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Aurora over Scotland (29 files)

Aurora Borealis or Northern Lights displays photographed taken over Aberdeeshire in Scotland since 1989 covering some 350 events with arc, rays, coronas with a wide rnage of shapes and colours
Aurora Glen Dye au61058jhp Scottish Aurora Borealis display ray single Plough Aberdeenshire autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61054jhp Scottish Aurora Borealis display Glen Dye faint multiple rays red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610536jhp Scotland Aurora Borealis rays red clouds moving shapes Aberdeenshire autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film, the end of my first film, and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610535jhp Scotland Aurora Borealis Glen Dye strong rays red clouds patterns autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610533jhp Scottish Aurora Borealis Northern Lights display rays red clouds stars autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610531jhp Scotland photo Aurora Borealis display rays pink clouds windy shapes autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61052jhp Scotland Aurora Borealis display Glen Dye overexposed rays trailing stars red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610527jhp Scotland Aurora Borealis night sky strong multiple rays red Arc autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610526jhp Scotland Northern Lights Glen Dye many strong bright rays red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610525jhp Scottish active Aurora Borealis Glen Dye rays large red clouds autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610524jhp Scotland Merry Dancers display rays red stars several Aurora autumn September 26th & 27th 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610523jhp Scotland Aurora Borealis Glen Dye rays red long exposure clouds 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610521jhp Scotland Northern Lights Clachnaben hill rays mulitple red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610520jhp Scotland Aurora Borealis display rays red clouds Jim Henderson Photo autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film, the first film I tried out, and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61051jhp Scotland Aurora Borealis display Glen Dye rays clouds first photo autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo was the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible and some rays visible through the gaps. This was probably an underexposure, maybe 10 seconds or so. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610517jhp Aberdeenshire Aurora Borealis display Glen Dye faint rays clouds gaps autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617120jhp Scotland Aurora Borealis maximum bright strong display winter hills Boxing Day December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617119jhp Scotland Aurora Borealis Boxing Day December rays bright Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617118jhp Scottish Aurora Borealis display Boxing Day west rays Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, multiple, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617117jhp Scotland Aurora Borealis moving ray red headlights Boxing Day Aberdeenshire December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617115jhp Scotland Northern Lights multiple rays arc red yellow display 1989 Boxing Day December Cairn O’Mount taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617114jhp Scotland Aurora Borealis several rays moving arc hill starting display Boxing Day December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617113jhp Scottish Aurora Borealis early stage arc active Cairn O'Mount rays display Boxing Day December 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617111jhp Scotland Aurora Borealis arc start display Aberdeenshire Jim Henderson Photograph Boxing Day December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61065jhp Scotland Aurora Borealis display Clachnaben hill torr Glen Dye autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, upright, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610615jhp Scottish Aurora Borealis Glen Dye red purple gas September 1989 slide film taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610613jhp Scotland Aurora Borealis red display Glen Dye earliest first autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610612jhp Scottish Aurora Borealis display Plough stars Glen Dye Aberdeenshire first autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610611jhp Scotland Northern Lights Ursa Major red rays display Glen Dye earliest first autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured

Egypt > Aswan in general (2 files)

Images in this gallery relate to Aswan in southern Egypt covering the city, the River Nile and related sites except for more important places such as Philae, The Nubian Museum and Seheil Island Rock carvings.
Aswan Botanical Gardens EG052814jhp Egypt Aswan Plantation Island Botanical Gardens resthouse tourists people often visited on trips in feluccas to the Nubian Villages or Cataracts and the west bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. The Botanical Gardens are a pleasant relaxing visit with walks though tree covered paths, splashes of colourful flowers, wild birds and the occasional cat by places to sit and the usual rest house per this photo at the main disembarking area when the visit is completed. Keywords: Egypt, Egyptian, Aswan, City, River, Nile, waterfront, riverside, Plantation, Kitcheners, Island, Botanical, gardens, park, trees, palm, bark, leaves, branches, flowers, resthouse, tourists, people, men, women, visitors, resting, cool, landscape, colour, colours, colors, shapes, shade, walks, rest, area, seats, creepers, jungle
Aswan Souk Perfume Bottles EG053068JHP Aswan Egypt Souk Bazaar multi-coloured perfume bottles glass colours shapes display, located near the promenade, is an area full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, trading, traders, shop, display, perfume, bottles, shapes, styles, sizes, upright, colours, colors, colourful, colorful, busy, shopping, baksheesh, bargaining

Egypt > Hatshepsut Temple (2 files)

Photos in this gallery are of the West Bank Temple of Hatshepsut at Deir el-Bahri under the cliffs of the Theban hill
Hatshepsut Upper Level EG020129jhp Hatshepsut Temple Luxor Egypt Upper central court visitors tourists cliffs was opened again in 2002 and makes the visit to this magnificent temple almost complete except that entrance into the burial chamber itself is restricted. This magnificent mortuary temple is located on the West Bank of the River Nile at Luxor at an area called Deir el-Bahri and built into the base of the cliffs of the Theban Hill behind which are branches of the Valley of the Kings. Keywords: Egypt, Luxor, Thebes, Theban, West Bank, Deir el-Bahri, el-Bahari, Dayr, Hatshepsut, mortuary, Temple, landscape, gate, court, visitors, tourists, crowds, columns, upper, archaeology, ancient, Egyptian, history, Egyptology, Consort, Queen, Pharaoh, Royal, ruler, woman, columns
Hatshepsut Upper Level EG020109jhp Hatshepsut Temple Luxor Egyptian Queen Pharaoh Upper central court gate was opened again in 2002 and makes the visit to this magnificent temple almost complete except that entrance into the burial chamber itself is restricted. This magnificent mortuary temple is located on the West Bank of the River Nile at Luxor at an area called Deir el-Bahri and built into the base of the cliffs of the Theban Hill behind which are branches of the Valley of the Kings. Keywords: Egypt, Luxor, Thebes, Theban, West Bank, Deir el-Bahri, el-Bahari, Dayr, Hatshepsut, mortuary, Temple, upright, gate, columns, upper, archaeology, ancient, Egyptian, history, Egyptology, Consort, Queen, Pharaoh, Royal, ruler, woman, columns

Egypt > Karnak Temple (7 files)

Photos in this gallery include the whole of Karnak itself, the open air museum, temples of Khonsu and Ptah and the Sound and Light Show night images.
Karnak Temple Quay EG075080jhp Karnak Temple Egyptian Entrance First Pylon West quay slipways excavations have been ongoing in front of this huge site located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The photo shows early stages of the work taken in 2007 but they were not as per the original part of the site as some blocks were dated to the reign of Sheshonq circa 900BC although it is attributed as early as Ramses 11. Of course cartouches from a later period could have been added or were included on blocks inserted when repairs or upgrades made. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, entrance, first, pylon, western, Ramses, Ramasses, Ramesses, Sheshonq, sandstone, history, archaeology, ancient, Egyptology, harbour, quay, slipway, garden, channels, excavations, avenue, sphinxes
Karnak Temple Quay EG075078jhp Karnak Temple Egypt Entrance First Pylon West Harbour quay slipways excavations have been ongoing in front of this huge site located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The photo shows early stages of the work taken in 2007 but they were not as per the original part of the site as some blocks were dated to the reign of Sheshonq 1 circa 900BC although it is attributed as early as Ramses 11. Of course cartouches from a later period could have been added or included on blocks inserted when repairs or upgrades made. Behind the policeman is the Obelisk of Sety 11 c 1195 BC and beyond ruins of a small barque chapel of Hakoris Hakor or Achoris, circa 380BC Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, entrance, first, pylon, western, Ramses, Ramasses, Ramesses, Sety11, Seti, Sethos, Sheshonq, Hakoris, Hakor, Achoris, sandstone, history, archaeology, ancient, Egyptology, harbour, quay, slipway, garden, channels, excavations, avenue, sphinxes
Karnak Headless Statue EG074953jhp Karnak Temple Egyptian Festival Hall Thutmosis Tuthmose statue Akhmenu near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph is near the four papyrus bud columns on the outside Festival Hall of Thutmose 111 towards the north eastern corner. The hall was constructed next to one of the oldest areas of Karnak Temple. This is a complex mix of columned hall, chapels, magazines which are not represented in these photos; this area is described as Akhmenu by the ULCA Digital Karnak Archive but not mentioned a such in any other guide books although it does mean festival Hall per se. This area covers, the Hall of Ancestors containing an extensive king’s list, the famous botanical garden suite with plants found on his military campaigns into Palestine, a shrine for the underworld God Sokar and beyond the remains of a stand of beautiful papyrus columns described as the Colonnade of Tuthmosis 111 and other parts such as The Temple of the Hearing Ear, a sort of public area where offerings and prayers could be made to Amun; the inner sanctum being inaccessible to all but the priests and pharaoh. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, Thutmosis, Thutmose, 111, festival, hall, Akhmenu, colours, painted, colors, history, archaeology, ancient, Egyptology, tent, pole, papyrus, columns, military, tent, campaigns, Men-Khepheru-Re, Blessed, Most, Splendid, Monuments, antechamber, magazines, painted, lintels, carvings, hieroglyphs, roof, supports, suites, Sokar, botanical, gardens, corridor, hall, ancestors, kings, list, hearing, ear
Karnak Papyrus Columns EG074959jhp Karnak Luxor Egypt Festival Hall Thutmose papyrus bud columns cartouches near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph of these four papyrus bud columns is on the outside Festival Hall of Thutmose 111 towards the north eastern corner. The hall was constructed next to one of the oldest areas of Karnak Temple. This is a complex mix of columned hall, chapels, magazines which are not represented in these photos; this area is described as Akhmenu by the ULCA Digital Karnak Archive but not mentioned a such in any other guide books although it does mean festival Hall per se. This area covers, the Hall of Ancestors containing an extensive king’s list, the famous botanical garden suite with plants found on his military campaigns into Palestine, a shrine for the underworld God Sokar and beyond the remains of a stand of beautiful papyrus columns described as the Colonnade of Tuthmosis 111 and other parts such as The Temple of the Hearing Ear, a sort of public area where offerings and prayers could be made to Amun; the inner sanctum being inaccessible to all but the priests and pharaoh. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, Thutmosis, Thutmose, 111, festival, hall, Akhmenu, colours, painted, colors, history, archaeology, ancient, Egyptology, tent, pole, papyrus, columns, military, tent, campaigns, Men-Khepheru-Re, Blessed, Most, Splendid, Monuments, antechamber, magazines, painted, lintels, carvings, hieroglyphs, roof, supports, suites, Sokar, botanical, gardens, corridor, hall, ancestors, kings, list, hearing, ear
Karnak Papyrus Columns EG074957jhp Karnak Temple Egyptian festival hall Thutmose Akhmenu Colonnade papyrus columns near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph of these four papyrus bud columns is on the outside Festival Hall of Thutmose 111 towards the north eastern corner. The hall was constructed next to one of the oldest areas of Karnak Temple. This is a complex mix of columned hall, chapels, magazines which are not represented in these photos; this area is described as Akhmenu by the ULCA Digital Karnak Archive but not mentioned a such in any other guide books although it does mean festival Hall per se. This area covers, the Hall of Ancestors containing an extensive king’s list, the famous botanical garden suite with plants found on his military campaigns into Palestine, a shrine for the underworld God Sokar and beyond the remains of a stand of beautiful papyrus columns described as the Colonnade of Tuthmosis 111 and other parts such as The Temple of the Hearing Ear, a sort of public area where offerings and prayers could be made to Amun; the inner sanctum being inaccessible to all but the priests and pharaoh. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, Thutmosis, Thutmose, 111, festival, hall, Akhmenu, colours, painted, colors, history, archaeology, ancient, Egyptology, tent, pole, papyrus, columns, military, tent, campaigns, Men-Khepheru-Re, Blessed, Most, Splendid, Monuments, antechamber, magazines, painted, lintels, carvings, hieroglyphs, roof, supports, suites, Sokar, botanical, gardens, corridor, hall, ancestors, kings, list, hearing, ear
Karnak Papyrus Columns EG074956jhp Karnak Temple Egypt Festival Hall Thutmosis Colonnade papyrus bud columns near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph of these four papyrus bud columns is on the outside Festival Hall of Thutmose 111 towards the north eastern corner. The hall was constructed next to one of the oldest areas of Karnak Temple. This is a complex mix of columned hall, chapels, magazines which are not represented in these photos; this area is described as Akhmenu by the ULCA Digital Karnak Archive but not mentioned a such in any other guide books although it does mean festival Hall per se. This area covers, the Hall of Ancestors containing an extensive king’s list, the famous botanical garden suite with plants found on his military campaigns into Palestine, a shrine for the underworld God Sokar and beyond the remains of a stand of beautiful papyrus columns described as the Colonnade of Tuthmosis 111 and other parts such as The Temple of the Hearing Ear, a sort of public area where offerings and prayers could be made to Amun; the inner sanctum being inaccessible to all but the priests and pharaoh. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, Thutmosis, Thutmose, 111, festival, hall, Akhmenu, colours, painted, colors, history, archaeology, ancient, Egyptology, tent, pole, papyrus, columns, military, tent, campaigns, Men-Khepheru-Re, Blessed, Most, Splendid, Monuments, antechamber, magazines, painted, lintels, carvings, hieroglyphs, roof, supports, suites, Sokar, botanical, gardens, corridor, hall, ancestors, kings, list, hearing, ear
Karnak Papyrus Column EG074958jhp Karnak Egypt Festival Hall Thutmosis cartouches Colonnade papyrus bud column near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph of these four papyrus bud columns is on the outside Festival Hall of Thutmose 111 towards the north eastern corner. The hall was constructed next to one of the oldest areas of Karnak Temple. This is a complex mix of columned hall, chapels, magazines which are not represented in these photos; this area is described as Akhmenu by the ULCA Digital Karnak Archive but not mentioned a such in any other guide books although it does mean festival Hall per se. This area covers, the Hall of Ancestors containing an extensive king’s list, the famous botanical garden suite with plants found on his military campaigns into Palestine, a shrine for the underworld God Sokar and beyond the remains of a stand of beautiful papyrus columns described as the Colonnade of Tuthmosis 111 and other parts such as The Temple of the Hearing Ear, a sort of public area where offerings and prayers could be made to Amun; the inner sanctum being inaccessible to all but the priests and pharaoh. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, cartouche, Thutmosis, Thutmose, 111, festival, hall, Akhmenu, colours, painted, colors, history, archaeology, ancient, Egyptology, tent, pole, papyrus, columns, military, tent, campaigns, Men-Khepheru-Re, Blessed, Most, Splendid, Monuments, antechamber, magazines, painted, lintels, carvings, hieroglyphs, roof, supports, suites, Sokar, botanical, gardens, corridor, hall, ancestors, kings, list, hearing, ear

Egypt > North of Cairo (5 files)

