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Aurora over Scotland (220 files)

Aurora Borealis or Northern Lights displays photographed taken over Aberdeeshire in Scotland since 1989 covering some 350 events with arc, rays, coronas with a wide rnage of shapes and colours
Deeside Aurora aucf14110jhp Scotland Northern Lights display faded winter west north Deeside Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen in the evening of 22nd November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th which with hindsight it was the biggest I have since on Deeside to date, 2018. This set of digital photos were taken from 21.58.03hrsUT for 17secs and these cf141 digital photos were taken at 1600ISO. The 8 photos in this cf141 sequence were taken in the space of about 20mins and followed the cf140 sequence taken in the early hours of the 21st. This photo showing a display dispersed west and interrupted by cloud cover. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, arc, yellow, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera, upright
Deeside Aurora aucf14107jhp Scottish Northern Lights arc rays fading colours winter Plough westwards Deeside Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen in the evening of 22nd November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th which with hindsight it was the biggest I have since on Deeside to date, 2018. This set of digital photos were taken from 21.43.06hrsUT for 15secs and these cf141 digital photos were taken at 1600ISO. The 8 photos in this cf141 sequence were taken in the space of about 20mins and followed the cf140 sequence taken in the early hours of the 21st. This photo showing a display with dispersing folding arc and rays to west of North with The Plough on right edge. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, arc, yellow, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera
Deeside Aurora aucf14106jhp Aurora Borealis Scottish arc folding rays colours winter west Deeside Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen in the evening of 22nd November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th which with hindsight it was the biggest I have since on Deeside to date, 2018. This set of digital photos were taken from 21.42.02hrsUT for 17secs and these cf141 digital photos were taken at 1600ISO. The 8 photos in this cf141 sequence were taken in the space of about 20mins and followed the cf140 sequence taken in the early hours of the 21st. This photo showing an active display with bright arc and rays to west of North with tail of The Plough on right edge. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, arc, yellow, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera, upright
Deeside Aurora aucf14105jhp Aurora Borealis Scottish rays colours red Plough winter north Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen in the evening of 22nd November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th which with hindsight it was the biggest I have since on Deeside to date, 2018. This set of digital photos were taken from 21.40.51hrsUT for 16secs and these cf141 digital photos were taken at 1600ISO. The 8 photos in this cf141 sequence were taken in the space of about 20mins and followed the cf140 sequence taken in the early hours of the 21st. This photo showing an active display with bright arc and set of strong oxygen red rays to due North-tail of The Plough on the right. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, arc, yellow, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera, upright
Deeside Aurora aucf14104jhp Aurora Borealis Scotland arc multiple strong rays colours winter north Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen in the evening of 22nd November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th which with hindsight it was the biggest I have since on Deeside to date, 2018. This set of digital photos were taken from 21.40.09hrsUT for 16secs and these cf141 digital photos were taken at 1600ISO. The 8 photos in this cf141 sequence were taken in the space of about 20mins and followed the cf140 sequence taken in the early hours of the 21st. This photo showing an active display with bright arc and set of developing rays to due North. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, arc, yellow, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera
Deeside Aurora aucf14103jhp Aurora Borealis Scotland green arc rays faint November 2003 north Deeside Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen in the evening of 22nd November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th which with hindsight it was the biggest I have since on Deeside to date, 2018. This set of digital photos were taken from 21.33.31hrsUT for 18secs and these cf141 digital photos were taken at 1600ISO. The 8 photos in this cf141 sequence were taken in the space of about 20mins and followed the cf140 sequence taken in the early hours of the 21st. This photo showing early stages of a display with bright arc and first signs of rays developing slightly west of due North. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, arc, yellow, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera
Deeside Aurora aucf14102jhp Aurora Borealis Scottish dispersed green arc Plough winter north Deeside Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen in the evening of 22nd November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th which with hindsight it was the biggest I have since on Deeside to date, 2018. This set of digital photos were taken from 21.32hrsUT for 16secs and these cf141 digital photos were taken at 1600ISO. The 8 photos in this cf141 sequence were taken in the space of about 20mins and followed the cf140 sequence taken in the early hours of the 21st. This photo showing early stages of a display with bright arc patches prior to rays forming slightly west of due North. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, arc, yellow, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera
Deeside Aurora aucf14101jhp Aurora Borealis Display Scotland dispersed arc winter north Deeside Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen in the evening of 22nd November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th which with hindsight it was the biggest I have since on Deeside to date, 2018. This set of digital photos were taken from 21.30.12hrsUT for 18secs and these cf141 digital photos were taken at 1600ISO. The 8 photos in this cf141 sequence were taken in the space of about 20mins and followed the cf140 sequence taken in the early hours of the 21st. This photo showing early stages of a display slightly west of due North. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera
Deeside Aurora aucf14007jhp Aurora Display Scotland Lights rays winter north Plough Stars Deeside Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen and started in the early morning 21st November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th and with hindsight it was the biggest I have since on Deeside to date, 2018. This digital photo was taken at 03.02.15hrsUT for 18secs and these cf140 digital photos were taken at 1600ISO. The 7 photos in this cf140 sequence were taken in the space of 5mins this photo showing colourful rays to due North with The Plough or Ursa Major on the right side. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera
Deeside Aurora aucf14006jhp Aurora Borealis Scotland rays moving faint clouds north Deeside Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen and started in the early morning 21st November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th and with hindsight it was the biggest I have since on Deeside to date, 2018. This digital photo was taken at 03.01.41hrsUT for 14secs and these cf140 digital photos were taken at 1600ISO. The 7 photos in this cf140 sequence were taken in the space of 5mins this photo showing fading rays on due North. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera, upright
Deeside Aurora aucf14005jhp Aurora Display Scottish Northern Lights rays waning north Deeside Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen and started in the early morning 21st November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th and with hindsight it was the biggest I have since on Deeside to date, 2018. This digital photo was taken at 03.00.44hrsUT for 12secs and these cf140 digital photos were taken at 1600ISO. The 7 photos in this cf140 sequence were taken in the space of 5mins this photo showing fading rays on due North. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera, upright
Deeside Aurora aucf14004jhp Aurora Display Scottish colourful rays north street lights Torphins Aberdeenshire Deeside photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen and started in the early morning 21st November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th and with hindsight it was the biggest I have since on Deeside to date, 2018. This digital photo was taken at 03.00.09hrsUT for 17secs and these cf140 digital photos were taken at 1600ISO. The 7 photos in this cf140 sequence were taken in the space of 5mins this photo showing a hint of purple from nitrogen gas in the red and green oxygen rays. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera
Deeside Aurora aucf14003jhp Aurora Borealis Scotland colourful strong rays trees north Aberdeenshire Deeside photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen and started in the early morning 21st November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th and with hindsight it was the biggest I have since on Deeside to date, 2018. This digital photo was taken at 02.59.34hrsUT for 17secs and these cf140 digital photos were taken at 1600ISO. The 7 photos in this cf140 sequence were taken in the space of 5mins this photo showing a hint of purple from nitrogen gas in the red and green oxygen rays. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera, upright
Deeside Aurora aucf14002jhp Aurora Borealis Scotland colours centre purple rays trees westwards Aberdeenshire Deeside photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen and started in the early morning 21st November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th and with hindsight it was the biggest I have since on Deeside to date, 2018. This digital photo was taken at 02.59.01hrsUT for 15secs and these cf140 digital photos were taken at 1600ISO. The 7 photos in this cf140 sequence were taken in the space of 5mins this photo showing a hint of purple from nitrogen gas molecules. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera
Deeside Aurora aucf14001jhp Aurora Borealis Scottish colours centre red rays treetops west Aberdeenshire Deeside photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen and started in the early morning 21st November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th and with hindsight it was the biggest I have since on Deeside to date, 2018. This digital photo was taken at 02.58.25hrsUT for 17secs and these cf140 digital photos were taken at 1600ISO. The 7 photos in this cf140 sequence were taken in the space of 5mins. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark at 1600ISO which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera
Aurora over Stone Circle SO0213981jhp Scotland Aurora Borealis Orion Pleiades Corona green zenith celestial wings from Tomnaverie Bronze Age stone circle site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south the last of the digital photos was taken at 00.18.10hrsUT for 10secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213980jhp Scotland flanker monolith Aurora Borealis Orion Pleiades Corona green zenith wings Tomnaverie Bronze Age stone circle site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 00.17.20hrsUT for 16secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213979jhp Scotland flanker Stones Aurora Borealis south Pleiades Corona green zenith wings Tomnaverie Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 00.16.23hrsUT for 16secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213978jhp Scottish flanker above Aurora Borealis south Orion Pleiades Corona zenith wings Tomnaverie Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 00.15.11hrsUT for 17secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213977jhp Scottish Stone Circle Aurora Borealis south Orion Pleiades Tarland Tomnaverie Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 00.14.32hrsUT for 13secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213975jhp Scotland Stone Circle Aurora Borealis above flanker red colours rays North Tarland Tomnaverie Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the north in the direction of Tarland was taken at 00.12.47hrsUT for 16secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213974jhp Scotland Stone Circle Aurora Borealis Corona red colours rays Plough North Tarland Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the north in the direction of Tarland was taken at 00.12.18hrsUT for 13secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213973jhp Scotttish Stone Circle Aurora Borealis Corona arms colours rays Tarland Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the north west in the direction of Morven was taken at 00.00.36hrsUT for 14secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213970jhp Deeside Stone Circle Aurora Borealis Corona dome rays Tarland Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the north west in the direction of Tarland was taken at 23.58.42hrsUT for 15secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213967jhp Scotland Stone Circle Aurora Borealis Corona rays recumbent Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.56.31hrsUT for 12secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213959jhp Scottish Stone Circle Aurora Borealis Corona red green rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.27.22hrsUT for 20secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213956jhp Scotland Aurora Borealis corona building red green rays dome stone Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.25.12hrsUT for 15secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213955jhp Scottish Aurora Borealis corona building red green rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.24.10hrsUT for 15secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213954jhp Scottish Aurora Borealis sweeping red green rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.23.29hrsUT for 14secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213952jhp Scotland Stone Circle Aurora Borealis sweeping red rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.21.36hrsUT for 19secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213951jhp Scottish Stone Circle Aurora Borealis sweeping arms Stars rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.20.58hrsUT for 13secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213949jhp Scottish Stone Circle Aurora Northern Lights Corona Orion Stars red rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.19.04hrsUT for 16secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213947jhp Scottish Stone Circle Aurora Borealis Corona Orion Stars rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.15.05hrsUT for 16secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213946jhp Scotland Stone Circle Aurora Borealis Corona activity rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.13.18hrsUT for 15secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213943jhp British Stone Circle Aurora Borealis Corona dome zenith Pleiades Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.08.44hrsUT for 13secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control but this early exposure is on the short side. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213942jhp Scottish Stone Circle Aurora Borealis Corona dome Pleiades Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.08.14hrsUT for 10secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control but this early exposure is on the short side. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213941jhp Stone Circle Aurora Borealis Corona Orion flanker red ray Tarland Deeside winter Scotland Tomnaverie recumbent and flankers of the Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo was taken at 22.57.10hrsUT for 13secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control but this early exposure is on the short side. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213940jhp Scottish Stone Circle RSC Aurora Borealis Corona west red ray Tarland Deeside Scotland Tomnaverie recumbent and flankers of the Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo was taken at 22.56.13hrsUT for 12secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control but this early exposure is on the short side. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213939jhp Stone Circle Aurora Borealis Corona Orion red ray Tomnaverie Deeside Scotland recumbent and flankers of the Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo was taken at 22.55.46hrsUT for 11secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control but this early exposure is on the short side. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213937jhp Scottish Stone Circle Aurora Borealis Corona Orion red ray Deeside Scotland Tomnaverie recumbent and flankers of the Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo was taken at 22.34.58hrsUT for 8secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control but this early exposure is on the short side. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, upright, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137034jhp Aurora Borealis Scotland Corona crown red purple nitrogen rays treetops west Aberdeenshire Deeside last digital photograph taken over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.15.02hrsUT for 15secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137033jhp Aurora Borealis Scottish Corona crown red wings sweeping rays treetops west Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.13.56hrsUT for 17secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137032jhp Aurora Borealis Scottish colours east car headlights arms Corona red Aberdeenshire Deeside photographed from Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.12.56hrsUT for 16secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137031jhp Aurora Borealis Scottish colours Corona centre crown red rays treetops west Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.12.12hrsUT for 17secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137030jhp Aurora Borealis Scottish colourful Corona zenith red rays treetops west Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.11.32hrsUT for 17secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137029jhp Aurora Borealis Scotland colours Corona red rays treetops west Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.10.48hrsUT for 16secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137027jhp Aurora Borealis red rays Scotland Torphins colours eastwards car street lights Aberdeenshire Deeside photographed from Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.09.12hrsUT for 13secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, telephone pole, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137026jhp Aurora Borealis Scottish winter Torphins colours east car street lights Aberdeenshire Deeside photographed from Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.08.42hrsUT for 11secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137025jhp Aurora Borealis Scotland Northern Lights November Corona red green rays colours west trees silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.07.58hrsUT for 15secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137023jhp Aurora Borealis Scotland Corona red wings centre colours west pine tree silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.06.50hrsUT for 12secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137022jhp Aurora Borealis Scottish winter east car headlights red rays colours Aberdeenshire Deeside photographed from Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.06.10hrsUT for 12secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Torphins, Glassel, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137021jhp Aurora Borealis Scottish winter November Corona zenith red wings centre colours west trees silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.05.25hrsUT for 15secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137020jhp Aurora Borealis Scottish winter display Corona zenith green red wings powerful colourful west trees silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.04.54hrsUT for 13secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137019jhp Aurora Borealis Scotland Corona zenith green red wings powerful colourful west trees silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.04.12hrsUT for 13secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137018jhp Aurora Borealis Scottish Corona zenith red wings centre power colours west trees silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.03.46hrsUT for 8secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137016jhp Aurora Borealis Scottish Corona centre green pink wings west above trees silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.02.16hrsUT for 13secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137015jhp Aurora Borealis Scottish Corona zenith green arms west trees silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.02.16hrsUT for 13secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137014jhp Aurora Borealis Scotland Corona zenith green rays forest silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.01.28hrsUT for 14secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137013jhp Aurora Borealis Scottish Corona display red green rays forest silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.00.52hrsUT for 18secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf13610jhp Aurora Borealis Scotland Corona red wings forest trees silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 17.46.34hrsUT for 19secs and these cf136 digital photos were taken at 100ISO, which was probably a mistake, but later in the cf137 photos it was set at 800ISO possibly as I felt the power justified going for a finer noise level to my usual 1600ISO.. The faint CCD bars suggest even with the long exposure this photo was underexposed. Photos were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf13609jhp Aurora Borealis Scottish Corona display red wings forest silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 17.45.56hrsUT for 19secs and these cf136 digital photos were taken at 100ISO, which was probably a mistake, but later in the cf137 it set at 800ISO possibly as I felt the power justified going for a finer noise level to my usual 1600ISO. The faint CCD bars suggest even with the long exposure this photo was underexposed. Photos were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf13601jhp Aurora Borealis Corona Deeside display red wings west Aberdeenshire Scotland photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This first digital photo was taken at 17.33.02hrsUT for 24secs and these cf136 digital photos were taken at 100ISO, which was probably a mistake, but later in the cf137 photos it was set at 800ISO possibly as I felt the power justified going for a finer noise level to my usual 1600ISO. The faint CCD bars suggest even with the long exposure this photo was underexposed. Photos were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Corona Forming aucf13119jhp Aurora Borealis Scottish strong Corona zenith shape green red rays Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 23.25.32hrsUT for 13secs, showing green and red oxygen rays forming the classic corona zenith or crown above the cottage roof looking southwards the colour chnage indicating the strength of the display increasing. This was a short exposure 13 as against 20 secs and very faint CCd structure lines are visible and indication of an under exposure. This was the last of the digital photos taken. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25.32 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Corona Forming aucf13116jhp Aurora Borealis Scottish Corona zenith centre shape green rays over cottage Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 23.23.31hrsUT for 20secs, showing green oxygen rays forming the classic corona zenith or crown above the cottage roof looking southwards. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Corona Forming aucf13114jhp Aurora Borealis Scotland Corona zenith forming green rays overhead Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 23.22.01hrsUT for 23secs, showing green oxygen rays forming the corona zenith or crown above the cottage roof looking southwards. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Corona Forming aucf13113jhp Aurora Borealis Scotland green rays shapes weird ghostlike south Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 23.20.56hrsUT for 25secs, showing green oxygen rays and shapes above the cottage roof looking southwards and forming weird shapes. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Corona Forming aucf13112jhp Aurora Borealis Scotland green rays clouds eastwards car lights Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 23.19.57hrsUT for 21secs, showing green oxygen rays sweeping down from the east visible through gaps in the clouds and with the street lights of Torphins and car headlights on the main road from Banchory. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, car lights, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Corona Forming aucf13110jhp Aurora Borealis Scottish green rays clouds east Torphins lights Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 23.16.29hrsUT for 19secs, showing green oxygen rays sweeping down from the east visible through gaps in the clouds and with the street lights of Torphins and car headlights on the main road from Banchory. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Corona Forming aucf13109jhp Aurora Borealis Scottish corona huge green rays west wings Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 23.03.27hrsUT for 16secs, showing green oxygen rays sweeping down from the west a precursor of another corona strength display with the rays appearing suspended in the celestial heights with no sign of an arc. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Corona Forming aucf13108jhp Aurora Borealis Northern Lights Scottish corona green red rays west fan Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 23.02.53hrsUT for 20secs, showing green and red oxygen rays sweeping down from the west a precursor of another corona strength display with the rays appearing suspended in the celestial heights with no sign of an arc. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, west, fan, sweeping, suspended, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Corona Forming aucf13106jhp Aurora Borealis Northern Lights Scotland corona green red rays sweeping east Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 23.02.11hrsUT for 18secs, showing green and red oxygen rays sweeping down from the east a precursor of another corona strength display with the rays appearing suspended in the celestial heights with no sign of an arc. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Corona Forming aucf13105jhp Aurora Borealis Scottish coronal glow south green red Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 23.01.36hrsUT for 17secs, showing green and red oxygen background glow a precursor of another corona strength display looking southwards which was an indication of the strength of the display. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, cornal, glow, background, strong, southwards, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Corona Forming aucf13102jhp Aurora Borealis Scotland Pleiades East green red rays rooftop Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 22.59.03hrsUT for 20secs, showing green and red oxygen rays and the start of another corona strength display looking eastwards. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Corona Forming aucf13101jhp Aurora Borealis Scottish Cassiopeia Pleiades East green red rays Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This first digital photo was taken at 22.58.22hrsUT for 20secs, showing green and red oxygen rays and the start of another corona strength display looking eastwards. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12838jhp Aurora Borealis Scotland Corona zenith green red rays Orion South stars cottage roof Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This last photo was taken at 02.28.39hrsUT for 23secs, showing strong red oxygen background light looking southwards marked by Orion in its winter position to the north and a very rare position in which to see Aurora displays at the end of this digital sequence and when cloud cover stopped further viewing. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12837jhp Aurora Borealis Scottish green red rays North Plough clouds increasing Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.27.34hrsUT for 24secs, showing green and red oxygen rays looking North with increasing cloud cover starting to blank out the Aurora display. The Plough is above gap between the two tree tops. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12836jhp Aurora Borealis Scotland green red rays North Torphins lights Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.26.26hrsUT for 22secs, showing green and red oxygen rays looking North eastwards past with the street lights of nearby Torphins village in the lower right and The Plough slightly above. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, street, lights, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12835jhp Aurora Borealis Scottish green red rays North Plough Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.25.29hrsUT for 20secs, showing green and red oxygen rays looking Northwards past The Plough, Big Dipper or Ursa Major stars dead centre of the frame. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12834jhp Aurora Borealis Scottish Corona zenith green rays west Pleiades birch Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.24.39hrsUT for 24secs, showing green zenith arms and strong background red oxygen forming another coronal zenith or crown looking south westwards with Pleiades visible in top of the tree. What is not recorded in this still image is the degree of movement around the centre with the swirling arms of the rays as the display continues to form. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12833jhp Aurora Borealis Scottish Corona zenith green centre Orion South stars cottage roof Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.23.58hrsUT for 20secs, showing green zenith or crown and some red oxygen backdrop looking southwards marked by Orion in its winter position to the north and a very rare position in which to see Aurora displays. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12832jhp Aurora Borealis Scotland Corona zenith green red rays Orion South stars cottage roof Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.22.56hrsUT for 20secs, showing green and some red oxygen rays looking southwards marked by Orion in its winter position to the north and a very rare position in which to see Aurora displays. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12831jhp Aurora Borealis Corona westwards green red rays clouds Scotland Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.21.59hrsUT for 23secs, showing green and strong red oxygen sweeping rays as a corona fades looking westwards. What is not recorded in this still image is the degree of movement with the swirling arms of the rays as the display continue. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12829jhp Aurora British Corona arms westwards green red rays clouds Cassiopeia Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.18.29hrsUT for 20secs, showing green and strong red oxygen sweeping rays of a coronal zenith or crown looking south westwards with Cassiopeia visible towards thye top centre. What is not recorded in this still image is the degree of movement around the centre with the swirling arms of the rays as the display continues to form. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12828jhp Aurora Scottish Coronal wings overhead green red rays clouds Cassiopeia Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.17.50hrsUT for 20secs, showing green and strong red oxygen sweeping rays of a forming coronal zenith or crown looking westwards with Cassiopeia visible towards top of the frame. What is not recorded in this still image is the degree of movement around the centre with the swirling arms of the rays as the display continues to form. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12825jhp Aurora Scotland Corona centre overhead tree green rays clouds west Pleiades Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.14.50hrsUT for 23secs, showing green and strong red oxygen sweeping rays of a forming coronal zenith or crown looking south westwards with Pleiades visible in top of the tree. What is not recorded in this still image is the degree of movement around the centre with the swirling arms of the rays as the display continues to form. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof, silver, birch
Aurora Cloudy Display aucf12824jhp Aurora Borealis Scotland Corona crown tree green red rays west Pleiades Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.14.50hrsUT for 23secs, showing green and strong red oxygen sweeping rays of a forming coronal zenith or crown looking south westwards with Pleiades visible in top of the tree. What is not recorded in this still image is the degree of movement around the centre with the swirling arms of the rays as the display continues to form. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12819jhp Aurora Borealis Scottish Corona zenith green red sweeping rays west Pleiades Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.10.49hrsUT for 23secs, showing green and strong red oxygen sweeping rays of a forming coronal zenith or crown looking south westwards with Pleiades visible in top of the tree. What is not recorded in this still image is the degree of movement around the centre with the swirling arms of the rays as the display continues to form. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12818jhp Aurora Borealis Scottish Corona zenith green red sweeping rays west Pleiades Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.55.02hrsUT for 24secs, showing green and strong red oxygen sweeping rays of a forming coronal zenith or crown looking south westwards with Pleiades visible in the lower quadrant. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12816jhp Aurora Borealis Scotland lights green red rays Orion South stars cottage roof Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.53.37hrsUT for 24secs, showing green and some red oxygen rays looking southwards marked by Orion in its winter position to the north and a very rare position in which to see Aurora displays. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12814jhp Aurora Borealis Scotland green red sweeping large rays west Cassiopeia Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.51.45hrsUT for 27secs, showing green and strong red oxygen sweeping rays looking westwards with Cassiopeia on its side in upper centre. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12813jhp Aurora Borealis Scottish green red sweeping large rays east cottage roof Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.50.49hrsUT for 23secs, showing green and strong red oxygen sweeping rays looking eastwards. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12812jhp Aurora Northern Lights British Scotland green red rays Orion South clouds cottage roof Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.50.05hrsUT for 25secs, showing green and some red oxygen rays looking southwards marked by Orion in its winter position to the north and a very rare position in which to see Aurora displays. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, uprights, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12811jhp Aurora Northern Lights Scotland green red rays Orion South stars cottage roof Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.49.13hrsUT for 21secs, showing green and some red oxygen rays looking southwards marked by Orion in its winter position to the north and a very rare position in which to see Aurora displays. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12810jhp Aurora Borealis Scottish green red rays Orion South stars cottage roof Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.48.14hrsUT for 29secs, showing green and some red oxygen rays looking southwards marked by Orion in its winter position to the north and a very rare position in which to see Aurora displays. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12809jhp Aurora Borealis Scotland green red oxygen rays Plough North stars clouds Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.47.30hrsUT for 23secs, showing green and some red oxygen rays looking northwards marked by Ursa Major or The Plough in its winter position to the north. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12808jhp Aurora Borealis Scottish red green rays Plough North Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.46.44hrsUT for 27secs showing mainly green and red oxygen rays in the early stages of a developing Corona looking northwards marked by Ursa Major or The Plough in its winter position to the north. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12807jhp Aurora Borealis Scottish display rays Plough North stars clouds Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.45.55hrsUT for 23secs showing mainly green oxygen rays looking northwards marked by Ursa Major or The Plough in its winter position to the north. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12806jhp Aurora Borealis Scotland red green rays cloud gap stars west Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.45.05hrsUT for 25secs showing mainly green oxygen rays through gaps in the cloud cover. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12804jhp Aurora Borealis Scottish forest red green rays cloudy west Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.42.06hrsUT for 23secs showing mainly green oxygen rays looking westwards. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12801jhp Aurora Borealis Scottish green rays clouds Plough North Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.39.28hrsUT for 23secs showing mainly green oxygen rays with a suggestion of red looking northwards. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12723jhp Aurora Scotland Deeside Corona display green red rays zenith clouds colour Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.49.26hrsUT for 25secs showing green and red oxygen rays at the centre or zenith of the corona looking directly upwards over Royal Deeside with some increasing cloud and strong wind. The cf127 session of which this is the last frame, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12722jhp Aurora Northern Lights Scotland deeside Corona green red rays zenith centre colour Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.48.42hrsUT for 22secs showing green and red oxygen rays dropping like a huge wings from the centre or zenith of the corona looking directly upwards over Royal Deeside with some swiftly passing cloud. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12721jhp Aurora Northern Lights Scottish Corona green red rays zenith crown colourful westwards Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.48.01hrsUT for 15secs showing green and red oxygen rays dropping like a huge wings from the centre or zenith of the corona looking directly upwards over Royal Deeside. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12720jhp Aurora Borealis Scotland Corona green red rays huge fan colourful westwards Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.25.38hrsUT for 28secs showing green and red oxygen rays dropping like a huge fan from the start of a corona looking to west of north over Royal Deeside. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12719jhp Aurora Borealis Scotland Corona display rays fan westwards Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.24.34hrsUT for 24secs showing green and red oxygen rays dropping like a huge fan from the start of a corona looking to the west over Royal Deeside. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12718jhp Aurora Borealis Scottish Corona display rays fan clouds Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.23.22hrsUT for 23secs showing green and red oxygen rays dropping like a huge fan from the start of a corona looking upwards. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12713jhp Aurora Borealis Scotland red green oxygen rays clouds west gaps Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.07.23hrsUT for 22secs showing mainly green red oxygen rays through the clouds looking westwards. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12712jhp Aurora Borealis Scotland green red Northern Lights rays clouds northwards Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.06.33hrsUT for 21 secs showing mainly green oxygen arc light with green and red oxygen gas rays appearing through gaps in the clouds looking northwards. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12710jhp Aurora Borealis Scotland strong green red rays clouds openings bright stars northwards Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.03.38hrsUT for 38 secs showing mainly green oxygen arc light with strong green oxygen gas rays appearing through gaps in the clouds looking northwards. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12709jhp Aurora Borealis Scotland display strong green rays clouds openings stars northwards Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.03hrsUT for 20secs showing mainly green oxygen arc light with strong rays appearing through gaps in the clouds looking northwards. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12705jhp Aurora Borealis Scottish display faint rays clouds cover gaps northwards Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.00.6hrsUT for 22secs showing mainly green oxygen arc light with very faint rays appearing through gaps in the clouds looking northwards. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12702jhp Aurora Borealis Scotland display clouds covered gaps north Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.58.09hrsUT for 19secs showing yellow green oxygen gas backlighting extensive cloud cover to the North. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12701jhp Aurora Borealis Scottish display rays clouds covered gaps Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 23.56.52hrsUT for 20secs showing yellow green oxygen faint ray visible through a cloud gap looking northwards. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Corona Display aucf12618jhp Aurora Borealis Scotland Corona green rays clouds westwards Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.30.43hrsUT for 17secs showing mainly green oxygen rays descending from the corona through increasing cloud cover looking westwards. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Corona Display aucf12615jhp Aurora Borealis Scottish autumn Corona Coronal display green red rays zenith fanlike overhead Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.28.40hrsUT for 20 secs showing mainly green oxygen rays from the centre of the Corona fanning downwards like monster wings but sadly not showing the subtle movements continuously going on. The cf126, the first digital set taken, was 13 frames over 13 mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Corona Display aucf12614jhp Aurora Borealis Scottish autumn Corona green rays zenith fanlike descending Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.27.45hrsUT for 16secs showing mainly green oxygen rays from the centre of the Corona fanning downwards like monster wings but sadly not showing the subtle movements continuously going on. The cf126, the first digital set taken, was 13 frames over 13 mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Corona Display aucf12613jhp Aurora Borealis Scottish autumnal Corona green rays spread fan huge Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.26.50hrsUT for 14secs showing mainly green oxygen rays from the centre of the Corona fanning downwards like monster wings but sadly not showing the subtle movements continuously going on. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Corona Display aucf12612jhp Aurora Borealis Scotland Corona green rays spread fan celestial Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.25.04hrsUT for 12secs showing mainly green oxygen rays from the centre of the Corona fanning downwards like monster wings but sadly not showing the subtle movements continuously going on. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Corona Display aucf12608jhp Aurora Borealis Scottish Corona green rays westwards colourful arc Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.23.44hrsUT for 25secs showing mainly green oxygen rays descending from the corona and ascending from the strong active arc on the right looking westwards. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Corona Display aucf12607jhp Aurora Borealis Scotland Corona zenith crown green rays spread Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.23.07hrsUT for 12secs showing mainly green oxygen rays from the centre of the Corona viewed directly overhead but sadly not showing the subtle movements continuously going on. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Corona Display aucf12606jhp Aurora Borealis Scottish Corona zenith centre above green rays colours north Deeside Aberdeenshire Scotland photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.22.17hrsUT for 22secs showing mainly green oxygen rays from the centre of the Corona directly overhead. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Corona Display aucf12605jhp Aurora Northern Lights arc streaming active green rays vivid Plough colours north Deeside Aberdeenshire Scotland photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.21.19hrsUT for 26secs showing mainly green oxygen rays from a very active arc with streaming towards the north marked by The Plough dead centre. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Corona Display aucf12604jhp Aurora Borealis October arc streaming active green rays colours north Deeside Aberdeenshire Scotland photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.20.39hrsUT for 21secs showing mainly green oxygen rays from a very active arc with streaming towards the north. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Corona Display aucf12603jhp Aurora Borealis autumn Scotland corona zenith crown centre Cassiopeia red green rays colourful Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.18.45hrsUT for 18secs showing red and green rays surounding a Corona crown or zenith over Crooktree roof towards the east. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Corona Display aucf12602jhp Aurora Borealis autumn corona zenith red green rays Pleiades colourful Deeside Aberdeenshire Scotland photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.18.11hrsUT for 16secs showing red and green rays descending from a Corona crown or zenith over Crooktree roof towards the east. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Corona Display aucf12601jhp Aurora Borealis Scottish autumn corona zenith rays colours Deeside Aberdeenshire Scotland photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.17.37hrsUT for 16secs showing red and green rays descending at the start of a Corona crown or zenith over Crooktree roof towards the east. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora and Cloud aucf11103jhp Aurora Borealis Scotland autumn October clouds red ray northwards Deeside Aberdeenshire Scotland two photos taken on the evening of the 15th October, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 23.29.10hrsUT for 18secs showing strong red ray activity from a very low grade arc and the constellation Ursa Major, The Plough or Big Dipper is just hidden behind the increasing cloud cover. I took 4 frames over 30 mins, so cloud cover stopped me photographing more of the display using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. There was a full moon that night sitting off to the east of this north facing display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora and Cloud aucf11102jhp Aurora Borealis Scottish Ursa Major October clouds faint rays northwards Deeside Aberdeenshire Scotland two photos taken on the evening of the 15th October, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 23.05.37hrsUT for 17secs showing faint suggestion of ray activity with the yellow green oxygen gas in low grade arc and the constellation Ursa Major, The Plough or Big Dipper is just discernible behind the increasing cloud cover. I took 4 frames over 30 mins, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. There was a full moon that night sitting off to the east of this north facing display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Active Aurora Display aucf11704jhp Aurora Borealis Scottish October autumn fading rays west Deeside Aberdeenshire Scotland four photos taken on the evening of the 21st October, 2003 at Crooktree, 25 miles west of Aberdeen looking to the north. This photo was taken at 22.58.52hrsUT for 20secs showing fading red and ray activity from a fragmented green arc towards the west. I took 4 frames over 4mins, before the display faded away using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October and again I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Active Aurora Display aucf11703jhp Aurora Borealis Scottish October autumn active rays colourful Deeside Aberdeenshire Scotland four photos taken on the evening of the 21st October, 2003 at Crooktree, 25 miles west of Aberdeen looking to west of north. This photo was taken at 22.56.03hrsUT for 19secs showing strong red and green ray activity from a fragmented arc towards the west. I took 4 frames over 4mins, before the display faded away using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October and again I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Active Aurora Display aucf11702jhp Aurora Borealis Scottish Northern Lights autumn active rays colourful Deeside Aberdeenshire Scotland four photos taken on the evening of the 21st October, 2003 at Crooktree, 25 miles west of Aberdeen looking to the north. This photo was taken at 22.55.19hrsUT for 20secs showing strong red and green ray activity from a fragmented arc and the constellation Ursa Major, The Plough or Big Dipper. I took 4 frames over 4mins, before the display faded away using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October and again I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Active Aurora Display aucf11701jhp Aurora Borealis Scotland autumn active rays colourful Deeside Aberdeenshire Scotland four photos taken on the evening of the 21st October, 2003 at Crooktree, 25 miles west of Aberdeen looking to west of north in the direction of Kincardine O’Neil. This photo was taken at 22.54.41hrsUT for 19secs showing strong red and green ray activity from a fragmented arc and the tail of the constellation Ursa Major, The Plough or Big Dipper on the right of frame. I took 4 frames over 4mins, before the display faded away using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October and again I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9565jhp Aurora Northern Lights Plough nitrogen faint rays fading display Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.13.32hrsUT for 20secs showing faint multiple ray activity with the yellow green oxygen gas in a waning arc as the display fades and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9563jhp Aurora Northern Lights Big Dipper purple nitrogen faint rays Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.09.46hrsUT for 17secs showing faint multiple ray activity with the yellow green oxygen gas in a waning arc as the display fades and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9561jhp Aurora Borealis Scottish Plough August nitrogen ray eastwards Deeside Torphins lights Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.42.46hrsUT for 19secs showing faint purple nitrogen ray activity over Torphins lights with the yellow green oxygen gas in a breaking arc and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9557jhp Aurora Borealis Scotland August purple nitrogen faint rays fragmented arc northwards Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.37hrsUT for 19secs showing faint multiple ray activity with the yellow green oxygen gas in a breaking arc and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9553jhp Aurora Northern Lights Scottish summer purple nitrogen faint rays northwards Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.30.03hrsUT for 16secs showing faint multiple ray activity with the yellow green oxygen gas in a breaking arc and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9552jhp Aurora Borealis Scottish Ursa Major August purple nitrogen faint rays northwards Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.29.04hrsUT for 20secs showing faint multiple ray activity with the yellow green oxygen gas in a breaking arc and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9550jhp Aurora Borealis Scottish Northern Lights summer purple nitrogen rays northwwards Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 27.43hrsUT for 17secs showing faint multiple ray activity with the yellow green oxygen gas in a breaking arc and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9549jhp Aurora Borealis Scottish Big Dipper August purple nitrogen rays northwwards Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.26.59hrsUT for 17secs showing faint multiple ray activity with the yellow green oxygen gas in a breaking arc and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9547jhp Aurora Borealis Scotland East summer Torphins moon purple nitrogen ray Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.24.41hrsUT for 17secs showing single nitrogen ray activity with the yellow green oxygen gas in a breaking arc loking eastwards over the lights of Torphins with a full moon to the right of the frame. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9546jhp Aurora Borealis Scottish Plough summer yellow green arc North faint rays Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.19.41hrsUT for 17secs showing faint multiple ray activity with the yellow green oxygen gas in a breaking arc and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9545jhp Aurora Borealis Scotland Plough summer August 2003 green arc faint rays Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.19.04hrsUT for 20secs showing faint multiple ray activity with the yellow green oxygen gas in a breaking arc and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora First Digital auSM3916jhp Aurora Borealis Scottish red North waning winter March 2003 Deeside Aberdeenshire Scotland taken on the morning of the 30th March 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.35hrsUT showing a waning display behind treetop aligned North and was taken at the end of the second evening’s activity after I stopped using slide film around 23.40hrs UT. This photo was taken with a Fuji Finepix S2 digital camera, the first time I used a digital camera for Aurora photography and a major departure from the years of using 35mm slide film. It was set at an ISO of 1600 to match the same sensitivity used for slide film, push developing 400asa Fuji to 1600asa with exposures set around the 20 second mark and lens aperture of f2.8 and the quality results i.e. noise factor was better than a corresponding grain pattern with pushed slide film. This particular photo was exposed for 11 secs with a 19mm focal length. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 2003, March, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, Fuji, Finepix, S2Pro, DSLR, digital, camera, earliest
Aurora First Digital auSM3915jhp Aurora display Scotland clouds cover decreasing winter March 2003 Deeside Aberdeenshire Scotland taken on the morning of the 30th March 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.34hrsUT showing a waning display behind increasing cloud cover and was taken at the end of the second evening’s activity after I stopped using slide film around 23.40hrs UT. This photo was taken with a Fuji Finepix S2 digital camera, the first time I used a digital camera for Aurora photography and a major departure from the years of using 35mm slide film. It was set at an ISO of 1600 to match the same sensitivity used for slide film, push developing 400asa Fuji to 1600asa with exposures set around the 20 second mark and lens aperture of f2.8 and the quality results i.e. noise factor was better than a corresponding grain pattern with pushed slide film. This particular photo was exposed for 23 secs with a 19mm focal length. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 2003, March, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, Fuji, Finepix, S2Pro, DSLR, digital, camera, earliest
Aurora First Digital auSM3913jhp Aurora Borealis Scotland clouds active rays arc winter March 2003 Cassiopeia Deeside Aberdeenshire Scotland taken on the evening of the 30th March 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.30.30hrsUT showing strong patches of green arc with some strong ray activity developing and was taken at the end of the second evening’s activity after I stopped using slide film around 23.40hrs UT. This photo was taken with a Fuji Finepix S2 digital camera, the first time I used a digital camera for Aurora photography and a major departure from the years of using 35mm slide film. It was set at an ISO of 1600 to match the same sensitivity used for slide film, push developing 400asa Fuji to 1600asa with exposures set around the 20 second mark and lens aperture of f2.8 and the quality results i.e. noise factor was better than a corresponding grain pattern with pushed slide film. This particular photo was exposed for 16 secs with a 19mm focal length. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 2003, March, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, Fuji, Finepix, S2Pro, DSLR, digital, camera, earliest
Aurora First Digital auSM3912jhp Aurora display Cassiopeia Scottish cloud moving rays winter green arc March 2003 Deeside Aberdeenshire Scotland taken on the evening of the 30th March 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.30.12hrsUT showing strong patches of green arc with some strong ray activity developing and was taken at the end of the second evening’s activity after I stopped using slide film around 23.40hrs UT. This photo was taken with a Fuji Finepix S2 digital camera, the first time I used a digital camera for Aurora photography and a major departure from the years of using 35mm slide film. It was set at an ISO of 1600 to match the same sensitivity used for slide film, push developing 400asa Fuji to 1600asa with exposures set around the 20 second mark and lens aperture of f2.8 and the quality results i.e. noise factor was better than a corresponding grain pattern with pushed slide film. This particular photo was exposed for 16 secs with a 19mm focal length. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 2003, March, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, Fuji, Finepix, S2Pro, DSLR, digital, camera, earliest
Aurora First Digital auSM3903jhp Aurora Borealis Scotland cloud moving rays winter March 2003 Cassiopeia Deeside Aberdeenshire Scotland taken on the evening of the 30th March 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.24hrsUT showing strong patches of green arc and a hint of some ray activity developing and was taken at the end of the second evening’s activity after I stopped using slide film around 23.40hrs UT. This photo was taken with a Fuji Finepix S2 digital camera, the first time I used a digital camera for Aurora photography and a major departure from the years of using 35mm slide film. It was set at an ISO of 1600 to match the same sensitivity used for slide film, push developing 400asa Fuji to 1600asa with exposures set around the 20 second mark and lens aperture of f2.8 and the quality results i.e. noise factor was better than a corresponding grain pattern with pushed slide film. This particular photo was exposed for 11 secs with a 19mm focal length. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 2003, March, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, Fuji, Finepix, S2Pro, DSLR, digital, camera, earliest
Aurora First Digital auSM3907jhp Aurora Borealis Scotland cloud moving red north winter March 2003 Cassiopeia Deeside Aberdeenshire Scotland taken on the evening of the 30th March 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.27hrsUT showing strong patches of green arc and a hint of some red ray activity developing over a tree top on a north bearing and was taken at the end of the second evening’s activity after I stopped using slide film around 23.40hrs UT. This photo was taken with a Fuji Finepix S2 digital camera, the first time I used a digital camera for Aurora photography and a major departure from the years of using 35mm slide film. It was set at an ISO of 1600 to match the same sensitivity used for slide film, push developing 400asa Fuji to 1600asa with exposures set around the 20 second mark and lens aperture of f2.8 and the quality results i.e. noise factor was better than a corresponding grain pattern with pushed slide film. This particular photo was exposed for 11 secs with a 19mm focal length. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 2003, March, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, Fuji, Finepix, S2Pro, DSLR, digital, camera, earliest
Aurora Summer auSO7612jhp Aurora Northern Lights Scotland summer July north green arc purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.46hrsUT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.46hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open for 22 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, July, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera
Aurora Summer auSO7611jhp Aurora Borealis Scottish Cassiopeia eastwards summer purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.10hrBST showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera
Aurora Summer auSO7610jhp Aurora Borealis Scotland purple nitrogen rays green arc oxygen early morning Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.33hrsUT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open for 22 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera
Aurora Summer auSO7609jhp Aurora Borealis Scotland Northern Lights Plough summer purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.22hrsUT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide for open for 23 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera
Aurora Summer auSO7608jhp Aurora Borealis Scotland Plough stars summer rare purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.310hrsUT on 27th July showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open for 20 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera
Aurora Summer auSO7607jhp Aurora Borealis Scottish Northern Lights summer purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.30hrsUT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open for 18 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera
Aurora Summer auSO7606jhp Aurora Borealis Scotland Plough summer purple nitrogen rays green arc Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.29hrsUT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open for 18 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera
Aurora Summer auSO7604jhp Aurora Borealis Scottish Plough Big Dipper summer purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.28hrsUT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open for 15 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, July, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera
Aurora Summer auSO7603jhp Aurora Borealis Scotland Plough summer July 2003 purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.27hrsUT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open for 13 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera
Aurora Summer auSO7602jhp Aurora Borealis Scotland Plough summer July 2003 purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.26hrsUT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open for 8 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera
Aurora Fisheye au92039jhp Aurora Borealis Scotland display half Corona fisheye eastwards zenith Plough stars above chimney Aberdeenshire taken on the 2nd February, 1992 at Crooktree, 25 miles west of Aberdeen looking from west to north and slightly towards the east where the street lights of Torphins are visible in the lower part of some uprights. The display was a major storm almost from the start, visible around 11pm and I used my ‘cheap’ fisheye lens, a door security viewer attached to the sunhood on my 28mm by a machined cap. Not of course ideal quality but gives a sense of the scale of the display and especially if viewed seeing the smallness of The Plough. This sequence is later in the display starting around 11.30 when the display grew in strength and the colour red for higher level oxygen came to the fore. An earlier sequence with more green dominance has yet to be scanned. This photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, fisheye, 360, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1992, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, door, security, viewer, eyepiece, cap, sunhood
Aurora Fisheye au92038jhp Aurora Borealis Scottish winter display Corona fisheye Torphins lights Plough Aberdeenshire taken on the 2nd February, 1992 at Crooktree, 25 miles west of Aberdeen looking from west to north and slightly towards the east where the street lights of Torphins are visible in the lower part of some uprights. The display was a major storm almost from the start, visible around 11pm and I used my ‘cheap’ fisheye lens, a door security viewer attached to the sunhood on my 28mm by a machined cap. Not of course ideal quality but gives a sense of the scale of the display and especially if viewed seeing the smallness of The Plough. This sequence is later in the display starting around 11.30 when the display grew in strength and the colour red for higher level oxygen came to the fore. An earlier sequence with more green dominance has yet to be scanned. This photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, fisheye, 360, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1992, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, door, security, viewer, eyepiece, cap, sunhood
Aurora Fisheye au920333jhp Scotland Deeside Aurora Corona red crown zenith centre celestial 24mm lens wide angle Deeside Aberdeenshire taken on the 2nd February, 1992 at Crooktree, 25 miles west of Aberdeen looking from west to north and slightly towards the east where the street lights of Torphins are visible in the lower part of some uprights. The display was a major storm almost from the start, visible around 11pm and I used my ‘cheap’ fisheye lens, a door security viewer attached to the sunhood on my 28mm by a machined cap. Not of course ideal quality but gives a sense of the scale of the display and especially if viewed seeing the smallness of The Plough. This sequence is later in the display starting around 11.30 when the display grew in strength and the colour red for higher level oxygen came to the fore. An earlier sequence with more green dominance has yet to be scanned. This photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, fisheye, 360, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1992, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, door, security, viewer, eyepiece, cap, sunhood
Aurora Fisheye au920331jhp Scottish Aurora Corona red large sweeping rays 24mm lens wide angle Deeside Aberdeenshire taken on the 2nd February, 1992 at Crooktree, 25 miles west of Aberdeen looking from west to north and slightly towards the east where the street lights of Torphins are visible in the lower part of some uprights. The display was a major storm almost from the start, visible around 11pm and I used my ‘cheap’ fisheye lens, a door security viewer attached to the sunhood on my 28mm by a machined cap. Not of course ideal quality but gives a sense of the scale of the display and especially if viewed seeing the smallness of The Plough. This sequence is later in the display starting around 11.30 when the display grew in strength and the colour red for higher level oxygen came to the fore. An earlier sequence with more green dominance has yet to be scanned. This photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, fisheye, 360, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1992, February, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, door, security, viewer, eyepiece, cap, sunhood
Aurora Fisheye au920330jhp Northern Lights Scottish Aurora Corona above red large rays Dipper Deeside Aberdeenshire taken on the 2nd February, 1992 at Crooktree, 25 miles west of Aberdeen looking from west to north and slightly towards the east where the street lights of Torphins are visible in the lower part of some uprights. The display was a major storm almost from the start, visible around 11pm and I used my ‘cheap’ fisheye lens, a door security viewer attached to the sunhood on my 28mm by a machined cap. Not of course ideal quality but gives a sense of the scale of the display and especially if viewed seeing the smallness of The Plough. This sequence is later in the display starting around 11.30 when the display grew in strength and the colour red for higher level oxygen came to the fore. An earlier sequence with more green dominance has yet to be scanned. This photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, fisheye, 360, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1992, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, door, security, viewer, eyepiece, cap, sunhood
Aurora Fisheye au920329jhp Northern Lights Scotland full Corona above red streaming rays Ursa Major Aberdeenshire taken on the 2nd February, 1992 at Crooktree, 25 miles west of Aberdeen looking from west to north and slightly towards the east where the street lights of Torphins are visible in the lower part of some uprights. The display was a major storm almost from the start, visible around 11pm and I used my ‘cheap’ fisheye lens, a door security viewer attached to the sunhood on my 28mm by a machined cap. Not of course ideal quality but gives a sense of the scale of the display and especially if viewed seeing the smallness of The Plough. This sequence is later in the display starting around 11.30 when the display grew in strength and the colour red for higher level oxygen came to the fore. An earlier sequence with more green dominance has yet to be scanned. This photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, fisheye, 360, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1992, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, door, security, viewer, eyepiece, cap, sunhood
