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Aurora over Scotland (60 files)

Aurora Borealis or Northern Lights displays photographed taken over Aberdeeshire in Scotland since 1989 covering some 350 events with arc, rays, coronas with a wide rnage of shapes and colours
Aurora The Neuk au7133ajhp 
 Scottish Aurora Lights Deeside Aberdeenshire thin rays winter January 1990 on 23rd and first of the new decade taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. This photo is one of the first of 1990 which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. As there was moonlight then there is some additional overexposure element along with less saturation in the colours.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September.

The large dark feature to the bottom right is a hay bale. This second selection of three photos were taken after 23.00 as in this case with this arc starting a second period of activity which finished around 23.30UT and this was gthe last photo i took that evening. This location and the nearby layby at The Ley farm entrance with it’s beautiful tree, became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night were spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 23rd, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au7132ajhp 
 Scotland Aurora Crathes Aberdeenshire thin rays winter January 23rd 1990 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. This photo is one of the first of 1990 which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. As there was moonlight then there is some additional overexposure element along with less saturation in the colours.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September.

The large dark feature to the bottom right is a hay bale. This second selection of three photos were taken after 23.00 as in this case with this arc starting a second period of activity which finished around 23.30UT. This location and the nearby layby at The Ley farm entrance with it’s beautiful tree, became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night were spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 23rd, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au7129ajhp 
 Scotland Northern Lights display Neuk Crathes Deeside rays winter January 23rd 1990 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. This photo is one of the first of 1990 which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. As there was moonlight then there is some additional overexposure element along with less saturation in the colours.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September.

The large dark feature to the bottom right is a hay bale. This second selection of three photos were taken after 23.00 as in this case with this arc starting a second period of activity which finished around 23.30UT. This location and the nearby layby at The Ley farm entrance with it’s beautiful tree, became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night were spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 23rd, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au7124ajhp 
 Scotland Northern Lights display Neuk Crathes Deeside rays winter January 23rd 1990 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. This photo is one of the first of 1990 which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. As there was moonlight then there is some additional overexposure element along with less saturation in the colours.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September.

The large dark feature to the bottom right is a hay bale. The first selection of photos was taken after 22.30 as in this case, the later ones after a second period of activity nearer 23.30UT. This location and the nearby layby at The Ley farm entrance with it’s beautiful tree, became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night were spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 23rd, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au7117ajhp 
 Scottish January 1990 Aurora Borealis display Neuk Crathes Banchory ray winter 23rd taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. This photo is one of the first of 1990 which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. As there was moonlight then there is some additional overexposure element along with less saturation in the colours.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September.

The large dark feature to the bottom right is a hay bale. The first selection of photos was taken after 22.30 as in this case, the later ones after a second period of activity nearer 23.30UT. This location and the nearby layby at The Ley farm entrance with it’s beautiful tree, became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night were spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 23rd, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au718ajhp 
 Scotland Aurora Borealis display Neuk Crathes strong red rays Plough winter December 27th 1989 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. This photo is one of the early ones, I think the fifth display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark feature to the bottom right is a hay bale. I have no record of the time of this display but probably before mid-night and I only took 8 frames. This location and the nearby layby at The Ley farm entrance with it’s beautiful tree, became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, easily accessible from Banchory and with a clear light pollution free view to the North. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, 27th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au712ajhp 
 Scottish Aurora Borealis Neuk Deeside Ursa Major stars Banchory rays red winter December 27th 1989 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. This photo is one of the early ones, I think the fifth display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark feature to the bottom right is a hay bale. I have no record of the time of this display but probably before mid-night and I only took 8 frames. This location and the nearby layby at The Ley farm entrance with it’s beautiful tree, became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, easily accessible from Banchory and with a clear light pollution free view to the North. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, 27th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au711ajhp 
 Scottish Aurora Borealis beginning arc rays Plough Ursa Major stars rays red winter December 27th 1989 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. This photo is one of the early ones, I think the fifth display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark feature to the bottom right is a hay bale. I have no record of the time of this display but probably before mid-night and I only took 8 frames. This location and the nearby layby at The Ley farm entrance with it’s beautiful tree, became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, easily accessible from Banchory and with a clear light pollution free view to the North. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, 27th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au61714jhp 
 Scottish Northern Lights Cairn O’Mount rays red winter clouds December 22nd 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the fourth display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed slightly shorter than the 20 seconds I later settled on and hence slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road but it must have been a short lived event as I only took four exposures. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, 22nd, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au61713jhp 
 Scotland Aurora Borealis display Cairn O’Mount rays red winter December 22nd 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the fourth display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road but it must have been a short lived event as I only took four exposures. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, 22nd, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Glen Dye au61041jhp 
 Scotland Aurora Borealis underexposed grainy rays red 645 medium format autumn 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji RHP 400asa 6.4.5cm format film and it became visible just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I photographed using Fuji RHP 400asa medium format transparency film of which this photo is an underexposed example while bracketing exposures near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, slide, transparency, film, Fuji, RHP, 400asa, pushed, development, 1600asa, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Glen Dye au610415jhp 
 Scottish Aurora display Glen Dye rays red 645 medium format autumn 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji RHP 400asa 6.4.5cm format film and it became visible just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I photographed using Fuji RHP 400asa medium format transparency film of which this photo is an example with an exposure near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, slide, transparency, film, Fuji, RHP, 400asa, pushed, development, 1600asa, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Glen Dye au610410jhp 
 Scotland Aurora Borealis Glen Dye rays red 645 medium format autumn 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji RHP 400asa 6.4.5cm format film and it became visible just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I photographed using Fuji RHP 400asa medium format transparency film of which this photo is an example and bracketing exposures near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, slide, transparency, film, Fuji, RHP, 400asa, pushed, development, 1600asa, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Eslie Greater au61355jhp 
 Scotland Aurora Borealis Deeside Eslie Stone Circle display Agfa film October 1989 taken from the Recumbent Stone Circle called Esslie the Greater at Eslie to the SE of Banchory overlooking Feughside and Scolty Hill. This photo is from my second Aurora display I photographed using Agfa 1000 RS 6.4.5cm format film stock using my Bronica ETRS, from memory the fastest 120 film available at the time. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

This photograph using Agfa medium format transparency film of which this photo is an example was the one and only time I used it and I suspect it was underexposed as I would not have used my usual bracketing exposures near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS a slower lens to my usual f2.8 35mm primes. Push processing the 35mm 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons and because of this I stopped using medium format stock almost straight away. This photo has no great technical merit as far as an Aurora record goes except as an example of the 645 format, Agfa film and appears to be the only record I had of this second observed display on the 21st October – I have a note that I missed a display on the 20th. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Eslie, Banchory, Feughside, Esslie, Recumbent, Stone, Circle, Bronze, Age, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, October, medium, format, slide, transparency, film, Agfa, 1000 RS, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Eslie Greater au613514jhp 
 Scottish Northern Lights Esslie Stone Circle Greater Agfa 645 transparency October 1989 taken from the Recumbent Stone Circle called Esslie the Greater at Eslie to the SE of Banchory overlooking Feughside and Scolty Hill. This photo is from my second Aurora display I photographed using Agfa 1000 RS 6.4.5cm format film stock using my Bronica ETRS, from memory the fastest 120 film available at the time. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

This photograph using Agfa medium format transparency film of which this photo is an example was the one and only time I used it and I suspect it was underexposed as I would not have used my usual bracketing exposures near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS a slower lens to my usual f2.8 35mm primes. Push processing the 35mm 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons and because of this I stopped using medium format stock almost straight away. This photo has no great technical merit as far as an Aurora record goes except as an example of the 645 format, Agfa film and appears to be the only record I had of this second observed display on the 21st October – I have a note that I missed a display on the 20th. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Eslie, Banchory, Feughside, Esslie, Recumbent, Stone, Circle, Bronze, Age, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, October, medium, format, slide, transparency, film, Agfa, 1000 RS, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au61709jhp 
 Scotland Aurora Borealis lights Cairn O’Mount rays red yellow green winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au61708jhp 
 Scotland Aurora Borealis display Cairn O’Mount rays red winter active 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au61706jhp 
 Scotland Aurora Borealis quiet display Cairn O’Mount arc winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au61705jhp 
 Scotland Aurora Borealis display Cairn O’Mount rays red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au61704jhp 
 Scotland Northern Lights early stage display winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au61703jhp 
 Scottish low grade Aurora Borealis display Cairn O’Mount arc active winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617023jhp 
 Scotland Aurora Borealis dying phase Northern sky faint rays yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617020jhp 
 Scotland Aurora Borealis rays bundle colours ray purple yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au61701jhp 
 Scotland Aurora Borealis arc north Cairn O’Mount winter December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT on the 11th December. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617018jhp 
 Scotrish Aurora Borealis northwards night sky bright multiple rays yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617017jhp 
 British Aurora Borealis Cairn O’Mount Ursa Major bright rays yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, Plough, constellation, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617016jhp 
 Scotland British Aurora Borealis Plough stars Cairn O’Mount rays yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617015jhp 
 Scotland Aurora Borealis active phase Cairn O’Mount bright ray yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617013jhp 
 Scotland Aurora Borealis active phase colourful bright rays yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617012jhp 
 Scottisah Northern Lights active phase Cairn O’Mount rays stars yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617011jhp 
 Scottish Aberdeenshire Aurora Borealis colours active phase Cairn O’Mount bright ray yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Glen Dye au61058jhp 
 Scottish Aurora Borealis display ray single Plough Aberdeenshire autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61054jhp 
 Scottish Aurora Borealis display Glen Dye faint multiple rays red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610536jhp 
 Scotland Aurora Borealis rays red clouds moving shapes Aberdeenshire autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film, the end of my first film, and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610535jhp 
 Scotland Aurora Borealis Glen Dye strong rays red clouds patterns autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610533jhp 
 Scottish Aurora Borealis Northern Lights display rays red clouds stars autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610531jhp 
 Scotland photo Aurora Borealis display rays pink clouds windy shapes autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61052jhp 
 Scotland Aurora Borealis display Glen Dye overexposed rays trailing stars red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610527jhp 
 Scotland Aurora Borealis night sky strong multiple rays red Arc autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610526jhp 
 Scotland Northern Lights Glen Dye many strong bright rays red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610525jhp 
 Scottish active Aurora Borealis Glen Dye rays large red clouds autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610524jhp 
 Scotland Merry Dancers display rays red stars several Aurora autumn September 26th & 27th 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610523jhp 
 Scotland Aurora Borealis Glen Dye rays red long exposure clouds 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610521jhp 
 Scotland Northern Lights Clachnaben hill rays mulitple red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610520jhp 
 Scotland Aurora Borealis display rays red clouds Jim Henderson Photo autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film, the first film I tried out, and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61051jhp 
 Scotland Aurora Borealis display Glen Dye rays clouds first photo autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo was the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible and some rays visible through the gaps. This was probably an underexposure, maybe 10 seconds or so. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610517jhp 
 Aberdeenshire Aurora Borealis display Glen Dye faint rays clouds gaps autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617120jhp 
 Scotland Aurora Borealis maximum bright strong display winter hills Boxing Day December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617119jhp 
 Scotland Aurora Borealis Boxing Day December rays bright Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617118jhp 
 Scottish Aurora Borealis display Boxing Day west rays Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, multiple, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617117jhp 
 Scotland Aurora Borealis moving ray red headlights Boxing Day Aberdeenshire December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617115jhp 
 Scotland Northern Lights multiple rays arc red yellow display 1989 Boxing Day December Cairn O’Mount taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617114jhp 
 Scotland Aurora Borealis several rays moving arc hill starting display Boxing Day December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617113jhp 
 Scottish Aurora Borealis early stage arc active Cairn O'Mount rays display Boxing Day December 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617111jhp 
 Scotland Aurora Borealis arc start display Aberdeenshire Jim Henderson Photograph Boxing Day December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61065jhp 
 Scotland Aurora Borealis display Clachnaben hill torr Glen Dye autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, upright, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610615jhp 
 Scottish Aurora Borealis Glen Dye red purple gas September 1989 slide film taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610613jhp 
 Scotland Aurora Borealis red display Glen Dye earliest first autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610612jhp 
 Scottish Aurora Borealis display Plough stars Glen Dye Aberdeenshire first autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610611jhp 
 Scotland Northern Lights Ursa Major red rays display Glen Dye earliest first autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured

Egypt > Giza Pyramids & Sphinx (18 files)

Photographs of the three Giza pyramids of Khufu, Khafre and Menkaure, the Sphinx, temples, Solar Barque museum and western cemetery mastabas, including the Light and Sound Show night views.
Valley Temple Giza EG02027jhp 
 Valley Temple Inside Giza Khafre Granite Blocks roof alabaster floor looking at the interior through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column in the holed areas but only one survives in the Cairo Museum. 
 Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, upright, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history
Valley Temple Giza EG02026jhp 
 Valley Temple Interior Giza Khafre Chephren Religion Limestone Granite Blocks looking at the interior through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column in the holed areas but only one survives in the Cairo Museum. 
 Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, upright, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history, statue, bases
Valley Temple Giza EG02025jhp 
 Valley Temple door causeway Giza Khafre Pyramid Granite corridor exit looking towards the doorway at the base of the 550m causeway from Khafre Pyramid at Giza and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. 
 Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history
Valley Temple Giza EG02005jhp 
 Valley Temple Interior Giza Cairo Khafre Chephren Limestone Granite Blocks looking at the interior through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column in the holed areas but only one survives in the Cairo Museum. 
 Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, mortuary, landscape, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history, statue, bases
Valley Temple Giza EG02004jhp 
 Valley Temple Interior Giza Chephren alabaster floor Limestone Granite Blocks looking at the interior through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column in the holed areas but only one survives in the Cairo Museum. This older digital image will need sharpening in USM. 
 Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, landscape, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history
Khafre Causeway Giza EG02009jhp 
 Khafre Chephren Ancient Egyptian Causeway Pyramid Turah top blue sky Photo at the base of the 550m causeway looking to his Pyramid at Giza from the Valley temple and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. 
 Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, ancient, Egyptian, Egyptology, archaeology, history, Turah, cap, top, cover, remains
Khafre Causeway Giza EG02008jhp 
 Khafre Chephren Ancient Egyptian Causeway Pyramid walk limestone erosion Photo at the base of the 550m causeway looking to his Pyramid at Giza from the Valley temple and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. 
 Keywords: Egypt, Cairo, Giza, Gizah, landscape, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, walk, granite, red, lined, blocks, Turah, cap, limestone, eroded, erosion, weathering, ancient, Egyptian, Egyptology, archaeology, history
Khafre Causeway Giza EG02007jhp 
 Khafre Chephren Alabaster Egyptian Causeway Pyramid Valley Temple Stone gate at the base of the 550m causeway looking to his Pyramid at Giza from the Valley temple and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. 
 Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, ancient, Egyptian, Egyptology, archaeology, history, gate, outlined, framed, alabaster, floor
Khafre Causeway Giza EG02006jhp 
 Khafre Chephren Egypt Giza Causeway Temple floor alabaster Entrance View Photo at the base of the 550m causeway looking to his Pyramid at Giza from the Valley temple and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. 
 Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, ancient, Egyptian, Egyptology, archaeology, history, alabaster, floor
Khafre Valley Temple EG02910JHP 
 Valley Temple Interior Giza Khafre Chephren Religion Limestone Granite Blocks looking towards the doorway at the base of the 550m causeway from Khafre Pyramid at Giza and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. 
 Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history, slide, scanned
Khafra Valley Temple EG02625JHP 
 Valley Temple Interior Causeway Entrance Exit Alabaster Floor Giza Limestone at the base of the 550m causeway from Khafre Pyramid at Giza and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. 
 Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history, slide, scanned
Giza Valley Temple EG0299JHP 
 Valley Temple Interior Limestone Blocks Columns Floor Alabaster Photo Inside at the base of the 550m causeway from Khafre Pyramid at Giza and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. 
 Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history, slide, scanned
Giza Khafra Causeway EG02627JHP 
 Khafre Chephren Ancient Egyptian Causeway Pyramid Temple Stone Photo at the base of the 550m causeway looking to his Pyramid at Giza from the Valley temple and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. 
 Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, ancient, Egyptian, Egyptology, archaeology, history, slide, scanned
The Sphinx Right Ear EG050991JHP 
 Sphinx Face Closeup Nemes Head Painted Giza Egypt Ear Headdress showing detail of the ancient carving, even remains of some coloured paint in the nemes headdress and the cement addition to support the outer flange of the headdress applied in recent times at this huge limestone carved squatting lion with the face of probably Pharaoh Khafre although some theories point to Khufu. 
 Keywords: Egypt, Egyptian, Giza, Sphinx, face, closeup, soft, erosion, limestone, landscape, eyes, ear, broken, nose, nemes, headdress, colour, color, painted, red, conservation, repairs, Egyptology, archaeology, ancient
The Sphinx Head-dress EG050997JHP 
 Egyptian Gizah Sphinx Face Headdress Nemes Concrete Neck Base Closeup in close up showing detail of the ancient carving, even remains of some coloured paint in the nemes headdress and the cement addition to support the outer flange of the headdress applied in recent times at this huge limestone carved squatting lion with the face of probably Pharaoh Khafre although some theories point to Khufu. 
 Keywords: Egypt, Egyptian, Giza, Sphinx, face, closeup, soft, erosion, limestone, landscape, eyes, ear, broken, nose, nemes, headdress, colour, color, painted, red, conservation, repairs, cement, Egyptology, archaeology, ancient
The Sphinx Face EG050992JHP 
 Giza Egypt Sphinx Face Closeup Eyes Nose Mouth Telephoto Photo showing detail of the ancient carving, even remains of some coloured paint in the nemes headdress and the cement addition to support the outer flange of the headdress applied in recent times at this huge limestone carved squatting lion with the face of probably Pharaoh Khafre although some theories point to Khufu. 
 Keywords: Egypt, Egyptian, Giza, Sphinx, face, closeup, close-up, telephoto, soft, erosion, limestone, landscape, eyes, ear, broken, nose, nemes, headdress, colour, color, painted, red, conservation, repairs, Egyptology, archaeology, ancientarchaeology, ancient
The Sphinx Face EG050990JHP 
 Sphinx Face Detail Nose Eyes Ear Headdress Head Egyptian Pharaoh Giza showing the ancient carving, even remains of some coloured paint in the nemes headdress and the cement addition to support the outer flange of the headdress applied in recent times at this huge limestone carved squatting lion with the face of probably Pharaoh Khafre although some theories point to Khufu. 
 Keywords: Egypt, Egyptian, Giza, Sphinx, face, closeup, close-up, telephoto, soft, erosion, limestone, landscape, eyes, ear, broken, nose, nemes, headdress, colour, color, painted, red, conservation, repairs, Egyptology, archaeology, ancient
Giza Sphinx 6704EG07JHP 
 Sphinx Giza Ruins Temple Painted Headdress Face Gizah Egyptian Photograph located near near Cairo. Note the remains of painted headdress, the nemes, on the forehead. Underneath the headdress is the cement support added in the past 200 years to stop any possible damage to the ancient nemes headdress. 
 Keywords: Egypt, Egyptian, Giza, Sphinx, nemes, headdress, face, soft, erosion, limestone, casing, Tura, Valley, temple, causeway, Western, Cemetery, entrance, approach, upright, Egyptology, archaeology, ancient, telephoto, closeup

Egypt > Infra Red Photographs (9 files)