This gallery has photographs of the main sites North of Cairo, usually visited privately as not part of most Egyptian tours, and includes Heliopolis, Tell Basta near Zagazig and Tanis near the north coast of Egypt
Tanis Granite Junkyard EG077223JHP Tanis Temple Amun Granite Blocks Obelisk Column Photograph Ancient Egypt Delta site in the North once thought to be the capital Per-Ramesses created by Ramses 11 but was in fact the capital of the 24th Nome of Lower Egypt and important in the late Egyptian period. Has Ramesside Temple of Amun with other temples from reigns of Osorkon, Sheshonq and Ptolemy but of special interest are the Royal Tombs where that of Psusennes in particular was intact and gave up one of the richest burial good collections, apart from Tutankhamun, with its famous silver coffin, now in the Cairo Museum. A visit to Tanis is usually by private means but can be incorporated with a day trip through the Delta visiting Heliopolis and Tell Basta but does involve considerable motoring. Keywords: Egypt, Egyptian, Tanis, San al-Hagar, Djane, Delta, landscape, history, ancient, antiquity, archaeology, Egyptology, Amun, Amon, Temple, junkyard, Ramasses, Ramses, Ramesses, buried, sand, blocks, erosion, weathering, cartouche, deepcut, granite, carvings, hieroglyphs, broken, obelisk, column, enclosure, wall
Tanis Amon Ramesses Carving EG077220JHP Tanis Ramses Carving Cartouche Granite Broken Block Amun Temple Ancient Egypt Delta site located in the North and once thought to be the capital Per-Ramesses created by Ramses 11 but was the capital of the 24th Nome of Lower Egypt and important in the late Egyptian period. Has Ramesside Temple of Amun with other temples from reigns of Osorkon, Sheshonq and Ptolemy but of special interest are the Royal Tombs where that of Psusennes in particular was intact and gave up one of the richest burial good collections, apart from Tutankhamun, with its famous silver coffin, now in the Cairo Museum. A visit to Tanis is usually by private means but can be incorporated with a day trip through the Delta visiting Heliopolis and Tell Basta but does involve considerable motoring. Keywords: Egypt, Egyptian, Tanis, San al-Hagar, Djane, Delta, upright, history, ancient, antiquity, archaeology, Egyptology, Amun, Amon, Temple, Ramasses, Ramses, Ramesses, cartouche, deepcut, granite, carvings, hieroglyphs, broken
Tanis Royal Tombs Roof EG077283JHP Tanis Royal Tombs Necropolis Exterior Roof Construction Photo Egypt Delta Site in the North and once thought to be the capital Per-Ramesses created by Ramses but was in fact the capital of the 24th Nome of Lower Egypt and important in the late Egyptian period. Has Ramesside Temple of Amun with other temples from reigns of Osorkon, Sheshonq and Ptolemy but of special interest are the Royal Tombs where that of Psusennes in particular was intact and gave up one of the richest burial good collections, apart from Tutankhamun, with its famous silver coffin, now in the Cairo Museum. A visit to Tanis is usually by private means but can be incorporated with a day trip through the Delta visiting Heliopolis and Tell Basta but does involve considerable motoring. Keywords: Egypt, Egyptian, Tanis, San al-Hagar, Djane, Delta, ancient, antiquity, archaeology, landscape, Egyptology, granite, limestone, blocks, roof, structure, Royal, Necropolis, tombs, exterior, Psuennes, Takelot, Osorkon, Shoshenq, Sheshonq, roof, mudbrick, enclosure
Tanis Statue Bases EG077208JHP Tanis Egypt Ramesses Statue Base Feet Legs Photograph Ancient Egyptian Cartouche Egyptian Delta site in the North once thought to be the capital Per Ramasses created by Ramses but was the capital of the 24th Nome of Lower Egypt and important in the late Egyptian period. Has Ramesside Temple of Amun with other temples from reigns of Osorkon, Sheshonq and Ptolemy but of special interest are the Royal Tombs where that of Psusennes in particular was intact and gave up one of the richest burial good collections, apart from Tutankhamun, with its famous silver coffin, now in the Cairo Museum. A visit to Tanis is usually by private means but can be incorporated with a day trip through the Delta visiting Heliopolis and Tell Basta but does involve considerable motoring. Keywords: Egypt, Egyptian, Tanis, San al-Hagar, Djane, Delta, history, ancient, antiquity, archaeology, upright, Egyptology, Ramasses, Ramses, statue, base, feet, granite, carved, hieroglyphs, cartouche, standing, statues
Tanis Ramses Foot & Feet EG077209JHP Tanis Egypt Temple Ramses Statue Bases Feet Legs Photo Ancient Cartouche Egyptian Delta site in the North once thought to be the capital Per Ramasses created by Ramses but was the capital of the 24th Nome of Lower Egypt and important in the late Egyptian period. Has Ramesside Temple of Amun with other temples from reigns of Osorkon, Sheshonq and Ptolemy but of special interest are the Royal Tombs where that of Psusennes in particular was intact and gave up one of the richest burial good collections, apart from Tutankhamun, with its famous silver coffin, now in the Cairo Museum. A visit to Tanis is usually by private means but can be incorporated with a day trip through the Delta visiting Heliopolis and Tell Basta but does involve considerable motoring. Keywords: Egypt, Egyptian, Tanis, San al-Hagar, Djane, Delta, ancient, antiquity, archaeology, landscape, Egyptology, Ramasses, Ramses, granite, carvings, hieroglyphs, statues, bases, foot, feet, legs, cartouche

Egypt > Outlying Pyramids (20 files)

Pictures of pyramids and scenery related to them outwith the main sites of Giza and Saqqara such as Abusir, Dashur, El Lisht, Meydum and Hawara
Bent Pyramid Dashur eg961329ajhp Egypt Dahshur Bent Red North Pyramids entrance high view vehicle sand desert is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM, Tokina SD, 28-70 zoom lens
Bent Pyramid Dashur eg00725jhp Egyptian Dahshur Bent Pyramid construction limestone casing exposed stonework limestone blocks Snefru King burial cladding desert is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, upright, format
Bent Pyramid Dashur eg00724jhp Egypt Dahshur Bent Pyramid limestone cladding attachment construction plundered exposed corner of this famous and very distinct shape with its reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, tallest and most intact and is visible in the distance on the left. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, upright, landscape, format
Bent Pyramid Dashur eg00723jhp Egypt Dahshur Bent Pyramid limestone cladding attachment construction plundered exposed corner of this famous and very distinct shape with its reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, upright, format
Bent & Red Pyramid Dashur eg00722jhp Egypt Egyptian Dahshur Bent Red Pyramids Snefru King desert necropolis is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, landscape, format
Bent Pyramid Dashur eg961314jhp Egypt Dahshur Bent Pyramid Snefru burial limestone casing west side entrance hole is visible center top above plundered area of casing. The bent Pyramid is famous for its very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4
Bent Pyramid Dashur eg961312jhp Egyptian Dashur Bent Black Pyramid entrance west view limestone desert distance is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright, west, entrance, scale outside, highup
Bent Pyramid Dashur eg961311jhp Egypt Dahshur Bent Pyramid Snefru side Black limestone cladding desert high view near entrance on west side is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 111, mudbrick, black, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4
Bent Pyramid Dashur eg961306jhp Egyptian Dashur Bent Pyramid Snefru limestone cladding plundered construction blocks desert is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4
Bent Pyramid Dashur eg9613011jhp Egypt Dashur Bent Pyramid damage plundered robbed limestone blocks exposed construction casing desert is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright, south, corner, exposed, robbed
Bent Pyramid Dashur eg9613010jhp Egypt Dahshur Bent Pyramid damge plundered robbed limestone casing desert is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4
Bent Pyramid Dashur eg961297jhp Egypt Dahshur Bent Pyramid Snefru King burial causeway limestone cladding plundered north east corner desert is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, northeast corner
Bent Pyramid Dashur eg961296jhp Egypt Egyptian Dahshur Bent Pyramid Snefru King causeway limestone cladding desert north east corner is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, plundered, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright, northeast corner
Bent Pyramid Dashur eg9612915jhp Ancient Egyptian Dashur Bent Pyramid subsidiary south side rubble casing plundered is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, south, side, subsidiary, corner, plundered, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4
Bent Pyramid Dashur eg9612914jhp Egypt Egyptian Dahshur Bent Pyramid subsidiary small south side rubble desert is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, south, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4
Bent Pyramid Dashur eg9612913jhp Egypt Dahshur Bent Pyramid Sneferu chapel stelae mudbrick wall east side is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, chapel, stelae, mudbrick, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright
Bent Pyramid Dashur eg9612912jhp Egypt Egyptian Dashur Bent Pyramid Snefru King burial chapel stelae mudbrick wall is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, chapel, mudbrick, enclosure, stelae, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4
Bent Pyramid Dashur eg9612911jhp Egypt Egyptian Dahshur Bent Pyramid Snefru east side chapel sand desert is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, chapel, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright
Bent Pyramid Dashur eg9612910jhp Egypt Dashur Bent Pyramid Snefru King burial east side chapel desert is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, chapel, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4
Abu Sir Pyramids eg9512115jhp Egypt Abu Sir Sahure carved block per nu shrine hieroglyphs snake ankh art near Saqqara lying on the desert plateau south from Giza is a complex of what were originally 14 pyramids of which only four are now discernible. The most complete is Old Kingdom Dynasty V King Sahure c 2480BC conforming to Fourth Dynasty plans and I was able to access the site in 1995 and took this amongst other photos. However after that the site was closed during visits up to 2005 while undergoing considerable excavation I understood so much more might now be visible assuming access of allowed. Near Memphis and the Saqqara entrances it was approached through the village of Abu Sir. Generally poorly constructed as in the twilight of the ‘Pyramid Age’ and when the centralised power of the crown declined, the remains although in a poor state of repair there were some fascinating remains such as a beautiful carved red granite column with sharp carved bas reliefs, channels for a drainage system, examples of highly skilled carving of granite blocks and shaped bowls thought to be for collecting blood from sacrificed bulls. Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, necropolis, landscape, history, antiquity, pyramid, pyramids, subsidiary, Kings, Pharaohs, Sahure, Neferirkare, Kakai, Nyuserre, Neuserre, Niuserre, Neferefre, Khentkawes, Ptahshepses, official, chapel, mastaba, Egyptology, archaeology, architecture, construction, workmanship, skilled, carvings, reliefs, art, artwork, hieroglyphs, hieroglyphics, per nu, shrine, snake, serpent, ankh, sign, Life, cartouche, ancient, history, royal, tomb, sun, temple, goddess, low, bas, relief, 5th Dynasty, Borchardt, tombs, valley, temple, causeway, ramps, mortuary, basalt, red, granite, palm, columns, drainage, channels, temples, Heliopolitan, sun, god, Re, King, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright

Egypt > Saqqara & Memphis (10 files)

