Home

 

Searching all stock for "noth":

Aurora over Scotland (4 files)

Aurora Borealis or Northern Lights displays photographed taken over Aberdeeshire in Scotland since 1989 covering some 350 events with arc, rays, coronas with a wide rnage of shapes and colours
Aurora-Borealis-behind-clouds-wsc6824jhp Aurora Borealis Scotland cloud obscured display Deeside covered Aberdeenshire taken on the evening of 5th November, 2023 at Crooktree, 25 miles west of Aberdeen, at 20.05hrsUT and was indicated by the magnetometer readings on AuroraWatch as a Major Storm. As the photo shows it was completely obscured by dense cloud cover with a few gaps-enough to see some light. It then went 100% covered and despite a power display in progress nothing could be seen. This photograph was taken with a Nikon D700 full frame DSLR using a Tokina SD zoom at f5.6 aperture, ISO setting of 6400 for 10 seconds. The increased ISO sensitivity of modern DSLR’s allows for shorter exposures circa 10 sec average times giving more accurate recordings of these moving. Clouds increased and displays during the rest of the evening were not seen. I use the older manual lenses as they are much easier to set at Infinity, modern zoom lenses are harder to focus on infinity especially in very dark conditions. No additional filters are added. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, village, Aurora Borealis, Northern Lights, North, landscape, CME, solar, wind, night, sky, stars, oxygen, nitrogen, gas, molecules, magnetic, high, grade, clouds, obscured, cover, evening, winter, November, 2023, D700, Nikon, DSLR, Tokina SD, zoom, f5.6, 28mm, lens, manual, digital, tripod, time, exposure, photo, photos, photography, photograph
Filtered Aurora au93231jhp Aurora Borealis Scotland experiment no filter red yellow display Deeside Aberdeenshire taken on the morning of 15th March, 1993 at Crooktree, 25 miles west of Aberdeen looking mainly north from the cottage to left of a gean tree which is aligned to magnetic North. The very faint display started just after 22.15UT and developed into a low grade display peaking around 23.30hrs. This photo was taken at 00.26hrs using a green filter although if compared with the next slide there is nothing obvious and it confirmed that I was best not using any sort of filter at all, even a UV. The photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1993, March, landscape, photos, photographs, experiment, green, filter, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, gean, trees, North, Pole, Star
Filtered Aurora au93230jhp Aurora Borealis Scottish experiment green filter used display Deeside Aberdeenshire taken on the morning of 15th March, 1993 at Crooktree, 25 miles west of Aberdeen looking mainly north from the cottage to left of a gean tree which is aligned to magnetic North. The very faint display started just after 22.15UT and developed into a low grade display peaking around 23.30hrs. This photo was taken at 00.25hrs using a green filter although if compared with the next slide there is nothing obvious and it confirmed that I was best not using any sort of filter at all, even a UV. The photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1993, March, landscape, photos, photographs, experiment, green, filter, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, gean, trees, North, Pole, Star
Aurora over Deeside rty1913jhp Aurora Northern Lights Scotland 2012 green rays Aberdeenshire arc stars taken on the 1st October 2012 at Crooktree, 25 miles west of Aberdeen is the first display I have seen this back quarter and probably the best display now photographed since end of the previous Solar Cycle in 2006. This photograph was taken with a Nikon D700 full frame DSLR using a 28mm Nikkor f2.8 lens and ISO settings of 3200 which allows for much shorter exposure circa 6 sec average times with hopefully more accurate recordings of these moving events. The light conditions were not perfect as the background light was from the full moon but dispels any myths that Aurora’s cannot be seen under such conditions. Taken in the garden looking westwards as activity starts behind clouds at 00.20.30hrs UT [01.20.30BST] with an exposure of 3.8 secs. Gaps in the clouds are miracles for otherwsie nothing of this display would have been visible. Although forecast on Spaceweather.com as likely to occur, it was northern watchers that were advised to be alert, usually a sign it will not reach the UK. The Auroral Oval however dropped southwards to the 60 latitude and graphic data minor to amber alert on AuroraWatch.co.uk suggested it was worth checking outside. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Northern, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, colourful, colorful, colours, colors, celestial, night, morning, October, 2012, autumn, moonlight, full, moon

Egypt > Giza Pyramids & Sphinx (8 files)

Photographs of the three Giza pyramids of Khufu, Khafre and Menkaure, the Sphinx, temples, Solar Barque museum and western cemetery mastabas, including the Light and Sound Show night views.
Giza Khafre Pyramid EG024113jhp Khafre Khufu Pyramids Egypt Giza tombs limestone desert sand foreground, the second largest of the Gizah site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the southern face showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top and in the distance on the right the Great Pyramid of Khufu. Keywords: Egypt, Cairo, Giza, Gizah, upright, pyramid, burial, tomb, Khafre, Chephren, Khufu, Cheops, Great, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, desert, sand, foreground, low, view
Giza Khafre Pyramid EG024112jhp Khafre Khufu Pyramid ancient Egyptian tombs limestone desert sand foreground, the second largest of the Gizah site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the southern face showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top and in the distance on the right the Great Pyramid of Khufu. Keywords: Egypt, Cairo, Giza, Gizah, landscape, pyramid, burial, tomb, Khafre, Chephren, Khufu, Cheops, Great, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, desert, sand, foreground, low, view
Giza Khafre Pyramid EG024110jhp Khafre Pyramid Egyptian limestone blocks Tura casing top section cloud, the second largest of the Gizah site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the western face showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. Keywords: Egypt, Cairo, Giza, Gizah, landscape, giddy, pyramid, burial, tomb, Khafre, Chephren, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds
Giza Khafre Pyramid EG024109jhp Khafre Pyramid Egypt Giza west face corner foundation top bottom, the second largest of the Gizah site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the western face showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. Keywords: Egypt, Cairo, Giza, Gizah, corner, upright, pyramid, burial, tomb, Khafre, Chephren, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds
Giza Khafre Pyramid EG024108jhp Chephren Pyramid Egyptian limestone blocks expanse Turah casing top, the second largest of the Gizah site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the western face showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. Keywords: Egypt, Cairo, Giza, Gizah, upright, pyramid, burial, tomb, Khafre, Chephren, blocks, expanse, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds
Giza Khafre Pyramid EG024107jhp Khafre Pyramid ancient Egyptian tomb limestone blocks Tura casing top, the second largest of the Gizah site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the western face showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. Keywords: Egypt, Cairo, Giza, Gizah, landscape, pyramid, burial, tomb, Khafre, Chephren, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds
Giza Khafre Pyramid EG024106jhp Khafre Chephren Pyramid ancient Egypt limestone blocks Tura casing blue sky top, the second largest of the Gizah site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the western face showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. Keywords: Egypt, Cairo, Giza, Gizah, landscape, pyramid, burial, tomb, Khafre, Chephren, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds
Giza Khafre Pyramid EG024104jhp Khafre Chephren Pyramid ancient Egyptian tomb limestone blocks Tura casing top, the second largest of the Gizah site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the western face showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. Keywords: Egypt, Cairo, Giza, Gizah, pyramid, burial, tomb, Khafre, Chephren, landscape, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds

Egypt > Infra Red Photographs (7 files)

This is a collection of Infra Red Black & White film photographs taken of the main sites of mainly Ancient Egypt in the late 1990's and they give a very different feel to the sites with the particular ghostly effect of this specialised Kodak film. Sites covered include Abydos, Colossi of Memnon, Abydos temple, Osireion, Dendera Temple, Edfu Temple, Esna Temple, Esna Lock, Karnak Temple, Kom Ombo Temple, Luxor Temple, Philae Temple, Aswan Felucca; River Nile cruise, Pyramids of Giza and The Sphinx
Egyptian Giza InfR EG020420jhp Khafre Pyramids Cheops Egyptian tombs clouds infra red film photo of the second largest of the Gizah site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the south face with Khufu's Great pyramid to the righy right taken near the main road through the Giza complex showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, pyramid, burial, tomb, Khafre, Chephren, Khufu, great, largest, Cheops, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020419jhp Chephren Pyramids Khufu Egypt Giza Great largest infra red B&W film photo of the second largest of the Giza site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the south face with Khufu's Great pyramid to the righy right taken near the main road through the Giza complex showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, pyramids, pyramid, burial, tomb, Khafre, Chephren, Khufu, great, largest, Cheops, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020418jhp Khafre Pyramid Egyptian horse rider scale Giza infra red film photo of the second largest of the Gizah site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the west face with Cairo bottom right taken near the main road through the Giza complex showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, pyramid, burial, tomb, Khafre, Chephren, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020417jhp Chephren Pyramid Egypt top apex Tura casing clouds infra red film photo of the second largest of the Gizah site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the west face with Cairo bottom right taken near the main road through the Giza complex showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, apex, pyramid, burial, tomb, Khafre, Chephren, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020416jhp Chephren Pyramid Egypt Giza side Tura casing clouds infra red film photo of the second largest of the Gizah site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the west face with Cairo bottom right taken near the main road through the Giza complex showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, pyramid, burial, tomb, Khafre, Chephren, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020415jhp Khafre Pyramid Egyptian Giza blocks Tura casing clouds infra red film photo of the second largest of the Gizah site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the west face with Cairo bottom right taken near the main road through the Giza complex showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, construction, pyramid, burial, tomb, Khafre, Chephren, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020414jhp Khafre Pyramid Egyptian tomb limestone blocks Tura casing clouds infra red film photo of the second largest of the Gizah site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the west face with Cairo bottom right taken near the main road through the Giza complex showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, pyramid, burial, tomb, Khafre, Chephren, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egypt > Luxor Nobles Tombs (27 files)

