Festival Hall of Thutmose 111. The figure is standing looking into the inner sanctum, the Granite Sanctuary of Philip Arrhidaeus who ruled briefly after the death of Alexander the Great. The obelisk is that of Hatshepsut while the smaller one on the left is that of Thutmosis 1. The distant view goes beyond the Processional Way of the Hypostyle hall, through the western Pylon, over the River Nile to the distant west bank Theban hills. In the foreground are the truncated columns of an area which was one of the oldest areas of Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, upright, Thutmosis, Thutmose, festival, hall, barque, sanctuary, Granite, Philip, Arrhidaeus, inner, sanctum, sixth, pylon, colours, painted, colors, history, archaeology, ancient, Egyptology, column, bases, obelisks, Hatshepsut, hypostyle, hall, Theban, hills, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983731jhp Karnak Temple Egypt pharoah Amun carving B&W infra red ghostly near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph is looking back into the main area of the temple from the central court area, now a large open space in front of unusual Festival Hall of Thutmose 111. The figure is standing looking into the inner sanctum, the Granite Sanctuary of Philip Arrhidaeus who ruled briefly after the death of Alexander the Great. The obelisk is that of Hatshepsut while the smaller one on the left is that of Thutmosis 1. The distant view goes beyond the Processional Way of the Hypostyle hall, through the western Pylon, over the River Nile to the distant west bank Theban hills. In the foreground are the truncated columns of an area which was one of the oldest areas of Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, upright, Thutmosis, Thutmose, festival, hall, barque, sanctuary, Granite, Philip, Arrhidaeus, inner, sanctum, sixth, pylon, colours, painted, colors, history, archaeology, ancient, Egyptology, column, bases, obelisks, Hatshepsut, hypostyle, hall, Theban, hills, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983730jhp Karnak Temple Egyptian statue headless inra red ghostlike B&W film Sanctuary central court festival hall Thutmose near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph is looking back into the main area of the temple from the central court area, now a large open space in front of unusual Festival Hall of Thutmose 111. The figure is standing looking into the inner sanctum, the Granite Sanctuary of Philip Arrhidaeus who ruled briefly after the death of Alexander the Great. The obelisk is that of Hatshepsut while the smaller one on the left is that of Thutmosis 1. The distant view goes beyond the Processional Way of the Hypostyle hall, through the western Pylon, over the River Nile to the distant west bank Theban hills. In the foreground are the truncated columns of an area which was one of the oldest areas of Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, upright, Thutmosis, Thutmose, festival, hall, barque, sanctuary, Granite, Philip, Arrhidaeus, inner, sanctum, sixth, pylon, colours, painted, colors, history, archaeology, ancient, Egyptology, column, bases, obelisks, Hatshepsut, hypostyle, hall, Theban, hills, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983729jhp Karnak Temple Egyptian Obelisk festival hall Thutmose Infra Red eerie B&W near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph is looking back into the main area of the temple from the central court area, now a large open space in front of unusual Festival Hall of Thutmose 111. The figure is standing looking into the inner sanctum, the Granite Sanctuary of Philip Arrhidaeus who ruled briefly after the death of Alexander the Great. The obelisk is that of Hatshepsut while the smaller one on the left is that of Thutmosis 1. The distant view goes beyond the Processional Way of the Hypostyle hall, through the western Pylon, over the River Nile to the distant west bank Theban hills. In the foreground are the truncated columns of an area which was one of the oldest areas of Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, upright, Thutmosis, Thutmose, festival, hall, barque, sanctuary, Granite, Philip, Arrhidaeus, inner, sanctum, sixth, pylon, colours, painted, colors, history, archaeology, ancient, Egyptology, column, bases, obelisks, Hatshepsut, hypostyle, hall, Theban, hills, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983726jhp Karnak Temple Egypt carved blocks restoration ghostly infra red obelisks located on the transverse axis south from the main central area between the eighth and tenth pylons and the boundaries of Khonsu temple in this large site near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The in fill from many Atenist temples has been removed particularly from the inside of the ninth pylon and much of the area around the eighth to tenth pylons is largely covered in various blocks of variously decorated stone all eventually waiting new homes in restored chapels such as that of Hatshepsut's Chapelle Rouge in the Open Air Museum. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, pylon, gate, ninth, south, face, front, transverse, axis, usurped, restoration, history, archaeology, ancient, Egyptology, limestone, hieroglyphs, hieroglyphics, nu, niwt, city, town, walled, crossroads, cartouche, carved, Atenist, building, material, infill, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983725jhp Karnak Temple storage carving restoration hieroglyphics infra red obelisks located on the transverse axis south from the main central area between the eighth and tenth pylons and the boundaries of Khonsu temple in this large site near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The in fill from many Atenist temples has been removed particularly from the inside of the ninth pylon and much of the area around the eighth to tenth pylons is largely covered in various blocks of variously decorated stone all eventually waiting new homes in restored chapels such as that of Hatshepsut's Chapelle Rouge in the Open Air Museum. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, upright, pylon, gate, ninth, south, face, front, transverse, axis, usurped, restoration, history, archaeology, ancient, Egyptology, limestone, hieroglyphs, hieroglyphics, nu, niwt, city, town, walled, crossroads, cartouche, carved, Atenist, building, material, infill, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983724jhp Hypostyle Hall Karnak Egyptian Temple doorway infra red sunlight dawn taken not long after dawn with bright sunlight streaming into the hall. A visit to Karnak is on a huge sprawling a site located near Luxor City centre on the East Bank of the River Nile and it is the largest religious complex on the Nile. This is the most famous and awesome part of The Great Temple of Amun, the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today despite lacking in overall perfection is still overwhelming in its scale. This photo is taken from inside the great columned hall and where diminutive figures appear one can gauge the huge scale and fantastic workmanship of the skilled builders who worked with basic tools and no modern mechanical equipment. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, processional, way, clerestory, papyrus, bud, capitals, windows, hieroglyphs, deep, cut, windows, painted, roof, sanctuary, gateway, outer, wall, south, entrance, Seti 1, Sethos, Ramses, Ramasses, Ramesses, Amun-Re, obelisks, evening, late, afternoon, sandstorm, sunshine, golden, poor, light, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983723jhp Exterior Temple Ramasses Karnak Egyptian infra red B&W ghost dawn sun palm trees, on south side of the First Forecourt where it has been joined into the complex having once stood isolated near the Pylon. This photo is of the exterior walls at the east corner which is accessed either through the Bubastite Portal or walking back from Khonsu Temple or perhaps the Sacred Lake. It is now an integral part of the largest religious complex on the East Bank of the River Nile at Luxor in Egypt but when first built would have been isolated as the first pylon of Nectanebo was constructed later. Ramesses 111 Temple was a barque shrine dedicated to Amun in his two most recognised forms, Amun-Re and Amun-re-Kamutef, King of the Gods and Karnak and who is before the harim. On the exterior walls on its western face it has a large scale scene of many boats as they might have been seen during the annual river procession along the Nile from Luxor Temple to Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Theban, Triad, Waset, Ipetisut, landscape, Ramses, Ramesses, Ramasses, Amun, Amun-Re, Amun-Re-Kamutef, king, Gods, Ptah, Khonsu, Harim, Harem, barque, shrine, Bubastite, temple, wall, exterior, reliefs, bas reliefs, two, plumes, crown, headdress, disc, ankh, life, was-sceptre, well-being, happiness, carvings, preserved, clear, sharp, palm, trees, fronds, framing, water, procession, boats, barques, oars, oarsmen, sails, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983722jhp Temple Ramesses Karnak Egypt infra red film ghostly eerie dawn light, on south side of the First Forecourt where it has been joined into the complex having once stood isolated near the Pylon. This photo is of the exterior walls at the east corner which is accessed either through the Bubastite Portal or walking back from Khonsu Temple or perhaps the Sacred Lake. It is now an integral part of the largest religious complex on the East Bank of the River Nile at Luxor in Egypt but when first built would have been isolated as the first pylon of Nectanebo was constructed later. Ramesses 111 Temple was a barque shrine dedicated to Amun in his two most recognised forms, Amun-Re and Amun-re-Kamutef, King of the Gods and Karnak and who is before the harim. On the exterior walls on its western face it has a large scale scene of many boats as they might have been seen during the annual river procession along the Nile from Luxor Temple to Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Theban, Triad, Waset, Ipetisut, upright, Ramses, Ramesses, Ramasses, Amun, Amun-Re, Amun-Re-Kamutef, king, Gods, Ptah, Khonsu, Harim, Harem, barque, shrine, Bubastite, temple, wall, reliefs, bas reliefs, two, plumes, crown, headdress, disc, ankh, life, was-sceptre, well-being, happiness, carvings, preserved, clear, sharp, palm, trees, fronds, framing, water, procession, boats, barques, oars, oarsmen, sails, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983720jhp Karnak Temple Egypt Taharqa Kiosk infra red film B&W sphinx dawn greets the visitor after entering through the first Pylon when visiting this famous site located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This is a typical scene in the first court after entering through the main entrance of the first pylon with the remains of the pillared kiosk of Taharqa in a single papyrus column and the large block of alabaster, possible a barque station. Beyond is the second pylon with its decorated front and the beginning of the famous hypostyle hall leading to the distant obelisks and inner sanctuary. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Karnak, Temple, East Bank, Thebes, Waset, Ipetisut, holiday, landscape, upright, tourists, dawn, sunbeams, backlit, visitors, kiosk, papyrus, column, alabaster, altar, barque, station, cruise, history, archaeology, ancient, Egyptology, obelisk, court, hypostyle hall, columns, kiosk, Taharqa, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983719jhp Hypostyle Hall Karnak Egypt Temple columns roof infra red sunlight dawn taken not long after dawn with bright sunlight streaming into the hall. A visit to Karnak is on a huge sprawling a site located near Luxor City centre on the East Bank of the River Nile and it is the largest religious complex on the Nile. This is the most famous and awesome part of The Great Temple of Amun, the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today despite lacking in overall perfection is still overwhelming in its scale. This photo is taken from inside the great columned hall and where diminutive figures appear one can gauge the huge scale and fantastic workmanship of the skilled builders who worked with basic tools and no modern mechanical equipment. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, processional, way, clerestory, papyrus, bud, capitals, windows, hieroglyphs, deep, cut, windows, painted, roof, sanctuary, gateway, outer, wall, south, entrance, Seti 1, Sethos, Ramses, Ramasses, Ramesses, Amun-Re, obelisks, evening, late, afternoon, sandstorm, sunshine, golden, poor, light, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983718jhp Ancient Egyptian Obelisks Karnak Temple palm tree infra red ghostly dawn light is in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This view of Queen Hatshepsut's Obelisk, one of two remaining standing obelisks, is from the north area which was mainly an opne air area of various blocks. The obelisk of red Aswan granite is the third tallest standing in the world, weighs over 320 tons and stands nearly 30 metres. Encased by Thutmosis 111 who disapproved of his Aunt, his bid to remove her existence benefited us in that the lower section remained largely intact but higher sections were defaced by Akhenaten some 130 years later. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, Hatshepsut, queen, woman, obelisk, red, granite, blocks, pylon, fourth, fifth, transverse, hall, columns, truncated, well, sandstone, obelisks, court, pharaoh, ruler, huge, monumental, encased, Thutmosis, Thutmose, Akhenaten, defaced, erased, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983717jhp Karnak Temple Egypt Taharqa Kiosk infra red sphinx dawn sunbeams greets the visitor after entering through the first Pylon when visiting this famous site located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This is a typical scene in the first court after entering through the main entrance of the first pylon with the remains of the pillared kiosk of Taharqa in a single papyrus column and the large block of alabaster, possible a barque station. Beyond is the second pylon with its decorated front and the beginning of the famous hypostyle hall leading to the distant obelisks and inner sanctuary. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Karnak, Temple, East Bank, Thebes, Waset, Ipetisut, holiday, landscape, upright, tourists, dawn, sunbeams, backlit, visitors, kiosk, papyrus, column, alabaster, altar, barque, station, cruise, history, archaeology, ancient, Egyptology, obelisk, court, hypostyle hall, columns, kiosk, Taharqa, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Edfu Temple InfR EG98379jhp Edfu Temple Pylon High View Egypt B&W Infra Red High unique rare unusual viewpoint which is no longer possible owing to recent alterations to this site by the River Nile and one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, Horus, falcon, hawk, pylon, high, view, hypostyle hall, Ptolemy, naos, sanctuary, Ptolemaic, landscape, upright, cruise, cruiseboat, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Edfu Temple InfR EG98377jhp Edfu Temple Egypt Horus Statue Infra Red B&W film hawk granite icon seen here in the pillared courtyard is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, Horus, falcon, hawk, statue, granite, entrance, hypostyle, hall, posing, pillared hall, Ptolemy, pronaos, sanctuary, Ptolemaic, courtyard, colonnade, columns, hieroglyphs, carvings, bas, reliefs, upright, landscape, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Edfu Temple InfR EG98376jhp Edfu Temple Horus Statue Infra Red film Egyptian Falcon icon seen here in the pillared courtyard is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, Horus, falcon, hawk, statue, granite, entrance, hypostyle, hall, posing, pillared hall, Ptolemy, pronaos, sanctuary, Ptolemaic, courtyard, colonnade, columns, hieroglyphs, carvings, bas, reliefs, upright, landscape, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Edfu Temple InfR EG98375jhp Edfu Temple Pylon Egypt carved column broken Inra Red film ghostly impressive scale complete building viewed from the south and the remains of the mammisi or birth house is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, landscape, upright, temple, preserved, Horus, pylon, south, mammisi, ambulatory, carvings, hieroglyphs, colonnade, column, Ptolemy, Ptolemaic, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Edfu Temple InfR EG98374jhp Edfu Temple Pylon Ancient Egyptian Mammisi Horus Ptolemaic B&W film Infra Red impressive scale complete building viewed from the south and the remains of the mammisi or birth house is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, landscape, temple, preserved, Horus, pylon, south, mammisi, ambulatory, carvings, hieroglyphs, colonnade, column, Ptolemy, Ptolemaic, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Edfu Temple InfR EG98373jhp Edfu Temple Pylon Egypt Mammisi south B&W film Infra Red capital floral impressive scale complete building viewed from the south and the remains of the mammisi or birth house is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, landscape, temple, preserved, Horus, pylon, south, mammisi, ambulatory, carvings, hieroglyphs, colonnade, column, Ptolemy, Ptolemaic, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Edfu Temple InfR EG98372jhp Edfu Temple Pylon Egypt Mammisi B&W film Infra Red capital floral southern view impressive scale complete building viewed from the south and the remains of the mammisi or birth house is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, landscape, upright, temple, preserved, Horus, pylon, south, mammisi, ambulatory, carvings, hieroglyphs, colonnade, column, Ptolemy, Ptolemaic, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Aswan Souk InfR EG982426jhp Aswan Souk Bazaar Egypt Egyptians people infra red film shopping near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Philae, holiday, bazaar, souk, suk, shops, trading, selling, upright, landscape, bargaining, haggle, leather, goods, shapes, patterns, exotic, smells, donkeys, Egyptians, locals, native, colourful colorful, colours, colors, spices, vegetables, tomatoes, clothes, fruit, cotton, baksheesh, blacksmith, sunset, tourism, cruise, cruiseboat, berth, history, antiquity, ancient, archaeology, Egyptology, riverside, cataracts, motorboat, excursion, feluccas, sailing, boats, caleche, Elephantine, Triad, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Aswan Feluccas InfR EG981123jhp Aswan Cataract Hotel Old River Nile Waterfront Egypt feluccas infra red trip sailing on the river to hotels, Elephantine Island and Museum, Kitchener Botanical Gardens and trips in feluccas to the Nubian Villages or Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Aswan, City, River, Nile, Cataract, hotel, waterfront, riverside, promenade, esplanade, berths, restaurants, ferry, felucca, feluccas, sailing, boats, cruiseboats, motorboats, street, municipal, gardens, park, upright, landscape, rocks, boulders, granite, Coptic, Cathedral, square, tower, Nilometer, cartouches, Elephantine, island, museum, temples, ancient, predynastic, strategic, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Colossi Memnon EG983716jhp Colossi Memnon infra red film B&W ghostly night seated statues Amenhotep 111 that are the most famous remains of his mortuary temple on the northern side of the approach road for the Valley of the Kings, Queens and all the other main West Bank sites. It is the visitors’ first site of major impact, not far from the main ticket office but is usually visited as a photo opportunity on leaving - recent excavations of the site are finding many hidden buildings and artefacts. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, River, Nile, holiday, travel, upright, landscape, tourists, tourism, cruise, history, archaeology, ancient, Egyptology, temples, Colossi, Memnon, Nebmare, Amenhotep, Amenophis, Tiy, mother, Mutemwiya, Ethiopian, prince, Greek, son, Aurora, floodplain, inundations, emergence, primeval, creation, Septimius, Severus, repairs, bell-lie, tone, wind, noise, mythology, Kom el-Hetan, Medinet, Habu, roadside, coachstop, excavations, palm, tree, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Colossi Memnon EG983715jhp Colossi Memnon West Bank Nile Luxor infra red eerie night ruined seated statues of Amenhotep 111 that are the most famous remains of his mortuary temple on the northern side of the approach road for the Valley of the Kings, Queens and all the other main West Bank sites. It is the visitors’ first site of major impact, not far from the main ticket office but is usually visited as a photo opportunity on leaving - recent excavations of the site are finding many hidden buildings and artefacts. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, River, Nile, holiday, travel, upright, landscape, tourists, tourism, cruise, history, archaeology, ancient, Egyptology, temples, Colossi, Memnon, Nebmare, Amenhotep, Amenophis, Tiy, mother, Mutemwiya, Ethiopian, prince, Greek, son, Aurora, floodplain, inundations, emergence, primeval, creation, Septimius, Severus, repairs, bell-lie, tone, wind, noise, mythology, Kom el-Hetan, Medinet, Habu, roadside, coachstop, excavations, palm, tree, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Dendera InfR EG98119jhp Dendarah Dendera temple Qena Nile Egypt entrance gate infra red propylon in this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, upright, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Dendera InfR EG981116jhp Dendarah Dendara temple Egyptian roof pillared hall infra red front B&W film in this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, upright, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Dendera InfR EG981113jhp Dendera temple Qena Egyptian sacred lake palm trees infra red film outer wall in this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena. This photo is taken of the outside wall at the south western corner near the Iseum and the Sacred Lake. Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, upright, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Dendara InfR EG98118jhp Dendera temple Egypt mammisi birth house screen carving beautiful infra red film and considered some of the best and most delicate of workmanship of this period and here adorning the Roman mammisi of birth house attributed to Nectanebo 1. It shows the birth of the young God Harsomtus, child of Hathor and Horus of Edfu. This temple is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Dendara, Dendarah, Dendera, Temple, mammisi, River, Nile, west, Qena, history, landscape, upright, archaeology, ancient, Egyptology, goddess, Hathor, Ihy, Harsomtus, son, Ptolemaic, birth, house, Isis, Osiris, capitals, detailed, columns, screen, elaborate, light, beautiful, holiday, travel, tourism, cruise, child, necropolis, city, Shabaka, Roman, Nectanebo 1, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Dendara InfR EG98117jhp Dendarah temple Egyptian mammisi birth house screen carving infra red B&W film and considered some of the best and most delicate of workmanship of this period and here adorning the Roman mammisi of birth house attributed to Nectanebo 1. It shows the birth of the young God Harsomtus, child of Hathor and Horus of Edfu. This temple is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Dendara, Temple, mammisi, River, Nile, west, Qena, history, landscape, archaeology, ancient, Egyptology, goddess, Hathor, Ihy, Harsomtus, son, Ptolemaic, birth, house, Isis, Osiris, capitals, detailed, columns, screen, elaborate, light, beautiful, holiday, travel, tourism, cruise, child, necropolis, city, Shabaka, Roman, Nectanebo 1, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Dendara InfR EG981114jhp Dendera temple Egyptian Iseum trees infra red film outer wall rear Isis in this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena. This photo is taken of the outside wall at the south western corner near the Iseum and the Sacred Lake. Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, upright, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Dendara InfR EG981112jhp Dendarah Dendera temple Qena Nile Egypt birth house sanatorium approach front in this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Dendara InfR EG981111jhp Dendarah temple Nile Egypt coptic church sanatorium infra red film approach front in this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, upright, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Dendara InfR EG981110jhp Dendera temple Egypt sphinx gate infra red propylon Trajan Domitian B&W entrance to this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, upright, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Abydos InfR EG98116jhp Abydos Egyptian Temple infra red B&W ghostlike entrance Sety pylon carvings royal monument limestone, situated at the most important and one of the oldest necropolis sites of ancient Egypt is the home of Osiris and the imposing structure in the photograph is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico viewed from this spot. There are many important elements to this temple and include an extensive King’s List and the spectacular remains of the Cenotaph to Sety 1, the Osireion. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Visits to Abydos are not usually included in standard Nile cruise packages and are usually arranged a private excursions from Luxor usually by road. In addition the trip can be extended to visit the Ptolemaic Dendera Temple near Qena although this temple is often organised as a separate excursion as par of a day Nile cruise from Luxor. If visiting Abydos make extra time for a visit by foot to the nearby small temple of Ramasses 11 which has some of the most wonderfully colourful wall paintings open to daylight so easily photographed. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Ramses, painted, hieroglyphs, hall, ancestors, bulls, door, king-lists, second, approach, entrance, portico, pylon, court, flooded, water, table, island, Abedju, al-Madfunah, al-Ballyana, holiday, travel, upright, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, prehistory, prehistoric, dynastic, temples, palimpsest, layers, plaster, over-writing, UFO, lintel, helicopter, submarine, God, canine, necropolis, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, memnonium, ablution, tanks, first, hypostyle, Menes, Horus, Amun, Ptah, Re-Horakhty, Ptah-Sokar, Nefertem, Graeco-Roman, statues, colonnade, sunlight, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Abydos InfR EG98115jhp Abydos Egypt Temple infra red film B&W ghostly Osireion cenotaph Seti blocks white limestone, situated at the most important and one of the oldest necropolis sites of ancient Egypt is the home of Osiris and the imposing structure in the photograph is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico viewed from this spot. There are many important elements to this temple and include an extensive King’s List and the spectacular remains of the Cenotaph to Sety 1, the Osireion. The photograph illustrates the Osireion, a cenotaph to Sety, completed by Merenptah but also a symbolic tomb for the God Osiris. This is now open to the air and is partly submerged but still its awesome size can still be appreciated with its megalithic granite blocks similar in appearance to the Valley Temple at Giza. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Visits to Abydos are not usually included in standard Nile cruise packages and are usually arranged a private excursions from Luxor usually by road. In addition the trip can be extended to visit the Ptolemaic Dendera Temple near Qena although this temple is often organised as a separate excursion as par of a day Nile cruise from Luxor. If visiting Abydos make extra time for a visit by foot to the nearby small temple of Ramasses 11 which has some of the most wonderfully colourful wall paintings open to daylight so easily photographed. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Ramses, painted, hieroglyphs, hall, ancestors, bulls, door, king-lists, second, approach, entrance, portico, pylon, court, flooded, water, table, island, Abedju, al-Madfunah, al-Ballyana, holiday, travel, upright, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, prehistory, prehistoric, dynastic, temples, palimpsest, layers, plaster, over-writing, UFO, lintel, helicopter, submarine, God, canine, necropolis, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, memnonium, ablution, tanks, first, hypostyle, Menes, Horus, Amun, Ptah, Re-Horakhty, Ptah-Sokar, Nefertem, Graeco-Roman, statues, colonnade, sunlight, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Abydos InfR EG98114jhp Abydos Egyptian infra red film B&W ghost blocks Osireion water open white limestone, situated at the most important and one of the oldest necropolis sites of ancient Egypt is the home of Osiris and the imposing structure in the photograph is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico viewed from this spot. There are many important elements to this temple and include an extensive King’s List and the spectacular remains of the Cenotaph to Sety 1, the Osireion. The photograph illustrates the Osireion, a cenotaph to Sety, completed by Merenptah but also a symbolic tomb for the God Osiris. This is now open to the air and is partly submerged but still its awesome size can still be appreciated with its megalithic granite blocks similar in appearance to the Valley Temple at Giza. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Visits to Abydos are not usually included in standard Nile cruise packages and are usually arranged a private excursions from Luxor usually by road. In addition the trip can be extended to visit the Ptolemaic Dendera Temple near Qena although this temple is often organised as a separate excursion as par of a day Nile cruise from Luxor. If visiting Abydos make extra time for a visit by foot to the nearby small temple of Ramasses 11 which has some of the most wonderfully colourful wall paintings open to daylight so easily photographed. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Ramses, painted, hieroglyphs, hall, ancestors, bulls, door, king-lists, second, approach, entrance, portico, pylon, court, flooded, water, table, island, Abedju, al-Madfunah, al-Ballyana, holiday, travel, upright, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, prehistory, prehistoric, dynastic, temples, palimpsest, layers, plaster, over-writing, UFO, lintel, helicopter, submarine, God, canine, necropolis, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, memnonium, ablution, tanks, first, hypostyle, Menes, Horus, Amun, Ptah, Re-Horakhty, Ptah-Sokar, Nefertem, Graeco-Roman, statues, colonnade, sunlight, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Abydos InfR EG98113jhp Abydos Egypt interior Temple infra red film B&W ghostly carvings monument white limestone, situated at the most important and one of the oldest necropolis sites of ancient Egypt is the home of Osiris and the imposing structure in the photograph is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico viewed from this spot. There are many important elements to this temple and include an extensive King’s List and the spectacular remains of the Cenotaph to Sety 1, the Osireion. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Visits to Abydos are not usually included in standard Nile cruise packages and are usually arranged a private excursions from Luxor usually by road. In addition the trip can be extended to visit the Ptolemaic Dendera Temple near Qena although this temple is often organised as a separate excursion as par of a day Nile cruise from Luxor. If visiting Abydos make extra time for a visit by foot to the nearby small temple of Ramasses 11 which has some of the most wonderfully colourful wall paintings open to daylight so easily photographed. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Ramses, painted, hieroglyphs, hall, ancestors, bulls, door, king-lists, second, approach, entrance, portico, pylon, court, flooded, water, table, island, Abedju, al-Madfunah, al-Ballyana, holiday, travel, interior, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, prehistory, prehistoric, dynastic, temples, palimpsest, layers, plaster, over-writing, UFO, lintel, helicopter, submarine, God, canine, necropolis, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, memnonium, ablution, tanks, first, hypostyle, Menes, Horus, Amun, Ptah, Re-Horakhty, Ptah-Sokar, Nefertem, Graeco-Roman, statues, colonnade, sunlight, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Abydos InfR EG98112jhp Abydos Egypt Temple infra red black white ghostly entrance Seti royal monument limestone, situated at the most important and one of the oldest necropolis sites of ancient Egypt is the home of Osiris and the imposing structure in the photograph is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico viewed from this spot. There are many important elements to this temple and include an extensive King’s List and the spectacular remains of the Cenotaph to Sety 1, the Osireion. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Visits to Abydos are not usually included in standard Nile cruise packages and are usually arranged a private excursions from Luxor usually by road. In addition the trip can be extended to visit the Ptolemaic Dendera Temple near Qena although this temple is often organised as a separate excursion as par of a day Nile cruise from Luxor. If visiting Abydos make extra time for a visit by foot to the nearby small temple of Ramasses 11 which has some of the most wonderfully colourful wall paintings open to daylight so easily photographed. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Ramses, painted, hieroglyphs, hall, ancestors, bulls, door, king-lists, second, approach, entrance, portico, pylon, court, flooded, water, table, island, Abedju, al-Madfunah, al-Ballyana, holiday, travel, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, prehistory, prehistoric, dynastic, temples, palimpsest, layers, plaster, over-writing, UFO, lintel, helicopter, submarine, God, canine, necropolis, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, memnonium, ablution, tanks, first, hypostyle, Menes, Horus, Amun, Ptah, Re-Horakhty, Ptah-Sokar, Nefertem, Graeco-Roman, statues, colonnade, sunlight, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Egypt > Karnak Temple (27 files)