This gallery contains pictures of the two main sites usually visited together on a day trip south of Cairo - Saqqara with the famous Step Pyramid, a huge necropolis with many tombs and other pyramids and Memphis, the ancient capital of Egypt now will an open air museum with the alabaster sphinx and the huge partial statue of Ramasses 11.
Saqqara Persian Shaft eg951159jhp Egypt Saqqara Persian shaft tomb Padiaset colourful painted hieroglyphics texts stars pyramid funerary spells one of many tombs around the Pyramid of Unas near the Step Pyramid. The so-called Persian Shaft was for officials of the Pharaoh, possibly Ahmose 11 c530BC, 26th Dynasty, from the First Persian period, some 2000 years after the Step Pyramid was built. Entered by a wrought iron spiral staircase down a vertical shaft of some 20-25mm depth, three tombs are entered by small horizontal shafts. One tomb that of Psamtik, a royal chief physician still has an enormous carved anthropoid sarcophagus which is empty-the lower half shaped to receive a coffin, the lid, a monolith weighing many tons is perched above it on stone built columns-the custodian suggested I climb on it to photograph the ceilings of beautifully carved hieroglyphic text from the Book of the Dead. For the purist the flash had a UV filter to minimise any unlikely damaging effect on any coloured paintings [Sanders: technical bulletin 16 1995-NPG]. Debate about stone sarcophagus made of, as larger than any of existing shafts-from memory did not feel like granite. The carving skills though were brilliant and the arched tombs covered with text awesome. In the tomb of Pediese, son of Psamtik has coloured ceilings with stars and some painted hieroglyphic text. Access I understand is now limited and is mostly closed. Keywords: Egypt, Egyptian, Saqqara, Saqqarah, Pyramid, Unas, Unis, south, necropolis, Persian, period, Shaft, tombs, Psamtik, Psamtek, Psametik, chief, physician, Zannehib, Djenhebu, Tjanhebu, admiral, Pediese, Paydees, Padiaset, son, below, ground, deep, spiral, staircase, subterranean, underground, hieroglyphs, hieroglyphics, texts, Book, Dead, funerary, spells, mortuary, formulas, walls, carvings, painted, coloured, reliefs, stars, ceiling, curved, arched, sarcophagus, shaped, base, stone, monolith, lid, granite, carved, coffin, form, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, 45CL-4, ultra-violet, filter, upright
Saqqara Persian Shaft eg951158jhp Egypt Saqqara Persian shaft burial tomb Psamtek wall curved hieroglyphics texts pyramid funerary spells one of many tombs around the Pyramid of Unas near the Step Pyramid. The so-called Persian Shaft was for officials of the Pharaoh, possibly Ahmose 11 c530BC, 26th Dynasty, from the First Persian period, some 2000 years after the Step Pyramid was built. Entered by a wrought iron spiral staircase down a vertical shaft of some 20-25mm depth, three tombs are entered by small horizontal shafts. One tomb that of Psamtik, a royal chief physician still has an enormous carved anthropoid sarcophagus which is empty-the lower half shaped to receive a coffin, the lid, a monolith weighing many tons is perched above it on stone built columns-the custodian suggested I climb on it to photograph the ceilings of beautifully carved hieroglyphic text from the Book of the Dead. For the purist the flash had a UV filter to minimise any unlikely damaging effect on any coloured paintings [Sanders: technical bulletin 16 1995-NPG]. Debate about stone sarcophagus made of, as larger than any of existing shafts-from memory did not feel like granite. The carving skills though were brilliant and the arched tombs covered with text awesome. In the tomb of Pediese, son of Psamtik has coloured ceilings with stars and some painted hieroglyphic text. Access I understand is now limited and is mostly closed. Keywords: Egypt, Egyptian, Saqqara, Saqqarah, Pyramid, Unas, Unis, south, necropolis, Persian, period, Amhose 11, Shaft, tombs, Psamtik, Psamtek, Psametik, chief, physician, Zannehib, Djenhebu, Tjanhebu, admiral, Pediese, Paydees, Padiaset, son, below, ground, deep, spiral, staircase, subterranean, underground, hieroglyphs, hieroglyphics, texts, Book, Dead, funerary, spells, mortuary, formulas, walls, carvings, painted, coloured, reliefs, stars, ceiling, curved, arched, sarcophagus, shaped, base, stone, monolith, lid, granite, carved, coffin, form, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, 45CL-4, ultra-violet, filter
Saqqara Persian Shaft eg951157jhp Egypt Saqqarah Persian Psamtik shaft tomb sarcophagus anthropoid carved stone base one of many tombs around the Pyramid of Unas near the Step Pyramid. The so-called Persian Shaft was for officials of the Pharaoh, possibly Ahmose 11 c530BC, 26th Dynasty, from the First Persian period, some 2000 years after the Step Pyramid was built. Entered by a wrought iron spiral staircase down a vertical shaft of some 20-25mm depth, three tombs are entered by small horizontal shafts. One tomb that of Psamtik, a royal chief physician still has an enormous carved anthropoid sarcophagus which is empty-the lower half shaped to receive a coffin, the lid, a monolith weighing many tons is perched above it on stone built columns-the custodian suggested I climb on it to photograph the ceilings of beautifully carved hieroglyphic text from the Book of the Dead. For the purist the flash had a UV filter to minimise any unlikely damaging effect on any coloured paintings [Sanders: technical bulletin 16 1995-NPG]. Debate about stone sarcophagus made of, as larger than any of existing shafts-from memory did not feel like granite. The carving skills though were brilliant and the arched tombs covered with text awesome. In the tomb of Pediese, son of Psamtik has coloured ceilings with stars and some painted hieroglyphic text. Access I understand is now limited and is mostly closed. Keywords: Egypt, Egyptian, Saqqara, Saqqarah, Pyramid, Unas, Unis, south, necropolis, Persian, period, Shaft, Ahmose, tombs, Psamtik, Psamtek, Psametik, chief, physician, Zannehib, Djenhebu, Tjanhebu, admiral, Pediese, Paydees, Padiaset, son, below, ground, deep, spiral, staircase, subterranean, underground, hieroglyphs, hieroglyphics, texts, Book, Dead, funerary, spells, mortuary, formulas, walls, carvings, painted, coloured, reliefs, stars, ceiling, curved, arched, sarcophagus, anthropoid, shaped, base, stone, monolith, lid, granite, carved, coffin, form, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, 45CL-4, ultra-violet, filter
Saqqara Persian Shaft eg951156jhp Egypt Saqqara Persian period shaft tomb Paydees arched ceiling hieroglyphics stars coloured texts pyramid funerary spells one of many tombs around the Pyramid of Unas near the Step Pyramid. The so-called Persian Shaft was for officials of the Pharaoh, possibly Ahmose 11 c530BC, 26th Dynasty, from the First Persian period, some 2000 years after the Step Pyramid was built. Entered by a wrought iron spiral staircase down a vertical shaft of some 20-25mm depth, three tombs are entered by small horizontal shafts. One tomb that of Psamtik, a royal chief physician still has an enormous carved anthropoid sarcophagus which is empty-the lower half shaped to receive a coffin, the lid, a monolith weighing many tons is perched above it on stone built columns-the custodian suggested I climb on it to photograph the ceilings of beautifully carved hieroglyphic text from the Book of the Dead. For the purist the flash had a UV filter to minimise any unlikely damaging effect on any coloured paintings [Sanders: technical bulletin 16 1995-NPG]. Debate about stone sarcophagus made of, as larger than any of existing shafts-from memory did not feel like granite. The carving skills though were brilliant and the arched tombs covered with text awesome. In the tomb of Pediese, son of Psamtik has coloured ceilings with stars and some painted hieroglyphic text. Access I understand is now limited and is mostly closed. Keywords: Egypt, Egyptian, Saqqara, Saqqarah, Pyramid, Unas, Unis, south, necropolis, Persian, period, Shaft, tombs, Psamtik, Psamtek, Psametik, chief, physician, Zannehib, Djenhebu, Tjanhebu, admiral, Pediese, Paydees, Padiaset, son, below, ground, deep, spiral, staircase, subterranean, underground, hieroglyphs, hieroglyphics, texts, Book, Dead, funerary, spells, mortuary, formulas, walls, carvings, painted, coloured, reliefs, stars, ceiling, curved, arched, sarcophagus, shaped, base, stone, monolith, lid, granite, carved, coffin, form, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, 45CL-4, ultra-violet, filter
Saqqara Persian Shaft eg951155jhp Egypt Saqqara Pediese painted ceiling stars hieroglyphs texts pyramid funerary spells one of many tombs around the Pyramid of Unas near the Step Pyramid. The so-called Persian Shaft was for officials of the Pharaoh, possibly Ahmose 11 c530BC, 26th Dynasty, from the First Persian period, some 2000 years after the Step Pyramid was built. Entered by a wrought iron spiral staircase down a vertical shaft of some 20-25mm depth, three tombs are entered by small horizontal shafts. One tomb that of Psamtik, a royal chief physician still has an enormous carved anthropoid sarcophagus which is empty-the lower half shaped to receive a coffin, the lid, a monolith weighing many tons is perched above it on stone built columns-the custodian suggested I climb on it to photograph the ceilings of beautifully carved hieroglyphic text from the Book of the Dead. For the purist the flash had a UV filter to minimise any unlikely damaging effect on any coloured paintings [Sanders: technical bulletin 16 1995-NPG]. Debate about stone sarcophagus made of, as larger than any of existing shafts-from memory did not feel like granite. The carving skills though were brilliant and the arched tombs covered with text awesome. In the tomb of Pediese, son of Psamtik has coloured ceilings with stars and some painted hieroglyphic text. Access I understand is now limited and is mostly closed. Keywords: Egypt, Egyptian, Saqqara, Saqqarah, Pyramid, Unas, Unis, south, necropolis, Persian, period, Shaft, tombs, Psamtik, Psamtek, Psametik, chief, physician, Zannehib, Djenhebu, Tjanhebu, admiral, Pediese, Paydees, Padiaset, son, below, ground, deep, spiral, staircase, subterranean, underground, hieroglyphs, hieroglyphics, texts, Book, Dead, funerary, spells, mortuary, formulas, walls, carvings, painted, coloured, reliefs, stars, ceiling, curved, arched, sarcophagus, shaped, base, stone, monolith, lid, granite, carved, coffin, form, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, 45CL-4, ultra-violet, filter
Saqqara Persian Shaft eg951154jhp Egypt Saqqarah Persian shaft tomb Psamtik hieroglyphics texts carvings Book Dead funerary spells one of many tombs around the Pyramid of Unas near the Step Pyramid. The so-called Persian Shaft was for officials of the Pharaoh, possibly Ahmose 11 c530BC, 26th Dynasty, from the First Persian period, some 2000 years after the Step Pyramid was built. Entered by a wrought iron spiral staircase down a vertical shaft of some 20-25mm depth, three tombs are entered by small horizontal shafts. One tomb that of Psamtik, a royal chief physician still has an enormous carved anthropoid sarcophagus which is empty-the lower half shaped to receive a coffin, the lid, a monolith weighing many tons is perched above it on stone built columns-the custodian suggested I climb on it to photograph the ceilings of beautifully carved hieroglyphic text from the Book of the Dead. For the purist the flash had a UV filter to minimise any unlikely damaging effect on any coloured paintings [Sanders: technical bulletin 16 1995-NPG]. Debate about stone sarcophagus made of, as larger than any of existing shafts-from memory did not feel like granite. The carving skills though were brilliant and the arched tombs covered with text awesome. In the tomb of Pediese, son of Psamtik has coloured ceilings with stars and some painted hieroglyphic text. Access I understand is now limited and is mostly closed. Keywords: Egypt, Egyptian, Saqqara, Saqqarah, Pyramid, Unas, Unis, south, necropolis, Persian, period, Shaft, tombs, Psamtik, Psamtek, Psametik, chief, physician, Zannehib, Djenhebu, Tjanhebu, admiral, Pediese, Paydees, Padiaset, son, below, ground, deep, spiral, staircase, subterranean, underground, hieroglyphs, hieroglyphics, texts, Book, Dead, funerary, spells, mortuary, formulas, walls, carvings, painted, coloured, reliefs, stars, ceiling, curved, arched, sarcophagus, shaped, base, stone, monolith, lid, granite, carved, coffin, form, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, 45CL-4, ultra-violet, filter
Saqqara Persian Shaft eg951153jhp Egyptian Saqqara Psamtek tomb wall carvings hieroglyphs texts pyramid funerary spells one of many tombs around the Pyramid of Unas near the Step Pyramid. The so-called Persian Shaft was for officials of the Pharaoh, possibly Ahmose 11 c530BC, 26th Dynasty, from the First Persian period, some 2000 years after the Step Pyramid was built. Entered by a wrought iron spiral staircase down a vertical shaft of some 20-25mm depth, three tombs are entered by small horizontal shafts. One tomb that of Psamtik, a royal chief physician still has an enormous carved anthropoid sarcophagus which is empty-the lower half shaped to receive a coffin, the lid, a monolith weighing many tons is perched above it on stone built columns-the custodian suggested I climb on it to photograph the ceilings of beautifully carved hieroglyphic text from the Book of the Dead. For the purist the flash had a UV filter to minimise any unlikely damaging effect on any coloured paintings [Sanders: technical bulletin 16 1995-NPG]. Debate about stone sarcophagus made of, as larger than any of existing shafts-from memory did not feel like granite. The carving skills though were brilliant and the arched tombs covered with text awesome. In the tomb of Pediese, son of Psamtik has coloured ceilings with stars and some painted hieroglyphic text. Access I understand is now limited and is mostly closed. Keywords: Egypt, Egyptian, Saqqara, Saqqarah, Pyramid, Unas, Unis, south, necropolis, Persian, period, Shaft, tombs, Psamtik, Psamtek, Psametik, chief, physician, Zannehib, Djenhebu, Tjanhebu, admiral, Pediese, Paydees, Padiaset, son, below, ground, deep, spiral, staircase, subterranean, underground, hieroglyphs, hieroglyphics, texts, Book, Dead, funerary, spells, mortuary, formulas, walls, carvings, painted, coloured, reliefs, stars, ceiling, curved, arched, sarcophagus, shaped, base, stone, monolith, lid, granite, carved, coffin, form, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, 45CL-4, ultra-violet, filter
Saqqara Persian Shaft eg951152jhp Egypt Saqqara Persian period shaft en wall tomb Psametik hieroglyphics texts pyramid funerary spells one of many tombs around the Pyramid of Unas near the Step Pyramid. The so-called Persian Shaft was for officials of the Pharaoh, possibly Ahmose 11 c530BC, 26th Dynasty, from the First Persian period, some 2000 years after the Step Pyramid was built. Entered by a wrought iron spiral staircase down a vertical shaft of some 20-25mm depth, three tombs are entered by small horizontal shafts. One tomb that of Psamtik, a royal chief physician still has an enormous carved anthropoid sarcophagus which is empty-the lower half shaped to receive a coffin, the lid, a monolith weighing many tons is perched above it on stone built columns-the custodian suggested I climb on it to photograph the ceilings of beautifully carved hieroglyphic text from the Book of the Dead. For the purist the flash had a UV filter to minimise any unlikely damaging effect on any coloured paintings [Sanders: technical bulletin 16 1995-NPG]. Debate about stone sarcophagus made of, as larger than any of existing shafts-from memory did not feel like granite. The carving skills though were brilliant and the arched tombs covered with text awesome. In the tomb of Pediese, son of Psamtik has coloured ceilings with stars and some painted hieroglyphic text. Access I understand is now limited and is mostly closed. Keywords: Egypt, Egyptian, Saqqara, Saqqarah, Pyramid, Unas, Unis, south, necropolis, Persian, period, Shaft, tombs, Psamtik, Psamtek, Psametik, chief, physician, Zannehib, Djenhebu, Tjanhebu, admiral, Pediese, Paydees, Padiaset, son, below, ground, deep, spiral, staircase, subterranean, underground, hieroglyphs, hieroglyphics, texts, Book, Dead, funerary, spells, mortuary, formulas, walls, carvings, painted, coloured, reliefs, stars, ceiling, curved, arched, sarcophagus, shaped, base, stone, monolith, lid, granite, carved, coffin, form, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, 45CL-4, ultra-violet, filter
Saqqara Persian Shaft eg951151jhp Egypt Saqqara Persian shaft tomb Psamtik hieroglyphics buriel texts Book Dead one of many tombs around the Pyramid of Unas near the Step Pyramid. The so-called Persian Shaft was for officials of the Pharaoh, possibly Ahmose 11 c530BC, 26th Dynasty, from the First Persian period, some 2000 years after the Step Pyramid was built. Entered by a wrought iron spiral staircase down a vertical shaft of some 20-25mm depth, three tombs are entered by small horizontal shafts. One tomb that of Psamtik, a royal chief physician still has an enormous carved anthropoid sarcophagus which is empty-the lower half shaped to receive a coffin, the lid, a monolith weighing many tons is perched above it on stone built columns-the custodian suggested I climb on it to photograph the ceilings of beautifully carved hieroglyphic text from the Book of the Dead. For the purist the flash had a UV filter to minimise any unlikely damaging effect on any coloured paintings [Sanders: technical bulletin 16 1995-NPG]. Debate about stone sarcophagus made of, as larger than any of existing shafts-from memory did not feel like granite. The carving skills though were brilliant and the arched tombs covered with text awesome. In the tomb of Pediese, son of Psamtik has coloured ceilings with stars and some painted hieroglyphic text. Access I understand is now limited and is mostly closed. Keywords: Egypt, Egyptian, Saqqara, Saqqarah, Pyramid, Unas, Unis, south, necropolis, Persian, period, Shaft, tombs, Psamtik, Psametik, chief, physician, Zannehib, Djenhebu, admiral, Pediese, Paydees, son, below, ground, deep, spiral, staircase, subterranean, underground, hieroglyphs, hieroglyphics, texts, Book, Dead, funerary, spells, mortuary, formulas, walls, carvings, painted, coloured, reliefs, stars, ceiling, curved, arched, sarcophagus, shaped, base, stone, monolith, lid, granite, carved, coffin, form, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, 45CL-4, ultra-violet, filter
Saqqara Persian Shaft eg9511510jhp Egyptian Saqqara Persian period shaft tomb Pediese end wall passageway hieroglyphics texts pyramid funerary spells one of many tombs around the Pyramid of Unas near the Step Pyramid. The so-called Persian Shaft was for officials of the Pharaoh, possibly Ahmose 11 c530BC, 26th Dynasty, from the First Persian period, some 2000 years after the Step Pyramid was built. Entered by a wrought iron spiral staircase down a vertical shaft of some 20-25mm depth, three tombs are entered by small horizontal shafts. One tomb that of Psamtik, a royal chief physician still has an enormous carved anthropoid sarcophagus which is empty-the lower half shaped to receive a coffin, the lid, a monolith weighing many tons is perched above it on stone built columns-the custodian suggested I climb on it to photograph the ceilings of beautifully carved hieroglyphic text from the Book of the Dead. For the purist the flash had a UV filter to minimise any unlikely damaging effect on any coloured paintings [Sanders: technical bulletin 16 1995-NPG]. Debate about stone sarcophagus made of, as larger than any of existing shafts-from memory did not feel like granite. The carving skills though were brilliant and the arched tombs covered with text awesome. In the tomb of Pediese, son of Psamtik has coloured ceilings with stars and some painted hieroglyphic text. Access I understand is now limited and is mostly closed. Keywords: Egypt, Egyptian, Saqqara, Saqqarah, Pyramid, Unas, Unis, south, necropolis, Persian, period, Shaft, tombs, Psamtik, Psamtek, Psametik, chief, physician, Zannehib, Djenhebu, Tjanhebu, admiral, Pediese, Paydees, Padiaset, son, below, ground, deep, spiral, staircase, subterranean, underground, hieroglyphs, hieroglyphics, texts, Book, Dead, funerary, spells, mortuary, formulas, walls, carvings, painted, coloured, reliefs, stars, ceiling, curved, arched, sarcophagus, shaped, base, stone, monolith, lid, granite, carved, coffin, form, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, 45CL-4, ultra-violet, filter, upright

Egypt > Valley of Kings Luxor (17 files)

Photographs of the Valley of the Kings from tomb interiors as well as exterior views of the valley including the tombs of Ramses 1V, KV 43 and 19.
Valley Kings EG0213057jhp Egypt Egyptian Tomb KV19 Prince Mentuherkhepshef hieroglyphics entrance reliefs was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt; Luxor; West Bank; Thebes; Theban; Valley Kings; prince; tomb; KV19; Montu; Mentuherkhepshef; Montu-hir-Khopshef; upright; paintings; colourful; colorful; colours; colors; bright; white; plaster; ancient; Egyptian; archaeology; Egyptology; hieroglyphics; death; burial; mythology; afterlife; history; hieroglyphics; entrance; Gods; offering; fruit; flowers; wine; grapes; bread; DSLR; Fuji; S2; handheld; artificial; light; Photoshop; adjusted; corrections; Perspex; screens;
Valley Kings EG0213055jhp Egypt Luxor Valley Tomb Mentuherkhepshef Osiris Atef Crown painting colours was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Osiris, Atef, crown, beard, upright, painting, painted, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213054jhp Egyptian Tomb Prince Mentuherkhepshef painting closeup offering colourful was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, landscape, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213053jhp Egypt Valley kings KV19 offering table closeup details painting colorful in the tomb of Prince Monu-hir- Khopshef, son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, landscape, closeup, details, painting, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213052jhp Egypt Luxor Tomb KV19 Mentuherkhepshef painting fruit wine grapes colors was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, landscape, painting, closeup, detail, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213051jhp Egyptian Tomb Valley kings Offering table fruit food lotus flowers painted colourful was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, Lotus, table, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213049jhp Egypt Luxor Tomb KV19 Prince Mentuherkhepshef Khonsu Solar Disk Crescent painting colour was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Khonsu, Falcon, God, solar, disk, crescent, sky, diety, form, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213048jhp Egypt Tomb Mentuherkhepshef painting offering food feast details colors was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, landscape, painting, table, feast, Lotus, flower, fowl, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213047jhp Egypt Egyptian Tomb KV19 Montu-hir-Khopshef Sekhmet Sakhmat lioness painting colour was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Sekhmet, Sakhmet, lioness, solar, disk, ureaus, red, dress, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213046jhp Egypt Luxor Tomb KV19 Prince Mentuherkhepshef Isis Goddess solar disk painting colours was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Isis, Goddess, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213045jhp Egypt Kings Valley Tomb Mentuherkhepshef painting fruit gifts table colours was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, landscape, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213044jhp Egyptian Tomb KV19 Prince Mentuherkhepshef Amun God painting colours was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Amun, God, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213043jhp Valley Kings Egyptian Tomb Prince Mentuherkhepshef Sekhmet painting solar ureaus colours was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Sekhmet, Sakhmet, Goddess, lioness, solar, disk, ureaus, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213042jhp Egypt Tomb KV19 Prince Montu-hir-Khopshef offering table fruit painting colors was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213041jhp Luxor Valley Kings Egyptian Tomb Mentuherkhepshef Khonsu falcon God painting colours was son of Ramasses 1X, although his tomb was unfinished it has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Khonsu, Falcon, God, Horus, Solar, Disk, Crescent, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213040jhp Egypt Egyptian Tomb Prince Mentuherkhepshef offering scene colors was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213039jhp Egypt Valley Kings Tomb KV19 Prince Mentuherkhepshef painting offering colours was son of Ramasses 1X, although his tomb was unfinished it has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, wine, pouring, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens

Scotland > Aberdeen City (20 files)