This is a collection of Infra Red Black & White film photographs taken of the main sites of mainly Ancient Egypt in the late 1990's and they give a very different feel to the sites with the particular ghostly effect of this specialised Kodak film. Sites covered include Abydos, Colossi of Memnon, Abydos temple, Osireion, Dendera Temple, Edfu Temple, Esna Temple, Esna Lock, Karnak Temple, Kom Ombo Temple, Luxor Temple, Philae Temple, Aswan Felucca; River Nile cruise, Pyramids of Giza and The Sphinx
Egyptian Giza InfR EG020829jhp 
 Valley Temple Interior serdab statue places Khafre infra red B&W film looking into the centre of the temple at the base of the 550m causeway from Khafre Pyramid at Giza and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020828jhp 
 Valley Temple Interior Giza Khafre Religion Limestone Blocks infra red looking into the centre of the temple at the base of the 550m causeway from Khafre Pyramid at Giza and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020813jhp 
 Khafre Chephren Egypt Giza Cairo Causeway Pyramid infra red B&W photo at the base of the 550m causeway looking to his Pyramid at Giza from the Valley temple and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, landscape, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020811jhp 
 Khafre Chephren Ancient Egyptian Causeway Pyramid Temple Stone infra red film at the base of the 550m causeway looking to his Pyramid at Giza from the Valley temple and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020810jhp 
 Valley Temple Egypt Giza causeway gateway alabaster floor infra red pyramid looking towards the doorway at the base of the 550m causeway from Khafre Pyramid at Giza and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG02089jhp 
 Egypt Valley Temple Sphinx Giza Limestone causeway entrance B&W infra red film photo looking towards the doorway at the base of the 550m causeway from Khafre Pyramid at Giza and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG02088jhp 
 Valley Temple Interior Giza Khafre Limestone Granite Blocks infra red photo looking towards the doorway at the base of the 550m causeway from Khafre Pyramid at Giza and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, landscape, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG02087jhp 
 Valley Temple Interior Giza Chephren Limestone Granite Blocks infra red photo looking towards the rear of the room at the base of the 550m causeway from Khafre Pyramid at Giza and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG02086jhp 
 Cairo Valley Temple Chephren inside Limestone Blocks infra red photo looking towards the rear of the room as you enter the temple at the base of the 550m causeway from Khafre Pyramid at Giza and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egypt > Karnak Temple (15 files)

Photos in this gallery include the whole of Karnak itself, the open air museum, temples of Khonsu and Ptah and the Sound and Light Show night images.
Karnak Hypostyle Hall EG0214049jhp 
 Hypostyle Hall Reliefs Karnak Egypt Temple Columns Roof beams hieroglyphics taken in late afternoon light unfortunately during a sand storm so the general light was very poor. This early part of a visit to Karnak is on a huge sprawling a site located near Luxor City centre on the East Bank of the River Nile and it is the largest religious complex on the Nile. This is the most famous and awesome part of The Great Temple of Amun, the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today despite lacking in overall perfection is still overwhelming in its scale. This photo is taken from inside the great columned hall and where diminutive figures appear one can gauge the huge scale and fantastic workmanship of the skilled builders who worked with basic tools and no modern mechanical equipment. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, processional, way, clerestory, papyrus, bud, capitals, windows, hieroglyphs, deep, cut, windows, painted, roof, supports, beams, sanctuary, gateway, outer, wall, south, entrance, Seti 1, Sethos, Ramses, Ramasses, Ramesses, Amun-Re, evening, late, afternoon, sandstorm, sunshine, golden, poor, light
Karnak Hypostyle Hall EG0214047jhp 
 Hypostyle Hall Karnak Egypt Luxor Temple Columns Roof supports hieroglyphics taken in late afternoon light unfortunately during a sand storm so the general light was very poor. This early part of a visit to Karnak is on a huge sprawling a site located near Luxor City centre on the East Bank of the River Nile and it is the largest religious complex on the Nile. This is the most famous and awesome part of The Great Temple of Amun, the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today despite lacking in overall perfection is still overwhelming in its scale. This photo is taken from inside the great columned hall and where diminutive figures appear one can gauge the huge scale and fantastic workmanship of the skilled builders who worked with basic tools and no modern mechanical equipment. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, cartouches, sandstone, blocks, approach, hypostyle, hall, columns, processional, way, clerestory, papyrus, bud, capitals, windows, hieroglyphs, deep, cut, windows, painted, roof, supports, sanctuary, gateway, outer, wall, south, entrance, Seti 1, Sethos, Ramses, Ramasses, Ramesses, Amun-Re, evening, late, afternoon, sandstorm, sunshine, golden, poor, light
Karnak Hypostyle Hall EG0214037jhp 
 Hypostyle Hall Karnak Egyptian Temple Columns Roof beams painted carving hieroglyphics taken in late afternoon light unfortunately during a sand storm so the general light was very poor. This early part of a visit to Karnak is on a huge sprawling a site located near Luxor City centre on the East Bank of the River Nile and it is the largest religious complex on the Nile. This is the most famous and awesome part of The Great Temple of Amun, the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today despite lacking in overall perfection is still overwhelming in its scale. This photo is taken from inside the great columned hall and where diminutive figures appear one can gauge the huge scale and fantastic workmanship of the skilled builders who worked with basic tools and no modern mechanical equipment. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, processional, way, clerestory, papyrus, bud, capitals, windows, hieroglyphs, cartouche, deep, cut, windows, painted, roof, supports, sanctuary, gateway, outer, wall, south, entrance, Seti 1, Sethos, Ramses, Ramasses, Ramesses, Amun-Re, beams, evening, late, afternoon, sandstorm, sunshine, golden, poor, light
Karnak Headless Statue EG074953jhp 
 Karnak Temple Egyptian Festival Hall Thutmosis Tuthmose statue Akhmenu near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph is near the four papyrus bud columns on the outside Festival Hall of Thutmose 111 towards the north eastern corner. The hall was constructed next to one of the oldest areas of Karnak Temple. This is a complex mix of columned hall, chapels, magazines which are not represented in these photos; this area is described as Akhmenu by the ULCA Digital Karnak Archive but not mentioned a such in any other guide books although it does mean festival Hall per se. This area covers, the Hall of Ancestors containing an extensive king’s list, the famous botanical garden suite with plants found on his military campaigns into Palestine, a shrine for the underworld God Sokar and beyond the remains of a stand of beautiful papyrus columns described as the Colonnade of Tuthmosis 111 and other parts such as The Temple of the Hearing Ear, a sort of public area where offerings and prayers could be made to Amun; the inner sanctum being inaccessible to all but the priests and pharaoh. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, Thutmosis, Thutmose, 111, festival, hall, Akhmenu, colours, painted, colors, history, archaeology, ancient, Egyptology, tent, pole, papyrus, columns, military, tent, campaigns, Men-Khepheru-Re, Blessed, Most, Splendid, Monuments, antechamber, magazines, painted, lintels, carvings, hieroglyphs, roof, supports, suites, Sokar, botanical, gardens, corridor, hall, ancestors, kings, list, hearing, ear
Karnak Papyrus Columns EG074959jhp 
 Karnak Luxor Egypt Festival Hall Thutmose papyrus bud columns cartouches near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph of these four papyrus bud columns is on the outside Festival Hall of Thutmose 111 towards the north eastern corner. The hall was constructed next to one of the oldest areas of Karnak Temple. This is a complex mix of columned hall, chapels, magazines which are not represented in these photos; this area is described as Akhmenu by the ULCA Digital Karnak Archive but not mentioned a such in any other guide books although it does mean festival Hall per se. This area covers, the Hall of Ancestors containing an extensive king’s list, the famous botanical garden suite with plants found on his military campaigns into Palestine, a shrine for the underworld God Sokar and beyond the remains of a stand of beautiful papyrus columns described as the Colonnade of Tuthmosis 111 and other parts such as The Temple of the Hearing Ear, a sort of public area where offerings and prayers could be made to Amun; the inner sanctum being inaccessible to all but the priests and pharaoh. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, Thutmosis, Thutmose, 111, festival, hall, Akhmenu, colours, painted, colors, history, archaeology, ancient, Egyptology, tent, pole, papyrus, columns, military, tent, campaigns, Men-Khepheru-Re, Blessed, Most, Splendid, Monuments, antechamber, magazines, painted, lintels, carvings, hieroglyphs, roof, supports, suites, Sokar, botanical, gardens, corridor, hall, ancestors, kings, list, hearing, ear
Karnak Papyrus Columns EG074957jhp 
 Karnak Temple Egyptian festival hall Thutmose Akhmenu Colonnade papyrus columns near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph of these four papyrus bud columns is on the outside Festival Hall of Thutmose 111 towards the north eastern corner. The hall was constructed next to one of the oldest areas of Karnak Temple. This is a complex mix of columned hall, chapels, magazines which are not represented in these photos; this area is described as Akhmenu by the ULCA Digital Karnak Archive but not mentioned a such in any other guide books although it does mean festival Hall per se. This area covers, the Hall of Ancestors containing an extensive king’s list, the famous botanical garden suite with plants found on his military campaigns into Palestine, a shrine for the underworld God Sokar and beyond the remains of a stand of beautiful papyrus columns described as the Colonnade of Tuthmosis 111 and other parts such as The Temple of the Hearing Ear, a sort of public area where offerings and prayers could be made to Amun; the inner sanctum being inaccessible to all but the priests and pharaoh. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, Thutmosis, Thutmose, 111, festival, hall, Akhmenu, colours, painted, colors, history, archaeology, ancient, Egyptology, tent, pole, papyrus, columns, military, tent, campaigns, Men-Khepheru-Re, Blessed, Most, Splendid, Monuments, antechamber, magazines, painted, lintels, carvings, hieroglyphs, roof, supports, suites, Sokar, botanical, gardens, corridor, hall, ancestors, kings, list, hearing, ear
Karnak Papyrus Columns EG074956jhp 
 Karnak Temple Egypt Festival Hall Thutmosis Colonnade papyrus bud columns near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph of these four papyrus bud columns is on the outside Festival Hall of Thutmose 111 towards the north eastern corner. The hall was constructed next to one of the oldest areas of Karnak Temple. This is a complex mix of columned hall, chapels, magazines which are not represented in these photos; this area is described as Akhmenu by the ULCA Digital Karnak Archive but not mentioned a such in any other guide books although it does mean festival Hall per se. This area covers, the Hall of Ancestors containing an extensive king’s list, the famous botanical garden suite with plants found on his military campaigns into Palestine, a shrine for the underworld God Sokar and beyond the remains of a stand of beautiful papyrus columns described as the Colonnade of Tuthmosis 111 and other parts such as The Temple of the Hearing Ear, a sort of public area where offerings and prayers could be made to Amun; the inner sanctum being inaccessible to all but the priests and pharaoh. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, Thutmosis, Thutmose, 111, festival, hall, Akhmenu, colours, painted, colors, history, archaeology, ancient, Egyptology, tent, pole, papyrus, columns, military, tent, campaigns, Men-Khepheru-Re, Blessed, Most, Splendid, Monuments, antechamber, magazines, painted, lintels, carvings, hieroglyphs, roof, supports, suites, Sokar, botanical, gardens, corridor, hall, ancestors, kings, list, hearing, ear
Karnak Papyrus Column EG074958jhp 
 Karnak Egypt Festival Hall Thutmosis cartouches Colonnade papyrus bud column near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph of these four papyrus bud columns is on the outside Festival Hall of Thutmose 111 towards the north eastern corner. The hall was constructed next to one of the oldest areas of Karnak Temple. This is a complex mix of columned hall, chapels, magazines which are not represented in these photos; this area is described as Akhmenu by the ULCA Digital Karnak Archive but not mentioned a such in any other guide books although it does mean festival Hall per se. This area covers, the Hall of Ancestors containing an extensive king’s list, the famous botanical garden suite with plants found on his military campaigns into Palestine, a shrine for the underworld God Sokar and beyond the remains of a stand of beautiful papyrus columns described as the Colonnade of Tuthmosis 111 and other parts such as The Temple of the Hearing Ear, a sort of public area where offerings and prayers could be made to Amun; the inner sanctum being inaccessible to all but the priests and pharaoh. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, cartouche, Thutmosis, Thutmose, 111, festival, hall, Akhmenu, colours, painted, colors, history, archaeology, ancient, Egyptology, tent, pole, papyrus, columns, military, tent, campaigns, Men-Khepheru-Re, Blessed, Most, Splendid, Monuments, antechamber, magazines, painted, lintels, carvings, hieroglyphs, roof, supports, suites, Sokar, botanical, gardens, corridor, hall, ancestors, kings, list, hearing, ear
Karnak Painted Lintel EG074955jhp 
 Karnak Egypt Festival Hall Thutmose painted lintel door hieroglyphs stars ceiling near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph is of detail of the still visible coloured decoration of the Festival Hall of Thutmose 111. The hall was constructed next to one of the oldest areas of Karnak Temple. This is a complex mix of columned hall, chapels, magazines which are not represented in these photos and included an area described as Akhmenu by the ULCA Karnak Archive but not mentioned a such in any other guide books. This area covers the famous botanical garden suite with plants found on his military campaigns into Palestine, a suite for the underworld God Sokar and beyond the remains of a stand of beautiful papyrus columns described as the Colonnade of Tuthmosis 111. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, Thutmosis, Thutmose, 111, festival, hall, colours, painted, colors, history, archaeology, ancient, Egyptology, tent, pole, columns, military, tent, campaigns, Men-Khepheru-Re, Blessed, Most, Splendid, Monuments, antechamber, magazines, painted, lintels, carvings, hieroglyphs, roof, supports, suites, Sokar, botanical, gardens, corridor, feathers, ceiling, stars, ankh, twisted, flax, bulrush, sedge, cobra, basket, vulture
Karnak Painted Column EG074964jhp 
 Karnak Egypt festival hall Thutmosis painted lintel column winged falcon near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph is of detail of the still visible coloured decoration of the Festival Hall of Thutmose 111. The hall was constructed next to one of the oldest areas of Karnak Temple. This is a complex mix of columned hall, chapels, magazines which are not represented in these photos and included an area described as Akhmenu by the ULCA Karnak Archive but not mentioned a such in any other guide books. This area covers the famous botanical garden suite with plants found on his military campaigns into Palestine, a suite for the underworld God Sokar and beyond the remains of a stand of beautiful papyrus columns described as the Colonnade of Tuthmosis 111. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, Thutmosis, Thutmose, 111, festival, hall, colours, painted, colors, history, archaeology, ancient, Egyptology, tent, pole, columns, military, tent, campaigns, Men-Khepheru-Re, Blessed, Most, Splendid, Monuments, antechamber, magazines, painted, lintels, carvings, hieroglyphs, roof, supports, suites, Sokar, botanical, gardens, corridor
Karnak Festival Hall EG074965jhp 
 Karnak Temple Egypt festival hall Thutmosis tent pole peg columns near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph is of the unusual Festival Hall of Thutmose 111. The hall was constructed next to one of the oldest areas of Karnak Temple. This is a complex mix of columned hall, chapels, magazines which are not represented in these photos but illustrates one pf its notable oddities, the interesting tent-pole or peg coulmns and lloking back to the obelisks and hypostyle hall area of the Karnak site. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, Thutmosis, Thutmose, 111, festival, hall, colours, painted, colors, history, archaeology, ancient, Egyptology, tent, pole, peg, columns, military, tent, campaigns, Men-Khepheru-Re, Blessed, Most, Splendid, Monuments, antechamber, magazines, painted, lintels, carvings, hieroglyphs, roof, supports
Karnak Festival Hall EG074963jhp 
 Karnak Temple Egyptian festival hall Thutmose roof painted hieroglyphs carvings near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph is of the unusual Festival Hall of Thutmose 111. The hall was constructed next to one of the oldest areas of Karnak Temple. This is a complex mix of columned hall, chapels, magazines which are not represented in these photos. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, Thutmosis, Thutmose, 111, festival, hall, colours, painted, colors, history, archaeology, ancient, Egyptology, tent, pole, columns, military, tent, campaigns, Men-Khepheru-Re, Blessed, Most, Splendid, Monuments, antechamber, magazines, painted, lintels, carvings, hieroglyphs, roof, supports
Karnak Hypostyle Hall EG96999JHP 
 Karnak Egypt Temple Hypostyle Hall Columns Roof Lintel Windows is located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This view using a wide lens is a scan off a slide film showing the scale of the famous hypostyle hall with its now roofless structure but still awesome towering columns with 12 flanking the processional way which supported sandstone gridded clerestory windows one of which is visible. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, clerestory, windows, grid, blocks, approach, hypostyle, hall, columns, hieroglyphs, deep cut, windows, painted, roof, sanctuary, gateway, Ramses, Ramasses, Ramesses
Karnak Hypostyle Hall EG969916JHP 
 Hypostyle Hall Karnak Temple Fisheye Photo Columns Perspective Ramses Sky is located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This view using a wide lens is a scan off a slide film showing the scale of the famous hypostyle hall with its now roofless structure but still awesome towering columns with 12 flanking the processional way which supported sandstone gridded clerestory windows one of which is visible. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, archaeology, ancient, Egyptology, hieroglyphics, sandstone, clerestory, windows, grid, blocks, approach, hypostyle, hall, columns, hieroglyphs, deep cut, windows, painted, roof, sanctuary, gateway, Ramses, Ramasses, Ramesses
Karnak Hypostyle Hall EG969910JHP 
 Egyptian Hypostyle Hall Karnak Temple Painted Roof Supports Columns is located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This view is a scan off a slide film showing the scale of the famous hypostyle hall with its now roofless structure but still awesome towering columns with 12 flanking the processional way and with coloured reliefs under the roof support structures still visible. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, hieroglyphs, deep cut, windows, painted, colors, colours, lintel, support, roof, sanctuary, gateway, Ramses, Ramasses, Ramesses

Egypt > Kom Ombo Temple (2 files)

Pictures in this gallery are of Kom Ombo Temple located by The River Nile North Of Aswan
Kom Ombo EG204317jhp 
 Kom Ombo interior Temple Nile Egypt columned hypostyle hall ceiling supports carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. 
 Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204316jhp 
 Kom Ombo ruined Temple Nile Egypt columned hall ceiling supports carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. 
 Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000

Egypt > Luxor Ramasseum (1 file)

Photographs in this gallery relate to the mortuary Temple of Ramasses 11 on the West Bank of the River Nile at Luxor the so called Ramasseum
Ramasseum Temple EG075216jhp 
 Ramasseum Ramasses Temple Hypostyle Hall columns roof supports painted Egypt Luxor Thebes, situated at this West Bank location of the Nile at Luxor is Ramses 11 mortuary temple glowing in the late afternoon sunlight and in these photos the remains of the Hypostyle Hall on the south east side feature with the rear of the second pylon and the toppled statue of Ramasses 11 visible in the background when looking southwards to the First Pylon. Looking up into the ceiling of the Hypostyle Hall, its lintels and the papyriform painted open bell shaped capitals still showing original colour. 
 Keywords: Egypt, Egyptian, Luxor, Ramasseum, Temple, West Bank, River Nile, Thebes, landscape, first, pylon, court, second, hypostyle, hall, astronomical, room, column, base, columns, bases, papyriform, painted, open, bell, shaped, capitals, colours, colors, hieroglyphs, Ramses, Ramasses, Ramesses, history, archaeology, ancient, Egyptology, hieroglyphics, granite, Osiride, statue, broken, torso, seated, fallen, Shelley, Ozymandias, afternoon, sunlight, glowing, golden, warm, orange, sunlight

Egypt > Luxor Seti 1 Temple (2 files)

Images in this gallery are of exteriors and interiors of the Temple of Seti 1, also called Qurna and Goorneh to the north of the West Bank sites.
Seti 1 Temple EG053396JHP 
 Ancient Egyptian Temple Seti Roof Support Column Lintel Carving Cartouche on the West Bank of the River Nile at Luxor in an area called al-Tarif turning off eastwards instead of taking the Valley of the Kings road. Attributed to Seti it had involvement by Ramasses 1 and 11 and with recent restoration is a delightful extra addition should you have free time while in Luxor and described in the early days as Goorneh Temple. 
 Keywords: Egypt, Luxor, Thebes, River Nile, West Bank, Tarif, village, Temple, Sethos, Seti, Sety, Ramses, mortuary, Dra Abu el-Naga, Qurna, Goorneh, landscape, roof, support, column, carved, cartouche, duck, sandstone, wall, reliefs, bas, history, archaeology, ancient, Egyptian, Egyptology, decorated
Seti 1 Temple EG053356JHP 
 Ancient Egypt Temple Sethos Ceiling Lintel Cartouche Duck Solar Disc on the West Bank of the River Nile at Luxor in an area called al-Tarif turning off eastwards instead of taking the Valley of the Kings road. Attributed to Seti it had involvement by Ramasses 1 and 11 and with recent restoration is a delightful extra addition should you have free time while in Luxor and described in the early days as Goorneh Temple. 
 Keywords: Egypt, Luxor, Thebes, River Nile, West Bank, Tarif, village, Temple, Sethos, Seti, Sety, Ramses, mortuary, Dra Abu el-Naga, Qurna, Goorneh, landscape, roof, ceiling, support, inside, underneath, sandstone, wall, reliefs, bas, painted, coloured, colours, colors, history, archaeology, ancient, Egyptian, Egyptology, decorated

Egypt > Luxor Temple (1 file)