Photos in this gallery include the whole of Karnak itself, the open air museum, temples of Khonsu and Ptah and the Sound and Light Show night images.
Karnak Temple SS984636jhp Thutmosis Pillar Karnak carved Granite papyrus sunrise Lower unified Egypt is located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This colourful pillar is one of two erected by Thutmosis 111 in front of the barque sanctuary in the Great Temple of Amun painted and carved with the heraldic plants representing the lily or lotus flower of Upper Egypt and the papyrus of Lower. He also who made considerable contributions to the construction of the Karnak complex with pylons, obelisks, one of which still stands, and a Festival Hall. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, Thutmosis, Thutmose, 111, pillar, pillars, two, heraldic, barque, sanctuary, Amun, precinct, lily, Upper, flower, papyrus, Lower, plants, colours, painted, colors, history, archaeology, ancient, Egyptology, carvings, blocks, cartouche, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light
Karnak Temple SS984635jhp Thutmosis Pillar Karnak Temple Painted Figure Granite Flower lotus dawn light is located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This colourful pillar is one of two erected by Thutmosis 111 in front of the barque sanctuary in the Great Temple of Amun painted and carved with the heraldic plants representing the lily or lotus flower of Upper Egypt and the papyrus of Lower. He also who made considerable contributions to the construction of the Karnak complex with pylons, obelisks, one of which still stands, and a Festival Hall. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, Thutmosis, Thutmose, 111, pillar, pillars, two, heraldic, barque, sanctuary, Amun, precinct, lily, Upper, flower, papyrus, Lower, plants, colours, painted, colors, history, archaeology, ancient, Egyptology, carvings, blocks, cartouche, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light
Karnak Temple SS984634jhp Thutmose Pillar Karnak Painted Pharoah Granite carved lilly lotus early light is located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This colourful pillar is one of two erected by Thutmosis 111 in front of the barque sanctuary in the Great Temple of Amun painted and carved with the heraldic plants representing the lily or lotus flower of Upper Egypt and the papyrus of Lower. He also who made considerable contributions to the construction of the Karnak complex with pylons, obelisks, one of which still stands, and a Festival Hall. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, Thutmosis, Thutmose, 111, pillar, pillars, two, heraldic, barque, sanctuary, Amun, precinct, lily, lotus, Upper, flower, papyrus, Lower, plants, colours, painted, colors, history, archaeology, ancient, Egyptology, carvings, blocks, cartouche, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light
Karnak Temple SS984633jhp Thutmose Pillar Karnak colours Pharoah Granite Hatshepsut Obelisk sunrise Egypt is located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This colourful pillar is one of two erected by Thutmosis 111 in front of the barque sanctuary in the Great Temple of Amun painted and carved with the heraldic plants representing the lily or lotus flower of Upper Egypt and the papyrus of Lower. He also who made considerable contributions to the construction of the Karnak complex with pylons, obelisks, one of which still stands, and a Festival Hall. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, Thutmosis, Thutmose, 111, pillar, pillars, two, heraldic, barque, sanctuary, Amun, precinct, lily, Upper, flower, papyrus, Lower, plants, colours, painted, colors, history, archaeology, ancient, Egyptology, carvings, blocks, cartouche, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light
Karnak Temple SS984631jhp Thutmosis Pillar Karnak central court Granite Hatshepsut Obelisks sunrise Egypt is located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This colourful pillar is one of two erected by Thutmosis 111 in front of the barque sanctuary in the Great Temple of Amun painted and carved with the heraldic plants representing the lily or lotus flower of Upper Egypt and the papyrus of Lower. He also who made considerable contributions to the construction of the Karnak complex with pylons, obelisks, one of which still stands, and a Festival Hall. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, Thutmosis, Thutmose, 111, pillar, pillars, two, heraldic, barque, sanctuary, Amun, precinct, lily, Upper, flower, papyrus, Lower, plants, colours, painted, colors, history, archaeology, ancient, Egyptology, carvings, blocks, cartouche, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light
Karnak Temple SS984630jhp Karnak Temple Egypt Sanctuary central court dawn hypostyle slab altar near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph is looking back into the main area of the temple from the central court area, now a large open space in front of unusual Festival Hall of Thutmose 111. The figure is standing looking into the inner sanctum, the Granite Sanctuary of Philip Arrhidaeus who ruled briefly after the death of Alexander the Great. The obelisk is that of Hatshepsut while the smaller one on the left is that of Thutmosis 1. The distant view goes beyond the Processional Way of the Hypostyle hall, through the western Pylon, over the River Nile to the distant west bank Theban hills. In the foreground are the truncated columns of an area which was one of the oldest areas of Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, upright, Thutmosis, Thutmose, festival, hall, barque, sanctuary, Granite, Philip, Arrhidaeus, inner, sanctum, sixth, pylon, colours, painted, colors, history, archaeology, ancient, Egyptology, column, bases, obelisks, Hatshepsut, hypostyle, hall, Theban, hills, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light
Karnak Temple SS98462jhp Hypostyle Hall Reliefs Karnak Egyptian Temple Columns Roof dawn light carving hieroglyphics taken no long after dawn with bright sunlight streaming into the hall. A visit to Karnak is on a huge sprawling a site located near Luxor City centre on the East Bank of the River Nile and it is the largest religious complex on the Nile. This is the most famous and awesome part of The Great Temple of Amun, the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today despite lacking in overall perfection is still overwhelming in its scale. This photo is taken from inside the great columned hall and where diminutive figures appear one can gauge the huge scale and fantastic workmanship of the skilled builders who worked with basic tools and no modern mechanical equipment. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, processional, way, clerestory, papyrus, bud, capitals, windows, hieroglyphs, deep, cut, windows, painted, roof, sanctuary, gateway, outer, wall, south, entrance, Seti 1, Sethos, Ramses, Ramasses, Ramesses, Amun-Re, obelisks, evening, late, afternoon, sandstorm, sunshine, golden, poor, light, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light
Karnak Temple SS984627jhp Karnak Temple Egyptian Obelisk dawn sunrise central court pillared room towards processional way near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph is looking back into the main area of the temple from the central court area, now a large open space in front of unusual Festival Hall of Thutmose 111. The figure is standing looking into the inner sanctum, the Granite Sanctuary of Philip Arrhidaeus who ruled briefly after the death of Alexander the Great. The obelisk is that of Hatshepsut while the smaller one on the left is that of Thutmosis 1. The distant view goes beyond the Processional Way of the Hypostyle hall, through the western Pylon, over the River Nile to the distant west bank Theban hills. In the foreground are the truncated columns of an area which was one of the oldest areas of Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, upright, Thutmosis, Thutmose, festival, hall, barque, sanctuary, Granite, Philip, Arrhidaeus, inner, sanctum, sixth, pylon, colours, painted, colors, history, archaeology, ancient, Egyptology, column, bases, obelisks, Hatshepsut, hypostyle, hall, Theban, hills, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light
Karnak Temple SS984626jhp Karnak Temple Egypt Obelisk dawn sunrise central court towards processional way near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph is looking back into the main area of the temple from the central court area, now a large open space in front of unusual Festival Hall of Thutmose 111. The figure is standing looking into the inner sanctum, the Granite Sanctuary of Philip Arrhidaeus who ruled briefly after the death of Alexander the Great. The obelisk is that of Hatshepsut while the smaller one on the left is that of Thutmosis 1. The distant view goes beyond the Processional Way of the Hypostyle hall, through the western Pylon, over the River Nile to the distant west bank Theban hills. In the foreground are the truncated columns of an area which was one of the oldest areas of Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, upright, Thutmosis, Thutmose, festival, hall, barque, sanctuary, Granite, Philip, Arrhidaeus, inner, sanctum, sixth, pylon, colours, painted, colors, history, archaeology, ancient, Egyptology, column, bases, obelisks, Hatshepsut, hypostyle, hall, Theban, hills, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light
Karnak Temple SS984625jhp Karnak Temple Egyptian Obelisk dawn sunrise central court pillared room towards processional way near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph is looking back into the main area of the temple from the central court area, now a large open space in front of unusual Festival Hall of Thutmose 111. The figure is standing looking into the inner sanctum, the Granite Sanctuary of Philip Arrhidaeus who ruled briefly after the death of Alexander the Great. The obelisk is that of Hatshepsut while the smaller one on the left is that of Thutmosis 1. The distant view goes beyond the Processional Way of the Hypostyle hall, through the western Pylon, over the River Nile to the distant west bank Theban hills. In the foreground are the truncated columns of an area which was one of the oldest areas of Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, upright, Thutmosis, Thutmose, festival, hall, barque, sanctuary, Granite, Philip, Arrhidaeus, inner, sanctum, sixth, pylon, colours, painted, colors, history, archaeology, ancient, Egyptology, column, bases, obelisks, Hatshepsut, hypostyle, hall, Theban, hills, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light
Karnak Temple SS984622jhp Karnak Temple storage rescued obelisks dawn sunrise winter light palm tree located on the transverse axis south from the main central area between the eighth and tenth pylons and the boundaries of Khonsu temple in this large site near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The in fill from many Atenist temples has been removed particularly from the inside of the ninth pylon and much of the area around the eighth to tenth pylons is largely covered in various blocks of variously decorated stone all eventually waiting new homes in restored chapels such as that of Hatshepsut's Chapelle Rouge in the Open Air Museum. In the distance at the obelisks of Thutmose 1 and Queen or King Hatshepsut. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, pylon, obelisks, obelisk, Thutmose, Hatshepsut, gate, ninth, south, face, front, transverse, axis, usurped, restoration, history, archaeology, ancient, Egyptology, limestone, hieroglyphs, hieroglyphics, nu, niwt, city, town, walled, crossroads, cartouche, carved, Atenist, building, material, infill, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light
Karnak Temple SS984621jhp Karnak Temple south hypostyle hall obelisks dawn sunrise golden light located on the transverse axis south from the main central area between the eighth and tenth pylons and the boundaries of Khonsu temple in this large site near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The in fill from many Atenist temples has been removed particularly from the inside of the ninth pylon and much of the area around the eighth to tenth pylons is largely covered in various blocks of variously decorated stone all eventually waiting new homes in restored chapels such as that of Hatshepsut's Chapelle Rouge in the Open Air Museum. In the distance at the obelisks of Thutmose 1 and Queen or King Hatshepsut. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, pylon, obelisks, obelisk, Thutmose, Hatshepsut, gate, ninth, south, face, front, transverse, axis, usurped, restoration, history, archaeology, ancient, Egyptology, limestone, hieroglyphs, hieroglyphics, nu, niwt, city, town, walled, crossroads, cartouche, carved, Atenist, building, material, infill, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light
Karnak Temple SS984618jhp Karnak Temple south salvaged blocks obelisks dawn sunrise pylon seventh located on the transverse axis south from the main central area between the eighth and tenth pylons and the boundaries of Khonsu temple in this large site near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The in fill from many Atenist temples has been removed particularly from the inside of the ninth pylon and much of the area around the eighth to tenth pylons is largely covered in various blocks of variously decorated stone all eventually waiting new homes in restored chapels such as that of Hatshepsut's Chapelle Rouge in the Open Air Museum. In the distance at the obelisks of Thutmose 1 and Queen or King Hatshepsut. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, upright, pylon, obelisks, obelisk, Thutmose, Thutmosis, Hatshepsut, gate, ninth, south, face, front, transverse, axis, usurped, restoration, history, archaeology, ancient, Egyptology, limestone, hieroglyphs, hieroglyphics, nu, niwt, city, town, walled, crossroads, cartouche, carved, Atenist, building, material, infill, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light
Karnak Temple SS98469jhp Karnak Temple Pylon Courtyard Mudbrick Ramps Egypt morning light back first is located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. In this photo are the remains of construction mudbrick ramps in the first court behind the first pylon, which appear to have been left behind. The temple complex started from the centre and this area of construction, partly unfinished, was a much later phase possibly during the reign of Nectanebo 1 around 370BC. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, pylon, interior, mudbrick, ramps, remains, unfinished, building, construction, methods, history, archaeology, ancient, Egyptology, hieroglyphics, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light
Karnak Temple SS98468jhp Karnak Temple Pylon Interior Mudbrick Ramps Remains Egypt dawn light is located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. In this photo are the remains of construction mudbrick ramps in the first court behind the first pylon, which appear to have been left behind. The temple complex started from the centre and this area of construction, partly unfinished, was a much later phase possibly during the reign of Nectanebo 1 around 370BC. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, pylon, interior, mudbrick, ramps, remains, unfinished, building, construction, methods, history, archaeology, ancient, Egyptology, hieroglyphics, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light
Karnak Temple SS98467jhp Karnak Temple Egypt Hypostyle Hall Taharqa Kiosk sunrise backlit sphinx dawn greets the visitor after entering through the first Pylon when visiting this famous site located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This is a typical scene in the first court after entering through the main entrance of the first pylon with the remains of the pillared kiosk of Taharqa in a single papyrus column and the large block of alabaster, possible a barque station. Beyond is the second pylon with its decorated front and the beginning of the famous hypostyle hall leading to the distant obelisks and inner sanctuary. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs. Keywords: Egypt, Egyptian, Karnak, Temple, East Bank, Thebes, Waset, Ipetisut, holiday, landscape, upright, tourists, dawn, sunbeams, backlit, visitors, kiosk, papyrus, column, alabaster, altar, barque, station, cruise, history, archaeology, ancient, Egyptology, obelisk, court, hypostyle hall, columns, kiosk, Taharqa, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light
Karnak Temple SS98466jhp Karnak Temple Egyptian Hypostyle Hall Taharqa Kiosk dawn silhouette colonnade greets the visitor after entering through the first Pylon when visiting this famous site located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This is a typical scene in the first court after entering through the main entrance of the first pylon with the remains of the pillared kiosk of Taharqa in a single papyrus column and the large block of alabaster, possible a barque station. Beyond is the second pylon with its decorated front and the beginning of the famous hypostyle hall leading to the distant obelisks and inner sanctuary. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs. Keywords: Egypt, Egyptian, Karnak, Temple, East Bank, Thebes, Waset, Ipetisut, holiday, landscape, upright, tourists, dawn, sunbeams, backlit, visitors, kiosk, papyrus, column, alabaster, altar, barque, station, cruise, history, archaeology, ancient, Egyptology, obelisk, court, hypostyle hall, columns, kiosk, Taharqa, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light
Karnak Temple SS98464jhp Karnak Temple Egypt second pylon Taharqa Kiosk dawn silhouette sphinx sunrise greets the visitor after entering through the first Pylon when visiting this famous site located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This is a typical scene in the first court after entering through the main entrance of the first pylon with the remains of the pillared kiosk of Taharqa in a single papyrus column and the large block of alabaster, possible a barque station. Beyond is the second pylon with its decorated front and the beginning of the famous hypostyle hall leading to the distant obelisks and inner sanctuary. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs. Keywords: Egypt, Egyptian, Karnak, Temple, East Bank, Thebes, Waset, Ipetisut, holiday, landscape, upright, tourists, dawn, sunbeams, backlit, visitors, kiosk, papyrus, column, alabaster, altar, barque, station, cruise, history, archaeology, ancient, Egyptology, obelisk, court, hypostyle hall, columns, kiosk, Taharqa, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light
Karnak Temple SS984617jhp Hypostyle Hall Outer carvings prisoners Karnak Temple South sunrise dawn light highlighting carving at this site located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The most famous and awesome part of The Great Temple of Amun is the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today greatly lacking in perfection is still overwhelming in its scale. This photo is taken from the outside of the hall on the southern side of the Temple where most of the inscriptions are related to Ramesses 11 and his various military campaigns in Palestine, charging fortresses, cities, binding captives and the hall is viewed from his gate on this side. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs. These photos are taken in dying evening light after a sandstorm so rather flat and golden subdued light but still gives sufficient shadow outline on the sunken carvings. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, archaeology, ancient, Egyptology, hieroglyphics, hieroglyphs, sandstone, hypostyle, hall, columns, carvings, reliefs, deep, cut, windows, painted, roof, sanctuary, gateway, outer, wall, South, gate, military, campaigns, Palestine, Kadesh, chariots, horses, charging, cartouches, names, cities, defeated, captured, prisoners, captives, binding, Amun, Ramses, Ramasses, Ramesses, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light
Karnak Temple SS984615jhp Carved block Khonsu ankhs Temple dawn sunrise Karnak Egyptian golden light, on south side of the First Forecourt where it has been joined into the complex having once stood isolated near the Pylon. This photo is of a carved block near the exterior walls at the east corner which is accessed either through the Bubastite Portal or walking back from Khonsu Temple or perhaps the Sacred Lake. It is now an integral part of the largest religious complex on the East Bank of the River Nile at Luxor in Egypt but when first built would have been isolated as the first pylon of Nectanebo was constructed later. Ramesses 111 Temple was a barque shrine dedicated to Amun in his two most recognised forms, Amun-Re and Amun-re-Kamutef, King of the Gods and Karnak and who is before the harim. On the exterior walls on its western face it has a large scale scene of many boats as they might have been seen during the annual river procession along the Nile from Luxor Temple to Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Theban, Triad, Waset, Ipetisut, block, carved, landscape, Ramses, Ramesses, Ramasses, Amun, Amun-Re, Amun-Re-Kamutef, king, Gods, Ptah, Khonsu, Harim, Harem, barque, shrine, Bubastite, temple, wall, reliefs, bas reliefs, two, plumes, crown, headdress, disc, ankh, life, was-sceptre, well-being, happiness, carvings, preserved, clear, sharp, palm, trees, fronds, framing, water, procession, boats, barques, oars, oarsmen, sails, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light
Karnak Temple SS984614jhp Hypostyle Hall Outer Wall Reliefs Karnak Temple South dawn sunrise carving a site located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The most famous and awesome part of The Great Temple of Amun is the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today greatly lacking in perfection is still overwhelming in its scale. This photo is taken from the outside of the hall on the southern side of the Temple where most of the inscriptions are related to Ramesses 11 and his various military campaigns in Palestine, charging fortresses, cities, binding captives and the hall is viewed from his gate on this side. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, archaeology, ancient, Egyptology, hieroglyphics, hieroglyphs, sandstone, hypostyle, hall, columns, carvings, reliefs, deep, cut, windows, painted, roof, sanctuary, gateway, outer, wall, South, gate, military, campaigns, Palestine, Kadesh, chariots, horses, charging, cartouches, names, cities, defeated, captured, prisoners, captives, binding, Amun, Ramses, Ramasses, Ramesses, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light
Karnak Temple SS984613jhp Exterior wall reliefs Temple Ramses dawn sunrise Karnak Luxor Egypt, on south side of the First Forecourt where it has been joined into the complex having once stood isolated near the Pylon. This photo is of the exterior walls at the east corner which is accessed either through the Bubastite Portal or walking back from Khonsu Temple or perhaps the Sacred Lake. It is now an integral part of the largest religious complex on the East Bank of the River Nile at Luxor in Egypt but when first built would have been isolated as the first pylon of Nectanebo was constructed later. Ramesses 111 Temple was a barque shrine dedicated to Amun in his two most recognised forms, Amun-Re and Amun-re-Kamutef, King of the Gods and Karnak and who is before the harim. On the exterior walls on its western face it has a large scale scene of many boats as they might have been seen during the annual river procession along the Nile from Luxor Temple to Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Theban, Triad, Waset, Ipetisut, Ramses, Ramesses, Ramasses, Amun, Amun-Re, Amun-Re-Kamutef, king, Gods, Ptah, Khonsu, Harim, Harem, barque, shrine, Bubastite, temple, wall, reliefs, bas reliefs, two, plumes, crown, headdress, disc, ankh, life, was-sceptre, well-being, happiness, carvings, preserved, clear, sharp, palm, trees, fronds, framing, water, procession, boats, barques, oars, oarsmen, sails, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light
Karnak Temple SS984611jhp Outer wall reliefs Temple Ramasses dawn sunrise Karnak Egypt golden light, on south side of the First Forecourt where it has been joined into the complex having once stood isolated near the Pylon. This photo is of the exterior walls at the east corner which is accessed either through the Bubastite Portal or walking back from Khonsu Temple or perhaps the Sacred Lake. It is now an integral part of the largest religious complex on the East Bank of the River Nile at Luxor in Egypt but when first built would have been isolated as the first pylon of Nectanebo was constructed later. Ramesses 111 Temple was a barque shrine dedicated to Amun in his two most recognised forms, Amun-Re and Amun-re-Kamutef, King of the Gods and Karnak and who is before the harim. On the exterior walls on its western face it has a large scale scene of many boats as they might have been seen during the annual river procession along the Nile from Luxor Temple to Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Theban, Triad, Waset, Ipetisut, upright, Ramses, Ramesses, Ramasses, Amun, Amun-Re, Amun-Re-Kamutef, king, Gods, Ptah, Khonsu, Harim, Harem, barque, shrine, Bubastite, temple, wall, reliefs, bas reliefs, two, plumes, crown, headdress, disc, ankh, life, was-sceptre, well-being, happiness, carvings, preserved, clear, sharp, palm, trees, fronds, framing, water, procession, boats, barques, oars, oarsmen, sails, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light
Karnak Temple SS98460jhp Hypostyle Hall Window sunrise golden light Karnak Egypt Temple Columns Roof carving hieroglyphics taken not long after dawn with golden sunlight creeping into the hall. A visit to Karnak is on a huge sprawling a site located near Luxor City centre on the East Bank of the River Nile and it is the largest religious complex on the Nile. This is the most famous and awesome part of The Great Temple of Amun, the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today despite lacking in overall perfection is still overwhelming in its scale. This photo is taken from inside the great columned hall and where diminutive figures appear one can gauge the huge scale and fantastic workmanship of the skilled builders who worked with basic tools and no modern mechanical equipment. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, processional, way, clerestory, papyrus, bud, capitals, windows, hieroglyphs, deep, cut, windows, painted, roof, sanctuary, gateway, outer, wall, south, entrance, Seti 1, Sethos, Ramses, Ramasses, Ramesses, Amun-Re, obelisks, evening, late, afternoon, sandstorm, sunshine, golden, poor, light, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light
Luxor Karnak Temple EG962004jhp Karnak Temple Eighth Pylon Seated Statues south face wire equipment front damaged located on the transverse axis south from the main central area in this large site near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This view is of the Eighth Pylon with its southern face dominated by five colossal figures from Amenhotep 1, the most complete and Amenhotep 11 while the two either side of the doorway are of Tuthmosis 11 and all were later restored by Tuthmosis 111 although all are now in very poor condition. The pylon was originally raised by Hatshepsut but subsequently her identity was removed as was the name of Amun which offended the heretic Pharaoh Akhenaten but later restored by Seti 1. The area around the eighth to tenth pylons is largely covered in various blocks of variously decorated stone all eventually waiting new homes in restored chapels such as that of Hatshepsut's Chapelle Rouge in the Open Air Museum. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, eighth, pylon, limestone, statues, damaged, broken, headless, Amenhotep 1, 11, Tuthmosis, 11, 111, Tuthmose, Hatshepsut, Sety 1, Sethos, Seti, court, history, archaeology, ancient, Egyptology, sandstone, blocks, Horus, carving, hieroglyphs, storage, obelisks, 1996, slide, film, 35mm, Fuji, RDP, Nikon, FM2, EG20, manual, scanned, scan
Luxor Karnak Temple EG962003jhp Karnak Egyptian Temple Eighth Pylon hypostyle hall broken blocks side view located on the transverse axis south from the main central area in this large site near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This view is of the Eighth Pylon with its southern face dominated by five colossal figures from Amenhotep 1, the most complete and Amenhotep 11 while the two either side of the doorway are of Tuthmosis 11 and all were later restored by Tuthmosis 111 although all are now in very poor condition. The pylon was originally raised by Hatshepsut but subsequently her identity was removed as was the name of Amun which offended the heretic Pharaoh Akhenaten but later restored by Seti 1. The area around the eighth to tenth pylons is largely covered in various blocks of variously decorated stone all eventually waiting new homes in restored chapels such as that of Hatshepsut's Chapelle Rouge in the Open Air Museum. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, eighth, pylon, view, hypostyle, first, limestone, statues, damaged, broken, headless, Amenhotep 1, 11, Tuthmosis, 11, 111, Tuthmose, Hatshepsut, Sety 1, Sethos, Seti, court, history, archaeology, ancient, Egyptology, sandstone, blocks, Horus, carving, hieroglyphs, storage, obelisks, 1996, slide, film, 35mm, Fuji, RDP, Nikon, FM2, EG20, manual, scanned, scan
Luxor Karnak Temple EG949519jhp Hypostyle Hall Reliefs Karnak Egypt Temple Columns windows carving hieroglyphics taken in late afternoon light unfortunately during a sand storm so the general light was very poor. This early part of a visit to Karnak is on a huge sprawling a site located near Luxor City centre on the East Bank of the River Nile and it is the largest religious complex on the Nile. This is the most famous and awesome part of The Great Temple of Amun, the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today despite lacking in overall perfection is still overwhelming in its scale. This photo is taken from inside the great columned hall and where diminutive figures appear one can gauge the huge scale and fantastic workmanship of the skilled builders who worked with basic tools and no modern mechanical equipment. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, processional, way, clerestory, papyrus, bud, capitals, windows, hieroglyphs, deep, cut, windows, painted, roof, sanctuary, gateway, outer, wall, south, entrance, Seti 1, Sethos, Ramses, Ramasses, Ramesses, Amun-Re, obelisks, evening, late, afternoon, sandstorm, sunshine, golden, poor, light, 1994, slide, film, Fuji, RDP, Nikon, FM2, manual, scanned, scan