This gallery includes all photographs connected with Aberdeen city from buildings, churches, streets, public parks, gardens, the University, Harbour and the beach. Places covered included Union Terrace Gardens, Cowdray Hall, Rosemount, HM Theatre, William Wallace Statue, Union Street, Castlegate, Citadel, Town House, Provost Skene House, Marsicahl College, Woolmanhill, Denburn Carpark, Johnston Gardens, Victoria Park, Duthie Park, Hazlehead Park, Piper Alpha Memorial, Seaton Park, Kings College, Elphinstone, Old Aberdeen, Fittie, Bridge of Don, AECC, Garthdee, Torry, Nigg, Pocra Quay
Aberdeen Coopers Place 197227jhp Wrights Cooper Place lane houses summer Aberdeen University High Street Scottish City that can be seen along the High Street of Old Aberdeen now very much the centre of the University area as you walk between Kings College to St Machar's Drive and cross to the Chanonry. The University complex is located to the northern area of the modern City lying south of the River Don. These 18th century houses were sympathetically restored in 1965 and add great character to this iconic part of Old Aberdeen. This photograph was taken in 2002 the last year I used slide film, either 35mm or 645 as my main medium for landscape photography. They are still representative of the City despite their age and is chosen because of the lovely light and colours as it can still be on the right day. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North, East, River, Don, university, Kings College, crown, tower, Elphinstone, New Kings, tombstone, Chapel, memorial, old, town, house, bounds, lane, Wrights, Cooper, Place, St. Machar’s, Cathedral Kirk, spires, cemetery, gates, entrance, lamp, setts, road, Seaton, park, Cruickshank, botanical, gardens, Mitchell, hospital, tourism, tourists, visitors, parks, streets, trees, colourful, green, grass, summer, vibrant, colorful, colourful, colours, colors, July, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8
Aberdeen Coopers Place 19111jhp Wrights Cooper Place lane Aberdeen University High Street Scottish City that can be seen along the High Street of Old Aberdeen now very much the centre of the University area as you walk between Kings College to St Machar's Drive and cross to the Chanonry. The University complex is located to the northern area of the modern City lying south of the River Don. These 18th century houses were sympathetically restored in 1965 and add great character to this iconic part of Old Aberdeen. This photograph was taken in 2002 the last year I used slide film, either 35mm or 645 as my main medium for landscape photography. They are still representative of the City despite their age and is chosen because of the lovely light and colours as it can still be on the right day. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North, East, River, Don, university, Kings College, crown, tower, Elphinstone, New Kings, tombstone, Chapel, memorial, old, town, house, bounds, lane, Wrights, Cooper, Place, St. Machar’s, Cathedral Kirk, spires, cemetery, gates, entrance, lamp, setts, road, Seaton, park, Cruickshank, botanical, gardens, Mitchell, hospital, tourism, tourists, visitors, parks, streets, trees, colourful, green, grass, winter, colorful, colourful, colours, colors, February, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8
Aberdeen Persley Garden qax1885jhp Aberdeen Scotland Spring Persley Walled Garden path sunny border flowering shrub to the north of Aberdeen near Persley Bridge where it crosses the River Don to the north of the city on the route via The Parkway to the Bridge of Don and joining up with the main coastal route North A90 road to Ellon and beyond. Near to the park is Grove Cemetery. Some earlier scanned 645 Transparencies from 1999 show the inevitable impact of council cutbacks with some tasteful shaped topiary removed. Keywords: Scotland, Scottish, Aberdeen, City, Aberdeenshire, North East, River, Don, Donside, Persley, Bridge, Walled, Garden, parterre, hedges, Mugiemoss, road, Parkway, Bridge of Don, estuary, Donmouth, Balgownie, spring, Seaton, park, symmetry, tree, trees, flowering, shrubs, wisteria, climbing, mauve, variegated, leaves, white, flowers, Japanese, maple, purple, furniture, wrought, iron, canopy, egg-shaped, seat, colourful, colorful, colourful, colours, colors, May, 2018, Nikon, DSLR, D700, FX, camera, digital, blue, sky, sunny, upright
Aberdeen Persley Garden qax1884jhp Aberdeen Scottish Spring Persley Walled Garden colours border maple purple flowering shrub to the north of Aberdeen near Persley Bridge where it crosses the River Don to the north of the city on the route via The Parkway to the Bridge of Don and joining up with the main coastal route North A90 road to Ellon and beyond. Near to the park is Grove Cemetery. Some earlier scanned 645 Transparencies from 1999 show the inevitable impact of council cutbacks with some tasteful shaped topiary removed. Keywords: Scotland, Scottish, Aberdeen, City, Aberdeenshire, North East, River, Don, Donside, Persley, Bridge, Walled, Garden, parterre, hedges, Mugiemoss, road, Parkway, Bridge of Don, estuary, Donmouth, Balgownie, spring, Seaton, park, symmetry, tree, trees, flowering, shrubs, wisteria, climbing, mauve, variegated, leaves, white, flowers, Japanese, maple, purple, furniture, wrought, iron, canopy, egg-shaped, seat, colourful, colorful, colourful, colours, colors, May, 2018, Nikon, DSLR, D700, FX, camera, digital, blue, sky, sunny
Aberdeen Persley Garden qax1882jhp Aberdeen City Persley Walled Garden seat canopy parterre border Scotland to the north of Aberdeen near Persley Bridge where it crosses the River Don to the north of the city on the route via The Parkway to the Bridge of Don and joining up with the main coastal route North A90 road to Ellon and beyond. Near to the park is Grove Cemetery. Some earlier scanned 645 Transparencies from 1999 show the inevitable impact of council cutbacks with some tasteful shaped topiary removed. Keywords: Scotland, Scottish, Aberdeen, City, Aberdeenshire, North East, River, Don, Donside, Persley, Bridge, Walled, Garden, parterre, hedges, Mugiemoss, road, Parkway, Bridge of Don, estuary, Donmouth, Balgownie, spring, Seaton, park, symmetry, tree, trees, flowering, shrubs, wisteria, climbing, mauve, variegated, leaves, white, flowers, Japanese, maple, purple, furniture, wrought, iron, canopy, egg-shaped, seat, colourful, colorful, colourful, colours, colors, May, 2018, Nikon, DSLR, D700, FX, camera, digital, blue, sky, sunny, upright
Aberdeen Persley Garden qax1881jhp Aberdeen Spring Persley Walled Garden seat canopy borders colourful paving to the north of Aberdeen near Persley Bridge where it crosses the River Don to the north of the city on the route via The Parkway to the Bridge of Don and joining up with the main coastal route North A90 road to Ellon and beyond. Near to the park is Grove Cemetery. Some earlier scanned 645 Transparencies from 1999 show the inevitable impact of council cutbacks with some tasteful shaped topiary removed. Keywords: Scotland, Scottish, Aberdeen, City, Aberdeenshire, North East, River, Don, Donside, Persley, Bridge, Walled, Garden, parterre, hedges, Mugiemoss, road, Parkway, Bridge of Don, estuary, Donmouth, Balgownie, spring, Seaton, park, symmetry, tree, trees, flowering, shrubs, wisteria, climbing, mauve, variegated, leaves, white, flowers, Japanese, maple, purple, furniture, wrought, iron, canopy, egg-shaped, seat, colourful, colorful, colourful, colours, colors, May, 2018, Nikon, DSLR, D700, FX, camera, digital, blue, sky, sunny
Aberdeen Persley Garden qax1880jhp Aberdeen Scotland Spring colours Persley Walled Garden flowers red border plants to the north of Aberdeen near Persley Bridge where it crosses the River Don to the north of the city on the route via The Parkway to the Bridge of Don and joining up with the main coastal route North A90 road to Ellon and beyond. Near to the park is Grove Cemetery. Some earlier scanned 645 Transparencies from 1999 show the inevitable impact of council cutbacks with some tasteful shaped topiary removed. Keywords: Scotland, Scottish, Aberdeen, City, Aberdeenshire, North East, River, Don, Donside, Persley, Bridge, Walled, Garden, parterre, hedges, Mugiemoss, road, Parkway, Bridge of Don, estuary, Donmouth, Balgownie, spring, Seaton, park, symmetry, tree, trees, flowering, shrubs, wisteria, climbing, mauve, variegated, leaves, white, flowers, Japanese, maple, purple, furniture, wrought, iron, canopy, egg-shaped, seat, colourful, colorful, colourful, colours, colors, May, 2018, Nikon, DSLR, D700, FX, camera, digital, blue, sky, sunny
Aberdeen Persley Garden qax1879jhp Aberdeen Persley Walled Garden Worker's Memorial black granite paving parterre to the north of Aberdeen near Persley Bridge where it crosses the River Don to the north of the city on the route via The Parkway to the Bridge of Don and joining up with the main coastal route North A90 road to Ellon and beyond. Near to the park is Grove Cemetery. Some earlier scanned 645 Transparencies from 1999 show the inevitable impact of council cutbacks with some tasteful shaped topiary removed. Keywords: Scotland, Scottish, Aberdeen, City, Aberdeenshire, North East, River, Don, Donside, Persley, Bridge, Walled, Garden, parterre, hedges, Mugiemoss, road, Parkway, Bridge of Don, estuary, Donmouth, Balgownie, spring, Seaton, park, symmetry, tree, trees, flowering, shrubs, wisteria, climbing, mauve, variegated, leaves, white, flowers, Japanese, maple, purple, furniture, wrought, iron, canopy, egg-shaped, seat, colourful, colorful, colourful, colours, colors, May, 2018, Nikon, DSLR, D700, FX, camera, digital, blue, sky, sunny, upright
Aberdeen Persley Garden qax1878jhp Aberdeen City Spring Persley Walled Garden gate wisteria hanging borders paving to the north of Aberdeen near Persley Bridge where it crosses the River Don to the north of the city on the route via The Parkway to the Bridge of Don and joining up with the main coastal route North A90 road to Ellon and beyond. Near to the park is Grove Cemetery. Some earlier scanned 645 Transparencies from 1999 show the inevitable impact of council cutbacks with some tasteful shaped topiary removed. Keywords: Scotland, Scottish, Aberdeen, City, Aberdeenshire, North East, River, Don, Donside, Persley, Bridge, Walled, Garden, parterre, hedges, Mugiemoss, road, Parkway, Bridge of Don, estuary, Donmouth, Balgownie, spring, Seaton, park, symmetry, tree, trees, flowering, shrubs, wisteria, climbing, mauve, variegated, leaves, white, flowers, Japanese, maple, purple, furniture, wrought, iron, canopy, egg-shaped, seat, colourful, colorful, colourful, colours, colors, May, 2018, Nikon, DSLR, D700, FX, camera, digital, blue, sky, sunny
Aberdeen Persley Garden qax1877jhp Aberdeen City Spring Persley Walled Garden border wisteria variegated leaves to the north of Aberdeen near Persley Bridge where it crosses the River Don to the north of the city on the route via The Parkway to the Bridge of Don and joining up with the main coastal route North A90 road to Ellon and beyond. Near to the park is Grove Cemetery. Some earlier scanned 645 Transparencies from 1999 show the inevitable impact of council cutbacks with some tasteful shaped topiary removed. Keywords: Scotland, Scottish, Aberdeen, City, Aberdeenshire, North East, River, Don, Donside, Persley, Bridge, Walled, Garden, parterre, hedges, Mugiemoss, road, Parkway, Bridge of Don, estuary, Donmouth, Balgownie, spring, Seaton, park, symmetry, tree, trees, flowering, shrubs, wisteria, climbing, mauve, variegated, leaves, white, flowers, Japanese, maple, purple, furniture, wrought, iron, canopy, egg-shaped, seat, colourful, colorful, colourful, colours, colors, May, 2018, Nikon, DSLR, D700, FX, camera, digital, blue, sky, sunny
Aberdeen Persley Garden qax1876jhp Aberdeen Spring Persley Walled Garden Worker's Memorial Monolith wisteria shrubs to the north of Aberdeen near Persley Bridge where it crosses the River Don to the north of the city on the route via The Parkway to the Bridge of Don and joining up with the main coastal route North A90 road to Ellon and beyond. Near to the park is Grove Cemetery. Some earlier scanned 645 Transparencies from 1999 show the inevitable impact of council cutbacks with some tasteful shaped topiary removed. Keywords: Scotland, Scottish, Aberdeen, City, Aberdeenshire, North East, River, Don, Donside, Persley, Bridge, Walled, Garden, parterre, hedges, Mugiemoss, road, Parkway, Bridge of Don, estuary, Donmouth, Balgownie, spring, Seaton, park, symmetry, tree, trees, flowering, shrubs, wisteria, climbing, mauve, variegated, leaves, white, flowers, Japanese, maple, purple, furniture, wrought, iron, canopy, egg-shaped, seat, colourful, colorful, colourful, colours, colors, May, 2018, Nikon, DSLR, D700, FX, camera, digital, blue, sky, sunny
Aberdeen Persley Garden qax1875jhp Aberdeen City Spring Persley Walled Garden paving partere bench trees Mugiemoss Road bridge to the north of Aberdeen near Persley Bridge where it crosses the River Don to the north of the city on the route via The Parkway to the Bridge of Don and joining up with the main coastal route North A90 road to Ellon and beyond. Near to the park is Grove Cemetery. Some earlier scanned 645 Transparencies from 1999 show the inevitable impact of council cutbacks with some tasteful shaped topiary removed. Keywords: Scotland, Scottish, Aberdeen, City, Aberdeenshire, North East, River, Don, Donside, Persley, Bridge, Walled, Garden, parterre, hedges, Mugiemoss, road, Parkway, Bridge of Don, estuary, Donmouth, Balgownie, spring, Seaton, park, symmetry, tree, trees, flowering, shrubs, wisteria, climbing, mauve, variegated, leaves, white, flowers, Japanese, maple, purple, furniture, wrought, iron, canopy, egg-shaped, seat, colourful, colorful, colourful, colours, colors, May, 2018, Nikon, DSLR, D700, FX, camera, digital, blue, sky, sunny
Aberdeen Persley Garden qax1874jhp Aberdeen City Spring Persley Walled Garden park parterre symmetry Mugiemoss Road bridge to the north of Aberdeen near Persley Bridge where it crosses the River Don to the north of the city on the route via The Parkway to the Bridge of Don and joining up with the main coastal route North A90 road to Ellon and beyond. Near to the park is Grove Cemetery. Some earlier scanned 645 Transparencies from 1999 show the inevitable impact of council cutbacks with some tasteful shaped topiary removed. Keywords: Scotland, Scottish, Aberdeen, City, Aberdeenshire, North East, River, Don, Donside, Persley, Bridge, Walled, Garden, parterre, hedges, Mugiemoss, road, Parkway, Bridge of Don, estuary, Donmouth, Balgownie, spring, Seaton, park, symmetry, tree, trees, flowering, shrubs, wisteria, climbing, mauve, variegated, leaves, white, flowers, Japanese, maple, purple, furniture, wrought, iron, canopy, egg-shaped, seat, colourful, colorful, colourful, colours, colors, May, 2018, Nikon, DSLR, D700, FX, camera, digital, blue, sky, sunny
Piper Memorial Snow TO170019JHP Hazlehead Park Aberdeen City Scotland winter snow Piper Alpha Memorial in municipal park area to the west of the City offering extensive walks, children’s play areas, crazy golf, restaurant, toilets, sports facilities, large rose gardens, floral displays, sculptures, modern stone circle and a nearby golf course all within easy reach of the City and residential areas. Keywords: Scotland, Scottish, Aberdeenshire, Aberdeen, City, North East, landscape, park, Hazlehead, winter, snow, Piper Alpha Memorial, sculpture, granite, trees
Hazlehead Piper Roses xvv2967jhp Hazlehead Park Aberdeen City Piper Alpha Memorial Roses summer photo in the largest municipal park area to the west of the City offering extensive walks, children’s play areas, crazy golf, restaurant; toilets; sports facilities; large rose gardens, including the Piper Alpha Memorial, floral displays, sculptures, modern stone circle and a nearby golf course all within easy reach of the City and residential areas. Keywords: Scotland, Scottish, Aberdeenshire, Aberdeen, City, North East, landscape, park, Hazlehead, Piper Alpha Memorial, roses, pink, red, yellow, green, summer, vibrant, colorful, colourful, colours, colors
Hazlehead Piper Memorial xvv2954jhp Hazlehead Park Aberdeen Scotland Memorial Rose flowers summer Piper Alpha is the largest municipal park area to the west of the City offering extensive walks, children’s play areas, crazy golf, restaurant; toilets; sports facilities; large rose gardens, including the Piper Alpha Memorial, floral displays, sculptures, modern stone circle and a nearby golf course all within easy reach of the City and residential areas. Keywords: Scotland, Scottish, Aberdeenshire, Aberdeen, City, North East, landscape, park, Hazlehead, Piper Alpha Memorial, roses, pink, red, yellow, green, summer, vibrant, colorful, colourful, colours, colors
Aberdeen Piper Alpha Sunset WT4133JHP Piper Alpha Memorial Aberdeen City Hazelhead Park Sunset Winter Photograph in memory of the worst oil industry offshore disaster stands against a winter sunset in the Hazlehead Park on the western edge of the City of Aberdeen Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, sea, coast, oil, industry, granite, parks, Hazlehead, restaurant, Piper Alpha Memorial, sunset, silhouette, sculpture, winter, colorful, colourful, colours, colors
Aberdeen Piper Alpha Sunset WT4131JHP Hazelhead Park Aberdeen Scotland Piper Alpha Memorial Sunset Winter Silhouette in memory of the worst oil industry offshore disaster stands against a winter sunset in the Hazlehead Park on the western edge of the City of Aberdeen Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, upright, sea, coast, oil, industry, granite, parks, Hazlehead, restaurant, Piper Alpha Memorial, sunset, silhouette, sculpture, winter, colorful, colourful, colours, colors
Aberdeen Piper Alpha Memorial TO4159380JHP Piper Alpha Memorial Oil Disaster Summer Hazlehead Park City Aberdeen and in memory of those who dies in the worst oil industry disaster in the North Sea Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, upright, oil, industry, parks, Hazlehead, Piper Alpha Memorial, grey, Britain in Bloom, flowers, roses, pink, red, yellow, green, summer, vibrant, colorful, colourful, colours, colors
Aberdeen Piper Alpha Memorial TO4159379JHP Piper Alpha Memorial Hazlehead Park Summer Roses Blue Sky photo in public park to the west of the City of Aberdeen and in memory of those who dies in the worst oil industry disaster in the North Sea Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, sea, oil, industry, granite, silver, visitors, parks, Hazlehead, restaurant, Piper Alpha Memorial, grey, Britain in Bloom, flowers, roses, pink, red, yellow, green, summer, vibrant, colorful, colourful, colours, colors