Aurora Fisheye au920325jhp Northern Lights Scotland full Corona above red green rays Aberdeenshire taken on the 2nd February, 1992 at Crooktree, 25 miles west of Aberdeen looking from west to north and slightly towards the east where the street lights of Torphins are visible in the lower part of some uprights. The display was a major storm almost from the start, visible around 11pm and I used my ‘cheap’ fisheye lens, a door security viewer attached to the sunhood on my 28mm by a machined cap. Not of course ideal quality but gives a sense of the scale of the display and especially if viewed seeing the smallness of The Plough. This sequence is later in the display starting around 11.30 when the display grew in strength and the colour red for higher level oxygen came to the fore. An earlier sequence with more green dominance has yet to be scanned. This photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, fisheye, 360, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1992, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, door, security, viewer, eyepiece, cap, sunhood
Aurora Fisheye au920312jhp Aurora display Scotland lights half Corona westwards red green rays Aberdeenshire taken on the 2nd February, 1992 at Crooktree, 25 miles west of Aberdeen looking from west to north and slightly towards the east where the street lights of Torphins are visible in the lower part of some uprights. The display was a major storm almost from the start, visible around 11pm and I used my ‘cheap’ fisheye lens, a door security viewer attached to the sunhood on my 28mm by a machined cap. Not of course ideal quality but gives a sense of the scale of the display and especially if viewed seeing the smallness of The Plough. This sequence is later in the display starting around 11.30 when the display grew in strength and the colour red for higher level oxygen came to the fore. An earlier sequence with more green dominance has yet to be scanned. This photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, fisheye, 360, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1992, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, door, security, viewer, eyepiece, cap, sunhood
Aurora Fisheye au920310jhp Aurora display Scotland display half Corona fisheye above zenith Plough top stars above chimney Aberdeenshire taken on the 2nd February, 1992 at Crooktree, 25 miles west of Aberdeen looking from west to north and slightly towards the east where the street lights of Torphins are visible in the lower part of some uprights. The display was a major storm almost from the start, visible around 11pm and I used my ‘cheap’ fisheye lens, a door security viewer attached to the sunhood on my 28mm by a machined cap. Not of course ideal quality but gives a sense of the scale of the display and especially if viewed seeing the smallness of The Plough. This sequence is later in the display starting around 11.30 when the display grew in strength and the colour red for higher level oxygen came to the fore. An earlier sequence with more green dominance has yet to be scanned. This photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, fisheye, 360, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1992, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, door, security, viewer, eyepiece, cap, sunhood
Low Grade Aurora bnm5740jhp Aurora Borealis Scotland autumn very faint rays poor quality display Deeside Aberdeenshire taken on the morning of 26th October [after midnight BST], 2016 at Crooktree, 25 miles west of Aberdeen, indicated by the magnetometer readings on AuroraWatch and although I did not see anything defined this one expsoure suggests a faint ray above the central tree. One of the first nights without a cloud problem to the North and what I suspected were faint rays proved correct when the photographs were processed. This photograph was taken with a Nikon D700 full frame DSLR using a 28mm Nikkor f2.8 lens at f5.6 aperture, ISO setting of 6400 for 11 seconds at 23.27hrsUT which was slightly underexposed. The increased ISO sensitivity of modern DSLR’s allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, Lights, Merry, Dancers, Ursa Major, Big Dipper, Plough, North, landscape, CME, solar, wind, night, sky, stars, oxygen, gas, molecules, magnetic, green, faint, weak, low, grade, colourful, colorful, colours, colors, celestial, night, autumn, October, 2016, D700, Nikon, DSLR, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora The Ley au7189ajhp Scottish Aurora Borealis display rays red silhouette Ley tree winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February after 22.00hrs UT hrs and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 15-20 seconds around the 20 I later settled on. Several of the photos show a subdued quality akin to the human eye and bare probably a more accurate representation of what is seen in reality. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7187ajhp Aberdeenshire Aurora Borealis telephone pole Banchory red yellow winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February around 22.00hrs UT and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 15-20 seconds around the 20 I later settled on. Several of the photos show a subdued quality akin to the human eye and bare probably a more accurate representation of what is seen in reality. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7186ajhp Scottish Aurora car headlights light polution red rays night Deeside 1990 February taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February activity waning around 21.48hrs UT with several red rays and the problem with passing traffic happily very infrequent is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 15-20 seconds around the 20 I later settled on. Several of the photos show a subdued quality akin to the human eye and bare probably a more accurate representation of what is seen in reality. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7185ajhp British Aurora Northern Lights multiple red rays winter Deeside 1990 February taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February activity waning around 21.46hrs UT with several red rays and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 15-20 seconds around the 20 I later settled on. Several of the photos show a subdued quality akin to the human eye and bare probably a more accurate representation of what is seen in reality. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7184ajhp Scotland Merry Dancers multiple rays arc bending winter Deeside 1990 February taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February starting increased activity around 21.44hrs UT with several rays breaking of a folding arc and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 15-20 seconds around the 20 I later settled on. Several of the photos show a subdued quality akin to the human eye and bare probably a more accurate representation of what is seen in reality. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7183ajhp Scotland Aurora Borealis telephone pole arc curtains curved Ley tree winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February starting increased activity around 21.42hrs UT with several rays breaking of a folding arc and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 15-20 seconds around the 20 I later settled on. Several of the photos show a subdued quality akin to the human eye and bare probably a more accurate representation of what is seen in reality. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, curved, curtains, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7182ajhp Scottish Deeside Aurora Borealis telephone pole activity increasing Ley tree winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February starting around 21.40hrs UT and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 15-20 seconds around the 20 I later settled on. Several of the photos show a subdued quality akin to the human eye and bare probably a more accurate representation of what is seen in reality. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au71826ajhp Aurora Borealis telephone poles dying quiet red glow winter Crathes February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February finishing around 23.20hrs UT, the last frame taken on this film and the display now lacking any activity or discernible rays and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 15-20 seconds around the 20 I later settled on. Several of the photos show a subdued quality akin to the human eye and bare probably a more accurate representation of what is seen in reality. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, westwards, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au71815ajhp Scottish Aurora car headlights light polution red rays night Deeside 1990 February taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February around 22.30hrs UT with red and the problem with passing traffic happily very infrequent is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 15-20 seconds around the 20 I later settled on. Several of the photos show a subdued quality akin to the human eye and bare probably a more accurate representation of what is seen in reality. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au71813ajhp Scotland Deeside Aurora Borealis red yellow colours Jim Henderson photo winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February after 22.22hrs UT hrs and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 15-20 seconds around the 20 I later settled on. Several of the photos show a subdued quality akin to the human eye and bare probably a more accurate representation of what is seen in reality as this appears. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au71811ajhp Scotland Aurora Borealis waning stars red silhouette tree winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February after 22.20hrs UT hrs and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 15-20 seconds around the 20 I later settled on. Several of the photos show a subdued quality akin to the human eye and bare probably a more accurate representation of what is seen in reality as this appears. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Glen Dye au61041jhp Scotland Aurora Borealis underexposed grainy rays red 645 medium format autumn 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji RHP 400asa 6.4.5cm format film and it became visible just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I photographed using Fuji RHP 400asa medium format transparency film of which this photo is an underexposed example while bracketing exposures near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, slide, transparency, film, Fuji, RHP, 400asa, pushed, development, 1600asa, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Glen Dye au610415jhp Scottish Aurora display Glen Dye rays red 645 medium format autumn 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji RHP 400asa 6.4.5cm format film and it became visible just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I photographed using Fuji RHP 400asa medium format transparency film of which this photo is an example with an exposure near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, slide, transparency, film, Fuji, RHP, 400asa, pushed, development, 1600asa, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Glen Dye au610410jhp Scotland Aurora Borealis Glen Dye rays red 645 medium format autumn 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji RHP 400asa 6.4.5cm format film and it became visible just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I photographed using Fuji RHP 400asa medium format transparency film of which this photo is an example and bracketing exposures near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, slide, transparency, film, Fuji, RHP, 400asa, pushed, development, 1600asa, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Eslie Greater au61355jhp Scotland Aurora Borealis Deeside Eslie Stone Circle display Agfa film October 1989 taken from the Recumbent Stone Circle called Esslie the Greater at Eslie to the SE of Banchory overlooking Feughside and Scolty Hill. This photo is from my second Aurora display I photographed using Agfa 1000 RS 6.4.5cm format film stock using my Bronica ETRS, from memory the fastest 120 film available at the time. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. This photograph using Agfa medium format transparency film of which this photo is an example was the one and only time I used it and I suspect it was underexposed as I would not have used my usual bracketing exposures near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS a slower lens to my usual f2.8 35mm primes. Push processing the 35mm 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons and because of this I stopped using medium format stock almost straight away. This photo has no great technical merit as far as an Aurora record goes except as an example of the 645 format, Agfa film and appears to be the only record I had of this second observed display on the 21st October – I have a note that I missed a display on the 20th. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Eslie, Banchory, Feughside, Esslie, Recumbent, Stone, Circle, Bronze, Age, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, October, medium, format, slide, transparency, film, Agfa, 1000 RS, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Eslie Greater au613514jhp Scottish Northern Lights Esslie Stone Circle Greater Agfa 645 transparency October 1989 taken from the Recumbent Stone Circle called Esslie the Greater at Eslie to the SE of Banchory overlooking Feughside and Scolty Hill. This photo is from my second Aurora display I photographed using Agfa 1000 RS 6.4.5cm format film stock using my Bronica ETRS, from memory the fastest 120 film available at the time. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. This photograph using Agfa medium format transparency film of which this photo is an example was the one and only time I used it and I suspect it was underexposed as I would not have used my usual bracketing exposures near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS a slower lens to my usual f2.8 35mm primes. Push processing the 35mm 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons and because of this I stopped using medium format stock almost straight away. This photo has no great technical merit as far as an Aurora record goes except as an example of the 645 format, Agfa film and appears to be the only record I had of this second observed display on the 21st October – I have a note that I missed a display on the 20th. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Eslie, Banchory, Feughside, Esslie, Recumbent, Stone, Circle, Bronze, Age, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, October, medium, format, slide, transparency, film, Agfa, 1000 RS, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Glen Dye au61058jhp Scottish Aurora Borealis display ray single Plough Aberdeenshire autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61054jhp Scottish Aurora Borealis display Glen Dye faint multiple rays red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610536jhp Scotland Aurora Borealis rays red clouds moving shapes Aberdeenshire autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film, the end of my first film, and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610535jhp Scotland Aurora Borealis Glen Dye strong rays red clouds patterns autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610533jhp Scottish Aurora Borealis Northern Lights display rays red clouds stars autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610531jhp Scotland photo Aurora Borealis display rays pink clouds windy shapes autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61052jhp Scotland Aurora Borealis display Glen Dye overexposed rays trailing stars red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610527jhp Scotland Aurora Borealis night sky strong multiple rays red Arc autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610526jhp Scotland Northern Lights Glen Dye many strong bright rays red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610525jhp Scottish active Aurora Borealis Glen Dye rays large red clouds autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610524jhp Scotland Merry Dancers display rays red stars several Aurora autumn September 26th & 27th 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610523jhp Scotland Aurora Borealis Glen Dye rays red long exposure clouds 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610521jhp Scotland Northern Lights Clachnaben hill rays mulitple red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610520jhp Scotland Aurora Borealis display rays red clouds Jim Henderson Photo autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film, the first film I tried out, and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61051jhp Scotland Aurora Borealis display Glen Dye rays clouds first photo autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo was the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible and some rays visible through the gaps. This was probably an underexposure, maybe 10 seconds or so. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610517jhp Aberdeenshire Aurora Borealis display Glen Dye faint rays clouds gaps autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617120jhp Scotland Aurora Borealis maximum bright strong display winter hills Boxing Day December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617119jhp Scotland Aurora Borealis Boxing Day December rays bright Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617118jhp Scottish Aurora Borealis display Boxing Day west rays Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, multiple, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617117jhp Scotland Aurora Borealis moving ray red headlights Boxing Day Aberdeenshire December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617115jhp Scotland Northern Lights multiple rays arc red yellow display 1989 Boxing Day December Cairn O’Mount taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617114jhp Scotland Aurora Borealis several rays moving arc hill starting display Boxing Day December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617113jhp Scottish Aurora Borealis early stage arc active Cairn O'Mount rays display Boxing Day December 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617111jhp Scotland Aurora Borealis arc start display Aberdeenshire Jim Henderson Photograph Boxing Day December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61065jhp Scotland Aurora Borealis display Clachnaben hill torr Glen Dye autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, upright, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610615jhp Scottish Aurora Borealis Glen Dye red purple gas September 1989 slide film taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610613jhp Scotland Aurora Borealis red display Glen Dye earliest first autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610612jhp Scottish Aurora Borealis display Plough stars Glen Dye Aberdeenshire first autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610611jhp Scotland Northern Lights Ursa Major red rays display Glen Dye earliest first autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Corona Zenith TO24035JHP Surreal Aurora Corona Zenith Flower Shape Colours Colourful Scottish Display at 21.02hrs UT on 9th November, 2004 with a swirling ever changing zenith centre in northern skies over Royal Deeside west of Aberdeen in Scotland with fanstastic swirling mix of oxygen gas colours with low level green and high level red giving an abstract quality to this Aurora display Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, rays, corona, zenith, swirling, changing, surreal, Northern Lights, Merry Dancers, winter, northwards, digital, upright, photos, photographs, sunspots, solar, sun, stars, oxygen, gas, molecules, magnetic, disturbance, yellow, red, colourful, colorful, coloured, colored, colours, colors, clouds, dark, nights, night-time
Aurora Corona Zenith TO24034JHP Surreal Aurora Corona Floral Zenith Explosion Colours Aberdeenshire Photo at 21.01hrs UT on 9th November, 2004 with a swirling ever changing zenith centre in northern skies over Royal Deeside west of Aberdeen in Scotland with fanstastic swirling mix of oxygen gas colours with low level green and high level red giving an abstract quality to this Aurora display Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, rays, corona, zenith, swirling, changing, surreal, Northern Lights, Merry Dancers, winter, northwards, digital, upright, photos, photographs, sunspots, solar, sun, stars, oxygen, gas, molecules, magnetic, disturbance, yellow, red, colourful, colorful, coloured, colored, colours, colors, clouds, dark, nights, night-time
Aurora Corona Rays TO24030JHP Surreal Aurora Corona Sweeping Wings Rays Downwards Colour Celestial at 21.00hrs UT on 9th November, 2004 with a swirling ever changing zenith centre in northern skies over Royal Deeside west of Aberdeen in Scotland with fanstastic swirling mix of oxygen gas colours with low level green and high level red giving an abstract quality to this Aurora display Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, rays, corona, zenith, swirling, changing, surreal, Northern Lights, Merry Dancers, winter, northwards, digital, upright, photos, photographs, sunspots, solar, sun, stars, oxygen, gas, molecules, magnetic, disturbance, yellow, green, red, colourful, colorful, coloured, colored, colours, colors, clouds, dark, nights, night-time
Aurora Scottish Summer AB03425JHP Scottish Summer Aurora Borealis Photograph Purple Rays Plough Big Dipper Stars with possibly nitrogen gas colourisation in the rays although some of the purple may be caused by air quality at 00.30hrs UT on 27th July, 2003 looking directly northwards on Deeside near Torphins west of Aberdeen Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Arc, Rays, summer, July, Northern Lights, Merry Dancers, upright, photo, photograph, slide, scanned, sunspots, solar, flares, CME, nitrogen, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, trees
Aurora & Ursa Major Summer AB03433JHP Summer Aurora Borealis Display Crooktree Nitrogen Plough Stars Deeside Scotland with possibly nitrogen gas purple colourisation in the rays to right of Ursa Major although some of the purple may be caused by air quality at 00.37hrs UT on 27th July, 2003 looking directly northwards on Deeside near Torphins west of Aberdeen Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Arc, Rays, nitrogen, summer, July, Ursa Major, Big Dipper, Plough, Northern Lights, Merry Dancers, upright, photos, photographs, slide, scanned, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, trees
Aurora & Ursa Major Summer AB03428JHP Summer Aurora Borealis Northern Lights Purple Rays Plough Usra Major Photo display with possibly nitrogen gas colourisation in the rays straddling the Plough although some of the purple may be caused by air quality at 00.34hrs UT on 27th July, 2003 looking directly northwards on Deeside near Torphins west of Aberdeen Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Arc, Rays, nitrogen, Ursa Major, Plough, Big Dipper, Northern Lights, Merry Dancers, landscape, photos, photographs, slide, scanned, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, trees

Egypt > Abu Simbel (20 files)

Photographs of the Great Temple of Ramses 11 at Abu Simbel and those of his wife's temple of Nefertari with some interior images as well.