Egypt > Kom Ombo Temple (22 files)

Pictures in this gallery are of Kom Ombo Temple located by The River Nile North Of Aswan
Kom Ombo EG20435jhp Kom Ombo Temple Nile Egypt rare high view Jim Henderson Photo of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG20434jhp Kom Ombo Temple River Nile Egypt rare high view upstream vista of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG20433jhp Kom Ombo Temple Nile Egyptian rare high view downstream overview of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204331jhp Kom Ombo museum blocks Egyptian hieroglyphs beautiful iconic symbols carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, Horus, falcon, God, snakes, bread, symbols, grammar, folded, cloth, three, sprays, means, last, oryx, animal, horns, staff, language, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204330jhp Kom Ombo museum blocks Egypt hieroglyphics many symbols sharp carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, upright, owl, village, crossraods, cross, symbol, circle, three, sprays, legs, means, last, scared, cow, disk, horns, head, infuriated, bull, rage, water, ripple, flowering, reed, legs, backward, ankh, D'jed, eye, basket, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204329jhp Kom Ombo Ancient Egypt hieroglyphics deep cut owl seated woman of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204328jhp Kom Ombo Ancient Egyptian hieroglyphs deep cut sharp symbols seated God of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, seated, God, star, ankh, legs, walking, backwards, turnback, retreat, reversed, grammar, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204327jhp Kom Ombo Temple Egyptian hieroglyphics carvings clear symbols owl woman seated of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204324jhp Kom Ombo Temple Egyptian hieroglyphs carved block symbols reed sedge D'jed of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, carvings, language, ibis, Thoth, God, pillar, bundle, noble, seated, revered, mouth, wicker, work, basket, wick, twisted, flax, milk, jug, net, lung, windpipe, grammar, landscape, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204323jhp Kom Ombo Temple Egypt hieroglyphs carvings blocks Wadjet Nekhet snake vulture of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, Wadjet, snake, Goddess, Nekhbet, vulture, Two, Ladies, Proectors, Lands history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204322jhp Kom Ombo Ptolemy Temple Egypt wall bas relief carvings detail rear hypostyle hall of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204321jhp Kom Ombo Temple Egypt cleaning restoring umbrella conservation painted reliefs of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204320jhp Kom Ombo Ptolemaic Temple River Nile Egyptian hypostle hall wall columns carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG20437jhp Kom Ombo Ptolemaic Temple River Nile Egypt hieroglyphs column carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204319jhp Kom Ombo sunny Temple Nile Egypt carved column large capitals floral hall of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204318jhp Kom Ombo morning Temple Nile Egypt columns large capitals floral hall carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204317jhp Kom Ombo interior Temple Nile Egypt columned hypostyle hall ceiling supports carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204316jhp Kom Ombo ruined Temple Nile Egypt columned hall ceiling supports carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204315jhp Kom Ombo Temple Nile Egypt columns broken colours painted carvings pylon of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204313jhp Kom Ombo Temple Nile Egyptian columns broken restored painted carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204312jhp Kom Ombo Temple Nile Egyptian hieroglyphs Hathor Ptolemy Horus painted carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204310jhp Kom Ombo Temple River Nile Egypt hieroglyphs hall Sobek Horus carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000

Egypt > Lake Nasser (18 files)

This gallery will contain photos of the sites visited on cruises of Lake Nasser from Kasr Imbrim in the south, Amada, Derr Tomb, Pennuit, El Seboua, Dakka, Maharraka, Qertassi and Kalabsha near Aswan.
Kalabsha Aswan EG20339jhp Kalabsha Temple entrance gate winged lintel Aswan Lake Nasser relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing. Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, upright, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Kalabsha Aswan EG20337jhp Kalabsha Temple Aswan Lake Nasser Qertasi Qirtasi tourists Hathor relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing. Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Kalabsha Aswan EG20336jhp Kalabsha Temple open air museum drawing elephant large prehistoric Egyptian Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing. Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Kalabsha Aswan EG20335jhp Kalabsha Temple open air museum drawing antelope gazelle prehistoric Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing. Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, upright, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Kalabsha Aswan EG20334jhp Kalabsha Temple Aswan Lake Nasser open air museum stele heiroglyphs relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing. Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, upright, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Kalabsha Aswan EG20332jhp Kalabsha Temple Beit el-Wali Ramses chariot action bow relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple of Beit el-Wali from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing. Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, upright, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Kalabsha Aswan EG20331jhp Kalabsha Temple high view rear Aswan Lake Nasser cruiseboat relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing. Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Kalabsha Aswan EG203317jhp Kalabsha Kiosk Qertassi Qirtasi Hathor capitals sandy walk Lake Nasser relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing. Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, upright, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Kalabsha Aswan EG203316jhp Kalabsha Temple Lake high view pylon hypostyle hall columns capitals Egyptian Ptolemaic Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing. Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, upright, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Kalabsha Aswan EG203315jhp Kalabsha Temple Lake Nasser high view pylon hypostyle hall Egypt Ptolemaic Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing. Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Kalabsha Aswan EG203314jhp Kalabsha Temple ambulatory hypostyle hall walls sandstone blocks gate doors Aswan Lake Nasser relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing. Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, upright, ambulatory, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Kalabsha Aswan EG203313jhp Kalabsha Temple wall carving plaque Mandulis Greek God king Aswan Lake Nasser relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing. Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Kalabsha Aswan EG203312jhp Kalabsha Temple wall carvings Augustus Gods Isis Horus Mandulis relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing. Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Kalabsha Aswan EG202836jhp Kalabsha Temple Aswan Lake Nasser Qirtasi rocks sand shore view relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing. Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Kalabsha Aswan EG202836Ejhp Kalabsha Temple Lake Nasser rocky shoreline crewmen bow cruiseboat berth sand landing relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing. Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, upright, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Kalabsha Aswan EG202835jhp Kalabsha Temple Lake view Nasser Qertasi rocky shoreline crewman landing relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing. Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, upright, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Kalabsha Aswan EG202833jhp Kalabsha Temple Aswan Lake view Nasser Qertasi rocky shoreline desert relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing. Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Kalabsha Aswan EG202831jhp Kalabsha Temple Aswan Lake Nasser High Dam Crown Monument lakeside relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing. Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Egypt > Luxor City & Misc West Bank (7 files)

Images in this gallery cover modern Luxor, general agriculture and photos not specific to other groups such as the recent excavations of the Sphinx Avenue, the alabaster factory and workers and the residential houses bordering the various roads to the main sites. It also includes the balloon flights and views from the balloon.
Luxor West Bank EG96720812jhp Egypt Luxor West Bank Qurna River Nile dates Hatshepsut crops green taken in 1994 so from near the ferry crossing at Qurna al-Gaddah which was the option in those days from getting across the Nile looking across this fertile plain to the Theban Hills and in the direction of Hatshepsut Temple. Today the preferred method for package tours for crossing the River Nile is by the new southern road bridge and then heading north and westwards towards the main ancient sites of the West Bank. The scene is also a reminder of the wealth that was the engine that created ancient Egypt because of the fertility bordering the River Nile caused by the annual inundations with the flood waters depositing fertile mud giving abundant food sufficient to feed the large transient labour force required to build these huge monuments from Giza, Memphis, Thebes and southwards to Abu Simbel. Today fertilisation of the river farmland is by artificial means and of course has an impact on the Egyptian import bills. Keywords: Egypt, Luxor, West, Bank, River, Nile, Theban, hills, holiday, travel, tourism, cruise, history, landscape, archaeology, Egyptology, temples, Hatshepsut, tombs, agriculture, Egyptians, farmers, farming, fields, mud, fertile, fertilisers, water, irrigation, crops, maize, corn, sugar, cane, donkeys, cattle, palm, trees, dates, vegetables, green, brown, tractors, ploughing, Qurna, landscape, 1994, slide, film, 35mm, format, Nikon, FM2, manual, daylight, scanned, scan
Luxor West Bank EG947629jhp Luxor Nile Balloons flight soaring Western desert landing hills Egypt after passing the several famous temples situated on the West Bank location of the Nile at Luxor. Apart from the main sites visited, in this general area are several Tombs of the Nobles which are usually privately organised visits but very well worth the time if you have a few days to spare in Luxor. The balloon flight illustrated here was in 1994 and there were only two although in later years these increased greatly in numbers. This trip took off from the front of Hatshepsut just after dawn, a cold and interesting crossing of the Nile in the dark and long before the modern road bridge and eventually landed in the desert where the Hilton Hotel put on a beautiful breakfast buffet. I understand in recent times the breakfast has come to a boxed meal probably eaten on the bus journey back to the hotel or cruiseboat. Keywords: Egypt, Egyptian, Luxor, Ramasseum, Temple, West, Bank, River Nile, Thebes, Qurnat, Murai, Shaykh 'Abd al-Qurnah, landscape, upright, people, history, archaeology, ancient, Egyptology, hieroglyphics, granite, Osiride, statue, broken, Shelley, Ozymandias, pylon, court, columns, base, hieroglyphs, Ramses, Ramasses, Ramesses, glowing, golden, sunlight, dawn, agriculture, farming, houses, tombs, Nobles, high, panorama, balloon, balloons, high, flying, soaring, 1994, slide, film, 35mm, format, scanned, scan, Nikon, FM2, manual
Luxor West Bank EG006718jhp Egypt Luxor West Bank Qurnet Murai Tombs Nobles mudbrick houses donkeys in an area that has undergone a huge change in recent years and domestic dwellings like this no longer exist. Through the work of the SCA the old houses of this area are being demolished and the modern occupants are be rehoused on new houses. After the removal of most of the houses an extensive exploration and survey of the area amongst the Tombs of the Nobles will be undertaken to identify any unidentified tombs while the various entrances to the existing tombs are being refurbished to make the area more accessible to visitors. Some of the better houses will be retained as part of a UNESCO sponsored museum as part of the history and occupation of the West Bank. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, Old, Gurna, Qurna, Qurnah, village, relocation, removal, demolished, destruction, excavation, remapping, Qurnat, Mura’I, Shaykh, Abd al-Qurnah; Sheikh Abd, el-Qurna, Muslim, saint, tomb, chapel, necropolis, Tombs, Nobles, landscape, mudbrick, houses, donkeys, domestic, homes, hills, sand, rubble, stones, limestone, 2000, 35mm, slide, film, Nikon, FM2, manual, scanned, scan
Luxor West Bank EG006716jhp Egypt Luxor West Bank Qurnet Murai Tombs debris limestone stones pits in an area that has undergone a huge change in recent years and domestic dwellings like this no longer exist. Through the work of the SCA the old houses of this area are being demolished and the modern occupants are be rehoused on new houses. After the removal of most of the houses an extensive exploration and survey of the area amongst the Tombs of the Nobles will be undertaken to identify any unidentified tombs while the various entrances to the existing tombs are being refurbished to make the area more accessible to visitors. Some of the better houses will be retained as part of a UNESCO sponsored museum as part of the history and occupation of the West Bank. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, Old, Gurna, Qurna, Qurnah, village, relocation, removal, demolished, destruction, excavation, remapping, Qurnat, Mura’I, Shaykh, Abd al-Qurnah; Sheikh Abd, el-Qurna, Muslim, saint, tomb, chapel, necropolis, Tombs, Nobles, landscape, mudbrick, houses, donkeys, domestic, homes, hills, sand, rubble, stones, limestone, 1996, 35mm, slide, film, Nikon, FM2, manual, scanned, scan
Luxor West Bank EG006715jhp Egyptian Luxor West Bank Tombs Nobles mudbrick house donkey traditional scene in an area that has undergone a huge change in recent years and domestic dwellings like this no longer exist. Through the work of the SCA the old houses of this area are being demolished and the modern occupants are be rehoused on new houses. After the removal of most of the houses an extensive exploration and survey of the area amongst the Tombs of the Nobles will be undertaken to identify any unidentified tombs while the various entrances to the existing tombs are being refurbished to make the area more accessible to visitors. Some of the better houses will be retained as part of a UNESCO sponsored museum as part of the history and occupation of the West Bank. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, Old, Gurna, Qurna, Qurnah, village, relocation, removal, demolished, destruction, excavation, remapping, Qurnat, Mura’I, Shaykh, Abd al-Qurnah; Sheikh Abd, el-Qurna, Muslim, saint, tomb, chapel, necropolis, Tombs, Nobles, landscape, mudbrick, houses, donkeys, domestic, homes, hills, sand, rubble, stones, limestone, 2000, 35mm, slide, film, Nikon, FM2, manual, scanned, scan
Luxor Alabaster EG006134jhp Egyptian Luxor alabaster carving working drawing worker traditional skill drawing outlines perhaps showing the many visitors to this part of ancient Egypt some of the techniques used by ancient Egyptians working alabaster crystal stone. These stops such as papyrus, perfumes, carpet making all give the visitor a chance to purchase souvenirs while no doubt imparting some idea of how the ancients did make the artefacts found in tombs. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, Gurna, Qurna, Qurnah, Qurnat, Mura’I, Shaykh, Abd al-Qurnah, Sheikh Abd, el-Qurna, alabaster, working, workers, galabea, clothes, men, techniques, skills, stone, factory, tourism, landscape, carved, plaster, head, tourist, trap, stopover, sell, buy, haggle, workers, Egyptians, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual
Luxor Alabaster EG006133jhp Egypt Luxor West Bank alabaster factory workers traditional skills scraping bowl perhaps showing the many visitors to this part of ancient Egypt some of the techniques used by ancient Egyptians working alabaster crystal stone. These stops such as papyrus, perfumes, carpet making all give the visitor a chance to purchase souvenirs while no doubt imparting some idea of how the ancients did make the artefacts found in tombs. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, Gurna, Qurna, Qurnah, Qurnat, Mura’I, Shaykh, Abd al-Qurnah, Sheikh Abd, el-Qurna, alabaster, working, workers, galabea, clothes, men, techniques, skills, stone, factory, tourism, landscape, upright, tourist, trap, stopover, sell, buy, haggle, workers, Egyptians, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual

Egypt > Luxor Deir el Medinah (10 files)

The pictures in this gallery are of the worker's village on the west bank of the River Nile at Luxor and the Ptolemaic Temple, the Great Pit and small chapels of Hathor and Amun
Deir el Medina EG05099jhp Deir el-Medina Ancient Egypt Ruins workers houses streets Qurnet Murai hill is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets, temples and chapels. The workers are known for their work in the Valley tombs which they reached walking over the Theban plateau. Most photographs show the streets, houses, interior with domestic bowls and grinding querns and others a general overview of the village with its tombs and rock tombs to the North West corner. There are also some exquisitely decorated underground tombs of which a couple are included in the entrance ticket. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, landscape, upright, Great, Pit, ostrakon, ostraca, Ramasseid, Graeco-Roman, Roman, house, workers, houses, tombs, pyramid, streets, walls, doorways, stairs, building, history, antiquity, ancient, archaeology, Egyptology, Deir, al-Madinah, el-Medina, Qurnet, Murai, Hill, Qurnat, Sheikh-Abd’el-Qurna, hills, pottery, pots, bowls, urns, plain, patterns, earthenware, fired, piles, thousands, shards, broken, mudbrick, pan, bedding, sloping, panning, wall, enclosure, Ptolemaic, Ptolemy, Temple, Amun, Hathor, Osiris, West, Ma’at, Imhotep, Amenhotpe, Ptolemy, Arsinoe, wife, face, capital, carvings, hieroglyphs, columns, ceiling, roof, interior, exterior, offering, scene, 2005, slide, film, 35mm, Fuji, Velvia, 50asa, Nikon, FM2, manual, scanned, scan
Deir el Medina EG05098jhp Deir el-Medina Ancient Egyptian Temple Hathor workers houses streets Qurnet Murai hill is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets, temples and chapels. The workers are known for their work in the Valley tombs which they reached walking over the Theban plateau. Most photographs show the streets, houses, interior with domestic bowls and grinding querns and others a general overview of the village with its tombs and rock tombs to the North West corner. There are also some exquisitely decorated underground tombs of which a couple are included in the entrance ticket. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, landscape, upright, Great, Pit, ostrakon, ostraca, Ramasseid, Graeco-Roman, Roman, house, workers, houses, tombs, pyramid, streets, walls, doorways, stairs, building, history, antiquity, ancient, archaeology, Egyptology, Deir, al-Madinah, el-Medina, Qurnet, Murai, Hill, Qurnat, Sheikh-Abd’el-Qurna, hills, pottery, pots, bowls, urns, plain, patterns, earthenware, fired, piles, thousands, shards, broken, mudbrick, pan, bedding, sloping, panning, wall, enclosure, Ptolemaic, Ptolemy, Temple, Amun, Hathor, Osiris, West, Ma’at, Imhotep, Amenhotpe, Ptolemy, Arsinoe, wife, face, capital, carvings, hieroglyphs, columns, ceiling, roof, interior, exterior, offering, scene, 2005, slide, film, 35mm, Fuji, Velvia, 50asa, Nikon, FM2, manual, scanned, scan
Deir el Medina EG05097jhp Deir al-Medinah Egypt Temple Hathor workers village houses streets Qurnet Murai hill is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets, temples and chapels. The workers are known for their work in the Valley tombs which they reached walking over the Theban plateau. Most photographs show the streets, houses, interior with domestic bowls and grinding querns and others a general overview of the village with its tombs and rock tombs to the North West corner. There are also some exquisitely decorated underground tombs of which a couple are included in the entrance ticket. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, landscape, Great, Pit, ostrakon, ostraca, Ramasseid, Graeco-Roman, Roman, house, workers, houses, tombs, pyramid, streets, walls, doorways, stairs, building, history, antiquity, ancient, archaeology, Egyptology, Deir, al-Madinah, el-Medina, Qurnet, Murai, Hill, Qurnat, Sheikh-Abd’el-Qurna, hills, pottery, pots, bowls, urns, plain, patterns, earthenware, fired, piles, thousands, shards, broken, mudbrick, pan, bedding, sloping, panning, wall, enclosure, Ptolemaic, Ptolemy, Temple, Amun, Hathor, Osiris, West, Ma’at, Imhotep, Amenhotpe, Ptolemy, Arsinoe, wife, face, capital, carvings, hieroglyphs, columns, ceiling, roof, interior, exterior, offering, scene, 2005, slide, film, 35mm, Fuji, Velvia, 50asa, Nikon, FM2, manual, scanned, scan
Deir el Medina EG050918jhp Deir el-Medina Luxor Ancient Egypt houses interiors stairs rooms streets walls is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets, temples and chapels. The workers are known for their work in the Valley tombs which they reached walking over the Theban plateau. Most photographs show the streets, houses, interior with domestic bowls and grinding querns and others a general overview of the village with its tombs and rock tombs to the North West corner. There are also some exquisitely decorated underground tombs of which a couple are included in the entrance ticket. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, landscape, upright, Great, Pit, ostrakon, ostraca, Ramasseid, Graeco-Roman, Roman, house, workers, houses, tombs, pyramid, streets, walls, doorways, stairs, building, history, antiquity, ancient, archaeology, Egyptology, Deir, al-Madinah, el-Medina, Qurnet, Murai, Hill, Qurnat, Sheikh-Abd’el-Qurna, hills, pottery, pots, bowls, urns, plain, patterns, earthenware, fired, piles, thousands, shards, broken, mudbrick, pan, bedding, sloping, panning, wall, enclosure, Ptolemaic, Ptolemy, Temple, Amun, Hathor, Osiris, West, Ma’at, Imhotep, Amenhotpe, Ptolemy, Arsinoe, wife, face, capital, carvings, hieroglyphs, columns, ceiling, roof, interior, exterior, offering, scene, 2005, slide, film, 35mm, Fuji, Velvia, 50asa, Nikon, FM2, manual, scanned, scan
Deir el Medina EG050917jhp Deir al-Medina Ancient Egypt Ruins workers house interior streets tombs is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets, temples and chapels. The workers are known for their work in the Valley tombs which they reached walking over the Theban plateau. Most photographs show the streets, houses, interior with domestic bowls and grinding querns and others a general overview of the village with its tombs and rock tombs to the North West corner. There are also some exquisitely decorated underground tombs of which a couple are included in the entrance ticket. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, landscape, upright, Great, Pit, ostrakon, ostraca, Ramasseid, Graeco-Roman, Roman, house, workers, houses, tombs, pyramid, streets, walls, doorways, stairs, building, history, antiquity, ancient, archaeology, Egyptology, Deir, al-Madinah, el-Medina, Qurnet, Murai, Hill, Qurnat, Sheikh-Abd’el-Qurna, hills, pottery, pots, bowls, urns, plain, patterns, earthenware, fired, piles, thousands, shards, broken, mudbrick, pan, bedding, sloping, panning, wall, enclosure, Ptolemaic, Ptolemy, Temple, Amun, Hathor, Osiris, West, Ma’at, Imhotep, Amenhotpe, Ptolemy, Arsinoe, wife, face, capital, carvings, hieroglyphs, columns, ceiling, roof, interior, exterior, offering, scene, 2005, slide, film, 35mm, Fuji, Velvia, 50asa, Nikon, FM2, manual, scanned, scan
Deir el Medina EG050916jhp Deir al-Medina Luxor panorama Ancient Egyptian workers village houses streets tombs is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets, temples and chapels. The workers are known for their work in the Valley tombs which they reached walking over the Theban plateau. Most photographs show the streets, houses, interior with domestic bowls and grinding querns and others a general overview of the village with its tombs and rock tombs to the North West corner. There are also some exquisitely decorated underground tombs of which a couple are included in the entrance ticket. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, landscape, Great, Pit, ostrakon, ostraca, Ramasseid, Graeco-Roman, Roman, house, workers, houses, tombs, pyramid, streets, walls, doorways, stairs, building, history, antiquity, ancient, archaeology, Egyptology, Deir, al-Madinah, el-Medina, Qurnet, Murai, Hill, Qurnat, Sheikh-Abd’el-Qurna, hills, pottery, pots, bowls, urns, plain, patterns, earthenware, fired, piles, thousands, shards, broken, mudbrick, pan, bedding, sloping, panning, wall, enclosure, Ptolemaic, Ptolemy, Temple, Amun, Hathor, Osiris, West, Ma’at, Imhotep, Amenhotpe, Ptolemy, Arsinoe, wife, face, capital, carvings, hieroglyphs, columns, ceiling, roof, interior, exterior, offering, scene, 2005, slide, film, 35mm, Fuji, Velvia, 50asa, Nikon, FM2, manual, scanned, scan
Deir el Medina EG050915jhp Deir al-Madinah West Bank Egypt workers village houses streets tombs is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets, temples and chapels. The workers are known for their work in the Valley tombs which they reached walking over the Theban plateau. Most photographs show the streets, houses, interior with domestic bowls and grinding querns and others a general overview of the village with its tombs and rock tombs to the North West corner. There are also some exquisitely decorated underground tombs of which a couple are included in the entrance ticket. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, landscape, Great, Pit, ostrakon, ostraca, Ramasseid, Graeco-Roman, Roman, house, workers, houses, tombs, pyramid, streets, walls, doorways, stairs, building, history, antiquity, ancient, archaeology, Egyptology, Deir, al-Madinah, el-Medina, Qurnet, Murai, Hill, Qurnat, Sheikh-Abd’el-Qurna, hills, pottery, pots, bowls, urns, plain, patterns, earthenware, fired, piles, thousands, shards, broken, mudbrick, pan, bedding, sloping, panning, wall, enclosure, Ptolemaic, Ptolemy, Temple, Amun, Hathor, Osiris, West, Ma’at, Imhotep, Amenhotpe, Ptolemy, Arsinoe, wife, face, capital, carvings, hieroglyphs, columns, ceiling, roof, interior, exterior, offering, scene, 2005, slide, film, 35mm, Fuji, Velvia, 50asa, Nikon, FM2, manual, scanned, scan
Deir el Medina EG050914jhp Deir al-Medina Luxor Egypt vistors centre workers village houses streets vista is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets, temples and chapels. The workers are known for their work in the Valley tombs which they reached walking over the Theban plateau. Most photographs show the streets, houses, interior with domestic bowls and grinding querns and others a general overview of the village with its tombs and rock tombs to the North West corner. There are also some exquisitely decorated underground tombs of which a couple are included in the entrance ticket. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, landscape, Great, Pit, ostrakon, ostraca, Ramasseid, Graeco-Roman, Roman, house, workers, houses, tombs, pyramid, streets, walls, doorways, stairs, building, history, antiquity, ancient, archaeology, Egyptology, Deir, al-Madinah, el-Medina, Qurnet, Murai, Hill, Qurnat, Sheikh-Abd’el-Qurna, hills, pottery, pots, bowls, urns, plain, patterns, earthenware, fired, piles, thousands, shards, broken, mudbrick, pan, bedding, sloping, panning, wall, enclosure, Ptolemaic, Ptolemy, Temple, Amun, Hathor, Osiris, West, Ma’at, Imhotep, Amenhotpe, Ptolemy, Arsinoe, wife, face, capital, carvings, hieroglyphs, columns, ceiling, roof, interior, exterior, offering, scene, 2005, slide, film, 35mm, Fuji, Velvia, 50asa, Nikon, FM2, manual, scanned, scan
Deir el Medina EG050913jhp Deir el-Medina Luxor Ancient Egypt Temple mudbrick pan bedding walls is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets, temples and chapels. The workers are known for their work in the Valley tombs which they reached walking over the Theban plateau. Most photographs show the streets, houses, interior with domestic bowls and grinding querns and others a general overview of the village with its tombs and rock tombs to the North West corner. There are also some exquisitely decorated underground tombs of which a couple are included in the entrance ticket. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, landscape, upright, Great, Pit, ostrakon, ostraca, Ramasseid, Graeco-Roman, Roman, house, workers, houses, tombs, pyramid, streets, walls, doorways, stairs, building, history, antiquity, ancient, archaeology, Egyptology, Deir, al-Madinah, el-Medina, Qurnet, Murai, Hill, Qurnat, Sheikh-Abd’el-Qurna, hills, pottery, pots, bowls, urns, plain, patterns, earthenware, fired, piles, thousands, shards, broken, mudbrick, pan, bedding, sloping, panning, wall, enclosure, Ptolemaic, Ptolemy, Temple, Amun, Hathor, Osiris, West, Ma’at, Imhotep, Amenhotpe, Ptolemy, Arsinoe, wife, face, capital, carvings, hieroglyphs, columns, ceiling, roof, interior, exterior, offering, scene, 2005, slide, film, 35mm, Fuji, Velvia, 50asa, Nikon, FM2, manual, scanned, scan
Deir el Medina EG050912jhp Deir al-Medinah Egyptian Temple Hathor mudbrick walls workers village Theban hill is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets, temples and chapels. The workers are known for their work in the Valley tombs which they reached walking over the Theban plateau. Most photographs show the streets, houses, interior with domestic bowls and grinding querns and others a general overview of the village with its tombs and rock tombs to the North West corner. There are also some exquisitely decorated underground tombs of which a couple are included in the entrance ticket. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, landscape, upright, Great, Pit, ostrakon, ostraca, Ramasseid, Graeco-Roman, Roman, house, workers, houses, tombs, pyramid, streets, walls, doorways, stairs, building, history, antiquity, ancient, archaeology, Egyptology, Deir, al-Madinah, el-Medina, Qurnet, Murai, Hill, Qurnat, Sheikh-Abd’el-Qurna, hills, pottery, pots, bowls, urns, plain, patterns, earthenware, fired, piles, thousands, shards, broken, mudbrick, pan, bedding, sloping, panning, wall, enclosure, Ptolemaic, Ptolemy, Temple, Amun, Hathor, Osiris, West, Ma’at, Imhotep, Amenhotpe, Ptolemy, Arsinoe, wife, face, capital, carvings, hieroglyphs, columns, ceiling, roof, interior, exterior, offering, scene, 2005, slide, film, 35mm, Fuji, Velvia, 50asa, Nikon, FM2, manual, scanned, scan

Egypt > Luxor Merneptah Temple (1 file)

Photos of the recently opened Temple of Merneptah site on West Bank at Luxor with coloured reliefs, open air museum exhibits and interior carvings and paintings.
Merenptah EG050919jhp Egyptian Merneptah Merenptah pharaoh statue legs carving West Bank Luxor museum photo of this open air museum site an Egyptian Pharaoh who reigned around 1212-1202BC, son of Ramasses 11, is on the West Bank of the Nile at Luxor and this photo was taken from the main West bank road looking towards the River Nile and with the Ramasseum towards the extreme left. A new museum and some excavated parts of his temple were opened in 2005. It is a mixture of open air and covered museum exhibits with some remains of the temple area with column bases. Some of the coloured wall reliefs are exquisite and because of the natural light available were easily photographed despite being inside. There is also a replica of the famous Israeli Stele, the original being in the Cairo Museum. This is a visit that would have to made outwith the usual West Bank package tour although easily arranged and is easily found next to the Ramasseum. Keywords: Egypt, Luxor, Thebes, West, Bank, River, Nile, temple, mortuary, Qurna, Merneptah, Merenptah, pharaoh, 1212BC, landscape, upright, mudbrick, pylon, ruins, walls, foundations, history, ancient, Egyptian, antiquity, archaeology, Egyptology, restoration, excavation, museum, wall, reliefs, paintings, colourful, colorful, colours, colors, evening, light, fertile, crops, roadside, view, Ramasseum, Ramses, son, Ramasses, 2005, slide, film, 35mm, Fuji, Velvia, 50asa, Nikon, FM2, manual, scanned, scan

Egypt > Luxor Nobles Tombs (1 file)

Photographs in this gallery are of the various Tombs of the Nobles on the West Bank if the Nile at Luxor in the area called Qurnet Murai
Luxor Ramose Tomb EG9622210jhp Ancient Egypt Noble Ramose Tomb Relief women beautiful banquet guests flowers, one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Ramose Tomb-Chapel in the Lower Enclosure [Tomb 55] was a Vizier and Governor towards the end of the reign of Amenhotep 111 and beginning of the Amarna period of Akhenaten and this is reflected in the change of style of the reliefs in his tomb. This was the first Tomb of the Nobles I visited in 1994 and I have noticed a fading of the coloured funerary procession frieze in the top left-hand corner since then. The area around the Tombs, especially the approach to Ramose, has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Ramose, Vizier, governor, tomb, painting, style, naturalistic, women, guests, banquet, braided, hair, black, eye, makeup, beautiful, flowers, lotus, delicate, quality, classic, workings, outlines, grids, perspective, colourful, colorful, colours, colors, painted, artificial, light, natural, 1996, slide, film, 35mm, Nikon, FM2 manual, scanned, scan

Egypt > Luxor Ramasseum (2 files)

Photographs in this gallery relate to the mortuary Temple of Ramasses 11 on the West Bank of the River Nile at Luxor the so called Ramasseum
Ramasseum EG20364jhp Ramasseum Ramasses Ramses chariot horse action relief Egypt Luxor Thebes, situated at this West Bank location of the Nile at Luxor is Ramses 11 mortuary temple glowing in the late afternoon sunlight and in these photos the remains of the Hypostyle Hall on the south east side feature with the rear of the second pylon and the toppled statue of Ramasses 11 visible in the background when looking southwards to the First Pylon. Looking up into the ceiling of the Hypostyle Hall, its lintels and the papyriform painted open bell shaped capitals still showing original colour. Keywords: Egypt, Egyptian, Luxor, Ramasseum, Temple, West Bank, River Nile, Thebes, landscape, upright, first, pylon, court, second, hypostyle, hall, astronomical, room, column, base, columns, bases, papyriform, painted, open, bell, shaped, capitals, colours, colors, hieroglyphs, Ramses, Ramasses, Ramesses, history, archaeology, ancient, Egyptology, hieroglyphics, granite, Osiride, statue, broken, torso, seated, fallen, Shelley, Ozymandias, afternoon, sunlight, glowing, golden, warm, orange, sunlight, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Ramasseum EG20362jhp Ramasseum Statue Fallen hands rear second pylon Ramses Egypt Luxor broken situated at this West Bank location of the Nile at Luxor is Ramses 11 mortuary temple with its huge engaged Osiris statues of the pharaoh glowing in the late afternoon sunlight and on the right is the fallen seated granite statue of Ramses and a head that supposedly inspired Shelley's poem of Ozymandias with the first pylon in the distance. Keywords: Egypt, Egyptian, Luxor, Ramasseum, Temple, West Bank, River Nile, Thebes, landscape, upright, history, archaeology, ancient, Egyptology, hieroglyphics, granite, Osiride, statue, broken, Shelley, Ozymandias, pylon, court, columns, base, hands, hieroglyphs, Ramses, Ramasses, Ramesses, glowing, golden, sunlight, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Egypt > Luxor Temple (12 files)