Scotland > Aberdeenshire (3 files)

This gallery includes rural, scenic and landscape subjects of the Shire, including Kincardineshire, Mearns, Garioch, Buchan Strathbogie and Mar.
Uppermuir Mid Mar asd8517jhp Uppermuir Midmar Hill Fare Scotland summer fields gorse dyke yellow colourful Aberdeenshire rural Scotland in the North East with a view looking westwards to rural Province of Mar from near Uppermuir in Midmar. The road comes from the Dunecht to Alford road A944 southwards past Uppermuir and joins the Echt to Tarland B9119 at Balblair, looking across to Midmar Forest and Castle. Note the Exif date is incorrect-camera year set at 2012 but was actually 2013. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Echt, Province, Mar, Midmar, Marionburgh, Tillydaff, Uppermuir, Hillhead, Balblair, fields, green, grass, roadside, Hill, Fare, north, side, hills, landscape, west, westwards, summer, forest, castle, broom, gorse, flowers, yellow, dykes, June, 2013, Nikon, D700, DSLR, camera, digital, photograph
Uppermuir Mid Mar asd8507jhp Uppermuir Midmar Scottish summer fields broom roadside yellow colourful Aberdeenshire rural Scotland in the North East with a view looking westwards to rural Province of Mar from near Uppermuir in Midmar. The road comes from the Dunecht to Alford road A944 southwards past Uppermuir and joins the Echt to Tarland B9119 at Balblair, looking across to Midmar Forest and Castle. Note the Exif date is incorrect-camera year set at 2012 but was actually 2013. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Echt, Province, Mar, Midmar, Marionburgh, Tillydaff, Uppermuir, Hillhead, Balblair, fields, green, grass, roadside, Hill, Fare, north, side, hills, landscape, west, westwards, summer, forest, castle, broom, gorse, flowers, yellow, dykes, June, 2013, Nikon, D700, DSLR, camera, digital, photograph
Uppermuir Midmar asd8510jhp Uppermuir westwards Midmar summer fields dyke gorse yellow Aberdeenshire rural Scotland in the North East with a view looking westwards to rural Province of Mar from near Uppermuir in Midmar. The road comes from the Dunecht to Alford road A944 southwards past Uppermuir and joins the Echt to Tarland B9119 at Balblair, looking across to Midmar Forest and Castle. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Echt, Province, Mar, Midmar, Marionburgh, Tillydaff, Uppermuir, Hillhead, Balblair, fields, green, grass, roadside, Hill, Fare, hills, landscape, west, westwards, summer, forest, castle, broom, gorse, flowers, yellow, dykes

Scotland > Ancient Stones (6 files)

The gallery has photos of ancient Scottish sites such as recumbent stone circles, stone circles, long cairns, Pictish carvings and early fortifications including Tap ONoth, Bennachie, Kinord, and most of the following:
Aikey Brae RSC; Balquhain Stone Circle; Brandsbutt Stone; Broomend of Crichie Henge and Pictish Symbol Stone; Castle Fraser Stone Circle; Consumption Dykes, Kingswells; Corsedarder Memorial; Cothiemuir Wood RSC; Craigearn Standing Stone; Craw Stane, Rhynie; Cullerlie Stone Circle; Culsh earthhouse or souterrain; Easter Aquthorthies RSC; Eslie the Greater RSC; Eslie the Lessler RSC; Garrol Wood RSC; Glassel Stone Circle; Kinord Cross; Kirkton of Bourtie RSC; Loanhead of Daviot RSC; Long Cairn, Corsedarder; Maidenstone Symbol Stone; Mid Mar Stone Circle; Nine Staines RSC; Picardy Pictish Symbol Stone; Strichen RSC; Sueno Stone, Forres; Sunhoney RSC; Tomnaverie RSC;

South Leylodge Stones jkl8124jhp South Leylodge Recumbent Flankers Stone Circle Kintore Aberdeenshire bronze Age historic ruined monument in a field [NJ766132] to the North of the dead end slip road signed Lauchintilly off the B977 Dunecht to Kintore Road. Only the flankers and recumbent appear to be left although there are several single standing stones in nearby fields, possibly monoliths from the original RSC but now useful scratching posts for cattle. Also called the South Ley Lodge RSC per Aubrey Burl’s book ref No: 98 P353 for his details regarding the site. Ian Shepherd in Exploring Scotland’s Heritage: Grampian suggests on page 145 that it might be an example of a RSC that was only that-the flankers and the recumbent and the rest of the circle was never completed. The point was also made that these stones were the first built as the largest and most important although this idea is somewhat contradicted in later studies made at Tomnaverie where these stones are thought to have been added as the final stage of closing out the monument. Ref: the moon and the bonfire, Chapter 5 by Professor Richard Bradley. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, Kintore, Leylodge, South, Ley, Lodge, Lauchintilly, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, DSLR, landscape, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, autumn, electric, pylons, clouds, streaking, blue, sky, winter
South Leylodge Stones jkl8123jhp South Ley Lodge Recumbent Standing Stones Circle Flanker Kintore Aberdeenshire prehistoric ruined monument in a field [NJ766132] to the North of the dead end slip road signed Lauchintilly off the B977 Dunecht to Kintore Road. Only the flankers and recumbent appear to be left although there are several single standing stones in nearby fields, possibly monoliths from the original RSC but now useful scratching posts for cattle. Also called the South Ley Lodge RSC per Aubrey Burl’s book ref No: 98 P353 for his details regarding the site. Ian Shepherd in Exploring Scotland’s Heritage: Grampian suggests on page 145 that it might be an example of a RSC that was only that-the flankers and the recumbent and the rest of the circle was never completed. The point was also made that these stones were the first built as the largest and most important although this idea is somewhat contradicted in later studies made at Tomnaverie where these stones are thought to have been added as the final stage of closing out the monument. Ref: the moon and the bonfire, Chapter 5 by Professor Richard Bradley. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, Kintore, Leylodge, South, Ley, Lodge, Lauchintilly, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, DSLR, landscape, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, autumn, electric, pylons, clouds, streaking, blue, sky, winter
South Leylodge Stones jkl8122jhp South Leylodge Standing Stone Stones Circle Kintore Scottish winter Aberdeenshire prehistoric ruined monument in a field [NJ766132] to the North of the dead end slip road signed Lauchintilly off the B977 Dunecht to Kintore Road. Only the flankers and recumbent appear to be left although there are several single standing stones in nearby fields, possibly monoliths from the original RSC but now useful scratching posts for cattle. Also called the South Ley Lodge RSC per Aubrey Burl’s book ref No: 98 P353 for his details regarding the site. Ian Shepherd in Exploring Scotland’s Heritage: Grampian suggests on page 145 that it might be an example of a RSC that was only that-the flankers and the recumbent and the rest of the circle was never completed. The point was also made that these stones were the first built as the largest and most important although this idea is somewhat contradicted in later studies made at Tomnaverie where these stones are thought to have been added as the final stage of closing out the monument. Ref: the moon and the bonfire, Chapter 5 by Professor Richard Bradley. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, Kintore, Leylodge, South, Ley, Lodge, Lauchintilly, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, DSLR, landscape, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, autumn, electric, pylons, clouds, streaking, blue, sky, winter
South Leylodge Stones jkl8121jhp South Ley Lodge Recumbent Standing Stones monolith winter Circle Kintore Aberdeenshire prehistoric ruined monument in a field [NJ766132] to the North of the dead end slip road signed Lauchintilly off the B977 Dunecht to Kintore Road. Only the flankers and recumbent appear to be left although there are several single standing stones in nearby fields, possibly monoliths from the original RSC but now useful scratching posts for cattle. Also called the South Ley Lodge RSC per Aubrey Burl’s book ref No: 98 P353 for his details regarding the site. Ian Shepherd in Exploring Scotland’s Heritage: Grampian suggests on page 145 that it might be an example of a RSC that was only that-the flankers and the recumbent and the rest of the circle was never completed. The point was also made that these stones were the first built as the largest and most important although this idea is somewhat contradicted in later studies made at Tomnaverie where these stones are thought to have been added as the final stage of closing out the monument. Ref: the moon and the bonfire, Chapter 5 by Professor Richard Bradley. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, Kintore, Leylodge, South, Ley, Lodge, Lauchintilly, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, DSLR, landscape, silhouette, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, autumn, electric, pylons, clouds, streaking, blue, sky, winter
South Leylodge Stones jkl8120jhp South Leylodge Recumbent Stone Circle Kintore Aberdeenshire Scotland prehistoric ruined monument in a field [NJ766132] to the North of the dead end slip road signed Lauchintilly off the B977 Dunecht to Kintore Road. Only the flankers and recumbent appear to be left although there are several single standing stones in nearby fields, possibly monoliths from the original RSC but now useful scratching posts for cattle. Also called the South Ley Lodge RSC per Aubrey Burl’s book ref No: 98 P353 for his details regarding the site. Ian Shepherd in Exploring Scotland’s Heritage: Grampian suggests on page 145 that it might be an example of a RSC that was only that-the flankers and the recumbent and the rest of the circle was never completed. The point was also made that these stones were the first built as the largest and most important although this idea is somewhat contradicted in later studies made at Tomnaverie where these stones are thought to have been added as the final stage of closing out the monument. Ref: the moon and the bonfire, Chapter 5 by Professor Richard Bradley. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, Kintore, Leylodge, South, Ley, Lodge, Lauchintilly, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, DSLR, upright, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, autumn, electric, pylons, clouds, streaking, blue, sky, winter
South Leylodge Stones jkl8119jhp South Leylodge Recumbent Standing Stone Stones Circle Kintore Aberdeenshire prehistoric ruined monument in a field [NJ766132] to the North of the dead end slip road signed Lauchintilly off the B977 Dunecht to Kintore Road. Only the flankers and recumbent appear to be left although there are several single standing stones in nearby fields, possibly monoliths from the original RSC but now useful scratching posts for cattle. Also called the South Ley Lodge RSC per Aubrey Burl’s book ref No: 98 P353 for his details regarding the site. Ian Shepherd in Exploring Scotland’s Heritage: Grampian suggests on page 145 that it might be an example of a RSC that was only that-the flankers and the recumbent and the rest of the circle was never completed. The point was also made that these stones were the first built as the largest and most important although this idea is somewhat contradicted in later studies made at Tomnaverie where these stones are thought to have been added as the final stage of closing out the monument. Ref: the moon and the bonfire, Chapter 5 by Professor Richard Bradley. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, Kintore, Leylodge, South, Ley, Lodge, Lauchintilly, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, DSLR, landscape, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, autumn, electric, pylons, clouds, streaking, blue, sky, winter

Scotland > Banff & Buchan (2 files)

Photographs of the Banff and Buchan area of Aberdeenshire in North East Scotland that do not fit into other specialist categories or particularly illustrate the nature of the area.
Tipperty Turbines vbn0501jhp Banffshire Tipperty Scottish summer Aberdeenshire wind turbines golden barley field ripe a common combination these days especially throughout much of Banff and Buchan and symptomatic of the advance of renewable wind turbine farms and the move away from coal and gas generated electricity. No everyone’s ideal additional to the countryside but can still offer a landscape photographer the chance for new compositions and subject matter. This is taken on the Tipperty road just above a very good viewpoint for Inchdrewer Castle and panoramic views over the Northern Aberdeenshire countryside towards Whitehills and Banff. Keywords: Scotland, Scottish, Banff, Banffshire, Aberdeenshire, Whitehills, Tipperty, Inchdrewer, landscape, roadside, farmland, farm, cereal, crop, barley, harvest, ripe, golden, inland, coast, summer, August, digital, camera, Nikon, D700, photo, photos, photograph, clouds, blue, sky, wind, turbines, green, renewable, energy, electricity
Tipperty Turbine vbn0499jhp Banffshire Whitehills Tipperty Scotland Aberdeenshire wind turbine barley field ripe a common combination these days especially throughout much of Banff and Buchan and symptomatic of the advance of renewable wind turbine farms and the move away from coal and gas generated electricity. No everyone’s ideal additional to the countryside but can still offer a landscape photographer the chance for new compositions and subject matter. This is taken on the Tipperty road just above a very good viewpoint for Inchdrewer Castle and panoramic views over the Northern Aberdeenshire countryside towards Whitehills and Banff. Keywords: Scotland, Scottish, Banff, Banffshire, Aberdeenshire, Whitehills, Tipperty, Inchdrewer, landscape, roadside, farmland, farm, cereal, crop, harvest, ripe, golden, inland, coast, summer, August, digital, camera, Nikon, D700, photo, photos, photograph, clouds, blue, sky, wind, turbine, green, renewable, energy, electricity

Scotland > Clouds, Sunsets, Dawns and Weather (5 files)

The gallery has images of weather related subjects from clouds to dawns and sunrises, NLC or noctilucent clouds nights, moon to sun rings, rainbows, double rainbows, meteors, shooting stars, Perseids. The range of clouds includes cirrus, storm clouds, white puffy fair weather clouds, monster cloud formations, haar, sun beams, lenticular, mama, a wide range of different meteorological structures and types.
Super-Blue-Moon-wsc6525jhp Scotland super full blue moon details structure closest perigee Aberdeenshire looking to Ord Fundlie from Crooktree near Kincardine O’Neil in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Photo of the super blue moon, second full moon in August was taken on evening of 31st August at 21.39BST using a Nikkor AF-S 28-300 mm zoom lens on a tripod with a cable release as the exposure time was 1/200sec at 11 with an ISO of 200. This is not what would be deemed astronomical quality but gives the false impression it is bigger than it is as so close to a natural foreground whereas a few hours later it will appear much smaller high in the night sky-in fact it is exactly the same size in reality. This was taken the evening of the fullest moon-the last time this close and as 'big' was 1948. It is all relative to the beholder and certainly other full moons appear much the same-taken as it clears the hill top as gives more of a sense of scale. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, hill, forest, Kincardine O’Neil, Torphins, summer, moon, craters, details, full, rising, super, large, super-moon, blue, two, one month, perigee, earth, close, closest, rotation, decades, evening, landscape, countryside, rural, leaves, outlines, nature, weather, meteorological, August, 2023, hill-line, top, telephoto, D700, Nikon, zoom, DSLR, digital, Nikkor AF-S, ED, 3.5-5.6G, 28-300mm, photograph
Super-Blue-Moon-wsc6499jhp Scotland super full blue moon closest perigee trees clouds Deeside looking to Ord Fundlie from Crooktree near Kincardine O’Neil in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Photo of the super blue moon, second full moon in August was taken on evening of 30th August at 21.48BST using a Nikkor AF-S 28-300 mm zoom lens on a tripod with a cable release as the exposure time was .3sec at f8 with an ISO of 2500. This is not what would be deemed astronomical quality but gives the false impression it is bigger than it is as so close to a natural foreground whereas a few hours later it will appear much smaller high in the night sky-in fact it is exactly the same size in reality. This was taken the evening of the fullest moon-the last time this close and as 'big' was 1948. It is all relative to the beholder and certainly other full moons appear much the same-taken as it clears the hill top as gives more of a sense of scale. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, hill, forest, Kincardine O’Neil, Torphins, summer, moon, full, rising, super, large, super-moon, blue, two, one month, perigee, earth, close, closest, rotation, decades, evening, landscape, countryside, rural, trees, clouds, nature, weather, meteorological, August, 2023, hill-line, top, telephoto, D700, Nikon, zoom, DSLR, digital, Nikkor AF-S, ED, 3.5-5.6G, 28-300mm, photograph
Super-Blue-Moon-wsc6493jhp Scottish super full blue moon closest perigee Deeside looking to Ord Fundlie from Crooktree near Kincardine O’Neil in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Photo of the super blue moon, second full moon in August was taken on evening of 30th August at 21.41BST using a Nikkor AF-S 28-300 mm zoom lens on a tripod with a cable release as the exposure time was 1/10sec at f8 with an ISO of 6400. This is not what would be deemed astronomical quality but gives the false impression it is bigger than it is as so close to a natural foreground whereas a few hours later it will appear much smaller high in the night sky-in fact it is exactly the same size in reality. This was taken the evening of the fullest moon-the last time this close and as 'big' was 1948. It is all relative to the beholder and certainly other full moons appear much the same-taken as it clears the hill top as gives more of a sense of scale. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, hill, forest, Kincardine O’Neil, Torphins, summer, moon, full, rising, super, large, super-moon, blue, two, one month, perigee, earth, close, closest, rotation, decades, evening, landscape, countryside, rural, nature, weather, meteorological, August, 2023, hill-line, top, telephoto, D700, Nikon, zoom, DSLR, digital, Nikkor AF-S, ED, 3.5-5.6G, 28-300mm, photograph
Perseid Meteor Deeside fgh2781jhp Perseid passing meteor shooting star Scotland Pleiades eastwards Scottish Deeside Aberdeenshire about 25 miles West of Aberdeen on the 13th August, looking in the direction of Torphins with the meteor heading for the Constellation of the Pleiades. Taken at 01.37.33UT [02.37amBST] and looking as if it is dissecting a passing satellite. Taken with Nikon D700 at 1250ISO for 38 secs using 24mm Nikkor f2.8 Manual lens at f2.8. This annual display is caused as the Earth passes through the remnants of a debris field left by the passing of the Comet Swift-Tuttle. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Torphins, east, landscape, Perseid, meteor, shooting, star, Comet, Swift-Tuttle, stars, Pleiades, constellation, night, sky, dark, summer, August, annual, astronomy, astronomical, DSLR, manual, time, exposure
Upper Craigton Sunset Plastic Bales S021239 Evening Sunset Upper Craigton hill Royal Deeside plastic sileage bales black reflections is located above Kincardine O'Nei lwest of Aberdeen in North East Scotland. Often farming adds to the beauty of the countryside but on occasions huge steel barns, plastic sileage bales, metal gates detract from the rural idyll whereas sometimes in the right light such modern additions can add something special. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Upper Craigton, hill, Kincardine O' Neil, landscape, evening, sunset, plastic, wrap, bales, reflections, sileage, clouds, dramatic, shapes, countryside, farming, rural, nature, yellow, brown