Images in this gallery relate to the east bank of the Nile temple called Luxor Temple including night photos and the Avenue of Sphinxes
Luxor Painted Door Lintel EG074815jhp 
 Luxor Temple ancient Egyptian roof support underneath Ramses painted peristyle court in this beautiful Temple located on east bank River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues at the entrance to the first pylon. The Islamic Mosque dedicated to a local saint Abu'l Haggag illustrates the religious reverence of this site over the centuries. 
 Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, landscape, history, archaeology, ancient, Egyptology, hieroglyphics, columns, Triple, Shrine, Peristyle, court, roof, support, door, lintel, underneath, painted, cartouche, throne, Usermaatre, name, birth, Ra-messes, Ramses, Ramasses, Ramesses, monumental, duck, ankh, loaf, te, sedge, bee, Upper, Lower, sun, ra

Egypt > Medinet Habu (1 file)

Pictures from the great Mortuary temple of Ramasses 111 called the Medinet Habu on the West Bank of the River Nile at Luxor
Medinet Habu Court EG053455JHP 
 Medinet Habu Temple Ancient Egypt Carved Columns Osiride Statue Supports located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, pillars, doorway, column, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court

Egypt > North of Cairo (13 files)

This gallery has photographs of the main sites North of Cairo, usually visited privately as not part of most Egyptian tours, and includes Heliopolis, Tell Basta near Zagazig and Tanis near the north coast of Egypt
Alexandria Roman Amphitheatre eg961418jhp 
 Egypt Alexandria Kom el-Dikkah Roman ruins amphitheatre mosaic flooring patterns columns seats Mediterranean coastal city is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is one of the smaller municipal parks called Kom El-Dik or Dekka with some interesting and reasonably preserved Roman ruins and ongoing archaeology probably dating from 2nd C AD. The amphitheatre could accommodate 800 seated on 13 rows of grey and white marble seats and once had a domed roof, now long gone except for a few columns that once supported it. Nearby are the remains of a Roman bathhouse and nearby piscina which when I was there were still being excavated. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours. 
 Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom el-Dik, el-Dekka, Kom el-Dikkah, hill, rubble, municipal, park, 2nd Century AD, archaeology, architecture, 2nd AD, ruins, Roman, amphitheatre, theatre, stage, piers, small, seats, columns, steps, mosaics, floor, thirteen, rows, white, marble, grey, bath, piscina, carvings, granite, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4
Alexandria Roman Amphitheatre eg9614112jhp 
 Egypt Alexandria Kom el-Dik Roman theatre steps marble seats high view overview Mediterranean coastal city is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is one of the smaller municipal parks called Kom El-Dik or Dekka with some interesting and reasonably preserved Roman ruins and ongoing archaeology probably dating from 2nd C AD. The amphitheatre could accommodate 800 seated on 13 rows of grey and white marble seats and once had a domed roof, now long gone except for a few columns that once supported it. Nearby are the remains of a Roman bathhouse and nearby piscina which when I was there were still being excavated. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours. 
 Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom el-Dik, el-Dekka, Kom el-Dikkah, hill, rubble, municipal, park, 2nd Century AD, archaeology, architecture, 2nd AD, ruins, Roman, amphitheatre, theatre, stage, piers, small, seats, columns, steps, mosaics, floor, thirteen, rows, white, marble, grey, bath, piscina, carvings, granite, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4
Alexandria Roman Amphitheatre eg9614111jhp 
 Egypt Alexandria Kom el-Dikkah Roman ruins amphitheatre columns seats top level Mediterranean coastal city is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is one of the smaller municipal parks called Kom El-Dik or Dekka with some interesting and reasonably preserved Roman ruins and ongoing archaeology probably dating from 2nd C AD. The amphitheatre could accommodate 800 seated on 13 rows of grey and white marble seats and once had a domed roof, now long gone except for a few columns that once supported it. Nearby are the remains of a Roman bathhouse and nearby piscina which when I was there were still being excavated. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours. 
 Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom el-Dik, el-Dekka, Kom el-Dikkah, hill, rubble, municipal, park, 2nd Century AD, archaeology, architecture, 2nd AD, ruins, Roman, amphitheatre, theatre, stage, piers, small, seats, columns, steps, mosaics, floor, thirteen, rows, white, marble, grey, bath, piscina, carvings, granite, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright
Alexandria Roman Amphitheatre eg9613936jhp 
 Egypt Alexandria Kom el-Dik Roman ruins architecture stage area piers stone walls Mediterranean coastal city is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is one of the smaller municipal parks called Kom El-Dik or Dekka with some interesting and reasonably preserved Roman ruins and ongoing archaeology probably dating from 2nd C AD. The amphitheatre could accommodate 800 seated on 13 rows of grey and white marble seats and once had a domed roof, now long gone except for a few columns that once supported it. Nearby are the remains of a Roman bathhouse and nearby piscina which when I was there were still being excavated. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours. 
 Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom el-Dik, el-Dekka, Kom el-Dikkah, hill, rubble, Paneion, site, municipal, park, 2nd Century AD, archaeology, architecture, 2nd AD, ruins, Roman, amphitheatre, theatre, stage, backstage, stone, walls, gate, piers, small, seats, back, rooms, construction, columns, steps, mosaics, floor, thirteen, rows, white, marble, grey, granite, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8, upright
Alexandria Roman Amphitheatre eg9613935jhp 
 Egypt Alexandria Kom el-Dik Roman ruins amphitheatre columns seats marble style Mediterranean coastal city is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is one of the smaller municipal parks called Kom El-Dik or Dekka with some interesting and reasonably preserved Roman ruins and ongoing archaeology probably dating from 2nd C AD. The amphitheatre could accommodate 800 seated on 13 rows of grey and white marble seats and once had a domed roof, now long gone except for a few columns that once supported it. Nearby are the remains of a Roman bathhouse and nearby piscina which when I was there were still being excavated. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours. 
 Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom el-Dik, el-Dekka, Kom el-Dikkah, hill, rubble, Paneion, site, municipal, park, 2nd Century AD, archaeology, architecture, 2nd AD, ruins, Roman, amphitheatre, theatre, stage, piers, small, seats, columns, steps, mosaics, floor, thirteen, rows, white, marble, grey, carvings, granite, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8
Alexandria Roman Amphitheatre eg9613934jhp 
 Egypt Alexandria el-Dekka Roman ruins amphitheatre marble seats rows carved style Mediterranean coastal city is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is one of the smaller municipal parks called Kom El-Dik or Dekka with some interesting and reasonably preserved Roman ruins and ongoing archaeology probably dating from 2nd C AD. The amphitheatre could accommodate 800 seated on 13 rows of grey and white marble seats and once had a domed roof, now long gone except for a few columns that once supported it. Nearby are the remains of a Roman bathhouse and nearby piscina which when I was there were still being excavated. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours. 
 Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom el-Dik, el-Dekka, Kom el-Dikkah, hill, rubble, Paneion, site, municipal, park, 2nd Century AD, archaeology, architecture, 2nd AD, ruins, Roman, amphitheatre, theatre, stage, piers, small, seats, columns, steps, mosaics, floor, thirteen, rows, white, marble, grey, carved, granite, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8
Alexandria Roman Amphitheatre eg9613933jhp 
 Egypt Alexandria Kom el-Dikkah Roman ruins amphitheatre columns marble seats rows top Mediterranean coastal city is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is one of the smaller municipal parks called Kom El-Dik or Dekka with some interesting and reasonably preserved Roman ruins and ongoing archaeology probably dating from 2nd C AD. The amphitheatre could accommodate 800 seated on 13 rows of grey and white marble seats and once had a domed roof, now long gone except for a few columns that once supported it. Nearby are the remains of a Roman bathhouse and nearby piscina which when I was there were still being excavated. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours. 
 Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom el-Dik, el-Dekka, Kom el-Dikkah, hill, rubble, Paneion, site, municipal, park, 2nd Century AD, archaeology, architecture, 2nd AD, ruins, Roman, amphitheatre, theatre, stage, piers, small, seats, columns, steps, mosaics, floor, thirteen, rows, white, marble, grey, carved, granite, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8, upright
Alexandria Roman Amphitheatre eg9613932jhp 
 Egypt Alexandria Kom el-Dik Roman theatre walls stone doorway arch vault Mediterranean coastal city is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is one of the smaller municipal parks called Kom El-Dik or Dekka with some interesting and reasonably preserved Roman ruins and ongoing archaeology probably dating from 2nd C AD. The amphitheatre could accommodate 800 seated on 13 rows of grey and white marble seats and once had a domed roof, now long gone except for a few columns that once supported it. Nearby are the remains of a Roman bathhouse and nearby piscina which when I was there were still being excavated. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours. 
 Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom el-Dik, el-Dekka, Kom el-Dikkah, hill, rubble, Paneion, site, municipal, park, 2nd Century AD, archaeology, architecture, 2nd AD, ruins, Roman, amphitheatre, theatre, stage, piers, small, seats, columns, steps, mosaics, floor, thirteen, rows, white, marble, grey, stone, walls, rooms, vaulted, arch, carvings, granite, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8, upright
Alexandria Roman Amphitheatre eg9613931jhp 
 Egypt Alexandria Kom el-Dik Roman mosaic floor pattern stage column seats Mediterranean coastal city is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is one of the smaller municipal parks called Kom El-Dik or Dekka with some interesting and reasonably preserved Roman ruins and ongoing archaeology probably dating from 2nd C AD. The amphitheatre could accommodate 800 seated on 13 rows of grey and white marble seats and once had a domed roof, now long gone except for a few columns that once supported it. Nearby are the remains of a Roman bathhouse and nearby piscina which when I was there were still being excavated. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours. 
 Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom el-Dik, el-Dekka, Kom el-Dikkah, hill, rubble, Paneion, site, municipal, park, 2nd Century AD, archaeology, architecture, 2nd AD, ruins, Roman, amphitheatre, theatre, stage, piers, small, seats, columns, steps, mosaics, floor, thirteen, rows, white, marble, grey, carvings, freize, granite, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8, upright
Alexandria Roman Amphitheatre eg9613929jhp 
 Egypt Alexandria Kom el-Dekkah municipal park Roman ruined amphitheatre granite columns seats Mediterranean coastal city is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is one of the smaller municipal parks called Kom El-Dik or Dekka with some interesting and reasonably preserved Roman ruins and ongoing archaeology probably dating from 2nd C AD. The amphitheatre could accommodate 800 seated on 13 rows of grey and white marble seats and once had a domed roof, now long gone except for a few columns that once supported it. Nearby are the remains of a Roman bathhouse and nearby piscina which when I was there were still being excavated. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours. 
 Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom el-Dik, el-Dekka, Kom el-Dikkah, hill, rubble, Paneion, site, municipal, park, 2nd Century AD, archaeology, architecture, 2nd AD, ruins, Roman, amphitheatre, theatre, stage, piers, small, seats, columns, steps, mosaics, floor, thirteen, rows, white, marble, grey, carvings, granite, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8, upright
Alexandria Roman Amphitheatre eg9613927jhp 
 Egypt Alexandria Kom el-Dikkah Roman excavation amphitheatre columns seats Mediterranean coastal city is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is one of the smaller municipal parks called Kom El-Dik or Dekka with some interesting and reasonably preserved Roman ruins and ongoing archaeology probably dating from 2nd C AD. The amphitheatre could accommodate 800 seated on 13 rows of grey and white marble seats and once had a domed roof, now long gone except for a few columns that once supported it. Nearby are the remains of a Roman bathhouse and nearby piscina which when I was there were still being excavated. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours. 
 Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom el-Dik, el-Dekka, Kom el-Dikkah, hill, rubble, Paneion, site, municipal, park, 2nd Century AD, archaeology, architecture, figure, scale, ruins, Roman, amphitheatre, theatre, stage, piers, small, seats, columns, steps, mosaics, floor, thirteen, rows, white, marble, grey, granite, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8
Alexandria Roman Amphitheatre eg9613926jhp 
 Egyptian Alexandria Kom el-Dekka Roman theatre amphitheatre columns seats cityscape Mediterranean coastal city is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is one of the smaller municipal parks called Kom El-Dik or Dekka with some interesting and reasonably preserved Roman ruins and ongoing archaeology. The amphitheatre could accommodate 800 seated on 13 rows of grey and white marble seats and once had a domed roof, now long gone except for a few columns that once supported it. Nearby are the remains of a Roman bathhouse and nearby piscina which when I was there were still being excavated. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours. 
 Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom el-Dik, el-Dekka, Kom el-Dikkah, hill, rubble, Paneion, site, municipal, park, 2nd Century AD, archaeology, ruins, Roman, amphitheatre, theatre, stage, piers, small, seats, columns, steps, mosaics, floor, thirteen, rows, white, marble, grey, granite, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8, upright
Alexandria Roman Amphitheatre eg9613924jhp 
 Egypt Alexandria Kom el-Dik Roman ruins amphitheatre columns seats overview high Mediterranean coastal city is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is one of the smaller municipal parks called Kom El-Dik or Dekka with some interesting and reasonably preserved Roman ruins and ongoing archaeology. The amphitheatre could accommodate 800 seated on 13 rows of grey and white marble seats and once had a domed roof, now long gone except for a few columns that once supported it. Nearby are the remains of a Roman bathhouse and nearby piscina which when I was there were still being excavated. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours. 
 Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom el-Dik, el-Dekka, Kom el-Dikkah, hill, rubble, Paneion, site, municipal, park, 2nd Century AD, archaeology, ruins, Roman, amphitheatre, theatre, stage, piers, small, seats, columns, steps, mosaics, floor, thirteen, rows, white, marble, grey, granite, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8

Egypt > Outlying Pyramids (11 files)