Abu Simbel Wall Relief EG02073JHP Abu Simbel Great Temple interior wall paintings carvings reliefs chariot war in the hall with Nubian style Osiride Statues of Ramses 11 in the entrance Hall and extensive wall reliefs but not of the best quality in terms of detail and style. A photograph like this is no longer possible as there is a total ban in all such tombs in Egypt although these were taken when it was permitted but tripods were not allowed and in the very poor light the best quality is not always achievable and very strong tungsten lighting was used on the internal white plastered walls giving a colour caste beyond the camera at the time to balance. Keywords: Egypt, ancient, Egyptian, Lake Nasser, River Nile, Nubia, Nubian, Abu Simbel, rock, carved, huge, magnificent, Great Temple, landscape, entrance, hall, tourists, interior, digital, figures, deity, Godlike, Pharaoh, Ramses, Ramasses, Ramesses, wall, reliefs, warrior, battle, scenes, prisoners, chariots, bow, smiting, Kadesh
Abu Simbel Wall Relief EG02072JHP Abu Simbel Great Temple interior carving Ramasses chariot bow arrow lining the hall with Nubian style Osiride Statues of Ramses 11 in the entrance Hall and extensive wall reliefs but not of the best quality in terms of detail and style. A photograph like this is no longer possible as there is a total ban in all such tombs in Egypt although these were taken when it was permitted but tripods were not allowed and in the very poor light the best quality is not always achievable and very strong tungsten lighting was used on the internal white plastered walls giving a colour caste beyond the camera at the time to balance. Keywords: Egypt, ancient, Egyptian, Lake Nasser, River Nile, Nubia, Nubian, Abu Simbel, rock, carved, huge, magnificent, Great Temple, landscape, entrance, hall, interior, digital, figures, deity, Godlike, Pharaoh, Ramses, Ramasses, Ramesses, wall, reliefs, warrior, battle, scenes, prisoners, chariot, bow, horses
Abu Simbel Wall Relief EG02071JHP Abu Simbel Great Temple interior wall relief Pharaoh chariot war scene in the hall with Nubian style Osiride Statues of Ramses 11 in the entrance Hall and extensive wall reliefs but not of the best quality in terms of detail and style. A photograph like this is no longer possible as there is a total ban in all such tombs in Egypt although these were taken when it was permitted but tripods were not allowed and in the very poor light the best quality is not always achievable and very strong tungsten lighting was used on the internal white plastered walls giving a colour caste beyond the camera at the time to balance. Keywords: Egypt, ancient, Egyptian, Lake Nasser, River Nile, Nubia, Nubian, Abu Simbel, rock, carved, huge, magnificent, Great Temple, upright, entrance, hall, interior, digital, figures, deity, Godlike, Pharaoh, Ramses, Ramasses, Ramesses, wall, reliefs, warrior, battle, scenes, prisoners, chariot, bow, horses
Abu Simbel Wall Relief EG02070JHP Abu Simbel Great Temple interior seated Ramesses prisoners wall relief in hall with Nubian style Osiride Statues of Ramses 11 in the entrance Hall and extensive wall reliefs but not of the best quality in terms of detail and style. A photograph like this is no longer possible as there is a total ban in all such tombs in Egypt although these were taken when it was permitted but tripods were not allowed and in the very poor light the best quality is not always achievable and very strong tungsten lighting was used on the internal white plastered walls giving a colour caste beyond the camera at the time to balance. Keywords: Egypt, ancient, Egyptian, Lake Nasser, River Nile, Nubia, Nubian, Abu Simbel, rock, carved, huge, magnificent, Great Temple, landscape, entrance, hall, tourists, interior, digital, figures, deity, Godlike, Pharaoh, Ramses, Ramasses, Ramesses, wall, reliefs, offering
Abu Simbel Wall Relief EG02069JHP Abu Simbel Great Temple interior war scene battle fighting chariot in the hall with Nubian style Osiride Statues of Ramses 11 in the entrance Hall and extensive wall reliefs but not of the best quality in terms of detail and style. A photograph like this is no longer possible as there is a total ban in all such tombs in Egypt although these were taken when it was permitted but tripods were not allowed and in the very poor light the best quality is not always achievable and very strong tungsten lighting was used on the internal white plastered walls giving a colour caste beyond the camera at the time to balance. Keywords: Egypt, ancient, Egyptian, Lake Nasser, River Nile, Nubia, Nubian, Abu Simbel, rock, carved, huge, magnificent, Great Temple, landscape, entrance, hall, interior, digital, figures, deity, Godlike, Pharaoh, Ramses, Ramasses, Ramesses, wall, reliefs, warrior, battle, scenes, prisoners, chariot, bow, horses
Abu Simbel Wall Relief EG02055JHP Abu Simbel Great Temple interior Egyptian offering scene unfinished wall drawing in the hall with Nubian style Osiride Statues of Ramses 11 in the entrance Hall and extensive wall reliefs but not of the best quality in terms of detail and style. A photograph like this is no longer possible as there is a total ban in all such tombs in Egypt although these were taken when it was permitted but tripods were not allowed and in the very poor light the best quality is not always achievable and very strong tungsten lighting was used on the internal white plastered walls giving a colour caste beyond the camera at the time to balance. Keywords: Egypt, ancient, Egyptian, Lake Nasser, River Nile, Nubia, Nubian, Abu Simbel, rock, carved, huge, magnificent, Great Temple, landscape, entrance, hall, interior, digital, Pharaoh, offering, Ramses, Ramasses, Ramesses, wall, relief, Horus
Abu Simbel Wall Relief EG02054JHP Abu Simbel Great Temple interior frieze drawing figures offering Gods in the hall with Nubian style Osiride Statues of Ramses 11 in the entrance Hall and extensive wall reliefs but not of the best quality in terms of detail and style. A photograph like this is no longer possible as there is a total ban in all such tombs in Egypt although these were taken when it was permitted but tripods were not allowed and in the very poor light the best quality is not always achievable and very strong tungsten lighting was used on the internal white plastered walls giving a colour caste beyond the camera at the time to balance. Keywords: Egypt, ancient, Egyptian, Lake Nasser, River Nile, Nubia, Nubian, Abu Simbel, rock, carved, huge, magnificent, Great Temple, landscape, entrance, hall, tourists, interior, digital, figures, deity, Gods, Pharaoh, Ramses, Ramasses, Ramesses, wall, relief, offering, wine
Abu Simbel Hall EG02068JHP Abu Simbel Great Temple interior Hall entrance Nubian style Osiride Statues of Ramses 11 in the entrance Hall and extensive wall reliefs but not of the best quality in terms of detail and style. A photograph like this is no longer possible as there is a total ban in all such tombs in Egypt although these were taken when it was permitted but tripods were not allowed and in the very poor light the best quality is not always achievable and very strong tungsten lighting was used on the internal white plastered walls giving a colour caste beyond the camera at the time to balance. Keywords: Egypt, ancient, Egyptian, Lake Nasser, River Nile, Nubia, Nubian, Abu Simbel, rock, carved, huge, magnificent, Great Temple, upright, entrance, hall, tourists, interior, digital, Osiride, statues, figures, deity, Godlike, Pharaoh, Ramses, Ramasses, Ramesses, wall, reliefs, warrior, battle, scenes, prisoners, chariot, bow
Abu Simbel Hall EG02066JHP Abu Simbel Great Temple Egypt interior entrance hall Osiride Statues Ramses 11 in Nubian style and with extensive wall reliefs but not of the best quality in terms of detail and style. A photograph like this is no longer possible as there is a total ban in all such tombs in Egypt although these were taken when it was permitted but tripods were not allowed and in the very poor light the best quality is not always achievable and very strong tungsten lighting was used on the internal white plastered walls giving a colour caste beyond the camera at the time to balance. Keywords: Egypt, ancient, Egyptian, Lake Nasser, River Nile, Nubia, Nubian, Abu Simbel, rock, carved, huge, magnificent, Great Temple, landscape, entrance, hall, tourists, interior, digital, Osiride, statues, figures, deity, Godlike, Pharaoh, Ramses, Ramasses, Ramesses, wall, reliefs, warrior, battle, scenes, prisoners, chariot, bow
Abu Simbel Hall EG02065JHP Abu Simbel Great Temple interior inside entrance hall Nubian style Osiride Statues of Ramses 11 in the entrance Hall and extensive wall reliefs but not of the best quality in terms of detail and style. A photograph like this is no longer possible as there is a total ban in all such tombs in Egypt although these were taken when it was permitted but tripods were not allowed and in the very poor light the best quality is not always achievable and very strong tungsten lighting was used on the internal white plastered walls giving a colour caste beyond the camera at the time to balance. Keywords: Egypt, ancient, Egyptian, Lake Nasser, River Nile, Nubia, Nubian, Abu Simbel, rock, carved, huge, magnificent, Great Temple, upright, entrance, hall, tourists, interior, digital, Osiride, statues, figures, deity, Godlike, Pharaoh, Ramses, Ramasses, Ramesses, wall, reliefs, warrior, battle, scenes, prisoners, chariot, bow
Abu Simbel Hall EG02064JHP Abu Simbel Ancient Egyptian Great Temple interior columns hallway depicting Ramses 11 and Amun in the entrance Hall and extensive wall reliefs but not of the best quality in terms of detail and style. A photograph like this is no longer possible as there is a total ban in all such tombs in Egypt although these were taken when it was permitted but tripods were not allowed and in the very poor light the best quality is not always achievable and very strong tungsten lighting was used on the internal white plastered walls giving a colour caste beyond the camera at the time to balance. Keywords: Egypt, ancient, Egyptian, Lake Nasser, River Nile, Nubia, Nubian, Abu Simbel, rock, carved, huge, magnificent, Great Temple, landscape, entrance, hall, columns, interior, digital, Amun, figures, deity, Godlike, Pharaoh, Ramses, Ramasses, Ramesses, wall, reliefs, warrior, battle, scenes, prisoners, chariot, bow
Abu Simbel Hall EG02059JHP Abu Simbel Great Temple Hall interior Nubian style Osiride Statues wall reliefs celebrating Ramses 11 in the entrance Hall and extensive wall reliefs but not of the best quality in terms of detail and style. A photograph like this is no longer possible as there is a total ban in all such tombs in Egypt although these were taken when it was permitted but tripods were not allowed and in the very poor light the best quality is not always achievable and very strong tungsten lighting was used on the internal white plastered walls giving a colour caste beyond the camera at the time to balance. Keywords: Egypt, ancient, Egyptian, Lake Nasser, River Nile, Nubia, Nubian, Abu Simbel, rock, carved, huge, magnificent, Great Temple, landscape, entrance, hall, tourist, interior, digital, Osiride, statues, figures, deity, Godlike, Pharaoh, Ramses, Ramasses, Ramesses, wall, reliefs, warrior, battle, scenes, prisoners, chariot, bow
Abu Simbel Hall EG02058JHP Abu Simbel Egypt Great Temple interior Hall scene carved figures Nubian style Osiride Statues of Ramses 11 in the entrance Hall and extensive wall reliefs but not of the best quality in terms of detail and style. A photograph like this is no longer possible as there is a total ban in all such tombs in Egypt although these were taken when it was permitted but tripods were not allowed and in the very poor light the best quality is not always achievable and very strong tungsten lighting was used on the internal white plastered walls giving a colour caste beyond the camera at the time to balance. Keywords: Egypt, ancient, Egyptian, Lake Nasser, River Nile, Nubia, Nubian, Abu Simbel, rock, carved, huge, magnificent, Great Temple, upright, entrance, hall, interior, digital, Osiride, statues, figures, deity, Godlike, Pharaoh, Ramses, Ramasses, Ramesses, wall, reliefs, warrior, battle, scenes, prisoners, chariot, bow
Small Temple Interior EG02044JHP Small Temple Nerfertari Abu Simbel interior wall paintings reliefs Egypt built by Ramses 11 for his wife Queen Nefertari slightly away from his own Great Temple is a small but equally beautiful treat with some colourful and well preserved wall reliefs and Hathor faced columns. Photography is no longer allowed although where taken when it was permitted but tripods were not allowed and in the very poor light the best quality is not always achievable. Keywords: Egypt, ancient, Egyptian, Lake Nasser, River Nile, Nubia, Abu Simbel, temples, Queen Nefertari, small, temple, rock, carved, interior, wall, painting, reliefs, Hathor, columns, face, sanctuary, landscape, digital, Ramses, Ramasses, Ramesses, statue, Amun-Re, eroded, history, Egyptology, colourful, colorful, colours, colors
Queen Nefertari Temple EG02039JHP Small Temple Abu Simbel built Pharaoh Ramesses Queen Nefertari exterior slightly away from his own Great Temple is a small but equally beautiful treat with some colourful and well preserved wall reliefs and Hathor faced columns. Photography is no longer allowed although where taken when it was permitted but tripods were not allowed and in the very poor light the best quality is not always achievable. Keywords: Egypt, ancient, Egyptian, Lake Nasser, River Nile, Nubia, Abu Simbel, temples, Queen Nefertari, small, temple, rock, carved, exterior, reliefs, landscape, digital, Ramses, Ramasses, Ramesses, statue, eroded, history, Egyptology, hieroglyphs
Nefertari Temple Statue EG02042JHP Small Temple Abu Simbel Nefertari Egyptian Queen interior carvings Ramses 11 for his wife slightly away from his own Great Temple is a small but equally beautiful treat with some colourful and well preserved wall reliefs and Hathor faced columns. Photography is no longer allowed although where taken when it was permitted but tripods were not allowed and in the very poor light the best quality is not always achievable. Keywords: Egypt, ancient, Egyptian, Lake Nasser, River Nile, Nubia, Abu Simbel, temples, Queen Nefertari, small, temple, rock, carved, interior, wall, painting, reliefs, Hathor, columns, face, sanctuary, upright, digital, Ramses, Ramasses, Ramesses, statue, Amun-Re, eroded, history, Egyptology, colourful, colorful, colours, colors
Nefertari Temple Painting EG02041JHP Small Temple Abu Simbel Interiors Hathor Ramses wife Queen Nefertari slightly away from his own Great Temple is a small but equally beautiful treat with some colourful and well preserved wall reliefs and Hathor faced columns. Photography is no longer allowed although where taken when it was permitted but tripods were not allowed and in the very poor light the best quality is not always achievable. Keywords: Egypt, ancient, Egyptian, Lake Nasser, River Nile, Nubia, Abu Simbel, temples, Queen Nefertari, small, temple, rock, carved, interior, wall, painting, reliefs, Hathor, columns, face, sanctuary, upright, digital, Ramses, Ramasses, Ramesses, statue, Amun-Re, eroded, history, Egyptology, colourful, colorful, colours, colors
Nefertari Temple Hathor Column EG02045JHP Small Temple Abu Simbel wife Queen Nefertari Hathor pillars inside built by Ramses 11 slightly away from his own Great Temple is a small but equally beautiful treat with some colourful and well preserved wall reliefs and Hathor faced columns. Photography is no longer allowed although where taken when it was permitted but tripods were not allowed and in the very poor light the best quality is not always achievable. Keywords: Egypt, ancient, Egyptian, Lake Nasser, River Nile, Nubia, Abu Simbel, temples, Queen Nefertari, small, temple, rock, carved, interior, wall, painting, reliefs, Hathor, columns, face, sanctuary, landscape, digital, Ramses, Ramasses, Ramesses, statue, Amun-Re, eroded, history, Egyptology, colourful, colorful, colours, colors
Nefertari Temple Hathor Column EG02043JHP Small Temple Abu Simbel Interior colours wife Queen Nefertari Ramasses slightly away from his own Great Temple is a small but equally beautiful treat with some colourful and well preserved wall reliefs and Hathor faced columns. Photography is no longer allowed although where taken when it was permitted but tripods were not allowed and in the very poor light the best quality is not always achievable. Keywords: Egypt, ancient, Egyptian, Lake Nasser, River Nile, Nubia, Abu Simbel, temples, Queen Nefertari, small, temple, rock, carved, interior, wall, painting, reliefs, Hathor, columns, face, sanctuary, landscape, digital, Ramses, Ramasses, Ramesses, statue, Amun-Re, eroded, history, Egyptology, colourful, colorful, colours, colors
Abu Simbel Small Temple EG02040JHP Small Temple Abu Simbel Ramses wife Queen Nefertari Egyptian statue slightly away from his own Great Temple is a small but equally beautiful treat with some colourful and well preserved wall reliefs and Hathor faced columns. Photography is no longer allowed although where taken when it was permitted but tripods were not allowed and in the very poor light the best quality is not always achievable. Keywords: Egypt, ancient, Egyptian, Lake Nasser, River Nile, Nubia, Abu Simbel, temples, Queen Nefertari, small, temple, rock, carved, exterior, reliefs, upright, digital, Ramses, Ramasses, Ramesses, statue, Amun-Re, eroded, history, Egyptology

Egypt > Abydos & Dendara (24 files)

Images of two important sites north of Luxor near the River Nile but usually visted as an extra tour either by road or a day cruise.