Scotland > Flora and Fauna (2 files)

Gallery of Scottish photographs of plants, flowers, such as bluebells, harebells, Dames Rocket, broom, gorse, fox gloves, poppies; trees such as gean, silver birch, pines, Scots Pines, larch, and a few wild animals such as birds, hare, pheasants, roe deer, red squirrels, insects, butterflies such as peacocls, red admirals, tortoiseshell, although I am not a wildlife photographer as such.
New Copper Beech xvv0648jhp Young Copper Beech Leaves Spring Sunshine Fagus Sylvatica Russet Shining Photo on Royal Deeside in North East Scotland. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, wild, upright, countryside, rural, Nature, Fagus sylvatica, Fagaceae, tree, copper, beech, purpurea, foliage, new, young, leaves, veins, colourful, colorful, coloured, colored, sun, sunshine, flora, spring
New Copper Beech xvv0647jhp Young Copper Brown Russet Colour Shining Scottish Beech Leaf Spring Sunshine on Royal Deeside in North East Scotland. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, wild, upright, countryside, rural, Nature, Fagus sylvatica, Fagaceae, tree, copper, beech, purpurea, foliage, new, young, leaves, veins, colourful, colorful, coloured, colored, sun, sunshine, flora, spring

Scotland > Historic Properties (4 files)

This gallery has photographs of Scottish Castles and Fortresses, Stately Homes and Gardens, old churches or kirks and includes most of the following:
Auchindoir Church; Auchindoun Castle; Balmoral Castle; Balvenie Castle; Bass of Inverurie; Bellabeg Motte; Braemar Castle; Brodie Castle; Castle Fraser; Corgarff Castle; Corrichie Monument; Corse O’Neil Castle; Craigellachie Bridge; Crathes Castle; Crathie Kirk; Dalgetie Castle; Deer Abbey; Drum Castle; Duff House; Duffus Castle; Dunnideer; Dunnottar Castle; Elgin Cathedral; Esslemont Castle; Fasque House; Fetternear House; Findlater; Fordyce; Fyvie Castle; Gairnshiel Bridge; Glenbuchat Castle; Haddo House; Hallforest Castle; Huntly Castle; Inchdrewer Castle; Invercauld Bridge O’Dee; Kildrummy Castle; Kincardine O’Neil Kirk; Kindrochit Castle; Kinloss Abbey; Kinneff Church; Knock Castle; Leith Hall; Mar Lodge; Marnoch Kirkyard; Mid Mar Kirk; Monymusk Kirk; Peel of Lumphanan; Pitmedden Gardens; Pluscarden Priory or Abbey; Ruthven Barracks; Slains Castle; Tolquhon Castle; Tullich Kirk; Fort George;
Persephone xcv7758jhp Persephone carved statue Pitcaple Aberdeenshire Greek Goddess Scottish spring vegetation near the Maiden Stone this ancient Scottish relic stands by the roadside near Pitcaple and is easily accessible for the causal visit from a small lay-by carpark at the Maidenstone although it is a narrow busy road to walk with care. The Statue is by the entrance to Crowmallie House and is of the Greek Goddess of the underworld, supposed daughter of Zeus and Demeter. Considered also to be the vegetation goddess and honoured often at spring time when crops start to grow again. Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Persephone, carved, stone, statue, Maiden, symbol, Pitcaple, Chapel, Garioch, Donside, Gordon, district, archaeology, archaeological, history, Greek, legend, Cora, Kore, Zeus, Demeter, west, face, landscape, spring, May, carving, daughter, countryside, farming, rural, nature, colourful, colorful, peaceful, trees, woods, access, fenced, Roman, Proserpina, Proserpine, pomegranate, bats, mystical, sceptre, box, sheaf, vegetation, agriculture, crops, growing
Persephone xcv7757jhp Persephone carved statue Pitcaple Aberdeenshire Scotland Greek Goddess Maiden Stone by this ancient Scottish relic stands by the roadside near Pitcaple and is easily accessible for the causal visit from a small lay-by carpark at the Maidenstone although it is a narrow busy road to walk with care. The Statue is by the entrance to Crowmallie House and is of the Greek Goddess of the underworld, supposed daughter of Zeus and Demeter. Considered also to be the vegetation goddess and honoured often at spring time when crops start to grow again. Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Persephone, carved, stone, statue, Maiden, symbol, Pitcaple, Chapel, Garioch, Donside, Gordon, district, archaeology, archaeological, history, Greek, legend, Cora, Kore, Zeus, Demeter, west, face, upright, landscape, spring, May, carving, daughter, countryside, farming, rural, nature, colourful, colorful, peaceful, trees, woods, access, fenced, Roman, Proserpina, Proserpine, pomegranate, bats, mystical, sceptre, box, sheaf, vegetation, agriculture, crops, growing
Drum Castle Upper Hall qwe4611jhp Drum Castle upper hall interior vaulted Aberdeenshire Scottish fort medieval tower was formerly a royal residence with the Great Tower dating from the reign of King William the Lion, late 13th century. Granted to the Irvine family by Robert the Bruce has been under their care from 1323 to 1976, including Forest of Drum, a royal hunting park and the Old Wood with ancient oaks, geans and Caledonian Pines. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5 Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property situated about 10 miles west of Aberdeen on the North Deeside Road and is open to the public all the year round. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, North, East, Drumoak, Peterculter, Drum, Castle, NTS, National, Trust, history, medieval, tower, upper, hall, fireplace, barrel-arch, ceiling, storeroom, interior, inside, stonework, vaulted, arch, high, Laigh, hall, Jacobean, medieval, mansion, Victorian, lairds, Irvine, summer, landscape
Drum Castle Upper Hall qwe4610jhp Drum Castle Royal Deeside Aberdeenshire Scotland medieval tower upper hall interior in what was formerly a royal residence with the Great Tower dating from the reign of King William the Lion, late 13th century. Granted to the Irvine family by Robert the Bruce has been under their care from 1323 to 1976, including Forest of Drum, a royal hunting park and the Old Wood with ancient oaks, geans and Caledonian Pines. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5 Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property situated about 10 miles west of Aberdeen on the North Deeside Road and is open to the public all the year round. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, North, East, Drumoak, Peterculter, Drum, Castle, NTS, National, Trust, history, medieval, tower, upper, hall, storeroom, interior, inside, stonework, vaulted, arch, high, Laigh, hall, Jacobean, medieval, mansion, Victorian, lairds, Irvine, summer, upright

Scotland > Other Scotland (9 files)

Photographs taken in the mid 90's mainly for the AA Publishing & Ordnance Survey Highland and Islands Guide book using transparency film covering the Highlands of Scotland from Inverness, northwards through Easter Ross to Wick and Thurso, along the Northern Coast, down the West Coast, including the Islands of Skye and Mull. Other material included was gathered for other AA Publishing Guides including Shetland, Pitlochry and Tayside. New photographs are now included from 2012 book commission travels in Angus, Perth, Kinross, Trossachs and Tayside.
River View fm Bridge qwe9630jhp Dunkeld River Tay town bridge view Cathedral riverbank fishing Scotland summer is situated on the banks of the River Tay which separates Dunkeld Town per se and Birnam on the far bank. Dunkeld was badly damaged during the Battle of Dunkeld in 1689 was later rebuilt in the 18th Century in a much ‘planned’ style. The location has a chequered and sometime violent history certainly recorded back to Pictish times around 820AD and long association with Christianity since its fledging beginnings in Scotland. Any location by a river lying in the lee of surrounding hills probably attracted habitation even in prehistoric times. It is very busy attractive town for visitors, extremely so during summer weekends, and lies conveniently close to the A9 route between Perth and northwards via Pitlochry into the Highlands. Keywords: Scotland, Scottish, Perthshire, Strathtay, Dunkeld, River, Tay, town, summer, landscape, riverbank, trees, sunshine, flower, displays, tubs, pavement, bridge, view, southbank, road, A9, Little, Perth.
NTS House Restoration qwe9627jhp Dunkeld town street Scottish NTS Saltire Award Restored houses painted sunny one of the attractive aspects of this town situated on the banks of the River Tay which separates Dunkeld Town per se and Birnam on the far bank. Dunkeld was badly damaged during the Battle of Dunkeld in 1689 was later rebuilt in the 18th Century in a much ‘planned’ style of which this Saltire Award winning restoration by the National Trust for Scotland illustrates in this street near the Cathedral. The location has a chequered and sometime violent history certainly recorded back to Pictish times around 820AD and long association with Christianity since its fledging beginnings in Scotland. Any location by a river lying in the lee of surrounding hills probably attracted habitation even in prehistoric times. It is very busy attractive town for visitors, extremely so during summer weekends, and lies conveniently close to the A9 route between Perth and northwards via Pitlochry into the Highlands. Keywords: Scotland, Scottish, Perthshire, Strathtay, Dunkeld, River, Tay, town, street, houses, restoration, NTS, Saltire, Award, Atholl, summer, landscape, harled, white, painted, sunshine, pavement, Cathedral, walk, road
Dunkeld Cathedral qwe9626jhp Dunkeld Cathedral east window town side Strathtay Perthshire Scotland summer this beautiful building was started in the mid-13th Century, later suffered extreme damage and later restored in the 18th Century. It is situated on the banks of the River Tay which separates Dunkeld Town per se and Birnam on the far bank. Dunkeld was badly damaged during the Battle of Dunkeld in 1689 was later rebuilt in the 18th Century in a much ‘planned’ style. The location has a chequered and sometime violent history certainly recorded back to Pictish times around 820AD and long association with Christianity since its fledging beginnings in Scotland. Any location by a river lying in the lee of surrounding hills probably attracted habitation even in prehistoric times. It is very busy attractive town for visitors, extremely so during summer weekends, and lies conveniently close to the A9 route between Perth and northwards via Pitlochry into the Highlands. Keywords: Scotland, Scottish, Perthshire, Strathtay, Dunkeld, River, Tay, Cathedral, medieval, summer, upright, Chapel, St Columba, Ninian, museum, riverbank, trees, sunshine, shadows, east, window, town
Dunkeld Cathedral qwe9620jhp Dunkeld Cathedral River Tay banks trees Scottish medieval southern Scotland summer this beautiful building was started in the mid-13th Century, later suffered extreme damage and later restored in the 18th Century. It is situated on the banks of the River Tay which separates Dunkeld Town per se and Birnam on the far bank. Dunkeld was badly damaged during the Battle of Dunkeld in 1689 was later rebuilt in the 18th Century in a much ‘planned’ style. The location has a chequered and sometime violent history certainly recorded back to Pictish times around 820AD and long association with Christianity since its fledging beginnings in Scotland. Any location by a river lying in the lee of surrounding hills probably attracted habitation even in prehistoric times. It is very busy attractive town for visitors, extremely so during summer weekends, and lies conveniently close to the A9 route between Perth and northwards via Pitlochry into the Highlands. Keywords: Scotland, Scottish, Perthshire, Strathtay, Dunkeld, River, Tay, Cathedral, medieval, summer, landscape, southern, aspect, tower, west, St Columba, Ninian, museum, riverbank, trees, sunshine, shadows, east, window
Dunkeld Cathedral qwe9597jhp Dunkeld Cathedral west tower Strathtay Historic Scotland summer sunshine photo of this beautiful building was started in the mid-13th Century, later suffered extreme damage and later restored in the 18th Century. It is situated on the banks of the River Tay which separates Dunkeld Town per se and Birnam on the far bank. Dunkeld was badly damaged during the Battle of Dunkeld in 1689 was later rebuilt in the 18th Century in a much ‘planned’ style. The location has a chequered and sometime violent history certainly recorded back to Pictish times around 820AD and long association with Christianity since its fledging beginnings in Scotland. Any location by a river lying in the lee of surrounding hills probably attracted habitation even in prehistoric times. It is very busy attractive town for visitors, extremely so during summer weekends, and lies conveniently close to the A9 route between Perth and northwards via Pitlochry into the Highlands. Keywords: Scotland, Scottish, Perthshire, Strathtay, Dunkeld, River, Tay, Cathedral, medieval, summer, upright, tower, west, Chapel, St Columba, Ninian, museum, riverbank, trees, sunshine, shadows, window
Dunkeld Cathedral qwe9596jhp Dunkeld Cathedral West Tower Historic Scotland blue sky sunny summer this beautiful building was started in the mid-13th Century, later suffered extreme damage and later restored in the 18th Century. It is situated on the banks of the River Tay which separates Dunkeld Town per se and Birnam on the far bank. Dunkeld was badly damaged during the Battle of Dunkeld in 1689 was later rebuilt in the 18th Century in a much ‘planned’ style. The location has a chequered and sometime violent history certainly recorded back to Pictish times around 820AD and long association with Christianity since its fledging beginnings in Scotland. Any location by a river lying in the lee of surrounding hills probably attracted habitation even in prehistoric times. It is very busy attractive town for visitors, extremely so during summer weekends, and lies conveniently close to the A9 route between Perth and northwards via Pitlochry into the Highlands. Keywords: Scotland, Scottish, Perthshire, Strathtay, Dunkeld, River, Tay, Cathedral, medieval, summer, landscape, tower, west, Chapel, St Columba, Ninian, museum, riverbank, trees, sunshine, shadows, blue, sky, sunny, east, window
Dunkeld Cathedral qwe9594jhp Dunkeld Cathedral Riverbank Tay view southern aspect Strathtay Scottish summer this beautiful building was started in the mid-13th Century, later suffered extreme damage and later restored in the 18th Century. It is situated on the banks of the River Tay which separates Dunkeld Town per se and Birnam on the far bank. Dunkeld was badly damaged during the Battle of Dunkeld in 1689 was later rebuilt in the 18th Century in a much ‘planned’ style. The location has a chequered and sometime violent history certainly recorded back to Pictish times around 820AD and long association with Christianity since its fledging beginnings in Scotland. Any location by a river lying in the lee of surrounding hills probably attracted habitation even in prehistoric times. It is very busy attractive town for visitors, extremely so during summer weekends, and lies conveniently close to the A9 route between Perth and northwards via Pitlochry into the Highlands. Keywords: Scotland, Scottish, Perthshire, Strathtay, Dunkeld, River, Tay, Cathedral, medieval, summer, landscape, southern, aspect, tower, west, Chapel, St Columba, Ninian, museum, riverbank, trees, sunshine, shadows, east, window
Dunkeld Cathedral qwe9591jhp Dunkeld Cathedral south face west tower Scotland Strathtay Perthshire summer this beautiful building was started in the mid-13th Century, later suffered extreme damage and later restored in the 18th Century. It is situated on the banks of the River Tay which separates Dunkeld Town per se and Birnam on the far bank. Dunkeld was badly damaged during the Battle of Dunkeld in 1689 was later rebuilt in the 18th Century in a much ‘planned’ style. The location has a chequered and sometime violent history certainly recorded back to Pictish times around 820AD and long association with Christianity since its fledging beginnings in Scotland. Any location by a river lying in the lee of surrounding hills probably attracted habitation even in prehistoric times. It is very busy attractive town for visitors, extremely so during summer weekends, and lies conveniently close to the A9 route between Perth and northwards via Pitlochry into the Highlands. Keywords: Scotland, Scottish, Perthshire, Strathtay, Dunkeld, River, Tay, Cathedral, medieval, summer, landscape, south, face, tower, west, Chapel, St Columba, Ninian, museum, riverbank, trees, sunshine, shadows, east, window, blue, sky, white, clouds
Dunkeld qwe9641jhp Dunkeld River Tay town bridge street Scotland Strathtay Perthshire summer is situated on the banks of the River Tay which separates Dunkeld Town per se and Birnam on the far bank. Dunkeld was badly damaged during the Battle of Dunkeld in 1689 was later rebuilt in the 18th Century in a much ‘planned’ style. The location has a chequered and sometime violent history certainly recorded back to Pictish times around 820AD and long association with Christianity since its fledging beginnings in Scotland. Any location by a river lying in the lee of surrounding hills probably attracted habitation even in prehistoric times. It is very busy attractive town for visitors, extremely so during summer weekends, and lies conveniently close to the A9 route between Perth and northwards via Pitlochry into the Highlands. Keywords: Scotland, Scottish, Perthshire, Strathtay, Dunkeld, River, Tay, town, street, Atholl, Hotel, summer, landscape, riverbank, trees, sunshine, flower, displays, tubs, pavement, bridge, church, road, A984, Little, Caputh, Stanley, Perth.