Photographs in this gallery are of the various Tombs of the Nobles on the West Bank if the Nile at Luxor in the area called Qurnet Murai
Luxor Nakht Tomb EG00679jhp Egyptian Luxor Tombs Nobles Nakht grapes fish ducks food preparing Tomb Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00678jhp Egypt ancient food Nakht grapes figs fish ducks baskets food feast pile Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00677jhp Egypt Luxor Astronomer Nakht honey wine food feast colours wall painting Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00676jhp Egyptian Luxor Tombs Nobles Nakht female harp player Tomb painted Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, musicians, women, flute, lute, harp, naked, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00675jhp Egyptian Luxor Tomb Noble Nakht food feast Tomb Colour Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00674jhp Egypt Luxor Nakht Tomb women servant lotus flower Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00673jhp Egypt Luxor Tombs Nobles Nakht women musicians naked Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, musicians, women, flute, lute, harp, naked, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00672jhp Egypt Luxor Tombs Nobles Nakht grapes food feast pile Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006714jhp Egypt Luxor Nakht Tomb tree Goddess Hathor food feast papyrus Colours Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006713jhp Egypt Luxor Tombs Nobles Nakht grapes wine making workmen Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006712jhp Egypt Luxor Tomb Noble Nakht grapes treading wine fowls workers Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006730jhp Egyptian Thebes Tombs Nobles Menna Marshland scene boat fishing fish water is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG9410023jhp Egypt Luxor Menna Wife Banquet eye damage food details Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 as this photo records and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji RDP 100asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 1994, Fuji, RDP, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006733jhp Egypt Luxor Tombs Nobles Menna colourful wine lotus flowers Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006732jhp Egypt Luxor Tomb Noble Menna marshland ducks ibis food hunting Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006731jhp Egyptian Luxor Noble Menna marshland fishing nets fish colours details Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006729jhp Egypt Luxor Tomb Mena herding Isis Horus mother unusual Anubis cattle Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. This depiction of the Goddess which I believe is Isis is very unusual with Horus on her head and I have not been able to find it elsewhere shown in my reference books or on the Internet. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006728jhp Egypt Thebes Noble Menna Scribe cattle Isis Horus ankh Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006727jhp Egypt Luxor Tombs Nobles Menna Banquet Wall covering colourful Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006726jhp Egyptian Luxor Tomb Noble Menna Scribe Royal Tomb Reliefs walls room is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006725jhp Egypt Luxor Tomb Noble Menna Wife Banquet scene Scribe Royal Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006724jhp Egypt Luxor Tombs Nobles Menna Scribe harvest farming scenes painted is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006723jhp Egypt Thebes Tomb Noble Mena Osiris seated colourful Relief God offering is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006722jhp Egypt Luxor Noble Menna Wife offering Osiris God food Scribe Royal Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006721jhp Egypt Luxor Menna Tomb Osiris Offering scenes Room ceiling walls is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006720jhp Egypt Luxor Tombs Nobles Menna Scribe Royal banquet eyes missing colors is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006719jhp Egypt Luxor Tombs Nobles Menna Mena Scribe offering table colours details Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm

Egypt > North of Cairo (15 files)