Dendara Exterior Reliefs eg075542jhp Dendara Temple exterior reliefs ancient Egyptian wall carvings Hathor is located north of Luxor and survives as one of the finest examples of the Late Period and the main buildings visited today date from fourth century BC in to the Roman period. It has a notable rare representation of the famous Cleopatra, some beautiful carvings and is relatively unscathed by the ravages of time, desecration and being dismantled for building materials. This photo is of reliefs on outside of the west wall of the main temple walking down to the sacred lake and small temple of Isis and at the base shows damage done possibly by the mamluk soldiers sharpening their swords or another theory is erosion from poor quality limestone. Keywords: Egypt, Egyptian, Dendara, Dendera, Temple, upright, history, archaeology, ancient, Egyptology, Gods, Ptolemy, Ptolemaic, Pharoah, reliefs, carving, decoration, offering, Horus, Hathor, exterior, wall, outside, west
Dendara & Mammisi eg075511jhp Dendara Temple Ptolemiac basilica mammisi Nectanebo Egypt columns carved Qena photo located north of Luxor survives as one of the finest examples of the Late Period and the main buildings visited today date from fourth century BC in to the Roman period. It has a notable rare representation of the famous Cleopatra, some beautiful carvings and is relatively unscathed by the ravages of time, desecration and being dismantled for building materials. In the backdrop is the more famous Roman Mammisi with its exquisite fine quality decorations on the outer wall. Keywords: Egypt, Egyptian, Dendara, Dendera, Temple, upright, history, archaeology, ancient, Egyptology, Hathor, basilica, Coptic, mammisi, Nectanebo, columns, carved, sanitorium, reliefs, carving, decoration, Roman
Dendara & Basilica eg075509jhp Dendara Temple basilica mammisi Nectanebo ancient Egyptian columns carved photograph located north of Luxor survives as one of the finest examples of the Late Period and the main buildings visited today date from fourth century BC in to the Roman period. It has a notable rare representation of the famous Cleopatra, some beautiful carvings and is relatively unscathed by the ravages of time, desecration and being dismantled for building materials.In the background is the top of the Roman Mammisi with it very beautiful and fine quality reliefs on the outer wall. Keywords: Egypt, Egyptian, Dendara, Dendera, Temple, upright, history, archaeology, ancient, Egyptology, Hathor, basilica, Coptic, mammisi, Nectanebo, columns, carved, sanitorium, reliefs, carving, decoration, Roman
Abydos Ramesses 11 Temple Relief 5440EG07JHP Temple Small Ramesses Abydos Coloured painted reliefs exterior sunlight photograph is a 10 minute walk to the NW of the main Sety 1 Temple at Abydos and although much smaller and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. Keywords: Egypt, Egyptian, Abydos, Ramses, Ramesses, temple, mortuary, limestone, gray, granite, sandstone, painted, bas reliefs, pharaoh, seated, hieroglyphs, cartouche, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, court, landscape, history, archaeology, ancient, Egyptology, Gods, Sety 1, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Ramesses 11 Temple Relief 5429EG07JHP Temple Egyptian Pharaoh Ramasses 11 Abydos Small colourful painted walls is a 10 minute walk to the NW of the main Sety 1 Temple at Abydos and although much smaller and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. Keywords: Egypt, Egyptian, Abydos, Ramses, Ramesses, temple, mortuary, limestone, gray, granite, sandstone, painted, bas reliefs, wine, water, food, fruit, lotus, hieroglyphs, cartouche, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, court, landscape, history, archaeology, ancient, Egyptology, Gods, Sety 1, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Ramesses 11 Temple Relief 5406EG07JHP Temple Egypt Small Abydos Ramses wall carving outline early draft in this site a 10 minute walk to the NW of the main Sety 1 Temple at Abydos and although much smaller and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. Keywords: Egypt, Egyptian, Abydos, Ramses, Ramesses, temple, mortuary, limestone, painted, sketches, working, unfinished, outlines, bas reliefs, hieroglyphs, portico, pylon, octostyle, square, pillars, hall, chapels, court, landscape, history, archaeology, ancient, Egyptology, Gods, Sety 1, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Ramesses 11 Temple Paintings 5435EG07JHP Temple Ramasses Egypt Small Abydos Painted frieze offering wine food photo is a 10 minute walk to the NW of the main Sety 1 Temple at Abydos and although much smaller and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. Keywords: Egypt, Egyptian, Abydos, Ramses, Ramesses, temple, mortuary, limestone, gray, granite, sandstone, wall, painted, bas reliefs, offerings, wine, food, meat, fruit, lotus, flowers, hieroglyphs, cartouche, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, interior, court, landscape, history, archaeology, ancient, Egyptology, Gods, Sety 1, battle, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Ramesses 11 Temple Painting 5444EG07JHP Temple Small Abydos Ramses 11 interior wall painting offering lotus flower is a 10 minute walk to the NW of the main Sety 1 Temple at Abydos and although much smaller and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. An offering scene in one of the small chapels. Keywords: Egypt, Egyptian, Abydos, Ramses, Ramesses, temple, mortuary, limestone, gray, granite, sandstone, wall, painted, bas reliefs, offerings, wine, food, meat, fruit, lotus, flowers, hieroglyphs, cartouche, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, interior, court, landscape, history, archaeology, ancient, Egyptology, Gods, Sety 1, battle, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Ramesses 11 Temple Painting 5415EG07JHP Abydos Small Temple Ramesses 11 prisoners reliefs kneeling tied bound is a 10 minute walk to the NW of the main Sety 1 Temple at Abydos and although much smaller and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. These are iconic images of prisoners relating to the Battle of Kadesh and his victory story so beloved of Ramesses. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Ramses, Ramesses, temple, mortuary, limestone, gray, granite, sandstone, painted, bas reliefs, hieroglyphs, cartouche, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, court, holiday, travel, 2007, Fuji, S5, DSLR, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, Gods, Sety 1, Ennead, Onuris, Thoth, Min, Osiris, Kadesh, battle, prisoners, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Ramesses 11 Temple Painting 5414EG07JHP Temple Abydos Small Ramses vulture flying neret Nekhbet cartouche colourful painted reliefs at this location a 10 minute walk to the NW of the main Sety 1 Temple at Abydos and although much smaller and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. A very colourful cartouche of Ramesses 11 is visible near the corner of this wall. Keywords: Egypt, Egyptian, Abydos, Ramses, Ramesses, temple, mortuary, limestone, gray, granite, sandstone, wall, painted, bas reliefs, offerings, vulture, hieroglyphs, cartouche, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, interior, court, upright, history, archaeology, ancient, Egyptology, Gods, Sety 1, battle, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Ramesses 11 Temple Painting 5403EG07JHP Temple Abydos Small Ramesses 11 hierogylphs Ancient Egyptian cattle deer fowl is a 10 minute walk to the NW of the main Sety 1 Temple at Abydos and although much smaller and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. Keywords: Egypt, Egyptian, Abydos, Ramses, Ramesses, temple, mortuary, limestone, gray, granite, sandstone, wall, painted, bas reliefs, offerings, bullock, fowl, antelope, food, meat, hieroglyphs, cartouche, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, interior, court, landscape, history, archaeology, ancient, Egyptology, Gods, Sety 1, battle, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Ramesses 11 Temple Offering 5450EG07JHP Small Temple Ramesses Abydos Osiris interior wall coloured painting photograph is a 10 minute walk to the NW of the main Sety 1 Temple at Abydos and although much smaller and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. In this scene the King stands before Osiris watched by a humanoid djed pillar, a very rare and unusual scene. Keywords: Egypt, Egyptian, Abydos, Ramses, Ramesses, temple, mortuary, limestone, gray, granite, sandstone, wall, painted, bas reliefs, offerings, djed, pillar, humanoid, hieroglyphs, cartouche, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, interior, court, upright, history, archaeology, ancient, Egyptology, Gods, Sety 1, battle, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Ramesses 11 Temple Offering 5437EG07JHP Egyptian Small Temple Abydos Ramses painted colourful frieze offering wine food is a 10 minute walk to the NW of the main Sety 1 Temple at Abydos and although much smaller and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. Keywords: Egypt, Egyptian, Abydos, Ramses, Ramesses, temple, mortuary, limestone, gray, granite, sandstone, wall, painted, bas reliefs, offerings, wine, food, meat, fruit, lotus, flowers, hieroglyphs, cartouche, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, interior, court, landscape, history, archaeology, ancient, Egyptology, Gods, Sety 1, battle, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Ramesses 11 Temple Offering 5421EG07JHP Temple Ramesses Abydos solar Barque Wia Gods Thoth Re falcon on walls a 10 minute walk to the NW of the main Sety 1 Temple at Abydos and although much smaller and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. Keywords: Egypt, Egyptian, Abydos, Ramses, Ramesses, temple, mortuary, limestone, gray, granite, sandstone, wall, painted, bas reliefs, offerings, wine, food, meat, fruit, lotus, flowers, hieroglyphs, cartouche, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, interior, court, landscape, history, archaeology, ancient, Egyptology, Gods, Sety 1, battle, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Ramesses 11 Temple Offering 5417EG07JHP Temple Pharaoh offering crown blue khepresh Ramasses painted relief photograph is a 10 minute walk to the NW of the main Sety 1 Temple at Abydos and although much smaller and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. Keywords: Egypt, Egyptian, Abydos, Ramses, Ramesses, temple, mortuary, limestone, gray, granite, sandstone, wall, painted, bas reliefs, offerings, wine, food, meat, fruit, lotus, flowers, hieroglyphs, cartouche, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, interior, court, upright, history, archaeology, ancient, Egyptology, Gods, Sety 1, battle, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Ramesses 11 Temple Godesses 5446EG07JHP Temple Abydos Small Interior Wall painting chapel seated goddess cartouche is a 10 minute walk to the NW of the main Sety 1 Temple at Abydos and although much smaller and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. This photo is one one of the small chapels. Keywords: Egypt, Egyptian, Abydos, Ramses, Ramesses, temple, mortuary, limestone, gray, granite, sandstone, wall, painted, bas reliefs, hieroglyphs, cartouche, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, interior, court, landscape, history, archaeology, ancient, Egyptology, Gods, Sety 1, battle, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Ramesses 11 Temple Gate 5434EG07JHP Egyptian Temple Small Ramesses 11 Abydos Black Granite Gate photograph is a 10 minute walk to the NW of the main Sety 1 Temple at Abydos and although much smaller and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. In this photograph is one of the grey granite gates that is still standing. Keywords: Egypt, Egyptian, Abydos, Ramses, Ramesses, temple, mortuary, limestone, gray, granite, sandstone, painted, bas reliefs, hieroglyphs, cartouche, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, court, upright, history, archaeology, ancient, Egyptology, Gods, Sety 1, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Ramesses 11 Temple Gate 5433EG07JHP Small Egypt Temple Abydos Ramesses Cartouche Granite Gate above is a 10 minute walk to the NW of the main Sety 1 Temple at Abydos and although much smaller and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. In this photograph is one of the grey granite gates that is still standing with a beautifully carved cartouche to the Great Pharaoh. Keywords: Egypt, Egyptian, Abydos, Ramses, Ramesses, temple, mortuary, limestone, gray, granite, sandstone, painted, bas reliefs, hieroglyphs, cartouche, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, court, upright, history, archaeology, ancient, Egyptology, Gods, Sety 1, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Ramesses 11 Temple Exterior 5460EG07JHP Temple Small Abydos Egypt outside photograph overview ancient Ramesses 11 building a 10 minute walk to the NW of the main Sety 1 Temple at Abydos and although much smaller and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. This view is of the outside of the enclosure wall much of the top level of which has been destroyed and adjacent to the site is the modern town of Abydos. Keywords: Egypt, Egyptian, Abydos, Ramses, Ramesses, temple, mortuary, exterior, mudbrick, limestone, sandstone, bas reliefs, hieroglyphs, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, court, landscape, history, archaeology, ancient, Egyptology, Gods, Sety 1, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Ramesses 11 Temple Exterior 5459EG07JHP Temple Small Ramses outer wall Abydos village desert photograph Egyptian site a 10 minute walk to the NW of the main Sety 1 Temple at Abydos and although much smaller and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. This view is of the outside of the enclosure wall much of the top level of which has been destroyed and adjacent to the site is the modern town of Abydos. Keywords: Egypt, Egyptian, Abydos, Ramses, Ramesses, temple, mortuary, exterior, mudbrick, limestone, sandstone, bas reliefs, hieroglyphs, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, court, landscape, history, archaeology, ancient, Egyptology, Gods, Sety 1, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Ramesses 11 Temple 5455EG07JHP Small Temple Ramasses Abydos interior Ancient Egyptian upright walls gate which is a 10 minute walk to the NW of the main Sety 1 Temple at Abydos and although much smaller and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. Keywords: Egypt, Egyptian, Abydos, Ramses, Ramesses, temple, mortuary, interior, limestone, sandstone, bas reliefs, hieroglyphs, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, court, upright, history, archaeology, ancient, Egyptology, Gods, Sety 1, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Ramesses 11 Temple 5454EG07JHP Temple Small Abydos Egypt Ramesses 11 interior gate walls landscape photo a 10 minute walk to the NW of the main Sety 1 Temple at Abydos and although much smaller and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. Keywords: Egypt, Egyptian, Abydos, Ramses, Ramesses, temple, mortuary, interior, limestone, sandstone, bas reliefs, hieroglyphs, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, court, landscape, history, archaeology, ancient, Egyptology, Gods, Sety 1, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Mudbrick Archaeology 5401EG07JHP Small Temple Ramses Abydos village mudbrick archaeology buildings walls seen during a 10 minute walk to the NW of the main Sety 1 Temple at Abydos, passing remains of ancient dwelling houses and although much smaller and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Ramses, Ramesses, temple, mortuary, walk, mudbrick, remains, walls, limestone, gray, granite, sandstone, painted, bas reliefs, hieroglyphs, cartouche, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, court, holiday, travel, 2007, Fuji, S5, DSLR, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, Gods, Sety 1, Ennead, Onuris, Thoth, Min, Osiris, Kadesh, battle, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Mudbrick Archaeology 5400EG07JHP Abydos Village modern ancient mudbrick buildings Egyptian Temple Ramses photo is a 10 minute walk to the NW of the main Sety 1 Temple at Abydos, passing remains of ancient dwelling houses near the modern town of Abydos. Although this temple is small and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Ramses, Ramesses, walk, modern, town, mudbrick, remains, buried, sand, dwellings, temple, mortuary, limestone, gray, granite, sandstone, painted, bas reliefs, hieroglyphs, cartouche, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, court, holiday, travel, 2007, Fuji, S5, DSLR, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, Gods, Sety 1, Ennead, Onuris, Thoth, Min, Osiris, Kadesh, battle, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral

Egypt > Edfu Temple (8 files)

Photos in this gallery are of Edfu Temple, one of the best preserved in Egypt, and usually the first first visit after leaving Luxor ona Nile Cruise.