Pictures of pyramids and scenery related to them outwith the main sites of Giza and Saqqara such as Abusir, Dashur, El Lisht, Meydum and Hawara
Black Pyramid Dashur eg0095jhp 
 Egypt Pyramids Amenemhet 111 Dahshur Black mudbrick desert rubble Red view ruined structural problems was started early in the 46 year reign of the King but is thought to have had structural defects because of its location close to Lake Dashur as well as too many internal rooms and passageways which could not support its weight. The Pharaoh, Middle Kingdom c1800BC was not buried in the pyramid [in Hawara] but two of his wives were and their remains were found by Dieter Arnold in 1976-83. The beautiful pyramidion in black gray granite, possibly never set in place, is in the Cairo Museum. The pyramid is one of several still standing at the Dashur necropolis although over shadowed by the more famous and probably oldest Bent, the slightly later Red or North pyramid visible in distance as well as others more ruined which were built towards the end of the pyramid era. 
 Keywords: Egypt, Egyptian, Fayoum, Saqqara, Dashur, Egyptology, Black, pyramid, beautiful, archaeology, ancient, history, pharaoh, queens, royal, tombs, death, burial, together, causeway, valley, temple, afterlife, necropolis, Amenemhat 111, Amenemhet 111, sarcophagus, escarpment, granite, pyramidion, Museum, Cairo, mudbrick, core, limestone, casing, robbed, mortuary, temple, ruins, stones, blocks, tomb, desert, sand, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, landscape, format
Black Pyramid Dashur eg0094jhp 
 Egyptian Pyramid Amenemhat 111 Dashur Black mudbrick exposed core ruined structural problems was started early in the 46 year reign of the King but is thought to have had structural defects because of its location close to Lake Dashur as well as too many internal rooms and passageways which could not support its weight. The Pharaoh, Middle Kingdom c1800BC was not buried in the pyramid [in Hawara] but two of his wives were and their remains were found by Dieter Arnold in 1976-83. The beautiful pyramidion in black gray granite, possibly never set in place, is in the Cairo Museum. The pyramid is one of several still standing at the Dashur necropolis although over shadowed by the more famous and probably oldest Bent, the slightly later Red pyramid as well as others more ruined which were built towards the end of the pyramid era. 
 Keywords: Egypt, Egyptian, Fayoum, Saqqara, Dashur, Egyptology, Black, pyramid, beautiful, archaeology, ancient, history, pharaoh, queens, royal, tombs, death, burial, together, causeway, valley, temple, afterlife, necropolis, Amenemhat 111, Amenemhet 111, Ammenemes, sarcophagus, escarpment, granite, pyramidion, Museum, Cairo, mudbrick, core, limestone, casing, robbed, mortuary, temple, ruins, stones, blocks, tomb, desert, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, landscape, format, core, details, looking up
Black Pyramid Dashur eg0093jhp 
 Egypt Pyramid Bent Amenemhet 111 Dashur Black mudbrick discarded blocks limestone ruined structural problems was started early in the 46 year reign of the King but is thought to have had structural defects because of its location close to Lake Dashur as well as too many internal rooms and passageways which could not support its weight. The Pharaoh, Middle Kingdom c1800BC was not buried in the pyramid [in Hawara] but two of his wives were and their remains were found by Dieter Arnold in 1976-83. The beautiful pyramidion in black gray granite, possibly never set in place, is in the Cairo Museum. The pyramid is one of several still standing at the Dashur necropolis although over shadowed by the more famous and probably oldest Bent, visble in the distance, and the slightly later Red pyramid as well as others more ruined which were built towards the end of the pyramid era. 
 Keywords: Egypt, Egyptian, Fayoum, Saqqara, Dashur, Egyptology, Black, pyramid, beautiful, archaeology, ancient, history, pharaoh, queens, royal, tombs, death, burial, together, causeway, valley, temple, afterlife, necropolis, Amenemhat 111, Amenemhet 111, sarcophagus, escarpment, granite, pyramidion, Museum, Cairo, mudbrick, core, limestone, casing, robbed, mortuary, temple, ruins, stones, blocks, tomb, desert, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, upright, format
Black Pyramid Dashur eg0092jhp 
 Egypt Pyramid Amenemhet 111 Dashur Black mudbrick detail closeup ruined structural problems was started early in the 46 year reign of the King but is thought to have had structural defects because of its location close to Lake Dashur as well as too many internal rooms and passageways which could not support its weight. The Pharaoh, Middle Kingdom c1800BC was not buried in the pyramid [in Hawara] but two of his wives were and their remains were found by Dieter Arnold in 1976-83. The beautiful pyramidion in black gray granite, possibly never set in place, is in the Cairo Museum. The pyramid is one of several still standing at the Dashur necropolis although over shadowed by the more famous and probably oldest Bent, the slightly later Red pyramid as well as others more ruined which were built towards the end of the pyramid era. 
 Keywords: Egypt, Egyptian, Fayoum, Saqqara, Dashur, Egyptology, Black, pyramid, beautiful, archaeology, ancient, history, pharaoh, queens, royal, tombs, death, burial, together, causeway, valley, temple, afterlife, necropolis, Amenemhat 111, Amenemhet 111, sarcophagus, escarpment, granite, pyramidion, Museum, Cairo, mudbrick, core, limestone, casing, robbed, mortuary, temple, ruins, stones, blocks, tomb, desert, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, landscape, format, looking up, close
Black Pyramid Dashur eg00736jhp 
 Egypt Pyramid Amenemhet 111 Dashur Black blocks fallen chisel marks mudbrick ruined structural problems was started early in the 46 year reign of the King but is thought to have had structural defects because of its location close to Lake Dashur as well as too many internal rooms and passageways which could not support its weight. The Pharaoh, Middle Kingdom c1800BC was not buried in the pyramid [in Hawara] but two of his wives were and their remains were found by Dieter Arnold in 1976-83. The beautiful pyramidion in black gray granite, possibly never set in place, is in the Cairo Museum. The pyramid is one of several still standing at the Dashur necropolis although over shadowed by the more famous and probably oldest Bent, the slightly later Red pyramid as well as others more ruined which were built towards the end of the pyramid era. 
 Keywords: Egypt, Egyptian, Fayoum, Saqqara, Dashur, Egyptology, Black, pyramid, beautiful, archaeology, ancient, history, pharaoh, queens, royal, tombs, death, burial, together, causeway, valley, temple, afterlife, necropolis, Amenemhat 111, Amenemhet 111, sarcophagus, escarpment, granite, pyramidion, Museum, Cairo, mudbrick, core, limestone, casing, robbed, mortuary, temple, ruins, stones, blocks, tomb, desert, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, landscape, format
Black Pyramid Dashur eg00735jhp 
 Egypt Pyramid Amenemhet 111 Dashur Black mudbrick ruined structural problems was started early in the 46 year reign of the King but is thought to have had structural defects because of its location close to Lake Dashur as well as too many internal rooms and passageways which could not support its weight. The Pharaoh, Middle Kingdom c1800BC was not buried in the pyramid [in Hawara] but two of his wives were and their remains were found by Dieter Arnold in 1976-83. The beautiful pyramidion in black gray granite, possibly never set in place, is in the Cairo Museum. The pyramid is one of several still standing at the Dashur necropolis although over shadowed by the more famous and probably oldest Bent, the slightly later Red pyramid as well as others more ruined which were built towards the end of the pyramid era. 
 Keywords: Egypt, Egyptian, Fayoum, Saqqara, Dashur, Egyptology, Black, pyramid, beautiful, archaeology, ancient, history, pharaoh, queens, royal, tombs, death, burial, together, causeway, valley, temple, afterlife, necropolis, Amenemhat 111, Amenemhet 111, sarcophagus, escarpment, granite, pyramidion, Museum, Cairo, mudbrick, core, limestone, casing, robbed, mortuary, temple, ruins, stones, blocks, tomb, desert, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, upright, format
Black Pyramid Dashur eg00734jhp 
 Egyptian Pyramid Amenemhat 111 Dahshur Black mudbrick ruin causeway structural problems was started early in the 46 year reign of the King but is thought to have had structural defects because of its location close to Lake Dashur as well as too many internal rooms and passageways which could not support its weight. The Pharaoh, Middle Kingdom c1800BC was not buried in the pyramid [in Hawara] but two of his wives were and their remains were found by Dieter Arnold in 1976-83. The beautiful pyramidion in black gray granite, possibly never set in place, is in the Cairo Museum. The pyramid is one of several still standing at the Dashur necropolis although over shadowed by the more famous and probably oldest Bent, the slightly later Red pyramid as well as others more ruined which were built towards the end of the pyramid era. 
 Keywords: Egypt, Egyptian, Fayoum, Saqqara, Dashur, Egyptology, Black, pyramid, beautiful, archaeology, ancient, history, pharaoh, queens, royal, tombs, death, burial, together, causeway, valley, temple, afterlife, necropolis, Amenemhat 111, Amenemhet 111, sarcophagus, escarpment, granite, pyramidion, Museum, Cairo, mudbrick, core, limestone, casing, robbed, mortuary, temple, ruins, stones, blocks, tomb, desert, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, landscape, format
Black Pyramid Dashur eg00733jhp 
 Egypt Pyramids Amenemhet 111 Dashur Black Bent Sneferu desert mudbrick ruined structural problems was started early in the 46 year reign of the King but is thought to have had structural defects because of its location close to Lake Dashur as well as too many internal rooms and passageways which could not support its weight. The Pharaoh, Middle Kingdom c1800BC was not buried in the pyramid [in Hawara] but two of his wives were and their remains were found by Dieter Arnold in 1976-83. The beautiful pyramidion in black gray granite, possibly never set in place, is in the Cairo Museum. The pyramid is one of several still standing at the Dashur necropolis although over shadowed by the more famous and probably oldest Bent, the slightly later Red pyramid as well as others more ruined which were built towards the end of the pyramid era. 
 Keywords: Egypt, Egyptian, Fayoum, Saqqara, Dashur, Egyptology, Black, pyramid, pyramids, Bent, beautiful, archaeology, ancient, history, pharaoh, queens, royal, tombs, death, burial, together, causeway, valley, temple, afterlife, necropolis, Amenemhat 111, Amenemhet 111, sarcophagus, escarpment, granite, pyramidion, Museum, Cairo, mudbrick, core, limestone, casing, robbed, mortuary, temple, ruins, stones, blocks, tomb, desert, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, landscape, format
Black Pyramid Dashur eg00730jhp 
 Egypt Pyramids Amenemhet 111 Dashur Bent Black mudbrick ruined structural problems was started early in the 46 year reign of the King but is thought to have had structural defects because of its location close to Lake Dashur as well as too many internal rooms and passageways which could not support its weight. The Pharaoh, Middle Kingdom c1800BC was not buried in the pyramid [in Hawara] but two of his wives were and their remains were found by Dieter Arnold in 1976-83. The beautiful pyramidion in black gray granite, possibly never set in place, is in the Cairo Museum. The pyramid is one of several still standing at the Dashur necropolis although over shadowed by the more famous and probably oldest Bent, the slightly later Red pyramid as well as others more ruined which were built towards the end of the pyramid era. 
 Keywords: Egypt, Egyptian, Fayoum, Saqqara, Dashur, Egyptology, Black, pyramid, pyramids, Bent, beautiful, archaeology, ancient, history, pharaoh, queens, royal, tombs, death, burial, together, causeway, valley, temple, afterlife, necropolis, Amenemhat 111, Amenemhet 111, sarcophagus, escarpment, granite, pyramidion, Museum, Cairo, mudbrick, core, limestone, casing, robbed, mortuary, temple, ruins, stones, blocks, tomb, desert, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, landscape, format
Abu Sir Pyramids eg951229jhp 
 Egypt Abu Sir mastaba tomb Ptahshepses carved reliefs figure roof supports near Saqqara lying on the desert plateau south from Giza is a complex of what were originally 14 pyramids of which only four are now discernible. The most complete is Old Kingdom Dynasty V King Sahure c 2480BC conforming to Fourth Dynasty plans and I was able to access the site in 1995 and took this amongst other photos. However after that the site was closed during visits up to 2005 while undergoing considerable excavation I understood so much more might now be visible assuming access of allowed. Near Memphis and the Saqqara entrances it was approached through the village of Abu Sir. Generally poorly constructed as in the twilight of the ‘Pyramid Age’ and when the centralised power of the crown declined, the remains although in a poor state of repair there were some fascinating remains such as a beautiful carved red granite column with sharp carved bas reliefs, channels for a drainage system, examples of highly skilled carving of granite blocks and shaped bowls thought to be for collecting blood from sacrificed bulls. 
 Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, necropolis, landscape, history, antiquity, pyramid, pyramids, subsidiary, Kings, Pharaohs, Sahure, Neferirkare, Kakai, Nyuserre, Neuserre, Niuserre, Neferefre, Khentkawes, Ptahshepses, official, chapel, mastaba, Egyptology, archaeology, architecture, construction, workmanship, skilled, carvings, reliefs, hieroglyphs, hieroglyphics, ancient, history, royal, tomb, sun, temple, goddess, low, bas, relief, 5th Dynasty, Borchardt, tombs, valley, temple, causeway, ramps, mortuary, basalt, red, granite, palm, columns, drainage, channels, temples, Heliopolitan, sun, god, Re, King, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright
Abu Sir Pyramids eg9512210jhp 
 Egypt Abu Sir mastaba tomb Ptahshepses King neuserre relative carved reliefs figure roof supports near Saqqara lying on the desert plateau south from Giza is a complex of what were originally 14 pyramids of which only four are now discernible. The most complete is Old Kingdom Dynasty V King Sahure c 2480BC conforming to Fourth Dynasty plans and I was able to access the site in 1995 and took this amongst other photos. However after that the site was closed during visits up to 2005 while undergoing considerable excavation I understood so much more might now be visible assuming access of allowed. Near Memphis and the Saqqara entrances it was approached through the village of Abu Sir. Generally poorly constructed as in the twilight of the ‘Pyramid Age’ and when the centralised power of the crown declined, the remains although in a poor state of repair there were some fascinating remains such as a beautiful carved red granite column with sharp carved bas reliefs, channels for a drainage system, examples of highly skilled carving of granite blocks and shaped bowls thought to be for collecting blood from sacrificed bulls. 
 Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, necropolis, landscape, history, antiquity, pyramid, pyramids, subsidiary, Kings, Pharaohs, Sahure, Neferirkare, Kakai, Nyuserre, Neuserre, Niuserre, Neferefre, Khentkawes, Ptahshepses, official, chapel, mastaba, Egyptology, archaeology, architecture, construction, workmanship, skilled, carvings, reliefs, hieroglyphs, hieroglyphics, ancient, history, royal, tomb, sun, temple, goddess, low, bas, relief, 5th Dynasty, Borchardt, tombs, valley, temple, causeway, ramps, mortuary, basalt, red, granite, palm, columns, drainage, channels, temples, Heliopolitan, sun, god, Re, King, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4

Egypt > Saqqara & Memphis (14 files)

This gallery contains pictures of the two main sites usually visited together on a day trip south of Cairo - Saqqara with the famous Step Pyramid, a huge necropolis with many tombs and other pyramids and Memphis, the ancient capital of Egypt now will an open air museum with the alabaster sphinx and the huge partial statue of Ramasses 11.
Saqqara Date Palms EG02AA109jhp 
 Egypt Saqqara farmland field dates palm trees green crops plantation gives a very good idea of the reason for the location of this huge sprawling necropolis built along the desert escarpment well above the inundation zone of the River Nile. The fertile land supported the communities that built and later serviced these cult areas where the Valley Temple for instance would be the receiving place for offerings in memory of a particular Pharaoh after he became a God. The modern world needs food and these fertile areas still border the road from Cairo to Saqqara offering Egypt a substantial export business from dates to potatoes. 
 Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, Bedrashein, landscape, digital, recent, modern, roadside, palm, trees, fields, grass, agriculture, vegetables, fertile, farming, date-palms, plantation, crops, green
Saqqara Date Palms EG02AA108jhp 
 Saqqarah roadside Egyptian farming dates palms trees green crops plantation gives a very good idea of the reason for the location of this huge sprawling necropolis built along the desert escarpment well above the inundation zone of the River Nile. The fertile land supported the communities that built and later serviced these cult areas where the Valley Temple for instance would be the receiving place for offerings in memory of a particular Pharaoh after he became a God. The modern world needs food and these fertile areas still border the road from Cairo to Saqqara offering Egypt a substantial export business from dates to potatoes. 
 Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, Bedrashein, upright, digital, recent, modern, roadside, palm, trees, fields, grass, agriculture, vegetables, fertile, farming, date-palms, plantation, crops, green
Saqqara Date Palms EG02AA107jhp 
 Egypt Sakkara Cairo road farming date palms grass green crops plantation gives a very good idea of the reason for the location of this huge sprawling necropolis built along the desert escarpment well above the inundation zone of the River Nile. The fertile land supported the communities that built and later serviced these cult areas where the Valley Temple for instance would be the receiving place for offerings in memory of a particular Pharaoh after he became a God. The modern world needs food and these fertile areas still border the road from Cairo to Saqqara offering Egypt a substantial export business from dates to potatoes. 
 Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, Bedrashein, landscape, digital, recent, modern, roadside, palm, trees, fields, grass, agriculture, vegetables, fertile, farming, date-palms, plantation, crops, green
Saqqara Date Palms EG02AA106jhp 
 Egypt Saqqarah farmland lush date palms fertile green crops plantation gives a very good idea of the reason for the location of this huge sprawling necropolis built along the desert escarpment well above the inundation zone of the River Nile. The fertile land supported the communities that built and later serviced these cult areas where the Valley Temple for instance would be the receiving place for offerings in memory of a particular Pharaoh after he became a God. The modern world needs food and these fertile areas still border the road from Cairo to Saqqara offering Egypt a substantial export business from dates to potatoes. 
 Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, Bedrashein, upright, digital, recent, modern, roadside, palm, trees, fields, grass, agriculture, vegetables, fertile, farming, date-palms, plantation, crops, green, lush
Saqqara Date Palms EG02AA105jhp 
 Egypt Saqqara agriculture date palms fertile green crops plantation field gives a very good idea of the reason for the location of this huge sprawling necropolis built along the desert escarpment well above the inundation zone of the River Nile. The fertile land supported the communities that built and later serviced these cult areas where the Valley Temple for instance would be the receiving place for offerings in memory of a particular Pharaoh after he became a God. The modern world needs food and these fertile areas still border the road from Cairo to Saqqara offering Egypt a substantial export business from dates to potatoes. 
 Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, Bedrashein, landscape, digital, recent, modern, roadside, palm, trees, fields, grass, agriculture, vegetables, fertile, farming, date-palms, plantation, crops, green, lush
Saqqara Pyramid & Farmland EG051179jhp 
 Egypt Step Pyramid Saqqarah farming palm trunk woman walking carrying head fertile green crops desert backdrop and gives a very good idea of the reason for the location of this huge sprawling necropolis built along the desert escarpment well above the inundation zone of the River Nile. The fertile land supported the communities that built and later serviced these cult areas where the Valley Temple for instance would be the receiving place for offerings in memory of a particular Pharaoh after he became a God. In this case the unique and earliest stone built tomb, the Step Pyramid of King Djoser from 2500BC, the first experiment of the later true pyramid style is seen here towering above the fertile farming land that runs alongside the whole journey from Cairo. 
 Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, Bedrashein, Step, Pyramid, necropolis, landscape, digital, recent, history, antiquity, Egyptology, archaeology, ancient, history, desert, sand, reeds, palm, trees, fields, trunk, woman, walking, carrying, head, agriculture, vegetables, fertile, farming, date-palms, plantation, houses, donkey, crops, green, roadside
Saqqara Pyramid & Farmland EG051177jhp 
 Egypt Step Pyramid Saqqara date palms trunks framed desert contrast and gives a very good idea of the reason for the location of this huge sprawling necropolis built along the desert escarpment well above the inundation zone of the River Nile. The fertile land supported the communities that built and later serviced these cult areas where the Valley Temple for instance would be the receiving place for offerings in memory of a particular Pharaoh after he became a God. In this case the unique and earliest stone built tomb, the Step Pyramid of King Djoser from 2500BC, the first experiment of the later true pyramid style is seen here towering above the fertile farming land that runs alongside the whole journey from Cairo. 
 Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, Bedrashein, Step, Pyramid, necropolis, landscape, digital, recent, history, antiquity, Egyptology, archaeology, ancient, history, desert, sand, reeds, palm, trees, fields, agriculture, vegetables, fertile, farming, date-palms, plantation, houses, donkey, crops, green, roadside
Saqqara Pyramid & Farmland EG051175jhp 
 Egypt Step Pyramid Saqqarah fields palm trees bicycle green crops vegetables backdrop and gives a very good idea of the reason for the location of this huge sprawling necropolis built along the desert escarpment well above the inundation zone of the River Nile. The fertile land supported the communities that built and later serviced these cult areas where the Valley Temple for instance would be the receiving place for offerings in memory of a particular Pharaoh after he became a God. In this case the unique and earliest stone built tomb, the Step Pyramid of King Djoser from 2500BC, the first experiment of the later true pyramid style is seen here towering above the fertile farming land that runs alongside the whole journey from Cairo. 
 Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, Bedrashein, Step, Pyramid, necropolis, landscape, digital, recent, history, antiquity, Egyptology, archaeology, ancient, history, desert, sand, reeds, palm, trees, fields, agriculture, vegetables, fertile, farming, date-palms, plantation, houses, donkey, crops, green, roadside, cycling, cyclist, hut
Saqqara Pyramid & Farmland EG051173jhp 
 Egyptian Step Pyramid Saqqara fields farming date palms trees green crops desert backdrop and gives a very good idea of the reason for the location of this huge sprawling necropolis built along the desert escarpment well above the inundation zone of the River Nile. The fertile land supported the communities that built and later serviced these cult areas where the Valley Temple for instance would be the receiving place for offerings in memory of a particular Pharaoh after he became a God. In this case the unique and earliest stone built tomb, the Step Pyramid of King Djoser from 2500BC, the first experiment of the later true pyramid style is seen here towering above the fertile farming land that runs alongside the whole journey from Cairo. 
 Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, Bedrashein, Step, Pyramid, necropolis, upright, digital, recent, history, antiquity, Egyptology, archaeology, ancient, history, desert, sand, reeds, palm, trees, fields, agriculture, vegetables, fertile, farming, date-palms, plantation, houses, donkey, crops, green, roadside
Saqqara Pyramid & Farmland EG051171jhp 
 Egypt stone Step Pyramid Saqqara framed date palms fertile green desert backdrop and gives a very good idea of the reason for the location of this huge sprawling necropolis built along the desert escarpment well above the inundation zone of the River Nile. The fertile land supported the communities that built and later serviced these cult areas where the Valley Temple for instance would be the receiving place for offerings in memory of a particular Pharaoh after he became a God. In this case the unique and earliest stone built tomb, the Step Pyramid of King Djoser from 2500BC, the first experiment of the later true pyramid style is seen here towering above the fertile farming land that runs alongside the whole journey from Cairo. 
 Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, Bedrashein, Step, Pyramid, necropolis, upright, digital, recent, history, antiquity, Egyptology, archaeology, ancient, history, desert, sand, reeds, palm, trees, fields, agriculture, vegetables, fertile, farming, date-palms, plantation, houses, donkey, crops, green, roadside
Saqqara Pyramid & Farmland EG051170jhp 
 Egypt Step Pyramid Saqqara house palm trees fronds green desert backdrop and gives a very good idea of the reason for the location of this huge sprawling necropolis built along the desert escarpment well above the inundation zone of the River Nile. The fertile land supported the communities that built and later serviced these cult areas where the Valley Temple for instance would be the receiving place for offerings in memory of a particular Pharaoh after he became a God. In this case the unique and earliest stone built tomb, the Step Pyramid of King Djoser from 2500BC, the first experiment of the later true pyramid style is seen here towering above the fertile farming land that runs alongside the whole journey from Cairo. 
 Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, Bedrashein, Step, Pyramid, necropolis, landscape, telephoto, digital, recent, history, antiquity, Egyptology, archaeology, ancient, history, desert, sand, reeds, palm, trees, fields, agriculture, vegetables, fertile, farming, date-palms, plantation, houses, donkey, crops, green, roadside
Saqqara Pyramid & Farmland EG051169jhp 
 Egyptian Step Pyramid Saqqara Arabic house design date palms green desert backdrop and gives a very good idea of the reason for the location of this huge sprawling necropolis built along the desert escarpment well above the inundation zone of the River Nile. The fertile land supported the communities that built and later serviced these cult areas where the Valley Temple for instance would be the receiving place for offerings in memory of a particular Pharaoh after he became a God. In this case the unique and earliest stone built tomb, the Step Pyramid of King Djoser from 2500BC, the first experiment of the later true pyramid style is seen here towering above the fertile farming land that runs alongside the whole journey from Cairo. 
 Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, Bedrashein, Step, Pyramid, necropolis, landscape, Arabic, style, house, design, architecture, digital, recent, history, antiquity, Egyptology, archaeology, ancient, history, desert, sand, reeds, palm, trees, fields, agriculture, vegetables, fertile, farming, date-palms, plantation, houses, donkey, crops, green, roadside
Saqqara Pyramid & Farmland EG051167jhp 
 Egypt Step Pyramid Saqqara roadside farming date palms fertile green crops desert backdrop and gives a very good idea of the reason for the location of this huge sprawling necropolis built along the desert escarpment well above the inundation zone of the River Nile. The fertile land supported the communities that built and later serviced these cult areas where the Valley Temple for instance would be the receiving place for offerings in memory of a particular Pharaoh after he became a God. In this case the unique and earliest stone built tomb, the Step Pyramid of King Djoser from 2500BC, the first experiment of the later true pyramid style is seen here towering above the fertile farming land that runs alongside the whole journey from Cairo. 
 Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, Bedrashein, Step, Pyramid, necropolis, landscape, digital, recent, history, antiquity, Egyptology, archaeology, ancient, history, desert, sand, reeds, palm, trees, fields, agriculture, vegetables, fertile, farming, date-palms, plantation, houses, donkey, crops, green, roadside
Saqqara Tomb of Nefermerry 6885EG07JHP 
 Tomb Nefermerry Rock Cut Bedrock Near Causeway Unas Saqqara Egypt and the mastaba tomb at the gate. The Step Pyramid of King Djoser is visible from here and this is just another example of many such artefacts to see on this huge sprawling necropolis to the south of Cairo. The causeway has been substantially restored and has several fascinating carved reliefs of ancient Egyptian fish from the Nile and other animals that existed at the time. Advised by my custodian guide this was the Tomb of Nefermerry but I have been unable to find any support for this in guide or reference books and the only Google result is my own site - scary. 
 Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, Bedrashein, necropolis, Unas, pyramid, causeway, tomb, rockcut, Nefermerry, door, carvings, hieroglyphics, landscape, history, antiquity, Egyptology, archaeology, sand

Egypt > Valley of Kings Luxor (1 file)

