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Aurora over Scotland (69 files)

Aurora Borealis or Northern Lights displays photographed taken over Aberdeeshire in Scotland since 1989 covering some 350 events with arc, rays, coronas with a wide rnage of shapes and colours
Aurora Corona ab0055jhp Aurora Corona Red Oxygen Zenith explosion rays Spring Aberdeenshire Scotland taken at 23.25 hours UT on the 6th April, 2000 over Deeside some 25 miles west of Aberdeen. This event is the most major scale of display visible for as the display starts to develop and increase in power it passes southwards creating a moving zenith overhead giving the impression of looking underneath a huge crown often with multiple colours. The shape at the zenith from which rays drop to all the horizons in a 360 degree sweep can create weird shapes which are changing rapidly around the central vortex. This level of display is rare in the UK because the power levels need to be huge and are caused mainly by a CME, Coronal Mass Ejection from the Sun’s surface with the eruption aimed directly at the Earth. It is unusual for the more common Solar Wind generated displays to reach the UK let along push as far south as the Channel although sometimes they can be combined with a direct CME hit and cause large and colourful events. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Ord Fundlie, Crooktree, cottage, electric, power, lines, Torphins, Kincardine, O’Neil, April, spring, Aurora Borealis, Corona, zenith, crown, Arc, Rays, Northern Lights, Merry Dancers, landscape, format, photo, photos, photographs, slide, scanned, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa, Major, Orion, Pleiades, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, pink, colourful, colorful, coloured, colored, colours, colors, whirls, celestial, clouds, nature, dark, nights, night-time, film, scan, 35mm, Fuji, 400asa, rated, 1600asa, Nikon, FM2, Sigma, 15mm, lens, ultra-wide, fisheye, time, exposure, tripod, cable, release
Aurora Corona ab00512jhp Aurora Borealis Corona green red wings shape sweeping Scottish British UK Deeside eastwards Aberdeenshire taken at 00.35 hours UT on the 7th April, 2000 over Deeside some 25 miles west of Aberdeen. This event is the most major scale of display visible for as the display starts to develop and increase in power it passes southwards creating a moving zenith overhead giving the impression of looking underneath a huge crown often with multiple colours. The shape at the zenith from which rays drop to all the horizons in a 360 degree sweep can create weird shapes which are changing rapidly around the central vortex. This level of display is rare in the UK because the power levels need to be huge and are caused mainly by a CME, Coronal Mass Ejection from the Sun’s surface with the eruption aimed directly at the Earth. It is unusual for the more common Solar Wind generated displays to reach the UK let along push as far south as the Channel although sometimes they can be combined with a direct CME hit and cause large and colourful events. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Ord Fundlie, Crooktree, cottage, electric, power, lines, Torphins, Kincardine, O’Neil, April, spring, Aurora Borealis, Corona, zenith, crown, Arc, Rays, Northern Lights, Merry Dancers, landscape, upright, portrait, format, photo, photos, photographs, slide, scanned, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa, Major, Orion, Pleiades, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, pink, colourful, colorful, coloured, colored, colours, colors, whirls, celestial, clouds, nature, dark, nights, night-time, film, scan, 35mm, Fuji, 400asa, rated, 1600asa, Nikon, FM2, Sigma, 15mm, lens, ultra-wide, fisheye, time, exposure, tripod, cable, release
Aurora Corona ab00418jhp Aurora Borealis Corona Rays Plough Oxygen Gas British eastwards Aberdeenshire taken at 22.47 hoursm UT on the 6th April, 2000 over Deeside some 25 miles west of Aberdeen. This event is the most major scale of display visible for as the display starts to develop and increase in power it passes southwards creating a moving zenith overhead giving the impression of looking underneath a huge crown often with multiple colours. The shape at the zenith from which rays drop to all the horizons in a 360 degree sweep can create weird shapes which are changing rapidly around the central vortex. This level of display is rare in the UK because the power levels need to be huge and are caused mainly by a CME, Coronal Mass Ejection from the Sun’s surface with the eruption aimed directly at the Earth. It is unusual for the more common Solar Wind generated displays to reach the UK let along push as far south as the Channel although sometimes they can be combined with a direct CME hit and cause large and colourful events. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Ord Fundlie, Crooktree, cottage, electric, power, lines, Torphins, Kincardine, O’Neil, April, spring, Aurora Borealis, Corona, zenith, crown, Arc, Rays, Northern Lights, Merry Dancers, landscape, upright, portrait, format, photo, photos, photographs, slide, scanned, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa, Major, Orion, Pleiades, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, pink, colourful, colorful, coloured, colored, colours, colors, whirls, celestial, clouds, nature, dark, nights, night-time, film, scan, 35mm, Fuji, 400asa, rated, 1600asa, Nikon, FM2, Sigma, 15mm, lens, ultra-wide, fisheye, time, exposure, tripod, cable, release
Aurora Corona ab00414jhp Aurora Borealis Corona zenith shape eerie abstract Oxygen Gas Scottish Deeside eastwards Aberdeenshire taken at 23.49 hours UT on the 6th April, 2000 over Deeside some 25 miles west of Aberdeen. This event is the most major scale of display visible for as the display starts to develop and increase in power it passes southwards creating a moving zenith overhead giving the impression of looking underneath a huge crown often with multiple colours. The shape at the zenith from which rays drop to all the horizons in a 360 degree sweep can create weird shapes which are changing rapidly around the central vortex. This level of display is rare in the UK because the power levels need to be huge and are caused mainly by a CME, Coronal Mass Ejection from the Sun’s surface with the eruption aimed directly at the Earth. It is unusual for the more common Solar Wind generated displays to reach the UK let along push as far south as the Channel although sometimes they can be combined with a direct CME hit and cause large and colourful events. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Ord Fundlie, Crooktree, cottage, electric, power, lines, Torphins, Kincardine, O’Neil, April, spring, Aurora Borealis, Corona, zenith, crown, Arc, Rays, Northern Lights, Merry Dancers, landscape, format, photo, photos, photographs, slide, scanned, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa, Major, Orion, Pleiades, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, pink, colourful, colorful, coloured, colored, colours, colors, whirls, celestial, clouds, nature, dark, nights, night-time, film, scan, 35mm, Fuji, 400asa, rated, 1600asa, Nikon, FM2, Sigma, 15mm, lens, ultra-wide, fisheye, time, exposure, tripod, cable, release
Aurora Corona ab00413jhp Aurora Borealis Corona zenith shape changing wings abstract Scotland UK Deeside eastwards Aberdeenshire taken at 23.48 hours UT on the 6th April, 2000 over Deeside some 25 miles west of Aberdeen. This event is the most major scale of display visible for as the display starts to develop and increase in power it passes southwards creating a moving zenith overhead giving the impression of looking underneath a huge crown often with multiple colours. The shape at the zenith from which rays drop to all the horizons in a 360 degree sweep can create weird shapes which are changing rapidly around the central vortex. This level of display is rare in the UK because the power levels need to be huge and are caused mainly by a CME, Coronal Mass Ejection from the Sun’s surface with the eruption aimed directly at the Earth. It is unusual for the more common Solar Wind generated displays to reach the UK let along push as far south as the Channel although sometimes they can be combined with a direct CME hit and cause large and colourful events. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Ord Fundlie, Crooktree, cottage, electric, power, lines, Torphins, Kincardine, O’Neil, April, spring, Aurora Borealis, Corona, zenith, crown, Arc, Rays, Northern Lights, Merry Dancers, landscape, format, photo, photos, photographs, slide, scanned, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa, Major, Orion, Pleiades, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, pink, colourful, colorful, coloured, colored, colours, colors, whirls, celestial, clouds, nature, dark, nights, night-time, film, scan, 35mm, Fuji, 400asa, rated, 1600asa, Nikon, FM2, Sigma, 15mm, lens, ultra-wide, fisheye, time, exposure, tripod, cable, release
Aurora Corona ab0028jhp Aurora Corona Red Green Oxygen Zenith flower Spring Aberdeenshire Scottish taken at 20.10 hours UT on the 6th April, 2000 over Deeside some 25 miles west of Aberdeen. This event is the most major scale of display visible for as the display starts to develop and increase in power it passes southwards creating a moving zenith overhead giving the impression of looking underneath a huge crown often with multiple colours. The shape at the zenith from which rays drop to all the horizons in a 360 degree sweep can create weird shapes which are changing rapidly around the central vortex. This level of display is rare in the UK because the power levels need to be huge and are caused mainly by a CME, Coronal Mass Ejection from the Sun’s surface with the eruption aimed directly at the Earth. It is unusual for the more common Solar Wind generated displays to reach the UK let along push as far south as the Channel although sometimes they can be combined with a direct CME hit and cause large and colourful events. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Ord Fundlie, Crooktree, cottage, electric, power, lines, Torphins, Kincardine, O’Neil, April, spring, Aurora Borealis, Corona, zenith, crown, Arc, Rays, Northern Lights, Merry Dancers, landscape, format, photo, photos, photographs, slide, scanned, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa, Major, Orion, Pleiades, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, pink, colourful, colorful, coloured, colored, colours, colors, whirls, celestial, clouds, nature, dark, nights, night-time, film, scan, 35mm, Fuji, 400asa, rated, 1600asa, Nikon, FM2, Sigma, 15mm, lens, ultra-wide, fisheye, time, exposure, tripod, cable, release
Aurora Deeside bnm1931jhp Merry Dancers Scottish display March green rays stars westerly view Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one taken at 21.42.29UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1954jhp Aurora Borealis Scotland bright strong green red rays Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 21.51.42UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. This particular photograph was an experiment using a 50mm f1.8 lens and using very short exposures of 2-5 secs at 3200ISO as there was substantially more movement in this far more compact area of activity however depth of field effect is significant as seen in the out of focus trees whereas in similar views using the 24mm lens it is hardly noticeable. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, bright, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1951jhp Northern Lights Scotland bright red green rays Aberdeenshire March Deeside taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 21.50.59UT, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. This particular photograph was an experiment using a 50mm f1.8 lens and using very short exposures of 2-5 secs at 3200ISO as there was substantially more movement in this far more compact area of activity however depth of field effect is significant as seen in the out of focus trees whereas in similar views using the 24mm lens it is hardly noticeable. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1942jhp Aurora Borealis Scotland multiple rays streaming Deeside Aberdeenshire display west taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 21.47.59UT, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. This particular photograph was an experiment using a 50mm f1.8 lens and using very short exposures of 2-5 secs at 3200ISO as there was substantially more movement in this far more compact area of activity however depth of field effect is significant as seen in the out of focus trees whereas in similar views using the 24mm lens it is hardly noticeable. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, streaming, flaring, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1939jhp Aurora Borealis Scottish many flaming rays Jim Henderson Photo experiment taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one taken at 21.47.37UT, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. This particular photograph was an experiment using a 50mm f1.8 lens and using very short exposures of 2-5 secs at 3200ISO as there was substantially more movement in this far more compact area of activity however depth of field effect is significant as seen in the out of focus trees whereas in similar views using the 24mm lens it is hardly noticeable. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, flaming, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1937jhp Aurora Borealis Scotland green arc red rays Cassiopeia trees Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 21.44.50UT, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, Cassiopeia, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1934jhp Norther Lights westwards Scottish photograph spring green rays Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one taken at 21.43.51UT, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1922jhp Aurora Lights display Scotland bright flaming yellow rays Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one taken at 21.39.00UT, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. This particular photograph was an experiment using a 50mm f1.8 lens and using very short exposures of 2-5 secs at 3200ISO as there was substantially more movement in this far more compact area of activity however depth of field effect is significant as seen in the out of focus trees whereas in similar views using the 24mm lens it is hardly noticeable. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, 50mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1918jhp Aurora Borealis Scottish hotspot streaming green arc active rays Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one taken at 21.36.52UT, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. This particular photograph was an experiment using a 50mm f1.8 lens and using very short exposures of 2-5 secs at 3200ISO as there was substantially more movement in this far more compact area of activity however depth of field effect is significant as seen in the out of focus trees whereas in similar views using the 24mm lens it is hardly noticeable. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, westwards, flaming, patching, streaming, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, 50mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1917jhp Aurora Borealis Scottish spring green bright strong rays Aberdeenshire trees silhouette taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 21.36.04UT, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, westerwards, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1912jhp Aurora Borealis Scotland March westerly trees dyke green rays Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this photo at 21.33.37UT, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, upright, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1909jhp Aurora Borealis Scottish display west early spring green red rays Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 21.32.19UT, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1908jhp Merry Dancers Northern Scotland green red rays easterly Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm this one at 21.32.00UT, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, north, eastwards, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1906jhp Aurora Borealis Scotland westwards green rays red display Cassiopeia Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 21.31.25UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, Cassiopeia, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1905jhp Aurora Borealis Scottish display north house spring green rays Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 21.30.28UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, Cassiopeia, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1901jhp Aurora Borealis Scotland Cassiopeia green arc west trees Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, upright, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1900jhp Aurora red ray west Orion stars forest Scotland spring Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, taken at 20.50.33Ut, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, Orion, Pleiades, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1897jhp Northern Lights Scottish Cassiopeia westwards spring green red trees Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 21.48.11, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, Cassiopeia, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1896jhp Aurora Borealis Scottish shed roof northwards March green double arc Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 20.46.53UT, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, Cassiopeia, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Torphins bnm1961jhp Aurora rays arc village lights Scottish Deeside March green red Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this at 21.54.30UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Torphins bnm1959jhp Aurora Borealis Scotland Torphins later stage green red rays Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this at 21.54.00, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. This photo was one of several taken with the display active again around 9.30pm during a second phase of activity from an arc lying eastwards across Torphins whose house and street lights are visible at the bottom right towards the end of the overall display around 10pm. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Torphins bnm1957jhp Northern Lights Scotland photo spring green rays Torphins village Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this at 21.53.03UT, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. This photo was one of several taken with the display active again around 9.30pm during a second phase of activity from an arc lying eastwards across Torphins whose house and street lights are visible at the bottom right towards the end of the overall display around 10pm. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Torphins bnm1904jhp Aurora Borealis Scottish display spring night green red rays Torphins Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this at 21.30.09UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. This photo was one of several taken with the display active again around 9.30pm during a second phase of activity from an arc lying eastwards across Torphins whose house and street lights are visible at the bottom right towards the end of the overall display around 10pm. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Torphins bnm1892jhp Aurora Borealis Scotland light pollution Torphins lights arc rays Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 20.29.36UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. This photo was one of several taken with the display active around 8.20pm from an arc lying eastwards across Torphins whose house and street lights are visible at the bottom right. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, pollution, light, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Torphins bnm1887jhp Aurora Borealis Scotland Torphins village spring green rays Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 20.28.44UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. This photo was one of several taken with the display active around 8.20pm from an arc lying eastwards across Torphins whose house and street lights are visible at the bottom right. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Torphins bnm1881jhp Aurora Borealis Scottish Torphins March green rays Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 20.25.45UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. This photo was one of several taken with the display active around 8.20pm from an arc lying eastwards across Torphins whose house and street lights are visible at the bottom right. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Torphins bnm1878jhp Northern Lights Scotland Torphins spring green rays Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 20.24.51UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. This photo was one of several taken with the display active around 8.20pm from an arc lying eastwards across Torphins whose house and street lights are visible at the bottom right. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Torphins bnm1874jhp Aurora Borealis Scotland tree spring green ray patch Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 20.23.24UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. This photo was one of several taken with the display active around 8.20pm from an arc lying eastwards across Torphins whose house and street lights are visible at the bottom right. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Torphins bnm1869jhp Aurora Borealis Scotland early stage green rays village Torphins east Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 20.21.22UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. This photo was one of several taken with the display active around 8.20pm from an arc lying eastwards across Torphins whose house and street lights are visible at the bottom right. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Torphins bnm1866jhp Aurora Lights Scottish spring start green rays over Torphins Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 20.20.29UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. This photo was one of several taken with the display active around 8.20pm from an arc lying eastwards across Torphins whose house and street lights are visible at the bottom right. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1889jhp Aurora Borealis Scotland house chimney pot active spring green red rays Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm and this was into the second stage of activity at 20.29.36UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1862jhp Aurora Borealis Scotland photo spring green arc Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 20.18.03UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, upright, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1860jhp Aurora Borealis Scottish photo spring green red rays Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 20.16.03UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1855jhp Aurora Borealis Scotland early photo March green rays Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 20.14.25UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1853jhp Aurora Borealis Scottish house roof spring green red rays Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 20.08.29 UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, upright, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1850jhp Northern Lights above house Scotland spring green red mauve Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 20.07.29 and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, mauve, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1847jhp Aurora Borealis Scotland photo spring early red ray Aberdeenshire arc green taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 19.58.52UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1845jhp Aurora Borealis Scottish photo green arc start March Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 19.58.17UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Deeside Aurora 2016 vbn1777jhp Aurora Borealis Scotland last 2016 photo faint display Deeside Aberdeenshire taken on the 1st January, 2016 at Crooktree, 25 miles west of Aberdeen caused over the UK from a glancing CME and a timely end to the year gift given that the previous three displays I missed because of cloud cover. This photo was taken at 01.06UT 2016 with a secondary active phase of the evenings display which started some 1 hour earlier beginning to die down and this photo gives a pretty accurate illustration of how the display would look to the eye with perhaps less of a green hue than this slightly enhanced photo shows. This photograph was taken with a Nikon D700 full frame DSLR using a 28mm Nikkor f2.8 lens at f4 and ISO setting of 3200 with an exposure time of 16 secs. This is taken looking due North and the green tinge is from low level oxygen gas at Crooktree, located between Torphins to the right and Craigton Hill and Kincardine O'Neil to the left. Keywords: Scotland, Scottish, British, North, Northern, East, Grampian, Aberdeenshire, Royal Deeside, Deeside, Crooktree, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Northern, Lights, Merry, Dancers, landscape, panorama, folded, curtains, CME, solar, night, sky, stars, Plough, Ursa, Major, Big, Dipper, Cassiopeia, oxygen, gas, molecules, magnetic, green, yellow, red, nitrogen, purple, colourful, colorful, colours, colors, celestial, night, morning, pine, trees, silhouette, telephone, pole, cottage, roof, chimney, December, 2015, digital, D700, Nikon, Nikkor, prime, lens
Deeside Aurora 2016 vbn1774jhp Aurora Borealis January 2016 Scottish green patches Deeside Aberdeenshire northwards taken on the 1st January, 2016 at Crooktree, 25 miles west of Aberdeen caused over the UK from a glancing CME and a timely end of the year 2015 gift given that the previous three displays I missed because of cloud cover. This photo was taken at 01.02UT 2016 with the active phase of the evenings display which started some 1 hour earlier shutting down. This photograph was taken with a Nikon D700 full frame DSLR using a 28mm Nikkor f2.8 lens at f4 and ISO setting of 3200 with an exposure time of 18 secs. This is taken looking due North and the green tinge is from low level oxygen gas at Crooktree, located between Torphins to the right and Craigton Hill and Kincardine O'Neil to the left. Keywords: Scotland, Scottish, British, North, Northern, East, Grampian, Aberdeenshire, Royal Deeside, Deeside, Crooktree, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Northern, Lights, Merry, Dancers, landscape, panorama, folded, curtains, CME, solar, night, sky, stars, Plough, Ursa, Major, Big, Dipper, Cassiopeia, oxygen, gas, molecules, magnetic, green, yellow, red, nitrogen, purple, colourful, colorful, colours, colors, celestial, night, morning, pine, trees, silhouette, telephone, pole, cottage, roof, chimney, December, 2015, digital, D700, Nikon, Nikkor, prime, lens