This gallery has photographs of the main sites North of Cairo, usually visited privately as not part of most Egyptian tours, and includes Heliopolis, Tell Basta near Zagazig and Tanis near the north coast of Egypt
Alexandria Nilometer eg9613815jhp Egypt Alexandria Nile ancient Nilometer door well archaeology silted dry Rhakote hill modern Mediterranean coastal city no longer reminiscent of tae ancient city from Pharaohic times and little of that ancient time remains. A few isolated sites can be visited and this is one is located on Rhakote Hill one of the earliest sites in the City with some Roman ruins and archaeology. On the hill is the dominant granite column called Pompey’s Pillar dating back to the reign of Emperor Diocletian around 297BC but associated with the later rival of Caesar when it was held, mistakenly, his head was placed on top of the column. Also of interest are some granite Sphinxes and underground burial vaults. It is also thought to have held some of the contents of the ancient Library after its sacking after the fall of the House of Ptolemy but nothing now remains of this smaller library probably sacked during the Fifth Century AD by Christian zealots. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours. Keywords: Egypt: Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Rhakote, hill, ancient, Rhakotis, Pharaonic, Serapis, Temple, Serapeum, Library, destroyed, Roman, Ptolemaic, Greek, Pompey, Pillar, Corinthian, carved, capital, top, Ptolemaic, red, granite, Sphinx, Sphinxes, granite, carving, carved, scarab, freize, open, air, exhibits, museum, garden, doorway, Nilometer, well, River, Nile, dried, Coptic, cross, early, Christian, archaeology, ruins, Piscina, Roman, bath, house, excavations, gateway, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4
Alexandria Nilometer eg9613728jhp Egypt Alexandria River Nile ancient Nilometer door well archaeology silted dry Rhakote hill modern Mediterranean coastal city no longer reminiscent of tae ancient city from Pharaohic times and little of that ancient time remains. A few isolated sites can be visited and this is one is located on Rhakote Hill one of the earliest sites in the City with some Roman ruins and archaeology. On the hill is the dominant granite column called Pompey’s Pillar dating back to the reign of Emperor Diocletian around 297BC but associated with the later rival of Caesar when it was held, mistakenly, his head was placed on top of the column. Also of interest are some granite Sphinxes and underground burial vaults. It is also thought to have held some of the contents of the ancient Library after its sacking after the fall of the House of Ptolemy but nothing now remains of this smaller library probably sacked during the Fifth Century AD by Christian zealots. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours. Keywords: Egypt: Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Rhakote, hill, ancient, Rhakotis, Pharaonic, Serapis, Temple, Serapeum, Library, destroyed, Roman, Ptolemaic, Greek, Pompey, Pillar, Corinthian, carved, capital, top, Ptolemaic, red, granite, Sphinx, Sphinxes, granite, carving, carved, scarab, freize, open, air, exhibits, museum, garden, doorway, Nilometer, well, River, Nile, dried, Coptic, cross, early, Christian, archaeology, ruins, Piscina, Roman, bath, house, excavations, gateway, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8, upright
Alexandria Sphinx eg9613720jhp Egypt Alexandria Ptolemaic red granite sphinx plinth modern reconstruction Rhakote hill modern Mediterranean coastal city no longer reminiscent of the ancient city from Pharaohic times and little of that ancient time remains. A few isolated sites can be visited and this is one is located on Rhakote Hill one of the earliest sites in the City with some Roman ruins and archaeology. On the hill is the dominant granite column called Pompey’s Pillar dating back to the reign of Emperor Diocletian around 297BC but associated with the later rival of Caesar when it was held, mistakenly, his head was placed on top of the column. Also of interest are some granite Sphinxes and underground burial vaults. It is also thought to have held some of the contents of the ancient Library after its sacking after the fall of the House of Ptolemy but nothing now remains of this smaller library probably sacked during the Fifth Century AD by Christian zealots. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours. Keywords: Egypt: Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Rhakote, hill, ancient, Rhakotis, Pharaonic, Serapis, Temple, Serapeum, Library, destroyed, Roman, Ptolemaic, Greek, Pompey, Pillar, Corinthian, carved, capital, top, Ptolemaic, red, granite, Sphinx, Sphinxes, granite, carving, carved, scarab, freize, open, air, exhibits, museum, garden, Coptic, cross, early, Christian, archaeology, ruins, Piscina, Roman, bath, house, excavations, gateway, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8, upright
Alexandria Sphinx eg9613719jhp Egyptian Alexandria Serapeum Ptolemaic red granite sphinx plinth modern Rhakote hill modern Mediterranean coastal city no longer reminiscent of the ancient city from Pharaohic times and little of that ancient time remains. A few isolated sites can be visited and this is one is located on Rhakote Hill one of the earliest sites in the City with some Roman ruins and archaeology. On the hill is the dominant granite column called Pompey’s Pillar dating back to the reign of Emperor Diocletian around 297BC but associated with the later rival of Caesar when it was held, mistakenly, his head was placed on top of the column. Also of interest are some granite Sphinxes and underground burial vaults. It is also thought to have held some of the contents of the ancient Library after its sacking after the fall of the House of Ptolemy but nothing now remains of this smaller library probably sacked during the Fifth Century AD by Christian zealots. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours. Keywords: Egypt: Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Rhakote, hill, ancient, Rhakotis, Pharaonic, Serapis, Temple, Serapeum, Library, destroyed, Roman, Ptolemaic, Greek, Pompey, Pillar, Corinthian, carved, capital, top, Ptolemaic, red, granite, Sphinx, Sphinxes, granite, carving, carved, scarab, freize, open, air, exhibits, museum, garden, Coptic, cross, early, Christian, archaeology, ruins, Piscina, Roman, bath, house, excavations, gateway, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8
Alexandria Sphinx eg9613718jhp Egypt Alexandria Roman ruins Ptolemaic red granite sphinx Rhakote hill modern Mediterranean coastal city no longer reminiscent of the ancient city from Pharaohic times and little of that ancient time remains. A few isolated sites can be visited and this is one is located on Rhakote Hill one of the earliest sites in the City with some Roman ruins and archaeology. On the hill is the dominant granite column called Pompey’s Pillar dating back to the reign of Emperor Diocletian around 297BC but associated with the later rival of Caesar when it was held, mistakenly, his head was placed on top of the column. Also of interest are some granite Sphinxes and underground burial vaults. It is also thought to have held some of the contents of the ancient Library after its sacking after the fall of the House of Ptolemy but nothing now remains of this smaller library probably sacked during the Fifth Century AD by Christian zealots. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours. Keywords: Egypt: Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Rhakote, hill, ancient, Rhakotis, Pharaonic, Serapis, Temple, Serapeum, Library, destroyed, Roman, Ptolemaic, Greek, Pompey, Pillar, Corinthian, carved, capital, top, Ptolemaic, red, granite, Sphinx, Sphinxes, granite, carving, carved, scarab, freize, open, air, exhibits, museum, garden, Coptic, cross, early, Christian, archaeology, ruins, Piscina, Roman, bath, house, excavations, gateway, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8
Alexandria Roman Piscina eg9613722jhp Egypt Alexandria Roman ruins Piscina swimming pool abulations bath excavations Rhakote modern Mediterranean coastal city no longer reminiscent of the ancient city from Pharaohic times and little of that ancient time remains. A few isolated sites can be visited and this is one is located on Rhakote Hill one of the earliest sites in the City with some Roman ruins and archaeology. On the hill is the dominant granite column called Pompey’s Pillar dating back to the reign of Emperor Diocletian around 297BC but associated with the later rival of Caesar when it was held, mistakenly, his head was placed on top of the column. Also of interest are some granite Sphinxes and underground burial vaults. It is also thought to have held some of the contents of the ancient Library after its sacking after the fall of the House of Ptolemy but nothing now remains of this smaller library probably sacked during the Fifth Century AD by Christian zealots. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours. Keywords: Egypt: Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Rhakote, hill, ancient, Rhakotis, Pharaonic, Serapis, Temple, Serapeum, Library, destroyed, Roman, Ptolemaic, Greek, Pompey, Pillar, Corinthian, carved, capital, top, Ptolemaic, red, granite, Sphinx, Sphinxes, granite, carving, carved, scarab, freize, open, air, exhibits, museum, garden, Coptic, cross, early, Christian, archaeology, ruins, Piscina, swimming, pool, Roman, bath, house, excavations, gateway, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8
Alexandria Roman Baths eg9613723jhp Egypt Alexandria Serapeum Roman ruins bath excavation sphinxes rocky hill modern Mediterranean coastal city no longer reminiscent of the ancient city from Pharaohic times and little of that ancient time remains. A few isolated sites can be visited and this is one is located on Rhakote Hill one of the earliest sites in the City with some Roman ruins and archaeology. On the hill is the dominant granite column called Pompey’s Pillar dating back to the reign of Emperor Diocletian around 297BC but associated with the later rival of Caesar when it was held, mistakenly, his head was placed on top of the column. Also of interest are some granite Sphinxes and underground burial vaults. It is also thought to have held some of the contents of the ancient Library after its sacking after the fall of the House of Ptolemy but nothing now remains of this smaller library probably sacked during the Fifth Century AD by Christian zealots. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours. Keywords: Egypt: Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Rhakote, hill, ancient, Rhakotis, Pharaonic, Serapis, Temple, Serapeum, Library, destroyed, Roman, Ptolemaic, Greek, Pompey, Pillar, Corinthian, carved, capital, top, Ptolemaic, red, granite, Sphinx, Sphinxes, granite, carving, carved, scarab, freize, open, air, exhibits, museum, garden, Coptic, cross, early, Christian, archaeology, ruins, Piscina, Roman, bath, house, excavations, gateway, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8