Photographs of the Valley of the Kings from tomb interiors as well as exterior views of the valley including the tombs of Ramses 1V, KV 43 and 19.
Tomb Ramasses IV EG01716JHP 
 Ancient Egypt Tomb Ramses 1V [KV2] Ceiling Painted Nut Sky Goddess Interior in the Valley of the Kings on the West Bank of the River Nile at Luxor, the ancient Egyptian capital city of Thebes and is a spectacular example of true majesty with scale, colour and elaborate craftsmanship carved out of solid rock. This was the only opportunity I had of using a tripod, special ticket available in 2001 and I had a roll of tungsten artificial light balanced slide film which allowed long exposures and a decent depth of field. The custodians could not have been more helpful and even cleared areas for me to photograph free of visitors but oh for my D700 DSLR. 
 Keywords: Egypt, Luxor, West Bank, Thebes, Valley, Kings, Ramses, Ramasses, Ramesses, 1V, tomb, interior, inside, landscape, ancient, Egyptian, archaeology, Egyptology, tungsten, slide, scanned, burial, Nut, Shu, heavens, holding, supporting, nightsky, chamber, hieroglyphs, coloured, colored, colourful, colorful, colours, colors, painted, ceiling, stars, spells

Scotland > Aberdeen City (17 files)

This gallery includes all photographs connected with Aberdeen city from buildings, churches, streets, public parks, gardens, the University, Harbour and the beach. Places covered included Union Terrace Gardens, Cowdray Hall, Rosemount, HM Theatre, William Wallace Statue, Union Street, Castlegate, Citadel, Town House, Provost Skene House, Marsicahl College, Woolmanhill, Denburn Carpark, Johnston Gardens, Victoria Park, Duthie Park, Hazlehead Park, Piper Alpha Memorial, Seaton Park, Kings College, Elphinstone, Old Aberdeen, Fittie, Bridge of Don, AECC, Garthdee, Torry, Nigg, Pocra Quay
Aberdeen Harbour up767756jhp 
 Aberdeen harbour winter evening supply boat leaving Greyhope Road Scotland view looking in a sense at one of the oldest parts of Aberdeen, the probable part of early Aberdeen with occupation on the River Dee Estuary in Neolithic times to its continuing role as part of the harbour and centre for the oil industry with symbols of the 21st century anchored between trips to sea. Viewed here from Greyhope Road which begins at the seaward boundary of Torry and goes round the Nigg Bay headland to Girdleness Lighthouse, passing the Battery and Balnagask Golf Course. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, Torry, North East, Nigg, sea, Balnagask, Nigg Bay, golf course, beach, skyline, Greyhope Road, landscape, pilot house, maritime, new, marine operations centre, groyne, summer, coast, oil, industry, granite, silver, River, Dee, Victoria, Bridge, harbour, supply boats, dive support ship, mud, tanks, fuel, colourful, colorful, colourful, colours, colors, Fuji, S5Pro, December, winter, 2007
Aberdeen Harbour up767746jhp 
 Aberdeen River Dee Quays winter sunset supply boats berth Greyhope Road Scotland view looking in a sense at one of the oldest parts of Aberdeen, the probable part of early Aberdeen with occupation on the River Dee Estuary in Neolithic times to its continuing role as part of the harbour and centre for the oil industry with symbols of the 21st century anchored between trips to sea. Viewed here from Greyhope Road which begins at the seaward boundary of Torry and goes round the Nigg Bay headland to Girdleness Lighthouse, passing the Battery and Balnagask Golf Course. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, Torry, North East, Nigg, sea, Balnagask, Nigg Bay, golf course, beach, skyline, Greyhope Road, landscape, pilot house, maritime, new, marine operations centre, groyne, summer, coast, oil, industry, granite, silver, River, Dee, Victoria, Bridge, harbour, supply boats, dive support ship, mud, tanks, fuel, colourful, colorful, colourful, colours, colors, Fuji, S5Pro, December, winter, 2007
River Don Dyce zxc1797jhp 
 Scotland Aberdeen City River Don Water Dyce old railway bridge upstream on the outskirts of Aberdeen in North East Scotland on the road A947 to Newmachar and Oldmeldrum and where the road bridge passes over the River Don offering an attractive view of the river near the end of its journey before entering the North Sea at the Donmouth. The attractive historic bridge supported the railway when it once ran northwards to Ellon and beyond. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, River, Don, Dyce, landscape, reeds, water, ducks, goslings, swimming, countryside, rural, summer, June, trees, beech, peaceful, quiet, sun, sunshine, sparkling, water, 2014, digital, DSLR, D700, Nikon, camera, photograph
River Don Dyce zxc1789jhp 
 Scottish River Don Water ducks goslings Dyce Aberdeenshire bridges summer upstream on the outskirts of Aberdeen in North East Scotland on the road A947 to Newmachar and Oldmeldrum and where the road bridge passes over the River Don offering an attractive view of the river near the end of its journey before entering the North Sea at the Donmouth. The attractive historic bridge supported the railway when it once ran northwards to Ellon and beyond. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, River, Don, Dyce, landscape, reeds, water, ducks, goslings, swimming, countryside, rural, summer, June, trees, beech, peaceful, quiet, sun, sunshine, sparkling, water, 2014, digital, DSLR, D700, Nikon, camera, photograph
Aberdeen Harbour Boats UP684122jhp 
 Aberdeen River Dee Mearns Quay supply boats Victoria Bridge summer view looking in a sense at one of the oldest parts of Aberdeen, the probable part of early Aberdeen with occupation on the River Dee Estuary in Neolithic times to its continuing role as part of the harbour and centre for the oil industry with icons of the 21st century anchored between trips to sea. Viewed here from Greyhope Road which begins at the seaward boundary of Torry and goes round the Nigg Bay headland to Girdleness Lighthouse, passing the Battery and Balnagask Golf Course. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, Torry, North East, Nigg, sea, Balnagask, Greyhope Road, Mearns, Quay, landscape, summer, coast, oil, industry, granite, silver, River, Dee, Victoria, Bridge, harbour, supply boats, dive support ship, mud, tanks, fuel, colourful, colorful, colourful, colours, colors
Aberdeen Harbour Boats UP684089jhp 
 Aberdeen River Dee Mearns Quay supply boats berth Greyhope Road Scotland view looking in a sense at one of the oldest parts of Aberdeen, the probable part of early Aberdeen with occupation on the River Dee Estuary in Neolithic times to its continuing role as part of the harbour and centre for the oil industry with symbols of the 21st century anchored between trips to sea. Viewed here from Greyhope Road which begins at the seaward boundary of Torry and goes round the Nigg Bay headland to Girdleness Lighthouse, passing the Battery and Balnagask Golf Course. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, Torry, North East, Nigg, sea, Balnagask, skyline, Greyhope Road, landscape, summer, coast, oil, industry, granite, silver, River, Dee, Victoria, Bridge, harbour, supply boats, dive support ship, mud, tanks, fuel, colourful, colorful, colourful, colours, colors
Aberdeen Balnagask View UP684135jhp 
 Aberdeen River Dee Mearns Quay supply boats berth Balnagask allotments view looking in a sense at one of the oldest parts of Aberdeen, the probable part of early Aberdeen with occupation on the River Dee Estuary in Neolithic times to its continuing role as part of the harbour and centre for the oil industry with symbols of the 21st century anchored between trips to sea. Viewed here from Balnagask Golf Course on the seaward boundary of Torry and goes round the Nigg Bay headland to Girdleness Lighthouse, passing the Battery. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, Torry, North, East, Balnagask, westwards, golf course, skyline, Greyhope Road, landscape, summer, coast, oil, industry, granite, silver, River, Dee, Victoria, Bridge, Mearns, Quay, harbour, supply boats, dive support ship, mud, tanks, fuel, colourful, colorful, colourful, colours, colors
Aberdeen Marine Centre UP684118JHP 
 Trawler Sailing Aberdeen Harbour Maritime Operations Centre Greyhope Road View of converted ship for offshore safety work leaves Aberdeen harbour past the new Marine Operations Centre on the North Pier at Footdee viewed from below Greyhope Road 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, Footdee, Fittie, 'Pocra Quay', sea, beach, skyline, Greyhope Road, landscape, 'pilot house', maritime, new, lifebelt, 'marine operations centre', trawler, safety, support, offshore, summer, coast, oil, industry, River Dee, harbour, colourful, colorful colourful colours colors.
Aberdeen Marine Centre UP684117JHP 
 Aberdeen City Scottish Trawler Departs Harbour Maritime Operations Centre Photo converted for offshore safety work leaves Aberdeen harbour past the new Marine Operations Centre on the North Pier at Footdee viewed from below Greyhope Road 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, Footdee, Fittie, 'Pocra Quay', sea, skyline, Greyhope Road, upright, 'pilot house', maritime, new, lifebelt, 'marine operations centre', trawler, safety, support, offshore, coast, oil, industry, River Dee, colourful, colorful colourful colours colors
Aberdeen Harbour Sailing UP684112JHP 
 Greyhope Road Trawler Harbour Windlass Footdee River Dee Aberdeen Coast a boat with images of the old fishing past but now in modern guise as offshore safety support vessel and here leading offshore workers for training as they leave Aberdeen harbour passing Pocra Quay with its mud tanks a symbol of the modern oil industry 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, sea, skyline, Greyhope Road, landscape, pilot, house, maritime, new, marine, operations, centre, trawler, safety, training' mud-tanks, Pocra Quay, Footdee, Fittie, clouds, summer, coast, oil, industry, granite, silver, River Dee, harbour, supply boats, fishing, fish-market, trawler, colourful, colorful colourful colours colors
Aberdeen Supply Ship at Sea SO280052JHP 
 Aberdeen Scotland North Sea Pilot Boat Oil Support Supply Vessel about to enter the Harbour mouth . 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, sea, ship, supplyboat, pilot boat, at sea, horizon, landscape, pilot house, maritime, new, lifebelt, marine operations centre, summer, coast, oil, industry, harbour, supply boat, colourful, colorful, colourful, colours, colors
Aberdeen Oil Support Vessels SO280058JHP 
 Abereen Harbour Torry Oil Industry Diving Support Vessels Helicopter Deck and large rear mounted cranes for subsea and diving support work at anchor in River Dee part of Aberdeen Harbour adjacent to the Torry area of the city. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, Torry, sea, ship, horizon, Balnagask, skyline, Greyhope Road, upright, clouds, summer, oil, industry, River Dee, harbour, supply boats, dive support ship, helideck, colourful, colorful, colourful, colours, colors
Aberdeen Diving Support Vessel SO280057JHP 
 Diving Support Vessel Helicopter Landing Deck Torry Aberdeen River Dee and large stern crane for subsea operations looking vaguely like Star Trek at anchor in River Dee part of Aberdeen Harbour 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, Torry, sea, ship, horizon, Balnagask, skyline, Greyhope Road, landscape, clouds, summer, oil, industry, River Dee, harbour, supply boats, dive support ship, helideck, colourful, colorful, colourful, colours, colors
Aberdeen Harbour Pocra Quay SO280045JHP 
 Aberdeen Harbour Pocra Quay Viewpoint Oil Support Vessel Quayside Mudtanks with large helicopter landing deck or helideck protroding over its bows anchored alongside mudtanks and beyond is a white cruise liner at berth with the skyline of Aberdeen City centre in the distance. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, Nigg, Girdleness, 'Pocra Quay', sea, ship, diving, support, vessel, supply boat, helideck, oil, industry, cruise liner, bollard, quayside, anchor, berth, harbour, mudtanks, skyline, upright, maritime, summer, granite, silver, colourful, colorful, colourful, colours, colors
Aberdeen Harbour Pocra Quay SO280043JHP 
 Aberdeen City Skyline Harbour Pocra Quay Summer Panorama Photo with a large oil industry diving support vessel at anchor with a line of mud tnaks in the background 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, Nigg, Girdleness, 'Pocra Quay', sea, ship, diving, support, vessel, supply boat, helideck, oil, industry, cruise liner, bollard, quayside, anchor, berth, harbour, mudtanks, skyline, landscape, maritime, summer, granite, silver, colourful, colorful, colourful, colours, colors
Aberdeen Harbour Sunset SO266062JHP 
 Summer Scottish Sunset Aberdeen City Harbour Greyhope Road View Sunbeams 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, Nigg, Girdleness, lighthouse, foghorn, Torry Coo, graffiti, art, painting, sea, ship, horizon, Balnagask, Nigg Bay, golf course, beach, skyline, summer, sunset, clouds, Greyhope Road, upright, pilot house, maritime, new, lifebelt, marine operations centre, groyne, sand, swimming, cirrus, clouds, sunrise, summer, coast, oil, industry, granite, silver, River, Dee, Don, Estuary, Bridge, harbour, ferry, pilot boat, supply boats, dive support ship, fishing boat, fishing, fish-market, fish, trawler, fishermen, boxes, unloading, silhouette, figures, dwindling, conservation, quotas, colourful, colorful, colourful, colours, colors
Aberdeen Harbour View SO259062JHP 
 Scottish Coast Aberdeen Harbour Highview Victoria Dock Citadel Tower Viewpoint with four oil support vessels at berth in the Upper Dock taken from the Citadel Tower in the Castlegate. The main ferry departure point to the Shetland and the orkney Islands is at the extreme left of the view where the white van is parked. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, summer, Citadel, high, viewpoint, Victoria Dock, southwards, coast, oil, industry, granite, silver, River Dee, railway, Estuary, harbour

Scotland > Aberdeenshire (8 files)

This gallery includes rural, scenic and landscape subjects of the Shire, including Kincardineshire, Mearns, Garioch, Buchan Strathbogie and Mar.
Kintore bnm8863jhp 
 Kintore Town House main street Scottish summer flower displays shops sunny colourful main street centre passed situated on the River Don but now bypassed on the main Aberdeen Huntly road before reaching Thainstone and Inverurie. It is a town with a long historical importance with its Burgh claim dating to Kenneth 11 although no actual document exists. The Town House in this photo dates from 1737 and took ten years to build under the charge of the Earl of Kintore. Adjacent to the flat floodplain for the river there is evidence of ancient occupation with a recently excavated Stone Circle on Truach Hill supporting this. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, River, Don, road, bridge, girder, Garioch, Kintore, town, house, burgh, historic, hall, clock tower, face, stonework, steps, flowers, flora, floral, displays, hanging, basket, colours, colourful, silver, birch, trees, backdrop, landscape, summer, bypassed, main street, 2017, August, summer, Nikon, D700, DSLR, camera, digital
Kintore bnm8862jhp 
 Kintore Town House Donside Scotland summer flower display street overhanging colourful centre passed situated on the River Don but now bypassed on the main Aberdeen Huntly road before reaching Thainstone and Inverurie. It is a town with a long historical importance with its Burgh claim dating to Kenneth 11 although no actual document exists. The Town House in this photo dates from 1737 and took ten years to build under the charge of the Earl of Kintore. Adjacent to the flat floodplain for the river there is evidence of ancient occupation with a recently excavated Stone Circle on Truach Hill supporting this. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, River, Don, road, bridge, girder, Garioch, Kintore, town, house, burgh, historic, hall, clock tower, face, stonework, steps, flowers, flora, floral, displays, hanging, basket, colours, colourful, silver, birch, trees, backdrop, landscape, summer, bypassed, main street, 2017, August, summer, Nikon, D700, DSLR, camera, digital
Kintore bnm8858jhp 
 Kintore Town House Aberdeenshire Scottish summer flowers display stand colourful main street centre passed situated on the River Don but now bypassed on the main Aberdeen Huntly road before reaching Thainstone and Inverurie. It is a town with a long historical importance with its Burgh claim dating to Kenneth 11 although no actual document exists. The Town House in this photo dates from 1737 and took ten years to build under the charge of the Earl of Kintore. Adjacent to the flat floodplain for the river there is evidence of ancient occupation with a recently excavated Stone Circle on Truach Hill supporting this. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, River, Don, road, bridge, girder, Garioch, Kintore, town, house, burgh, historic, hall, clock tower, face, stonework, steps, flowers, flora, floral, displays, hanging, basket, colours, colourful, silver, birch, trees, backdrop, landscape, upright, summer, bypassed, main street, 2017, August, summer, Nikon, D700, DSLR, camera, digital
Kintore bnm8856jhp 
 Kintore Town House Donside Aberdeenshire Scotland summer flower displays colourful main street centre passed situated on the River Don but now bypassed on the main Aberdeen Huntly road before reaching Thainstone and Inverurie. It is a town with a long historical importance with its Burgh claim dating to Kenneth 11 although no actual document exists. The Town House in this photo dates from 1737 and took ten years to build under the charge of the Earl of Kintore. Adjacent to the flat floodplain for the river there is evidence of ancient occupation with a recently excavated Stone Circle on Truach Hill supporting this. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, River, Don, road, bridge, girder, Garioch, Kintore, town, house, burgh, historic, hall, clock tower, face, stonework, steps, flowers, flora, floral, displays, hanging, basket, colours, colourful, silver, birch, trees, backdrop, landscape, summer, bypassed, main street, 2017, August, summer, Nikon, D700, DSLR, camera, digital
Kintore Town Hall wyy9241jhp 
 Kintore Town Donside Scotland birch House flowers summer display town centre situated near the River Don but now bypassed on the main Aberdeen Huntly road before reaching Thainstone and Inverurie. It is a town with a long historical importance with its Burgh claim dating to Kenneth 11 although no actual document exists. The Town House in this photo dates from 1737 and took ten years to build under the charge of the Earl of Kintore. Adjacent to the flat floodplain for the river there is evidence of ancient occupation with a recently excavated Stone Circle on Truach Hill supporting this. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, River, Don, Garioch, Kintore, town, house, burgh, historic, hall, flowers, flora, floral, displays, colours, colourful, silver, birch, trees, backdrop, upright, summer, bypassed
Kintore Town Hall wyy9235jhp 
 Kintore Town Donside Aberdeenshire Scottish flowers displays colours House summer situated near the River Don but now bypassed on the main Aberdeen Huntly road before reaching Thainstone and Inverurie. It is a town with a long historical importance with its Burgh claim dating to Kenneth 11 although no actual document exists. The Town House in this photo dates from 1737 and took ten years to build under the charge of the Earl of Kintore. Adjacent to the flat floodplain for the river there is evidence of ancient occupation with a recently excavated Stone Circle on Truach Hill supporting this. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, River, Don, Garioch, Kintore, town, house, burgh, historic, hall, flowers, flora, floral, displays, colours, colourful, silver, birch, trees, backdrop, landscape, market, summer, bypassed
Kintore Town Hall wyy9230jhp 
 Kintore Town House summer tree street Donside Aberdeenshire Scotland centre situated near the River Don but now bypassed on the main Aberdeen Huntly road before reaching Thainstone and Inverurie. It is a town with a long historical importance with its Burgh claim dating to Kenneth 11 although no actual document exists. The Town House in this photo dates from 1737 and took ten years to build under the charge of the Earl of Kintore. Adjacent to the flat floodplain for the river there is evidence of ancient occupation with a recently excavated Stone Circle on Truach Hill supporting this. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, River, Don, Garioch, Kintore, town, house, burgh, historic, hall, flowers, flora, floral, displays, colours, colourful, silver, birch, trees, backdrop, landscape, summer, bypassed, blue, sky
Kintore Town Hall wyy9223jhp 
 Kintore Town Donside Aberdeenshire Scottish flowers displays summer Hall House centre situated on the River Don but now bypassed on the main Aberdeen Huntly road before reaching Thainstone and Inverurie. It is a town with a long historical importance with its Burgh claim dating to Kenneth 11 although no actual document exists. The Town House in this photo dates from 1737 and took ten years to build under the charge of the Earl of Kintore. Adjacent to the flat floodplain for the river there is evidence of ancient occupation with a recently excavated Stone Circle on Truach Hill supporting this. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, River, Don, Garioch, Kintore, town, house, burgh, historic, hall, flowers, flora, floral, displays, colours, colourful, silver, birch, trees, backdrop, landscape, market, summer, bypassed

Scotland > Aberdeenshire Coast (15 files)