Deeside Aurora 2016 vbn1770jhp Aurora Borealis Northern Lights rays red green Northwards Deeside Aberdeenshire taken on the 1st January, 2016 at Crooktree, 25 miles west of Aberdeen caused over the UK from a glancing CME and a timely end to the year gift given that the previous three displays I missed because of cloud cover. This photo was taken at 01.01UT 2016 with the a secondary active phase of the evenings display which started some 1 hour earlier. This photograph was taken with a Nikon D700 full frame DSLR using a 28mm Nikkor f2.8 lens at f4 and ISO setting of 3200 with an exposure time of 10 secs. This is taken looking due North and the green tinge is from low level oxygen gas at Crooktree, located between Torphins to the right and Craigton Hill and Kincardine O'Neil to the left. Keywords: Scotland, Scottish, British, North, Northern, East, Grampian, Aberdeenshire, Royal Deeside, Deeside, Crooktree, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Northern, Lights, Merry, Dancers, landscape, panorama, folded, curtains, CME, solar, night, sky, stars, Plough, Ursa, Major, Big, Dipper, Cassiopeia, oxygen, gas, molecules, magnetic, green, yellow, red, nitrogen, purple, colourful, colorful, colours, colors, celestial, night, morning, pine, trees, silhouette, telephone, pole, cottage, roof, chimney, December, 2015, digital, D700, Nikon, Nikkor, prime, lens
Deeside Aurora 2016 vbn1769jhp Aurora Borealis Scotland winter green rays oxygen North Deeside Aberdeenshire taken on the 1st January, 2016 at Crooktree, 25 miles west of Aberdeen caused over the UK from a glancing CME and a timely end to the year gift given that the previous three displays I missed because of cloud cover. This photo was taken at 01.01UT 2016 with the active phase of the evenings display which started some 1 hour earlier beginning a slight recovery. This photograph was taken with a Nikon D700 full frame DSLR using a 28mm Nikkor f2.8 lens at f4 and ISO setting of 3200 with an exposure time of 11 secs. This is taken looking due North and the green tinge is from low level oxygen gas at Crooktree, located between Torphins to the right and Craigton Hill and Kincardine O'Neil to the left. Keywords: Scotland, Scottish, British, North, Northern, East, Grampian, Aberdeenshire, Royal Deeside, Deeside, Crooktree, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Northern, Lights, Merry, Dancers, landscape, panorama, folded, curtains, CME, solar, night, sky, stars, Plough, Ursa, Major, Big, Dipper, Cassiopeia, oxygen, gas, molecules, magnetic, green, yellow, red, nitrogen, purple, colourful, colorful, colours, colors, celestial, night, morning, pine, trees, silhouette, telephone, pole, cottage, roof, chimney, December, 2015, digital, D700, Nikon, Nikkor, prime, lens
Deeside Aurora 2016 vbn1767jhp Aurora Borealis Torphisn New Year fireworks Scottish green patches rays Deeside Aberdeenshire taken on the 31st December, 2015 at Crooktree, 25 miles west of Aberdeen caused over the UK from a glancing CME and a timely end to the year gift given that the previous three displays I missed because of cloud cover. This photo was taken at 23.07UT with the ARC a precursor to an active phase of the evenings display which started some 30 mins later. This photograph was taken with a Nikon D700 full frame DSLR using a 28mm Nikkor f2.8 lens at f4 and ISO setting of 3200 with an exposure time of 10 secs. This is taken looking due North and the green tinge is from low level oxygen gas at Crooktree, located between Torphins to the right and Craigton Hill and Kincardine O'Neil to the left. Keywords: Scotland, Scottish, British, North, Northern, East, Grampian, Aberdeenshire, Royal Deeside, Deeside, Crooktree, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Northern, Lights, Merry, Dancers, landscape, panorama, folded, curtains, CME, solar, night, sky, stars, Plough, Ursa, Major, Big, Dipper, Cassiopeia, oxygen, gas, molecules, magnetic, green, yellow, red, nitrogen, purple, colourful, colorful, colours, colors, celestial, night, morning, pine, trees, silhouette, telephone, pole, cottage, roof, chimney, December, 2015, digital, D700, Nikon, Nikkor, prime, lens
Deeside Aurora 2016 vbn1760jhp Aurora Borealis Scotland first New Year 2016 display Aberdeenshire taken on the 31st December, 2015 at Crooktree, 25 miles west of Aberdeen caused over the UK from a glancing CME and a timely end to the year gift given that the previous three displays I missed because of cloud cover. This photo was taken at 00.01UT 2016 with an active phase ongoing of the evenings display which started some 15 mins earlier. This photograph was taken with a Nikon D700 full frame DSLR using a 28mm Nikkor f2.8 lens at f4 and ISO setting of 3200 with an exposure time of 12 secs. This is taken looking due North and the green tinge is from low level oxygen gas at Crooktree, located between Torphins to the right and Craigton Hill and Kincardine O'Neil to the left. Keywords: Scotland, Scottish, British, North, Northern, East, Grampian, Aberdeenshire, Royal Deeside, Deeside, Crooktree, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Northern, Lights, Merry, Dancers, landscape, panorama, folded, curtains, CME, solar, night, sky, stars, Plough, Ursa, Major, Big, Dipper, Cassiopeia, oxygen, gas, molecules, magnetic, green, yellow, red, nitrogen, purple, colourful, colorful, colours, colors, celestial, night, morning, pine, trees, silhouette, telephone, pole, cottage, roof, chimney, December, 2015, digital, D700, Nikon, Nikkor, prime, lens
Deeside Aurora 2015 vbn1759jhp Aurora Borealis Scotland green rays last 2015 display Deeside Aberdeenshire taken on the 31st December, 2015 at Crooktree, 25 miles west of Aberdeen caused over the UK from a glancing CME and a timely end to the year gift given that the previous three displays I missed because of cloud cover. This photo was taken at 23.59UT 2015 with an active phase ongoing of the evenings display which started some 10 mins earlier. This photograph was taken with a Nikon D700 full frame DSLR using a 28mm Nikkor f2.8 lens at f4 and ISO setting of 3200 with an exposure time of 13 secs. This is taken looking due North and the green colour is from low level oxygen gas at Crooktree, located between Torphins to the right and Craigton Hill and Kincardine O'Neil to the left. Keywords: Scotland, Scottish, British, North, Northern, East, Grampian, Aberdeenshire, Royal Deeside, Deeside, Crooktree, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Northern, Lights, Merry, Dancers, landscape, panorama, folded, curtains, CME, solar, night, sky, stars, Plough, Ursa, Major, Big, Dipper, Cassiopeia, oxygen, gas, molecules, magnetic, green, yellow, red, nitrogen, purple, colourful, colorful, colours, colors, celestial, night, morning, pine, trees, silhouette, telephone, pole, cottage, roof, chimney, December, 2015, digital, D700, Nikon, Nikkor, prime, lens
Deeside Aurora 2015 vbn1757jhp Aurora Borealis green arc strong rays red edge oxygen Deeside Aberdeenshire taken on the 31st December, 2015 at Crooktree, 25 miles west of Aberdeen caused over the UK from a glancing CME and a timely end to the year gift given that the previous three displays I missed because of cloud cover. This photo was taken at 23.59UT 2015 with the most active phase of the evenings display which started some 10 mins earlier. This photograph was taken with a Nikon D700 full frame DSLR using a 28mm Nikkor f2.8 lens at f4 and ISO setting of 3200 with an exposure time of 20secs. This is taken looking due North and the green tinge is from low level oxygen gas at Crooktree, located between Torphins to the right and Craigton Hill and Kincardine O'Neil to the left. Keywords: Scotland, Scottish, British, North, Northern, East, Grampian, Aberdeenshire, Royal Deeside, Deeside, Crooktree, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Northern, Lights, Merry, Dancers, landscape, panorama, folded, curtains, CME, solar, night, sky, stars, Plough, Ursa, Major, Big, Dipper, Cassiopeia, oxygen, gas, molecules, magnetic, green, yellow, red, nitrogen, purple, colourful, colorful, colours, colors, celestial, night, morning, pine, trees, silhouette, telephone, pole, cottage, roof, chimney, December, 2015, digital, D700, Nikon, Nikkor, prime, lens
Deeside Aurora 2015 vbn1755jhp Aurora Borealis Scotland winter green red rays arc Deeside Aberdeenshire taken on the 31st December, 2015 at Crooktree, 25 miles west of Aberdeen caused over the UK from a glancing CME and a timely end to the year gift given that the previous three displays I missed because of cloud cover. This photo was taken at 23.58UT 2015 with the ARC turning to an active phase of the evenings display which started some 10 mins before and a hint of red in the stronger ray. This photograph was taken with a Nikon D700 full frame DSLR using a 28mm Nikkor f2.8 lens at f4 and ISO setting of 3200 with an exposure time of 13secs. This is taken looking due North and the green tinge is from low level oxygen gas at Crooktree, located between Torphins to the right and Craigton Hill and Kincardine O'Neil to the left. Keywords: Scotland, Scottish, British, North, Northern, East, Grampian, Aberdeenshire, Royal Deeside, Deeside, Crooktree, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Northern, Lights, Merry, Dancers, landscape, panorama, folded, curtains, CME, solar, night, sky, stars, Plough, Ursa, Major, Big, Dipper, Cassiopeia, oxygen, gas, molecules, magnetic, green, yellow, red, nitrogen, purple, colourful, colorful, colours, colors, celestial, night, morning, pine, trees, silhouette, telephone, pole, cottage, roof, chimney, December, 2015, digital, D700, Nikon, Nikkor, prime, lens
Deeside Aurora 2015 vbn1752jhp Aurora Borealis Merry Dancers Scottish green arc rays westwards Deeside Aberdeenshire taken on the 31st December, 2015 at Crooktree, 25 miles west of Aberdeen caused over the UK from a glancing CME and a timely end to the year gift given that the previous three displays I missed because of cloud cover. This photo was taken at 23.56UT 2015 with the ARC towards the west a precursor of an active phase of the evenings display which had just started. This photograph was taken with a Nikon D700 full frame DSLR using a 28mm Nikkor f2.8 lens at f4 and ISO setting of 3200 with an exposure time of 20 secs. This is taken looking west of North and the green tinge is from low level oxygen gas at Crooktree, located between Torphins to the right and Craigton Hill and Kincardine O'Neil to the left. Keywords: Scotland, Scottish, British, North, Northern, East, Grampian, Aberdeenshire, Royal Deeside, Deeside, Crooktree, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Northern, Lights, Merry, Dancers, landscape, panorama, folded, curtains, CME, solar, night, sky, stars, Plough, Ursa, Major, Big, Dipper, Cassiopeia, oxygen, gas, molecules, magnetic, green, yellow, red, nitrogen, purple, colourful, colorful, colours, colors, celestial, night, morning, pine, trees, silhouette, telephone, pole, cottage, roof, chimney, December, 2015, digital, D700, Nikon, Nikkor, prime, lens
Deeside Aurora 2015 vbn1749jhp Aurora Borealis Scottish green double arc arcs rays Deeside Aberdeenshire taken on the 31st December, 2015 at Crooktree, 25 miles west of Aberdeen caused over the UK from a glancing CME and a timely end to the year gift given that the previous three displays I missed because of cloud cover. This photo was taken at 23.55UT with the ARC deveoping into a double as the first active phase of the evenings display dies down, a common pattern although in this case the display started a slow decline despite another small surge of activity as in vbn1777 an hour or so later. This photograph was taken with a Nikon D700 full frame DSLR using a 28mm Nikkor f2.8 lens at f4 and ISO setting of 3200 with an exposure time of 18 secs. This is taken looking due North and the green tinge is from low level oxygen gas at Crooktree, located between Torphins to the right and Craigton Hill and Kincardine O'Neil to the left. Keywords: Scotland, Scottish, British, North, Northern, East, Grampian, Aberdeenshire, Royal Deeside, Deeside, Crooktree, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Northern, Lights, Merry, Dancers, landscape, panorama, folded, curtains, CME, solar, night, sky, stars, Plough, Ursa, Major, Big, Dipper, Cassiopeia, oxygen, gas, molecules, magnetic, green, yellow, red, nitrogen, purple, colourful, colorful, colours, colors, celestial, night, morning, pine, trees, silhouette, telephone, pole, cottage, roof, chimney, December, 2015, digital, D700, Nikon, Nikkor, prime, lens
Deeside Aurora 2015 vbn1747jhp Aurora Borealis December winter Scotland double green arc Deeside Aberdeenshire taken on the 31st December, 2015 at Crooktree, 25 miles west of Aberdeen caused over the UK from a glancing CME and a timely end to the year gift given that the previous three displays I missed because of cloud cover. This photo was taken at 23.53UT 2015 with the ARC re-establishing itself after an active phase of the evenings display and a suggestion of secondary arc developing lower down. This photograph was taken with a Nikon D700 full frame DSLR using a 28mm Nikkor f2.8 lens at f4 and ISO setting of 3200 with an exposure time of 13 secs. This is taken looking due North and the green tinge is from low level oxygen gas at Crooktree, located between Torphins to the right and Craigton Hill and Kincardine O'Neil to the left. Keywords: Scotland, Scottish, British, North, Northern, East, Grampian, Aberdeenshire, Royal Deeside, Deeside, Crooktree, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Northern, Lights, Merry, Dancers, landscape, panorama, folded, curtains, CME, solar, night, sky, stars, Plough, Ursa, Major, Big, Dipper, Cassiopeia, oxygen, gas, molecules, magnetic, green, yellow, red, nitrogen, purple, colourful, colorful, colours, colors, celestial, night, morning, pine, trees, silhouette, telephone, pole, cottage, roof, chimney, December, 2015, digital, D700, Nikon, Nikkor, prime, lens
Deeside Aurora 2015 vbn1746jhp Aurora Borealis west winter Scottish green arc active start Deeside Aberdeenshire taken on the 31st December, 2015 at Crooktree, 25 miles west of Aberdeen caused over the UK from a glancing CME and a timely end to the year gift given that the previous three displays I missed because of cloud cover. This photo was taken at 23.52UT with an active phase of the evenings display towards the west with an array of small rays and a red oxygen hue appearing as the display increases in power-green excitation is the lower power level colour of oxygen. This photograph was taken with a Nikon D700 full frame DSLR using a 28mm Nikkor f2.8 lens at f4 and ISO setting of 3200 with an exposure time of 12 secs. This is taken looking due North and the green tinge is from low level oxygen gas at Crooktree, located between Torphins to the right and Craigton Hill and Kincardine O'Neil to the left. Keywords: Scotland, Scottish, British, North, Northern, East, Grampian, Aberdeenshire, Royal Deeside, Deeside, Crooktree, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Northern, Lights, Merry, Dancers, landscape, panorama, folded, curtains, CME, solar, night, sky, stars, Plough, Ursa, Major, Big, Dipper, Cassiopeia, oxygen, gas, molecules, magnetic, green, yellow, red, nitrogen, purple, colourful, colorful, colours, colors, celestial, night, morning, pine, trees, silhouette, telephone, pole, cottage, roof, chimney, December, 2015, digital, D700, Nikon, Nikkor, prime, lens
Deeside Aurora 2015 vbn1742jhp Aurora Borealis Scotland green oxygen rays arc Deeside Aberdeenshire farm lights taken on the 31st December, 2015 at Crooktree, 25 miles west of Aberdeen caused over the UK from a glancing CME and a timely end to the year gift given that the previous three displays I missed because of cloud cover. This photo was taken at 23.36UT 2015 with the ARC a precursor to an active phase beginning to start the evenings display with rays appearing. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm Nikkor f2.8 lens at f4 and ISO setting of 3200 with an exposure time of 20 secs. This is taken looking due North and the green tinge is from low level oxygen gas at Crooktree, located between Torphins to the right and Craigton Hill and Kincardine O'Neil to the left. Keywords: Scotland, Scottish, British, North, Northern, East, Grampian, Aberdeenshire, Royal Deeside, Deeside, Crooktree, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Northern, Lights, Merry, Dancers, landscape, panorama, folded, curtains, CME, solar, night, sky, stars, Plough, Ursa, Major, Big, Dipper, Cassiopeia, oxygen, gas, molecules, magnetic, green, yellow, red, nitrogen, purple, colourful, colorful, colours, colors, celestial, night, morning, pine, trees, silhouette, telephone, pole, cottage, roof, chimney, December, 2015, digital, D700, Nikon, Nikkor, prime, lens
Deeside Aurora 2015 vbn1740jhp Aurora Borealis Scottish Northern Lights green arc rays active Deeside Aberdeenshire taken on the 31st December, 2015 at Crooktree, 25 miles west of Aberdeen caused over the UK from a glancing CME and a timely end to the year gift given that the previous three displays I missed because of cloud cover. This photo was taken at 23.34UT 2015 with the ARC moving to an active phase of the evenings display with rays breaking upwards towards the North. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm Nikkor f2.8 lens at f4 and ISO setting of 3200 with an exposure time of 13 secs. This is taken looking due North and the green tinge is from low level oxygen gas at Crooktree, located between Torphins to the right and Craigton Hill and Kincardine O'Neil to the left. Keywords: Scotland, Scottish, British, North, Northern, East, Grampian, Aberdeenshire, Royal Deeside, Deeside, Crooktree, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Northern, Lights, Merry, Dancers, landscape, panorama, folded, curtains, CME, solar, night, sky, stars, Plough, Ursa, Major, Big, Dipper, Cassiopeia, oxygen, gas, molecules, magnetic, green, yellow, red, nitrogen, purple, colourful, colorful, colours, colors, celestial, night, morning, pine, trees, silhouette, telephone, pole, cottage, roof, chimney, December, 2015, digital, D700, Nikon, Nikkor, prime, lens
Deeside Aurora 2015 vbn1737jhp Aurora Borealis December Jim Henderson photograph green arc Deeside Aberdeenshire taken on the 31st December, 2015 at Crooktree, 25 miles west of Aberdeen caused over the UK from a glancing CME and a timely end to the year gift given that the previous three displays I missed because of cloud cover. This photo was taken at 23.31UT with the ARC a precursor to the active phase of the evenings display which starting with rays breaking off the arc. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm Nikkor f2.8 lens at f4 and ISO setting of 3200 with an exposure time of 12 secs. This is taken looking due North and the green tinge is from low level oxygen gas at Crooktree, located between Torphins to the right and Craigton Hill and Kincardine O'Neil to the left. Keywords: Scotland, Scottish, British, North, Northern, East, Grampian, Aberdeenshire, Royal Deeside, Deeside, Crooktree, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Northern, Lights, Merry, Dancers, landscape, panorama, folded, curtains, CME, solar, night, sky, stars, Plough, Ursa, Major, Big, Dipper, Cassiopeia, oxygen, gas, molecules, magnetic, green, yellow, red, nitrogen, purple, colourful, colorful, colours, colors, celestial, night, morning, pine, trees, silhouette, telephone, pole, cottage, roof, chimney, December, 2015, digital, D700, Nikon, Nikkor, prime, lens
Deeside Aurora 2015 vbn1733jhp Aurora Borealis Scottish green arc Torphins eastwards street lights Deeside Aberdeenshire taken on the 31st December, 2015 at Crooktree, 25 miles west of Aberdeen caused over the UK from a glancing CME and a timely end to the year gift given that the previous three displays I missed because of cloud cover. This photo was taken at 23.12UT 2015 with the ARC a precursor to an active phase of the evenings display which starts some 10 mins later. This photograph was taken with a Nikon D700 full frame DSLR using a 28mm Nikkor f2.8 lens at f4 and ISO setting of 3200 with an exposure time of 11 secs. This is taken looking due east of North, with the lights of Torphins and a cloud bank and the green colour hue is from low level oxygen gas at Crooktree, located between Torphins to the right and Craigton Hill and Kincardine O'Neil to the left. Keywords: Scotland, Scottish, British, North, Northern, East, Grampian, Aberdeenshire, Royal Deeside, Deeside, Crooktree, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Northern, Lights, Merry, Dancers, landscape, panorama, folded, curtains, CME, solar, night, sky, stars, Plough, Ursa, Major, Big, Dipper, Cassiopeia, oxygen, gas, molecules, magnetic, green, yellow, red, nitrogen, purple, colourful, colorful, colours, colors, celestial, night, morning, pine, trees, silhouette, telephone, pole, cottage, roof, chimney, December, 2015, digital, D700, Nikon, Nikkor, prime, lens
Deeside Aurora 2015 vbn1731jhp Aurora Borealis Scotland westwards green arc low grade early stage Aberdeenshire taken on the 31st December, 2015 at Crooktree, 25 miles west of Aberdeen caused over the UK from a glancing CME and a timely end to the year gift given that the previous three displays I missed because of cloud cover. This photo was taken at 23.11UT with the ARC a precursor to an active phase of the evenings display which starts some 20 mins later. This photograph was taken with a Nikon D700 full frame DSLR using a 28mm Nikkor f2.8 lens at f4 and ISO setting of 3200 with an exposure time of 11 secs. This is taken looking due West of North and the green tinge is from low level oxygen gas at Crooktree, located between Torphins to the right and Craigton Hill and Kincardine O'Neil to the left. Keywords: Scotland, Scottish, British, North, Northern, East, Grampian, Aberdeenshire, Royal Deeside, Deeside, Crooktree, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Northern, Lights, Merry, Dancers, landscape, panorama, folded, curtains, CME, solar, night, sky, stars, Plough, Ursa, Major, Big, Dipper, Cassiopeia, oxygen, gas, molecules, magnetic, green, yellow, red, nitrogen, purple, colourful, colorful, colours, colors, celestial, night, morning, pine, trees, silhouette, telephone, pole, cottage, roof, chimney, December, 2015, digital, D700, Nikon, Nikkor, prime, lens
Deeside Aurora 2015 vbn1728jhp Aurora Borealis Scottish green arc faint rays activity North Deeside Aberdeenshire taken on the 31st December, 2015 at Crooktree, 25 miles west of Aberdeen caused over the UK from a glancing CME and a timely end to the year gift given that the previous three displays I missed because of cloud cover. This photo was taken at 23.10UT 2015 with the ARC a precursor to an active phase of the evenings display which starts some 20 mins later. This photograph was taken with a Nikon D700 full frame DSLR using a 28mm Nikkor f2.8 lens at f4 and ISO setting of 3200 with an exposure time of 12 secs. This is taken looking due North and the green tinge is from low level oxygen gas at Crooktree, located between Torphins to the right and Craigton Hill and Kincardine O'Neil to the left. Keywords: Scotland, Scottish, British, North, Northern, East, Grampian, Aberdeenshire, Royal Deeside, Deeside, Crooktree, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Northern, Lights, Merry, Dancers, landscape, panorama, folded, curtains, CME, solar, night, sky, stars, Plough, Ursa, Major, Big, Dipper, Cassiopeia, oxygen, gas, molecules, magnetic, green, yellow, red, nitrogen, purple, colourful, colorful, colours, colors, celestial, night, morning, pine, trees, silhouette, telephone, pole, cottage, roof, chimney, December, 2015, digital, D700, Nikon, Nikkor, prime, lens
Deeside Aurora 2015 vbn1726jhp Aurora Borealis Scotland winter Scottish green arc Deeside Aberdeenshire taken on the 31st December, 2015 at Crooktree, 25 miles west of Aberdeen caused over the UK from a glancing CME and a timely end to the year gift given that the previous three displays I missed because of cloud cover. This photo was taken at 23.07UT 2015 from the cottage with the ARC a precursor to an active phase of the evenings display which starts some 30 mins later. This photograph was taken with a Nikon D700 full frame DSLR using a 28mm Nikkor f2.8 lens at f4 and ISO setting of 3200 with an exposure time of 10 secs. This is taken looking due North and the green tinge is from low level oxygen gas at Crooktree, located between Torphins to the right and Craigton Hill and Kincardine O'Neil to the left. Keywords: Scotland, Scottish, British, North, Northern, East, Grampian, Aberdeenshire, Royal Deeside, Deeside, Crooktree, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Northern, Lights, Merry, Dancers, landscape, panorama, folded, curtains, CME, solar, night, sky, stars, Plough, Ursa, Major, Big, Dipper, Cassiopeia, oxygen, gas, molecules, magnetic, green, yellow, red, nitrogen, purple, colourful, colorful, colours, colors, celestial, night, morning, pine, trees, silhouette, telephone, pole, cottage, roof, chimney, December, 2015, digital, D700, Nikon, Nikkor, prime, lens
Aurora Corona Behind Clouds SO21322JHP Rare Aurora Borealis Photograph Clouds Complete Covering Red Corona Autumn and being turned red in the process caused as the Aurora Borealis display has the strength to pass overhead the observer here in Aberdeenshire Keywords: Scotland, Scottish, British, Aberdeenshire, Royal Deeside, Aurora Borealis, Corona, Northern Lights, Merry Dancers, landscape, photos, photographs, digital, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, molecules, magnetic, disturbance, magnetometers, red, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, celestial, clouds, nature
Aurora Corona Behind Clouds SO21321JHP Aurora Red Corona Clouds Stock Library Photo Aberdeenshire Deeside Scotland I have taken is this of the clouds completely covering a huge Corona and being turned red in the process caused as the Aurora Borealis display has the strength to pass overhead the observer here in Aberdeenshire Keywords: Scotland, Scottish, British, Aberdeenshire, Royal Deeside, Aurora Borealis, Corona, Northern Lights, Merry Dancers, upright, photos, photographs, digital, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, molecules, magnetic, disturbance, magnetometers, red, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, celestial, clouds, nature
Aurora Scottish Summer AB03425JHP Scottish Summer Aurora Borealis Photograph Purple Rays Plough Big Dipper Stars with possibly nitrogen gas colourisation in the rays although some of the purple may be caused by air quality at 00.30hrs UT on 27th July, 2003 looking directly northwards on Deeside near Torphins west of Aberdeen Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Arc, Rays, summer, July, Northern Lights, Merry Dancers, upright, photo, photograph, slide, scanned, sunspots, solar, flares, CME, nitrogen, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, trees
Aurora & Ursa Major Summer AB03433JHP Summer Aurora Borealis Display Crooktree Nitrogen Plough Stars Deeside Scotland with possibly nitrogen gas purple colourisation in the rays to right of Ursa Major although some of the purple may be caused by air quality at 00.37hrs UT on 27th July, 2003 looking directly northwards on Deeside near Torphins west of Aberdeen Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Arc, Rays, nitrogen, summer, July, Ursa Major, Big Dipper, Plough, Northern Lights, Merry Dancers, upright, photos, photographs, slide, scanned, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, trees
Aurora & Ursa Major Summer AB03428JHP Summer Aurora Borealis Northern Lights Purple Rays Plough Usra Major Photo display with possibly nitrogen gas colourisation in the rays straddling the Plough although some of the purple may be caused by air quality at 00.34hrs UT on 27th July, 2003 looking directly northwards on Deeside near Torphins west of Aberdeen Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Arc, Rays, nitrogen, Ursa Major, Plough, Big Dipper, Northern Lights, Merry Dancers, landscape, photos, photographs, slide, scanned, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, trees