Alexandria Pompey s Pillar eg9613717jhp Egypt Alexandria Roman Ptolemaic granite sphinx column Pompey Serapeum Rhakote hill modern Mediterranean coastal city no longer reminiscent of the ancient city from Pharaohic times and little of that ancient time remains. A few isolated sites can be visited and this is one is located on Rhakote Hill one of the earliest sites in the City with some Roman ruins and archaeology. On the hill is the dominant granite column called Pompey’s Pillar dating back to the reign of Emperor Diocletian around 297BC but associated with the later rival of Caesar when it was held, mistakenly, his head was placed on top of the column. Also of interest are some granite Sphinxes and underground burial vaults. It is also thought to have held some of the contents of the ancient Library after its sacking after the fall of the House of Ptolemy but nothing now remains of this smaller library probably sacked during the Fifth Century AD by Christian zealots. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours. Keywords: Egypt: Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Rhakote, hill, ancient, Rhakotis, Pharaonic, Serapis, Temple, Serapeum, Library, destroyed, Roman, Ptolemaic, Greek, Pompey, Pillar, Corinthian, carved, capital, top, Ptolemaic, red, granite, Sphinx, Sphinxes, granite, carving, carved, scarab, freize, open, air, exhibits, museum, garden, Coptic, cross, early, Christian, archaeology, ruins, Piscina, Roman, bath, house, excavations, gateway, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8, upright
Alexandria Pompey s Pillar eg9613716jhp Egypt Alexandria Ptolemaic sphinx column Pompey Rhakote hill modern Mediterranean coastal city no longer reminiscent of the ancient city from Pharaohic times and little of that ancient time remains. A few isolated sites can be visited and this is one is located on Rhakote Hill one of the earliest sites in the City with some Roman ruins and archaeology. On the hill is the dominant granite column called Pompey’s Pillar dating back to the reign of Emperor Diocletian around 297BC but associated with the later rival of Caesar when it was held, mistakenly, his head was placed on top of the column. Also of interest are some granite Sphinxes and underground burial vaults. It is also thought to have held some of the contents of the ancient Library after its sacking after the fall of the House of Ptolemy but nothing now remains of this smaller library probably sacked during the Fifth Century AD by Christian zealots. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours. Keywords: Egypt: Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Rhakote, hill, ancient, Rhakotis, Pharaonic, Serapis, Temple, Serapeum, Library, destroyed, Roman, Ptolemaic, Greek, Pompey, Pillar, Corinthian, carved, capital, top, Ptolemaic, red, granite, Sphinx, Sphinxes, granite, carving, carved, scarab, freize, open, air, exhibits, museum, garden, Coptic, cross, early, Christian, archaeology, ruins, Piscina, Roman, bath, house, excavations, gateway, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8, upright
Alexandria Pompey s Pillar eg9613715jhp Egypt Alexandria Roman sphinx column Pompey Rhakote hill garden view plants modern Mediterranean city no longer reminiscent of the ancient city from Pharaohic times and little of that ancient time remains. A few isolated sites can be visited and this is one is located on Rhakote Hill one of the earliest sites in the City with some Roman ruins and archaeology. On the hill is the dominant granite column called Pompey’s Pillar dating back to the reign of Emperor Diocletian around 297BC but associated with the later rival of Caesar when it was held, mistakenly, his head was placed on top of the column. Also of interest are some granite Sphinxes and underground burial vaults. It is also thought to have held some of the contents of the ancient Library after its sacking after the fall of the House of Ptolemy but nothing now remains of this smaller library probably sacked during the Fifth Century AD by Christian zealots. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours. Keywords: Egypt: Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Rhakote, hill, ancient, Rhakotis, Pharaonic, Serapis, Temple, Serapeum, Library, destroyed, Roman, Pompey, Pillar, Corinthian, carved, capital, top, Ptolemaic, red, granite, Sphinx, Sphinxes, granite, carving, carved, scarab, freize, open, air, exhibits, museum, garden, Coptic, cross, early, Christian, archaeology, ruins, Piscina, Roman, bath, house, excavations, gateway, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8, upright
Alexandria Granite Scarab eg9613724jhp Egypt Alexandria Roman garden exhibit granite scarab large museum Rhakote hill modern Mediterranean coastal city no longer reminiscent of the ancient city from Pharaohic times and little of that ancient time remains. A few isolated sites can be visited and this is one is located on Rhakote Hill one of the earliest sites in the City with some Roman ruins and archaeology. On the hill is the dominant granite column called Pompey’s Pillar dating back to the reign of Emperor Diocletian around 297BC but associated with the later rival of Caesar when it was held, mistakenly, his head was placed on top of the column. Also of interest are some granite Sphinxes and underground burial vaults. It is also thought to have held some of the contents of the ancient Library after its sacking after the fall of the House of Ptolemy but nothing now remains of this smaller library probably sacked during the Fifth Century AD by Christian zealots. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours. Keywords: Egypt: Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Rhakote, hill, ancient, Rhakotis, Pharaonic, Serapis, Temple, Serapeum, Library, destroyed, Roman, Ptolemaic, Greek, Pompey, Pillar, Corinthian, carved, capital, top, Ptolemaic, red, granite, Sphinx, Sphinxes, granite, carving, carved, scarab, freize, open, air, exhibits, museum, garden, Coptic, cross, early, Christian, archaeology, ruins, Piscina, Roman, bath, house, excavations, gateway, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8
Alexandria Granite Carving eg9613727jhp Egypt Alexandria broken fragment carved granite freize high status fine quality Rhakote hill modern Mediterranean coastal city no longer reminiscent of the ancient city from Pharaohic times and little of that ancient time remains. A few isolated sites can be visited and this is one is located on Rhakote Hill one of the earliest sites in the City with some Roman ruins and archaeology. On the hill is the dominant granite column called Pompey’s Pillar dating back to the reign of Emperor Diocletian around 297BC but associated with the later rival of Caesar when it was held, mistakenly, his head was placed on top of the column. Also of interest are some granite Sphinxes and underground burial vaults. It is also thought to have held some of the contents of the ancient Library after its sacking after the fall of the House of Ptolemy but nothing now remains of this smaller library probably sacked during the Fifth Century AD by Christian zealots. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours. Keywords: Egypt: Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Rhakote, hill, ancient, Rhakotis, Pharaonic, Serapis, Temple, Serapeum, Library, destroyed, Roman, Ptolemaic, Greek, Pompey, Pillar, Corinthian, carved, capital, top, Ptolemaic, red, granite, Sphinx, Sphinxes, granite, carving, carved, scarab, freize, open, air, exhibits, museum, garden, Coptic, cross, early, Christian, archaeology, ruins, Piscina, Roman, bath, house, excavations, gateway, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8, upright
Alexandria Granite Carving eg9613726jhp Egypt Alexandria carved mottled granite freize high status beautiful quality Rhakote hill modern Mediterranean coastal city no longer reminiscent of the ancient city from Pharaohic times and little of that ancient time remains. A few isolated sites can be visited and this is one is located on Rhakote Hill one of the earliest sites in the City with some Roman ruins and archaeology. On the hill is the dominant granite column called Pompey’s Pillar dating back to the reign of Emperor Diocletian around 297BC but associated with the later rival of Caesar when it was held, mistakenly, his head was placed on top of the column. Also of interest are some granite Sphinxes and underground burial vaults. It is also thought to have held some of the contents of the ancient Library after its sacking after the fall of the House of Ptolemy but nothing now remains of this smaller library probably sacked during the Fifth Century AD by Christian zealots. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours. Keywords: Egypt: Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Rhakote, hill, ancient, Rhakotis, Pharaonic, Serapis, Temple, Serapeum, Library, destroyed, Roman, Ptolemaic, Greek, Pompey, Pillar, Corinthian, carved, capital, top, Ptolemaic, red, granite, Sphinx, Sphinxes, granite, carving, carved, scarab, freize, open, air, exhibits, museum, garden, Coptic, cross, early, Christian, archaeology, ruins, Piscina, Roman, bath, house, excavations, gateway, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8
Alexandria Granite Carving eg9613725jhp Egypt Alexandria carved mottled granite freize symbols beautiful Rhakote hill modern Mediterranean coastal city no longer reminiscent of the ancient city from Pharaohic times and little of that ancient time remains. A few isolated sites can be visited and this is one is located on Rhakote Hill one of the earliest sites in the City with some Roman ruins and archaeology. On the hill is the dominant granite column called Pompey’s Pillar dating back to the reign of Emperor Diocletian around 297BC but associated with the later rival of Caesar when it was held, mistakenly, his head was placed on top of the column. Also of interest are some granite Sphinxes and underground burial vaults. It is also thought to have held some of the contents of the ancient Library after its sacking after the fall of the House of Ptolemy but nothing now remains of this smaller library probably sacked during the Fifth Century AD by Christian zealots. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours. Keywords: Egypt: Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Rhakote, hill, ancient, Rhakotis, Pharaonic, Serapis, Temple, Serapeum, Library, destroyed, Roman, Ptolemaic, Greek, Pompey, Pillar, Corinthian, carved, capital, top, Ptolemaic, red, granite, Sphinx, Sphinxes, granite, carving, carved, scarab, freize, open, air, exhibits, museum, garden, Coptic, cross, early, Christian, archaeology, ruins, Piscina, Roman, bath, house, excavations, gateway, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8
Alexandria Carved Cross eg9613729jhp Egypt Alexandria garden exhibit carved stone Coptic cross early Christian capital Rhakote hill modern Mediterranean coastal city no longer reminiscent of the ancient city from Pharaohic times and little of that ancient time remains. A few isolated sites can be visited and this is one is located on Rhakote Hill one of the earliest sites in the City with some Roman ruins and archaeology. On the hill is the dominant granite column called Pompey’s Pillar dating back to the reign of Emperor Diocletian around 297BC but associated with the later rival of Caesar when it was held, mistakenly, his head was placed on top of the column. Also of interest are some granite Sphinxes and underground burial vaults. It is also thought to have held some of the contents of the ancient Library after its sacking after the fall of the House of Ptolemy but nothing now remains of this smaller library probably sacked during the Fifth Century AD by Christian zealots. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours. Keywords: Egypt: Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Rhakote, hill, ancient, Rhakotis, Pharaonic, Serapis, Temple, Serapeum, Library, destroyed, Roman, Ptolemaic, Greek, Pompey, Pillar, Corinthian, carved, capital, top, Ptolemaic, red, granite, Sphinx, Sphinxes, granite, carving, carved, scarab, freize, open, air, exhibits, museum, garden, Coptic, cross, early, Christian, archaeology, ruins, Piscina, Roman, bath, house, excavations, gateway, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8