Pictures in this library relate to the sea and the coasts around Aberdeenshire from St Cyrus to the Moray Firth along to Cullen and include fishing villages of Gourdon, Johnshaven, the town of Stonehaven, beach at Balmedie, Cruden Bay, Forvie, Bodham Point near Peterhead, Fraserburgh, Rosehearty, Pennan, Macduff, Banff, Whitehills, Portsoy, Sandend, Portknockie, Bow Fiddle Rock.
MacDuff Anchor UP041232jhp 
 Macduff harbour anchor snow Scottish winter stormy clouds sea Aberdeenshire Doune church sea is a town adjacent to Banff divided by the River Deveron and remains a busy fishing harbour supporting its own trawler fleet with fishmarket and its excellent facilities expanding for the watersport and pleasure sailing industry. This view is located at Doune Church on Station Brae with a possible 18th Century sailing ship anchor and a cross erected in 1783 to mark the creation of Macduff as a Burgh here looking towards the town centre and harbour of MacDuff and out to the Moray Firth. 
 Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Macduff, sea, Moray, Firth, town, fishing, port, buildings, landscape, harbour, Doune, church, anchor, viewpoint, cross, station, brae, winter, snow, lying, stormy, dark, clouds, ominous, dramatic, light, February, 2007, morning, Finepix, Fuji, S3Pro, DSLR, camera, digital
MacDuff Anchor UP041231jhp 
 Macduff harbour anchor Aberdeenshire Scotland Doune church snow winter stormy sea is a town adjacent to Banff divided by the River Deveron and remains a busy fishing harbour supporting its own trawler fleet with fishmarket and its excellent facilities expanding for the watersport and pleasure sailing industry. This view is located at Doune Church on Station Brae with a possible 18th Century sailing ship anchor and a cross erected in 1783 to mark the creation of Macduff as a Burgh here looking towards the town centre and harbour of MacDuff and out to the Moray Firth. 
 Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Macduff, sea, Moray, Firth, town, fishing, port, buildings, landscape, upright, harbour, Doune, church, anchor, viewpoint, cross, station, brae, winter, snow, lying, stormy, dark, clouds, ominous, dramatic, light, February, 2007, morning, Finepix, Fuji, S3Pro, DSLR, camera, digital
Macduff Harbour jkl9062jhp 
 Macduff Fishing Boats trawlers Georgia Kairos Harbour Aberdeenshire Scottish spring boats on north coast by Deveron Estuary and adjacent to Banff and remains a busy harbour supporting its own trawler fleet, boat repairs and its excellent facilities expanding for the watersport and pleasure sailing industry. 
 Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Banff, church, Doune, Macduff, anchor, white, pier, lighthouse, sea, Moray, Firth, town, fishing, port, trawlers, boats, buildings, landscape, harbour, spring, blue, sky, Jacobite, Legend, pleasure, boat, Georgia, Dawn, Kairos
Macduff Harbour jkl9061jhp 
 Macduff Fishing trawlers bows Harbour Aberdeenshire Scotland spring Georgia Dawn boats on north coast by Deveron Estuary and adjacent to Banff and remains a busy harbour supporting its own trawler fleet, boat repairs and its excellent facilities expanding for the watersport and pleasure sailing industry. 
 Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Banff, church, Doune, Macduff, anchor, white, pier, lighthouse, sea, Moray, Firth, town, fishing, port, trawlers, boats, buildings, upright, harbour, spring, blue, sky, Jacobite, Legend, pleasure, boat, Georgia, Dawn, Kairos
Macduff Harbour jkl9060jhp 
 Macduff trawlers Kairos Jocobite legend Harbour Aberdeenshire Scottish spring boats on north coast by Deveron Estuary and adjacent to Banff and remains a busy harbour supporting its own trawler fleet, boat repairs and its excellent facilities expanding for the watersport and pleasure sailing industry. 
 Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Banff, church, Doune, Macduff, anchor, white, pier, lighthouse, sea, Moray, Firth, town, fishing, port, trawlers, boats, buildings, landscape, harbour, spring, blue, sky, Jacobite, Legend, pleasure, boat, Georgia, Dawn, Kairos, colours
Macduff Harbour jkl9059jhp 
 Macduff Fishing church lighthouse trawler Harbour Aberdeenshire Scotland spring boats on north coast by Deveron Estuary and adjacent to Banff and remains a busy harbour supporting its own trawler fleet, boat repairs and its excellent facilities expanding for the watersport and pleasure sailing industry. 
 Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Banff, church, Doune, Macduff, anchor, white, pier, lighthouse, sea, Moray, Firth, town, fishing, port, trawlers, boats, buildings, landscape, harbour, spring, blue, sky, Jacobite, Legend, pleasure, boat, Georgina
Macduff Harbour jkl9058jhp 
 Macduff Fishing Boats trawlers Discovery Georgia Dawn Harbour Jacobite Aberdeenshire Scotland spring boats on north coast by Deveron Estuary and adjacent to Banff and remains a busy harbour supporting its own trawler fleet, boat repairs and its excellent facilities expanding for the watersport and pleasure sailing industry. 
 Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Banff, church, Doune, Macduff, anchor, white, pier, lighthouse, sea, Moray, Firth, town, fishing, port, trawlers, boats, buildings, landscape, harbour, spring, blue, sky, Jacobite, Legend, pleasure, boat, Georgia, Dawn, Discovery, Avoch
Macduff Harbour jkl9057jhp 
 Macduff Fishing Boat Charisma Harbour Banff lighthouse Aberdeenshire Scottish spring boats on north coast by Deveron Estuary and adjacent to Banff and remains a busy harbour supporting its own trawler fleet, boat repairs and its excellent facilities expanding for the watersport and pleasure sailing industry. 
 Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Banff, church, Doune, Macduff, anchor, white, pier, lighthouse, sea, Moray, Firth, town, fishing, port, trawlers, boats, buildings, upright, harbour, spring, blue, sky, pleasure, boat, Charisma
Macduff Harbour jkl9056jhp 
 Macduff Fishing Boat Charisma trawler Northern Viking Harbour Aberdeenshire Scottish spring boats on north coast by Deveron Estuary and adjacent to Banff and remains a busy harbour supporting its own trawler fleet, boat repairs and its excellent facilities expanding for the watersport and pleasure sailing industry. 
 Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Banff, church, Doune, Macduff, anchor, white, pier, lighthouse, sea, Moray, Firth, town, fishing, port, trawlers, boats, buildings, landscape, harbour, spring, blue, sky, Northern, Viking, Charisma, pleasure, boat
Macduff Harbour jkl9055jhp 
 Macduff Fishing Boat trawler Vision Harbour Church Doune Banff Aberdeenshire Scotland spring boats on north coast by Deveron Estuary and adjacent to Banff and remains a busy harbour supporting its own trawler fleet, boat repairs and its excellent facilities expanding for the watersport and pleasure sailing industry. 
 Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Banff, church, Doune, Macduff, anchor, white, pier, lighthouse, sea, Moray, Firth, town, fishing, port, trawlers, boats, buildings, landscape, harbour, spring, blue, sky, pleasure, boat, Vision
Macduff Harbour jkl9054jhp 
 Macduff Fishing Boat church trawler Harbour Moray Firth Aberdeenshire Scotland spring on north coast by Deveron Estuary and adjacent to Banff and remains a busy harbour supporting its own trawler fleet, boat repairs and its excellent facilities expanding for the watersport and pleasure sailing industry. 
 Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Banff, church, Doune, Macduff, anchor, white, pier, lighthouse, sea, Moray, Firth, town, fishing, port, trawlers, boats, buildings, landscape, harbour, spring, blue, sky, Jacobite, Legend, pleasure, boat, Georgina
Trawlers Macduff TO190050JHP 
 Macduff Harbour Trawlers Fishing Port Moray Firth Aberdeenshire Scotland north coast by Deveron Estuary and adjacent to Banff and remains a busy harbour supporting its own trawler fleet and its excellent facilities expanding for the watersport and pleasure sailing industry. 
 Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Macduff, sea, Moray, Firth, town, fishing, port, trawlers, boats, buildings, landscape, harbour, spring
Macduff Panorama TO190052JHP 
 Macduff Anchor View Fishing Port Harbour Moray Firth Aberdeenshire Photo on north coast by Deveron Estuary and adjacent to Banff and remains a busy harbour supporting its own trawler fleet and its excellent facilities expanding for the watersport and pleasure sailing industry. 
 Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Macduff, sea, Moray, Firth, town, fishing, port, trawlers, boats, buildings, spring, landscape, panorama, harbour, anchor, viewpoint, town, cross, station, brae
Macduff Harbour TO190047JHP 
 Macduff Fishing Boat Stern Harbour Reflections Moray Firth Aberdeenshire Photograph on north coast by Deveron Estuary and adjacent to Banff and remains a busy harbour supporting its own trawler fleet and its excellent facilities expanding for the watersport and pleasure sailing industry. 
 Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Macduff, sea, Moray, Firth, town, fishing, port, trawlers, boats, buildings, landscape, harbour, spring
Macduff Anchor View TO190055JHP 
 Macduff Anchor View Fishing Port Sea Moray Firth Spring Aberdeenshire Scotland north coast by Deveron Estuary and adjacent to Banff and remains a busy harbour supporting its own trawler fleet and its excellent facilities expanding for the watersport and pleasure sailing industry. 
 Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Macduff, sea, Moray, Firth, town, fishing, port, trawlers, boats, buildings, spring, landscape, harbour, anchor, viewpoint, town, cross, station, brae

Scotland > Ancient Stones (1 file)

The gallery has photos of ancient Scottish sites such as recumbent stone circles, stone circles, long cairns, Pictish carvings and early fortifications including Tap ONoth, Bennachie, Kinord, and most of the following:
Aikey Brae RSC; Balquhain Stone Circle; Brandsbutt Stone; Broomend of Crichie Henge and Pictish Symbol Stone; Castle Fraser Stone Circle; Consumption Dykes, Kingswells; Corsedarder Memorial; Cothiemuir Wood RSC; Craigearn Standing Stone; Craw Stane, Rhynie; Cullerlie Stone Circle; Culsh earthhouse or souterrain; Easter Aquthorthies RSC; Eslie the Greater RSC; Eslie the Lessler RSC; Garrol Wood RSC; Glassel Stone Circle; Kinord Cross; Kirkton of Bourtie RSC; Loanhead of Daviot RSC; Long Cairn, Corsedarder; Maidenstone Symbol Stone; Mid Mar Stone Circle; Nine Staines RSC; Picardy Pictish Symbol Stone; Strichen RSC; Sueno Stone, Forres; Sunhoney RSC; Tomnaverie RSC;

Broomend of Crichie Henge TO187055JHP 
 Broomend Crichie Henge Stones Monoliths Pictish Symbol Stone Aberdeenshire Inverurie is located to the south of Inverurie above the River Don and is part of large late neolithic ceremonial centre now mostly destroyed. The henge was recently excavated by Reading University and further buried cremated bones in Beaker pottery urns were found supporting previous finds made in Victorian times 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, Inverurie, Port, Elphinstone, Broomend, Crichie, River, Don, ceremonial, centre, Henge, Standing, Stones, Pictish, symbol, carvings, Stone, Circle, Ring, Cairn, landscape, excavation, Reading University, urns, Beaker, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, bone, radiocarbon, dating, monument, avenue, monoliths,

Scotland > Banff & Buchan (17 files)

Photographs of the Banff and Buchan area of Aberdeenshire in North East Scotland that do not fit into other specialist categories or particularly illustrate the nature of the area.
New Byth bnm2891jhp 
 New Byth village Buchan Aberdeenshire Scottish May spring rolling fields seeded near Cuminestown was built around the late 1700’s as part of a process by the landowners to support the increased agriculture of this northern area of Aberdeenshire. The Buchan province whose name means “land at the bend in the ocean” was underdeveloped but was developed as part of the enlightenment as landowners sought to improve their estates and the overall agriculture of the land. Nearby Cuminestown was one of the first founded in 1761 by Joseph Cumine and New Byth followed soon afterwards and later followed by other Central Buchan villages like Maud, Mintlaw and New Deer. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Bennachie, Buchan, New, Byth, central, village, planned, small, farming, farmland, ploughed, fields, blue, sky, landscape, Corsegight, hill, May, 2016, spring, DSLR, Nikon, D700, digital, camera
New Byth bnm2890jhp 
 New Byth village central Buchan Aberdeenshire Scotland planned May spring fields near Cuminestown was built around the late 1700’s as part of a process by the landowners to support the increased agriculture of this northern area of Aberdeenshire. The Buchan province whose name means “land at the bend in the ocean” was underdeveloped but was developed as part of the enlightenment as landowners sought to improve their estates and the overall agriculture of the land. Nearby Cuminestown was one of the first founded in 1761 by Joseph Cumine and New Byth followed soon afterwards and later followed by other Central Buchan villages like Maud, Mintlaw and New Deer. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Bennachie, Buchan, New, Byth, central, village, planned, small, farming, farmland, ploughed, fields, blue, sky, landscape, Corsegight, hill, May, 2016, spring, DSLR, Nikon, D700, digital, camera
MacDuff Anchor fgh5205jhp 
 Macduff Aberdeenshire autumn anchor parish church cross cirrus blue sky situated in a seaport adjacent to Banff and divided by the River Deveron and remains a busy fishing harbour supporting its own trawler fleet with fishmarket and its excellent facilities expanding for the watersport and pleasure sailing industry. 
 Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Macduff, sea, Moray, Firth, town, fishing, port, trawlers, boats, buildings, upright, harbour, Doune, parish, church, anchor, viewpoint, town, cross, station, brae, blue, sky, autumn, sunhsine
MacDuff Anchor fgh5204jhp 
 Macduff Aberdeenshire Doune anchor parish church cross cirrus blue sky situated in a seaport adjacent to Banff and divided by the River Deveron and remains a busy fishing harbour supporting its own trawler fleet with fishmarket and its excellent facilities expanding for the watersport and pleasure sailing industry. 
 Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Macduff, sea, Moray, Firth, town, fishing, port, trawlers, boats, buildings, landscape: upright, harbour, Doune, church, anchor, viewpoint, town, cross, station, brae, autumn, sunhsine, blue, sky
MacDuff & Anchor fgh5202jhp 
 Macduff fishing port Moray Firth Aberdeenshire Doune anchor autumn sun is a seaport adjacent to Banff and divided by the River Deveron and remains a busy fishing harbour supporting its own trawler fleet with fishmarket and its excellent facilities expanding for the watersport and pleasure sailing industry. 
 Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Macduff, sea, Moray, Firth, town, fishing, port, harbour, trawlers, boats, buildings, upright, harbour, Doune, church, anchor, viewpoint, town, cross, station, brae
MacDuff & Anchor fgh5201jhp 
 Macduff Scottish fishing port Moray Firth Buchan Banff Doune anchor autumn sun is a seaport adjacent to Banff and divided by the River Deveron and remains a busy fishing harbour supporting its own trawler fleet with fishmarket and its excellent facilities expanding for the watersport and pleasure sailing industry. 
 Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Macduff, sea, Moray, Firth, town, fishing, port, trawlers, boats, buildings, landscape, harbour, Doune, church, anchor, viewpoint, town, cross, station, brae
MacDuff & Anchor fgh5199jhp 
 Macduff town port sea wall view Aberdeenshire Doune anchor autumn sun is a seaport adjacent to Banff and divided by the River Deveron and remains a busy fishing harbour supporting its own trawler fleet with fishmarket and its excellent facilities expanding for the watersport and pleasure sailing industry. 
 Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Macduff, sea, Moray, Firth, town, fishing, port, trawlers, boats, buildings, landscape, harbour, Doune, church, anchor, viewpoint, town, cross, station, brae, wall, steps, rails
MacDuff & Anchor fgh5195jhp 
 Macduff town centre skyline autumn Aberdeenshire anchor sun viewpoint brae is a seaport adjacent to Banff and divided by the River Deveron and remains a busy fishing harbour supporting its own trawler fleet with fishmarket and its excellent facilities expanding for the watersport and pleasure sailing industry. It is viewed here from Station Brae with a possible 18th Century sailing ship anchor and a cross erected in 1783 to mark the creation of Macduff as a Burgh here looking towards the town centre and harbour of MacDuff. 
 Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Macduff, sea, Moray, Firth, town, centre, houses, buildings, fishing, port, trawlers, boats, buildings, landscape, harbour, Doune, church, anchor, viewpoint, town, cross, station, brae, grass, autumn, sunshine, blue, sky
Banff fm MacDuff fgh5193jhp 
 Macduff Banff town centre Aberdeenshire Scotland autumn Deveron estuary station brae view to Banff and divided by the River Deveron but remains a busy fishing harbour supporting its own trawler fleet with fishmarket and its excellent facilities expanding for the watersport and pleasure sailing industry. This is the view from Station Brae by Doune Church looking westwards over the Deveron Estuary to Banff main town centre. 
 Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Banff, Burgh, centre, Macduff, sea, Moray, Firth, town, River, Deveron, estuary, westwards, coastline, port, buildings, landscape, anchor, viewpoint, station, brae, blue, sky, cirrus, clouds, autumn, sand, beaches
Banff fm MacDuff fgh5192jhp 
 Macduff Banff autumn Aberdeenshire Scottish coast Deveron estuary station brae view to Banff and divided by the River Deveron but remains a busy fishing harbour supporting its own trawler fleet with fishmarket and its excellent facilities expanding for the watersport and pleasure sailing industry. This is the view from Station Brae by Doune Church looking westwards along the Moray Firth coastline over the Deveron Estuary, Banff and its Bay. 
 Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Banff, Macduff, sea, Moray, Firth, town, River, Deveron, estuary, westwards, coastline, port, buildings, landscape, anchor, viewpoint, station, brae, blue, sky, autumn
Banff & Estuary fgh5197jhp 
 Macduff Banff Aberdeenshire Scotland coast Deveron estuary station brae viewpoint to Banff and divided by the River Deveron but remains a busy fishing harbour supporting its own trawler fleet with fishmarket and its excellent facilities expanding for the watersport and pleasure sailing industry. This is the view from Station Brae by Doune Church looking westwards along the Moray Firth coastline over the Deveron Estuary, Banff and its Bay. 
 Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Banff, Macduff, sea, Moray, Firth, town, River, Deveron, estuary, westwards, coastline, port, buildings, landscape, anchor, viewpoint, station, brae, blue, sky, cirrus, clouds, autumn, sand, beaches
Banff & Estuary fgh5196jhp 
 Macduff Banff Moray Firth Aberdeenshire Scottish coast Deveron estuary panorama view to Banff and divided by the River Deveron but remains a busy fishing harbour supporting its own trawler fleet with fishmarket and its excellent facilities expanding for the watersport and pleasure sailing industry. This is the view from Station Brae by Doune Church looking westwards along the Moray Firth coastline over the Deveron Estuary, Banff and its Bay. 
 Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Banff, Macduff, sea, Moray, Firth, town, River, Deveron, estuary, westwards, coastline, port, buildings, landscape, anchor, viewpoint, station, brae, panorama, blue, sky, cirrus, clouds, autumn, sand, beaches
Macduff Station Brae qwe3204jhp 
 Macduff Banff Moray Aberdeenshire Scottish coast Deveron estuary station brae is adjacent to Banff and divided by the River Deveron but remains a busy fishing harbour supporting its own trawler fleet with fishmarket and its excellent facilities expanding for the watersport and pleasure sailing industry. This is the view from Station Brae by Doune Church looking westwards along the Moray Firth coastline over the Deveron Estuary, Banff and its Bay. 
 Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Macduff, sea, Moray, Firth, town, River, Deveron, estuary, westwards, coastline, port, buildings, landscape, anchor, viewpoint, station, brae
Macduff Station Brae qwe3199jhp 
 Macduff fishing port Moray Firth Aberdeenshire Doune anchor station brae is adjacent to Banff and divided by the River Deveron but remains a busy fishing harbour supporting its own trawler fleet with fishmarket and its excellent facilities expanding for the watersport and pleasure sailing industry. The anchor which dominates this view of Macduff from Station Brae is held to be from an 18th Century sailing ship and dragged up in the nets of a local fishing trawler. 
 Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Macduff, sea, Moray, Firth, town, fishing, port, trawlers, boats, buildings, landscape, upright, harbour, anchor, viewpoint, station, brae
Macduff Station Brae qwe3193jhp 
 Macduff Scottish port Moray Firth Aberdeenshire Doune anchor memorial photo is adjacent to Banff but divided by the River Deveron and remains a busy fishing harbour supporting its own trawler fleet with fishmarket and its excellent facilities expanding for the watersport and pleasure sailing industry. off to the right is the octagonal war memorial on The Knowes 
 Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Macduff, sea, Moray, Firth, town, fishing, port, buildings, landscape, harbour, anchor, viewpoint, town, station, brae, Knowles, war, memorial, octagonal, tower
Macduff Station Brae qwe3191jhp 
 Macduff Moray Firth Aberdeenshire Scotland Doune church anchor cross is adjacent to Banff divided by the River Deveron and remains a busy fishing harbour supporting its own trawler fleet with fishmarket and its excellent facilities expanding for the watersport and pleasure sailing industry. This is Doune Church on Station Brae with a possible 18th Century sailing ship and a cross erected in 1783 to mark the creation of Macduff as a Burgh. 
 Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Macduff, sea, Moray, Firth, town, fishing, port, buildings, landscape, harbour, Doune, church, anchor, viewpoint, cross, station, brae
Macduff Station Brae qwe3189jhp 
 Macduff Moray Firth Aberdeenshire Scotland Doune church anchor cross is adjacent to Banff divided by the River Deveron and remains a busy fishing harbour supporting its own trawler fleet with fishmarket and its excellent facilities expanding for the watersport and pleasure sailing industry. This is Doune Church on Station Brae with a possible 18th Century sailing ship and a cross erected in 1783 to mark the creation of Macduff as a Burgh. The Church has four clock faces but the one facing Banff is blank. 
 Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Macduff, sea, Moray, Firth, town, fishing, port, buildings, landscape, harbour, Doune, church, anchor, viewpoint, cross, station, brae, clock, faces