Egypt > Abydos & Dendara (5 files)

Images of two important sites north of Luxor near the River Nile but usually visted as an extra tour either by road or a day cruise.
Abydos Temple Helicopter Lintel 5347EG07JHP Abydos Temple mystery Egyptian UFO carvings hypostyle hall palimpsest lintel in the the largest royal monument built in white limestone, situated at the most important and one of the oldest necropolis of ancient Egypt is the home of Osiris is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico viewed from this spot. In the entrance hyspostyle hall is a famous lintel on which some fascinating carvings appear to suggest modern military equipment such as an attack helicopter, tank, submarine but these are caused by superimpositions of different layers of plaster and carvings called palimpsest. Keywords: entrance, lintel palimpsest relief deep-cut overlays UFO helicopter submarine flying saucer jet plane heiroglyphic landscape, history, archaeology, ancient, Egyptology, temple, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, approach, entrance, pylon, court, first, hypostyle, painted, door, Ramses
Abydos Temple Helicopter Lintel 5345EG07JHP UFO carving palimpsest entrance first hypostyle hall lintel Abydos Temple Egypt north of Luxor with example of palimpsest caused by overlapping carvings Keywords: Egypt, Egyptian, Abydos, Osireion, Seti, Sethos, Sety, Abedju, al-Madfunah, al-Ballyana, entrance, lintel palimpsest relief deep-cut overlays UFO helicopter submarine flying saucer jet plane heiroglyphic landscape, history, archaeology, ancient, Egyptology, temple, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, approach, entrance, pylon, court, first, hypostyle, painted, door, Ramses
Abydos Hypostyle Hall Sunbeam 5350EG07JHP Abydos Temple Hypostyle Hall Interior Photo Sun beams rays dark, in the largest royal monument built in white limestone, situated at the most important and one of the oldest necropolis of ancient Egypt is the home of Osiris and the Temple of Seti/Sety 1 and added to by Ramses 11 and here in the hypsotyle hall is an atmospheric scene albeit caused by hole in the roof but would have given a sense of the dark solitude only lit by light from the ancient window in the far distance. Keywords: Egypt, Egyptian, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Abedju, al-Madfunah, al-Ballyana, entrance, upright, sunbeam, hypostyle hall, columns, hieroglyphs, history, archaeology, ancient, Egyptology, temple, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, approach, pylon, court, hypostyle, painted, door, Ramses, colonnade, sunlight
Abydos First Hypostyle Hall 5343EG07JHP Abydos Egyptian Temple Sety Hypostyle Hall Interior Photograph Columns sunlight, the largest royal monument built in white limestone, situated at the most important and one of the oldest necropolis of ancient Egypt is the home of Osiris is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico. In the entrance hyspostyle hall is a famous lintel on which some fascinating carvings appear to suggest modern military equipment such as an attack helicopter, tank, submarine but these are caused by superimpositions of different layers of plaster and carvings called palimpsest. Keywords: Egypt, Egyptian, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Abedju, al-Madfunah, al-Ballyana, entrance, upright, first, hypostyle hall, columns, hieroglyphs, UFO, lintel, history, archaeology, ancient, Egyptology, temple, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, approach, pylon, court, hypostyle, painted, door, Ramses, colonnade, sunlight
Abydos First Hypostyle Hall 5341EG07JHP Abydos Ancient Egyptian Temple Hypostyle Hall interior roof lintels columns ceiling, the largest royal monument built in white limestone, situated at the most important and one of the oldest necropolis of ancient Egypt is the home of Osiris is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico. In the entrance hyspostyle hall is a famous lintel on which some fascinating carvings appear to suggest modern military equipment such as an attack helicopter, tank, submarine but these are caused by superimpositions of different layers of plaster and carvings called palimpsest. Keywords: Egypt, Egyptian, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Abedju, al-Madfunah, al-Ballyana, entrance, landscape, first, hypostyle hall, columns, hieroglyphs, UFO, lintel, history, archaeology, ancient, Egyptology, temple, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, approach, pylon, court, hypostyle, painted, door, Ramses, colonnade, sunlight

Egypt > Cairo City (2 files)

Photos relating to the City itself and River Nile activities. The Museum and Giza Pyramids are in separate galleries.
Cairo Egyptian Museum EG072608jhp Egyptian Museum entrance Cairo Egypt trees palms seats exhibits Mariette founder is the prime antiquities collection in Cairo and of ancient Egypt in the world. These photos were taken through the roadside railings as cameras were banned then and that probably applies today as well. Unlike the British Museum in London where photography is allowed and even flash can be used, the Egyptian Museum and many others throughout the country have a total ban on photography and the reason being probably more to do with managing the huge crowds than one would hope is not to do with selfishness or the usual damaged caused by flash syndrome, a total red herring if ever there was one. Keywords: Egypt, Cairo, Egyptian, Museum, Mariette, Maspero, landscape, collection, huge, comprehensive, discovery, excavations, ancient, antiquity, antiquities, archaeology, architecture, iconic, exhibits, pond, feature, entrance, sphinx, seats, photography, ban, no cameras, flagpoles, capital, city
Cairo Egyptian Museum EG072607jhp Egyptian Museum entrance Cairo trees palms seats design style Mariette founder is the prime antiquities collection in Cairo and of ancient Egypt in the world. These photos were taken through the roadside railings as cameras were banned then and that probably applies today as well. Unlike the British Museum in London where photography is allowed and even flash can be used, the Egyptian Museum and many others throughout the country have a total ban on photography and the reason being probably more to do with managing the huge crowds than one would hope is not to do with selfishness or the usual damaged caused by flash syndrome, a total red herring if ever there was one. Keywords: Egypt, Cairo, Egyptian, Museum, Mariette, Maspero, upright, collection, huge, comprehensive, discovery, excavations, ancient, antiquity, antiquities, archaeology, architecture, iconic, exhibits, pond, feature, entrance, sphinx, seats, photography, ban, no cameras, flagpoles, capital, city

Egypt > Fayoum & Desert (1 file)

Pictures in this gallery cover the Fayoum area, Lake Qarun, Karanis, Qasr al-Saghah and Soknopaiou Nesos
Soknopaiou Nesos Causeway 6557EG07JHP Soknopaiou Nesos Causeway Lake Qarun Desert Sand Rocks Egyptian from the ruined town, also called Dimyah al-Siba, a Ptolemaic town dating through to Roman times built on the shores of Lake Qarun or Moeris, with a substantial mudbrick enclosure wall partially buried surrounding the remains of a temple dedicated to Soknopaios, a form of the crocodile God Sobek. It is located in the western desert south of Cairo and is accessed by 4x4 from Faiyum and is often part of a desert trip including Qasr al-Saghah Temple. Keywords: Egypt, Egyptian, Egyptology, el-Fayoum, Fayyum, Fayum, Lake Qarun, Moeris, Soknopaiou Nesos, island, Dimyah al-Siba, causeway, archaeology, ancient, history, landscape, digital, camera, desert, Ptolemaic, Ptolemy 11 Philadelphus, Septimius Severus, temple, Suchos, Soknopaios, Sobek, processional, way, mudbrick, enclosure, walls, layering, pan, bedding, hot, sand, blistering, heat, sun, blue, sky, angle, eroded, stones

Egypt > Giza Pyramids & Sphinx (34 files)

Photographs of the three Giza pyramids of Khufu, Khafre and Menkaure, the Sphinx, temples, Solar Barque museum and western cemetery mastabas, including the Light and Sound Show night views.
Giza Menkaure Causeway EG024116jhp Menkaure Mycerinus Pyramid Egypt tomb causeway Gizah desert erosion Cairo the smaller of the Gizah site monuments and built during his reign of 28 years from 2531-2504 and it is about half the size of the Great Pyramid, possibly because of a much more relaxed rule than his predecessors who exacted a high price on the society building their huge monuments. Alongside his pyramid are three smaller ones for his Queens, the larger for his chief queen, Khamerernebty 11. The cuaseway runs eastwards from the Pyramid and its Mortuary Temple through the desert sand to the valley below. Keywords: Egypt, Cairo, Giza, Gizah, upright, pyramid, royalty, burial, tombs, Menkaure, Mycerinus, Mortuary, valley, temple, causeway, limestone, eroded, erosion, sand, desert, ancient, Egyptian, Egyptology, archaeology, history
Giza Menkaure Causeway EG024115jhp Menkaure Mycerinus Pyramid ancient Egyptian tomb causeway Giza desert Cairo the smaller of the Gizah site monuments and built during his reign of 28 years from 2531-2504 and it is about half the size of the Great Pyramid, possibly because of a much more relaxed rule than his predecessors who exacted a high price on the society building their huge monuments. Alongside his pyramid are three smaller ones for his Queens, the larger for his chief queen, Khamerernebty 11. The cuaseway runs eastwards from the Pyramid and its Mortuary Temple through the desert sand to the valley below. Keywords: Egypt, Cairo, Giza, Gizah, landscape, pyramid, royalty, burial, tombs, Menkaure, Mycerinus, causeway, eroded, sand, desert, valley, limestone, granite, casing, incomplete, ancient, Egyptian, Egyptology, archaeology, history, desert, sand
Giza Tomb Sign EG050955jhp Neferbauptah Tomb Giza notice sign board information entrance Egyptian cemetery, who was Iymery’s son and a government official who held the title Steward of the Great estate like his father, and one of many private mastabas from the middle to late Dynasty V that make up the Western Cemetery near the Great Pyramid of Khufu at Giza with an interior painted wall relief in the tomb. Interior photography is difficult as flash and tripods are not usually allowed and interior lighting can be poor and gives inaccurate colour balances. This photo was taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions Keywords: Egypt, Egyptian, Giza, West, Western, Cemetery, digital, interior, landscape, noble, official, tomb, mastaba, mortuary, chapel, Great, Steward, Estate, Neferbauptah, son, Iymery, notice, board, information, burial, chamber, funeral, ceremonial, afterlife, religion, beliefs, death, burial
Giza Tomb Entrance EG050914jhp Tomb Chapel interior pillars carved Akhetmehu Khenementi carvings tombs Giza in this mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, landscape, Mastaba, Western, cemetery, Akhetmehu, Khenementi, royalty, nobles, officials, offerings, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, pillars, interior, rooms, hieroglyphs
Tomb Carving Neferbauptah EG050964jhp Neferbauptah Tomb Giza painted colours freize hieroglyphs carving ceiling Egypt, who was Iymery’s son and a government official who held the title Steward of the Great estate like his father, and one of many private mastabas from the middle to late Dynasty V that make up the Western Cemetery near the Great Pyramid of Khufu at Giza with an interior painted wall relief in the tomb. Interior photography is difficult as flash and tripods are not usually allowed and interior lighting can be poor and gives inaccurate colour balances. This photo was taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions Keywords: Egypt, Egyptian, Giza, West, Western, Cemetery, digital, interior, landscape, noble, official, tomb, mastaba, mortuary, chapel, Great, Steward, Estate, Neferbauptah, son, Iymery, interior, painted, reliefs, agricultural, scene, cattle, bovine, fish, boats, sailing, rowing, burial, chamber, funeral, ceremonial, afterlife, religion, beliefs, death, burial
Tomb Carving Neferbauptah EG050961jhp Neferbauptah Tomb Giza painted seated offering food colours ancient Egypt, who was Iymery’s son and a government official who held the title Steward of the Great estate like his father, and one of many private mastabas from the middle to late Dynasty V that make up the Western Cemetery near the Great Pyramid of Khufu at Giza with an interior painted wall relief in the tomb. Interior photography is difficult as flash and tripods are not usually allowed and interior lighting can be poor and gives inaccurate colour balances. This photo was taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions Keywords: Egypt, Egyptian, Giza, West, Western, Cemetery, digital, interior, landscape, noble, official, tomb, mastaba, mortuary, chapel, Great, Steward, Estate, Neferbauptah, son, Iymery, interior, painted, reliefs, offering, food, fruit, scene, burial, chamber, funeral, ceremonial, afterlife, religion, beliefs, death, burial
Tomb Carving Neferbauptah EG050960jhp Neferbauptah Tomb Giza Wall agricultural cattle Scene Interior carving Egypt, who was Iymery’s son and a government official who held the title Steward of the Great estate like his father, and one of many private mastabas from the middle to late Dynasty V that make up the Western Cemetery near the Great Pyramid of Khufu at Giza with an interior painted wall relief in the tomb. Interior photography is difficult as flash and tripods are not usually allowed and interior lighting can be poor and gives inaccurate colour balances. This photo was taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions Keywords: Egypt, Egyptian, Giza, West, Western, Cemetery, digital, interior, landscape, noble, official, tomb, mastaba, mortuary, chapel, Great, Steward, Estate, Neferbauptah, son, Iymery, interior, painted, reliefs, agricultural, scene, cattle, bovine, fish, boats, sailing, rowing, burial, chamber, funeral, ceremonial, afterlife, religion, beliefs, death, burial
Tomb Carving Neferbauptah EG050959jhp Neferbauptah Tomb Giza carving donkey loads carrying ancient Egyptian interior, who was Iymery’s son and a government official who held the title Steward of the Great estate like his father, and one of many private mastabas from the middle to late Dynasty V that make up the Western Cemetery near the Great Pyramid of Khufu at Giza with an interior painted wall relief in the tomb. Interior photography is difficult as flash and tripods are not usually allowed and interior lighting can be poor and gives inaccurate colour balances. This photo was taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions Keywords: Egypt, Egyptian, Giza, West, Western, Cemetery, digital, interior, landscape, noble, official, tomb, mastaba, mortuary, chapel, Great, Steward, Estate, Neferbauptah, son, Iymery, interior, carved: relief, agricultural, scene, donkey, carrying, loads, back, sailing, rowing, burial, chamber, funeral, ceremonial, afterlife, religion, beliefs, death, burial
Tomb Carving Neferbauptah EG050957jhp Neferbauptah Tomb Giza Wall offering gifts list carved stone Scene carving Egypt, who was Iymery’s son and a government official who held the title Steward of the Great estate like his father, and one of many private mastabas from the middle to late Dynasty V that make up the Western Cemetery near the Great Pyramid of Khufu at Giza with an interior painted wall relief in the tomb. Interior photography is difficult as flash and tripods are not usually allowed and interior lighting can be poor and gives inaccurate colour balances. This photo was taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions Keywords: Egypt, Egyptian, Giza, West, Western, Cemetery, digital, interior, landscape, noble, official, tomb, mastaba, mortuary, chapel, Great, Steward, Estate, Neferbauptah, son, Iymery, interior, painted, reliefs, agricultural, scene, cattle, bovine, fish, boats, sailing, rowing, burial, chamber, funeral, ceremonial, afterlife, religion, beliefs, death, burial
Painted Carving Iymery EG050952jhp Iymery Steward Scribe offering scenes fruit food boxes carved colours Cairo Egypt Giza Western cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, upright, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050951jhp Iymery ancient egyptian tomb painting procession food fruit carrying cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, upright, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, procession, carrying, head, animals, herd, cattle, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050950jhp Iymery mortuary chapel wall relief cattle herding egrets Cairo Egypt Western cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, landscape, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, egrets, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050948jhp Iymery chapel tomb wall paintings cattle herd Giza Egyptian mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, landscape, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050947jhp Iymery doorway painted carving cattle boat water she pool Giza Egypt Western cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, upright, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boat, pool, she, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050946jhp Iymery mortuary wall painting boats fishing oar hemu beating water cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, landscape, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, fishing, beating, water, oar, hemu, marshes, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050945jhp Iymery ancient Egyptian burial wall reliefs boats fishing diving hunting Western cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, landscape, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, fishing, diving, swimming, beating, water, sticks, marshes, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050944jhp Iymery Steward chapel wall scene cattle bovines goats herding Giza Egypt Western cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, landscape, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, herding, cattle, bovines, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050943jhp Iymery Steward Tomb Painting Cattle herding wall colours bovines Giza Egyptian Western cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, landscape, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050940jhp Iymery Tomb wall reliefs coloured graffiti Greek painted desceration Egypt Western cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, landscape, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, graffiti, Greek script, letters, desecration, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050939jhp Iymery Steward door jam painted carvings Giza Egypt Western cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, upright, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, door, doorway, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050938jhp Iymery Steward procession figures painted wall chapel Giza Egypt Western cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, landscape, Mastaba, chapel, mortuary, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050934jhp Iymery Steward Scribe wall relief painted carved bovine cattle Giza Egypt Western cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, upright, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, bovine, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050933jhp Iymery Mastaba wall paintings reliefs carving daily life scenes Giza Egypt in the Western cemetery where he left this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, landscape, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, daily, life, wine, making, pouring, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050932jhp Iymery Tomb doorway painted reliefs Giza Egypt Western cemetery mastaba carvings left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, upright, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, doorway, doorjam, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050929jhp Iymery Steward Scribe Tomb door wine making painted relief Cairo Egypt Western cemetery mastaba carvings left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, upright, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050927jhp Iymery Steward Great Estate Scribe Archives Giza Egypt Western cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, landscape, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Giza Tomb Sign EG050926jhp Iymery Giza Egypt Western cemetery mortuary chapel sign information board at the entrance to this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, landscape, Mastaba, Western, cemetery, information, sign, marker, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Carved Statue Iymery EG050953jhp Iymery Steward serdab figure man carved statue stone alcove Giza Egypt Western cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, upright, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, serdab, statue, stone, carving, figure, man, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, marshes, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Khafre Causeway Giza EG02009jhp Khafre Chephren Ancient Egyptian Causeway Pyramid Turah top blue sky Photo at the base of the 550m causeway looking to his Pyramid at Giza from the Valley temple and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, ancient, Egyptian, Egyptology, archaeology, history, Turah, cap, top, cover, remains
Khafre Causeway Giza EG02008jhp Khafre Chephren Ancient Egyptian Causeway Pyramid walk limestone erosion Photo at the base of the 550m causeway looking to his Pyramid at Giza from the Valley temple and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. Keywords: Egypt, Cairo, Giza, Gizah, landscape, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, walk, granite, red, lined, blocks, Turah, cap, limestone, eroded, erosion, weathering, ancient, Egyptian, Egyptology, archaeology, history
Khafre Causeway Giza EG02007jhp Khafre Chephren Alabaster Egyptian Causeway Pyramid Valley Temple Stone gate at the base of the 550m causeway looking to his Pyramid at Giza from the Valley temple and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, ancient, Egyptian, Egyptology, archaeology, history, gate, outlined, framed, alabaster, floor
Khafre Causeway Giza EG02006jhp Khafre Chephren Egypt Giza Causeway Temple floor alabaster Entrance View Photo at the base of the 550m causeway looking to his Pyramid at Giza from the Valley temple and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, ancient, Egyptian, Egyptology, archaeology, history, alabaster, floor
Sphinx Enclosure Causeway EG02016JHP Giza Egyptian Sphinx Cheops Khufu Khafre Chephren Pyramid Paws Stele this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. Keywords: Egypt, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Giza Khafra Causeway EG02627JHP Khafre Chephren Ancient Egyptian Causeway Pyramid Temple Stone Photo at the base of the 550m causeway looking to his Pyramid at Giza from the Valley temple and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, ancient, Egyptian, Egyptology, archaeology, history, slide, scanned