Scotland > Aberdeenshire (28 files)

This gallery includes rural, scenic and landscape subjects of the Shire, including Kincardineshire, Mearns, Garioch, Buchan Strathbogie and Mar.
The Cabrach bnm9655jhp Cabrach moor road fences autumn The Buck hills horizon empty Aberdeenshire Scotland Strathdon one of the bleakest landscapes especially during a nasty winter day. A few ruined crofts or farms can be seen in this stretch of road after Lumsden passing the charming ruin of Auchindoir Church and before joining the main Dufftown road at the boundary between Aberdeenshire and Moray. Driving through this countryside is evidence of past Highland clearances as well as illustrating the hard life of farming in this unfertile moorland where in today’s harsh economic climate even sheep farming is a struggle. There is a distant view eastwards of the distinct summit of the Tap O'Noth hill near Rhynie on which remains the vitrified fortifications from a Pictish hilltop fort and from which can be seen a similar relic from the past on Bennachie near Inverurie. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Highlands, Strathdon, Cabrach, rural, landscape, Buck, Tap, Noth, hill, Pictish, fort, ruined, ruins, house, fence, grass, larch, trees, brown, windswept, granite, stone, roofless, desolate, burn, Craig, Creagdearg, Longlands, Whitehillock, Elrick, Meikle, heather, moorland, land-use, barren, grass, rugged, sheep, clearances, derelict, farm, farms, farming, agriculture, hill, rugged, hard, modern, wind, turbines, 2017, autumn, Nikon, D700, DSLR, digital, camera, photograph, colour, green, blue, sky, sunny
The Cabrach bnm9654jhp Cabrach moor road fences autumn The Buck horizon empty Aberdeenshire Scotland Strathdon one of the bleakest landscapes especially during a nasty winter day. A few ruined crofts or farms can be seen in this stretch of road after Lumsden passing the charming ruin of Auchindoir Church and before joining the main Dufftown road at the boundary between Aberdeenshire and Moray. Driving through this countryside is evidence of past Highland clearances as well as illustrating the hard life of farming in this unfertile moorland where in today’s harsh economic climate even sheep farming is a struggle. There is a distant view eastwards of the distinct summit of the Tap O'Noth hill near Rhynie on which remains the vitrified fortifications from a Pictish hilltop fort and from which can be seen a similar relic from the past on Bennachie near Inverurie. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Highlands, Strathdon, Cabrach, rural, landscape, upright, Buck, Tap, Noth, hill, Pictish, fort, ruined, ruins, house, fence, grass, larch, trees, brown, windswept, granite, stone, roofless, desolate, burn, Craig, Creagdearg, Longlands, Whitehillock, Elrick, Meikle, heather, moorland, land-use, barren, grass, rugged, sheep, clearances, derelict, farm, farms, farming, agriculture, hill, rugged, hard, modern, wind, turbines, 2017, autumn, Nikon, D700, DSLR, digital, camera, photograph, colour, green, blue, sky, sunny
The Cabrach bnm9652jhp Cabrach moor road fences autumn The Buck panorama empty Aberdeenshire Scotland Strathdon one of the bleakest landscapes especially during a nasty winter day. A few ruined crofts or farms can be seen in this stretch of road after Lumsden passing the charming ruin of Auchindoir Church and before joining the main Dufftown road at the boundary between Aberdeenshire and Moray. Driving through this countryside is evidence of past Highland clearances as well as illustrating the hard life of farming in this unfertile moorland where in today’s harsh economic climate even sheep farming is a struggle. There is a distant view eastwards of the distinct summit of the Tap O'Noth hill near Rhynie on which remains the vitrified fortifications from a Pictish hilltop fort and from which can be seen a similar relic from the past on Bennachie near Inverurie. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Highlands, Strathdon, Cabrach, rural, landscape, Buck, Tap, Noth, hill, Pictish, fort, ruined, ruins, house, fence, grass, larch, trees, brown, windswept, granite, stone, roofless, desolate, burn, Craig, Creagdearg, Longlands, Whitehillock, Elrick, Meikle, heather, moorland, land-use, barren, grass, rugged, sheep, clearances, derelict, farm, farms, farming, agriculture, hill, rugged, hard, modern, wind, turbines, 2017, autumn, Nikon, D700, DSLR, digital, camera, photograph, colour, green, blue, sky, sunny
The Cabrach bnm9651jhp Cabrach moor roadside autumn windfarm horizon ruined farm Aberdeenshire Scotland Strathdon The Buck one of the bleakest landscapes especially during a nasty winter day. A few ruined crofts or farms can be seen in this stretch of road after Lumsden passing the charming ruin of Auchindoir Church and before joining the main Dufftown road at the boundary between Aberdeenshire and Moray. Driving through this countryside is evidence of past Highland clearances as well as illustrating the hard life of farming in this unfertile moorland where in today’s harsh economic climate even sheep farming is a struggle. There is a distant view eastwards of the distinct summit of the Tap O'Noth hill near Rhynie on which remains the vitrified fortifications from a Pictish hilltop fort and from which can be seen a similar relic from the past on Bennachie near Inverurie. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Highlands, Strathdon, Cabrach, rural, landscape, Buck, Tap, Noth, hill, Pictish, fort, ruined, ruins, house, fence, grass, larch, trees, brown, windswept, granite, stone, roofless, desolate, burn, Craig, Creagdearg, Longlands, Whitehillock, Elrick, Meikle, heather, moorland, land-use, barren, grass, rugged, sheep, clearances, derelict, farm, farms, farming, agriculture, hill, rugged, hard, modern, wind, turbines, 2017, autumn, Nikon, D700, DSLR, digital, camera, photograph, colour, green, blue, sky, sunny
Cabrach bnm5993jhp Cabrach Strathdon Scottish landscape moor sheep ruined farm clearances barren hills Aberdeenshire Scotland one of the bleakest landscapes especially during a nasty winter day. A few ruined crofts or farms can be seen and evidence of past Highland clearances as well as illustrating the hard life of farming in this unfertile moorland where in today’s harsh economic climate even sheep farming is a struggle. There is a distant view of the distinct summit of the Tap O'Noth hill near Rhynie on which remains the vitrified fortifications from a Pictish hilltop fort and from which can be seen a similar relic from the past on Bennachie near Inverurie. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Highlands, Strathdon, Cabrach, rural, landscape, upright, December, winter, Tap, Noth, hill, Pictish, fort, ruined, ruins, house, fence, grass, larch, trees, brown, windswept, granite, stone, roofless, desolate, burn, Craig, Creagdearg, Longlands, Whitehillock, Elrick, Meikle, heather, moorland, land-use, barren, grass, rugged, sheep, clearances, derelict, farm, farms, farming, agriculture, hill, rugged, hard, DSLR, Nikon, D700, digital, photograph, 2016
Cabrach bnm5992jhp Cabrach moor sheep winter ruined farm barren hills sunshine Aberdeenshire Scotland Strathdon one of the bleakest landscapes especially during a nasty winter day. A few ruined crofts or farms can be seen and evidence of past Highland clearances as well as illustrating the hard life of farming in this unfertile moorland where in today’s harsh economic climate even sheep farming is a struggle. There is a distant view of the distinct summit of the Tap O'Noth hill near Rhynie on which remains the vitrified fortifications from a Pictish hilltop fort and from which can be seen a similar relic from the past on Bennachie near Inverurie. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Highlands, Strathdon, Cabrach, rural, landscape, December, winter, Tap, Noth, hill, Pictish, fort, ruined, ruins, house, fence, grass, larch, trees, brown, windswept, granite, stone, roofless, desolate, burn, Craig, Creagdearg, Longlands, Whitehillock, Elrick, Meikle, heather, moorland, land-use, barren, grass, rugged, sheep, clearances, derelict, farm, farms, farming, agriculture, hill, rugged, hard, DSLR, Nikon, D700, digital, photograph, 2016
Cabrach bnm5991jhp Cabrach moor sheep winter ruined farm larch sunshine Rhynie Aberdeenshire Scotland Strathdon one of the bleakest landscapes especially during a nasty winter day. A few ruined crofts or farms can be seen and evidence of past Highland clearances as well as illustrating the hard life of farming in this unfertile moorland where in today’s harsh economic climate even sheep farming is a struggle. There is a distant view of the distinct summit of the Tap O'Noth hill near Rhynie on which remains the vitrified fortifications from a Pictish hilltop fort and from which can be seen a similar relic from the past on Bennachie near Inverurie. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Highlands, Strathdon, Cabrach, rural, landscape, December, winter, Tap, Noth, hill, Pictish, fort, ruined, ruins, house, fence, grass, larch, trees, brown, windswept, granite, stone, roofless, desolate, burn, Craig, Creagdearg, Longlands, Whitehillock, Elrick, Meikle, heather, moorland, land-use, barren, grass, rugged, sheep, clearances, derelict, farm, farms, farming, agriculture, hill, rugged, hard, DSLR, Nikon, D700, digital, photograph, 2016
Cabrach Deveron bnm6010jhp Cabrach Deveron river moorland clouds wind turbines sheep winter road Glass Belcherrie Aberdeenshire Scotland Edinglassie Beldorney with some of the bleakest landscapes especially during a nasty winter day. A few ruined crofts or farms can be seen and evidence of past Highland clearances as well as illustrating the hard life of farming in this unfertile moorland where in today’s harsh economic climate even sheep farming is a struggle. There is a distant view of the distinct summit of the Tap O'Noth hill near Rhynie on which remains the vitrified fortifications from a Pictish hilltop fort and from which can be seen a similar relic from the past on Bennachie near Inverurie. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Highlands, Strathdon, River, Deveron, wind, turbines, clouds, Cabrach, rural, landscape, December, winter, hill, ruined, ruins, house, fence, grass, larch, trees, brown, windswept, granite, stone, roofless, desolate, burn, heather, moorland, land-use, barren, grass, rugged, sheep, clearances, derelict, farm, farms, farming, agriculture, hill, rugged, hard, DSLR, Nikon, D700, digital, photograph, 2016
Rhynie Park vbn1141jhp Rhynie Tap O'Noth vitrified Picts fort closeup Scotland Aberdeenshire autumn village scene view from the Memorial Park taken from the roadside from Kildrummy to Huntly. It is a village dominated by the distinctive hill with remains of vitrified Pictish fort and also junction for heading westwards to Dufftown crossing the desolate moorland of the Cabrach or heading east to the Knockespoch viewpoint on Suie Hill on the road across to Alford. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Rhynie, Huntly, road, Lumsden, village, memorial, park, Tap, O’Noth, hill, Pictish, fort, vitrified, landscape, telephoto, autumn, September, 2015, Nikon, D700, digital, camera, photo, photograph, church, granite, stone, trees, bright, sunny, sunshine, blue, sky, colours, colourful
Rhynie Park vbn1139jhp Rhynie Memorial Park Tap O'Noth Scottish soldier granite statue autumn village scene taken from the roadside from Kildrummy to Huntly. It is a village dominated by the distinctive hill with remains of vitrified Pictish fort and also junction for heading westwards to Dufftown crossing the desolate moorland of the Cabrach or heading east to the Knockespoch viewpoint on Suie Hill on the road across to Alford. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Rhynie, Huntly, road, Lumsden, village, memorial, park, Tap, O’Noth, hill, Pictish, fort, vitrified, landscape, autumn, September, 2015, Nikon, D700, digital, camera, photo, photograph, church, granite, stone, trees, bright, sunny, sunshine, blue, sky, colours, colourful
Rhynie Park vbn1138jhp Rhynie Memorial Park grass flowers Tap O'Noth Scotland Aberdeenshire church steeple autumn village scene taken from the roadside from Kildrummy to Huntly. It is a village dominated by the distinctive hill with remains of vitrified Pictish fort and also junction for heading westwards to Dufftown crossing the desolate moorland of the Cabrach or heading east to the Knockespoch viewpoint on Suie Hill on the road across to Alford. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Rhynie, Huntly, road, Lumsden, village, memorial, park, Tap, O’Noth, hill, Pictish, fort, vitrified, landscape, autumn, September, 2015, Nikon, D700, digital, camera, photo, photograph, church, granite, stone, trees, bright, sunny, sunshine, blue, sky, colours, colourful