Images in this gallery relate to the east bank of the Nile temple called Luxor Temple including night photos and the Avenue of Sphinxes
Luxor Temple EG947236jhp Luxor Temple ancient Egypt outer wall carvings battle scene Ramasses in evening light on the outer wall of this beautiful temple located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues that greet the visitor at the entrance to the first pylon. On the side of the huge black granite seats are carvings in excellent state of repair illustrating early the mythology of ancient Egypt, the Union of the Two Lands; Upper and Lower Egypt. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days. Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, outer, east, facing, wall, carvings, war, battle, scene, hypostyle, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, 1994, film, slide, Fuji, RDP, 35mm, scanned, scan, Nikon, FM2, manual
Luxor Temple EG00618jhp Luxor Temple ancient Egypt pylon colonnade Exterior Roman castrum columns located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues that greet the visitor at the entrance to the first pylon. On the side of the huge black granite seats are carvings in excellent state of repair illustrating early the mythology of ancient Egypt, the Union of the Two Lands; Upper and Lower Egypt. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days as well as the many contributions from various rulers right up to Roman, Christian and Muslim times. This photo is taken from the outside of the colonnade looking back to the rear of the pylon and peristyle court. To the left are a few small columns from the Roman castrum, a military complex with stone paved avenues and the streets defined by pillars. Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual
Luxor Temple EG00616jhp Luxor Temple Court Egypt Amenhotep peristyle columns broken carved papyrus-bud capitals, a glorious addition to the temple complex and the finest workmanship from the 18th Dynasty. Once it would have been covered and is still in generally good condition although some recent preservation work has been done because of the increasing water table. This photo was taken towards the end of the afternoon so hence it tends to be against the sun which sets over the West Bank. It can be a quiet time to visit the temple because most the main package tours have finished but also there is a lovely quality to the evening light casting a gentle golden glow over the limestone. Keywords: Egypt, Egyptian, Luxor, Luxor Temple, Temple, East Bank, River Nile, Thebes, landscape, carvings, court, sun, evening, afternoon, golden, light, peristyle, papyrus-bud, capitals, colonnade, Amenhotep 111, avenue, history, archaeology, ancient, Egyptology, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual
Luxor Temple EG00615jhp Luxor Temple Court Egyptian Amenhotep peristyle columns visitors scale shadows papyrus-bud capitals, a glorious addition to the temple complex and the finest workmanship from the 18th Dynasty. Once it would have been covered and is still in generally good condition although some recent preservation work has been done because of the increasing water table. This photo was taken towards the end of the afternoon so hence it tends to be against the sun which sets over the West Bank. It can be a quiet time to visit the temple because most the main package tours have finished but also there is a lovely quality to the evening light casting a gentle golden glow over the limestone. Keywords: Egypt, Egyptian, Luxor, Luxor Temple, Temple, East Bank, River Nile, Thebes, landscape, court, sun, evening, afternoon, golden, light, peristyle, papyrus-bud, capitals, colonnade, Amenhotep 111, avenue, history, archaeology, ancient, Egyptology, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual
Luxor Temple EG00614jhp Luxor Temple ancient Egypt granite statue seated Ramasses evening light columns cartouche wall carvings located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues that greet the visitor at the entrance to the first pylon. On the side of the huge black granite seats are carvings in excellent state of repair illustrating early the mythology of ancient Egypt, the Union of the Two Lands; Upper and Lower Egypt. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days. Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, upright, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual
Luxor Temple EG00613jhp Luxor Temple ancient Egyptian granite statue seated bearded Ramesses columns cartouche wall carvings located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues that greet the visitor at the entrance to the first pylon. On the side of the huge black granite seats are carvings in excellent state of repair illustrating early the mythology of ancient Egypt, the Union of the Two Lands; Upper and Lower Egypt. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days. Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, upright, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual
Luxor Temple EG00612jhp Luxor Temple Egypt pylon granite statues Ramasses obelisk entrance stairs located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues that greet the visitor at the entrance to the first pylon. On the side of the huge black granite seats are carvings in excellent state of repair illustrating early the mythology of ancient Egypt, the Union of the Two Lands; Upper and Lower Egypt. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days. Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, upright, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, entrance, ticket, office, stairs, evening, light, afternoon, Ramses, Ramesses, Ramasses, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual
Luxor Temple EG006116jhp Luxor Temple ancient Egypt granite statues Ramesses columns evening light golden glow guarding the north wall of the large peristyle court of Ramesses 11 and facing the River Nile. It is located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues that greet the visitor at the entrance to the first pylon. On the side of the huge black granite seats are carvings in excellent state of repair illustrating early the mythology of ancient Egypt, the Union of the Two Lands; Upper and Lower Egypt. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days. This photo is taken on the interior wall showing how the pylon first looked including large flagged poles, the two obelisks and the seated statues of Ramasses including standing figures of the Pharaoh as well. One of the obelisks and some of standing figures have all been given away, mainly to France. This photo is taken from the outside of the colonnade looking back to the rear of the pylon and peristyle court. Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, upright, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, standing, statues, damaged, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual
Luxor Temple EG006115jhp Luxor Temple ancient Egyptian pylon flags obelisks history recordedl carvings picture located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues that greet the visitor at the entrance to the first pylon. On the side of the huge black granite seats are carvings in excellent state of repair illustrating early the mythology of ancient Egypt, the Union of the Two Lands; Upper and Lower Egypt. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days. This photo is taken on the interior wall showing how the pylon first looked including large flagged poles, the two obelisks and the seated statues of Ramasses including standing figures of the Pharaoh as well. One of the obelisks and some of standing figures have all been given away, mainly to France. Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, interior, carving, relief, historical, record, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual
Luxor Temple EG006113jhp Luxor Temple Egyptian granite statue standing Ramesses rear cartouche carvings which faces the peristyle court inside the pylon in this beautiful temple located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues that greet the visitor at the entrance to the first pylon. On the side of the huge black granite seats are carvings in excellent state of repair illustrating early the mythology of ancient Egypt, the Union of the Two Lands; Upper and Lower Egypt. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days. This photo is taken on the interior wall showing how the pylon first looked including large flagged poles, the two obelisks and the seated statues of Ramasses including standing figures of the Pharaoh as well. One of the obelisks and some of standing figures have all been given away, mainly to France. Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, upright, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, cartouche, statue, standing, granite, carved, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual
Luxor Temple EG006112jhp Luxor Temple Egyptian granite statue seated side Ramasses carvings joined upper lower Egypt which sit outside the pylon in this beautiful temple located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues that greet the visitor at the entrance to the first pylon. On the side of the huge black granite seats are carvings in excellent state of repair illustrating early the mythology of ancient Egypt, the Union of the Two Lands; Upper and Lower Egypt. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days. This photo is taken on the interior wall showing how the pylon first looked including large flagged poles, the two obelisks and the seated statues of Ramasses including standing figures of the Pharaoh as well. One of the obelisks and some of standing figures have all been given away, mainly to France. Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, upright, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, promenade, corniche, conservation, water-table, riverbank, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual, monumental, statues, seated, side panels, scenes, bas, reliefs, upper, lower, joined.
Luxor Temple EG006110jhp Luxor Temple Court Amenhotep peristyle style columns papyrus-bud capitals, a glorious addition to the temple complex and the finest workmanship from the 18th Dynasty. Once it would have been covered and is still in generally good condition although some recent preservation work has been done because of the increasing water table. This photo was taken towards the end of the afternoon so hence it tends to be against the sun which sets over the West Bank. It can be a quiet time to visit the temple because most the main package tours have finished but also there is a lovely quality to the evening light casting a gentle golden glow over the limestone. Keywords: Egypt, Egyptian, Luxor, Luxor Temple, Temple, East Bank, River Nile, Thebes, landscape, upright, court, sun, evening, afternoon, golden, light, peristyle, papyrus-bud, capitals, colonnade, Amenhotep 111, avenue, history, archaeology, ancient, Egyptology, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual

Egypt > Medinet Habu (27 files)

Pictures from the great Mortuary temple of Ramasses 111 called the Medinet Habu on the West Bank of the River Nile at Luxor
Medinet Habu EG206630ajhp Medinet Habu Temple Egyptian Pharaoh prisoners killing south wall afternoon light located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, upright, landscape, first, second, court, wall, column, reliefs, figures, pylon, palace, outer, walls, carvings, reliefs, battle, scenes, prisoners, killing, chariot, horse, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, gate, ceiling, winged, colors, colours, hieroglyphs, Osiride, statues, portico, 2000, slide, Fuji, RVP, Velvia, 35mm, format, film, scanned, scan, Nikon, FM2, manual
Medinet Habu EG206629ajhp Medinet Habu Temple Ramses battle prisoners killing south outer wall afternoon light located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, landscape, first, second, court, wall, column, reliefs, figures, pylon, palace, outer, walls, carvings, reliefs, battle, scenes, prisoners, killing, chariot, horse, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, gate, ceiling, winged, colors, colours, hieroglyphs, Osiride, statues, portico, 2000, slide, Fuji, RVP, Velvia, 35mm, format, film, scanned, scan, Nikon, FM2, manual
Medinet Habu EG206628ajhp Medinet Habu Temple Ramasses Pylon rear carving hunting bulls antelopes located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, upright, landscape, first, second, court, wall, column, reliefs, figures, pylon, palace, outer, walls, carvings, reliefs, battle, scenes, prisoners, killing, chariot, horse, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, gate, ceiling, winged, colors, colours, hieroglyphs, Osiride, statues, portico, 2000, slide, Fuji, RVP, Velvia, 35mm, format, film, scanned, scan, Nikon, FM2, manual
Medinet Habu EG206627ajhp Medinet Habu Palace gate second pylon outer wall south Egyptian Theban hill located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, landscape, first, second, court, wall, column, reliefs, figures, pylon, palace, outer, walls, carvings, reliefs, battle, scenes, prisoners, killing, chariot, horse, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, gate, ceiling, winged, colors, colours, hieroglyphs, Osiride, statues, portico, 2000, slide, Fuji, RVP, Velvia, 35mm, format, film, scanned, scan, Nikon, FM2, manual
Medinet Habu EG206626ajhp Medinet Habu Palace gate second pylon outside south Luxor Egypt located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, upright, landscape, first, second, court, wall, column, reliefs, figures, pylon, palace, outer, walls, carvings, reliefs, battle, scenes, prisoners, killing, chariot, horse, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, gate, ceiling, winged, colors, colours, hieroglyphs, Osiride, statues, portico, 2000, slide, Fuji, RVP, Velvia, 35mm, format, film, scanned, scan, Nikon, FM2, manual
Medinet Habu EG206625ajhp Medinet Habu Temple Mortuary Ramses outer wall scenes hunting north Egypt Thebes located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, landscape, first, court, wall, column, reliefs, figures, pylon, outer, walls, carvings, reliefs, battle, scenes, prisoners, killing, chariot, horse, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, gate, ceiling, winged, colors, colours, hieroglyphs, Osiride, statues, portico, 2000, slide, Fuji, RVP, Velvia, 35mm, format, film, scanned, scan, Nikon, FM2, manual
Medinet Habu EG206624ajhp Medinet Habu Temple Second Court ramp statues gate summer afternoon light located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, upright, landscape, first, court, wall, column, reliefs, figures, pylon, outer, walls, carvings, reliefs, battle, scenes, prisoners, killing, chariot, horse, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, gate, ceiling, winged, colors, colours, hieroglyphs, Osiride, statues, portico, 2000, slide, Fuji, RVP, Velvia, 35mm, format, film, scanned, scan, Nikon, FM2, manual
Medinet Habu EG206623ajhp Medinet Habu Temple Ramasses Ancient Egyptian second court painted columns located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, upright, landscape, first, court, wall, column, reliefs, figures, pylon, outer, walls, carvings, reliefs, battle, scenes, prisoners, killing, chariot, horse, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, gate, ceiling, winged, colors, colours, hieroglyphs, Osiride, statues, portico, 2000, slide, Fuji, RVP, Velvia, 35mm, format, film, scanned, scan, Nikon, FM2, manual
Medinet Habu EG206621ajhp Medinet Habu Temple Mortuary Second Court Osiride statues Egypt Thebes Luxor located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, upright, landscape, first, court, wall, column, reliefs, figures, pylon, outer, walls, carvings, reliefs, battle, scenes, prisoners, killing, chariot, horse, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, gate, ceiling, winged, colors, colours, hieroglyphs, Osiride, statues, portico, 2000, slide, Fuji, RVP, Velvia, 35mm, format, film, scanned, scan, Nikon, FM2, manual
Medinet Habu EG206620ajhp Medinet Habu Temple gate ceiling painted detail colors cartouche wings Egypt Luxor located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, landscape, first, court, wall, column, reliefs, figures, pylon, outer, walls, carvings, reliefs, battle, scenes, prisoners, killing, chariot, horse, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, gate, ceiling, winged, colors, colours, hieroglyphs, Osiride, statues, portico, 2000, slide, Fuji, RVP, Velvia, 35mm, format, film, scanned, scan, Nikon, FM2, manual
Medinet Habu EG206619ajhp Medinet Habu Temple pylon gate first court entrance Egypt Luxor located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, upright, landscape, first, court, wall, column, reliefs, figures, pylon, outer, walls, carvings, reliefs, battle, scenes, prisoners, killing, chariot, horse, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, gate, ceiling, winged, colors, colours, hieroglyphs, Osiride, statues, portico, 2000, slide, Fuji, RVP, Velvia, 35mm, format, film, scanned, scan, Nikon, FM2, manual
Medinet Habu EG206618ajhp Medinet Habu Temple gate celing painted detail colours Egypt Luxor located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, landscape, first, court, wall, column, reliefs, figures, pylon, outer, walls, carvings, reliefs, battle, scenes, prisoners, killing, chariot, horse, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, gate, ceiling, winged, colors, colours, hieroglyphs, Osiride, statues, portico, 2000, slide, Fuji, RVP, Velvia, 35mm, format, film, scanned, scan, Nikon, FM2, manual
Medinet Habu EG206617ajhp Medinet Habu Temple gate courts Ramasses Egyptian located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, upright, landscape, first, court, wall, column, reliefs, figures, pylon, outer, walls, carvings, reliefs, battle, scenes, prisoners, killing, chariot, horse, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, gates, ceilings, colors, colours, hieroglyphs, Osiride, statues, portico, 2000, slide, Fuji, RVP, Velvia, 35mm, format, film, scanned, scan, Nikon, FM2, manual
Medinet Habu SS98415 Medinet Habu Temples Mortuary Small carved wall pylon Egypt Luxor West Bank located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. This photo is of the Ptolemaic gateway which was a latter addition to the Small Temple which lies outwith the main Temple. The gate with its winged disc emblem and still with remains of original paint would have been an entrance through a mudbrick pylon no longer in existence. This photo is taken from the south face of the Small Temple with the northern corner of the main Pylon of the Mortuary temple in the background. Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, mudbrick, enclosure, walls, magazines, storage, scared, lake, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, disc, emblem, Small, Temple, Ptolemy, Ptolemaic, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom
Medinet Habu SS9841a Medinet Habu Temple Eastern gate migdol rear view Egyptian Thebes Luxor located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. The upper chambers of this high gate were where the Pharaoh Ramesses 111 is thought to have had private rooms to retreat to, maybe with ladies of his harem, when visiting the Temple and might have been where there was an attempt on his life. Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom
Medinet Habu SS98419 Medinet Habu gateway inside view cloister colonnade Small Chapel Taharqa Luxor Egypt located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. This photo is of the Ptolemaic gateway which was a latter addition to the Small Temple which lies outwith the main Temple. The gate with its winged disc emblem and still with remains of original paint would have been an entrance through a mudbrick pylon no longer in existence. This area was the final stage of the evolution of the Habu but was never completed and subsequently abandoned as the Ancient Egyptian culture gave way to Christianity. Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, mudbrick, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, disc, emblem, Small, Temple, Ptolemy, Ptolemaic, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom
Medinet Habu SS98418 Medinet Habu Temple Small Amun entrance portico steps Jeser Ast Egypt located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. This photo is of the Ptolemaic gateway which was a latter addition to the Small Temple which lies outwith the main Temple. The gate with its winged disc emblem and still with remains of original paint would have been an entrance through a mudbrick pylon no longer in existence. Visitors usual entrance into the Small Temple of Amun which lies outwith the main mortuary temple building and lies to the right of eastern gate entrance. Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, mudbrick, enclosure, walls, magazines, storage, scared, lake, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, disc, emblem, Small, Temple, Amun, Hatshesput, Tuthmosis, Ptolemy, Ptolemaic, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom
Medinet Habu SS98417 Medinet Habu Temple Small Amun Hatshepsut Tuthmosis Jeser Ast Luxor located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. This photo is of the Ptolemaic gateway which was a latter addition to the Small Temple which lies outwith the main Temple. The gate with its winged disc emblem and still with remains of original paint would have been an entrance through a mudbrick pylon no longer in existence. Visitors usual entrance into the Small Temple of Amun which lies outwith the main mortuary temple building and lies to the right of eastern gate entrance. Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, mudbrick, enclosure, walls, magazines, storage, scared, lake, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, disc, emblem, Small, Temple, Ptolemy, Ptolemaic, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom
Medinet Habu SS98414 Medinet Habu Temple Mortuary Small carved wall pylon Ancient Egyptian Luxor located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. This photo is of the Ptolemaic gateway which was a latter addition to the Small Temple which lies outwith the main Temple. The gate with its winged disc emblem and still with remains of original paint would have been an entrance through a mudbrick pylon no longer in existence. This photo is taken from the south face of the Small Temple with the northern corner of the main Pylon of the Mortuary temple in the background. Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, mudbrick, enclosure, walls, magazines, storage, scared, lake, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, disc, emblem, Small, Temple, Ptolemy, Ptolemaic, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom
Medinet Habu SS98413 Medinet Habu Temple enclosure walls mudbrick ruins Egyptian Thebes located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. This photo is of the Ptolemaic gateway which was a latter addition to the Small Temple which lies outwith the main Temple. The gate with its winged disc emblem and still with remains of original paint would have been an entrance through a mudbrick pylon no longer in existence. This photo shows the huge area of mudbrick buildings, magazines, storage rooms that encircled the main Temple of Ramesses 111 that were within the massive mudbrick enclosure walls of the overall complex. On the north side and looking westwards to the Theban hills. This was taken near the location of the sacred lake. Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, mudbrick, enclosure, walls, magazines, storage, scared, lake, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, disc, emblem, Small, Temple, Ptolemy, Ptolemaic, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom
Medinet Habu SS98412 Medinet Habu enclosure walls mudbrick ruins Egypt Luxor Theban hills located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. This photo is of the Ptolemaic gateway which was a latter addition to the Small Temple which lies outwith the main Temple. The gate with its winged disc emblem and still with remains of original paint would have been an entrance through a mudbrick pylon no longer in existence. This photo shows the huge area of mudbrick buildings, magazines, storage rooms that encircled the main Temple of Ramesses 111 that were within the massive mudbrick enclosure walls of the overall complex. On the north side and looking westwards to the Theban hills. This was taken near the location of the sacred lake. Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, mudbrick, enclosure, walls, magazines, storage, scared, lake, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, disc, emblem, Small, Temple, Ptolemy, Ptolemaic, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom
Medinet Habu SS984116 Medinet Habu Temple Mortuary Ramesses Saite Chapels panorama pylon located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. This photo is of the Ptolemaic gateway which was a latter addition to the Small Temple which lies outwith the main Temple. The gate with its winged disc emblem and still with remains of original paint would have been an entrance through a mudbrick pylon no longer in existence. This photo was taken from the enclosure wall near the modern visitor entrance at the eastern gate. The Mortuary Temple of Ramesses 111 is behind the large intact pylon and to the right is the small block of the Saite Chapel of the Divine Adoratrices. Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, Saite, Chapels, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, mudbrick, enclosure, walls, magazines, storage, scared, lake, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, disc, emblem, Small, Temple, Ptolemy, Ptolemaic, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom
Medinet Habu SS984113 Medinet Habu eastern gate entrance pylon migdol fortified Syrian style visitors gate located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. The upper chambers of this high gate were where the Pharaoh Ramesses 111 is thought to have had private rooms to retreat to, maybe with ladies of his harem, when visiting the Temple and might have been where there was an attempt on his life. Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom
Medinet Habu SS984112 Medinet Habu Temple east gate entrance pylon Egypt Luxor migdol located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. The upper chambers of this high gate were where the Pharaoh Ramesses 111 is thought to have had private rooms to retreat to, maybe with ladies of his harem, when visiting the Temple and might have been where there was an attempt on his life. Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom
Medinet Habu SS984111 Medinet Habu gate winged disc Small Chapel Ptolemaic Luxor Egypt located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. This photo is of the Ptolemaic gateway which was a latter addition to the Small Temple which lies outwith the main Temple. The gate with its winged disc emblem and still with remains of original paint would have been an entrance through a mudbrick pylon no longer in existence. This area was the final stage of the evolution of the Habu but was never completed and subsequently abandoned as the Ancient Egyptian culture gave way to Christianity. Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, mudbrick, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, disc, emblem, Small, Temple, Ptolemy, Ptolemaic, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom
Medinet Habu SS984110 Medinet Habu gateway columns lotus papyrus winged disc Small Chapel Ptolemaic Luxor Egypt located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. This photo is of the Ptolemaic gateway which was a latter addition to the Small Temple which lies outwith the main Temple. The gate with its winged disc emblem and still with remains of original paint would have been an entrance through a mudbrick pylon no longer in existence. This area was the final stage of the evolution of the Habu but was never completed and subsequently abandoned as the Ancient Egyptian culture gave way to Christianity. Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, mudbrick, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, disc, emblem, Small, Temple, Ptolemy, Ptolemaic, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom
Medinet Habu SS98411 Medinet Habu enclosure wall street west mudbrick buildings ruins Egypt Luxor Theban hills located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. This photo is of the Ptolemaic gateway which was a latter addition to the Small Temple which lies outwith the main Temple. The gate with its winged disc emblem and still with remains of original paint would have been an entrance through a mudbrick pylon no longer in existence. This photo shows the huge area of mudbrick buildings, magazines, storage rooms that encircled the main Temple of Ramesses 111 that were within the massive mudbrick enclosure walls of the overall complex. On the north side and looking westwards to the Theban hills. This was taken near the location of the sacred lake. Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, mudbrick, enclosure, walls, magazines, storage, scared, lake, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, disc, emblem, Small, Temple, Ptolemy, Ptolemaic, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom

Egypt > Philae Temple Aswan (30 files)

Photographs in this gallery are of Philae Temple dedicated to the Goddess Isis, a relocated site on an island in the flooded River Nile at Aswan including the Light and Sound Show night photos
Philae Temple EG204810jhp Philae Temple court colonnade first Pylon lion statue granite Ancient Egyptian Isis cult Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan. Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, upright, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Philae Temple EG20481jhp Philae Temple Egypt Kiosk Trajan large boulder granite Hathor island Agilkia was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan. Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, upright, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Philae Temple EG204814jhp Philae Temple courtyard empty colonnades Egypt Isis pylon columns vista Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan. Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Philae Temple EG204536jhp Philae Temple Hathor Trajan Kiosk ruins restoration Egypt Agilkia Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan. Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Philae Temple EG204536Ejhp Philae Temple Ancient Egyptian Kiosk Trajan large boulder granite Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan. Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, upright, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Philae Temple EG204535jhp Philae Temple Egypt Aswan Gate Diocletian quay east end Agilkia island Augsutus was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan. Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Philae Temple EG204534jhp Philae Temple Egypt Gate Diocletian Trajan kiosk plants lush shore Agilkia island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan. Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, upright, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Philae Temple EG204533jhp Philae Temple Egyptian Gate steps Diocletian quay east end Agilkia island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan. Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Philae Temple EG204531jhp Philae Temple courtyard vistors tourists groups busy Ancient Egyptian Isis pylon columns carvings Gods Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan. Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Philae Temple EG204530jhp Philae Temple Kiosk Trajan Ancient Egypt floral capitals blue sky sunny Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan. Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, upright, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Philae Temple EG204529jhp Philae Temple Egypt granite stones construction modern drill holes Aswan island probably modern during the reinstating of the temple which was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan. Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Philae Temple EG204528jhp Philae Temple first pylon oleander flowering plant Egypt gate chapel carvings Gods Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan. Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Philae Temple EG204527jhp Philae Temple first pylon oleander flowering plant Egyptian Isis cult carvings Gods Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan. Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, upright, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Philae Temple EG204526jhp Philae Temple Pylons Egypt Gate Ptolemy Philadelphus Chapel Agilkia island side view was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan. Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Philae Temple EG204525jhp Philae Temple Ancient Egyptian Isis oleander Gate Ptolemy Philadelphus Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan. Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Philae Temple EG204524jhp Philae Temple Pylon Osiris Mammisi Colonnade Egyptian Agilkia boat view island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan. Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Philae Temple EG204523jhp Philae Temple Pylons Osiris Chapel Mammisi Egypt Agilkia boat view island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan. Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, water, view, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, motorboat, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Philae Temple EG20489jhp Philae Temple Egypt Ptolemy second pylon columns granite stele east colonnade Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan. Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Philae Temple EG20488jhp Philae Temple forecourt Egypt Ptolemy mammisi Euergetes second pylon columns Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan. Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Philae Temple EG20487jhp Philae Temple forecourt Egypt Ptolemy Philometer granite stele second pylon Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan. Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, upright, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Philae Temple EG20486jhp Philae Temple Ancient Egyptian Ptolemy Philometer granite stele pylon Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan. Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, upright, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Philae Temple EG20485jhp Philae Temple Ancient Egyptian Ptolemaic colonnade second east columns pylon Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan. Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, upright, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Philae Temple EG20483jhp Philae Temple Egypt Ptolemaic colonnade second east columns forecourt Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan. Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, upright, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Aswan Philae EG96171Ejhp Philae Temple Ancient Egypt First pylon Aswan island oleander bushes was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, upright, history, ancient, Egyptian, antiquity, archaeology, Egyptology, Agilkia Island, motorboat, water, beautiful, serene, peaceful, 1996, slide, film, Fuji, RDP, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Aswan Philae EG961718jhp Philae Temple colonnade west courtyard Ancient Egyptian kiosk Nectanebo carvings Gods Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, kiosk, Nectanebo 1, western, colonnade, coutyard, arrival, history, ancient, Egyptian, antiquity, archaeology, Egyptology, Agilkia Island, motorboat, water, beautiful, serene, peaceful, 1996, slide, film, Fuji, RDP, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Aswan Philae EG9617114jhp Philae Temple Ptolemy First Pylon lions Ancient Egyptian pylon classic carvings Gods Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, upright, history, ancient, Egyptian, antiquity, archaeology, Egyptology, Agilkia Island, motorboat, water, beautiful, serene, peaceful, 1996, slide, film, Fuji, RDP, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Aswan Philae EG949226jhp Philae Temple Egyptian Isis pylons Aswan island motorboat approach west side was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, history, ancient, Egyptian, antiquity, archaeology, Egyptology, Agilkia Island, motorboat, water, beautiful, serene, peaceful, 1994, slide, film, Fuji, RDP, Nikon, FM2, manual, 35mm, scanned, scan
Aswan Philae EG949223jhp Philae Temple courtyard second pylon east colonnade view Ptolemaic Egyptian Isis pylon columns carvings Gods Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, upright, history, ancient, Egyptian, antiquity, archaeology, Egyptology, Agilkia Island, motorboat, water, beautiful, serene, peaceful, 1994, slide, film, Fuji, RDP, Nikon, FM2, manual, 35mm, scanned, scan
Aswan Philae EG949135jhp Philae Temple courtyard first pylon Aswan Egypt Egyptian colonnade east carvings Gods Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, history, ancient, Egyptian, antiquity, archaeology, Egyptology, Agilkia Island, motorboat, water, beautiful, serene, peaceful, 1994, slide, film, Fuji, RDP, Nikon, FM2, manual, 35mm, scanned, scan
Aswan Philae EG004813jhp Philae Temple memorial British soldiers names fallen killed Sudan carvings Aswan island on the side of this temple established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, upright, history, Soudan, Sudan, 1884, killed, died, disease, Heavy, Camel, Regiment, ancient, Egyptian, antiquity, archaeology, Egyptology, Agilkia Island, motorboat, water, beautiful, serene, peaceful, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Egypt > River Nile Cruise & Sites (10 files)

Photographs in this gallery show daily life along the River Nile mainly from the cruises I have undertaken over the past 10 years or so. Sites that border the Nile are included although the major temples visted have their own dedicated sites such as Edfu and Kom Ombo. One of the enjoyments of the Nile cruise is the tranquility of watching 'life go by' usually characterised by the friendliness of those you pass whether boatmen or farm workers as well as seeing wild birds close at hand. The other aspect is the service on the cruiseboats from friendly crews and the chance to relax after hectic and often crowded temple visits.
Atlas at Edfu EG203834jhp Egypt River Nile Edfu berth Atlas cruiseboat older boat cruise which offer the restful times on the Nile after intense guided tours the various temples such as Edfu in this case. One enjoyable tradition is the afternoon tea and cakes provided free of charge as part of the Nile Cruise experience with its origins from Victorian days. After a busy day maybe visiting temples or a hot day relaxing on deck watching the busy daily rural life along the River Nile, the evening sunset can be a quiet peaceful time in an otherwise hectic itinerary. I was only on the Atlas once and although small and compact with a real sense of age it was an enjoyable cruise and felt more intimate than I imagine those huge glass and marble multi storey cruiseboats are, Sadly these days I hear that many are rusting away at anchor because of the dire downturn in the tourist numbers as happened after the 1997 terrorist attacks in Luxor. Keywords: Egypt, Egyptian, Luxor, River, Nile, Edfu, berth, Atlas, anchored, water, reflections, morning, boat, holiday, travel, landscape, restful, package, holiday, tourism, cruiseboat, relaxing, tea, cakes, pastries, tradition, sailing, history, archaeology, Egyptology, temples, colours, colors, colourful, colorful, 2000, slide, film, 35mm, Fuji, Velvia, Nikon, FM2, manual, camera, scanned, scan
Esna Temple EG949421jhp Egyptian Esna Temple Nile Ptolemaic Roman hypostyle hall ceiling capitals composite lotus papyrus is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, ceiling, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, lotus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, 1994, slide, film, 35mm, Fuji, RDP, Nikon, FM2, manual, scanned, scan
Nile Cruise Evening EG948216jhp Egypt River Nile sunset clouds sun rays beams minaret village cruising and one of the most restful times on the Nile, often coinciding with the traditional afternoon tea and cakes provided free of charge as part of the Nile Cruise experience with its origins from Victorian days. After a busy day maybe visiting temples or a hot day relaxing on deck watching the busy daily rural life along the River Nile, the evening sunset can be a quiet peaceful time in an otherwise hectic itinerary. Keywords: Egypt, Egyptian, Luxor, River, Nile, sunset, sun, red, orange, hill, palm, trees, water, reflections, silhouette, felucca, sailing, boat, holiday, travel, landscape, minaret, clouds, yellow, beams, rays, mauve, restful, package, holiday, tourism, cruiseboat, relaxing, tea, cakes, pastries, tradition, sailing, history, archaeology, Egyptology, temples, modern, hotels, colours, colors, colourful, colorful, 1994, slide, film, 35mm, Fuji, RDP, Nikon, FM2, manual, camera, scanned, scan
Luxor Nile Sunset EG00718jhp Egypt River Nile sunset evening orange feluccas silhouette sailing cruising and one of the most restful times on the Nile, often coinciding with the traditional afternoon tea and cakes provided free of charge as part of the Nile Cruise experience with its origins from Victorian days. After a busy day maybe visiting temples or a hot day relaxing on deck watching the busy daily rural life along the River Nile, the evening sunset can be a quiet peaceful time in an otherwise hectic itinerary. Keywords: Egypt, Egyptian, Luxor, River, Nile, sunset, sun, red, orange, hill, palm, trees, water, reflections, silhouette, felucca, sailing, boat, holiday, travel, landscape, restful, package, holiday, tourism, cruiseboat, relaxing, tea, cakes, pastries, tradition, sailing, history, archaeology, Egyptology, temples, modern, hotels, colours, colors, colourful, colorful, 2000, slide, film, 35mm, Fuji, Velvia, Nikon, FM2, manual, camera, scanned, scan
Luxor Nile Sunset EG00715jhp Egyptian River Nile cruise sunset sun palm trees silhouetted evening cruising and one of the most restful times on the Nile, often coinciding with the traditional afternoon tea and cakes provided free of charge as part of the Nile Cruise experience with its origins from Victorian days. After a busy day maybe visiting temples or a hot day relaxing on deck watching the busy daily rural life along the River Nile, the evening sunset can be a quiet peaceful time in an otherwise hectic itinerary. Keywords: Egypt, Egyptian, Luxor, River, Nile, sunset, sun, red, orange, hill, palm, trees, water, reflections, silhouette, felucca, sailing, boat, holiday, travel, landscape, restful, package, holiday, tourism, cruiseboat, relaxing, tea, cakes, pastries, tradition, sailing, history, archaeology, Egyptology, temples, modern, hotels, colours, colors, colourful, colorful, 2000, slide, film, 35mm, Fuji, Velvia, Nikon, FM2, manual, camera, scanned, scan
Luxor Nile Sunset EG00714jhp Egypt River Nile sunset setting sun red orange colours black trees silhouette sailing cruising and one of the most restful times on the Nile, often coinciding with the traditional afternoon tea and cakes provided free of charge as part of the Nile Cruise experience with its origins from Victorian days. After a busy day maybe visiting temples or a hot day relaxing on deck watching the busy daily rural life along the River Nile, the evening sunset can be a quiet peaceful time in an otherwise hectic itinerary. Keywords: Egypt, Egyptian, Luxor, River, Nile, sunset, sun, red, orange, hill, palm, trees, water, reflections, silhouette, felucca, sailing, boat, holiday, travel, landscape, upright, restful, package, holiday, tourism, cruiseboat, relaxing, tea, cakes, pastries, tradition, sailing, history, archaeology, Egyptology, temples, modern, hotels, colours, colors, colourful, colorful, 2000, slide, film, 35mm, Fuji, Velvia, Nikon, FM2, manual, camera, scanned, scan
Luxor Nile Sunset EG00713jhp Egypt River Nile sunset sun red orange water reflections trees silhouette cruising and one of the most restful times on the Nile, often coinciding with the traditional afternoon tea and cakes provided free of charge as part of the Nile Cruise experience with its origins from Victorian days. After a busy day maybe visiting temples or a hot day relaxing on deck watching the busy daily rural life along the River Nile, the evening sunset can be a quiet peaceful time in an otherwise hectic itinerary. Keywords: Egypt, Egyptian, Luxor, River, Nile, sunset, sun, red, orange, hill, palm, trees, water, reflections, silhouette, felucca, sailing, boat, holiday, travel, landscape, restful, package, holiday, tourism, cruiseboat, relaxing, tea, cakes, pastries, tradition, sailing, history, archaeology, Egyptology, temples, modern, hotels, colours, colors, colourful, colorful, 2000, slide, film, 35mm, Fuji, Velvia, Nikon, FM2, manual, camera, scanned, scan
Luxor Nile Sunset EG007111jhp Egyptian Nile sunset orange glow feluccas silhouettes sailing cruise colourful and one of the most restful times on the Nile, often coinciding with the traditional afternoon tea and cakes provided free of charge as part of the Nile Cruise experience with its origins from Victorian days. After a busy day maybe visiting temples or a hot day relaxing on deck watching the busy daily rural life along the River Nile, the evening sunset can be a quiet peaceful time in an otherwise hectic itinerary. Keywords: Egypt, Egyptian, Luxor, River, Nile, sunset, sun, red, orange, hill, palm, trees, water, reflections, silhouette, felucca, sailing, boat, holiday, travel, landscape, restful, package, holiday, tourism, cruiseboat, relaxing, tea, cakes, pastries, tradition, sailing, history, archaeology, Egyptology, temples, modern, hotels, colours, colors, colourful, colorful, 2000, slide, film, 35mm, Fuji, Velvia, Nikon, FM2, manual, camera, scanned, scan
Luxor Nile Sunset EG007110jhp Egypt River Nile sunset setting sun red orange felucca silhouette sailing cruising and one of the most restful times on the Nile, often coinciding with the traditional afternoon tea and cakes provided free of charge as part of the Nile Cruise experience with its origins from Victorian days. After a busy day maybe visiting temples or a hot day relaxing on deck watching the busy daily rural life along the River Nile, the evening sunset can be a quiet peaceful time in an otherwise hectic itinerary. Keywords: Egypt, Egyptian, Luxor, River, Nile, sunset, sun, red, orange, hill, palm, trees, water, reflections, silhouette, felucca, sailing, boat, holiday, travel, landscape, upright, restful, package, holiday, tourism, cruiseboat, relaxing, tea, cakes, pastries, tradition, sailing, history, archaeology, Egyptology, temples, modern, hotels, colours, colors, colourful, colorful, 2000, slide, film, 35mm, Fuji, Velvia, Nikon, FM2, manual, camera, scanned, scan
Luxor Nile Sunset EG006736Ejhp Egyptian River Nile sunset sun red orange palm trees silhouette cruising and one of the most restful times on the Nile, often coinciding with the traditional afternoon tea and cakes provided free of charge as part of the Nile Cruise experience with its origins from Victorian days. After a busy day maybe visiting temples or a hot day relaxing on deck watching the busy daily rural life along the River Nile, the evening sunset can be a quiet peaceful time in an otherwise hectic itinerary. Keywords: Egypt, Egyptian, Luxor, River, Nile, sunset, sun, red, orange, hill, palm, trees, water, reflections, silhouette, felucca, sailing, boat, holiday, travel, landscape, upright, restful, package, holiday, tourism, cruiseboat, relaxing, tea, cakes, pastries, tradition, sailing, history, archaeology, Egyptology, temples, modern, hotels, colours, colors, colourful, colorful, 2000, slide, film, 35mm, Fuji, Velvia, Nikon, FM2, manual, camera, scanned, scan

Egypt > Valley of Kings Luxor (14 files)