Egypt > Karnak Temple (21 files)

Photos in this gallery include the whole of Karnak itself, the open air museum, temples of Khonsu and Ptah and the Sound and Light Show night images.
Karnak Temple Sandstorm EG0214013jhp Karnak Egypt Chapel gate sandstorm dramatic light hypostyle palms hazy which is located inside the central enclosure wall of the Karnak complex at Luxor on the East Bank of the River Nile. It is a relatively ruined small temple lying near the exterior north wall of the hypostyle hall and the path to the Temple of Ptah and gate to Montu Temple in the North Enclosure. The area is a cluster of ruins and blocks in storage and is very seldom frequented so always quiet in the crowded times. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast so apologies for the quality of these few images; one day I hope to return and get them in better light. The chapel is dedicated to the Princess Ankhnesneferibre, daughter of Psamtik 11 and his Queen Takhut and she became successor to Nitocris the Divine Adoratice and later God’s Wife of Amun, High Priest and effectively ruled Thebes for nearly 60 years during the later Saite Period of Rule over Egypt; started in Dynasty 24 and centred on City of Sais in Northern delta region. Turbulent times however and she was in effect the last to hold this position for around the time of her death Psamtik 111, after a very short reign, was defeated by the Persian’s and the 26th Dynasty came to an end in 525BC. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, central, enclosure, chapel, Ankhnesneferibre, princess, Saite, Sais, Amun, Priest, Adoratice, God, wife, ruler, Psamtik, 11, 111, Psammetichus, Psammeticus, 26th, Dynasty, landscape, history, archaeology, Egyptology, sandstone, gate, carvings, sandstorm, windy, hazy, palm, trees, sand, sandy, hypostyle, hall
Karnak Saite Chapel EG0214017jhp Karnak Egypt Chapel Ankhnesneferibre gate Psamtik 111 hedjet crown Amun which is located inside the central enclosure wall of the Karnak complex at Luxor on the East Bank of the River Nile. It is a relatively ruined small temple lying near the exterior north wall of the hypostyle hall and the path to the Temple of Ptah and gate to Montu Temple in the North Enclosure. The area is a cluster of ruins and blocks in storage and is very seldom frequented so always quiet in the crowded times. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast so apologies for the quality of these few images; one day I hope to return and get them in better light. The chapel is dedicated to the Princess Ankhnesneferibre, daughter of Psamtik 11 and his Queen Takhut and she became successor to Nitocris the Divine Adoratice and later God’s Wife of Amun, High Priest and effectively ruled Thebes for nearly 60 years during the later Saite Period of Rule over Egypt; started in Dynasty 24 and centred on City of Sais in Northern delta region. Turbulent times however and she was in effect the last to hold this position for around the time of her death Psamtik 111, after a very short reign, was defeated by the Persian’s and the 26th Dynasty came to an end in 525BC. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, central, enclosure, chapel, Ankhnesneferibre, princess, Saite, Sais, Amun, Priest, Adoratice, God, wife, ruler, Psamtik, 11, 111, crown, white, upper, hedjet, Psammetichus, Psammeticus, Nitocris, Takhut, 26th, Dynasty, upright, history, archaeology, Egyptology, decorated, hieroglyphics, sandstone, papyrus, column, single, closed, bud, carvings, cobra, iaret, naja haje, rearing, hood, lion, face, Wadget, Wadjet, leonine, goddess, Nefertem, Eyes, Re, Ra, protector
Karnak Saite Chapel EG0214016jhp Karnak Egypt Chapel Ankhnesneferibre cobra Wadjet lion face hierogylphics which is located inside the central enclosure wall of the Karnak complex at Luxor on the East Bank of the River Nile. It is a relatively ruined small temple lying near the exterior north wall of the hypostyle hall and the path to the Temple of Ptah and gate to Montu Temple in the North Enclosure. The area is a cluster of ruins and blocks in storage and is very seldom frequented so always quiet in the crowded times. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast so apologies for the quality of these few images; one day I hope to return and get them in better light. Interesting in this photograph are the lion faced Wadjet Cobras which are very much a Delta Goddess diety. The chapel is dedicated to the Princess Ankhnesneferibre, daughter of Psamtik 11 and his Queen Takhut and she became successor to Nitocris the Divine Adoratice and later God’s Wife of Amun, High Priest and effectively ruled Thebes for nearly 60 years during the later Saite Period of Rule over Egypt; started in Dynasty 24 and centred on City of Sais in Northern delta region. Turbulent times however and she was in effect the last to hold this position for around the time of her death Psamtik 111, after a very short reign, was defeated by the Persian’s and the 26th Dynasty came to an end in 525BC. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, central, enclosure, chapel, Ankhnesneferibre, princess, Saite, Sais, Amun, Priest, Adoratice, God, wife, ruler, Psamtik, 11, 111, Psammetichus, Psammeticus, Nitocris, Takhut, 26th, Dynasty, upright, history, archaeology, Egyptology, decorated, hieroglyphics, sandstone, papyrus, column, single, closed, bud, carvings, cobra, iaret, naja haje, rearing, hood, lion, face, Wadget, Wadjet, leonine, goddess, Nefertem, Eyes, Re, Ra, protector
Karnak Saite Chapel EG0214015jhp Karnak Egyptian Chapel Ankhnesneferibre cobra Wadjet lion face hierogylphs which is located inside the central enclosure wall of the Karnak complex at Luxor on the East Bank of the River Nile. It is a relatively ruined small temple lying near the exterior north wall of the hypostyle hall and the path to the Temple of Ptah and gate to Montu Temple in the North Enclosure. The area is a cluster of ruins and blocks in storage and is very seldom frequented so always quiet in the crowded times. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast so apologies for the quality of these few images; one day I hope to return and get them in better light. Interesting in this photograph are the lion faced Wadjet Cobras which are very much a Delta Goddess diety. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, central, enclosure, chapel, Ankhnesneferibre, princess, Saite, Sais, Amun, Priest, Adoratice, God, wife, ruler, Psamtik, 11, 111, Psammetichus, Psammeticus, Nitocris, Takhut, 26th, Dynasty, upright, history, archaeology, Egyptology, decorated, hieroglyphics, sandstone, papyrus, column, single, closed, bud, carvings, cobra, iaret, naja haje, rearing, hood, lion, face, Wadget, Wadjet, leonine, goddess, Nefertem, Eyes, Re, Ra, protector
Karnak Saite Chapel EG0214014jhp Karnak Egypt Chapel Ankhnesneferibre gate Saite Papyrus column Amun which is located inside the central enclosure wall of the Karnak complex at Luxor on the East Bank of the River Nile. It is a relatively ruined small temple lying near the exterior north wall of the hypostyle hall and the path to the Temple of Ptah and gate to Montu Temple in the North Enclosure. The area is a cluster of ruins and blocks in storage and is very seldom frequented so always quiet in the crowded times. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast so apologies for the quality of these few images; one day I hope to return and get them in better light. The chapel is dedicated to the Princess Ankhnesneferibre, daughter of Psamtik 11 and his Queen Takhut and she became successor to Nitocris the Divine Adoratice and later God’s Wife of Amun, High Priest and effectively ruled Thebes for nearly 60 years during the later Saite Period of Rule over Egypt; started in Dynasty 24 and centred on City of Sais in Northern delta region. Turbulent times however and she was in effect the last to hold this position for around the time of her death Psamtik 111, after a very short reign, was defeated by the Persian’s and the 26th Dynasty came to an end in 525BC. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, central, enclosure, chapel, Ankhnesneferibre, princess, Saite, Sais, Amun, Priest, Adoratice, God, wife, ruler, Psamtik, 11, 111, Psammetichus, Psammeticus, Nitocris, Takhut, 26th, Dynasty, upright, history, archaeology, Egyptology, decorated, hieroglyphics, sandstone, papyrus, column, single, closed, bud, carvings, cobra, iaret, naja haje, rearing, hood, lion, face, Wadget, Wadjet, leonine, goddess, Nefertem, Eyes, Re, Ra, protector
Karnak temple Ptah EG0214006jhp Temple Ptah Sanctuary Centre columns Karnak Egyptian decorated Thutmosis entrance which is located inside the north enclosure wall of the Karnak Complex at Luxor on the East Bank of the River Nile. It is a delightful small temple and very seldom frequented so always quiet although an extra ‘entry’ fee maybe required to keep the local custodians happy. Constructed by Thutmosis 111 during his reign 1500-1450BC it shows continuous repair and additions through until the Ptolemaic period while inside the small sanctuaries are broken granite statues of Ptah, which is byond the altar stone and through the door in front and Sekhmet which is in the righthand sanctuary. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast which has happened to me twice now at this temple. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, sanctuary, altar, columns, Sekhmet, Nerfertum, Nerfertem, Memphite, triad, lion, god, six, entrance, upright, history, archaeology, Egyptology, Thutmosis, Thutmose, Ptolemy, Ptolemaic, construction, restoration, additions, statues, granite, decorated, Gods, hieroglyphics, sandstone, vestibule, sanctuaries
Karnak temple Ptah EG0214004jhp Temple Chapel Ptah headless state Karnak Egyptian vestibule Triad Memphis which is located inside the north enclosure wall of the Karnak Complex at Luxor on the East Bank of the River Nile. It is a delightful small temple and very seldom frequented so always quiet although an extra ‘entry’ fee maybe required to keep the local custodians happy. Constructed by Thutmosis 111 during his reign 1500-1450BC it shows continuous repair and additions through until the Ptolemaic period while inside the small sanctuaries are the broken granite states of Ptah which is illustrated in this photo and Sekhmet in the righthand sanctuary. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast which has happened to me twice now at this temple. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, headless, seated, statue, sanctuary, Sekhmet, Nerfertum, Nerfertem, Memphite, triad, lioness, god, six, gates, entrance, upright, history, archaeology, Egyptology, Thutmosis, Thutmose, Ptolemy, Ptolemaic, construction, restoration, additions, statues, granite, decorated, Gods, hieroglyphics, sandstone, vestibule, sanctuaries
Karnak temple Ptah EG0214003jhp Temple Ptah Karnak Egypt Sekhmet Statue standing black granite lion which is located inside the north enclosure wall of the Karnak Complex at Luxor on the East Bank of the River Nile. It is a delightful small temple and very seldom frequented so always quiet although an extra ‘entry’ fee maybe required to keep the local custodians happy. Constructed by Thutmosis 111 during his reign 1500-1450BC it shows continuous repair and additions through until the Ptolemaic period while inside the small sanctuaries are broken granite states of Ptah and Sekhmet in this photo. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast which has happened to me twice now at this temple. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, Sekhmet, black, granite, statue, standing, sanctuary, Nerfertum, Nerfertem, Memphite, triad, lion, god, six, gates, upright, history, archaeology, Egyptology, Thutmosis, Thutmose, Ptolemy, Ptolemaic, construction, restoration, additions, statues, decorated, Gods, hieroglyphics, sandstone, vestibule, sanctuaries
Karnak Temple Cartouche EG0214018jhp Temple Karnak Egypt upturned block cartouche Sety Seti Sethos Ptah temple area which is located inside the north enclosure wall of the Karnak Complex at Luxor on the East Bank of the River Nile. It is a delightful small temple and very seldom frequented so always quiet although an extra ‘entry’ fee maybe required to keep the local custodians happy. Constructed by Thutmosis 111 during his reign 1500-1450BC it shows continuous repair and additions through until the Ptolemaic period while inside the small sanctuaries are broken granite states of Ptah and Sekhmet. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast which has happened to me twice now at this temple and this photograph was taken of a block lying in the area and I think it is probably of Sety 1. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, area, landscape, upturned, cartouche, Seti, Sety, Sethos, 1, carving, sandstone, history, archaeology, Egyptology, God, hieroglyphics, hieroglyphs
Karnak Montu Temple EG0214012jhp Temple Ptah Museum Storage Area Karnak Egypt statue priest Amenhotep 111 cartouche which is located inside the north enclosure wall of the Karnak Complex at Luxor on the East Bank of the River Nile. This storage shed, a mini museum with two standing statues is near the delightful small temple pf Ptah on the walk along the enclosure wall to Montu Temple. Avery seldom frequented area so always quiet although an extra ‘entry’ fee maybe required to keep the local custodians happy. Constructed by Thutmosis 111 during his reign 1500-1450BC it shows continuous repair and additions through until the Ptolemaic period while inside the small sanctuaries are broken granite states of Ptah and Sekhmet. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast which has happened to me twice now at this temple. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, gates, entrance, upright, history, archaeology, Egyptology, Amenhotep, 111, construction, restoration, additions, statues, granite, decorated, priest, statue, standing, kilt, skirt, staff, shed, museum, Gods, hieroglyphics, sandstone
Karnak Montu Temple EG0214011jhp Temple Ptah Museum Storage Area Karnak Egypt statue priest leopard kilt which is located inside the north enclosure wall of the Karnak Complex at Luxor on the East Bank of the River Nile. This storage shed, a mini museum with two standing statues is near the delightful small temple pf Ptah on the walk along the enclosure wall to Montu Temple. Avery seldom frequented area so always quiet although an extra ‘entry’ fee maybe required to keep the local custodians happy. Constructed by Thutmosis 111 during his reign 1500-1450BC it shows continuous repair and additions through until the Ptolemaic period while inside the small sanctuaries are broken granite states of Ptah and Sekhmet. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast which has happened to me twice now at this temple. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, gates, custodians, entrance, galabea, turban, landscape, upright, history, archaeology, Egyptology, Thutmosis, Thutmose, Ptolemy, Ptolemaic, construction, restoration, additions, statues, granite, decorated, priest, statue, standing, painted, shed, museum, Gods, hieroglyphics, sandstone
Karnak Montu Temple EG0214009jhp Temple Montu precinct propylon Karnak Egypt gate Amenhotep Ptolemy which is located inside the north enclosure wall of the Karnak Complex at Luxor on the East Bank of the River Nile. Accessed near the delightful small Temple pf Ptah on the North Enclosure of Karnak and as very seldom frequented so always quiet although an extra ‘entry’ fee maybe required to keep the local custodians happy. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast and it was the only time I have been offered the chance to see this site and was not allowed to explore it. The Ptolemlaic Propylon is visible behind the palm tree on the left and the older main temple of Amenhotep 11 is on the right. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Montu, Month, Falcon, God, war, Amenhotep, 111, Amenophis, Ramesses 1V, Stele, Tutankhamun, Ptolemaic, Ptolemy 111, 1V, propylon, Bab el-Abd, Horemheb, entrance, landscape, history, archaeology, Egyptology, construction, restoration, additions, granite, sandstone, blocks, stored, palm, trees, sandstorm, sand, overcast
Karnak Khonsu Erosion EG075045jhp Karnak Temple Luxor Khonsu Carved wall relief erosion damage sharpening swords located to the SW corner of this huge sprawling site on the East Bank of the River Nile near the modern City of Luxor and Karnak is the largest religious complex on the Nile. This is an interior of the Temple of Khonsu and the temple is worth a visit as it is usually free of crowds, is well preserved and is adjacent to a nicely decorated Temple of Opet, a Goddess hippopotamus deity who assisted women in childbearing. Built mainly by Ramesses 111 and 1V but later additions by various kings including the Propylon Gate built by Ptolemy 111 from which an avenue of sphinxes leads to the Precinct of Mut, unfortunately closed to the public. The photographs shows possible erosion of an exterior wall but the deep grooves may also be caused by soldiers sharpening their swords or knives. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East, Bank, River, Nile, Thebes, Waset, Ipetisut, upright, Khonsu, interior, walls, reliefs, hieroglyphs, hieroglyphics, Ramses, Ramesses, Ramasses, bas reliefs, carvings, Amun, Amun-Re, enclosure
Karnak Temple Ptah EG053559jhp Temple Ptah Karnak ancient Egypt sanctuary Sekhmet lion statue Thutmosis which is located inside the north enclosure wall of the Karnak Complex at Luxor on the East Bank of the River Nile. It is a delightful small temple and very seldom frequented so always quiet although an extra ‘entry’ fee maybe required to keep the local custodians happy. Constructed by Thutmosis 111 during his reign 1500-1450BC it shows continuous repair and additions through until the Ptolemaic period while inside the small sanctuaries are broken granite states of Ptah and Sekhmet. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast and my batteries also ran out just as I was doing the interior photographs and tut tut, no spares. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, Sekhmet, Nerfertum, Nerfertem, Memphite, triad, lioness, god, upright, history, archaeology, Egyptology, Thutmosis, Thutmose, construction, restoration, additions, statue, granite, decorated, Gods, hieroglyphics, sandstone, vestibule, sanctuaries
Karnak Temple Ptah EG053558jhp Temple Ptah Karnak Egyptian Thutmosis sanctuary statue granite interior ancient which is located inside the north enclosure wall of the Karnak Complex at Luxor on the East Bank of the River Nile. It is a delightful small temple and very seldom frequented so always quiet although an extra ‘entry’ fee maybe required to keep the local custodians happy. Constructed by Thutmosis 111 during his reign 1500-1450BC it shows continuous repair and additions through until the Ptolemaic period while inside the small sanctuaries are broken granite states of Ptah and Sekhmet. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast and my batteries also ran out just as I was doing the interior photographs and tut tut, no spares. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, Sekhmet, Nerfertum, Nerfertem, Memphite, triad, lioness, god, landscape, history, archaeology, Egyptology, Thutmosis, Thutmose, Ptolemy, Ptolemaic, construction, restoration, additions, statues, granite, decorated, Gods, vestibule, sanctuaries
Karnak Temple Ptah EG053557jhp Temple Ptah Karnak Egypt gate solar disc door Thutmosis texts entrance which is located inside the north enclosure wall of the Karnak Complex at Luxor on the East Bank of the River Nile. It is a delightful small temple and very seldom frequented so always quiet although an extra ‘entry’ fee maybe required to keep the local custodians happy. Constructed by Thutmosis 111 during his reign 1500-1450BC it shows continuous repair and additions through until the Ptolemaic period while inside the small sanctuaries are broken granite states of Ptah and Sekhmet. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast and my batteries also ran out just as I was doing the interior photographs and tut tut, no spares. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, Sekhmet, Nerfertum, Nerfertem, Memphite, triad, lioness, god, six, gates, entrance, upright, history, archaeology, Egyptology, Thutmosis, Thutmose, Ptolemy, Ptolemaic, construction, restoration, additions, statues, granite, decorated, Gods, hieroglyphics, sandstone, vestibule, sanctuaries
Karnak Temple Ptah EG053556jhp Temple Ptah Karnak Egypt gates decorated Ptolemaic cartouche hieroglyphs entrance which is located inside the north enclosure wall of the Karnak Complex at Luxor on the East Bank of the River Nile. It is a delightful small temple and very seldom frequented so always quiet although an extra ‘entry’ fee maybe required to keep the local custodians happy. Constructed by Thutmosis 111 during his reign 1500-1450BC it shows continuous repair and additions through until the Ptolemaic period while inside the small sanctuaries are broken granite states of Ptah and Sekhmet. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast and my batteries also ran out just as I was doing the interior photographs and tut tut, no spares. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, Sekhmet, Nerfertum, Nerfertem, Memphite, triad, lioness, god, six, gates, No 3, Ptolemy, Neos Dionysos, X111, entrance, upright, history, archaeology, Egyptology, Thutmosis, Thutmose, Ptolemy, Ptolemaic, construction, restoration, additions, statues, granite, decorated, Gods, hieroglyphics, sandstone, vestibule, sanctuaries
Karnak Temple Ptah EG053555jhp Temple Ptah Karnak ancient Egyptian gates Ptolemaic Thutmosis entrance hieroglyphs which is located inside the north enclosure wall of the Karnak Complex at Luxor on the East Bank of the River Nile. It is a delightful small temple and very seldom frequented so always quiet although an extra ‘entry’ fee maybe required to keep the local custodians happy. Constructed by Thutmosis 111 during his reign 1500-1450BC it shows continuous repair and additions through until the Ptolemaic period while inside the small sanctuaries are broken granite states of Ptah and Sekhmet. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast and my batteries also ran out just as I was doing the interior photographs and tut tut, no spares. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, Sekhmet, Nerfertum, Nerfertem, Memphite, triad, lioness, god, six, gates, entrance, landscape, history, archaeology, Egyptology, Thutmosis, Thutmose, Ptolemy, Ptolemaic, construction, restoration, additions, statues, granite, decorated, Gods, hieroglyphics, sandstone, vestibule, sanctuaries
Karnak Temple Ptah EG053554jhp Temple Ptah Karnak Egypt gate six decorated Ptolemaic Gods custodians which is located inside the north enclosure wall of the Karnak Complex at Luxor on the East Bank of the River Nile. It is a delightful small temple and very seldom frequented so always quiet although an extra ‘entry’ fee maybe required to keep the local custodians happy. Constructed by Thutmosis 111 during his reign 1500-1450BC it shows continuous repair and additions through until the Ptolemaic period while inside the small sanctuaries are broken granite states of Ptah and Sekhmet. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast and my batteries also ran out just as I was doing the interior photographs and tut tut, no spares. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, Khonsu, Mut, Ma'at, Ptolemy V11, six, gates, custodians, entrance, galabea, turban, landscape, history, archaeology, Egyptology, Thutmosis, Thutmose, Ptolemaic, construction, restoration, additions, decorated, Gods, hieroglyphics, sandstone
Karnak Temple Ptah EG053553jhp Temple Ptah Karnak Egypt gates decorated Ptolemaic entrance custodians palm tree which is located inside the north enclosure wall of the Karnak Complex at Luxor on the East Bank of the River Nile. It is a delightful small temple and very seldom frequented so always quiet although an extra ‘entry’ fee maybe required to keep the local custodians happy. Constructed by Thutmosis 111 during his reign 1500-1450BC it shows continuous repair and additions through until the Ptolemaic period while inside the small sanctuaries are broken granite states of Ptah and Sekhmet. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast and my batteries also ran out just as I was doing the interior photographs and tut tut, no spares. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, Sekhmet, Nerfertum, Nerfertem, Memphite, triad, lioness, god, six, gates, custodians, entrance, galabea, turban, upright, history, archaeology, Egyptology, Thutmosis, Thutmose, Ptolemy, Ptolemaic, construction, restoration, additions, statues, granite, decorated, Gods, hieroglyphics, sandstone, vestibule, sanctuaries
Karnak Hypostyle Hall Columns EG02AI39JHP Hypostyle Hall Huge Columns Slatted Windows Karnak Temple Carving Hieroglyphs on East Bank of Nile at Luxor with poor light caused by passing sandstorm but still does not detract from the huge size of this interior constrcution by Ramses 11. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, hieroglyphs, deep cut, windows, painted, roof, sanctuary, gateway, Ramses, Ramasses, Ramesses, sandstorm