Rhynie Park vbn1137jhp Rhynie Memorial Park Tap O'Noth Scottish Strathdon church steeple autumn village scene taken from the roadside from Kildrummy to Huntly. It is a village dominated by the distinctive hill with remains of vitrified Pictish fort and also junction for heading westwards to Dufftown crossing the desolate moorland of the Cabrach or heading east to the Knockespoch viewpoint on Suie Hill on the road across to Alford. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Rhynie, Huntly, road, Lumsden, village, memorial, park, Tap, O’Noth, hill, Pictish, fort, vitrified, landscape, upright, autumn, September, 2015, Nikon, D700, digital, camera, photo, photograph, church, granite, stone, trees, bright, sunny, sunshine, blue, sky, colours, colourful
Rhynie Park vbn1136jhp Rhynie Memorial Tap O'Noth hill fort Scotland Aberdeenshire autumn village scene taken from the roadside from Kildrummy to Huntly. It is a village dominated by the distinctive hill with remains of vitrified Pictish fort and also junction for heading westwards to Dufftown crossing the desolate moorland of the Cabrach or heading east to the Knockespoch viewpoint on Suie Hill on the road across to Alford. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Rhynie, Huntly, road, Lumsden, village, memorial, park, Tap, O’Noth, hill, Pictish, fort, vitrified, landscape, autumn, September, 2015, Nikon, D700, digital, camera, photo, photograph, church, granite, stone, trees, bright, sunny, sunshine, blue, sky, colours, colourful
Rhynie Park vbn1134jhp Rhynie Memorial Park grassy square Tap O'Noth Pictish fort ruin Scottish Aberdeenshire church steeple autumn village scene taken from the roadside from Kildrummy to Huntly. It is a village dominated by the distinctive hill with remains of vitrified Pictish fort and also junction for heading westwards to Dufftown crossing the desolate moorland of the Cabrach or heading east to the Knockespoch viewpoint on Suie Hill on the road across to Alford. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Rhynie, Huntly, road, Lumsden, village, memorial, park, Tap, O’Noth, hill, Pictish, fort, vitrified, landscape, autumn, September, 2015, Nikon, D700, digital, camera, photo, photograph, church, granite, stone, trees, bright, sunny, sunshine, blue, sky, colours, colourful
Clatt Rhynie Road vbn1021jhp Rhynie Clatt rural countryside Tap O'Noth Scotland Aberdeenshire autumn scene taken from the roadside from Rhynie to Clatt. It is a village dominated by the distinctive hill with remains of vitrified Pictish fort and also junction for heading westwards to Dufftown crossing the desolate moorland of the Cabrach or heading east to the Knockespoch viewpoint on Suie Hill on the road across to Alford. The main road passing through the village runs between Huntly and Alford. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Rhynie, Huntly, Clatt, road, Lumsden, village, memorial, park, Tap, O’Noth, hill, Pictish, fort, vitrified, landscape, farmland, fields, sheep, grazing, rural, scene, autumn, September, 2015, Nikon, D700, digital, camera, photo, photograph, church, granite, stone, trees, bright, sunny, sunshine, blue, sky, colours, colourful
Rhynie Square xcv7156jhp Rhynie Memorial Park Tap O'Noth Pictish fort spring Scotland Aberdeenshire Church Steeple village scene taken from the roadside from Kildrummy to Huntly. It is a village dominated by the distinctive hill with remains of vitrified Pictish fort and also junction for heading westwards to Dufftown crossing the desolate moorland of the Cabrach or heading east to the Knockespoch viewpoint on Suie Hill on the road across to Alford. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Rhynie, village, memorial, park, Tap O’Noth, hill, Pictish, carved, stone, fort, vitrified, landscape, spring, March, 2015, Nikon, D700, digital, camera, photo, photograph, church, granite, trees
Rhynie Square xcv7155jhp Rhynie Memorial War Park Tap O'Noth Scotland Aberdeenshire Church Steeple village scene taken from the roadside from Kildrummy to Huntly. It is a village dominated by the distinctive hill with remains of vitrified Pictish fort and also junction for heading westwards to Dufftown crossing the desolate moorland of the Cabrach or heading east to the Knockespoch viewpoint on Suie Hill on the road across to Alford. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Rhynie, village, war, memorial, park, Tap O’Noth, hill, Pictish, fort, vitrified, landscape, spring, March, 2015, Nikon, D700, digital, camera, photo, photograph, church, granite, stone, trees
Rhynie Square xcv7152jhp Rhynie Park Tap O'Noth Scottish spring March Aberdeenshire village tree lined scene taken from the roadside from Kildrummy to Huntly. It is a village dominated by the distinctive hill with remains of vitrified Pictish fort and also junction for heading westwards to Dufftown crossing the desolate moorland of the Cabrach or heading east to the Knockespoch viewpoint on Suie Hill on the road across to Alford. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Rhynie, village, memorial, park, Tap O’Noth, hill, Pictish, fort, vitrified, landscape, spring, March, 2015, Nikon, D700, digital, camera, photo, photograph, church, granite, stone, trees
Cabrach Spring jkl9400jhp Cabrach clearances Aberdeenshire Scotland Tap Noth spring gorse rugged land one of the bleakest landscapes especially during a nasty winter day. A few ruined crofts or farms can be seen and evidence of past Highland clearances as well as illustrating the hard life of farming in this unfertile moorland where in today’s harsh economic climate even sheep farming is a struggle. In the distance is the distinct summit of the Tap O'Noth hill near Rhynie on which remains the vitrified fortifications from a Pictish hilltop fort and from which can be seen a similiar relic from the past on Bennachie near Inverurie Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Highlands, Strathdon, Cabrach, rural, upright, April, spring, gorse, yellow, flowers, Tap, Noth, hill, Pictish, fort, ruined, ruins, house, windswept, granite, stone, roofless, desolate, burn, Craig, Creagdearg, Longlands, Whitehillock, Elrick, Meikle, heather, moorland, land-use, barren, grass, rugged, sheep, clearances, derelict, farm, farms, farming, agriculture, hill, rugged, hard
Cabrach Spring jkl9399jhp Cabrach moor Rhynie Aberdeenshire Scottish Strathdon Tap Noth spring gorse one of the bleakest landscapes especially during a nasty winter day. A few ruined crofts or farms can be seen and evidence of past Highland clearances as well as illustrating the hard life of farming in this unfertile moorland where in today’s harsh economic climate even sheep farming is a struggle. In the distance is the distinct summit of the Tap O'Noth hill near Rhynie on which remains the vitrified fortifications from a Pictish hilltop fort and from which can be seen a similiar relic from the past on Bennachie near Inverurie Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Highlands, Strathdon, Cabrach, rural, landscape, April, spring, gorse, yellow, flowers, Tap, Noth, hill, Pictish, fort, ruined, ruins, house, windswept, granite, stone, roofless, desolate, burn, Craig, Creagdearg, Longlands, Whitehillock, Elrick, Meikle, heather, moorland, land-use, barren, grass, rugged, sheep, clearances, derelict, farm, farms, farming, agriculture, hill, rugged, hard
Cabrach Spring jkl9398jhp Cabrach moor Rhynie Dufftown Aberdeenshire Scotland Strathdon Tap Noth spring one of the bleakest landscapes especially during a nasty winter day. A few ruined crofts or farms can be seen and evidence of past Highland clearances as well as illustrating the hard life of farming in this unfertile moorland where in today’s harsh economic climate even sheep farming is a struggle. In the distance is the distinct summit of the Tap O'Noth hill near Rhynie on which remains the vitrified fortifications from a Pictish hilltop fort and from which can be seen a similiar relic from the past on Bennachie near Inverurie Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Highlands, Strathdon, Cabrach, rural, landscape, April, spring, gorse, yellow, flowers, Tap, Noth, hill, Pictish, fort, ruined, ruins, house, windswept, granite, stone, roofless, desolate, burn, Craig, Creagdearg, Longlands, Whitehillock, Elrick, Meikle, heather, moorland, land-use, barren, grass, rugged, sheep, clearances, derelict, farm, farms, farming, agriculture, hill, rugged, hard
Bennachie fm Bourtie jkl7732jhp Bennachie Aberdeenshire Scotland hill outline field Kirkton Bourtie hilltop winter light showing the distant and distinct hills of Garioch with Bennachie's vitrfied Pictish fort remains distinctively etched to the left of the bare beech trees while on the right in the far distance is the outline of Tap O'Noth near Rhynie in Strathdon with its Pictish fort remains. Late afternoon winter light catches the stand of bare beech trees on this hilltop near the Kirkton of Bourtie near to its ruined but substantial Recumbent Stone Circle. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Buchan, Inverurie, Garioch, Kirkton, Bourtie, beech, landscape, trees, Bennachie, hill, view, field, winter, stubble, Tap, O'Noth, hills, outline, west
West fm Pitcaple qwe1929jhp Bennachie Hill back Pitcaple west view winter Garioch Aberdeenshire Scotland in the North East looking at the back of this well known hill with its this distinct Pictish vitrified fort outline but here looking westwards towards Oyne above Pitcaple jusy past the Maidenstone by the Chapel of Garioch road on a crisp frosty winter's morning. In the very distance on the horizon is the distinct dumpling shaped hill top of Tap O'Noth, another site of a vitrified Pictish fort near Rhynie in Strathdon. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Garioch, Bennachie, hill, back, Pitcaple, Oyne, road, landscape, winter, hills, farming, fields, gate, fence, bare, trees, forest, sunlight, blue, sky
Garioch Panorama rty2771jhp Garioch Scottish panorama clouds autumn harvest bales Strathdon Tap Noth Aberdeenshire in the North East with a view from road looking westwards to Tap O'Noth dead centre on the horizon from the Daviot road to Whitemyres. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Garioch, Tap, O'Noth, hill, Daviot, Whitemyres, Strathdon, Rhynie, landscape, panorama, flat, autumn, hills, farming, fields, harvest, bales, patchy, sunlight, dramatic, clouds, stormy, shapes, moody
Train Insch Road VQ9053JHP Railway Train Wardhouse Insch Road Gorse Summer Sheep Hills Scotland on the road from Leith hall, through Kennethmont to Insch on the B9002 near the ruins of Wardhouse Home Farm with a train passing on the main Aberdeen to Inverness railway line with the summer colours of flowering gorse and the distant outline of the Pictish Fort Hill called Tap O'Noth. Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Kennethmont, railway, Insch, roadside, train, Tap, O'Noth, Pictish, fort, vitrified, fields, sheep, grazing, Insch, Wardhouse, Home, Farm, ruins, shell, landscape, summer, gorse, bushes, yellow, trees, forest, hill
Tap O Noth Near Insch VQ9130JHP Tap O'Noth Pictish Hillfort Prehistoric Rhynie Insch Aberdeenshire Scotland Trees a distance view of this site taken north of Insch near Coldholme on one of the bck roads to the Pictish Picardy Symbol Stone. Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Insch, Dunnideer, Tap, O'Noth, Pictish, Hillfort, 1st millennium BC, prehistoric, banks, ditches, enclosure, castles, fort, landscape, hill, top, historic, history, heritage, vitrified, fire, burnt, gorse, bushes, yellow, trees
Insch Road Wardhouse VQ9049JHP Kennethmont Wardhouse Tap O'Noth Hill Road Gorse Scottish Summer Aberdeenshire on the road from Leith hall, through Kennethmont to Insch on the B9002 near the entrance to Wardhouse Home Farm. In the distance is the distinctive outline of the Tap O'Noth near Rhynie with its vitrified Pictish Fort. Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Kennethmont, railway, Insch, roadside, Tap, O'Noth, Pictish, fort, vitrified, fields, sheep, grazing, Insch, Wardhouse, Home, Farm, ruins, shell, landscape, summer, gorse, bushes, yellow, trees, forest, hill
Train Rural Garioch VQ9052JHP Scottish Train Railway Aberdeenshire Insch Road Gorse Summer Photo travelling from Inverness to Aberdeen passes through Aberdeenshire rural countryside near Insch with the distant Pictish fort site on Tap O'Noth near Rhynie in the far distance. Spring gorse flowers in the foreground while sheep graze as the train slides past. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Highlands, Strathdon, Garioch, rural, summer, Insch, Road; Kennethmont, landscape, spring, gorse, Tap O' Noth, hill, Insch, railway, train, Scot Rail, sheep, fields, forest, hills