Edfu Temple EG203821jhp Edfu Temple ambulatory carvings offering scene Hathor dieties wine Egyptian walkway walls sides is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. This photo was taken inside the ambulatory a walled walkway surrounding the temple and which is covered in many beautiful and detailed carvings in sunk relief and although some have been damaged by later Christian zealots the overall quality of this workmanship is awesome. Edfu is one of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. Keywords: Egypt, Egyptian, Edfu, Temple, West, Bank, River, Nile, cruise, visit, history, archaeology, ancient, Egyptology, temple, preserved, well, Horus, pylon, inside, ambulatory, walkway, inside, enclosure, enclosed, waterspouts, walls, carvings, reliefs, decorated, detailed, offering, stylized, tray, offerings, female, male, fecundity, deity, food, wine, ducks, cattle, feathers, Hathor, Goddess, horned, sun, disc, life, lotus, flowers, good, condition, Ptolemy, Ptolemaic, landscape, July, 2000, slide, film, Fuji, Velvia, scanned, scan, Nikon, FM2, Tokina, lens
Edfu Temple EG203828jhp Edfu Temple ambulatory carvings corner Hathor Hapi Ptolemy Horus Egyptian walkway walls sides is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. This photo was taken inside the ambulatory a walled walkway surrounding the temple and which is covered in many beautiful and detailed carvings in sunk relief and although some have been damaged by later Christian zealots the overall quality of this workmanship is awesome. Edfu is one of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. Keywords: Egypt, Egyptian, Edfu, Temple, West, Bank, River, Nile, cruise, visit, history, archaeology, ancient, Egyptology, temple, preserved, well, Horus, pylon, inside, ambulatory, walkway, inside, enclosure, enclosed, waterspouts, walls, carvings, reliefs, decorated, detailed, offering, offerings, food, wine, ducks, cattle, feathers, Hathor, Goddess, Hapi, papyrus, flowers, good, condition, Ptolemy, Ptolemaic, landscape, July, 2000, slide, film, Fuji, Velvia, scanned, scan, Nikon, FM2, Tokina, lens
Edfu Temple EG203825jhp Edfu Temple Hapi wine offering carvings reliefs inside Egyptian walkway walls sides is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. This photo was taken inside the ambulatory a walled walkway surrounding the temple and which is covered in many beautiful and detailed carvings in sunk relief and although some have been damaged by later Christian zealots the overall quality of this workmanship is awesome. Edfu is one of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. Keywords: Egypt, Egyptian, Edfu, Temple, West, Bank, River, Nile, cruise, visit, history, archaeology, ancient, Egyptology, temple, preserved, well, Horus, pylon, inside, ambulatory, walkway, inside, enclosure, enclosed, waterspouts, walls, carvings, reliefs, decorated, detailed, offering, offerings, food, wine, ducks, cattle, feathers, Hapi, God, Lower, papyrus, flowers, good, condition, Ptolemy, Ptolemaic, landscape, upright, July, 2000, slide, film, Fuji, Velvia, scanned, scan, Nikon, FM2, Tokina, lens
Edfu Temple EG203824jhp Edfu Temple Egypt ambulatory carvings reliefs Maat three feathers unusual query walls sides is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. This photo was taken inside the ambulatory a walled walkway surrounding the temple and which is covered in many beautiful and detailed carvings in sunk relief and although some have been damaged by later Christian zealots the overall quality of this workmanship is awesome. Edfu is one of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. Keywords: Egypt, Egyptian, Edfu, Temple, West, Bank, River, Nile, cruise, visit, history, archaeology, ancient, Egyptology, temple, preserved, well, Horus, pylon, inside, ambulatory, walkway, inside, enclosure, enclosed, waterspouts, walls, carvings, reliefs, decorated, detailed, offering, offerings, food, wine, ducks, cattle, feathers, Maat, Goddess, life, lotus, flowers, good, condition, Ptolemy, Ptolemaic, landscape, upright, July, 2000, slide, film, Fuji, Velvia, scanned, scan, Nikon, FM2, Tokina, lens
Edfu Temple EG203823jhp Edfu Temple ambulatory Pharoah Horus Isis Harpocrates offering scene Egyptian monument is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. This photo was taken inside the ambulatory a walled walkway surrounding the temple and which is covered in many beautiful and detailed carvings in sunk relief and although some have been damaged by later Christian zealots the overall quality of this workmanship is awesome. Edfu is one of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. Keywords: Egypt, Egyptian, Edfu, Temple, West, Bank, River, Nile, cruise, visit, history, archaeology, ancient, Egyptology, temple, preserved, well, Horus, pylon, inside, ambulatory, walkway, inside, enclosure, enclosed, waterspouts, walls, carvings, reliefs, decorated, detailed, offering, offerings, food, wine, ducks, cattle, feathers, Isis, Goddess, Horus, falcon, God, child, Harpocrates, sidelock, finger, mouth, life, lotus, flowers, good, condition, Ptolemy, Ptolemaic, landscape, July, 2000, slide, film, Fuji, Velvia, scanned, scan, Nikon, FM2, Tokina, lens
Edfu Temple EG203822jhp Edfu Temple Horus Hathor Ptolemy Pharaoh reliefs inside Egyptian walkway walls sides is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. This photo was taken inside the ambulatory a walled walkway surrounding the temple and which is covered in many beautiful and detailed carvings in sunk relief and although some have been damaged by later Christian zealots the overall quality of this workmanship is awesome. Edfu is one of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. Keywords: Egypt, Egyptian, Edfu, Temple, West, Bank, River, Nile, cruise, visit, history, archaeology, ancient, Egyptology, temple, preserved, well, Horus, pylon, inside, ambulatory, walkway, inside, enclosure, enclosed, waterspouts, walls, carvings, reliefs, decorated, detailed, offering, offerings, food, wine, ducks, cattle, feathers, Hathor, Goddess, Horus, falcon, God, life, lotus, flowers, good, condition, Ptolemy, Ptolemaic, landscape, July, 2000, slide, film, Fuji, Velvia, scanned, scan, Nikon, FM2, Tokina, lens
Edfu Temple EG203812jhp Edfu Temple ambulatory Maat Hapi offering scene food wine Nature scenes is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. This photo was taken inside the ambulatory a walled walkway surrounding the temple and which is covered in many beautiful and detailed carvings in sunk relief and although some have been damaged by later Christian zealots the overall quality of this workmanship is awesome. Edfu is one of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. Keywords: Egypt, Egyptian, Edfu, Temple, West, Bank, River, Nile, cruise, visit, history, archaeology, ancient, Egyptology, temple, preserved, well, Horus, pylon, inside, ambulatory, walkway, inside, enclosure, enclosed, waterspouts, walls, carvings, reliefs, decorated, detailed, offering, offerings, food, wine, ducks, cattle, feathers, Maat, Goddess, life, lotus, Hapi, papyrus, headdress, flowers, good, condition, Ptolemy, Ptolemaic, landscape, July, 2000, slide, film, Fuji, Velvia, scanned, scan, Nikon, FM2, Tokina, lens
Edfu Temple Ptolemy Horus EG052207JHP Edfu Temple Carving Ptolemy Horus Ambulatory Corridor Inside good quality in the narrow area around the inner wall this large and almost intact building is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, temple, preserved, Horus, decorated, hieroglyphs, cartouche, reliefs, ambulatory, Ptolemy, Ptolemaic, landscape

Egypt > Egyptian Museum Cairo (64 files)

Royalty Free photos of exhibits from the Cairo Egyptian Museum taken before current bans with slide film in available light not to studio quality
Model Boat EG012624JHP Egyptian Museum Exhibit wooden model boats photo interior burial goods illustrating one of many grave goods in the form of model boats in this case to assist the deceased in the Afterlife here in the first floor of the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, boat, model, wood, burial, grave, good, Tut, collection, landscape, ancient, antiquity, antiquities, exhibit
Lancers EG012621JHP Egypt Cairo Museum Exhibit Egyptian Lancers Tomb Assyut Prince Mesehti inside photograph and now in the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed; the shileds should be a background white. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, collection, landscape, Tomb, Prince, Mesehti, Assyut, Lancers, troop, shields, spears, burial, grave, goods, ancient, antiquity, antiquities, exhibit
Boy King Lotus EG1179JHP Egyptian Cairo Museum young Pharaoh Tutankhamun head lotus flower photo was found in his Luxor tomb and is now in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, boy, pharaoh, head, lotus, flower, emergence, regeneration, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Boy King Lotus EG11710JHP Egyptian Museum young Pharaoh Tutankhamun boys head lotus flower painted was found in his Luxor tomb and is now in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, boy, pharaoh, head, lotus, flower, emergence, regeneration, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Water Clock EG11830JHP Egypt Cairo Museum Exhibit Amenhotep Water Clock astronomical design with main constellations inscribed in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Karnak, water, clock, Amenhotep, constellations, jupiter, orion, saturn, venus, collection, upright, ancient, antiquity, antiquities, exhibit
Tut on Leopard EG11702JHP Egyptian Museum statue King Tutankhamun Tut gold gilt photo standing leopard in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, leopard, standing, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Tut War Chariot EG11722JHP Egyptian Cairo Museum golden ceremonial chariot cabinet photograph Tut Tutankhamun in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, chariot, ceremonial, display, Tut, collection, landscape, ancient, antiquity, antiquities, exhibit
Tut Unguent Lion EG11714JHP Egyptian Museum Interior alabaster unguent vase lion burial good Tutankhamun Tomb in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, unguent, alabaster, vase, lion, ankh, tongue, coloured, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Tut The Warrior EG01261JHP Egypt Museum Cairo displays lifelike figures King Tutankhamun warrior pose in his Tomb at Luxor in various poses and now in the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, pharaoh, warrior, crowns, red, flat, lower, white, bulbous, upper, Tut, collection, landscape, ancient, antiquity, antiquities, exhibit
Tut Soldier Guard EG012616JHP Egyptian Cairo Museum standing statue Ka Tut Tutankhamun interior photo from his Luxor Tomb and now in the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Ka, warrior, guard, kilt, skirt, shendyt, nemes, uraeus, serpent, club, stick, Tut, collection, landscape, upright, ancient, antiquity, antiquities, exhibit
Tut Small Shrine EG11706JHP Egyptian Museum Exhibit small gilded gold wooden shrine King Tut royal figurine is thought to have been stolen in antiquity from the Tomb of Tutankhamun and is now in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, shrine, gilded, empty, small, golden, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Tut Shrine Isis EG11720JHP Egypt Museum Isis Goddess protecting golden canopic shrine Tutankhamun tomb now in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Isis, goddess, canopic, shrine, golden, gilded, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Tut Shawabti Figures EG11806JHP Egyptian Cairo Museum Exhibit shawabti figures Tomb Luxor Tutankhamun King Tut burial and now in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, usbati, shawabty, shawabti, figures, faience, displays, Tut, collectionc, landscape, ancient, antiquity, antiquities, exhibit
Tut Nut Plaque EG11736JHP Egyptian Museum display pectoral Godess Nut Anubis shrine good, should be very gold looking and was shrine in the Tomb of Tutankhamun and is in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, pectorla, gold, Nut, Tut, collection, landscape, ancient, antiquity, antiquities, exhibit
Gilded Coffin Face EG11801JHP Egypt Cairo Museum golden gilded sarcophagus face mummy coffin Tut in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, gilded, coffin, sarcophagus, face, uraeus, eyes, collection, landscape, ancient, antiquity, antiquities, exhibit
Tut Ointment Vase EG11713JHP Egyptian Cairo Museum Exhibit alabaster Tut ointment vase Tomb Tutankhamun in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, alabaster, ointment, vase, Tut, collection, catouche, upright, ancient, antiquity, antiquities, exhibit
Tut Model Barge EG11715JHP Egyptian Museum Cairo Egypt Exhibit miniature boats Tomb Tutankhamun photo in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, boat, model, inlaid, decorated, Tut, collection, landscape, ancient, antiquity, antiquities, exhibit
Tut Miniature Coffins EG11730JHP Egyptian Museum Cairo Interior Exhibit Tutankhamun Burial four minature sarcophaguses for storage in the canopic jars and replicated the second sarcophagus of Tutaumkhamun in the burial chmaber. Now in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, canopic, sarcophagus, small, detailed, beautiful, replicas, Tut, collection, landscape, ancient, antiquity, antiquities, exhibit
Tut Jewellery EG11735JHP Egypt Cairo Museum King Tut Exhibit Gold scarab jewellery necklace in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, pectoral, winged, scarab, gold, lapis lazuli, carnelian, glass, paste, uraeus, solar, disc, Tut, collection, landscape, ancient, antiquity, antiquities, exhibit
Tut Golden Throne EG012615JHP Egyptian Museum Exhibit Tutankhamun Tut Golden Throne Display Interior Photograph of one of the most beautiful objects ever found in Egypt, the Throne from the Tomb of Tutankhamun now in the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, throne, gold leaf, Pharaoh, Ankhesenamun, wife, inlaid, silver, glass, paste, colours, colors, Aten, Amun, cartoches, Tut, collection, landscape, upright, ancient, antiquity, antiquities, exhibit
Tut Golden Serpent EG11704JHP Egyptian Museum Exhibit cobra Ureaus Gilded Gold Hood Tutankhamun Exhibition in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, gilded, cobra, serpent, hood, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Tut Golden Lioness EG11703JHP Egyptian Cairo Museum Tutankhamun Exhibition seated gold Sekhmet lioness goddess from his Luxor Tomb in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, golden, Goddess, lioness, Sekhmet, sakhmet, gilded, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Tut Golden Lioness EG01262JHP Egypt Cairo Museum Exhibition Tut Tutankhamun Sakhmet gilded seated lioness goddess from the Tutankhamun tomb collection in the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Sekhmet, Sakhmet, lioness, goddess, seated, gold, gilded, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Tut Gold Shield EG01263JHP Egyptian Cairo Museum Exhibit votive shields Tomb Tutankhamun Tut annexe in Luxor. In the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, votive, shield, gilded, wood, ceremonial, throne, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Tut Gold Mask EG11726JHP Egypt Cairo Museum Tutankhamun Exhibition famous golden death funerary mask taken in 1994 in more natural conditions than today in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, funerary, mask, gold, lapis lazuli, carnelian, obsidian, turquoise, glass, paste, uraeus, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Tut Gold Mask EG01268JHP Egyptian Cairo Museum Exhibit Tutankhamun Tut gold funerary mask photographed in 2001 under new enclosed artificial light conditions in the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, funerary, mask, gold, lapis lazuli, carnelian, obsidian, turquoise, glass, paste, uraeus, Tut, collection, upright, ancient, antiquity, antiquities, exhibit, artificial, light
Tut Gold Mask Back EG11729JHP Egypt Cairo Museum Exhibit Tutankhamun back funerary mask hieroglyphs photographed taken under natural lighting in 1994 in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, funerary, mask, rear, back, tail, damaged, broken, hieroglyphs, magic, spells, gold, lapis lazuli, carnelian, obsidian, turquoise, glass, paste, uraeus, Tut, collection, landscape, ancient, antiquity, antiquities, exhibit
Tut Gilded Shrine EG11719JHP Egyptian Museum Exhibit Tut canopic vase Golden shrine stucco uraeus freize from Tutankhamun tomb in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, shrine, gilded, canopic, wood, stucco, uraeus, serpents, frieze, goddesses, Isis, throne, Selket, scorpion, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Tut Fan Holder EG11723JHP Egypt Museum Cairo Tut Exhibit ostrich feather fan holder photo made of wood with gold leaf from the tomb of Tutankhamun. In the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, ostrich, feather, holder, fan, wood, gold, leaf, chariot, horses, Tut, collection, landscape, ancient, antiquity, antiquities, exhibit
Tut Cow Bed EG11716JHP Egyptian Museum Exhibit beds Tomb Tutankhamun burial goods cow head in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Tut, collection, bed, gilded, cows, head, solar, disc, upright, ancient, antiquity, antiquities, exhibit
Tut Ceremonial Seat EG11708JHP Egyptian Museum Exhibit folding stool backrest ceremonial chair Tomb Tutankhamun now in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, ceremonial, inlaid, seat, ebony, ivory, gold, leaf, glass, paste, semi-precious, stones, folding, stool, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Tut Ceremonial Seat EG012613JHP Egyptian Museum Cairo Tut Exhibit folding stool photograph with additional backrest from the Tomb of Tutakhamun and now in the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, ceremonial, inlaid, seat, ebony, ivory, gold, leaf, glass, paste, semi-precious, stones, folding, stool, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Tut Canopic Container EG11718JHP Egyptian Museum Exhibit alabaster shrine Tutankhamun canopic jars internal organs found in his tomb at luxor. In the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, canopic, container, alabaster, shrine, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Tut Burial Chamber EG117EJHP Egyptian Museum Tut Exhibit Burial Chamber Shrine outer Tutankhamun tomb at Luxor. In the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, shrine, burial, chamber, outer, djed, tit, symbols, decoration, gilded, gold, leaf, wood, oak, Tut, collection, square, ancient, antiquity, antiquities, exhibit