Egypt > Luxor City & Misc West Bank (6 files)

Images in this gallery cover modern Luxor, general agriculture and photos not specific to other groups such as the recent excavations of the Sphinx Avenue, the alabaster factory and workers and the residential houses bordering the various roads to the main sites. It also includes the balloon flights and views from the balloon.
Luxor West Bank EG96720812jhp Egypt Luxor West Bank Qurna River Nile dates Hatshepsut crops green taken in 1994 so from near the ferry crossing at Qurna al-Gaddah which was the option in those days from getting across the Nile looking across this fertile plain to the Theban Hills and in the direction of Hatshepsut Temple. Today the preferred method for package tours for crossing the River Nile is by the new southern road bridge and then heading north and westwards towards the main ancient sites of the West Bank. The scene is also a reminder of the wealth that was the engine that created ancient Egypt because of the fertility bordering the River Nile caused by the annual inundations with the flood waters depositing fertile mud giving abundant food sufficient to feed the large transient labour force required to build these huge monuments from Giza, Memphis, Thebes and southwards to Abu Simbel. Today fertilisation of the river farmland is by artificial means and of course has an impact on the Egyptian import bills. Keywords: Egypt, Luxor, West, Bank, River, Nile, Theban, hills, holiday, travel, tourism, cruise, history, landscape, archaeology, Egyptology, temples, Hatshepsut, tombs, agriculture, Egyptians, farmers, farming, fields, mud, fertile, fertilisers, water, irrigation, crops, maize, corn, sugar, cane, donkeys, cattle, palm, trees, dates, vegetables, green, brown, tractors, ploughing, Qurna, landscape, 1994, slide, film, 35mm, format, Nikon, FM2, manual, daylight, scanned, scan
Luxor Farmland EG945610jhp Egypt Luxor West Bank Qurna River Nile palm tree crops green taken in 1994 so from near the ferry crossing at Qurna al-Gaddah which was the option in those days from getting across the Nile. Today the preferred method for package tours for crossing the River Nile is by the new southern road bridge and then heading north and westwards towards the main ancient sites of the West Bank. The scene is also a reminder of the wealth that was the engine that created ancient Egypt because of the fertility bordering the River Nile caused by the annual inundations with the flood waters depositing fertile mud giving abundant food sufficient to feed the large transient labour force required to build these huge monuments from Giza, Memphis, Thebes and southwards to Abu Simbel. Today fertilisation of the river farmland is by artificial means and of course has an impact on the Egyptian import bills. Keywords: Egypt, Luxor, West, Bank, River, Nile, Theban, hills, upright, holiday, travel, tourism, cruise, history, archaeology, Egyptology, temples, tombs, agriculture, Egyptians, farmers, farming, fields, mud, fertile, fertilisers, water, irrigation, crops, maize, corn, sugar, cane, donkeys, cattle, palm, trees, dates, vegetables, green, brown, tractors, ploughing, Qurna, landscape, 1994, slide, film, medium, format, transparency, 645, Bronica, ETRSi, daylight, scanned, scan
Luxor Farmland EG051941jhp Egyptian Luxor Theban hills farming fields fertile flat land agriculture views taken on the taxi trip from Luxor City, crossing the River Nile by the new southern road bridge and then heading north and westwards towards the main ancient sites of the West Bank. The trip is also a reminder of the wealth that was the engine that created ancient Egypt because of the fertility bordering the River Nile caused by the annual inundations with the flood waters depositing fertile mud giving abundant food sufficient to feed the large transient labour force required to build these huge monuments from Giza, Memphis, Thebes and southwards to Abu Simbel. Keywords: Egypt, Luxor, West, Bank, River, Nile, Theban, hills, holiday, travel, tourism, cruise, history, archaeology, Egyptology, temples, tombs, agriculture, Egyptians, farmers, farming, fields, mud, fertile, fertilisers, water, irrigation, crops, maize, corn, sugar, cane, palm, trees, dates, vegetables, green, brown, irrigation, water, ditches, taxi, dusty, roads, electricity, poles, telephone, lines, New, Qurna, landscape, Fuji, S3, DSLR, 2005
Luxor Farmland EG051940jhp Egypt Luxor West Bank Qurna Theban hills farming fields donkey roadside views taken on the taxi trip from Luxor City, crossing the River Nile by the new southern road bridge and then heading north and westwards towards the main ancient sites of the West Bank. The trip is also a reminder of the wealth that was the engine that created ancient Egypt because of the fertility bordering the River Nile caused by the annual inundations with the flood waters depositing fertile mud giving abundant food sufficient to feed the large transient labour force required to build these huge monuments from Giza, Memphis, Thebes and southwards to Abu Simbel. Keywords: Egypt, Luxor, West, Bank, River, Nile, Theban, hills, holiday, travel, tourism, cruise, history, archaeology, Egyptology, temples, tombs, agriculture, Egyptians, farmers, farming, fields, mud, fertile, fertilisers, water, irrigation, crops, maize, corn, sugar, cane, donkey, palm, trees, dates, vegetables, green, brown, tractors, ploughing, coach, taxi, dusty, roads, electricity, poles, telephone, lines, New, Qurna, landscape, Fuji, S3, DSLR, 2005
Luxor Farmland EG051939jhp Egypt Luxor West New Qurna hills farming green fields trees roadside views taken on the taxi trip from Luxor City, crossing the River Nile by the new southern road bridge and then heading north and westwards towards the main ancient sites of the West Bank. The trip is also a reminder of the wealth that was the engine that created ancient Egypt because of the fertility bordering the River Nile caused by the annual inundations with the flood waters depositing fertile mud giving abundant food sufficient to feed the large transient labour force required to build these huge monuments from Giza, Memphis, Thebes and southwards to Abu Simbel. Keywords: Egypt, Luxor, West, Bank, River, Nile, Theban, hills, holiday, travel, tourism, cruise, history, archaeology, Egyptology, temples, tombs, agriculture, Egyptians, farmers, farming, fields, mud, fertile, fertilisers, water, irrigation, crops, maize, corn, sugar, cane, palm, trees, dates, vegetables, green, brown, ploughing, coach, taxi, dusty, roads, electricity, poles, telephone, lines, New, Qurna, landscape, Fuji, S3, DSLR, 2005
Luxor Farmland EG051938jhp Egyptians Luxor West Bank Qurna Theban hills farmers fields flat roadside views taken on the taxi trip from Luxor City, crossing the River Nile by the new southern road bridge and then heading north and westwards towards the main ancient sites of the West Bank. The trip is also a reminder of the wealth that was the engine that created ancient Egypt because of the fertility bordering the River Nile caused by the annual inundations with the flood waters depositing fertile mud giving abundant food sufficient to feed the large transient labour force required to build these huge monuments from Giza, Memphis, Thebes and southwards to Abu Simbel. Keywords: Egypt, Luxor, West, Bank, River, Nile, Theban, hills, holiday, travel, tourism, cruise, history, archaeology, Egyptology, temples, tombs, agriculture, Egyptians, farmers, farming, fields, mud, fertile, fertilisers, water, irrigation, crops, maize, corn, sugar, cane, donkey, palm, trees, dates, vegetables, green, brown, tractors, ploughing, coach, taxi, dusty, roads, electricity, poles, telephone, lines, New, Qurna, landscape, Fuji, S3, DSLR, 2005

Egypt > Luxor Nobles Tombs (27 files)

Photographs in this gallery are of the various Tombs of the Nobles on the West Bank if the Nile at Luxor in the area called Qurnet Murai
Luxor Nakht Tomb EG00679jhp Egyptian Luxor Tombs Nobles Nakht grapes fish ducks food preparing Tomb Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00678jhp Egypt ancient food Nakht grapes figs fish ducks baskets food feast pile Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00677jhp Egypt Luxor Astronomer Nakht honey wine food feast colours wall painting Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00676jhp Egyptian Luxor Tombs Nobles Nakht female harp player Tomb painted Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, musicians, women, flute, lute, harp, naked, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00675jhp Egyptian Luxor Tomb Noble Nakht food feast Tomb Colour Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00674jhp Egypt Luxor Nakht Tomb women servant lotus flower Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00673jhp Egypt Luxor Tombs Nobles Nakht women musicians naked Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, musicians, women, flute, lute, harp, naked, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00672jhp Egypt Luxor Tombs Nobles Nakht grapes food feast pile Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006714jhp Egypt Luxor Nakht Tomb tree Goddess Hathor food feast papyrus Colours Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006713jhp Egypt Luxor Tombs Nobles Nakht grapes wine making workmen Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006712jhp Egypt Luxor Tomb Noble Nakht grapes treading wine fowls workers Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006730jhp Egyptian Thebes Tombs Nobles Menna Marshland scene boat fishing fish water is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG9410023jhp Egypt Luxor Menna Wife Banquet eye damage food details Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 as this photo records and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji RDP 100asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 1994, Fuji, RDP, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006733jhp Egypt Luxor Tombs Nobles Menna colourful wine lotus flowers Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006732jhp Egypt Luxor Tomb Noble Menna marshland ducks ibis food hunting Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006731jhp Egyptian Luxor Noble Menna marshland fishing nets fish colours details Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006729jhp Egypt Luxor Tomb Mena herding Isis Horus mother unusual Anubis cattle Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. This depiction of the Goddess which I believe is Isis is very unusual with Horus on her head and I have not been able to find it elsewhere shown in my reference books or on the Internet. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006728jhp Egypt Thebes Noble Menna Scribe cattle Isis Horus ankh Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006727jhp Egypt Luxor Tombs Nobles Menna Banquet Wall covering colourful Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006726jhp Egyptian Luxor Tomb Noble Menna Scribe Royal Tomb Reliefs walls room is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006725jhp Egypt Luxor Tomb Noble Menna Wife Banquet scene Scribe Royal Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006724jhp Egypt Luxor Tombs Nobles Menna Scribe harvest farming scenes painted is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006723jhp Egypt Thebes Tomb Noble Mena Osiris seated colourful Relief God offering is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006722jhp Egypt Luxor Noble Menna Wife offering Osiris God food Scribe Royal Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006721jhp Egypt Luxor Menna Tomb Osiris Offering scenes Room ceiling walls is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006720jhp Egypt Luxor Tombs Nobles Menna Scribe Royal banquet eyes missing colors is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006719jhp Egypt Luxor Tombs Nobles Menna Mena Scribe offering table colours details Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm

Egypt > Outlying Pyramids (1 file)

Pictures of pyramids and scenery related to them outwith the main sites of Giza and Saqqara such as Abusir, Dashur, El Lisht, Meydum and Hawara
Abu Ghurab Pyramid Causeway EG02AA16JHP Egyptian Abu Ghurab Pyramid Backdrop Modern Local Custodians Egyptians having a chat in the final approach from the causeway to the Sun Temple of Nyuserre at Abu Ghurab located south of Cairo. No model release is required for this if used for editorial or guidebook use. Keywords: Egypt, Egyptian, Abu Ghurab, Abu Ghurob, pyramid, Sun-Temple, Nyuserre, benben, causeway, custodians, Egyptians, locals, alabaster, altar, Hetep, four-sided, ruined, collapsed, landscape, Egyptology, archaeology, ancient, soft, erosion, limestone, deity, causeway, buried, pharaoh, royal, blocks, afterlife, celestial, religion, beliefs, death, burial, history, desert, hazy, light

Egypt > Saqqara & Memphis (3 files)

This gallery contains pictures of the two main sites usually visited together on a day trip south of Cairo - Saqqara with the famous Step Pyramid, a huge necropolis with many tombs and other pyramids and Memphis, the ancient capital of Egypt now will an open air museum with the alabaster sphinx and the huge partial statue of Ramasses 11.
Saqqara Unas Causeway EG051153jhp Saqqarah Unis Causeway low floor walk Pyramid floor limestone Egypt is this ground level view of the restored walkway from the Pyramid of Unas near the Step Pyramid and which slopes down to the Valley Temple first seen as visitors arrive at this major complex near Memphis. Recent archaeological work has discovered tombs near the causeway such as that of the Two Brothers and the New Kingdom cemetery uncovered by the Leiden Dutch work while many other undiscovered or partially excavated ones lie alongside the causeway as do boat pits. Keywords: Egypt, Egyptian, Saqqarah, Saqqara, Memphis, Bedrashein, necropolis, Unas, Unis, Wenis, pyramid, causeway, valley, temple, mortuary, upright, low, level, ground, limestone, granite, gate, digital, recent, history, antiquity, Egyptology, archaeology, ancient, history, desert, sand, boat, pits
Saqqara Unas Causeway EG051152jhp Saqqara Unas Causeway low floor walk Pyramid Gate ancient Egyptian is this ground level view of the restored walkway from the Pyramid of Unas near the Step Pyramid and which slopes down to the Valley Temple first seen as visitors arrive at this major complex near Memphis. Recent archaeological work has discovered tombs near the causeway such as that of the Two Brothers and the New Kingdom cemetery uncovered by the Leiden Dutch work while many other undiscovered or partially excavated ones lie alongside the causeway as do boat pits. Keywords: Egypt, Egyptian, Saqqarah, Saqqara, Memphis, Bedrashein, necropolis, Unas, Unis, Wenis, pyramid, causeway, valley, temple, landscape, sandstone, granite, gate, digital, recent, history, antiquity, Egyptology, archaeology, ancient, history, desert, sand, boat, pits
Saqqara Unas Causeway EG051146jhp Saqqara Unas Unis Wenis Causeway Pyramid Granite Gateway ancient Egypt last section view of the restored walkway to the Pyramid of Unas near the Step Pyramid and which slopes up from the Valley Temple first seen as visitors arrive at this major complex near Memphis. Recent archaeological work has discovered tombs near the causeway such as that of the Two Brothers and the New Kingdom cemetery uncovered by the Leiden Dutch work while many other undiscovered or partially excavated ones lie alongside the causeway as do boat pits. Keywords: Egypt, Egyptian, Saqqarah, Saqqara, Memphis, Bedrashein, necropolis, Unas, Unis, Wenis, pyramid, causeway, valley, temple, landscape, limestone, slabs, stone, granite, sarcophagus, gate, gatway, mortuary, digital, recent, history, antiquity, Egyptology, archaeology, ancient, history, desert, sand, boat, pits

Scotland > Aberdeenshire (8 files)