Scotland > Deeside Towns and Villages (3 files)

Photos of the main towns and villages along the River Dee from Banchory westwards to Braemar with villages bordering the north and south sides of the river such as Torphins and Tarland to Strachan on the south.
Coull Kirkyard qax3747jhp Coull Church cemetery tombstones Morven parish Deeside Aboyne Aberdeenshire Scotland box design kirkyard located off the Aboyne Tarland Road in the south east corner of Cromar. The Church of St Nathalan dating from the late 1700’s possibly on an early site founded in 450AD by St Nathalan with records from the 12th Century indicating ownership to Arbroath Abbey. In the grounds is a mort house. About ¼ mile to the south was the location of Coull Castle, a substantial fortress in the early 13th Century, of which nothing remains today. Continuing up the single lane road northwards brings you to the Slack of Tillylodge and the Queen’s viewpoint with spectacular views over Deeside towards Morven and the distant outline of Lochnagar Britain’s fourth highest mountain. Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Deeside, Aboyne, Coull, Kirk, Church, oblong, box, 1798, St Nathalan, 450AD, Arbroath, Abbey, 13th Century, Tarland, Queen’s, Viewpoint, Slack, Castle, Tomnaverie, Morven, hill, lake, archaeology, archaeological, history, parish, tombstones, mort, house, belfry, birdcage, bell, Burgerhuys, early, Christian, granite, stones, pine-lined, landscape, spring, beech, trees, daffodils, entrance, gate, churchyard, cemetery, countryside, farming, rural, nature, colourful, colorful, peaceful, Historic, council, public, access, March, 2019, Nikon, D700, camera, digital, DSLR, photograph, photo
Coull Kirkyard qax3745jhp Coull Church parish mort house gate Deeside Aboyne Aberdeenshire Scotland box design kirkyard located off the Aboyne Tarland Road in the south east corner of Cromar. The Church of St Nathalan dating from the late 1700’s possibly on an early site founded in 450AD by St Nathalan with records from the 12th Century indicating ownership to Arbroath Abbey. In the grounds is a mort house. About ¼ mile to the south was the location of Coull Castle, a substantial fortress in the early 13th Century, of which nothing remains today. Continuing up the single lane road northwards brings you to the Slack of Tillylodge and the Queen’s viewpoint with spectacular views over Deeside towards Morven and the distant outline of Lochnagar Britain’s fourth highest mountain. Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Deeside, Aboyne, Coull, Kirk, Church, oblong, box, 1798, St Nathalan, 450AD, Arbroath, Abbey, 13th Century, Tarland, Queen’s, Viewpoint, Slack, Castle, Tomnaverie, Morven, hill, lake, archaeology, archaeological, history, parish, tombstones, mort, house, belfry, birdcage, bell, Burgerhuys, early, Christian, granite, stones, pine-lined, landscape, spring, beech, trees, daffodils, entrance, gate, churchyard, cemetery, countryside, farming, rural, nature, colourful, colorful, peaceful, Historic, council, public, access, March, 2019, Nikon, D700, camera, digital, DSLR, photograph, photo
Coull Kirkyard qax3744jhp Coull Church parish Deeside Aboyne Aberdeenshire Scotland box design kirkyard located off the Aboyne Tarland Road in the south east corner of Cromar. The Church of St Nathalan dating from the late 1700’s possibly on an early site founded in 450AD by St Nathalan with records from the 12th Century indicating ownership to Arbroath Abbey. In the grounds is a mort house. About ¼ mile to the south was the location of Coull Castle, a substantial fortress in the early 13th Century, of which nothing remains today. Continuing up the single lane road northwards brings you to the Slack of Tillylodge and the Queen’s viewpoint with spectacular views over Deeside towards Morven and the distant outline of Lochnagar Britain’s fourth highest mountain. Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Deeside, Aboyne, Coull, Kirk, Church, oblong, box, 1798, St Nathalan, 450AD, Arbroath, Abbey, 13th Century, Tarland, Queen’s, Viewpoint, Slack, Castle, Tomnaverie, Morven, hill, lake, archaeology, archaeological, history, parish, tombstones, mort, house, belfry, birdcage, bell, Burgerhuys, early, Christian, granite, stones, pine-lined, landscape, spring, beech, trees, daffodils, entrance, gate, churchyard, cemetery, countryside, farming, rural, nature, colourful, colorful, peaceful, Historic, council, public, access, March, 2019, Nikon, D700, camera, digital, DSLR, photograph, photo