Photographs of the Valley of the Kings from tomb interiors as well as exterior views of the valley including the tombs of Ramses 1V, KV 43 and 19.
Luxor Kings Valley EG984122jhp Egypt Valley Luxor Tomb entrance Thutmosis steep gorge tourists stairs cliffs after leaving the main collection area resthouses which comes after obtaining tickets at the outer barrier after being transferred by shuttle from the coach park and visitors centre. This is one of the most visited places in the world probably and certainly in Egypt is this desolate desert valley beneath the Theban mountain on the West Bank of the River Nile at Luxor famous for some of the most important Royal burials of this ancient civilisation. It is possible to climb over the hills above the Valley, pass above the huge amphitheatre of Deir el-Bahri above Hatshepsut’s spectacular Mortuary Temple and come down into Deir el-Medina, the workers village using the same paths as they must have done over 3000 years ago. Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, hill, mountain, Valley, Kings, pharaoh, tombs, landscape, upright, ancient, Egyptian, archaeology, Egyptology, views, road, shuttle, service, conservation, pollution, prohibition, entrance, steep, gorge, trailers, tracks, shelters, transport, trains, entrances, Thutmosis 111, tomb, shelters, rest, house, desert, rocky, sand, heat, exposed, isolated, desolate, crowds, visitors, tourists, busy, 1998, film, slides, Fuji, RDP, 35mm, scanned, scan, Nikon, FM2, manual
Luxor Kings Valley EG961948jhp Egypt Valley Kings Luxor Tomb entrance Tutankahum entrance waiting queues tourists by resthouse area which comes after obtaining tickets at the outer barrier after being transferred by shuttle from the coach park and visitors centre. This is one of the most visited places in the world probably and certainly in Egypt is this desolate desert valley beneath the Theban mountain on the West Bank of the River Nile at Luxor famous for some of the most important Royal burials of this ancient civilisation. It is possible to climb over the hills above the Valley, pass above the huge amphitheatre of Deir el-Bahri above Hatshepsut’s spectacular Mortuary Temple and come down into Deir el-Medina, the workers village using the same paths as they must have done over 3000 years ago. Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, hill, mountain, Valley, Kings, pharaoh, tombs, landscape, ancient, Egyptian, archaeology, Egyptology, views, road, shuttle, service, conservation, pollution, prohibition, entrance, tractors, trailers, tracks, shelters, transport, trains, entrances, Tutankhamun, tomb, shelters, rest, house, desert, rocky, sand, heat, exposed, isolated, desolate, crowds, visitors, tourists, busy, 1996, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual
Luxor Kings Valley EG948035jhp Egyptian Valley Kings Luxor Tomb entrance stairs Tutankahum looking down into by resthouse area which comes after obtaining tickets at the outer barrier after being transferred by shuttle from the coach park and visitors centre. This is one of the most visited places in the world probably and certainly in Egypt is this desolate desert valley beneath the Theban mountain on the West Bank of the River Nile at Luxor famous for some of the most important Royal burials of this ancient civilisation. It is possible to climb over the hills above the Valley, pass above the huge amphitheatre of Deir el-Bahri above Hatshepsut’s spectacular Mortuary Temple and come down into Deir el-Medina, the workers village using the same paths as they must have done over 3000 years ago. Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, hill, mountain, Valley, Kings, pharaoh, tombs, landscape, upright, stairs, steps, handrail, door, ancient, Egyptian, archaeology, Egyptology, views, road, shuttle, service, conservation, pollution, prohibition, entrance, tractors, trailers, tracks, shelters, transport, trains, entrances, Tutankhamun, tomb, shelters, rest, house, desert, rocky, sand, heat, exposed, isolated, desolate, crowds, visitors, tourists, busy, 1994, film, slides, Fuji, RDP, 35mm, scanned, scan, Nikon, FM2, manual
Luxor Kings Valley EG006127jhp Egyptian Valley Kings Luxor Tomb entrance gate barrier Ramasses V1 after leaving the main collection area resthouses which comes after obtaining tickets at the outer barrier after being transferred by shuttle from the coach park and visitors centre. This is one of the most visited places in the world probably and certainly in Egypt is this desolate desert valley beneath the Theban mountain on the West Bank of the River Nile at Luxor famous for some of the most important Royal burials of this ancient civilisation. It is possible to climb over the hills above the Valley, pass above the huge amphitheatre of Deir el-Bahri above Hatshepsut’s spectacular Mortuary Temple and come down into Deir el-Medina, the workers village using the same paths as they must have done over 3000 years ago. Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, hill, mountain, Valley, Kings, pharaoh, tombs, landscape, upright, ancient, Egyptian, archaeology, Egyptology, views, road, shuttle, service, conservation, pollution, prohibition, entrance, tractors, trailers, tracks, shelters, transport, trains, entrances, Tutankhamun, tomb, shelters, rest, house, desert, rocky, sand, heat, exposed, isolated, desolate, crowds, visitors, tourists, busy, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual
Luxor Kings Valley EG006122jhp Egyptian Valley Luxor Kings Tomb entrance Ramasses V11 first tomb accessible before arriving at the main collection area resthouses which comes after obtaining tickets at the outer barrier after being transferred by shuttle from the coach park and visitors centre. This is one of the most visited places in the world probably and certainly in Egypt is this desolate desert valley beneath the Theban mountain on the West Bank of the River Nile at Luxor famous for some of the most important Royal burials of this ancient civilisation. It is possible to climb over the hills above the Valley, pass above the huge amphitheatre of Deir el-Bahri above Hatshepsut’s spectacular Mortuary Temple and come down into Deir el-Medina, the workers village using the same paths as they must have done over 3000 years ago. Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, hill, mountain, Valley, Kings, pharaoh, Ramasses, Ramses, Ramsses, Ramesses, tomb, first, tombs, landscape, upright, ancient, Egyptian, archaeology, Egyptology, views, road, shuttle, service, conservation, pollution, prohibition, entrance, tractors, trailers, tracks, shelters, transport, trains, entrances, Tutankhamun, tomb, shelters, rest, house, desert, rocky, sand, heat, exposed, isolated, desolate, crowds, visitors, tourists, busy, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual
Valley Kings EG006132jhp Luxor West Bank Theban Valley Kings Egyptian shuttle train conservation entry that takes you from the visitors centre coach park to the main Tomb area thereby reducing pollution by denying all the large touring coaches entry to this fragile ecology and historically most important area. It also looks for a degree of visitor control for these days many more tourists enter this very small area coming in coach convoys from the Red Sea Resorts and not just the River Nile cruiseboats which used to be the major source of vistor numbers. This is one of the most visited places in the world probably and certainly in Egypt is this desolate desert valley beneath the Theban mountain on the West Bank of the River Nile at Luxor famous for some of the most important Royal burials of this ancient civilisation. It is possible to climb over the hills above the Valley, pass above the huge amphitheatre of Deir el-Bahri above Hatshepsut’s spectacular Mortuary Temple and come down into Deir el-Medina, the workers village using the same paths as they must have done over 3000 years ago. Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, hill, mountain, Valley, Kings, pharaoh, tombs, landscape, upright, ancient, Egyptian, archaeology, Egyptology, views, road, shuttle, service, conservation, pollution, prohibition, entrance, tractors, trailers, tracks, shelters, transport, trains, entrances, Tutankhamun, desert, rocky, sand, heat, exposed, isolated, desolate, crowds, visitors, tourists, busy, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual
Valley Kings EG006129jhp Egypt Valley Kings Luxor Tombs entrances Theban mountain Tutankahum entrance by tractor resthouses area which comes after obtaining tickets at the outer barrier after being transferred by shuttle from the coach park and visitors centre. This is one of the most visited places in the world probably and certainly in Egypt is this desolate desert valley beneath the Theban mountain on the West Bank of the River Nile at Luxor famous for some of the most important Royal burials of this ancient civilisation. It is possible to climb over the hills above the Valley, pass above the huge amphitheatre of Deir el-Bahri above Hatshepsut’s spectacular Mortuary Temple and come down into Deir el-Medina, the workers village using the same paths as they must have done over 3000 years ago. Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, hill, mountain, Valley, Kings, pharaoh, tombs, landscape, ancient, Egyptian, archaeology, Egyptology, views, road, shuttle, service, conservation, pollution, prohibition, entrance, tractors, trailers, tracks, shelters, transport, trains, entrances, Tutankhamun, tomb, shelters, rest, house, desert, rocky, sand, heat, exposed, isolated, desolate, crowds, visitors, tourists, busy, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual
Valley Kings EG006128jhp Egypt Valley Luxor Tomb entrance gate exiting visitors Ramsses V1 after leaving the main collection area resthouses which comes after obtaining tickets at the outer barrier after being transferred by shuttle from the coach park and visitors centre. This is one of the most visited places in the world probably and certainly in Egypt is this desolate desert valley beneath the Theban mountain on the West Bank of the River Nile at Luxor famous for some of the most important Royal burials of this ancient civilisation. It is possible to climb over the hills above the Valley, pass above the huge amphitheatre of Deir el-Bahri above Hatshepsut’s spectacular Mortuary Temple and come down into Deir el-Medina, the workers village using the same paths as they must have done over 3000 years ago. Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, hill, mountain, Valley, Kings, pharaoh, tombs, landscape, upright, ancient, Egyptian, archaeology, Egyptology, views, road, shuttle, service, conservation, pollution, prohibition, entrance, tractors, trailers, tracks, shelters, transport, trains, entrances, Tutankhamun, tomb, shelters, rest, house, desert, rocky, sand, heat, exposed, isolated, desolate, crowds, visitors, tourists, busy, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual
Valley Kings EG006126jhp Egypt Valley Kings Luxor Tomb entrance access Theban cliffs Seti 11 rocky paths which leave the main collection area resthouses which comes after obtaining tickets at the outer barrier after being transferred by shuttle from the coach park and visitors centre. This is one of the most visited places in the world probably and certainly in Egypt is this desolate desert valley beneath the Theban mountain on the West Bank of the River Nile at Luxor famous for some of the most important Royal burials of this ancient civilisation. It is possible to climb over the hills above the Valley, pass above the huge amphitheatre of Deir el-Bahri above Hatshepsut’s spectacular Mortuary Temple and come down into Deir el-Medina, the workers village using the same paths as they must have done over 3000 years ago. Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, hill, mountain, Valley, Kings, pharaoh, tombs, landscape, upright, ancient, Egyptian, archaeology, Egyptology, views, road, shuttle, service, conservation, pollution, prohibition, entrance, tractors, trailers, tracks, shelters, transport, trains, entrances, Tutankhamun, tomb, shelters, rest, house, desert, rocky, sand, heat, exposed, isolated, desolate, crowds, visitors, tourists, busy, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual
Valley Kings EG006125jhp Egypt Valley Kings Luxor Tomb entrance Theban cliffs Seti tourists which leave the main collection area resthouses which comes after obtaining tickets at the outer barrier after being transferred by shuttle from the coach park and visitors centre. This is one of the most visited places in the world probably and certainly in Egypt is this desolate desert valley beneath the Theban mountain on the West Bank of the River Nile at Luxor famous for some of the most important Royal burials of this ancient civilisation. It is possible to climb over the hills above the Valley, pass above the huge amphitheatre of Deir el-Bahri above Hatshepsut’s spectacular Mortuary Temple and come down into Deir el-Medina, the workers village using the same paths as they must have done over 3000 years ago. Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, hill, mountain, Valley, Kings, pharaoh, tombs, landscape, Seti, 11, ancient, Egyptian, archaeology, Egyptology, views, road, shuttle, service, conservation, pollution, prohibition, entrance, tractors, trailers, tracks, shelters, transport, trains, entrances, Tutankhamun, tomb, shelters, rest, house, desert, rocky, sand, heat, exposed, isolated, desolate, crowds, visitors, tourists, busy, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual
Valley Kings EG006124jhp Egyptian Valley King mountain rocky cliffs steep eroded Seti 11 entrance which are approached after leaving the main collection area resthouses which comes after obtaining tickets at the outer barrier after being transferred by shuttle from the coach park and visitors centre. This is one of the most visited places in the world probably and certainly in Egypt is this desolate desert valley beneath the Theban mountain on the West Bank of the River Nile at Luxor famous for some of the most important Royal burials of this ancient civilisation. It is possible to climb over the hills above the Valley, pass above the huge amphitheatre of Deir el-Bahri above Hatshepsut’s spectacular Mortuary Temple and come down into Deir el-Medina, the workers village using the same paths as they must have done over 3000 years ago. Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, hill, mountain, Valley, Kings, pharaoh, Seti 11, tombs, landscape, upright, ancient, Egyptian, archaeology, Egyptology, views, road, shuttle, service, conservation, pollution, prohibition, entrance, tractors, trailers, tracks, shelters, transport, trains, entrances, Tutankhamun, tomb, shelters, rest, house, desert, rocky, sand, heat, exposed, isolated, desolate, crowds, visitors, tourists, busy, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual
Valley Kings EG006123jhp Egypt Valley Kings Luxor Theban mountain rocky cliffs steep eroded which are approached after leaving the main collection area resthouses which comes after obtaining tickets at the outer barrier after being transferred by shuttle from the coach park and visitors centre. This is one of the most visited places in the world probably and certainly in Egypt is this desolate desert valley beneath the Theban mountain on the West Bank of the River Nile at Luxor famous for some of the most important Royal burials of this ancient civilisation. It is possible to climb over the hills above the Valley, pass above the huge amphitheatre of Deir el-Bahri above Hatshepsut’s spectacular Mortuary Temple and come down into Deir el-Medina, the workers village using the same paths as they must have done over 3000 years ago. Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, hill, mountain, Valley, Kings, pharaoh, tombs, landscape, upright, ancient, Egyptian, archaeology, Egyptology, views, road, shuttle, service, conservation, pollution, prohibition, entrance, tractors, trailers, tracks, shelters, transport, trains, entrances, Tutankhamun, tomb, shelters, rest, house, desert, rocky, sand, heat, exposed, isolated, desolate, crowds, visitors, tourists, busy, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual
Valley Kings EG006121jhp Egypt Valley Kings Luxor Tomb Theban mountain first entrance Ramsses V11 reached before arriaving at the main collection area resthouse which comes after obtaining tickets at the outer barrier after being transferred by shuttle from the coach park and visitors centre. This is one of the most visited places in the world probably and certainly in Egypt is this desolate desert valley beneath the Theban mountain on the West Bank of the River Nile at Luxor famous for some of the most important Royal burials of this ancient civilisation. It is possible to climb over the hills above the Valley, pass above the huge amphitheatre of Deir el-Bahri above Hatshepsut’s spectacular Mortuary Temple and come down into Deir el-Medina, the workers village using the same paths as they must have done over 3000 years ago. Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, hill, mountain, Valley, Kings, pharaoh, tombs, landscape, Ramsses, Ramasses, Ramesses, Ramses, V11, first, ancient, Egyptian, archaeology, Egyptology, views, road, shuttle, service, conservation, pollution, prohibition, entrance, tractors, trailers, tracks, shelters, transport, trains, entrances, Tutankhamun, tomb, shelters, rest, house, desert, rocky, sand, heat, exposed, isolated, desolate, crowds, visitors, tourists, busy, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual
Valley Kings EG006118jhp Egypt Luxor West Bank Thebes Theban Valley Kings shuttle transport system that take you from the visitors centre to the main Tomb area thereby reducing pollution by denying all the large touring coaches entry to this fragile ecology and historically most important area. It also looks for a degree of visitor control for these days many more tourists enter this very small area coming in coach convoys from the Red Sea Resorts and not just the River Nile cruiseboats which used to be the major source of vistor numbers. This is one of the most visited places in the world probably and certainly in Egypt is this desolate desert valley beneath the Theban mountain on the West Bank of the River Nile at Luxor famous for some of the most important Royal burials of this ancient civilisation. It is possible to climb over the hills above the Valley, pass above the huge amphitheatre of Deir el-Bahri above Hatshepsut’s spectacular Mortuary Temple and come down into Deir el-Medina, the workers village using the same paths as they must have done over 3000 years ago. Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, hill, mountain, Valley, Kings, pharaoh, tombs, landscape, ancient, Egyptian, archaeology, Egyptology, views, road, shuttle, service, conservation, pollution, prohibition, entrance, tractors, trailers, tracks, shelters, transport, trains, entrances, Tutankhamun, desert, rocky, sand, heat, exposed, isolated, desolate, crowds, visitors, tourists, busy, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual

Scotland > Clouds, Sunsets, Dawns and Weather (2 files)

The gallery has images of weather related subjects from clouds to dawns and sunrises, NLC or noctilucent clouds nights, moon to sun rings, rainbows, double rainbows, meteors, shooting stars, Perseids. The range of clouds includes cirrus, storm clouds, white puffy fair weather clouds, monster cloud formations, haar, sun beams, lenticular, mama, a wide range of different meteorological structures and types.
Perseid Meteor Deeside fgh2781jhp Perseid passing meteor shooting star Scotland Pleiades eastwards Scottish Deeside Aberdeenshire about 25 miles West of Aberdeen on the 13th August, looking in the direction of Torphins with the meteor heading for the Constellation of the Pleiades. Taken at 01.37.33UT [02.37amBST] and looking as if it is dissecting a passing satellite. Taken with Nikon D700 at 1250ISO for 38 secs using 24mm Nikkor f2.8 Manual lens at f2.8. This annual display is caused as the Earth passes through the remnants of a debris field left by the passing of the Comet Swift-Tuttle. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Torphins, east, landscape, Perseid, meteor, shooting, star, Comet, Swift-Tuttle, stars, Pleiades, constellation, night, sky, dark, summer, August, annual, astronomy, astronomical, DSLR, manual, time, exposure
Comet Pan-STARRS asd4984jhp Comet Pan-STARRS Pinwheel Galaxy M31 meteor Scotland Cassiopeia stars taken over Royal Deeside, Aberdeenshire about 25 miles West of Aberdeen on the 1st April, 2013 on the first evening with a completely clear sky for nearly two weeks. Taken at 20.42UTC [21.42BST] and looking West of North with Cassiopeia at top right corner and above the Comet is the smudge of the pinwheel galaxy M31. Taken with Nikon D700 at 1600ISO for 8 secs using 50mm Nikkor f1.8 Manual lens at f2. Keywords: Scotland, Aberdeenshire, Royal, Deeside, west, north, upright, Comet, Pan-STARRS, pinwheel, galaxy, M31, meteor, shooting, star, stars, Cassiopeia, constellation, night, sky, twilight, spring, astronomy, astronomical, DSLR, manual, time, exposure

Scotland > Historic Properties (10 files)

This gallery has photographs of Scottish Castles and Fortresses, Stately Homes and Gardens, old churches or kirks and includes most of the following:
Auchindoir Church; Auchindoun Castle; Balmoral Castle; Balvenie Castle; Bass of Inverurie; Bellabeg Motte; Braemar Castle; Brodie Castle; Castle Fraser; Corgarff Castle; Corrichie Monument; Corse O’Neil Castle; Craigellachie Bridge; Crathes Castle; Crathie Kirk; Dalgetie Castle; Deer Abbey; Drum Castle; Duff House; Duffus Castle; Dunnideer; Dunnottar Castle; Elgin Cathedral; Esslemont Castle; Fasque House; Fetternear House; Findlater; Fordyce; Fyvie Castle; Gairnshiel Bridge; Glenbuchat Castle; Haddo House; Hallforest Castle; Huntly Castle; Inchdrewer Castle; Invercauld Bridge O’Dee; Kildrummy Castle; Kincardine O’Neil Kirk; Kindrochit Castle; Kinloss Abbey; Kinneff Church; Knock Castle; Leith Hall; Mar Lodge; Marnoch Kirkyard; Mid Mar Kirk; Monymusk Kirk; Peel of Lumphanan; Pitmedden Gardens; Pluscarden Priory or Abbey; Ruthven Barracks; Slains Castle; Tolquhon Castle; Tullich Kirk; Fort George;
Crathes Castle Snowscene 171619jhp Crathes Castle lawn topiary Scottish winter snow sundial carved face Deeside Aberdeenshire which offers a wonderful vista of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant. The tower house is one of the finest examples of the period and some of the original wall paintings still survive. Entry into the walled garden is at the west side and the main path into the gardens is through the white borders and onto the path down the June Borders to the bottom of the walled garden where there is a Doocot an attractive feature and useful high point for looking up the June Border, the summer jewel resplendent with many colourful plants, with the Castle as its impressive backdrop. Turning left at the main entrance leads to the Topiary Borders and Terrace, past the Camel Garden and climbing the steps enters the upper level with the Croquet Lawn and Lady Burnett or Upper Pool Garden. This photo was taken in the days of transparency film before digital was even a serious contender for recording these properties for the publishing market. Little has changed since this photo was taken except the distant rhododendrons which used to border the path coming down to the castle. Also it seems with climate change the days of deep snow are far less at the castle and Aberdeenshire generally. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property. Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, Royal, Deeside, River, Dee, Crathes, Castle, Banchory, historic, castles, landscape, croquet, lawn, yew, hedges, topiary, sundial, Burnett, upper, pool, blue, fountain, winter, scenic, Christmas, card, Dickensian, white, history, heritage, preserved, countryside, rural, nature, snow, white, sunny, sunshine, crisp, hanging, branches, ice, frozen, water, cold, rhododendrons, colourful, colorful, coloured, colored, peaceful, gardens, herbaceous, trees, woods, entrance, lake, loch, woodlands, walks, public, visitors, tourist, attraction, exhibition, restaurant, Fuji, film, slide, transparency, 120, Velvia, RVP, 645, medium, format, Bronica, ETRSi, manual, December, 2000
Crathes Castle Snowscene 171614jhp Crathes Castle croquet lawn topiary Scottish winter sunny snow Deeside Aberdeenshire which offers a wonderful vista of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant. The tower house is one of the finest examples of the period and some of the original wall paintings still survive. Entry into the walled garden is at the west side and the main path into the gardens is through the white borders and onto the path down the June Borders to the bottom of the walled garden where there is a Doocot an attractive feature and useful high point for looking up the June Border, the summer jewel resplendent with many colourful plants, with the Castle as its impressive backdrop. Turning left at the main entrance leads to the Topiary Borders and Terrace, past the Camel Garden and climbing the steps enters the upper level with the Croquet Lawn and Lady Burnett or Upper Pool Garden. This photo was taken in the days of transparency film before digital was even a serious contender for recording these properties for the publishing market. Little has changed since this photo was taken except the distant rhododendrons which used to border the path coming down to the castle. Also it seems with climate change the days of deep snow are far less at the castle and Aberdeenshire generally. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property. Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, Royal, Deeside, River, Dee, Crathes, Castle, Banchory, historic, castles, landscape, croquet, lawn, yew, hedges, topiary, sundial, Burnett, upper, pool, blue, fountain, winter, scenic, Christmas, card, Dickensian, white, history, heritage, preserved, countryside, rural, nature, snow, white, sunny, sunshine, crisp, hanging, branches, ice, frozen, water, cold, rhododendrons, colourful, colorful, coloured, colored, peaceful, gardens, herbaceous, trees, woods, entrance, lake, loch, woodlands, walks, public, visitors, tourist, attraction, exhibition, restaurant, Fuji, film, slide, transparency, 120, Velvia, RVP, 645, medium, format, Bronica, ETRSi, manual, December, 2000
Crathes Castle Snowscene 171603jhp Crathes Castle Gardens Camel birdbath December snow Deeside Aberdeenshire Scotland which offers a wonderful vista of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant. The tower house is one of the finest examples of the period and some of the original wall paintings still survive. Entry into the walled garden is at the west side and the main path into the gardens is through the white borders and onto the path down the June Borders to the bottom of the walled garden where there is a Doocot an attractive feature and useful high point for looking up the June Border, the summer jewel resplendent with many colourful plants, with the Castle as its impressive backdrop. Turning left at the main entrance leads to the Topiary Borders and Terrace, past the Camel Garden and climbing the steps enters the upper level with the Croquet Lawn and Lady Burnett or Upper Pool Garden. This photo was taken in the days of transparency film before digital was even a serious contender for recording these properties for the publishing market. Little has changed since this photo was taken except the distant rhododendrons which used to border the path coming down to the castle. Also it seems with climate change the days of deep snow are far less at the castle and Aberdeenshire generally. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property. Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, Royal, Deeside, River, Dee, Crathes, Castle, Banchory, historic, castles, landscape, camel, birdbath, shrubs, winter, scenic, Christmas, card, Dickensian, white, history, heritage, preserved, countryside, rural, nature, snow, white, sunny, sunshine, crisp, hanging, branches, ice, frozen, water, cold, colourful, colorful, coloured, colored, peaceful, gardens, herbaceous, trees, woods, entrance, lake, loch, woodlands, walks, public, visitors, tourist, attraction, exhibition, restaurant, Fuji, film, slide, transparency, 120, Velvia, RVP, 645, medium, format, Bronica, ETRSi, manual, December, 2000
Crathes Castle Snowscene 1716014jhp Crathes Castle Scotland lawn topiary shapes winter snow sunshine Deeside Aberdeenshire Scotland which offers a wonderful vista of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant. The tower house is one of the finest examples of the period and some of the original wall paintings still survive. Entry into the walled garden is at the west side and the main path into the gardens is through the white borders and onto the path down the June Borders to the bottom of the walled garden where there is a Doocot an attractive feature and useful high point for looking up the June Border, the summer jewel resplendent with many colourful plants, with the Castle as its impressive backdrop. Turning left at the main entrance leads to the Topiary Borders and Terrace, past the Camel Garden and climbing the steps enters the upper level with the Croquet Lawn and Lady Burnett or Upper Pool Garden. This photo was taken in the days of transparency film before digital was even a serious contender for recording these properties for the publishing market. Little has changed since this photo was taken except the distant rhododendrons which used to border the path coming down to the castle. Also it seems with climate change the days of deep snow are far less at the castle and Aberdeenshire generally. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property. Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, Royal, Deeside, River, Dee, Crathes, Castle, Banchory, historic, castles, landscape, croquet, lawn, yew, hedges, topiary, sundial, Burnett, upper, pool, blue, fountain, winter, scenic, Christmas, card, Dickensian, white, history, heritage, preserved, countryside, rural, nature, snow, white, sunny, sunshine, crisp, hanging, branches, ice, frozen, water, cold, rhododendrons, colourful, colorful, coloured, colored, peaceful, gardens, herbaceous, trees, woods, entrance, lake, loch, woodlands, walks, public, visitors, tourist, attraction, exhibition, restaurant, Fuji, film, slide, transparency, 120, Velvia, RVP, 645, medium, format, Bronica, ETRSi, manual, December, 2000
Crathes Castle Snowscene 1716012jhp Crathes Castle croquet lawn topiary winter white snow December Deeside Aberdeenshire Scotland which offers a wonderful vista of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant. The tower house is one of the finest examples of the period and some of the original wall paintings still survive. Entry into the walled garden is at the west side and the main path into the gardens is through the white borders and onto the path down the June Borders to the bottom of the walled garden where there is a Doocot an attractive feature and useful high point for looking up the June Border, the summer jewel resplendent with many colourful plants, with the Castle as its impressive backdrop. Turning left at the main entrance leads to the Topiary Borders and Terrace, past the Camel Garden and climbing the steps enters the upper level with the Croquet Lawn and Lady Burnett or Upper Pool Garden. This photo was taken in the days of transparency film before digital was even a serious contender for recording these properties for the publishing market. Little has changed since this photo was taken except the distant rhododendrons which used to border the path coming down to the castle. Also it seems with climate change the days of deep snow are far less at the castle and Aberdeenshire generally. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property. Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, Royal, Deeside, River, Dee, Crathes, Castle, Banchory, historic, castles, landscape, croquet, lawn, yew, hedges, topiary, sundial, Burnett, upper, pool, blue, fountain, winter, scenic, Christmas, card, Dickensian, white, history, heritage, preserved, countryside, rural, nature, snow, white, sunny, sunshine, crisp, hanging, branches, ice, frozen, water, cold, rhododendrons, colourful, colorful, coloured, colored, peaceful, gardens, herbaceous, trees, woods, entrance, lake, loch, woodlands, walks, public, visitors, tourist, attraction, exhibition, restaurant, Fuji, film, slide, transparency, 120, Velvia, RVP, 645, medium, format, Bronica, ETRSi, manual, December, 2000
Crathes Castle Snowscene 151411jhp Crathes Castle Gardens Camel birdbath December snow Deeside Aberdeenshire Scotland which offers a wonderful vista of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant. The tower house is one of the finest examples of the period and some of the original wall paintings still survive. Entry into the walled garden is at the west side and the main path into the gardens is through the white borders and onto the path down the June Borders to the bottom of the walled garden where there is a Doocot an attractive feature and useful high point for looking up the June Border, the summer jewel resplendent with many colourful plants, with the Castle as its impressive backdrop. Turning left at the main entrance leads to the Topiary Borders and Terrace, past the Camel Garden and climbing the steps enters the upper level with the Croquet Lawn and Lady Burnett or Upper Pool Garden. This photo was taken in the days of transparency film before digital was even a serious contender for recording these properties for the publishing market. Little has changed since this photo was taken except the distant rhododendrons which used to border the path coming down to the castle. Also it seems with climate change the days of deep snow are far less at the castle and Aberdeenshire generally. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property. Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, Royal, Deeside, River, Dee, Crathes, Castle, Banchory, historic, castles, landscape, camel, birdbath, shrubs, winter, scenic, Christmas, card, Dickensian, white, history, heritage, preserved, countryside, rural, nature, snow, white, sunny, sunshine, crisp, hanging, branches, ice, frozen, water, cold, colourful, colorful, coloured, colored, peaceful, gardens, herbaceous, trees, woods, entrance, lake, loch, woodlands, walks, public, visitors, tourist, attraction, exhibition, restaurant, Fuji, film, slide, transparency, 120, Astia, RAP, 645, medium, format, Bronica, ETRSi, manual, December, 1998
Crathes Castle Snowscene 151399jhp Crathes Castle Gardens croquet lawn topiary white winter snow Banchory Aberdeenshire Scotland which offers a wonderful vista of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant. The tower house is one of the finest examples of the period and some of the original wall paintings still survive. Entry into the walled garden is at the west side and the main path into the gardens is through the white borders and onto the path down the June Borders to the bottom of the walled garden where there is a Doocot an attractive feature and useful high point for looking up the June Border, the summer jewel resplendent with many colourful plants, with the Castle as its impressive backdrop. Turning left at the main entrance leads to the Topiary Borders and Terrace, past the Camel Garden and climbing the steps enters the upper level with the Croquet Lawn and Lady Burnett or Upper Pool Garden. This photo was taken in the days of transparency film before digital was even a serious contender for recording these properties for the publishing market. Little has changed since this photo was taken except the distant rhododendrons which used to border the path coming down to the castle. Also it seems with climate change the days of deep snow are far less at the castle and Aberdeenshire generally. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property. Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, Royal, Deeside, River, Dee, Crathes, Castle, Banchory, historic, castles, landscape, croquet, lawn, yew, hedges, topiary, sundial, Burnett, upper, pool, blue, fountain, winter, scenic, Christmas, card, Dickensian, white, history, heritage, preserved, countryside, rural, nature, snow, white, sunny, sunshine, crisp, hanging, branches, ice, frozen, water, cold, rhododendrons, colourful, colorful, coloured, colored, peaceful, gardens, herbaceous, trees, woods, entrance, lake, loch, woodlands, walks, public, visitors, tourist, attraction, exhibition, restaurant, Fuji, film, slide, transparency, 120, Astia, RAP, 645, medium, format, Bronica, ETRSi, manual, December, 1998
Crathes Castle Snowscene 151392jhp Crathes Castle Gardens croquet lawn topiary winter snow Deeside Aberdeenshire Scotland which offers a wonderful vista of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant. The tower house is one of the finest examples of the period and some of the original wall paintings still survive. Entry into the walled garden is at the west side and the main path into the gardens is through the white borders and onto the path down the June Borders to the bottom of the walled garden where there is a Doocot an attractive feature and useful high point for looking up the June Border, the summer jewel resplendent with many colourful plants, with the Castle as its impressive backdrop. Turning left at the main entrance leads to the Topiary Borders and Terrace, past the Camel Garden and climbing the steps enters the upper level with the Croquet Lawn and Lady Burnett or Upper Pool Garden. This photo was taken in the days of transparency film before digital was even a serious contender for recording these properties for the publishing market. Little has changed since this photo was taken except the distant rhododendrons which used to border the path coming down to the castle. Also it seems with climate change the days of deep snow are far less at the castle and Aberdeenshire generally. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property. Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, Royal, Deeside, River, Dee, Crathes, Castle, Banchory, historic, castles, landscape, croquet, lawn, yew, hedges, topiary, sundial, Burnett, upper, pool, blue, fountain, winter, scenic, Christmas, card, Dickensian, white, history, heritage, preserved, countryside, rural, nature, snow, white, sunny, sunshine, crisp, hanging, branches, ice, frozen, water, cold, rhododendrons, colourful, colorful, coloured, colored, peaceful, gardens, herbaceous, trees, woods, entrance, lake, loch, woodlands, walks, public, visitors, tourist, attraction, exhibition, restaurant, Fuji, film, slide, transparency, 120, Astia, RAP, 645, medium, format, Bronica, ETRSi, manual, December, 1998
Crathes Castle Snowscene 1513914jhp Crathes Castle Upper Pool Garden topiary winter snow Deeside Aberdeenshire Scotland which offers a side view of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant. The tower house is one of the finest examples of the period and some of the original wall paintings still survive. Entry into the walled garden is at the west side and the main path into the gardens is through the white borders and onto the path down the June Borders to the bottom of the walled garden where there is a Doocot an attractive feature and useful high point for looking up the June Border, the summer jewel resplendent with many colourful plants, with the Castle as its impressive backdrop. Turning left at the main entrance leads to the Topiary Borders and Terrace, past the Camel Garden and climbing the steps enters the upper level with the Croquet Lawn and Lady Burnett or Upper Pool Garden. This photo was taken in the days of transparency film before digital was even a serious contender for recording these properties for the publishing market. Little has changed since this photo was taken except the distant rhododendrons which used to border the path coming down to the castle. Also it seems with climate change the days of deep snow are far less at the castle and Aberdeenshire generally. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property. Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, Royal, Deeside, River, Dee, Crathes, Castle, Banchory, historic, castles, landscape, croquet, lawn, yew, hedges, topiary, sundial, Burnett, upper, pool, blue, fountain, winter, scenic, Christmas, card, Dickensian, white, history, heritage, preserved, countryside, rural, nature, snow, white, sunny, sunshine, crisp, hanging, branches, ice, frozen, water, cold, rhododendrons, colourful, colorful, coloured, colored, peaceful, gardens, herbaceous, trees, woods, entrance, lake, loch, woodlands, walks, public, visitors, tourist, attraction, exhibition, restaurant, Fuji, film, slide, transparency, 120, Astia, RAP, 645, medium, format, Bronica, ETRSi, manual, December, 1998
Crathes Castle Snowscene 1513912jhp Crathes Castle Gardens croquet lawn topiary Scottish winter snow sundial Deeside Aberdeenshire which offers a wonderful vista of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant. The tower house is one of the finest examples of the period and some of the original wall paintings still survive. Entry into the walled garden is at the west side and the main path into the gardens is through the white borders and onto the path down the June Borders to the bottom of the walled garden where there is a Doocot an attractive feature and useful high point for looking up the June Border, the summer jewel resplendent with many colourful plants, with the Castle as its impressive backdrop. Turning left at the main entrance leads to the Topiary Borders and Terrace, past the Camel Garden and climbing the steps enters the upper level with the Croquet Lawn and Lady Burnett or Upper Pool Garden. This photo was taken in the days of transparency film before digital was even a serious contender for recording these properties for the publishing market. Little has changed since this photo was taken except the distant rhododendrons which used to border the path coming down to the castle. Also it seems with climate change the days of deep snow are far less at the castle and Aberdeenshire generally. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property. Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, Royal, Deeside, River, Dee, Crathes, Castle, Banchory, historic, castles, landscape, croquet, lawn, yew, hedges, topiary, sundial, Burnett, upper, pool, blue, fountain, winter, scenic, Christmas, card, Dickensian, white, history, heritage, preserved, countryside, rural, nature, snow, white, sunny, sunshine, crisp, hanging, branches, ice, frozen, water, cold, rhododendrons, colourful, colorful, coloured, colored, peaceful, gardens, herbaceous, trees, woods, entrance, lake, loch, woodlands, walks, public, visitors, tourist, attraction, exhibition, restaurant, Fuji, film, slide, transparency, 120, Astia, RAP, 645, medium, format, Bronica, ETRSi, manual, December, 1998