Scotland > Rivers, Glens & Lochs (37 files)

The gallery has photographs of Scottish lochs, glens and pictures associated directly with particular rivers in Scotland such as the River Dee, Don, Feugh, Urie, Deveron, Tanar, Dye, and Glen of Dee, Glen Muick and Glenbuchat.
Upper Deeside Heather 1912735jhp Linn River Dee above Gorge upstream trees forest Deeside Aberdeenshire Scotland dramatic dangerous bridge is as far west as the metal road goes in Glen Dee and the Linn is a popular visiting place because of the dangerous and spectacular nature of the river crashing though this narrow cleft in the granite rocks. A public carpark nearby is ideal parking for walkers heading north into the Cairngorms or westwards past the Chest of Dee into Glen Tilt and on to Blair Atholl or doubling back taking the metalled road to its end at the Quoich past the back of Mar Lodge and as far as the new National Trust for Scotland carpark. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Braemar, Linn of Dee, Linn, upper, Deeside, glen, Dee, gorge, river, upstream, above, landscape, bridge, hills, walks, rocks, deep, dangerous, water, rushing, turmoil, swirling, crashing, granite, trees, pines, countryside, rural, summer, August, heather, purple, white, clouds, blue, sky, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8
Upper Deeside Heather 1912729jhp Linn River Dee above Gorge upstream Deeside Glen Aberdeenshire Scotland dramatic dangerous bridge is as far west as the metal road goes in Glen Dee and the Linn is a popular visiting place because of the dangerous and spectacular nature of the river crashing though this narrow cleft in the granite rocks. A public carpark nearby is ideal parking for walkers heading north into the Cairngorms or westwards past the Chest of Dee into Glen Tilt and on to Blair Atholl or doubling back taking the metalled road to its end at the Quoich past the back of Mar Lodge and as far as the new National Trust for Scotland carpark. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Braemar, Linn of Dee, Linn, upper, Deeside, glen, Dee, gorge, river, upstream, above, landscape, bridge, hills, walks, rocks, deep, dangerous, water, rushing, turmoil, swirling, crashing, granite, trees, pines, countryside, rural, summer, August, heather, purple, white, clouds, blue, sky, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8
Upper Deeside Heather 1912722jhp Upper Deeside lay-by north Beinn A’Bhuird River Dee Braemar Aberdeenshire Scotland summer hills clouds sunny before the Corriemulzie Gorge and located at a layby below Morrone Hill looking westwards up Glen Dee. In the centre right distance, just near the forest outlined on the river floodplain is Mar Lodge while off to the left are the Glens of Ey and beyond that the Tilt walk through to Blair Atholl, passing the Chest of Dee. This view greets the traveller leaving Braemar enroute to the Linn of Dee. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Braemar, Upper, Deeside, glen, Dee, Mar Lodge, river, landscape, Beinn, A’Bhuird, lay-by, hills, walks, heather, granite, trees, clouds, pines, forest, countryside, rural, summer, August, heather, purple, white, clouds, blue, sky, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8
Upper Deeside Heather 1912720jhp Upper Deeside lay-by Glen Dee Braemar heather foreground purple Scotland summer hills clouds sunny before the Corriemulzie Gorge and located at a layby below Morrone Hill looking westwards up Glen Dee. In the centre right distance, just near the forest outlined on the river floodplain is Mar Lodge while off to the left are the Glens of Ey and beyond that the Tilt walk through to Blair Atholl, passing the Chest of Dee. This view greets the traveller leaving Braemar enroute to the Linn of Dee. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Braemar, Upper, Deeside, glen, Dee, Mar Lodge, river, landscape, lay-by, hills, walks, heather, granite, trees, clouds, pines, forest, countryside, rural, summer, August, heather, purple, white, clouds, blue, sky, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8
Upper Deeside zxc5880jhp Upper Deeside Glen Ey Inverey Deeside Scottish winter frost sunshine wooden fence after the Corriemulzie Gorge and westwards up Glen Dee. This scene is on a forestry access track to the west of Glen Ey entrance and alongside the road to the Linn of Dee. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Braemar, Upper, Deeside, glen, Ey, Inverey, Dee, Mar Lodge, river, landscape, lay-by, hills, walks, heather, granite, trees, stump, lichen, fungi, clouds, pines, forest, countryside, rural, Nikon, D700, digital, photograph, winter, December, frosty, shining
Upper Deeside zxc5879jhp Upper Deeside Glen Ey Inverey Braemar Aberdeenshire Scotland winter frost sun after the Corriemulzie Gorge and westwards up Glen Dee. This scene is on a forestry access track to the west of Glen Ey entrance and alongside the road to the Linn of Dee. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Braemar, Upper, Deeside, glen, Ey, Inverey, Dee, Mar Lodge, river, landscape, lay-by, hills, walks, heather, granite, trees, stump, lichen, fungi, clouds, pines, forest, countryside, rural, Nikon, D700, digital, photograph, winter, December, frosty, shining
Upper Deeside zxc5878jhp Upper Deeside croft cottage Inverey Deeside Scottish winter frost sunshine after westwards up Glen Dee to the west of Glen Ey entrance and alongside the road to the Linn of Dee. Once of several small cottages and crofts on this delightful road west of Braemar through Glen Dee which passes the entrance to Mar Lodge and after the Linn of Dee continues back alongside the north side of the river until it reaches the public carpark at the Quoich. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Braemar, Upper, Deeside, glen, Dee, Mar Lodge, river, landscape, lay-by, hills, walks, heather, granite, trees, stump, lichen, fungi, clouds, pines, forest, countryside, rural, Nikon, D700, digital, photograph, winter, December, shed, croft, iron, roof, red, white, frost, frosted, grass
Upper Deeside zxc5876jhp Upper Deeside lay-by Glen Dee Braemar Aberdeenshire Scotland winter sunlight hills clouds sunny before the Corriemulzie Gorge and located at a layby below Morrone Hill looking westwards up Glen Dee. In the centre right distance, just near the forest outlined on the river floodplain is Mar Lodge while off to the left are the Glens of Ey and beyond that the Tilt walk through to Blair Atholl, passing the Chest of Dee. This view greets the traveller leaving Braemar enroute to the Linn of Dee. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Braemar, Upper, Deeside, glen, Dee, Mar Lodge, river, landscape, lay-by, hills, walks, heather, granite, trees, stump, lichen, fungi, clouds, pines, forest, countryside, rural, Nikon, D700, digital, photograph, winter, December
Upper Deeside zxc5874jhp Upper Glen Dee Deeside Braemar Scottish winter sunshine hills west before the Corriemulzie Gorge and located at a layby below Morrone Hill looking westwards up Glen Dee. In the centre right distance, just near the forest outlined on the river floodplain is Mar Lodge while off to the left are the Glens of Ey and beyond that the Tilt walk through to Blair Atholl, passing the Chest of Dee. This view greets the traveller leaving Braemar enroute to the Linn of Dee. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Braemar, Upper, Deeside, glen, Dee, Mar Lodge, river, landscape, lay-by, hills, walks, heather, granite, trees, stump, lichen, fungi, clouds, pines, forest, countryside, rural, Nikon, D700, digital, photograph, winter, December
Upper Deeside zxc3551jhp Upper Deeside Glen Dee Braemar Scotland hills clouds Jim Henderson photo before the Corriemulzie Gorge and located at a layby below Morrone Hill looking westwards up Glen Dee. In the centre right distance, just near the forest outlined on the river floodplain is Mar Lodge while off to the left are the Glens of Ey and beyond that the Tilt walk through to Blair Atholl, passing the Chest of Dee. This view greets the traveller leaving Braemar enroute to the Linn of Dee. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Braemar, Upper, Deeside, glen, Dee, Mar Lodge, river, landscape, lay-by, hills, walks, heather, granite, trees, stump, lichen, fungi, clouds, pines, forest, countryside, rural, Nikon, D700, digital, photograph, summer, July
Upper Deeside zxc3550jhp Upper Deeside view Glen Dee Braemar Mar Lodge Scotland summer hills clouds sunny before the Corriemulzie Gorge and located at a layby below Morrone Hill looking westwards up Glen Dee. In the centre right distance, just near the forest outlined on the river floodplain is Mar Lodge while off to the left are the Glens of Ey and beyond that the Tilt walk through to Blair Atholl, passing the Chest of Dee. This view greets the traveller leaving Braemar enroute to the Linn of Dee. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Braemar, Upper, Deeside, glen, Dee, Mar, Lodge, river, landscape, lay-by, hills, walks, heather, granite, trees, stump, lichen, fungi, clouds, pines, forest, countryside, rural, Nikon, D700, digital, photograph, summer, July
Upper Deeside zxc3544jhp Upper Deeside Glen River Dee Hills Abhuird Aberdeenshire Scotland summer hills clouds sunny before the Corriemulzie Gorge and located at a layby below Morrone Hill looking westwards up Glen Dee. In the centre right distance, just near the forest outlined on the river floodplain is Mar Lodge while off to the left are the Glens of Ey and beyond that the Tilt walk through to Blair Atholl, passing the Chest of Dee. This view greets the traveller leaving Braemar enroute to the Linn of Dee. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Braemar, Upper, Deeside, glen, Dee, Mar Lodge, river, landscape, lay-by, hills, walks, heather, granite, trees, stump, lichen, fungi, clouds, pines, forest, countryside, rural, Nikon, D700, digital, photograph, summer, July
Upper Deeside zxc3542jhp Upper Deeside panorama River Dee Scottish summer hills white clouds sunny before the Corriemulzie Gorge and located at a layby below Morrone Hill looking westwards up Glen Dee. In the centre right distance, just near the forest outlined on the river floodplain is Mar Lodge while off to the left are the Glens of Ey and beyond that the Tilt walk through to Blair Atholl, passing the Chest of Dee. This view greets the traveller leaving Braemar enroute to the Linn of Dee. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Braemar, Upper, Deeside, glen, Dee, Mar Lodge, river, landscape, lay-by, hills, walks, heather, granite, trees, stump, lichen, fungi, clouds, pines, forest, countryside, rural, Nikon, D700, digital, photograph, summer, July
Upper Deeside zxc3541jhp Upper Deeside heather valley vista Glen Dee Scotland summer hills clouds sunny before the Corriemulzie Gorge and located at a layby below Morrone Hill looking westwards up Glen Dee. In the centre right distance, just near the forest outlined on the river floodplain is Mar Lodge while off to the left are the Glens of Ey and beyond that the Tilt walk through to Blair Atholl, passing the Chest of Dee. This view greets the traveller leaving Braemar enroute to the Linn of Dee. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Braemar, Upper, Deeside, glen, Dee, Mar Lodge, river, upright, landscape, lay-by, hills, walks, heather, granite, trees, stump, lichen, fungi, clouds, pines, forest, countryside, rural, Nikon, D700, digital, photograph, summer, July
Upper Deeside zxc3539jhp Deeside lay-by Glen Dee Mar Lodge Aberdeenshire Scottish summer photo hills clouds sunny before the Corriemulzie Gorge and located at a layby below Morrone Hill looking westwards up Glen Dee. In the centre right distance, just near the forest outlined on the river floodplain is Mar Lodge while off to the left are the Glens of Ey and beyond that the Tilt walk through to Blair Atholl, passing the Chest of Dee. This view greets the traveller leaving Braemar enroute to the Linn of Dee. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Braemar, Upper, Deeside, glen, Dee, Mar Lodge, river, landscape, lay-by, hills, walks, heather, granite, trees, stump, lichen, fungi, clouds, pines, forest, countryside, rural, Nikon, D700, digital, photograph, summer, July
Upper Deeside zxc3538jhp Upper Deeside lay-by seat view Glen Dee Braemar Scotland summer hills clouds sunny before the Corriemulzie Gorge and located at a layby below Morrone Hill looking westwards up Glen Dee. In the centre right distance, just near the forest outlined on the river floodplain is Mar Lodge while off to the left are the Glens of Ey and beyond that the Tilt walk through to Blair Atholl, passing the Chest of Dee. This view greets the traveller leaving Braemar enroute to the Linn of Dee. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Braemar, Upper, Deeside, glen, Dee, Mar Lodge, river, seat, view, landscape, lay-by, hills, walks, heather, granite, trees, stump, lichen, fungi, clouds, pines, forest, countryside, rural, Nikon, D700, digital, photograph, summer, July
Upper Deeside zxc3535jhp Upper Deeside lay-by Glen Dee Braemar Aberdeenshire Scottish summer hills clouds sunny before the Corriemulzie Gorge and located at a layby below Morrone Hill looking westwards up Glen Dee. In the centre right distance, just near the forest outlined on the river floodplain is Mar Lodge while off to the left are the Glens of Ey and beyond that the Tilt walk through to Blair Atholl, passing the Chest of Dee. This view greets the traveller leaving Braemar enroute to the Linn of Dee. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Braemar, Upper, Deeside, glen, Dee, Mar Lodge, river, upright, landscape, lay-by, hills, walks, heather, granite, trees, stump, lichen, fungi, clouds, pines, forest, countryside, rural, Nikon, D700, digital, photograph, summer, July
Upper Deeside fgh3042jhp River Dee Upper Glen Aberdeenshire Scottish sunshine summer heather moor forest above the Victorian bridge is as far west as the metal road goes in Glen Dee and the Linn is a popular visiting place because of the dangerous and spectacular nature of the river crashing though this narrow cleft in the granite rocks. A public carpark nearby is ideal parking for walkers heading north into the Cairngorms or westwards past the Chest of Dee into Glen Tilt and on to Blair Atholl or doubling back taking the metalled road to its end at the Quoich past the back of Mar Lodge and as far as the new National Trust for Scotland carpark. Please note that with this photo extra sharpening maybe needed as it was taken with an old prime 24mm lenses which does not have the ideal resolution of the D700 DSLR. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Braemar, Linn of Dee, Linn, upper, Deeside, glen, Dee, gorge, river, riverbanks, forest, heather, moor, landscape, panorama, bridge, hills, walks, rocks, deep, dangerous, water, rushing, turmoil, swirling, crashing, summer, granite, trees, pines, countryside, rural
Upper Deeside fgh3038jhp River Dee Upper Deeside Glen Aberdeenshire Scotland summer heather moor above the Victorian bridge is as far west as the metal road goes in Glen Dee and the Linn is a popular visiting place because of the dangerous and spectacular nature of the river crashing though this narrow cleft in the granite rocks. A public carpark nearby is ideal parking for walkers heading north into the Cairngorms or westwards past the Chest of Dee into Glen Tilt and on to Blair Atholl or doubling back taking the metalled road to its end at the Quoich past the back of Mar Lodge and as far as the new National Trust for Scotland carpark. Please note that with this photo extra sharpening maybe needed as it was taken with an old prime 24mm lenses which does not have the ideal resolution of the D700 DSLR. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Braemar, Linn of Dee, Linn, upper, Deeside, glen, Dee, gorge, river, landscape, bridge, hills, walks, rocks, deep, dangerous, water, rushing, turmoil, swirling, crashing, summer, heather, granite, trees, pines, countryside, rural
Upper Deeside fgh3036jhp River Dee Upper Deeside Glen Aberdeenshire Scottish summer rock trees slabs above the Victorian bridge is as far west as the metal road goes in Glen Dee and the Linn is a popular visiting place because of the dangerous and spectacular nature of the river crashing though this narrow cleft in the granite rocks. A public carpark nearby is ideal parking for walkers heading north into the Cairngorms or westwards past the Chest of Dee into Glen Tilt and on to Blair Atholl or doubling back taking the metalled road to its end at the Quoich past the back of Mar Lodge and as far as the new National Trust for Scotland carpark. Please note that with this photo extra sharpening maybe needed as it was taken with an old prime 24mm lenses which does not have the ideal resolution of the D700 DSLR. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Braemar, Linn of Dee, Linn, upper, Deeside, glen, Dee, gorge, river, landscape, bridge, hills, walks, rocks, slabs, heather, purple, deep, dangerous, water, rushing, turmoil, swirling, crashing, summer, granite, trees, pines, countryside, rural