Scotland > Forestry & Farming (15 files)

This gallery will have photography relating to the working areas of Aberdeenshire covering farming and forestry. Includes areas of forestry where there is public access for walks such as The Deeside Way and also photographs of forest harvesting, tree cutting, and stacked logs ready for transport to the local sawmills.
Cabrach Ruin vq8016jhp Cabrach moor Scotland winter roofless ruin doorway open view wall stone barren bleak one of the bleakest landscapes especially during a nasty winter day. A few ruined crofts or farms can be seen and evidence of past Highland clearances as well as illustrating the hard life of farming in this unfertile moorland where in today’s harsh economic climate even sheep farming is a struggle. In the distance can be seen the distinct summit of the Tap O'Noth hill near Rhynie on which remains the vitrified fortifications from a Pictish hilltop fort and from which can be seen a similar relic from the past on Bennachie near Inverurie. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Highlands, Alford, Kildrummy, Dufftown, Strathdon, Cabrach, rural, Tap, Noth, Rhynie, hill, Pictish, fort, ruined, ruins, house, windswept, granite, stone, roofless, desolate, burn, Craig, Creagdearg, Longlands, Whitehillock, Elrick, Meikle, heather, moorland, land-use, barren, grass, rugged, sheep, clearances, derelict, farm, farms, farming, agriculture, hill, hard, winter, March, 2008, digital, camera, Fuji, Finepix, S5Pro, DSLR
Cabrach Ruin vq8014jhp Cabrach moor Aberdeenshire Scottish winter ruin croft doorway open view wall stones grass barren bleak one of the bleakest landscapes especially during a nasty winter day. A few ruined crofts or farms can be seen and evidence of past Highland clearances as well as illustrating the hard life of farming in this unfertile moorland where in today’s harsh economic climate even sheep farming is a struggle. In the distance can be seen the distinct summit of the Tap O'Noth hill near Rhynie on which remains the vitrified fortifications from a Pictish hilltop fort and from which can be seen a similar relic from the past on Bennachie near Inverurie. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Highlands, Alford, Kildrummy, Dufftown, Strathdon, Cabrach, rural, Tap, Noth, Rhynie, hill, Pictish, fort, ruined, ruins, house, windswept, granite, stone, roofless, desolate, burn, Craig, Creagdearg, Longlands, Whitehillock, Elrick, Meikle, heather, moorland, land-use, barren, grass, rugged, sheep, clearances, derelict, farm, farms, farming, agriculture, hill, hard, winter, March, 2008, digital, camera, Fuji, Finepix, S5Pro, DSLR
Cabrach Ruin vq8013jhp Cabrach moor windblown grass barren empty Scotland winter ruined croft stones bleak one of the bleakest landscapes especially during a nasty winter day. A few ruined crofts or farms can be seen and evidence of past Highland clearances as well as illustrating the hard life of farming in this unfertile moorland where in today’s harsh economic climate even sheep farming is a struggle. In the distance can be seen the distinct summit of the Tap O'Noth hill near Rhynie on which remains the vitrified fortifications from a Pictish hilltop fort and from which can be seen a similar relic from the past on Bennachie near Inverurie. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Highlands, Alford, Kildrummy, Dufftown, Strathdon, Cabrach, rural, Tap, Noth, Rhynie, hill, Pictish, fort, ruined, ruins, house, windswept, granite, stone, roofless, desolate, burn, Craig, Creagdearg, Longlands, Whitehillock, Elrick, Meikle, heather, moorland, land-use, barren, grass, rugged, sheep, clearances, derelict, farm, farms, farming, agriculture, hill, hard, winter, March, 2008, digital, camera, Fuji, Finepix, S5Pro, DSLR
Cabrach Ruin vq8011jhp Cabrach moor windswept grass tufts bending Aberdeenshire Scotland winter ruined croft stones barren one of the bleakest landscapes especially during a nasty winter day. A few ruined crofts or farms can be seen and evidence of past Highland clearances as well as illustrating the hard life of farming in this unfertile moorland where in today’s harsh economic climate even sheep farming is a struggle. In the distance can be seen the distinct summit of the Tap O'Noth hill near Rhynie on which remains the vitrified fortifications from a Pictish hilltop fort and from which can be seen a similar relic from the past on Bennachie near Inverurie. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Highlands, Alford, Kildrummy, Dufftown, Strathdon, Cabrach, rural, Tap, Noth, Rhynie, hill, Pictish, fort, ruined, ruins, house, windswept, granite, stone, roofless, desolate, burn, Craig, Creagdearg, Longlands, Whitehillock, Elrick, Meikle, heather, moorland, land-use, barren, grass, rugged, sheep, clearances, derelict, farm, farms, farming, agriculture, hill, hard, winter, March, 2008, digital, camera, Fuji, Finepix, S5Pro, DSLR
Cabrach Ruin vq8010jhp Cabrach moor overview bleak Scottish winter ruined croft stones grass barren one of the bleakest landscapes especially during a nasty winter day. A few ruined crofts or farms can be seen and evidence of past Highland clearances as well as illustrating the hard life of farming in this unfertile moorland where in today’s harsh economic climate even sheep farming is a struggle. In the distance can be seen the distinct summit of the Tap O'Noth hill near Rhynie on which remains the vitrified fortifications from a Pictish hilltop fort and from which can be seen a similar relic from the past on Bennachie near Inverurie. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Highlands, Alford, Kildrummy, Dufftown, Strathdon, Cabrach, rural, Tap, Noth, Rhynie, hill, Pictish, fort, ruined, ruins, house, windswept, granite, stone, roofless, desolate, burn, Craig, Creagdearg, Longlands, Whitehillock, Elrick, Meikle, heather, moorland, land-use, barren, grass, rugged, sheep, clearances, derelict, farm, farms, farming, agriculture, hill, hard, winter, March, 2008, digital, camera, Fuji, Finepix, S5Pro, DSLR, upright
Cabrach Ruin vq8008jhp Cabrach moor Aberdeenshire Scotland winter panorama ruin croft walls stones grass barren bleak one of the bleakest landscapes especially during a nasty winter day. A few ruined crofts or farms can be seen and evidence of past Highland clearances as well as illustrating the hard life of farming in this unfertile moorland where in today’s harsh economic climate even sheep farming is a struggle. In the distance can be seen the distinct summit of the Tap O'Noth hill near Rhynie on which remains the vitrified fortifications from a Pictish hilltop fort and from which can be seen a similar relic from the past on Bennachie near Inverurie. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Highlands, Alford, Kildrummy, Dufftown, Strathdon, Cabrach, rural, Tap, Noth, Rhynie, hill, Pictish, fort, ruined, ruins, house, windswept, granite, stone, roofless, desolate, burn, Craig, Creagdearg, Longlands, Whitehillock, Elrick, Meikle, heather, moorland, land-use, barren, grass, rugged, sheep, clearances, derelict, farm, farms, farming, agriculture, hill, hard, winter, March, 2008, digital, camera, Fuji, Finepix, S5Pro, DSLR
Cabrach Ruin vq8007jhp Cabrach moor Highlands Scotland windswept ruin croft stones grass barren bleak one of the bleakest landscapes especially during a nasty winter day. A few ruined crofts or farms can be seen and evidence of past Highland clearances as well as illustrating the hard life of farming in this unfertile moorland where in today’s harsh economic climate even sheep farming is a struggle. In the distance can be seen the distinct summit of the Tap O'Noth hill near Rhynie on which remains the vitrified fortifications from a Pictish hilltop fort and from which can be seen a similar relic from the past on Bennachie near Inverurie. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Highlands, Alford, Kildrummy, Dufftown, Strathdon, Cabrach, rural, Tap, Noth, Rhynie, hill, Pictish, fort, ruined, ruins, house, windswept, granite, stone, roofless, desolate, burn, Craig, Creagdearg, Longlands, Whitehillock, Elrick, Meikle, heather, moorland, land-use, barren, grass, rugged, sheep, clearances, derelict, farm, farms, farming, agriculture, hill, hard, winter, March, 2008, digital, camera, Fuji, Finepix, S5Pro, DSLR, upright
Cabrach Ruin vq8004jhp Cabrach moor Higland clearances Scottish winter ruined croft stones grass barren bleak one of the bleakest landscapes especially during a nasty winter day. A few ruined crofts or farms can be seen and evidence of past Highland clearances as well as illustrating the hard life of farming in this unfertile moorland where in today’s harsh economic climate even sheep farming is a struggle. In the distance can be seen the distinct summit of the Tap O'Noth hill near Rhynie on which remains the vitrified fortifications from a Pictish hilltop fort and from which can be seen a similar relic from the past on Bennachie near Inverurie. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Highlands, Alford, Kildrummy, Dufftown, Strathdon, Cabrach, rural, Tap, Noth, Rhynie, hill, Pictish, fort, ruined, ruins, house, windswept, granite, stone, roofless, desolate, burn, Craig, Creagdearg, Longlands, Whitehillock, Elrick, Meikle, heather, moorland, land-use, barren, grass, rugged, sheep, clearances, derelict, farm, farms, farming, agriculture, hill, hard, winter, March, 2008, digital, camera, Fuji, Finepix, S5Pro, DSLR
Cabrach Ruin vq8003jhp Cabrach moor Scotland March ruined croft stones grass barren bleak one of the bleakest landscapes especially during a nasty winter day. A few ruined crofts or farms can be seen and evidence of past Highland clearances as well as illustrating the hard life of farming in this unfertile moorland where in today’s harsh economic climate even sheep farming is a struggle. In the distance can be seen the distinct summit of the Tap O'Noth hill near Rhynie on which remains the vitrified fortifications from a Pictish hilltop fort and from which can be seen a similar relic from the past on Bennachie near Inverurie. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Highlands, Alford, Kildrummy, Dufftown, Strathdon, Cabrach, rural, Tap, Noth, Rhynie, hill, Pictish, fort, ruined, ruins, house, windswept, granite, stone, roofless, desolate, burn, Craig, Creagdearg, Longlands, Whitehillock, Elrick, Meikle, heather, moorland, land-use, barren, grass, rugged, sheep, clearances, derelict, farm, farms, farming, agriculture, hill, hard, winter, March, 2008, digital, camera, Fuji, Finepix, S5Pro, DSLR, upright
Cabrach Ruin vq8002jhp Cabrach moor Aberdeenshire Scottish bleak winter wall croft stones grass barren bleak one of the bleakest landscapes especially during a nasty winter day. A few ruined crofts or farms can be seen and evidence of past Highland clearances as well as illustrating the hard life of farming in this unfertile moorland where in today’s harsh economic climate even sheep farming is a struggle. In the distance can be seen the distinct summit of the Tap O'Noth hill near Rhynie on which remains the vitrified fortifications from a Pictish hilltop fort and from which can be seen a similar relic from the past on Bennachie near Inverurie. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Highlands, Alford, Kildrummy, Dufftown, Strathdon, Cabrach, rural, Tap, Noth, Rhynie, hill, Pictish, fort, ruined, ruins, house, windswept, granite, stone, roofless, desolate, burn, Craig, Creagdearg, Longlands, Whitehillock, Elrick, Meikle, heather, moorland, land-use, barren, grass, rugged, sheep, clearances, derelict, farm, farms, farming, agriculture, hill, hard, winter, March, 2008, digital, camera, Fuji, Finepix, S5Pro, DSLR
Cabrach Ruin vq8001jhp Cabrach moorland Aberdeenshire Scotland March ruined croft stones barren bleak one of the bleakest landscapes especially during a nasty winter day. A few ruined crofts or farms can be seen and evidence of past Highland clearances as well as illustrating the hard life of farming in this unfertile moorland where in today’s harsh economic climate even sheep farming is a struggle. In the distance can be seen the distinct summit of the Tap O'Noth hill near Rhynie on which remains the vitrified fortifications from a Pictish hilltop fort and from which can be seen a similar relic from the past on Bennachie near Inverurie. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Highlands, Alford, Kildrummy, Dufftown, Strathdon, Cabrach, rural, Tap, Noth, Rhynie, hill, Pictish, fort, ruined, ruins, house, windswept, granite, stone, roofless, desolate, burn, Craig, Creagdearg, Longlands, Whitehillock, Elrick, Meikle, heather, moorland, land-use, barren, grass, rugged, sheep, clearances, derelict, farm, farms, farming, agriculture, hill, hard, winter, March, 2008, digital, camera, Fuji, Finepix, S5Pro, DSLR, upright
Cabrach Ruin vq8000jhp Cabrach moor Aberdeenshire Scotland winter ruined croft stones grass barren bleak one of the bleakest landscapes especially during a nasty winter day. A few ruined crofts or farms can be seen and evidence of past Highland clearances as well as illustrating the hard life of farming in this unfertile moorland where in today’s harsh economic climate even sheep farming is a struggle. In the distance can be seen the distinct summit of the Tap O'Noth hill near Rhynie on which remains the vitrified fortifications from a Pictish hilltop fort and from which can be seen a similar relic from the past on Bennachie near Inverurie. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Highlands, Alford, Kildrummy, Dufftown, Strathdon, Cabrach, rural, Tap, Noth, Rhynie, hill, Pictish, fort, ruined, ruins, house, windswept, granite, stone, roofless, desolate, burn, Craig, Creagdearg, Longlands, Whitehillock, Elrick, Meikle, heather, moorland, land-use, barren, grass, rugged, sheep, clearances, derelict, farm, farms, farming, agriculture, hill, hard, winter, March, 2008, digital, camera, Fuji, Finepix, S5Pro, DSLR
Cabrach Burning jkl9493jhp Cabrach moor heather burning smoke Aberdeenshire Scottish grouse spring land management located in one of the bleakest landscapes especially during a nasty winter day in western Aberdeenshire. This burning of the heather is an annual activity across the Scottish moors and hills allowing short young regenerated heather for easier access for the young grouse. Old heather gets very long, deep and thick and it is impossible for the grouse to eat and get around. On the Cabrach a few ruined crofts or farms can be seen and evidence of past Highland clearances as well as illustrating the hard life of farming in this unfertile moorland where in today’s harsh economic climate even sheep farming is a struggle. In the distance eastwards the distinct summit of the Tap O'Noth hill near Rhynie on which remains the vitrified fortifications from a Pictish hilltop fort can be seen and from which can be seen a similar relic from the past on Bennachie near Inverurie. This photo is taken on the border between Aberdeenshire and Morayshire on the main road between Rhynie and Dufftown. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Moray, Highlands, Strathdon, Cabrach, Rhynie, Dufftown, road, rural, landscape, upright, April, spring, heather, moorland, moors, moor, burning, clearing, smoke, fire, hills, ruined, ruins, house, windswept, granite, stone, roofless, desolate, burn, moorland, land-use, barren, grass, rugged, sheep, clearances, derelict, farm, farms, farming, agriculture, hill, rugged, hard, shooting, grouse, food, access, Nikon, DSLR, digital, photography, photos, tractor, worker, burner
Cabrach Burning jkl9492jhp Cabrach moor smoke Moray tractor Scotland heather burning grouse spring located in one of the bleakest landscapes especially during a nasty winter day in western Aberdeenshire. This burning of the heather is an annual activity across the Scottish moors and hills allowing short young regenerated heather for easier access for the young grouse. Old heather gets very long, deep and thick and it is impossible for the grouse to eat and get around. On the Cabrach a few ruined crofts or farms can be seen and evidence of past Highland clearances as well as illustrating the hard life of farming in this unfertile moorland where in today’s harsh economic climate even sheep farming is a struggle. In the distance eastwards the distinct summit of the Tap O'Noth hill near Rhynie on which remains the vitrified fortifications from a Pictish hilltop fort can be seen and from which can be seen a similar relic from the past on Bennachie near Inverurie. This photo is taken on the border between Aberdeenshire and Morayshire on the main road between Rhynie and Dufftown. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Moray, Highlands, Strathdon, Cabrach, Rhynie, Dufftown, road, rural, landscape, April, spring, heather, moorland, moors, moor, burning, clearing, smoke, fire, hills, ruined, ruins, house, windswept, granite, stone, roofless, desolate, burn, moorland, land-use, barren, grass, rugged, sheep, clearances, derelict, farm, farms, farming, agriculture, hill, rugged, hard, shooting, grouse, food, access, Nikon, DSLR, digital, photography, photos, tractor, worker, burner
Cabrach Burning jkl9491jhp Cabrach moor Rhynie Dufftown Aberdeenshire Scotland heather burning grouse spring located in one of the bleakest landscapes especially during a nasty winter day in western Aberdeenshire. This burning of the heather is an annual activity across the Scottish moors and hills allowing short young regenerated heather for easier access for the young grouse. Old heather gets very long, deep and thick and it is impossible for the grouse to eat and get around. On the Cabrach a few ruined crofts or farms can be seen and evidence of past Highland clearances as well as illustrating the hard life of farming in this unfertile moorland where in today’s harsh economic climate even sheep farming is a struggle. In the distance eastwards the distinct summit of the Tap O'Noth hill near Rhynie on which remains the vitrified fortifications from a Pictish hilltop fort can be seen and from which can be seen a similar relic from the past on Bennachie near Inverurie. This photo is taken on the border between Aberdeenshire and Morayshire on the main road between Rhynie and Dufftown. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Moray, Highlands, Strathdon, Cabrach, Rhynie, Dufftown, road, rural, landscape, April, spring, heather, moorland, moors, moor, burning, clearing, smoke, fire, hills, ruined, ruins, house, windswept, granite, stone, roofless, desolate, burn, moorland, land-use, barren, grass, rugged, sheep, clearances, derelict, farm, farms, farming, agriculture, hill, rugged, hard, shooting, grouse, food, access, Nikon, DSLR, digital, photography, photos

Scotland > Snow Upper Aberdeenshire (1 file)

Photographs of snow scenes north of Deeside including Huntly, Huntly Castle, River Deveron, Alford, Strathdon, Donside and River Don, including Monymusk Bridge view to Bennachie, St Marys Church, Auchindoir, Cabrach, Rhynie, Lumsden Sculpture Park and Leith Hall
Rhynie Memorial Park TO173020JHP Rhynie Memorial Park Tap O'Noth Scotland Aberdeenshire Snow Church Steeple scene by roadside from Kildrummy to Huntly a village dominated by the distinctive hill with remains of vitrified Pictish fort and also junction for heading westwards to Dufftown crossing the desolate moorland of the Cabrach. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Rhynie, village, memorial, park, Tap o'Noth, hill, Pictish, fort, landscape, upright, winter, snow, church, granite, stone, trees

Click below to purchase all images shown (you can fine-tune on next page):