This gallery includes rural, scenic and landscape subjects of the Shire, including Kincardineshire, Mearns, Garioch, Buchan Strathbogie and Mar.
Cairn Snow Fence bnm3011jhp Cairn Wooden Fence road Scotland spring eroded shiny moorland Aberdeenshire taken by roadside between Banchory on Royal Deeside and Fettercairn in the Mearns areas of Aberdeenshire in North East Scotland and near the summit of the hill called Cairn O'Mount looking northwards to Clachnaben with its distinctive tor and towards Royal Deeside past roadside snow fences showing a beautiful quality with an almost satin finish caused by years of sunshine, wind, rain, ice and snow erosion and maybe helped by passing wasps getting wood pulp for their nests. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, northwards, Kincardineshire, Clachnaben, Glen, Dye, Cairn, O'Mount, snow, fences, eroded, weathered, hills, landscape, spring, moorland, grass, walking, granite, boulders, lichen, heather, May, 2016, Nikon, camera, DSLR, D700, digital, photograph
Cairn Snow Fence bnm3010jhp Spring Cairn O'Mount Wooden Fence Scotland eroded pitted satin moorland Clachnaben eroded taken by roadside between Banchory on Royal Deeside and Fettercairn in the Mearns areas of Aberdeenshire in North East Scotland and near the summit of the hill called Cairn O'Mount looking northwards to Clachnaben with its distinctive tor and towards Royal Deeside past roadside snow fences showing a beautiful quality with an almost satin finish caused by years of sunshine, wind, rain, ice and snow erosion and maybe helped by passing wasps getting wood pulp for their nests. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, northwards, Kincardineshire, Clachnaben, Glen, Dye, Cairn, O'Mount, snow, fences, eroded, weathered, hills, landscape, spring, moorland, grass, walking, granite, boulders, lichen, heather, May, 2016, Nikon, camera, DSLR, D700, digital, photograph
Cairn Snow Fence bnm3009jhp Spring Cairn O'Mount Wooden Fence Scotland eroded Clachnaben hills moorland Clachnaben eroded taken by roadside between Banchory on Royal Deeside and Fettercairn in the Mearns areas of Aberdeenshire in North East Scotland and near the summit of the hill called Cairn O'Mount looking northwards to Clachnaben with its distinctive tor and towards Royal Deeside past roadside snow fences showing a beautiful quality with an almost satin finish caused by years of sunshine, wind, rain, ice and snow erosion and maybe helped by passing wasps getting wood pulp for their nests. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, northwards, Kincardineshire, Clachnaben, Glen, Dye, Cairn, O'Mount, snow, fences, eroded, weathered, hills, landscape, spring, moorland, grass, walking, granite, boulders, lichen, heather, May, 2016, Nikon, camera, DSLR, D700, digital, photograph
Cairn Snow Fence bnm3007jhp Cairn O'Mount Wooden Fence Scottish eroded Clachnaben hill shiny moorland May taken by roadside between Banchory on Royal Deeside and Fettercairn in the Mearns areas of Aberdeenshire in North East Scotland and near the summit of the hill called Cairn O'Mount looking northwards to Clachnaben with its distinctive tor and towards Royal Deeside past roadside snow fences showing a beautiful quality with an almost satin finish caused by years of sunshine, wind, rain, ice and snow erosion and maybe helped by passing wasps getting wood pulp for their nests. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, northwards, Kincardineshire, Clachnaben, Glen, Dye, Cairn, O'Mount, snow, fences, eroded, weathered, hills, landscape, upright, spring, moorland, grass, walking, granite, boulders, lichen, heather, May, 2016, Nikon, camera, DSLR, D700, digital, photograph
Cairn Snow Fence bnm3006jhp Cairn Wooden Fence post Scottish spring eroded Clachnaben hill shiny moorland taken by roadside between Banchory on Royal Deeside and Fettercairn in the Mearns areas of Aberdeenshire in North East Scotland and near the summit of the hill called Cairn O'Mount looking northwards to Clachnaben with its distinctive tor and towards Royal Deeside past roadside snow fences showing a beautiful quality with an almost satin finish caused by years of sunshine, wind, rain, ice and snow erosion and maybe helped by passing wasps getting wood pulp for their nests. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, northwards, Kincardineshire, Clachnaben, Glen, Dye, Cairn, O'Mount, snow, fences, eroded, weathered, hills, landscape, spring, moorland, grass, walking, granite, boulders, lichen, heather, May, 2016, Nikon, camera, DSLR, D700, digital, photograph
Cairn Boulders bnm3004jhp Cairn O'Mount Scottish Aberdeenshire moorland granite boulders lichen heather taken in a gully near the roadside between Banchory on Royal Deeside and Fettercairn in the Mearns areas of Aberdeenshire in North East Scotland near the summit of the hill called Cairn O'Mount looking northwards to Clachnaben with its distinctive tor and towards Royal Deeside past roadside snow fences showing a beautiful quality with an almost satin finish caused by years of sunshine, wind, rain, ice and snow erosion and maybe helped by passing wasps getting wood pulp for their nests. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, northwards, Kincardineshire, Clachnaben, Glen, Dye, Cairn, O'Mount, snow, fences, eroded, weathered, hills, landscape, upright, spring, moorland, grass, walking, granite, boulders, lichen, heather, May, 2016, Nikon, camera, DSLR, D700, digital, photograph
Cairn Boulders bnm3003jhp Spring Cairn O'Mount Scotland Aberdeenshire moorland granite boulders heather taken in a gully near the roadside between Banchory on Royal Deeside and Fettercairn in the Mearns areas of Aberdeenshire in North East Scotland near the summit of the hill called Cairn O'Mount looking northwards to Clachnaben with its distinctive tor and towards Royal Deeside past roadside snow fences showing a beautiful quality with an almost satin finish caused by years of sunshine, wind, rain, ice and snow erosion and maybe helped by passing wasps getting wood pulp for their nests. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, northwards, Kincardineshire, Clachnaben, Glen, Dye, Cairn, O'Mount, snow, fences, eroded, weathered, hills, landscape, spring, moorland, grass, walking, granite, boulders, lichen, heather, May, 2016, Nikon, camera, DSLR, D700, digital, photograph
Cairn O Mount Heather fgh2190jhp Cairn O’Mount Aberdeenshire heather hills rocky forest plantations summer Scottish estate taken from the roadside on this busy and popular road from Banchory on Royal Deeside near the summit of the Cairn O’Mount hill before descending past the Clatterin Brig to Fettercairn, the Mearns and main route south to Dundee and Perth. Clachnaben is the distinctive hill with its prominent tor outcrop of rock is visible from much of lower Deeside and overlooking the road winding through the larch forest of Glen Dye Estate before reaching the single track Spital Bridge the bane of many a lorry and coach drivers life. The photograph shows young new plantations to north which caused much controversy at the time of planting becuase of the possible destruction of the habitat of wildlife especially hen harriers. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Banchory, Fettercairn, Mearns, Royal, Deeside, Glen, Dye, Clachnaben, hill, landscape, rocks, Spital, Cairn, O'Mount, road, heather, purple, bell, summer, snow, fences, wooden, weathered, estate, moorland, forest, new, planting, plantations, controversy, harriers, owls, shooting, grouse, summer, wildlife, countryside, rural, nature, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, floral, flowers, grass, walking, conservation, green, blue, sky, wild

Scotland > Clouds, Sunsets, Dawns and Weather (8 files)

The gallery has images of weather related subjects from clouds to dawns and sunrises, NLC or noctilucent clouds nights, moon to sun rings, rainbows, double rainbows, meteors, shooting stars, Perseids. The range of clouds includes cirrus, storm clouds, white puffy fair weather clouds, monster cloud formations, haar, sun beams, lenticular, mama, a wide range of different meteorological structures and types.
Nacreous-Clouds-wsc7016jhp Scottish Nacreous clouds North roof Deeside Aberdeenshire beautiful colours PSCs rare winter event taken on the afternoon of 24th December, 2023 at Crooktree, 25 miles west of Aberdeen, at 16.02hrsUT and was discovered by accident during extremely strong gusty winds looking Northwards over the roof. These iridescent clouds are high altitude cirriform lenticular polar stratospheric, type 11 events, a rare winter sighting caused by twilight sunlight diffracted off ice crystals or water droplets with nitric or sulphuric acid content; sometimes called Mother of Pearl clouds because of the nature of the colour effect. This photograph was taken with a Nikon D700 full frame DSLR using a 28-300mm AF-S Nikkor ED zoom lens at f11 aperture, 28mm focal length, 1600 ISO with exposure of 1/13th second. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, village, nacreous, clouds, PSCs, polar, stratospheric, stratosphere, cirriform, Type 11, nitric, sulphuric, acid, lenticular, wave, iridescent, iridescence, mother of pearl, colours, water, droplets, ice, crystals, very high, altitude, wind, evening, sky, gas, molecules, colourful, colorful, colours, colors, evening, winter, December, 2023, D700, Nikon, DSLR, Nikkor, 28-300mm, zoom, lens, digital, tripod, windy, gusting, house, roof, forest, trees, swaying, blowing, photo, photos, photography, photograph, upright
Nacreous-Cloud-wsc7012jhp Scotland Nacreous cloud West Deeside Aberdeenshire beautiful colours PSCs rare winter event taken on the afternoon of 24th December, 2023 at Crooktree, 25 miles west of Aberdeen, at 16.00hrsUT and was discovered by accident during extremely strong gusty winds in the West. These iridescent clouds are high altitude cirriform lenticular polar stratospheric, type 11 events, a rare winter sighting caused by twilight sunlight diffracted off ice crystals or water droplets with nitric or sulphuric acid content; sometimes called Mother of Pearl clouds because of the nature of the colour effect. This photograph was taken with a Nikon D700 full frame DSLR using a 28-300mm AF-S Nikkor ED zoom lens at f11 aperture, 150mm focal length, 1600 ISO with exposure of 1/160th second. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, village, nacreous, clouds, PSCs, polar, stratospheric, stratosphere, cirriform, Type 11, nitric, sulphuric, acid, lenticular, wave, iridescent, iridescence, mother of pearl, colours, water, droplets, ice, crystals, very high, altitude, wind, evening, sky, gas, molecules, colourful, colorful, colours, colors, evening, winter, December, 2023, D700, Nikon, DSLR, Nikkor, 28-300mm, zoom, lens, digital, tripod, windy, gusting, house, roof, forest, trees, swaying, blowing, photo, photos, photography, photograph, landscape
Nacreous-Clouds-wsc7029jhp British Grampian Nacreous clouds forest West vibrant colourful iridescent PSCs rare winter event taken on the afternoon of 24th December, 2023 at Crooktree, 25 miles west of Aberdeen, at 16.10hrsUT and was discovered by accident during extremely strong gusty winds looking Westwards over Ord Fundlie forest and was the last photo taken. These iridescent clouds are high altitude cirriform lenticular polar stratospheric, type 11 events, a rare winter sighting caused by twilight sunlight diffracted off ice crystals or water droplets with nitric or sulphuric acid content; sometimes called Mother of Pearl clouds because of the nature of the colour effect. This photograph was taken with a Nikon D700 full frame DSLR using a 28-300mm AF-S Nikkor ED zoom lens at f11 aperture, 78mm focal length, 1600 ISO with exposure of 1/25th second. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, village, nacreous, clouds, PSCs, polar, stratospheric, stratosphere, cirriform, Type 11, nitric, sulphuric, acid, lenticular, wave, iridescent, iridescence, mother of pearl, water, droplets, ice, crystals, very high, altitude, wind, evening, sky, gas, molecules, colourful, colorful, colours, colors, pink, bronze, yellow, gold, evening, winter, December, 2023, D700, Nikon, DSLR, Nikkor, 28-300mm, zoom, lens, digital, tripod, windy, gusting, forest, trees, swaying, blowing, photo, photos, photography, photograph, landscape
Nacreous-Clouds-wsc7027jhp Scotland Grampian Nacreous clouds forest West vibrant colourful iridescent PSCs rare winter event taken on the afternoon of 24th December, 2023 at Crooktree, 25 miles west of Aberdeen, at 16.08hrsUT and was discovered by accident during extremely strong gusty winds looking Westwards over Ord Fundlie forest. These iridescent clouds are high altitude cirriform lenticular polar stratospheric, type 11 events, a rare winter sighting caused by twilight sunlight diffracted off ice crystals or water droplets with nitric or sulphuric acid content; sometimes called Mother of Pearl clouds because of the nature of the colour effect. This photograph was taken with a Nikon D700 full frame DSLR using a 28-300mm AF-S Nikkor ED zoom lens at f11 aperture, 56mm focal length, 1600 ISO with exposure of 1/20th second. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, village, nacreous, clouds, PSCs, polar, stratospheric, stratosphere, cirriform, Type 11, nitric, sulphuric, acid, lenticular, wave, iridescent, iridescence, mother of pearl, water, droplets, ice, crystals, very high, altitude, wind, evening, sky, gas, molecules, colourful, colorful, colours, colors, pink, bronze, yellow, gold, evening, winter, December, 2023, D700, Nikon, DSLR, Nikkor, 28-300mm, zoom, lens, digital, tripod, windy, gusting, forest, trees, swaying, blowing, photo, photos, photography, photograph, landscape
Nacreous-Clouds-wsc7023jhp Scottish British Nacreous clouds West Deeside vibrant colourful iridescent PSCs rare winter event taken on the afternoon of 24th December, 2023 at Crooktree, 25 miles west of Aberdeen, at 16.07hrsUT and was discovered by accident during extremely strong gusty winds looking Westwards above Ord Fundlie forest. These iridescent clouds are high altitude cirriform lenticular polar stratospheric, type 11 events, a rare winter sighting caused by twilight sunlight diffracted off ice crystals or water droplets with nitric or sulphuric acid content; sometimes called Mother of Pearl clouds because of the nature of the colour effect. This photograph was taken with a Nikon D700 full frame DSLR using a 28-300mm AF-S Nikkor ED zoom lens at f11 aperture, 112mm focal length, 1600 ISO with exposure of 1/60th second. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, village, nacreous, clouds, PSCs, polar, stratospheric, stratosphere, cirriform, Type 11, nitric, sulphuric, acid, lenticular, wave, iridescent, iridescence, mother of pearl, water, droplets, ice, crystals, very high, altitude, wind, evening, sky, gas, molecules, colourful, colorful, colours, colors, pink, bronze, yellow, gold, evening, winter, December, 2023, D700, Nikon, DSLR, Nikkor, 28-300mm, zoom, lens, digital, tripod, windy, gusting, forest, trees, swaying, blowing, photo, photos, photography, photograph, landscape
Nacreous-Clouds-wsc7021jhp Scotland Nacreous clouds Westwards Deeside beautiful colours iridescent PSCs rare winter event taken on the afternoon of 24th December, 2023 at Crooktree, 25 miles west of Aberdeen, at 16.06hrsUT and was discovered by accident during extremely strong gusty winds looking Westwards. These iridescent clouds are high altitude cirriform lenticular polar stratospheric, type 11 events, a rare winter sighting caused by twilight sunlight diffracted off ice crystals or water droplets with nitric or sulphuric acid content; sometimes called Mother of Pearl clouds because of the nature of the colour effect. This photograph was taken with a Nikon D700 full frame DSLR using a 28-300mm AF-S Nikkor ED zoom lens at f11 aperture, 100mm focal length, 1600 ISO with exposure of 1/8th second. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, village, nacreous, clouds, PSCs, polar, stratospheric, stratosphere, cirriform, Type 11, nitric, sulphuric, acid, lenticular, wave, iridescent, iridescence, mother of pearl, water, droplets, ice, crystals, very high, altitude, wind, evening, sky, gas, molecules, colourful, colorful, colours, colors, pink, bronze, yellow, gold, evening, winter, December, 2023, D700, Nikon, DSLR, Nikkor, 28-300mm, zoom, lens, digital, tripod, windy, gusting, forest, trees, swaying, blowing, photo, photos, photography, photograph, landscape
Nacreous-Clouds-wsc7017jhp Scotland Nacreous clouds Northwards roof Deeside Aberdeenshire beautiful colours PSCs rare winter event taken on the afternoon of 24th December, 2023 at Crooktree, 25 miles west of Aberdeen, at 16.02hrsUT and was discovered by accident during extremely strong gusty winds looking Northwards over the roof. These iridescent clouds are high altitude cirriform lenticular polar stratospheric, type 11 events, a rare winter sighting caused by twilight sunlight diffracted off ice crystals or water droplets with nitric or sulphuric acid content; sometimes called Mother of Pearl clouds because of the nature of the colour effect. This photograph was taken with a Nikon D700 full frame DSLR using a 28-300mm AF-S Nikkor ED zoom lens at f11 aperture, 28mm focal length, 1600 ISO with exposure of 1/10th second. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, village, nacreous, clouds, PSCs, polar, stratospheric, stratosphere, cirriform, Type 11, nitric, sulphuric, acid, lenticular, wave, iridescent, iridescence, mother of pearl, colours, water, droplets, ice, crystals, very high, altitude, wind, evening, sky, gas, molecules, colourful, colorful, colours, colors, evening, winter, December, 2023, D700, Nikon, DSLR, Nikkor, 28-300mm, zoom, lens, digital, tripod, windy, gusting, house, roof, forest, trees, swaying, blowing, photo, photos, photography, photograph, landscape
Perseid Meteor Deeside fgh2781jhp Perseid passing meteor shooting star Scotland Pleiades eastwards Scottish Deeside Aberdeenshire about 25 miles West of Aberdeen on the 13th August, looking in the direction of Torphins with the meteor heading for the Constellation of the Pleiades. Taken at 01.37.33UT [02.37amBST] and looking as if it is dissecting a passing satellite. Taken with Nikon D700 at 1250ISO for 38 secs using 24mm Nikkor f2.8 Manual lens at f2.8. This annual display is caused as the Earth passes through the remnants of a debris field left by the passing of the Comet Swift-Tuttle. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Torphins, east, landscape, Perseid, meteor, shooting, star, Comet, Swift-Tuttle, stars, Pleiades, constellation, night, sky, dark, summer, August, annual, astronomy, astronomical, DSLR, manual, time, exposure

Scotland > Deeside Towns and Villages (17 files)