Upper Deeside fgh3035jhp River Dee Upper riverbank Aberdeenshire Scotland summer heather forest sunny above the Victorian bridge is as far west as the metal road goes in Glen Dee and the Linn is a popular visiting place because of the dangerous and spectacular nature of the river crashing though this narrow cleft in the granite rocks. A public carpark nearby is ideal parking for walkers heading north into the Cairngorms or westwards past the Chest of Dee into Glen Tilt and on to Blair Atholl or doubling back taking the metalled road to its end at the Quoich past the back of Mar Lodge and as far as the new National Trust for Scotland carpark. Please note that with this photo extra sharpening maybe needed as it was taken with an old prime 24mm lenses which does not have the ideal resolution of the D700 DSLR. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Braemar, Linn of Dee, Linn, upper, Deeside, glen, Dee, gorge, river, heather, riverbank, forest, landscape, bridge, hills, walks, rocks, deep, dangerous, water, rushing, turmoil, swirling, crashing, summer, granite, trees, pines, countryside, rural, blue, sky, clouds, sunshine
Upper Deeside fgh3034jhp River Dee Upper Deeside Glen Aberdeenshire Scottish summer purple heather moor above the Victorian bridge is as far west as the metal road goes in Glen Dee and the Linn is a popular visiting place because of the dangerous and spectacular nature of the river crashing though this narrow cleft in the granite rocks. A public carpark nearby is ideal parking for walkers heading north into the Cairngorms or westwards past the Chest of Dee into Glen Tilt and on to Blair Atholl or doubling back taking the metalled road to its end at the Quoich past the back of Mar Lodge and as far as the new National Trust for Scotland carpark. Please note that with this photo extra sharpening maybe needed as it was taken with an old prime 24mm lenses which does not have the ideal resolution of the D700 DSLR. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Braemar, Linn of Dee, Linn, upper, Deeside, glen, Dee, gorge, river, upright, heather, bridge, hills, walks, rocks, deep, dangerous, water, rushing, turmoil, swirling, crashing, summer, granite, trees, pines, countryside, rural
Upper Deeside fgh3033jhp River Dee Upper Glen Aberdeenshire Scotland summer waterfalls heather forest above the Victorian bridge is as far west as the metal road goes in Glen Dee and the Linn is a popular visiting place because of the dangerous and spectacular nature of the river crashing though this narrow cleft in the granite rocks. A public carpark nearby is ideal parking for walkers heading north into the Cairngorms or westwards past the Chest of Dee into Glen Tilt and on to Blair Atholl or doubling back taking the metalled road to its end at the Quoich past the back of Mar Lodge and as far as the new National Trust for Scotland carpark. Please note that with this photo extra sharpening maybe needed as it was taken with an old prime 24mm lenses which does not have the ideal resolution of the D700 DSLR. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Braemar, Linn of Dee, Linn, upper, Deeside, glen, Dee, gorge, river, landscape, bridge, hills, walks, rocks, deep, dangerous, water, rushing, turmoil, swirling, crashing, summer, heather, purple, granite, trees, pines, countryside, rural, waterfall, white, foam
Upper Deeside fgh3026jhp River Dee Upper Deeside Glen Aberdeenshire Scotland summer heather moor above the Victorian bridge is as far west as the metal road goes in Glen Dee and the Linn is a popular visiting place because of the dangerous and spectacular nature of the river crashing though this narrow cleft in the granite rocks. A public carpark nearby is ideal parking for walkers heading north into the Cairngorms or westwards past the Chest of Dee into Glen Tilt and on to Blair Atholl or doubling back taking the metalled road to its end at the Quoich past the back of Mar Lodge and as far as the new National Trust for Scotland carpark. Please note that with this photo extra sharpening maybe needed as it was taken with an old prime 24mm lenses which does not have the ideal resolution of the D700 DSLR. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Braemar, Linn of Dee, Linn, upper, Deeside, glen, Dee, gorge, river, waterfalls, white, foam, heather, landscape, bridge, hills, walks, rocks, rock, slabs, deep, dangerous, water, rushing, turmoil, swirling, crashing, summer, granite, trees, pines, countryside, rural
Upper Deeside fgh3024jhp River Dee Upper Glen Aberdeenshire Scottish waterfalls slabs close heather moor above the Victorian bridge is as far west as the metal road goes in Glen Dee and the Linn is a popular visiting place because of the dangerous and spectacular nature of the river crashing though this narrow cleft in the granite rocks. A public carpark nearby is ideal parking for walkers heading north into the Cairngorms or westwards past the Chest of Dee into Glen Tilt and on to Blair Atholl or doubling back taking the metalled road to its end at the Quoich past the back of Mar Lodge and as far as the new National Trust for Scotland carpark. Please note that with this photo extra sharpening maybe needed as it was taken with an old prime 24mm lenses which does not have the ideal resolution of the D700 DSLR. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Braemar, Linn of Dee, Linn, upper, Deeside, glen, Dee, gorge, river, landscape, bridge, hills, walks, rocks, rock, slabs, waterfalls, closeup, foreground, deep, dangerous, water, rushing, turmoil, swirling, crashing, summer, granite, trees, pines, countryside, rural
Upper Deeside fgh3022jhp River Dee Upper Deeside Glen Aberdeenshire Scotland summer heather moor above the Victorian bridge is as far west as the metal road goes in Glen Dee and the Linn is a popular visiting place because of the dangerous and spectacular nature of the river crashing though this narrow cleft in the granite rocks. A public carpark nearby is ideal parking for walkers heading north into the Cairngorms or westwards past the Chest of Dee into Glen Tilt and on to Blair Atholl or doubling back taking the metalled road to its end at the Quoich past the back of Mar Lodge and as far as the new National Trust for Scotland carpark. Please note that with this photo extra sharpening maybe needed as it was taken with an old prime 24mm lenses which does not have the ideal resolution of the D700 DSLR. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Braemar, Linn of Dee, Linn, upper, Deeside, glen, Dee, gorge, river, upright, summer, bridge, hills, walks, rocks, rock, slabs, deep, dangerous, water, rushing, turmoil, swirling, crashing, waterfalls, granite, trees, pines, countryside, rural
Upper Deeside fgh3019jhp River Dee Upper Deeside Glen Aberdeenshire Scotland summer heather moor above the Victorian bridge is as far west as the metal road goes in Glen Dee and the Linn is a popular visiting place because of the dangerous and spectacular nature of the river crashing though this narrow cleft in the granite rocks. A public carpark nearby is ideal parking for walkers heading north into the Cairngorms or westwards past the Chest of Dee into Glen Tilt and on to Blair Atholl or doubling back taking the metalled road to its end at the Quoich past the back of Mar Lodge and as far as the new National Trust for Scotland carpark. Please note that with this photo extra sharpening maybe needed as it was taken with an old prime 24mm lenses which does not have the ideal resolution of the D700 DSLR. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Braemar, Linn of Dee, Linn, upper, Deeside, glen, Dee, gorge, river, upright, heather, foreground, flora, purple, bridge, hills, walks, rocks, deep, dangerous, water, rushing, turmoil, swirling, crashing, summer, granite, trees, pines, countryside, rural
Upper Deeside fm Hill Fare qwe7875jhp Summer Hill Fare Heather Upper Deeside west moor Aberdeenshire panorama taken from this huge hill area standing north of Banchory and extending from Echt in the east to Torphins in the west and part of Dunecht Estates on Royal Deeside to the west of Aberdeen in Aberdeenshire. Here we are looking westwards to Upper Deeside with a very distant Lochnagar and to the near right the distinctive cup of the Pass of Ballater. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Hill, Fare, landscape, Upper, Deeside, Royal, Lochnagar, Ballater, Pass, countryside, rural, Nature, trees, forest, pine, summer, clouds, heather, flowering, purple, Estate, panorama, high, vista, moorland
Upper Craigton View qwe5849jhp Summer clouds storm bright sunlight Deeside Craigton hill view Aberdeenshire a lesser known viewpoint lying between Kincardine O’Neil and Torphins on Royal Deeside which offers extensive views in this case to the south towards Clachnaben and westwards up Deeside to the Pass of Ballater, Lochnagar and nearer to home the Hill of Morven slightly obscured by the Hill of Coull. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, west, south, Clachnaben, Upper Craigton, hill, Kincardine O Neil, landscape, upright, view, Birse, forest, Ballogie, Finzean, sunlight, trees, bracken, hills, clouds, rain, showers, stormy, bright, sunshine, shapes, countryside, rural, nature, green
Upper Craigton View qwe5846jhp Summer clouds bright sunlight bracken Deeside Craigton hill view Scotland a lesser known viewpoint lying between Kincardine O’Neil and Torphins on Royal Deeside which offers extensive views in this case to the south towards Clachnaben and westwards up Deeside to the Pass of Ballater, Lochnagar and nearer to home the Hill of Morven slightly obscured by the Hill of Coull. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, west, south, Clachnaben, Upper Craigton, hill, Kincardine O Neil, landscape, view, Birse, forest, Ballogie, Finzean, sunlight, trees, bracken, fields, hills, clouds, rain, showers, stormy, bright, sunshine, shapes, countryside, rural, nature, green
Upper Craigton & Morven qwe5860jhp Summer Morven parsley cow weed sunlight Royal Deeside Upper Craigton view Aberdeenshire a lesser known viewpoint lying between Kincardine O’Neil and Torphins on Royal Deeside which offers extensive views to the south towards Clachnaben and in this case westwards up Deeside to the Pass of Ballater, Lochnagar and nearer to home the Hill of Morven slightly obscured by the Hill of Coull. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, west, Morven, Coull, Morlich, Upper Craigton, hill, Kincardine, O Neil, landscape, upright, view, forest, sunlight, trees, cow, parsley, hills, clouds, rain, showers, stormy, bright, sunshine, shapes, countryside, rural, nature, green
Upper Craigton & Morven qwe5858jhp Summer clouds stormy bright sunlight Deeside Craigton hill west Aberdeenshire a lesser known viewpoint lying between Kincardine O’Neil and Torphins on Royal Deeside which offers extensive views to the south towards Clachnaben and in this case westwards up Deeside to the Pass of Ballater, Lochnagar and nearer to home the Hill of Morven slightly obscured by the Hill of Coull. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, west, Morven, Coull, Morlich, Upper Craigton, hill, Kincardine, O Neil, landscape, view, forest, sunlight, trees, cow, parsley, hills, clouds, rain, showers, stormy, bright, sunshine, shapes, countryside, rural, nature, green
Upper Craigton & Morven qwe5857jhp Summer clouds grey bright sunshine Deeside Craigton hill westwards Scottish photo a lesser known viewpoint lying between Kincardine O’Neil and Torphins on Royal Deeside which offers extensive views to the south towards Clachnaben and in this case westwards up Deeside to the Pass of Ballater, Lochnagar and nearer to home the Hill of Morven slightly obscured by the Hill of Coull. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, west, Morven, Coull, Morlich, Upper Craigton, hill, Kincardine, O Neil, landscape, view, forest, sunlight, trees, cow, parsley, hills, clouds, rain, showers, stormy, bright, sunshine, shapes, countryside, rural, nature, green
Upper Deeside Braemar TO4320510JHP Upper Deeside Glen Heather Moor Tree Stump Foreground Corriemulzie Braemar below Morrone Hill looking westwards up Glen Dee. In the centre right distance, just near the forest outlined on the river floodplain is Mar Lodge while off to the left are the Glens of Ey and beyond the Tilt and this view greets the traveller leaving Braemar enroute to the Linn of Dee. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Braemar, Upper, Deeside, glen, Dee, Mar Lodge, river, landscape, lay-by, hills, walks, heather, autumn, granite, trees, stump, lichen, fungi, clouds, pines, forest, countryside, rural
Upper Deeside Braemar TO4320508JHP Upper Deeside Glen Mountains Heather Moor Stump Closeup Foreground Braemar viewed from the lay-by before the Corriemulzie below Morrone Hill looking westwards up Glen Dee. In the centre right distance, just near the forest outlined on the river floodplain is Mar Lodge while off to the left are the Glens of Ey and beyond the Tilt and this view greets the traveller leaving Braemar enroute to the Linn of Dee. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Braemar, Upper, Deeside, glen, Dee, Mar Lodge, river, upright, lay-by, hills, walks, heather, autumn, granite, trees, stump, lichen, fungi, clouds, pines, forest, countryside, rural
Upper Deeside Braemar TO4320506JHP Upper Royal Deeside Mar Lodge Hills Heather Moor Braemar Aberdeenshire viewed from the lay-by before the Corriemulzie below Morrone Hill looking westwards up Glen Dee. In the centre right distance, just near the forest outlined on the river floodplain is Mar Lodge while off to the left are the Glens of Ey and beyond the Tilt and this view greets the traveller leaving Braemar enroute to the Linn of Dee. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Braemar, Upper, Deeside, glen, Dee, Mar Lodge, river, landscape, lay-by, hills, walks, heather, autumn, granite, trees, stump, lichen, fungi, clouds, pines, forest, countryside, rural
Upper Deeside Braemar TO4320505JHP Scottish Upper Deeside River Dee Winding Alluvial Plain Glen Mountains viewed from the lay-by before the Corriemulzie below Morrone Hill looking westwards up Glen Dee. In the centre right distance, just near the forest outlined on the river floodplain is Mar Lodge while off to the left are the Glens of Ey and beyond the Tilt and this view greets the traveller leaving Braemar enroute to the Linn of Dee. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Braemar, Upper, Deeside, glen, Dee, Mar Lodge, river, landscape, lay-by, hills, walks, heather, autumn, granite, trees, stump, lichen, fungi, clouds, pines, forest, countryside, rural

Scotland > Snow Scenes Deeside (3 files)

Snow scene photographs of Deeside in North East Scotland generally excluding Historic Properties which will include snow scenes with the castles etc.
Snow Upper Craigton Gate xv7758jhp Snow Scene Gate Fence Covered Hill Winter Photograph Royal Deeside Upper Craigton Aberdeenshire view near Kincardine O’Neil in North East Scotland. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Grampian, Kincardine O’Neil, Upper Craigton, hill, forest, snow, covered, countryside, gate, sunshine, sun, white, blue, winter, powdery, picturesque, wonderland, virginal, untouched, pure, beautiful, landscape
Old Croft Perkhill xv7698jhp Snowy ruined cottage Scottish Royal Deeside Lumphanan Perk hill road Aberdeenshire North East Scotland on the road from the village across to Mar and Alford. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Grampian, Lumphanan, Crossroads, Perk, hill, countryside, trees, ruin, corrage, croft, ivy, sunshine, sun, white, blue, winter, powdery, picturesque, wonderland, landscape
Snow Upper Craigton xv7772jhp Scottish Deep Snow Scene Buildings Trees Covered Fence Post Deeside Upper Craigton above Kincardine O'Neil on Royal Deeside in North East Scotland. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Grampian, Kincardine O’Neil, Upper Craigton, hill, countryside, fence-post, barn, beech, trees, sunshine, sun, white, blue, winter, powdery, picturesque, wonderland, virginal, untouched, pure, beautiful, upright

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