Scotland > Historic Properties (12 files)

This gallery has photographs of Scottish Castles and Fortresses, Stately Homes and Gardens, old churches or kirks and includes most of the following:
Auchindoir Church; Auchindoun Castle; Balmoral Castle; Balvenie Castle; Bass of Inverurie; Bellabeg Motte; Braemar Castle; Brodie Castle; Castle Fraser; Corgarff Castle; Corrichie Monument; Corse O’Neil Castle; Craigellachie Bridge; Crathes Castle; Crathie Kirk; Dalgetie Castle; Deer Abbey; Drum Castle; Duff House; Duffus Castle; Dunnideer; Dunnottar Castle; Elgin Cathedral; Esslemont Castle; Fasque House; Fetternear House; Findlater; Fordyce; Fyvie Castle; Gairnshiel Bridge; Glenbuchat Castle; Haddo House; Hallforest Castle; Huntly Castle; Inchdrewer Castle; Invercauld Bridge O’Dee; Kildrummy Castle; Kincardine O’Neil Kirk; Kindrochit Castle; Kinloss Abbey; Kinneff Church; Knock Castle; Leith Hall; Mar Lodge; Marnoch Kirkyard; Mid Mar Kirk; Monymusk Kirk; Peel of Lumphanan; Pitmedden Gardens; Pluscarden Priory or Abbey; Ruthven Barracks; Slains Castle; Tolquhon Castle; Tullich Kirk; Fort George;
Auchindoun Castle vs2381jhp 
 Auchindoun Castle ruin keep buttressing support walls thick stone Dufftown Morayshire Scotland autumn walk fence fort with excellent views over Glen and the River Fiddich is located on a possible earlier Iron Age earthwork, built in the mid-1400's as a traditional L-shaped tower house was the centre of many clan feuds and much violence, burnt, restored and abandoned by 1725 now remains an eye catching Historic Scotland property on the Cabrach to Dufftown road, NJ 349 375. It is accessible by a public track after a steep climb from a signed layby and passes a farm house and outbuildings. This was the year after it was opened to the public after restoration and safety work has been carried and there was still some scaffolding standing on the south boundary wall. These photos were taken on the 20th September, 2008 on which a cloudy start turned into some glorious sunshine, blue skies and interesting clouds so made the walk up worthwhile. 
 Keywords: Scotland, Scottish, Moray, Morayshire, Highlands, Dufftown, Auchindoun, Castle, fort, ruin, shell, hilltop, strategic, landscape, upright, roadside, A941, Rhynie, Cabrach, Ben Rhines, silver birches, ash tree, Glen, River, Fiddich, strategic, earthworks, Iron Age, ditch, defensive, central, tower, tower-house, L-plan, mid 1400s, burnt, restored, abandoned, 1725, Gothic, Historic, property, restored, safe, public, access, history, scaffold, restoration, interiors, arch, ceiling, vaulted, barrel, ribbed, stonework, buttress, buttresses, curtain, walls, exteriors, rampart, windows, postern, doors, floors, rooms, outer wall, lime, kiln, approach, 2008, September, autumn, Fuji, Fujifilm, Finepix, S5Pro, 12-24mm lens, wide angle, telephoto, DSLR, digital, camera, photograph, colour, green, blue, sky, sunny, clouds, bright, good light
Auchindoun Castle vs2376jhp 
 Auchindoun Castle interiors keep buttress safety support floors rooms architecture Dufftown Morayshire Scotland autumn walk fence fort with excellent views over Glen and the River Fiddich is located on a possible earlier Iron Age earthwork, built in the mid-1400’s as an traditional L-shaped tower house was the centre of many clan feuds and much violence, burnt, restored and abandoned by 1725 now remains an eye catching Historic Scotland property on the Cabrach to Dufftown road, NJ 349 375. It is accessible by a public track after a steep climb from a signed layby and passes a farm house and outbuildings. This was the year after it was opened to the public after restoration and safety work has been carried and there was still some scaffolding standing on the south boundary wall. These photos were taken on the 20th September, 2008 on which a cloudy start turned into some glorious sunshine, blue skies and interesting clouds so made the walk up worthwhile. 
 Keywords: Scotland, Scottish, Moray, Morayshire, Highlands, Dufftown, Auchindoun, Castle, fort, ruin, shell, hilltop, strategic, landscape, upright, roadside, A941, Rhynie, Cabrach, Ben Rhines, silver birches, ash tree, Glen, River, Fiddich, strategic, earthworks, Iron Age, ditch, defensive, central, tower, tower-house, L-plan, mid 1400s, burnt, restored, abandoned, 1725, Gothic, Historic, property, restored, safe, public, access, history, scaffold, restoration, interiors, arch, ceiling, vaulted, barrel, ribbed, stonework, buttress, buttresses, curtain, walls, exteriors, rampart, windows, postern, doors, floors, rooms, outer wall, lime, kiln, approach, 2008, September, autumn, Fuji, Fujifilm, Finepix, S5Pro, 12-24mm lens, wide angle, telephoto, DSLR, digital, camera, photograph, colour, green, blue, sky, sunny, clouds, bright, good light
Duff House Banff to4370750jhp 
 Banff Duff House baroque mansion beech tree framed winter sunlight Aberdeenshire Scotland visitor attraction in large public park and near a golf course on the banks of the River Deveron near its estuary into the Moray Firth on the north coast of Aberdeenshire. Banff is a town with a history dating back to the 12th century and was granted a charter by Robert the Bruce in the 14th Century. Once a thriving herring fishing port it is now a quiet town catering more to tourism with its excellent golf course, marina and has several sandy beaches. It is reckoned to be one of the driest and sunniest locations is Scotland. To the east over the River is the sister fishing town of MacDuff, which remains a busy fishing harbour supporting its own trawler fleet with fishmarket and its excellent facilities expanding for the watersport and pleasure sailing industry.
This property is owned by the Council and is open to the public. This photograph should not be used for product endorsement except with approval from the authorities. It can be used for tourist, editorial or scenic purposes. 
 Keywords: North, East, Scotland, Grampian, Scottish, Aberdeenshire, Banff, House, Duff, Royal, Burgh, River, Deveron, landscape, clouds, trees, beech, bare, leaves, branches, treetops, sunshine, bright, golden, light, shing, glass, windows, blue, sky, white, winter, autumn, Fuji, Finepix S3Pro, DSLR, digital, camera, William Adam Haddo, William Braco MP, rich, impressive, brash, assertive, 1730, baroque, style, vanity, swaggering, vainglorious, intimidating, three, storeys, square, Corinthian, pilasters, balustrade, curving, staircase, roofed, 1739, gifted, 1906, burghs, Macduff, icehouse, mausoleum, Alvah, bridge, 1772, Council owned, public, golf course, 2006, November
Duff House Banff to4370748jhp 
 Banff Duff House windows glinting winter golden sunshine Aberdeenshire Scotland visitor attraction in large public park and near a golf course on the banks of the River Deveron near its estuary into the Moray Firth on the north coast of Aberdeenshire. Banff is a town with a history dating back to the 12th century and was granted a charter by Robert the Bruce in the 14th Century. Once a thriving herring fishing port it is now a quiet town catering more to tourism with its excellent golf course, marina and has several sandy beaches. It is reckoned to be one of the driest and sunniest locations is Scotland. To the east over the River is the sister fishing town of MacDuff, which remains a busy fishing harbour supporting its own trawler fleet with fishmarket and its excellent facilities expanding for the watersport and pleasure sailing industry.
This property is owned by the Council and is open to the public. This photograph should not be used for product endorsement except with approval from the authorities. It can be used for tourist, editorial or scenic purposes. 
 Keywords: North, East, Scotland, Grampian, Scottish, Aberdeenshire, Banff, House, Duff, Royal, Burgh, River, Deveron, landscape, clouds, trees, beech, bare, leaves, branches, treetops, sunshine, shininh, glinting, windows, bright, golden, light, blue, sky, white, winter, autumn, Fuji, Finepix S3Pro, DSLR, digital, camera, William Adam Haddo, William Braco MP, rich, impressive, brash, assertive, 1730, baroque, style, vanity, swaggering, vainglorious, intimidating, three, storeys, square, Corinthian, pilasters, balustrade, curving, staircase, roofed, 1739, gifted, 1906, burghs, Macduff, icehouse, mausoleum, Alvah, bridge, 1772, Council owned, public, golf course, 2006, November
Duff House Banff to4370747jhp 
 Banff Duff House baroque winter golden sunlight Aberdeenshire Scottish afternoon visitor attraction in large public park and near a golf course on the banks of the River Deveron near its estuary into the Moray Firth on the north coast of Aberdeenshire. Banff is a town with a history dating back to the 12th century and was granted a charter by Robert the Bruce in the 14th Century. Once a thriving herring fishing port it is now a quiet town catering more to tourism with its excellent golf course, marina and has several sandy beaches. It is reckoned to be one of the driest and sunniest locations is Scotland. To the east over the River is the sister fishing town of MacDuff, which remains a busy fishing harbour supporting its own trawler fleet with fishmarket and its excellent facilities expanding for the watersport and pleasure sailing industry.
This property is owned by the Council and is open to the public. This photograph should not be used for product endorsement except with approval from the authorities. It can be used for tourist, editorial or scenic purposes. 
 Keywords: North, East, Scotland, Grampian, Scottish, Aberdeenshire, Banff, House, Duff, Royal, Burgh, River, Deveron, landscape, clouds, trees, beech, bare, leaves, branches, treetops, sunshine, bright, golden, light, blue, sky, white, winter, autumn, Fuji, Finepix S3Pro, DSLR, digital, camera, William Adam Haddo, William Braco MP, rich, impressive, brash, assertive, 1730, baroque, style, vanity, swaggering, vainglorious, intimidating, three, storeys, square, Corinthian, pilasters, balustrade, curving, staircase, roofed, 1739, gifted, 1906, burghs, Macduff, icehouse, mausoleum, Alvah, bridge, 1772, Council owned, public, golf course, 2006, November
Duff House Banff to4370745jhp 
 Banff Duff House baroque impressive winter golden sunlight leaves Aberdeenshire Scotland visitor attraction in large public park and near a golf course on the banks of the River Deveron near its estuary into the Moray Firth on the north coast of Aberdeenshire. Banff is a town with a history dating back to the 12th century and was granted a charter by Robert the Bruce in the 14th Century. Once a thriving herring fishing port it is now a quiet town catering more to tourism with its excellent golf course, marina and has several sandy beaches. It is reckoned to be one of the driest and sunniest locations is Scotland. To the east over the River is the sister fishing town of MacDuff, which remains a busy fishing harbour supporting its own trawler fleet with fishmarket and its excellent facilities expanding for the watersport and pleasure sailing industry.
This property is owned by the Council and is open to the public. This photograph should not be used for product endorsement except with approval from the authorities. It can be used for tourist, editorial or scenic purposes. 
 Keywords: North, East, Scotland, Grampian, Scottish, Aberdeenshire, Banff, House, Duff, Royal, Burgh, River, Deveron, landscape, clouds, trees, beech, bare, leaves, branches, treetops, sunshine, bright, golden, light, blue, sky, white, winter, autumn, Fuji, Finepix S3Pro, DSLR, digital, camera, William Adam Haddo, William Braco MP, rich, impressive, brash, assertive, 1730, baroque, style, vanity, swaggering, vainglorious, intimidating, three, storeys, square, Corinthian, pilasters, balustrade, curving, staircase, roofed, 1739, gifted, 1906, burghs, Macduff, icehouse, mausoleum, Alvah, bridge, 1772, Council owned, public, golf course, 2006, November
Duff House Banff cf19081jhp 
 Banff Duff House baroque style dramatic summer light Aberdeenshire Scotland framed bracnhes visitor attraction in large public park and near a golf course on the banks of the River Deveron near its estuary into the Moray Firth on the north coast of Aberdeenshire. Banff is a town with a history dating back to the 12th century and was granted a charter by Robert the Bruce in the 14th Century. Once a thriving herring fishing port it is now a quiet town catering more to tourism with its excellent golf course, marina and has several sandy beaches. It is reckoned to be one of the driest and sunniest locations is Scotland. To the east over the River is the sister fishing town of MacDuff, which remains a busy fishing harbour supporting its own trawler fleet with fishmarket and its excellent facilities expanding for the watersport and pleasure sailing industry.
This property is owned by the Council and is open to the public. This photograph should not be used for product endorsement except with approval from the authorities. It can be used for tourist, editorial or scenic purposes. 
 Keywords: North, East, Scotland, Grampian, Scottish, Aberdeenshire, Banff, House, Duff, Royal, Burgh, River, Deveron, landscape, trees, beech, leaves, shadows, grass, branches, treetops, sunshine, bright, golden, light, blue, sky, white, summer, Fuji, Finepix S2Pro, DSLR, digital, camera, William Adam Haddo, William Braco MP, rich, impressive, brash, assertive, 1730, baroque, style, vanity, swaggering, vainglorious, intimidating, three, storeys, square, Corinthian, pilasters, balustrade, curving, staircase, roofed, 1739, gifted, 1906, burghs, Macduff, icehouse, mausoleum, Alvah, bridge, 1772, Council owned, public, golf course, 2003, May
Duff House Banff cf1907jhp 
 Banff Duff House baroque impressive summer trees shadows sunny Aberdeenshire Scotland visitor attraction in large public park and near a golf course on the banks of the River Deveron near its estuary into the Moray Firth on the north coast of Aberdeenshire. Banff is a town with a history dating back to the 12th century and was granted a charter by Robert the Bruce in the 14th Century. Once a thriving herring fishing port it is now a quiet town catering more to tourism with its excellent golf course, marina and has several sandy beaches. It is reckoned to be one of the driest and sunniest locations is Scotland. To the east over the River is the sister fishing town of MacDuff, which remains a busy fishing harbour supporting its own trawler fleet with fishmarket and its excellent facilities expanding for the watersport and pleasure sailing industry.
This property is owned by the Council and is open to the public. This photograph should not be used for product endorsement except with approval from the authorities. It can be used for tourist, editorial or scenic purposes. 
 Keywords: North, East, Scotland, Grampian, Scottish, Aberdeenshire, Banff, House, Duff, Royal, Burgh, River, Deveron, landscape, upright, trees, beech, leaves, shadows, grass, branches, treetops, sunshine, bright, golden, light, blue, sky, white, summer, Fuji, Finepix S2Pro, DSLR, digital, camera, William Adam Haddo, William Braco MP, rich, impressive, brash, assertive, 1730, baroque, style, vanity, swaggering, vainglorious, intimidating, three, storeys, square, Corinthian, pilasters, balustrade, curving, staircase, roofed, 1739, gifted, 1906, burghs, Macduff, icehouse, mausoleum, Alvah, bridge, 1772, Council owned, public, golf course, 2003, May
Duff House Banff cf19078jhp 
 Banff Duff House baroque building summer grass lawns Aberdeenshire Scottish visitor attraction in large public park and near a golf course on the banks of the River Deveron near its estuary into the Moray Firth on the north coast of Aberdeenshire. Banff is a town with a history dating back to the 12th century and was granted a charter by Robert the Bruce in the 14th Century. Once a thriving herring fishing port it is now a quiet town catering more to tourism with its excellent golf course, marina and has several sandy beaches. It is reckoned to be one of the driest and sunniest locations is Scotland. To the east over the River is the sister fishing town of MacDuff, which remains a busy fishing harbour supporting its own trawler fleet with fishmarket and its excellent facilities expanding for the watersport and pleasure sailing industry.
This property is owned by the Council and is open to the public. This photograph should not be used for product endorsement except with approval from the authorities. It can be used for tourist, editorial or scenic purposes. 
 Keywords: North, East, Scotland, Grampian, Scottish, Aberdeenshire, Banff, House, Duff, Royal, Burgh, River, Deveron, landscape, trees, beech, leaves, shadows, grass, branches, treetops, sunshine, bright, golden, light, blue, sky, white, summer, Fuji, Finepix S2Pro, DSLR, digital, camera, William Adam Haddo, William Braco MP, rich, impressive, brash, assertive, 1730, baroque, style, vanity, swaggering, vainglorious, intimidating, three, storeys, square, Corinthian, pilasters, balustrade, curving, staircase, roofed, 1739, gifted, 1906, burghs, Macduff, icehouse, mausoleum, Alvah, bridge, 1772, Council owned, public, golf course, 2003, May
Duff House Banff UP041259jhp 
 Banff Duff House baroque style mansion snow winter sunny Aberdeenshire Scotland visitor attraction in large public park and near a golf course on the banks of the River Deveron near its estuary into the Moray Firth on the north coast of Aberdeenshire. Banff is a town with a history dating back to the 12th century and was granted a charter by Robert the Bruce in the 14th Century. Once a thriving herring fishing port it is now a quiet town catering more to tourism with its excellent golf course, marina and has several sandy beaches. It is reckoned to be one of the driest and sunniest locations is Scotland. To the east over the River is the sister fishing town of MacDuff, which remains a busy fishing harbour supporting its own trawler fleet with fishmarket and its excellent facilities expanding for the watersport and pleasure sailing industry.
This property is owned by the Council and is open to the public. This photograph should not be used for product endorsement except with approval from the authorities. It can be used for tourist, editorial or scenic purposes. 
 Keywords: North, East, Scotland, Grampian, Scottish, Aberdeenshire, Banff, House, Duff, Royal, Burgh, River, Deveron, landscape, clouds, trees, beech, bare, branches, treetops, snow, lying, sunshine, bright, golden, light, blue, sky, white, winter, February, 2007, Fuji, S3Pro, DSLR, digital, camera, William Adam Haddo, William Braco MP, rich, impressive, brash, assertive, 1730, baroque, style, vanity, swaggering, vainglorious, intimidating, three, storeys, square, Corinthian, pilasters, balustrade, curving, staircase, roofed, 1739, gifted, 1906, burghs, Macduff, icehouse, mausoleum, Alvah, bridge, 1772, Council owned, public, golf course
Duff House Banff UP041258jhp 
 Banff Duff House white snow winter sunshine Aberdeenshire Scottish blue sky visitor attraction in large public park and near a golf course on the banks of the River Deveron near its estuary into the Moray Firth on the north coast of Aberdeenshire. Banff is a town with a history dating back to the 12th century and was granted a charter by Robert the Bruce in the 14th Century. Once a thriving herring fishing port it is now a quiet town catering more to tourism with its excellent golf course, marina and has several sandy beaches. It is reckoned to be one of the driest and sunniest locations is Scotland. To the east over the River is the sister fishing town of MacDuff, which remains a busy fishing harbour supporting its own trawler fleet with fishmarket and its excellent facilities expanding for the watersport and pleasure sailing industry.
This property is owned by the Council and is open to the public. This photograph should not be used for product endorsement except with approval from the authorities. It can be used for tourist, editorial or scenic purposes. 
 Keywords: North, East, Scotland, Grampian, Scottish, Aberdeenshire, Banff, House, Duff, Royal, Burgh, River, Deveron, landscape, clouds, trees, beech, bare, branches, treetops, snow, lying, sunshine, bright, golden, light, blue, sky, white, winter, February, 2007, Fuji, S3Pro, DSLR, digital, camera, William Adam Haddo, William Braco MP, rich, impressive, brash, assertive, 1730, baroque, style, vanity, swaggering, vainglorious, intimidating, three, storeys, square, Corinthian, pilasters, balustrade, curving, staircase, roofed, 1739, gifted, 1906, burghs, Macduff, icehouse, mausoleum, Alvah, bridge, 1772, Council owned, public, golf course
Duff House Banff UP041257jhp 
 Banff Duff House baroque impressive snow winter sunlight Aberdeenshire Scotland visitor attraction in large public park and near a golf course on the banks of the River Deveron near its estuary into the Moray Firth on the north coast of Aberdeenshire. Banff is a town with a history dating back to the 12th century and was granted a charter by Robert the Bruce in the 14th Century. Once a thriving herring fishing port it is now a quiet town catering more to tourism with its excellent golf course, marina and has several sandy beaches. It is reckoned to be one of the driest and sunniest locations is Scotland. To the east over the River is the sister fishing town of MacDuff, which remains a busy fishing harbour supporting its own trawler fleet with fishmarket and its excellent facilities expanding for the watersport and pleasure sailing industry.
This property is owned by the Council and is open to the public. This photograph should not be used for product endorsement except with approval from the authorities. It can be used for tourist, editorial or scenic purposes. 
 Keywords: North, East, Scotland, Grampian, Scottish, Aberdeenshire, Banff, House, Duff, Royal, Burgh, River, Deveron, landscape, clouds, trees, beech, bare, branches, treetops, snow, lying, sunshine, bright, golden, light, winter, February, 2007, Fuji, S3Pro, DSLR, digital, camera, William Adam Haddo, William Braco MP, rich, impressive, brash, assertive, 1730, baroque, style, vanity, swaggering, vainglorious, intimidating, three, storeys, square, Corinthian, pilasters, balustrade, curving, staircase, roofed, 1739, gifted, 1906, burghs, Macduff, icehouse, mausoleum, Alvah, bridge, 1772, Council owned, public, golf course