Photos of the main towns and villages along the River Dee from Banchory westwards to Braemar with villages bordering the north and south sides of the river such as Torphins and Tarland to Strachan on the south.
Ballater Refurbished Station qax2473jhp Ballater Old Station summer sunny finished rebuilt fire destroyed Deeside Scotland Aberdeenshire town which is some 40 miles west of Aberdeen in Aberdeenshire in North East Scotland. These photos taken in June 2018 show the completed reconstruction following the disastrous fire during the week of 10th May 2015 which all but destroyed the wooden building as can be seen in this photograph, including the Waiting Room Museum, the restaurant area, some small businesses although a replica railway carriage as used by Queen Victoria was saved. The original station was opened in 1866 and closed 100 years later in 1966 following the Beeching Cuts. The Station was as far as the Deeside Railway extended from Aberdeen and allowed Queen Victoria easier access to Balmoral Castle than previously travelling overland from Edzell. It was later used by HM Queen Elizabeth on her annual holidays at the Castle until the Station was closed when the railway line was disbanded in 1966. Happily the new station will once more be a central part of the tourist experience in the town. Ballater lies to the north of the River Dee it is a popular tourist centre for visitors travelling the length of this beautiful valley going southwards to Perth, visiting Balmoral Castle or Crathie Kirk or as a stopover before venturing northwards over the Lecht to Inverness. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ballater, town, River, Dee, old, station, wooden, reconstruction, completed, fire, destroyed, destruction, reconstructed, building, work, restored, painted, cream, white, green, restoration, replica, carriage, Victoria, Victorian, tourist, attraction, museum, exhibits, restaurant, information, landscape, summer, square, carpark, centre, Nikon, D700, DSLR, digital, camera, photo, photographs, investigation, cause, sunny, blue, sky, summer, sunshine, wood, metal, June, 2017
Ballater Refurbished Station qax2472jhp Ballater Old Station finished completed rebuilt Royal Deeside Scottish Aberdeenshire town which is some 40 miles west of Aberdeen in Aberdeenshire in North East Scotland. These photos taken in June 2018 show the completed reconstruction following the disastrous fire during the week of 10th May 2015 which all but destroyed the wooden building as can be seen in this photograph, including the Waiting Room Museum, the restaurant area, some small businesses although a replica railway carriage as used by Queen Victoria was saved. The original station was opened in 1866 and closed 100 years later in 1966 following the Beeching Cuts. The Station was as far as the Deeside Railway extended from Aberdeen and allowed Queen Victoria easier access to Balmoral Castle than previously travelling overland from Edzell. It was later used by HM Queen Elizabeth on her annual holidays at the Castle until the Station was closed when the railway line was disbanded in 1966. Happily the new station will once more be a central part of the tourist experience in the town. Ballater lies to the north of the River Dee it is a popular tourist centre for visitors travelling the length of this beautiful valley going southwards to Perth, visiting Balmoral Castle or Crathie Kirk or as a stopover before venturing northwards over the Lecht to Inverness. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ballater, town, River, Dee, old, station, wooden, reconstruction, completed, fire, destroyed, destruction, reconstructed, building, work, restored, painted, cream, white, green, restoration, replica, carriage, Victoria, Victorian, tourist, attraction, museum, exhibits, restaurant, information, landscape, summer, square, carpark, centre, Nikon, D700, DSLR, digital, camera, photo, photographs, investigation, cause, sunny, blue, sky, summer, sunshine, wood, metal, June, 2017, upright
Ballater Refurbished Station qax2471jhp Ballater Old Station wooden painted finished completed rebuilt Deeside Scotland Aberdeenshire town which is some 40 miles west of Aberdeen in Aberdeenshire in North East Scotland. These photos taken in June 2018 show the completed reconstruction following the disastrous fire during the week of 10th May 2015 which all but destroyed the wooden building as can be seen in this photograph, including the Waiting Room Museum, the restaurant area, some small businesses although a replica railway carriage as used by Queen Victoria was saved. The original station was opened in 1866 and closed 100 years later in 1966 following the Beeching Cuts. The Station was as far as the Deeside Railway extended from Aberdeen and allowed Queen Victoria easier access to Balmoral Castle than previously travelling overland from Edzell. It was later used by HM Queen Elizabeth on her annual holidays at the Castle until the Station was closed when the railway line was disbanded in 1966. Happily the new station will once more be a central part of the tourist experience in the town. Ballater lies to the north of the River Dee it is a popular tourist centre for visitors travelling the length of this beautiful valley going southwards to Perth, visiting Balmoral Castle or Crathie Kirk or as a stopover before venturing northwards over the Lecht to Inverness. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ballater, town, River, Dee, old, station, wooden, reconstruction, completed, fire, destroyed, destruction, reconstructed, building, work, restored, painted, cream, white, green, restoration, replica, carriage, Victoria, Victorian, tourist, attraction, museum, exhibits, restaurant, information, landscape, summer, square, carpark, centre, Nikon, D700, DSLR, digital, camera, photo, photographs, investigation, cause, sunny, blue, sky, summer, sunshine, wood, metal, June, 2017
Ballater Refurbished Station qax2468jhp Ballater Station wooden painted finished completed rebuilt summer Deeside Scotland Aberdeenshire town which is some 40 miles west of Aberdeen in Aberdeenshire in North East Scotland. These photos taken in June 2018 show the completed reconstruction following the disastrous fire during the week of 10th May 2015 which all but destroyed the wooden building as can be seen in this photograph, including the Waiting Room Museum, the restaurant area, some small businesses although a replica railway carriage as used by Queen Victoria was saved. The original station was opened in 1866 and closed 100 years later in 1966 following the Beeching Cuts. The Station was as far as the Deeside Railway extended from Aberdeen and allowed Queen Victoria easier access to Balmoral Castle than previously travelling overland from Edzell. It was later used by HM Queen Elizabeth on her annual holidays at the Castle until the Station was closed when the railway line was disbanded in 1966. Happily the new station will once more be a central part of the tourist experience in the town. Ballater lies to the north of the River Dee it is a popular tourist centre for visitors travelling the length of this beautiful valley going southwards to Perth, visiting Balmoral Castle or Crathie Kirk or as a stopover before venturing northwards over the Lecht to Inverness. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ballater, town, River, Dee, old, station, wooden, reconstruction, completed, fire, destroyed, destruction, reconstructed, building, work, restored, painted, cream, white, green, restoration, replica, carriage, Victoria, Victorian, tourist, attraction, museum, exhibits, restaurant, information, landscape, summer, square, carpark, centre, Nikon, D700, DSLR, digital, camera, photo, photographs, investigation, cause, sunny, blue, sky, summer, sunshine, wood, metal, June, 2017
Ballater Refurbished Station qax2467jhp Ballater Old Station finished new front rebuilt Royal Deeside Scottish summer Aberdeenshire town which is some 40 miles west of Aberdeen in Aberdeenshire in North East Scotland. These photos taken in June 2018 show the completed reconstruction following the disastrous fire during the week of 10th May 2015 which all but destroyed the wooden building as can be seen in this photograph, including the Waiting Room Museum, the restaurant area, some small businesses although a replica railway carriage as used by Queen Victoria was saved. The original station was opened in 1866 and closed 100 years later in 1966 following the Beeching Cuts. The Station was as far as the Deeside Railway extended from Aberdeen and allowed Queen Victoria easier access to Balmoral Castle than previously travelling overland from Edzell. It was later used by HM Queen Elizabeth on her annual holidays at the Castle until the Station was closed when the railway line was disbanded in 1966. Happily the new station will once more be a central part of the tourist experience in the town. Ballater lies to the north of the River Dee it is a popular tourist centre for visitors travelling the length of this beautiful valley going southwards to Perth, visiting Balmoral Castle or Crathie Kirk or as a stopover before venturing northwards over the Lecht to Inverness. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ballater, town, River, Dee, old, station, wooden, reconstruction, completed, fire, destroyed, destruction, reconstructed, building, work, restored, painted, cream, white, green, restoration, replica, carriage, Victoria, Victorian, tourist, attraction, museum, exhibits, restaurant, information, landscape, summer, square, carpark, centre, Nikon, D700, DSLR, digital, camera, photo, photographs, investigation, cause, sunny, blue, sky, summer, sunshine, wood, metal, June, 2017
Ballater Station bnm9356jhp Ballater Station Fire reconstruction restoration hoardings Royal Deeside Scottish Aberdeenshire town which is some 40 miles west of Aberdeen in Aberdeenshire in North East Scotland. These photos show the reconstruction is well underway following the disastrous fire during the week of 10th May 2015 which all but destroyed the wooden building as can be seen in this photograph, including the Waiting Room Museum, the restaurant area, some small businesses although a replica railway carriage as used by Queen Victoria was saved. The original station was opened in 1866 and closed 100 years later in 1966 following the Beeching Cuts. The Station was as far as the Deeside Railway extended from Aberdeen and allowed Queen Victoria easier access to Balmoral Castle than previously travelling overland from Edzell. It was later used by HM Queen Elizabeth on her annual holidays at the Castle until the Station was closed when the railway line was disbanded in 1966. Happily the new station will once more be a central part of the tourist experience in the town. Ballater lies to the north of the River Dee it is a popular tourist centre for visitors travelling the length of this beautiful valley going southwards to Perth, visiting Balmoral Castle or Crathie Kirk or as a stopover before venturing northwards over the Lecht to Inverness. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ballater, town, River, Dee, old, station, wooden, fire, destroyed, destruction, sad, loss, reconstruction, building, work, restored, restoration, replica, carriage, Victoria, Victorian, tourist, attraction, museum, exhibits, restaurant, information, landscape, summer, square, carpark, flower, beds, centre, Nikon, D700, DSLR, digital, camera, photo, photographs, investigation, cause, sunny, blue, sky, spring, sunshine, burnt, wood, metal, firemen, demolition, Beeching, cuts, closed, August, 2017
Ballater Station bnm9355jhp Ballater Station reconstruction summer Deeside Scotland new build Aberdeenshire town which is some 40 miles west of Aberdeen in Aberdeenshire in North East Scotland. These photos show the reconstruction is well underway following the disastrous fire during the week of 10th May 2015 which all but destroyed the wooden building as can be seen in this photograph, including the Waiting Room Museum, the restaurant area, some small businesses although a replica railway carriage as used by Queen Victoria was saved. The original station was opened in 1866 and closed 100 years later in 1966 following the Beeching Cuts. The Station was as far as the Deeside Railway extended from Aberdeen and allowed Queen Victoria easier access to Balmoral Castle than previously travelling overland from Edzell. It was later used by HM Queen Elizabeth on her annual holidays at the Castle until the Station was closed when the railway line was disbanded in 1966. Happily the new station will once more be a central part of the tourist experience in the town. Ballater lies to the north of the River Dee it is a popular tourist centre for visitors travelling the length of this beautiful valley going southwards to Perth, visiting Balmoral Castle or Crathie Kirk or as a stopover before venturing northwards over the Lecht to Inverness. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ballater, town, River, Dee, old, station, wooden, fire, destroyed, destruction, sad, loss, reconstruction, building, work, restored, restoration, replica, carriage, Victoria, Victorian, tourist, attraction, museum, exhibits, restaurant, information, landscape, summer, square, carpark, flower, beds, centre, Nikon, D700, DSLR, digital, camera, photo, photographs, investigation, cause, sunny, blue, sky, spring, sunshine, burnt, wood, metal, firemen, demolition, Beeching, cuts, closed, August, 2017
Ballater Station bnm9354jhp Ballater Old Station Fire reconstruction road view Royal Deeside Scottish Aberdeenshire town which is some 40 miles west of Aberdeen in Aberdeenshire in North East Scotland. These photos show the reconstruction is well underway following the disastrous fire during the week of 10th May 2015 which all but destroyed the wooden building as can be seen in this photograph, including the Waiting Room Museum, the restaurant area, some small businesses although a replica railway carriage as used by Queen Victoria was saved. The original station was opened in 1866 and closed 100 years later in 1966 following the Beeching Cuts. The Station was as far as the Deeside Railway extended from Aberdeen and allowed Queen Victoria easier access to Balmoral Castle than previously travelling overland from Edzell. It was later used by HM Queen Elizabeth on her annual holidays at the Castle until the Station was closed when the railway line was disbanded in 1966. Happily the new station will once more be a central part of the tourist experience in the town. Ballater lies to the north of the River Dee it is a popular tourist centre for visitors travelling the length of this beautiful valley going southwards to Perth, visiting Balmoral Castle or Crathie Kirk or as a stopover before venturing northwards over the Lecht to Inverness. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ballater, town, River, Dee, old, station, wooden, fire, destroyed, destruction, sad, loss, reconstruction, building, work, restored, restoration, replica, carriage, Victoria, Victorian, tourist, attraction, museum, exhibits, restaurant, information, landscape, summer, square, carpark, flower, beds, centre, Nikon, D700, DSLR, digital, camera, photo, photographs, investigation, cause, sunny, blue, sky, spring, sunshine, burnt, wood, metal, firemen, demolition, Beeching, cuts, closed, August, 2017
Ballater Station Fire xcv7896jhp Ballater Station Fire damaged least east wooden Deeside Scotland Aberdeenshire town some 40 miles west of Aberdeen in Aberdeenshire in North East Scotland. The station was opened in 1866 and closed 100 years later in 1966 following the Beeching Cuts. The Station was as far as the Deeside Railway extended from Aberdeen and allowed Queen Victoria easier access to Balmoral Castle than previously travelling overland from Edzell. It was later used by HM Queen Elizabeth on her annual holidays at the Castle until the Station was closed when the railway line was disbanded in 1966. Unfortunately during the week of 10th May 2015 a fire has all but destroyed the wooden building as can be seen in this photograph, including the Waiting Room Museum, the restaurant area, some small businesses although a replica railway carriage as used by Queen Victoria was saved. The future of the station is uncertain but as a central part of the tourist experience in the town it will be a major loss. Ballater lies to the north of the River Dee it is a popular tourist centre for visitors travelling the length of this beautiful valley going southwards to Perth, visiting Balmoral Castle or Crathie Kirk or as a stopover before venturing northwards over the Lecht to Inverness. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ballater, town, River, Dee, old, station, wooden, fire, destroyed, destruction, sad, loss, replica, carriage, Victoria, Victorian, tourist, attraction, museum, exhibits, restaurant, information, landscape, summer, square, carpark, flower, beds, centre, May, 2015, Nikon, D700, digital, camera, photo, photographs, investigation, cause, sunny, blue, sky, spring, sunshine, burnt, wood, metal, firemen, demolition, Beeching, cuts, closed
Ballater Station Fire xcv7895jhp Ballater Old Station main entrance Fire destruction Royal Deeside Scottish Aberdeenshire town some 40 miles west of Aberdeen in Aberdeenshire in North East Scotland. The station was opened in 1866 and closed 100 years later in 1966 following the Beeching Cuts. The Station was as far as the Deeside Railway extended from Aberdeen and allowed Queen Victoria easier access to Balmoral Castle than previously travelling overland from Edzell. It was later used by HM Queen Elizabeth on her annual holidays at the Castle until the Station was closed when the railway line was disbanded in 1966. Unfortunately during the week of 10th May 2015 a fire has all but destroyed the wooden building as can be seen in this photograph, including the Waiting Room Museum, the restaurant area, some small businesses although a replica railway carriage as used by Queen Victoria was saved. The future of the station is uncertain but as a central part of the tourist experience in the town it will be a major loss. Ballater lies to the north of the River Dee it is a popular tourist centre for visitors travelling the length of this beautiful valley going southwards to Perth, visiting Balmoral Castle or Crathie Kirk or as a stopover before venturing northwards over the Lecht to Inverness. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ballater, town, River, Dee, old, station, wooden, fire, destroyed, destruction, sad, loss, replica, carriage, Victoria, Victorian, tourist, attraction, museum, exhibits, restaurant, information, landscape, summer, square, carpark, flower, beds, centre, May, 2015, Nikon, D700, digital, camera, photo, photographs, investigation, cause, sunny, blue, sky, spring, sunshine, burnt, wood, metal, firemen, demolition, Beeching, cuts, closed
Ballater Station Fire xcv7894jhp Ballater Station Fire arch intact damage front Royal Deeside Scotland Aberdeenshire town some 40 miles west of Aberdeen in Aberdeenshire in North East Scotland. The station was opened in 1866 and closed 100 years later in 1966 following the Beeching Cuts. The Station was as far as the Deeside Railway extended from Aberdeen and allowed Queen Victoria easier access to Balmoral Castle than previously travelling overland from Edzell. It was later used by HM Queen Elizabeth on her annual holidays at the Castle until the Station was closed when the railway line was disbanded in 1966. Unfortunately during the week of 10th May 2015 a fire has all but destroyed the wooden building as can be seen in this photograph, including the Waiting Room Museum, the restaurant area, some small businesses although a replica railway carriage as used by Queen Victoria was saved. The future of the station is uncertain but as a central part of the tourist experience in the town it will be a major loss. Ballater lies to the north of the River Dee it is a popular tourist centre for visitors travelling the length of this beautiful valley going southwards to Perth, visiting Balmoral Castle or Crathie Kirk or as a stopover before venturing northwards over the Lecht to Inverness. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ballater, town, River, Dee, old, station, wooden, fire, destroyed, destruction, sad, loss, replica, carriage, Victoria, Victorian, tourist, attraction, museum, exhibits, restaurant, information, landscape, summer, square, carpark, flower, beds, centre, May, 2015, Nikon, D700, digital, camera, photo, photographs, investigation, cause, sunny, blue, sky, spring, sunshine, burnt, wood, metal, firemen, demolition, Beeching, cuts, closed
Ballater Station Fire xcv7893jhp Ballater Old Station Fire total destruction burnt Deeside Scottish Aberdeenshire town some 40 miles west of Aberdeen in Aberdeenshire in North East Scotland. The station was opened in 1866 and closed 100 years later in 1966 following the Beeching Cuts. The Station was as far as the Deeside Railway extended from Aberdeen and allowed Queen Victoria easier access to Balmoral Castle than previously travelling overland from Edzell. It was later used by HM Queen Elizabeth on her annual holidays at the Castle until the Station was closed when the railway line was disbanded in 1966. Unfortunately during the week of 10th May 2015 a fire has all but destroyed the wooden building as can be seen in this photograph, including the Waiting Room Museum, the restaurant area, some small businesses although a replica railway carriage as used by Queen Victoria was saved. The future of the station is uncertain but as a central part of the tourist experience in the town it will be a major loss. Ballater lies to the north of the River Dee it is a popular tourist centre for visitors travelling the length of this beautiful valley going southwards to Perth, visiting Balmoral Castle or Crathie Kirk or as a stopover before venturing northwards over the Lecht to Inverness. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ballater, town, River, Dee, old, station, wooden, fire, destroyed, destruction, sad, loss, replica, carriage, Victoria, Victorian, tourist, attraction, museum, exhibits, restaurant, information, landscape, summer, square, carpark, flower, beds, centre, May, 2015, Nikon, D700, digital, camera, photo, photographs, investigation, cause, sunny, blue, sky, spring, sunshine, burnt, wood, metal, firemen, demolition, Beeching, cuts, closed
Ballater Station Fire xcv7892jhp Ballater Old Station wooden shell fire destroyed May 2015 Royal Deeside Scottish Aberdeenshire town some 40 miles west of Aberdeen in Aberdeenshire in North East Scotland. The station was opened in 1866 and closed 100 years later in 1966 following the Beeching Cuts. The Station was as far as the Deeside Railway extended from Aberdeen and allowed Queen Victoria easier access to Balmoral Castle than previously travelling overland from Edzell. It was later used by HM Queen Elizabeth on her annual holidays at the Castle until the Station was closed when the railway line was disbanded in 1966. Unfortunately during the week of 10th May 2015 a fire has all but destroyed the wooden building as can be seen in this photograph, including the Waiting Room Museum, the restaurant area, some small businesses although a replica railway carriage as used by Queen Victoria was saved. The future of the station is uncertain but as a central part of the tourist experience in the town it will be a major loss. Ballater lies to the north of the River Dee it is a popular tourist centre for visitors travelling the length of this beautiful valley going southwards to Perth, visiting Balmoral Castle or Crathie Kirk or as a stopover before venturing northwards over the Lecht to Inverness. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ballater, town, River, Dee, old, station, wooden, fire, destroyed, destruction, sad, loss, replica, carriage, Victoria, Victorian, tourist, attraction, museum, exhibits, restaurant, information, landscape, summer, square, carpark, flower, beds, centre, May, 2015, Nikon, D700, digital, camera, photo, photographs, investigation, cause, sunny, blue, sky, spring, sunshine, burnt, wood, metal, firemen, demolition, Beeching, cuts, closed, Craigendarroch, hill, shell
Ballater Station Fire xcv7891jhp Ballater Old Station Fire total destruction frontage Deeside Scotland Aberdeenshire town some 40 miles west of Aberdeen in Aberdeenshire in North East Scotland. The station was opened in 1866 and closed 100 years later in 1966 following the Beeching Cuts. The Station was as far as the Deeside Railway extended from Aberdeen and allowed Queen Victoria easier access to Balmoral Castle than previously travelling overland from Edzell. It was later used by HM Queen Elizabeth on her annual holidays at the Castle until the Station was closed when the railway line was disbanded in 1966. Unfortunately during the week of 10th May 2015 a fire has all but destroyed the wooden building as can be seen in this photograph, including the Waiting Room Museum, the restaurant area, some small businesses although a replica railway carriage as used by Queen Victoria was saved. The future of the station is uncertain but as a central part of the tourist experience in the town it will be a major loss. Ballater lies to the north of the River Dee it is a popular tourist centre for visitors travelling the length of this beautiful valley going southwards to Perth, visiting Balmoral Castle or Crathie Kirk or as a stopover before venturing northwards over the Lecht to Inverness. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ballater, town, River, Dee, old, station, wooden, fire, destroyed, destruction, sad, loss, replica, carriage, Victoria, Victorian, tourist, attraction, museum, exhibits, restaurant, information, landscape, summer, square, carpark, flower, beds, centre, May, 2015, Nikon, D700, digital, camera, photo, photographs, investigation, cause, sunny, blue, sky, spring, sunshine, burnt, wood, metal, firemen, demolition, Beeching, cuts, closed
Ballater Station Fire xcv7890jhp Ballater Station Fire destroyed source kitchen carriage Royal Deeside Scottish Aberdeenshire town some 40 miles west of Aberdeen in Aberdeenshire in North East Scotland. The station was opened in 1866 and closed 100 years later in 1966 following the Beeching Cuts. The Station was as far as the Deeside Railway extended from Aberdeen and allowed Queen Victoria easier access to Balmoral Castle than previously travelling overland from Edzell. It was later used by HM Queen Elizabeth on her annual holidays at the Castle until the Station was closed when the railway line was disbanded in 1966. Unfortunately during the week of 10th May 2015 a fire has all but destroyed the wooden building as can be seen in this photograph, including the Waiting Room Museum, the restaurant area, some small businesses although a replica railway carriage as used by Queen Victoria was saved. The future of the station is uncertain but as a central part of the tourist experience in the town it will be a major loss. Ballater lies to the north of the River Dee it is a popular tourist centre for visitors travelling the length of this beautiful valley going southwards to Perth, visiting Balmoral Castle or Crathie Kirk or as a stopover before venturing northwards over the Lecht to Inverness. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ballater, town, River, Dee, old, station, wooden, fire, destroyed, destruction, sad, loss, replica, carriage, Victoria, Victorian, tourist, attraction, museum, exhibits, restaurant, information, landscape, summer, square, carpark, flower, beds, centre, May, 2015, Nikon, D700, digital, camera, photo, photographs, investigation, cause, sunny, blue, sky, spring, sunshine, burnt, wood, metal, firemen, demolition, Beeching, cuts, closed
Ballater Station Fire xcv7887jhp Ballater Station Fire destruction view street Deeside Scottish town square some 40 miles west of Aberdeen in Aberdeenshire in North East Scotland. The station was opened in 1866 and closed 100 years later in 1966 following the Beeching Cuts. The Station was as far as the Deeside Railway extended from Aberdeen and allowed Queen Victoria easier access to Balmoral Castle than previously travelling overland from Edzell. It was later used by HM Queen Elizabeth on her annual holidays at the Castle until the Station was closed when the railway line was disbanded in 1966. Unfortunately during the week of 10th May 2015 a fire has all but destroyed the wooden building as can be seen in this photograph, including the Waiting Room Museum, the restaurant area, some small businesses although a replica railway carriage as used by Queen Victoria was saved. The future of the station is uncertain but as a central part of the tourist experience in the town it will be a major loss. Ballater lies to the north of the River Dee it is a popular tourist centre for visitors travelling the length of this beautiful valley going southwards to Perth, visiting Balmoral Castle or Crathie Kirk or as a stopover before venturing northwards over the Lecht to Inverness. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ballater, town, River, Dee, old, station, wooden, fire, destroyed, destruction, sad, loss, replica, carriage, Victoria, Victorian, tourist, attraction, museum, exhibits, restaurant, information, landscape, summer, square, carpark, flower, beds, centre, May, 2015, Nikon, D700, digital, camera, photo, photographs, investigation, cause, sunny, blue, sky, spring, sunshine, burnt, wood, metal, firemen, demolition, Beeching, cuts, closed
Ballater Station Fire xcv7886jhp Ballater Station Fire destruction square overview May 2015 Royal Deeside Scottish Aberdeenshire town some 40 miles west of Aberdeen in Aberdeenshire in North East Scotland. The station was opened in 1866 and closed 100 years later in 1966 following the Beeching Cuts. The Station was as far as the Deeside Railway extended from Aberdeen and allowed Queen Victoria easier access to Balmoral Castle than previously travelling overland from Edzell. It was later used by HM Queen Elizabeth on her annual holidays at the Castle until the Station was closed when the railway line was disbanded in 1966. Unfortunately during the week of 10th May 2015 a fire has all but destroyed the wooden building as can be seen in this photograph, including the Waiting Room Museum, the restaurant area, some small businesses although a replica railway carriage as used by Queen Victoria was saved. The future of the station is uncertain but as a central part of the tourist experience in the town it will be a major loss. Ballater lies to the north of the River Dee it is a popular tourist centre for visitors travelling the length of this beautiful valley going southwards to Perth, visiting Balmoral Castle or Crathie Kirk or as a stopover before venturing northwards over the Lecht to Inverness. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ballater, town, River, Dee, old, station, wooden, fire, destroyed, destruction, sad, loss, replica, carriage, Victoria, Victorian, tourist, attraction, museum, exhibits, restaurant, information, landscape, summer, square, carpark, flower, beds, centre, May, 2015, Nikon, D700, digital, camera, photo, photographs, investigation, cause, sunny, blue, sky, spring, sunshine, burnt, wood, metal, firemen, demolition, Beeching, cuts, closed

Scotland > Historic Properties (8 files)