Scotland > Rivers, Glens & Lochs (11 files)

The gallery has photographs of Scottish lochs, glens and pictures associated directly with particular rivers in Scotland such as the River Dee, Don, Feugh, Urie, Deveron, Tanar, Dye, and Glen of Dee, Glen Muick and Glenbuchat.
Lochnagar near Meikle Pap 1615726jhp Lochnagar Mountain Scottish Meikle Pap boulders autumn Muick Deeside panorama Aberdeenshire from the Meikle Pap Saddle across the lochan and corrie of the fourth highest mountain in Britain in North East Scotland to the south of Ballater and the River Dee with the distant Cairngorm Range in the background. On approaching the saddle above the lochan and looking across at the summit of the mountain range, the Meikle Pap is small climb to the right and does give useful views across the whole front of the mountain and the opportunity from its boulder scree field for foreground interest to create a sense of 3 dimensional depth. This point is an approximate 2-2.5 hour’s walk from the carpark on well defined track to the Fox’s Well and thereafter a conservation constructed pathway. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Grampian, Ballater, Glen, Muick, Lochnagar, Cairngorms, mountain, summit, lochan, corrie, gullies, rock climbing, autumn, Meikle, Pap, landscape, sunshine, blue, picturesque, beautiful, 35mm, Fuji, RAP, 100asa, Nikon, FM2, manual, camera, Nikkor, 28mm, lens, slide, scans, scanned, granite, lichen, ice, 15th, September, 1999, granite, boulders, rocks, lichen
Lochnagar near Meikle Pap 1615720jhp Lochnagar Mountain corries Scotland Meikle Pap boulder autumn Aberdeenshire from the Meikle Pap Saddle across the lochan and corrie of the fourth highest mountain in Britain in North East Scotland to the south of Ballater and the River Dee with the distant Cairngorm Range in the background. On approaching the saddle above the lochan and looking across at the summit of the mountain range, the Meikle Pap is small climb to the right and does give useful views across the whole front of the mountain and the opportunity from its boulder scree field for foreground interest to create a sense of 3 dimensional depth. This point is an approximate 2-2.5 hour’s walk from the carpark on well defined track to the Fox’s Well and thereafter a conservation constructed pathway. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Grampian, Ballater, Glen, Muick, Lochnagar, Cairngorms, mountain, summit, lochan, corrie, gullies, rock climbing, autumn, Meikle, Pap, landscape, sunshine, blue, picturesque, beautiful, 35mm, Fuji, RAP, 100asa, Nikon, FM2, manual, camera, Nikkor, 28mm, lens, slide, scans, scanned, granite, lichen, ice, 15th, September, 1999, granite, boulders, rocks, lichen
Lochnagar from Saddle 161575jhp Lochnagar Cairngorms Mountains Scottish Saddle large boulder granite autumn Aberdeenshire from the Meikle Pap Saddle across the lochan and corrie of the fourth highest mountain in Britain in North East Scotland to the south of Ballater and the River Dee with the distant Cairngorm Range in the background. On approaching the saddle above the lochan and looking across at the summit of the mountain range, the Meikle Pap is small climb to the right and does give useful views across the whole front of the mountain and the opportunity from its boulder scree field for foreground interest to create a sense of 3 dimensional depth. This point is an approximate 2-2.5 hour’s walk from the carpark on well defined track to the Fox’s Well and thereafter a conservation constructed pathway. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Grampian, Ballater, Glen, Muick, Lochnagar, Cairngorms, mountain, summit, lochan, corrie, gullies, rock climbing, autumn, Meikle, Pap, landscape, upright, sunshine, blue, picturesque, beautiful, 35mm, Fuji, RAP, 100asa, Nikon, FM2, manual, camera, Nikkor, 28mm, lens, slide, scans, scanned, granite, lichen, ice, 15th, September, 1999, granite, boulders, rocks, lichen
Lochnagar from Saddle 161574jhp Lochnagar Cairngorms Mountain Scotland Saddle panorama autumn Deeside Muick Aberdeenshire from the Meikle Pap Saddle across the lochan and corrie of the fourth highest mountain in Britain in North East Scotland to the south of Ballater and the River Dee with the distant Cairngorm Range in the background. On approaching the saddle above the lochan and looking across at the summit of the mountain range, the Meikle Pap is small climb to the right and does give useful views across the whole front of the mountain and the opportunity from its boulder scree field for foreground interest to create a sense of 3 dimensional depth. This point is an approximate 2-2.5 hour’s walk from the carpark on well defined track to the Fox’s Well and thereafter a conservation constructed pathway. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Grampian, Ballater, Glen, Muick, Lochnagar, Cairngorms, mountain, summit, lochan, corrie, gullies, rock, climbing, autumn, Meikle, Pap, landscape, panorama, sunshine, blue, picturesque, beautiful, 35mm, Fuji, RAP, 100asa, Nikon, FM2, manual, camera, Nikkor, 28mm, lens, slide, scans, scanned, granite, lichen, ice, 15th, September, 1999, granite, boulders, rocks, lichen
Lochnagar from Saddle 1615719jhp Lochnagar Mountain Scotland Saddle autumn Muick Aberdeenshire heather lichen from the Meikle Pap Saddle across the lochan and corrie of the fourth highest mountain in Britain in North East Scotland to the south of Ballater and the River Dee with the distant Cairngorm Range in the background. On approaching the saddle above the lochan and looking across at the summit of the mountain range, the Meikle Pap is small climb to the right and does give useful views across the whole front of the mountain and the opportunity from its boulder scree field for foreground interest to create a sense of 3 dimensional depth. This point is an approximate 2-2.5 hour’s walk from the carpark on well defined track to the Fox’s Well and thereafter a conservation constructed pathway. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Grampian, Ballater, Glen, Muick, Lochnagar, Cairngorms, mountain, summit, lochan, corrie, gullies, rock climbing, autumn, Meikle, Pap, landscape, upright, sunshine, blue, picturesque, beautiful, 35mm, Fuji, RAP, 100asa, Nikon, FM2, manual, camera, Nikkor, 28mm, lens, slide, scans, scanned, granite, lichen, ice, 15th, September, 1999, granite, boulders, rocks, lichen
Lochnagar from Saddle 1615716jhp Lochnagar Cairngorms Mountains Scottish Saddle autumn Meikle Pap Aberdeenshire from the Meikle Pap Saddle across the lochan and corrie of the fourth highest mountain in Britain in North East Scotland to the south of Ballater and the River Dee with the distant Cairngorm Range in the background. On approaching the saddle above the lochan and looking across at the summit of the mountain range, the Meikle Pap is small climb to the right and does give useful views across the whole front of the mountain and the opportunity from its boulder scree field for foreground interest to create a sense of 3 dimensional depth. This point is an approximate 2-2.5 hour’s walk from the carpark on well defined track to the Fox’s Well and thereafter a conservation constructed pathway. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Grampian, Ballater, Glen, Muick, Lochnagar, Cairngorms, mountain, summit, lochan, corrie, gullies, rock climbing, autumn, Meikle, Pap, landscape, sunshine, blue, picturesque, beautiful, 35mm, Fuji, RAP, 100asa, Nikon, FM2, manual, camera, Nikkor, 28mm, lens, slide, scans, scanned, granite, lichen, ice, 15th, September, 1999, granite, boulders, rocks, lichen
Lochnagar from Saddle 1615618jhp Lochnagar Mountain Scotland Ladder scree heather corrie autumn Aberdeenshire from the Meikle Pap Saddle across the lochan and corrie of the fourth highest mountain in Britain in North East Scotland to the south of Ballater and the River Dee with the distant Cairngorm Range in the background. On approaching the saddle above the lochan and looking across at the summit of the mountain range, the Meikle Pap is small climb to the right and does give useful views across the whole front of the mountain and the opportunity from its boulder scree field for foreground interest to create a sense of 3 dimensional depth. This point is an approximate 2-2.5 hour’s walk from the carpark on well defined track to the Fox’s Well and thereafter a conservation constructed pathway. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Grampian, Ballater, Glen, Muick, Lochnagar, Cairngorms, mountain, summit, lochan, corrie, gullies, rock climbing, autumn, Meikle, Pap, landscape, sunshine, blue, picturesque, beautiful, 35mm, Fuji, RAP, 100asa, Nikon, FM2, manual, camera, Nikkor, 28mm, lens, slide, scans, scanned, granite, lichen, ice, 15th, September, 1999, granite, boulders, rocks, lichen
Lochnagar from Ladder 161569jhp Lochnagar Mountain Scotland Saddle Ladder lochan vista autumn Aberdeenshire from the Saddle near base of Ladder scree field across the lochan and corrie of the fourth highest mountain in Britain in North East Scotland to the south of Ballater and the River Dee with the distant Cairngorm Range in the background. On approaching the saddle above the lochan and looking across at the summit of the mountain range, the Meikle Pap is small climb to the right and does give useful views across the whole front of the mountain and the opportunity from its boulder scree field for foreground interest to create a sense of 3 dimensional depth. This point is an approximate 2-2.5 hour’s walk from the carpark on well defined track to the Fox’s Well and thereafter a conservation constructed pathway. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Grampian, Ballater, Glen, Muick, Lochnagar, Cairngorms, mountain, summit, lochan, corrie, gullies, rock climbing, autumn, Meikle, Pap, landscape, sunshine, blue, picturesque, beautiful, 35mm, Fuji, RAP, 100asa, Nikon, FM2, manual, camera, Nikkor, 28mm, lens, slide, scans, scanned, granite, lichen, ice, 15th, September, 1999, granite, boulders, rocks, lichen
Lochnagar from Ladder 161568jhp Lochnagar Mountain Scottish Saddle Ladder panorama autumn boulders Aberdeenshire lichen from the Saddle near base of the Ladder across the lochan and corrie of the fourth highest mountain in Britain in North East Scotland to the south of Ballater and the River Dee with the distant Cairngorm Range in the background. On approaching the saddle above the lochan and looking across at the summit of the mountain range, the Meikle Pap is small climb to the right and does give useful views across the whole front of the mountain and the opportunity from its boulder scree field for foreground interest to create a sense of 3 dimensional depth. This point is an approximate 2-2.5 hour’s walk from the carpark on well defined track to the Fox’s Well and thereafter a conservation constructed pathway. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Grampian, Ballater, Glen, Muick, Lochnagar, Cairngorms, mountain, summit, lochan, corrie, gullies, rock climbing, autumn, Meikle, Pap, landscape, sunshine, blue, picturesque, beautiful, 35mm, Fuji, RAP, 100asa, Nikon, FM2, manual, camera, Nikkor, 28mm, lens, slide, scans, scanned, granite, lichen, ice, 15th, September, 1999, granite, boulders, rocks, lichen
Lochnagar from Ladder 161567jhp Lochnagar Cairngorms Mountain Scottish Saddle Ladder autumn boulders lichen Aberdeenshire from the Saddle near base of Ladder scree field across the lochan and corrie of the fourth highest mountain in Britain in North East Scotland to the south of Ballater and the River Dee with the distant Cairngorm Range in the background. On approaching the saddle above the lochan and looking across at the summit of the mountain range, the Meikle Pap is small climb to the right and does give useful views across the whole front of the mountain and the opportunity from its boulder scree field for foreground interest to create a sense of 3 dimensional depth. This point is an approximate 2-2.5 hour’s walk from the carpark on well defined track to the Fox’s Well and thereafter a conservation constructed pathway. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Grampian, Ballater, Glen, Muick, Lochnagar, Cairngorms, mountain, summit, lochan, corrie, gullies, rock climbing, autumn, Meikle, Pap, landscape, upright, sunshine, blue, picturesque, beautiful, 35mm, Fuji, RAP, 100asa, Nikon, FM2, manual, camera, Nikkor, 28mm, lens, slide, scans, scanned, granite, lichen, ice, 15th, September, 1999, granite, boulders, rocks, lichen
Lochnagar from Ladder 1615619jhp Lochnagar scree field boulders rocks Scottish Saddle Ladder autumn Aberdeenshire from the Meikle Pap Saddle across the lochan and corrie of the fourth highest mountain in Britain in North East Scotland to the south of Ballater and the River Dee with the distant Cairngorm Range in the background. On approaching the saddle above the lochan and looking across at the summit of the mountain range, the Meikle Pap is small climb to the right and does give useful views across the whole front of the mountain and the opportunity from its boulder scree field for foreground interest to create a sense of 3 dimensional depth. This point is an approximate 2-2.5 hour’s walk from the carpark on well defined track to the Fox’s Well and thereafter a conservation constructed pathway. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Grampian, Ballater, Glen, Muick, Lochnagar, Cairngorms, mountain, summit, lochan, corrie, gullies, rock climbing, autumn, Meikle, Pap, landscape, upright, sunshine, blue, picturesque, beautiful, 35mm, Fuji, RAP, 100asa, Nikon, FM2, manual, camera, Nikkor, 28mm, lens, slide, scans, scanned, granite, lichen, ice, 15th, September, 1999, granite, boulders, rocks, lichen

Click below to purchase all images shown (you can fine-tune on next page):