Scotland > Morayshire Coast (8 files)

Photographs covering the Morayshire coast from Cullen to Nairn, including the Bow Fiddle Rock, Portkockie, Buckie, Lossiemouth, Burghead and Findhorn.
Burghead Headland qwe7471jhp 
 Burghead sea headland Morayshire coast promontory Pictish Scotland rocks cliff with a historical importance as a former Pictish stronghold and one of the largest such forts in Scotland. A working harbour which also supports pleasure craft looks across the Moray Firth to distant Cromarty and here looking eastwards towards Buckie. 
 Keywords: Scotland, Scottish, Moray Firth, Grampian, Highlands, Morayshire, landscape, cliff, headland, summer, heritage, trail, Burghead, harbour, fishing, boats, coast, Lossiemouth, Cromarty, eastwards, rock, promontory, Pictish, fort, historical
Burghead Harbour qwe7477jhp 
 Burghead fishing port Morayshire coast harbour Scottish summer creels berth with a historical importance as a former Pictish stronghold and one of the largest such forts in Scotland. A working harbour which also supports pleasure craft looks across the Moray Firth to distant Cromarty and here looking eastwards towards Buckie. 
 Keywords: Scotland, Scottish, Moray, Firth, Grampian, Highlands, Morayshire, landscape, summer, heritage, trail, Burghead, harbour, fishing, boats, coast, creels, berth, masts, deck, white, hull, anchored, blue, sky, sunshine, sunny, water, reflections
Burghead Harbour qwe7473jhp 
 Burghead fishing port Morayshire coast boats yacht harbour pier Scotland with a historical importance as a former Pictish stronghold and one of the largest such forts in Scotland. A working harbour which also supports pleasure craft looks across the Moray Firth to distant Cromarty and here looking eastwards towards Buckie. 
 Keywords: Scotland, Scottish, Moray, Firth, Grampian, Highlands, Morayshire, landscape, summer, heritage, trail, Burghead, harbour, fishing, boats, coast, creels, berth, masts, deck, white, hull, anchored, blue, sky, sunshine, sunny, water, reflections
Burghead Harbour Wall qwe7459jhp 
 Burghead harbour wall Morayshire coast promontory Pictish history Elgin Scotland with a historical importance as a former Pictish stronghold and one of the largest such forts in Scotland. A working harbour which also supports pleasure craft looks across the Moray Firth to distant Cromarty and here looking eastwards towards Buckie. 
 Keywords: Scotland, Scottish, Moray Firth, Grampian, Highlands, Morayshire, landscape, heritage, trail, Burghead, harbour, fishing, boats, coast, Lossiemouth, Cromarty, eastwards, rock, promontory, Pictish, fort, historical
Burghead Harbour View qwe7469jhp 
 Burghead harbour wall Morayshire coast Scottish Cromarty Moray Firth Sea with a historical importance as a former Pictish stronghold and one of the largest such forts in Scotland. A working harbour which also supports pleasure craft looks across the Moray Firth to distant Cromarty and here looking eastwards towards Buckie. 
 Keywords: Scotland, Scottish, Moray, Firth, Grampian, Highlands, Morayshire, landscape, heritage, trail, Burghead, harbour, wall, coast, Lossiemouth, Cromarty, Firth, Souter, point, sea, horizon, sunshine, summer, blue, sky, northwards
Burghead Harbour View qwe7468jhp 
 Burghead harbour light coastline Cromarty Moray Firth sea Scotland summer with a historical importance as a former Pictish stronghold and one of the largest such forts in Scotland. A working harbour which also supports pleasure craft looks across the Moray Firth to distant Cromarty and here looking eastwards towards Buckie. 
 Keywords: Scotland, Scottish, Moray, Firth, Grampian, Highlands, Morayshire, landscape, heritage, trail, Burghead, harbour, wall, coast, Lossiemouth, Cromarty, Firth, Souter, point, sea, horizon, sunshine, summer, blue, sky, northwards, lighthouse, white
Burghead Harbour Moray Firth UP290404JHP 
 Burghead Fishing Port Morayshire Coast Harbour Entrance Cromarty Sea Cliifs Elgin and with a historical importance as a former Pictish stronghold, one of largest such forts in Scotland. A working harbour which also supports pleasure craft looks across the Moray Firth to distant Cromarty and here looking eastwards towards Lossiemouth. 
 Keywords: Scotland, Scottish, Moray Firth, Grampian, Highlands, Morayshire, landscape, heritage, trail, Burghead, harbour, coast, Lossiemouth, Cromarty, eastwards, promontory, Pictish
Burghead Coastline UP290397JHP 
 Burghead Morayshire Coast Scotland Stock Library Photo Houses Promontory near Elgin and with a historical importance as a former Pictish stronghold, one of largest such forts in Scotland. A working harbour which also supports pleasure craft looks across the Moray Firth to distant Cromarty and here looking eastwards towards Lossiemouth. 
 Keywords: Scotland, Scottish, Moray Firth, Grampian, Highlands, Morayshire, landscape, heritage, trail, Burghead, harbour, coast, Lossiemouth, Cromarty, eastwards, promontory, Pictish

Scotland > Other Scotland (11 files)

Photographs taken in the mid 90's mainly for the AA Publishing & Ordnance Survey Highland and Islands Guide book using transparency film covering the Highlands of Scotland from Inverness, northwards through Easter Ross to Wick and Thurso, along the Northern Coast, down the West Coast, including the Islands of Skye and Mull. Other material included was gathered for other AA Publishing Guides including Shetland, Pitlochry and Tayside. New photographs are now included from 2012 book commission travels in Angus, Perth, Kinross, Trossachs and Tayside.
Montrose Station Departs qax5673jhp 
 Montrose church spire town railway station Scotland platform departure turbostar diesel train southbound Glasgow a major town south of Aberdeen in the North East of Scotland which has a developed harbour with oil and offshore renewals support facilities. The harbour has a long history of supporting trade across the North Sea with my own forebears working in the wood shipping trade in the 1800’s. A WW2 airfield of note with contemporary museum, beautiful beach, strong academic history, golf course and many other attractions on offer. The basin at Montrose, a tidal inland lake is rich with bird life especially as a roosting area for geese in the winter months. This view is from the railway station on the main east coast line from Aberdeen to Edinburgh and further south to London. 
 Keywords: Scotland, Scottish, Angus, Montrose, town, coastal, trail, North Sea, East, coast, beach, landscape, autumn, basin, inland, lake, tidal, sunset, clouds, colours, colourful, orange, yellow, dark, grey, brown, railway, station, platform, train, turbostar, southbound, Glasgow, Scotrail, Abellio, passengers, waiting, departure, sea, water, trees, River Esk, estuary, reserve, nature, sky, clouds, rocks, reflections, October, 2019, DSLR, Nikon, D700, digital, camera, 28-300 zoom lens
Montrose Station Arrival qax5688jhp 
 Montrose rail station Scottish platform arrival HST125 LNER diesel locomotive northbound Glasgow a major town south of Aberdeen in the North East of Scotland which has a developed harbour with oil and offshore renewals support facilities. The harbour has a long history of supporting trade across the North Sea with my own forebears working in the wood shipping trade in the 1800’s. A WW2 airfield of note with contemporary museum, beautiful beach, strong academic history, golf course and many other attractions on offer. The basin at Montrose, a tidal inland lake is rich with bird life especially as a roosting area for geese in the winter months. This view is from the railway station on the main east coast line from Aberdeen to Edinburgh and further south to London. 
 Keywords: Scotland, Scottish, Angus, Montrose, town, coastal, trail, North Sea, East, coast, beach, landscape, autumn, basin, inland, lake, tidal, sunset, clouds, colours, colourful, orange, yellow, dark, grey, brown, railway, station, platform, train, Highspeed, diesel locomotive, HST125, NLER, northbound, London, Aberdeen, Scotrail, Abellio, passengers, waiting, arrival, sea, water, trees, River Esk, estuary, reserve, nature, sky, clouds, rocks, reflections, October, 2019, DSLR, Nikon, D700, digital, camera, 28-300 zoom lens
Montrose Station Arrival qax5660jhp 
 Montrose railway station Scotland platform arrival turbostar diesel train southbound Glasgow a major town south of Aberdeen in the North East of Scotland which has a developed harbour with oil and offshore renewals support facilities. The harbour has a long history of supporting trade across the North Sea with my own forebears working in the wood shipping trade in the 1800’s. A WW2 airfield of note with contemporary museum, beautiful beach, strong academic history, golf course and many other attractions on offer. The basin at Montrose, a tidal inland lake is rich with bird life especially as a roosting area for geese in the winter months. This view is from the railway station on the main east coast line from Aberdeen to Edinburgh and further south to London. 
 Keywords: Scotland, Scottish, Angus, Montrose, town, coastal, trail, North Sea, East, coast, beach, landscape, autumn, basin, inland, lake, tidal, sunset, clouds, colours, colourful, orange, yellow, dark, grey, brown, railway, station, platform, train, turbostar, southbound, Glasgow, Scotrail, Abellio, passengers, waiting, arrival, sea, water, trees, River Esk, estuary, reserve, nature, sky, clouds, rocks, reflections, October, 2019, DSLR, Nikon, D700, digital, camera, 28-300 zoom lens
Montrose Basin Sunset qax5687jhp 
 Montrose basin Scotland peaceful water sunset clouds colourful panoramic Angus a major town south of Aberdeen in the North East of Scotland which has a developed harbour with oil and offshore renewals support facilities. The harbour has a long history of supporting trade across the North Sea with my own forebears working in the wood shipping trade in the 1800’s. A WW2 airfield of note with contemporary museum, beautiful beach, strong academic history, golf course and many other attractions on offer. The basin at Montrose, a tidal inland lake is rich with bird life especially as a roosting area for geese in the winter months. This view is from the railway station on the main east coast line from Aberdeen to Edinburgh and further south to London. 
 Keywords: Scotland, Scottish, Angus, Montrose, town, coastal, trail, North Sea, East, coast, beach, landscape, autumn, basin, inland, lake, tidal, sunset, clouds, colours, colourful, orange, yellow, dark, grey, brown, railway, station, platform, sea, water, trees, River Esk, estuary, reserve, nature, sky, clouds, rocks, reflections, October, 2019, DSLR, Nikon, D700, digital, camera, 28-300 zoom lens
Montrose Basin Sunset qax5686jhp 
 Montrose basin railway station clouds front water autumn sunset Scottish colours a major town south of Aberdeen in the North East of Scotland which has a developed harbour with oil and offshore renewals support facilities. The harbour has a long history of supporting trade across the North Sea with my own forebears working in the wood shipping trade in the 1800’s. A WW2 airfield of note with contemporary museum, beautiful beach, strong academic history, golf course and many other attractions on offer. The basin at Montrose, a tidal inland lake is rich with bird life especially as a roosting area for geese in the winter months. This view is from the railway station on the main east coast line from Aberdeen to Edinburgh and further south to London. 
 Keywords: Scotland, Scottish, Angus, Montrose, town, coastal, trail, North Sea, East, coast, beach, landscape, autumn, basin, inland, lake, tidal, sunset, clouds, colours, colourful, orange, yellow, dark, grey, brown, railway, station, platform, sea, water, trees, River Esk, estuary, reserve, nature, sky, clouds, rocks, reflections, October, 2019, DSLR, Nikon, D700, digital, camera, 28-300 zoom lens
Montrose Basin Sunset qax5683jhp 
 Montrose basin railway station railing silhouette Scottish water autumn sunset clouds colours a major town south of Aberdeen in the North East of Scotland which has a developed harbour with oil and offshore renewals support facilities. The harbour has a long history of supporting trade across the North Sea with my own forebears working in the wood shipping trade in the 1800’s. A WW2 airfield of note with contemporary museum, beautiful beach, strong academic history, golf course and many other attractions on offer. The basin at Montrose, a tidal inland lake is rich with bird life especially as a roosting area for geese in the winter months. This view is from the railway station on the main east coast line from Aberdeen to Edinburgh and further south to London. 
 Keywords: Scotland, Scottish, Angus, Montrose, town, coastal, trail, North Sea, East, coast, beach, landscape, autumn, basin, inland, lake, tidal, sunset, clouds, colours, colourful, orange, yellow, dark, grey, brown, railway, station, platform, sea, water, trees, River Esk, estuary, reserve, nature, sky, clouds, rocks, reflections, October, 2019, DSLR, Nikon, D700, digital, camera, 28-300 zoom lens
Montrose Basin Sunset qax5682jhp 
 Montrose basin birds panorama Scotland water autumn sunset clouds colourful a major town south of Aberdeen in the North East of Scotland which has a developed harbour with oil and offshore renewals support facilities. The harbour has a long history of supporting trade across the North Sea with my own forebears working in the wood shipping trade in the 1800’s. A WW2 airfield of note with contemporary museum, beautiful beach, strong academic history, golf course and many other attractions on offer. The basin at Montrose, a tidal inland lake is rich with bird life especially as a roosting area for geese in the winter months. This view is from the railway station on the main east coast line from Aberdeen to Edinburgh and further south to London. 
 Keywords: Scotland, Scottish, Angus, Montrose, town, coastal, trail, North Sea, East, coast, beach, landscape, autumn, basin, inland, lake, tidal, sunset, clouds, colours, colourful, orange, yellow, dark, grey, brown, railway, station, platform, sea, water, trees, River Esk, estuary, reserve, nature, sky, clouds, rocks, reflections, October, 2019, DSLR, Nikon, D700, digital, camera, 28-300 zoom lens
Montrose Basin Sunset qax5681jhp 
 Montrose basin railway station Scottish water sunset reflections clouds colours a major town south of Aberdeen in the North East of Scotland which has a developed harbour with oil and offshore renewals support facilities. The harbour has a long history of supporting trade across the North Sea with my own forebears working in the wood shipping trade in the 1800’s. A WW2 airfield of note with contemporary museum, beautiful beach, strong academic history, golf course and many other attractions on offer. The basin at Montrose, a tidal inland lake is rich with bird life especially as a roosting area for geese in the winter months. This view is from the railway station on the main east coast line from Aberdeen to Edinburgh and further south to London. 
 Keywords: Scotland, Scottish, Angus, Montrose, town, coastal, trail, North Sea, East, coast, beach, landscape, autumn, basin, inland, lake, tidal, sunset, clouds, colours, colourful, orange, yellow, dark, grey, brown, railway, station, platform, sea, water, trees, River Esk, estuary, reserve, nature, sky, clouds, rocks, reflections, October, 2019, DSLR, Nikon, D700, digital, camera, 28-300 zoom lens
Montrose Basin Sunset qax5680jhp 
 Montrose basin Scotland water autumn orange sunset clouds colourful a major town south of Aberdeen in the North East of Scotland which has a developed harbour with oil and offshore renewals support facilities. The harbour has a long history of supporting trade across the North Sea with my own forebears working in the wood shipping trade in the 1800’s. A WW2 airfield of note with contemporary museum, beautiful beach, strong academic history, golf course and many other attractions on offer. The basin at Montrose, a tidal inland lake is rich with bird life especially as a roosting area for geese in the winter months. This view is from the railway station on the main east coast line from Aberdeen to Edinburgh and further south to London. 
 Keywords: Scotland, Scottish, Angus, Montrose, town, coastal, trail, North Sea, East, coast, beach, landscape, upright, autumn, basin, inland, lake, tidal, sunset, clouds, colours, colourful, orange, yellow, dark, grey, brown, railway, station, platform, sea, water, trees, River Esk, estuary, reserve, nature, sky, clouds, rocks, reflections, October, 2019, DSLR, Nikon, D700, digital, camera, 28-300 zoom lens
Montrose Basin Sunset qax5674jhp 
 Montrose basin Scottish water reflections sun autumn sunset clouds colours a major town south of Aberdeen in the North East of Scotland which has a developed harbour with oil and offshore renewals support facilities. The harbour has a long history of supporting trade across the North Sea with my own forebears working in the wood shipping trade in the 1800’s. A WW2 airfield of note with contemporary museum, beautiful beach, strong academic history, golf course and many other attractions on offer. The basin at Montrose, a tidal inland lake is rich with bird life especially as a roosting area for geese in the winter months. This view is from the railway station on the main east coast line from Aberdeen to Edinburgh and further south to London. 
 Keywords: Scotland, Scottish, Angus, Montrose, town, coastal, trail, North Sea, East, coast, beach, landscape, upright, autumn, basin, inland, lake, tidal, sunset, clouds, colours, colourful, orange, yellow, dark, grey, brown, railway, station, platform, sea, water, trees, River Esk, estuary, reserve, nature, sky, clouds, rocks, reflections, October, 2019, DSLR, Nikon, D700, digital, camera, 28-300 zoom lens
Montrose Basin Sunset qax5670jhp 
 Montrose basin railway station Scotland water autumn sunset clouds colours a major town south of Aberdeen in the North East of Scotland which has a developed harbour with oil and offshore renewals support facilities. The harbour has a long history of supporting trade across the North Sea with my own forebears working in the wood shipping trade in the 1800’s. A WW2 airfield of note with contemporary museum, beautiful beach, strong academic history, golf course and many other attractions on offer. The basin at Montrose, a tidal inland lake is rich with bird life especially as a roosting area for geese in the winter months. This view is from the railway station on the main east coast line from Aberdeen to Edinburgh and further south to London. 
 Keywords: Scotland, Scottish, Angus, Montrose, town, coastal, trail, North Sea, East, coast, beach, landscape, autumn, basin, inland, lake, tidal, sunset, clouds, colours, colourful, orange, yellow, dark, grey, brown, railway, station, platform, sea, water, trees, River Esk, estuary, reserve, nature, sky, clouds, rocks, reflections, October, 2019, DSLR, Nikon, D700, digital, camera, 28-300 zoom lens

Scotland > Rivers, Glens & Lochs (1 file)

The gallery has photographs of Scottish lochs, glens and pictures associated directly with particular rivers in Scotland such as the River Dee, Don, Feugh, Urie, Deveron, Tanar, Dye, and Glen of Dee, Glen Muick and Glenbuchat.
River Don Kintore 1865c9jhp 
 Kintore Town River Don Bridge view summer Donside Aberdeenshire Scotland situated on the River Don but now bypassed on the main Aberdeen Huntly road before reaching Thainstone and Inverurie. It is a town with a long historical importance with its Burgh claim dating to Kenneth 11 although no actual document exists. The Town House in this photo dates from 1737 and took ten years to build under the charge of the Earl of Kintore. Adjacent to the flat floodplain for the river there is evidence of ancient occupation with a recently excavated Stone Circle on Truach Hill supporting this. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, River, Don, road, bridge, girder, Garioch, Kintore, town, house, burgh, historic, hall, flowers, flora, floral, displays, colours, colourful, silver, birch, trees, backdrop, landscape, summer, bypassed, scanned, transparency

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