This gallery has photographs of Scottish Castles and Fortresses, Stately Homes and Gardens, old churches or kirks and includes most of the following:
Auchindoir Church; Auchindoun Castle; Balmoral Castle; Balvenie Castle; Bass of Inverurie; Bellabeg Motte; Braemar Castle; Brodie Castle; Castle Fraser; Corgarff Castle; Corrichie Monument; Corse O’Neil Castle; Craigellachie Bridge; Crathes Castle; Crathie Kirk; Dalgetie Castle; Deer Abbey; Drum Castle; Duff House; Duffus Castle; Dunnideer; Dunnottar Castle; Elgin Cathedral; Esslemont Castle; Fasque House; Fetternear House; Findlater; Fordyce; Fyvie Castle; Gairnshiel Bridge; Glenbuchat Castle; Haddo House; Hallforest Castle; Huntly Castle; Inchdrewer Castle; Invercauld Bridge O’Dee; Kildrummy Castle; Kincardine O’Neil Kirk; Kindrochit Castle; Kinloss Abbey; Kinneff Church; Knock Castle; Leith Hall; Mar Lodge; Marnoch Kirkyard; Mid Mar Kirk; Monymusk Kirk; Peel of Lumphanan; Pitmedden Gardens; Pluscarden Priory or Abbey; Ruthven Barracks; Slains Castle; Tolquhon Castle; Tullich Kirk; Fort George;
Crathes Castle June Border 15765jhp Crathes Castle Gardens June Border summer red poppies blue sky white clouds Deeside Aberdeenshire Scotland summer view taken before the borders were relayed borders from 2003-2004, probably the best display of flowers I have seen in the June border over the years. The June Border is the summer jewel of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant. The tower house is one of the finest examples of the period and some of the original wall paintings still survive. At the bottom of the walled garden overlooking the path between the June Borders is a Doocot an attractive feature and useful high point for looking up the June Border with the Castle as its impressive backdrop. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property situated about 15 miles west of Aberdeen and is open to the public all the year round. On a technical note this photo was taken in the years prior to digital photography, when all high end publishing quality photographs were taken using transparency film, in this case Fuji Astia 100asa 120 stock and were scanned in by the publishing house. Submissions of work were made with mounted transparencies being sent to the customer; damage loss could be high. Photographing the June Border with all its flowers required stillness as a polarising filter was used dropping the ASA to 50 or lower which required the camera mounted on a tripod for a cable release exposure often as low as ¼ second. Early morning was best before the heat caused the breeze to start but too early, prior to 9am meant the sun was not on the full face of the Castle. By mid morning visitors had started to arrive, especially the coach tours and the June Border was no longer free of people. Keywords: Scotland, Scottish, Grampian, North, East, Aberdeenshire, Kincardineshire, Royal, Deeside, Crathes, Castle, Banchory, fort, NTS, National, Trust, landscape, Burnett, June, Border, Doocot, garden, gardens, herbaceous, border, borders, summer, flowers, flora, display, lupins, irises, poppies, pyrethrum, lilium, aster, poppy, phlox, red, yellow, pink, mauve, purple, white, orange, croquet, lawn, Camel, historic, history, heritage, colours, colors, masses, colourful, colorful, coloured, colored, peaceful, yew, hedges, topiary, 1998, Fuji, Astia, RAP, transparency, slide, film, chrome, colour, Bronica, 645, medium, format, 40mm, wide, polarised, filter, tripod, cable, release, slow, exposure, still
Crathes Castle June Border 15761jhp Crathes Castle Gardens June Border summer large red poppy closeup Deeside Aberdeenshire Scotland summer view taken before the borders were relayed borders from 2003-2004, probably the best display of flowers I have seen in the June border over the years. The June Border is the summer jewel of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant. The tower house is one of the finest examples of the period and some of the original wall paintings still survive. At the bottom of the walled garden overlooking the path between the June Borders is a Doocot an attractive feature and useful high point for looking up the June Border with the Castle as its impressive backdrop. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property situated about 15 miles west of Aberdeen and is open to the public all the year round. On a technical note this photo was taken in the years prior to digital photography, when all high end publishing quality photographs were taken using transparency film, in this case Fuji Astia 100asa 120 stock and were scanned in by the publishing house. Submissions of work were made with mounted transparencies being sent to the customer; damage loss could be high. Photographing the June Border with all its flowers required stillness as a polarising filter was used dropping the ASA to 50 or lower which required the camera mounted on a tripod for a cable release exposure often as low as ¼ second. Early morning was best before the heat caused the breeze to start but too early, prior to 9am meant the sun was not on the full face of the Castle. By mid morning visitors had started to arrive, especially the coach tours and the June Border was no longer free of people. Keywords: Scotland, Scottish, Grampian, North, East, Aberdeenshire, Kincardineshire, Royal, Deeside, Crathes, Castle, Banchory, fort, NTS, National, Trust, landscape, Burnett, June, Border, Doocot, garden, gardens, herbaceous, border, borders, summer, flowers, flora, display, lupins, irises, poppies, pyrethrum, lilium, aster, poppy, phlox, red, yellow, pink, mauve, purple, white, orange, croquet, lawn, Camel, historic, history, heritage, colours, colors, masses, colourful, colorful, coloured, colored, peaceful, yew, hedges, topiary, 1998, Fuji, Astia, RAP, transparency, slide, film, chrome, colour, Bronica, 645, medium, format, 40mm, wide, polarised, filter, tripod, cable, release, slow, exposure, still, upright
Crathes Castle June Border 15751jhp Crathes Castle Gardens June Border summer sunny colours riot Banchory Deeside Aberdeenshire Scotland summer view taken before the borders were relayed borders from 2003-2004, probably the best display of flowers I have seen in the June border over the years. The June Border is the summer jewel of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant. The tower house is one of the finest examples of the period and some of the original wall paintings still survive. At the bottom of the walled garden overlooking the path between the June Borders is a Doocot an attractive feature and useful high point for looking up the June Border with the Castle as its impressive backdrop. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property situated about 15 miles west of Aberdeen and is open to the public all the year round. On a technical note this photo was taken in the years prior to digital photography, when all high end publishing quality photographs were taken using transparency film, in this case Fuji Astia 100asa 120 stock and were scanned in by the publishing house. Submissions of work were made with mounted transparencies being sent to the customer; damage loss could be high. Photographing the June Border with all its flowers required stillness as a polarising filter was used dropping the ASA to 50 or lower which required the camera mounted on a tripod for a cable release exposure often as low as ¼ second. Early morning was best before the heat caused the breeze to start but too early, prior to 9am meant the sun was not on the full face of the Castle. By mid morning visitors had started to arrive, especially the coach tours and the June Border was no longer free of people. Keywords: Scotland, Scottish, Grampian, North, East, Aberdeenshire, Kincardineshire, Royal, Deeside, Crathes, Castle, Banchory, fort, NTS, National, Trust, landscape, Burnett, June, Border, Doocot, garden, gardens, herbaceous, border, borders, summer, flowers, flora, display, lupins, irises, poppies, pyrethrum, lilium, aster, poppy, phlox, red, yellow, pink, mauve, purple, white, orange, croquet, lawn, Camel, historic, history, heritage, colours, colors, masses, colourful, colorful, coloured, colored, peaceful, yew, hedges, topiary, 1998, Fuji, Astia, RAP, transparency, slide, film, chrome, colour, Bronica, 645, medium, format, 40mm, wide, polarised, filter, tripod, cable, release, slow, exposure, still
Crathes Castle June Border 157512jhp Crathes Castle June Border Scottish summer sunny poppies pink red Deeside Aberdeenshire summer view taken before the borders were relayed borders from 2003-2004, probably the best display of flowers I have seen in the June border over the years. The June Border is the summer jewel of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant. The tower house is one of the finest examples of the period and some of the original wall paintings still survive. At the bottom of the walled garden overlooking the path between the June Borders is a Doocot an attractive feature and useful high point for looking up the June Border with the Castle as its impressive backdrop. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property situated about 15 miles west of Aberdeen and is open to the public all the year round. On a technical note this photo was taken in the years prior to digital photography, when all high end publishing quality photographs were taken using transparency film, in this case Fuji Astia 100asa 120 stock and were scanned in by the publishing house. Submissions of work were made with mounted transparencies being sent to the customer; damage loss could be high. Photographing the June Border with all its flowers required stillness as a polarising filter was used dropping the ASA to 50 or lower which required the camera mounted on a tripod for a cable release exposure often as low as ¼ second. Early morning was best before the heat caused the breeze to start but too early, prior to 9am meant the sun was not on the full face of the Castle. By mid morning visitors had started to arrive, especially the coach tours and the June Border was no longer free of people. Keywords: Scotland, Scottish, Grampian, North, East, Aberdeenshire, Kincardineshire, Royal, Deeside, Crathes, Castle, Banchory, fort, NTS, National, Trust, landscape, Burnett, June, Border, Doocot, garden, gardens, herbaceous, border, borders, summer, flowers, flora, display, lupins, irises, poppies, pyrethrum, lilium, aster, poppy, phlox, red, yellow, pink, mauve, purple, white, orange, croquet, lawn, Camel, historic, history, heritage, colours, colors, masses, colourful, colorful, coloured, colored, peaceful, yew, hedges, topiary, 1998, Fuji, Astia, RAP, transparency, slide, film, chrome, colour, Bronica, 645, medium, format, 40mm, wide, polarised, filter, tripod, cable, release, slow, exposure, still
Crathes Castle June Border 15749jhp Crathes Castle Gardens June Border summer morning lupins path shadows sunshine Deeside Aberdeenshire Scotland summer view taken before the borders were relayed borders from 2003-2004, probably the best display of flowers I have seen in the June border over the years. The June Border is the summer jewel of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant. The tower house is one of the finest examples of the period and some of the original wall paintings still survive. At the bottom of the walled garden overlooking the path between the June Borders is a Doocot an attractive feature and useful high point for looking up the June Border with the Castle as its impressive backdrop. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property situated about 15 miles west of Aberdeen and is open to the public all the year round. On a technical note this photo was taken in the years prior to digital photography, when all high end publishing quality photographs were taken using transparency film, in this case Fuji Astia 100asa 120 stock and were scanned in by the publishing house. Submissions of work were made with mounted transparencies being sent to the customer; damage loss could be high. Photographing the June Border with all its flowers required stillness as a polarising filter was used dropping the ASA to 50 or lower which required the camera mounted on a tripod for a cable release exposure often as low as ¼ second. Early morning was best before the heat caused the breeze to start but too early, prior to 9am meant the sun was not on the full face of the Castle. By mid morning visitors had started to arrive, especially the coach tours and the June Border was no longer free of people. Keywords: Scotland, Scottish, Grampian, North, East, Aberdeenshire, Kincardineshire, Royal, Deeside, Crathes, Castle, Banchory, fort, NTS, National, Trust, landscape, Burnett, June, Border, Doocot, garden, gardens, herbaceous, border, borders, summer, flowers, flora, display, lupins, irises, poppies, pyrethrum, lilium, aster, poppy, phlox, red, yellow, pink, mauve, purple, white, orange, croquet, lawn, Camel, historic, history, heritage, colours, colors, masses, colourful, colorful, coloured, colored, peaceful, yew, hedges, topiary, 1998, Fuji, Astia, RAP, transparency, slide, film, chrome, colour, Bronica, 645, medium, format, 40mm, wide, polarised, filter, tripod, cable, release, slow, exposure, still
Crathes Castle June Border 15747jhp Crathes Castle Gardens June Border summer pink red poppies sunshine Deeside Aberdeenshire Scotland summer view taken before the borders were relayed borders from 2003-2004, probably the best display of flowers I have seen in the June border over the years. The June Border is the summer jewel of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant. The tower house is one of the finest examples of the period and some of the original wall paintings still survive. At the bottom of the walled garden overlooking the path between the June Borders is a Doocot an attractive feature and useful high point for looking up the June Border with the Castle as its impressive backdrop. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property situated about 15 miles west of Aberdeen and is open to the public all the year round. On a technical note this photo was taken in the years prior to digital photography, when all high end publishing quality photographs were taken using transparency film, in this case Fuji Astia 100asa 120 stock and were scanned in by the publishing house. Submissions of work were made with mounted transparencies being sent to the customer; damage loss could be high. Photographing the June Border with all its flowers required stillness as a polarising filter was used dropping the ASA to 50 or lower which required the camera mounted on a tripod for a cable release exposure often as low as ¼ second. Early morning was best before the heat caused the breeze to start but too early, prior to 9am meant the sun was not on the full face of the Castle. By mid morning visitors had started to arrive, especially the coach tours and the June Border was no longer free of people. Keywords: Scotland, Scottish, Grampian, North, East, Aberdeenshire, Kincardineshire, Royal, Deeside, Crathes, Castle, Banchory, fort, NTS, National, Trust, landscape, Burnett, June, Border, Doocot, garden, gardens, herbaceous, border, borders, summer, flowers, flora, display, lupins, irises, poppies, pyrethrum, lilium, aster, poppy, phlox, red, yellow, pink, mauve, purple, white, orange, croquet, lawn, Camel, historic, history, heritage, colours, colors, masses, colourful, colorful, coloured, colored, peaceful, yew, hedges, topiary, 1998, Fuji, Astia, RAP, transparency, slide, film, chrome, colour, Bronica, 645, medium, format, 40mm, wide, polarised, filter, tripod, cable, release, slow, exposure, still
Crathes Castle June Border 157412jhp Crathes Castle Gardens June Border summer lupins border path sunshine Aberdeenshire Scotland Deeside summer view taken before the borders were relayed borders from 2003-2004, probably the best display of flowers I have seen in the June border over the years. The June Border is the summer jewel of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant. The tower house is one of the finest examples of the period and some of the original wall paintings still survive. At the bottom of the walled garden overlooking the path between the June Borders is a Doocot an attractive feature and useful high point for looking up the June Border with the Castle as its impressive backdrop. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property situated about 15 miles west of Aberdeen and is open to the public all the year round. On a technical note this photo was taken in the years prior to digital photography, when all high end publishing quality photographs were taken using transparency film, in this case Fuji Astia 100asa 120 stock and were scanned in by the publishing house. Submissions of work were made with mounted transparencies being sent to the customer; damage loss could be high. Photographing the June Border with all its flowers required stillness as a polarising filter was used dropping the ASA to 50 or lower which required the camera mounted on a tripod for a cable release exposure often as low as ¼ second. Early morning was best before the heat caused the breeze to start but too early, prior to 9am meant the sun was not on the full face of the Castle. By mid morning visitors had started to arrive, especially the coach tours and the June Border was no longer free of people. Keywords: Scotland, Scottish, Grampian, North, East, Aberdeenshire, Kincardineshire, Royal, Deeside, Crathes, Castle, Banchory, fort, NTS, National, Trust, landscape, Burnett, June, Border, Doocot, garden, gardens, herbaceous, border, borders, summer, flowers, flora, display, lupins, irises, poppies, pyrethrum, lilium, aster, poppy, phlox, red, yellow, pink, mauve, purple, white, orange, croquet, lawn, Camel, historic, history, heritage, colours, colors, masses, colourful, colorful, coloured, colored, peaceful, yew, hedges, topiary, 1998, Fuji, Astia, RAP, transparency, slide, film, chrome, colour, Bronica, 645, medium, format, 40mm, wide, polarised, filter, tripod, cable, release, slow, exposure, still, upright
Highlanders Boggy Flanks qwe8625jhp Scottish Culloden battlefield moor bog wet marsh Jacobite fighting flanks ground apparently the sort of natural ground the Highland Clans fought from and caused the flanks to be slowed up causing big problems during the charge. The NTS is trying to bring back much of the site to its original state like this, the site of the last pitched battle fought in the British Isles in 1745 where a short bloody fight saw the decisive defeat of Bonnie Prince Charlie’s rebel army by the loyalist Hanoverian forces under the Duke of Cumberland and which was the Stuart’s last attempt to reclaim their throne. The site near Inverness overlooking the Moray Firth has a new National Trust for Scotland visitors centre, large carpark and all facilities to cater for the many thousands who visit this important place of Scottish history every year. Best perhaps seen on a moody stormy cloud covered day to get a feeling of the sense of brooding sadness that this crucial battle had on the Highlands and its relations with the rest of Scotland and England as this was by no means just a defeat by the ‘English’. Keywords: Scotland, Scottish, Highlands, Inverness, Culloden, Forest, battlefield, Moor, Jacobite, Rising, Prince, Charlie, Bonnie, landscape, summer, NTS, National, Trust, history, heritage, visitors, centre, conserved, loyalist, government, highlanders, lowlanders, Duke, Cumberland, butcher, rebels, Hanoverian, battle, last, British, soil, defeated, short, duration, bloody, rebellion, end, battlelines, bog, boggy, marsh, wet, heather, memorial, graves, markers, mass, burial, flags, grass, moorland, blue, sky, white, clouds

Scotland > Morayshire (2 files)

The photographs in this gallery are located in Morayshire and include ancient sites, historic buildings and properties, churches, cathedrals, towns, the countryside and the coast.
Sueno Stone Forres TO3357373JHP The Sueno Stone Cross-slab Pictish Record Battle Defeat Forres Moray Scotland of the Danes in 1014AD. It stands 23 feet high, the tallest such medieval sculpture in Scotland and the 7.6 ton sandstone slab is decorated with warriors, war scenes, the vanquished corpses, animals and Celtic interlaced spiral knotwork. It has been covered in this huge Perspex canopy to stop the weathering that is caused by modern acid rain. Keywords: Scotland, Moray, Morayshire, Firth, Highlands, Scottish, Forres, Sueno, Stone, cross-slab, upright, Royal Burgh, Pictish, battle, victory, Norse, Orkney, 9th century, AD, medieval, sculpture, sandstone, ring-headed, interlace, spiral, knot-work, bearded, figures, war, report, covered, conservation
Sueno Stone Forres TO3357371JHP Sueno Stone Cross-slab Pictish Battle Record Covered Perspex Weathering describing the defeat of the Danes in 1014AD. It stands 23 feet high, the tallest such medieval sculpture in Scotland and the 7.6 ton sandstone slab is decorated with warriors, war scenes, the vanquished corpses, animals and Celtic interlaced spiral knotwork. It has been covered in this huge Perspex canopy to stop the weathering that is caused by modern acid rain. Keywords: Scotland, Moray, Morayshire, Firth, Highlands, Scottish, Forres, Sueno, Stone, cross-slab, upright, Royal Burgh, Pictish, battle, victory, Norse, Orkney, 9th century, AD, medieval, sculpture, sandstone, ring-headed, interlace, spiral, knot-work, bearded, figures, war, report, covered, conservation

Scotland > Rivers, Glens & Lochs (3 files)

The gallery has photographs of Scottish lochs, glens and pictures associated directly with particular rivers in Scotland such as the River Dee, Don, Feugh, Urie, Deveron, Tanar, Dye, and Glen of Dee, Glen Muick and Glenbuchat.
Lochnagar fm Cairn qax3492jhp Cairn O'Mount Scotland Aberdeenshire moorland Lochnagar mountain view winter taken by roadside between Banchory on Royal Deeside and Fettercairn in the Mearns areas of Aberdeenshire in North East Scotland and just below the summit of the hill called Cairn O'Mount looking westwards to the distant Lochnagar, Britain’s fourth highest mountain with its distinctive outline past roadside snow fences showing a beautiful quality with an almost satin finish caused by years of sunshine, wind, rain, ice and snow erosion and maybe helped by passing wasps getting wood pulp for their nests. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, northwards, Kincardineshire, Clachnaben, Glen, Dye, Cairn, O'Mount, Lochnagar, mountain, frost, snow, fences, eroded, weathered, hills, landscape, moorland, grass, walking, granite, boulders, lichen, heather, winter, spring, March, 2019, Nikon, D700, camera, digital, DSLR, photograph, photo, telephoto, zoom
Cairn O Mount View qax3491jhp Cairn O'Mount Wooden Fence frosty Scotland Aberdeenshire moorland Lochnagar winter taken by roadside between Banchory on Royal Deeside and Fettercairn in the Mearns areas of Aberdeenshire in North East Scotland and just below the summit of the hill called Cairn O'Mount looking westwards to the distant Lochnagar, Britain’s fourth highest mountain with its distinctive outline past roadside snow fences showing a beautiful quality with an almost satin finish caused by years of sunshine, wind, rain, ice and snow erosion and maybe helped by passing wasps getting wood pulp for their nests. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, northwards, Kincardineshire, Clachnaben, Glen, Dye, Cairn, O'Mount, Lochnagar, mountain, frost, snow, fences, eroded, weathered, hills, landscape, moorland, grass, walking, granite, boulders, lichen, heather, winter, spring, March, 2019, Nikon, D700, camera, digital, DSLR, photograph, photo, upright
Cairn O Mount View qax3489jhp Cairn O'Mount Wooden Fence Scottish Aberdeenshire moorland Lochnagar winter taken by roadside between Banchory on Royal Deeside and Fettercairn in the Mearns areas of Aberdeenshire in North East Scotland and just below the summit of the hill called Cairn O'Mount looking westwards to the distant Lochnagar, Britain’s fourth highest mountain with its distinctive outline past roadside snow fences showing a beautiful quality with an almost satin finish caused by years of sunshine, wind, rain, ice and snow erosion and maybe helped by passing wasps getting wood pulp for their nests. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, northwards, Kincardineshire, Clachnaben, Glen, Dye, Cairn, O'Mount, Lochnagar, mountain, frost, snow, fences, eroded, weathered, hills, landscape, moorland, grass, walking, granite, boulders, lichen, heather, winter, spring, March, 2019, Nikon, D700, camera, digital, DSLR, photograph, photo

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