Tut Anubis Statue EG11701JHP Anubis God Dog Black Gilt Statue Egyptian Museum Cairo Tutankhamun Exhibit in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Tut, Anubis, God, dog, collection, landscape, prone, black, gold, ancient, antiquity, antiquities, exhibit
Tut Anubis Exhibit EG01265JHP Egyptian Museum Exhibit Anubis statue display prone God Dog black gold in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Tut, Anubis, God, dog, statue, black, gold, collection, upright, ancient, antiquity, antiquities, exhibit
Tut Alabaster Vase EG012612JHP Egyptian Museum Exhibit alabaster vase floral collar smooth shapely Tutankahum discovery in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Tut, collection, alabaster, vase, coloured, colored, upright, ancient, antiquity, antiquities, exhibit
Tut Alabaster Container EG11712JHP Egyptian Museum Cairo Exhibit alabaster perfume container Tutankhamun burial chamber in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Tut, collection, alabaster, perfume, container, sema, union, cartouches, hieroglyphs, union, plants, knots, upright, ancient, antiquity, antiquities, exhibit
Tut Alabaster Boat EG11711JHP Egypt Cairo Museum Tut Exhibition display inside alabaster basin boat found in Tutankhamun tomb in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Tut, collection, landscape, alabaster, basin boat, decorated, gold, jewels, ivory, lotus, flowers, papyrus, ancient, antiquity, antiquities, exhibit
Tut 2nd Shrine Detail EG012610JHP Egyptian Museum Exhibit second shrine Tutankhamun tomb interior photograph in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Tut, shrine, gold, second, detail, cobra, uraeus, gold, collection, square, ancient, antiquity, antiquities, exhibit
Tut 2nd Coffin EG11727JHP Egyptian Museum Exhibit face mask second gilded sarcophagus Tutankhamun photo in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Tut, second, 2nd, coffin, lid, face, flail, lapis, lazuli, nemes, headress, uraeus, sarcophagus, beard, collection, landscape, ancient, antiquity, antiquities, exhibit
Tut 2nd Coffin Base EG11728JHP Egyptian Museum Tut Exhibit base inlaid gold detail second gilded sarcophagus Tutankhamun in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Tut, collection, landscape, gilded, sarcophagus, base, patterns, hierogylphs, gold, glass, paste, ancient, antiquity, antiquities, exhibit
Stelae Cabinet EG011212JHP Egyptian Museum Exhibits typical cabinets relics painted stele interior photo tucked away on the first floor full of fascinating relics such as these colourful stelae. In the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, stele, stelae, caninet, displays, collection, painted, colours, colors, carvings, necklaces, landscape, ancient, antiquity, antiquities, exhibit
Squatting Scribe EG11822JHP Egyptian Museum Cairo Exhibit iconic nameless Saqqara scribe thoughtful pose with cane pen and papyrus in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, scribe, iconic, pose, seated, squatting, pen, papyrus, nameless, collection, landscape, painted, limestone, Saqqara, ancient, antiquity, antiquities, exhibit
Sheshonq 1 Falcon Mummy EG11805JHP Egyptian Museum Exhibit pasteboard coffin Sheshong 1 Tanis falcon Horus in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Sheshonq, Tanis, cartonnage, coffin, Horus, falcon, first, floor, collection, upright, ancient, antiquity, antiquities, exhibit
Queen Merit-Amun Bust EG11811JHP Egypt Cairo Museum Exhibit bust Queen Merit-Amun Ramasseum Rameses 11 in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Merit-Amun, Queen, bust, painted, headdress, uraeus, sun disks, wig, necklace, menat, limestone, Rameses, collection, upright, ancient, antiquity, antiquities, exhibit
Pyramidion Amenemhat EG11812JHP Egyptian Museum Cairo hall basalt polished pyramidion Pharaoh Amenemhat 111 from the top of his mudbrick pyramid at Hawara dating from around 1800 DC. In the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, hall, collection, pyramidion, carved, hieroglypgs, eye, wings, solar, disk, cartouche, basalt, Amenemhat, pyramid, top, landscape, ancient, antiquity, antiquities, exhibit
Pharaoh Menkaure EG11820JHP Egyptian Cairo Museum alabaster statue Pharaoh Menkaure ground floor photo in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, collection, ground, floor, alabaster, statue, Menkaure, pharaoh, upright, ancient, antiquity, antiquities, exhibit
Palermo Stone EG11826JHP Egyptian Museum Exhibit fragment Palermo Stone Kings List flood dates such as the largest piece of the basalt historical stele is in that musuem in Italy and is tantalising source is earliest Egyptian history. In the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, first, floor, collection, Palermo, stone, fragment, kings, list, upright, earliest, history, ancient, antiquity, antiquities, exhibit
Narmer Tablet EG11832JHP Egyptian Museum Cairo Narmer Tablet carved earliest Egypt dating Dynasty 0 around 3000BC in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, collection, Narmer, Palette, Tablet, entwined, cats, necks, vanished, unification, upright, ancient, antiquity, antiquities, exhibit
Narmer Tablet EG11831JHP Egyptian Cairo Museum Narmer Tablet Pharaoh Smiting Enemy interior photograph in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, narmer, Tablet, schist, Palette, king, warrior, conqueror, prisoner, war, club, victory, collection, upright, ancient, antiquity, antiquities, exhibit
King Doser EG11836JHP Egyptian Museum Exhibit statue King Doser missing eyes serdab Saqqara and now in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, King, Doser, Djoser, Saqqara, serdab, eyes, missing, ground, floor, collection, upright, ancient, antiquity, antiquities, exhibit
Faience Bowl EG012620JHP Egypt Cairo Museum Exhibit pottery faience bowl painted patterns in the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, collection, faience, bowl, landscape, ancient, antiquity, antiquities, exhibit
Faience Bowl EG012619JHP Egyptian Museum Cairo pottery faience bowl blue fish motif painted in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, faience, bowl, pottery, blue, flow, fish, decotated, painted, colours, colors, collection, landscape, ancient, antiquity, antiquities, exhibit
Diorite Khafre EG11824JHP Egyptian Museum Cairo Exhibit Pharaoh Khafre ground floor inside photograph in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, diorite, Khafre, seated, statue, pharaoh, ground, floor, collection, upright, ancient, antiquity, antiquities, exhibit
Coffin Interior Detail EG011210aJHP Egyptian Museum coffin interior treasury scribe illustrate elaborate colourful craftsmanship from the ancient Egyptians. In the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, scribe, priest, leopard, skin, Amun-Ra, food, offering, fruit, lotus, flowers, wife, sarcophagus, interior, painted, colours, colors, collection, square, ancient, antiquity, antiquities, exhibit
Cairo Museum Entrance EG596aJHP Egypt Museum Cairo Entrance door gardens pond lilies seats photograph in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Mariette, entrance, front, pond, lilies, flags, collection, upright, ancient, antiquity, antiquities, exhibit
Cairo Egyptian Museum EG072608JHP Egyptian Museum Cairo gardens seats exhibits entrance palm trees maindoor in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Mariette, entrance, front, collection, landscape, ancient, antiquity, antiquities, exhibits
Cairo Egyptian Museum EG072607JHP Egyptian Museum Cairo seats exhibits palm trees gardens entrance in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Mariette, entrance, front, collections, upright, ancient, antiquity, antiquities, exhibits
Archaic Ostraca EG11834JHP Egyptian Museum Exhibit archaic ostraca painted bull baboon prehistory dating back earliest times in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, archaic, ostraca, bull, baboon, painting, collection, landscape, ancient, antiquity, antiquities, exhibit
Amarna Nefertiti Head EG11818JHP Egyptian Museum Exhibit unfinished sculpture Queen Nefertiti bust sculpture granite in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Amarna, Nefertiti, Queen, granite, head, sculpture, unfinished, collection, upright, ancient, antiquity, antiquities, exhibit
Amarna Nefertiti Head EG11817JHP Egyptian Cairo Museum unfinished sculptured head Queen Nerfertiti Amarna photo in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Amarna, Nefertiti, Queen, granite, head, sculpture, unfinished, collection, upright, ancient, antiquity, antiquities, exhibit
Amarna Aten Relief EG11815JHP Egyptian Museum Exhibit doorjam Amarna Aten God Pharaoh Akhenaten Nerfertiti in the rays of the Sun God, the Aten.Iin the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Amarna, Aten, relief, doorjam, Akhenaten, Nerfertiti, carving, painted, cartouches, colours, colors, hieroglyphs, upright, ancient, antiquity, antiquities, exhibit
Akhenaten Statue EG11816JHP Egyptian Museum Exhibit limestone iconic shaped statue Pharaoh Akhenaten Amarna in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Akhenaten, pharaoh, statue, limestone, shape, collection, landscape, upright, ancient, antiquity, antiquities, exhibit

Egypt > Karnak Temple (6 files)

Photos in this gallery include the whole of Karnak itself, the open air museum, temples of Khonsu and Ptah and the Sound and Light Show night images.
Karnak Temple Sandstorm EG0214013jhp Karnak Egypt Chapel gate sandstorm dramatic light hypostyle palms hazy which is located inside the central enclosure wall of the Karnak complex at Luxor on the East Bank of the River Nile. It is a relatively ruined small temple lying near the exterior north wall of the hypostyle hall and the path to the Temple of Ptah and gate to Montu Temple in the North Enclosure. The area is a cluster of ruins and blocks in storage and is very seldom frequented so always quiet in the crowded times. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast so apologies for the quality of these few images; one day I hope to return and get them in better light. The chapel is dedicated to the Princess Ankhnesneferibre, daughter of Psamtik 11 and his Queen Takhut and she became successor to Nitocris the Divine Adoratice and later God’s Wife of Amun, High Priest and effectively ruled Thebes for nearly 60 years during the later Saite Period of Rule over Egypt; started in Dynasty 24 and centred on City of Sais in Northern delta region. Turbulent times however and she was in effect the last to hold this position for around the time of her death Psamtik 111, after a very short reign, was defeated by the Persian’s and the 26th Dynasty came to an end in 525BC. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, central, enclosure, chapel, Ankhnesneferibre, princess, Saite, Sais, Amun, Priest, Adoratice, God, wife, ruler, Psamtik, 11, 111, Psammetichus, Psammeticus, 26th, Dynasty, landscape, history, archaeology, Egyptology, sandstone, gate, carvings, sandstorm, windy, hazy, palm, trees, sand, sandy, hypostyle, hall
Karnak Saite Chapel EG0214017jhp Karnak Egypt Chapel Ankhnesneferibre gate Psamtik 111 hedjet crown Amun which is located inside the central enclosure wall of the Karnak complex at Luxor on the East Bank of the River Nile. It is a relatively ruined small temple lying near the exterior north wall of the hypostyle hall and the path to the Temple of Ptah and gate to Montu Temple in the North Enclosure. The area is a cluster of ruins and blocks in storage and is very seldom frequented so always quiet in the crowded times. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast so apologies for the quality of these few images; one day I hope to return and get them in better light. The chapel is dedicated to the Princess Ankhnesneferibre, daughter of Psamtik 11 and his Queen Takhut and she became successor to Nitocris the Divine Adoratice and later God’s Wife of Amun, High Priest and effectively ruled Thebes for nearly 60 years during the later Saite Period of Rule over Egypt; started in Dynasty 24 and centred on City of Sais in Northern delta region. Turbulent times however and she was in effect the last to hold this position for around the time of her death Psamtik 111, after a very short reign, was defeated by the Persian’s and the 26th Dynasty came to an end in 525BC. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, central, enclosure, chapel, Ankhnesneferibre, princess, Saite, Sais, Amun, Priest, Adoratice, God, wife, ruler, Psamtik, 11, 111, crown, white, upper, hedjet, Psammetichus, Psammeticus, Nitocris, Takhut, 26th, Dynasty, upright, history, archaeology, Egyptology, decorated, hieroglyphics, sandstone, papyrus, column, single, closed, bud, carvings, cobra, iaret, naja haje, rearing, hood, lion, face, Wadget, Wadjet, leonine, goddess, Nefertem, Eyes, Re, Ra, protector
Karnak Saite Chapel EG0214016jhp Karnak Egypt Chapel Ankhnesneferibre cobra Wadjet lion face hierogylphics which is located inside the central enclosure wall of the Karnak complex at Luxor on the East Bank of the River Nile. It is a relatively ruined small temple lying near the exterior north wall of the hypostyle hall and the path to the Temple of Ptah and gate to Montu Temple in the North Enclosure. The area is a cluster of ruins and blocks in storage and is very seldom frequented so always quiet in the crowded times. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast so apologies for the quality of these few images; one day I hope to return and get them in better light. Interesting in this photograph are the lion faced Wadjet Cobras which are very much a Delta Goddess diety. The chapel is dedicated to the Princess Ankhnesneferibre, daughter of Psamtik 11 and his Queen Takhut and she became successor to Nitocris the Divine Adoratice and later God’s Wife of Amun, High Priest and effectively ruled Thebes for nearly 60 years during the later Saite Period of Rule over Egypt; started in Dynasty 24 and centred on City of Sais in Northern delta region. Turbulent times however and she was in effect the last to hold this position for around the time of her death Psamtik 111, after a very short reign, was defeated by the Persian’s and the 26th Dynasty came to an end in 525BC. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, central, enclosure, chapel, Ankhnesneferibre, princess, Saite, Sais, Amun, Priest, Adoratice, God, wife, ruler, Psamtik, 11, 111, Psammetichus, Psammeticus, Nitocris, Takhut, 26th, Dynasty, upright, history, archaeology, Egyptology, decorated, hieroglyphics, sandstone, papyrus, column, single, closed, bud, carvings, cobra, iaret, naja haje, rearing, hood, lion, face, Wadget, Wadjet, leonine, goddess, Nefertem, Eyes, Re, Ra, protector
Karnak Saite Chapel EG0214015jhp Karnak Egyptian Chapel Ankhnesneferibre cobra Wadjet lion face hierogylphs which is located inside the central enclosure wall of the Karnak complex at Luxor on the East Bank of the River Nile. It is a relatively ruined small temple lying near the exterior north wall of the hypostyle hall and the path to the Temple of Ptah and gate to Montu Temple in the North Enclosure. The area is a cluster of ruins and blocks in storage and is very seldom frequented so always quiet in the crowded times. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast so apologies for the quality of these few images; one day I hope to return and get them in better light. Interesting in this photograph are the lion faced Wadjet Cobras which are very much a Delta Goddess diety. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, central, enclosure, chapel, Ankhnesneferibre, princess, Saite, Sais, Amun, Priest, Adoratice, God, wife, ruler, Psamtik, 11, 111, Psammetichus, Psammeticus, Nitocris, Takhut, 26th, Dynasty, upright, history, archaeology, Egyptology, decorated, hieroglyphics, sandstone, papyrus, column, single, closed, bud, carvings, cobra, iaret, naja haje, rearing, hood, lion, face, Wadget, Wadjet, leonine, goddess, Nefertem, Eyes, Re, Ra, protector
Karnak Saite Chapel EG0214014jhp Karnak Egypt Chapel Ankhnesneferibre gate Saite Papyrus column Amun which is located inside the central enclosure wall of the Karnak complex at Luxor on the East Bank of the River Nile. It is a relatively ruined small temple lying near the exterior north wall of the hypostyle hall and the path to the Temple of Ptah and gate to Montu Temple in the North Enclosure. The area is a cluster of ruins and blocks in storage and is very seldom frequented so always quiet in the crowded times. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast so apologies for the quality of these few images; one day I hope to return and get them in better light. The chapel is dedicated to the Princess Ankhnesneferibre, daughter of Psamtik 11 and his Queen Takhut and she became successor to Nitocris the Divine Adoratice and later God’s Wife of Amun, High Priest and effectively ruled Thebes for nearly 60 years during the later Saite Period of Rule over Egypt; started in Dynasty 24 and centred on City of Sais in Northern delta region. Turbulent times however and she was in effect the last to hold this position for around the time of her death Psamtik 111, after a very short reign, was defeated by the Persian’s and the 26th Dynasty came to an end in 525BC. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, central, enclosure, chapel, Ankhnesneferibre, princess, Saite, Sais, Amun, Priest, Adoratice, God, wife, ruler, Psamtik, 11, 111, Psammetichus, Psammeticus, Nitocris, Takhut, 26th, Dynasty, upright, history, archaeology, Egyptology, decorated, hieroglyphics, sandstone, papyrus, column, single, closed, bud, carvings, cobra, iaret, naja haje, rearing, hood, lion, face, Wadget, Wadjet, leonine, goddess, Nefertem, Eyes, Re, Ra, protector
Karnak Fallen Obelisk EG074980jhp Egyptian Hatshepsut Amun embrace Horus Granite Fallen Obelisk Karnak carved is in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. Queen Hatshepsut erected several Obelisks, one of the two remaining largest obelisks stands between the fourth and fifth pylons looking north in the Transverse Hall. The southern obelisk had collapsed and the main section of the top with the pyramidion is lying horizontally near the Sacred Lake and this is what is shown in this photograph. The obelisks were of red Aswan granite and the standing one is the third tallest standing in the world, weighs over 320 tons and stands nearly 30 metres. Both encased buy a room covering them in done by Thutmosis 111 who disapproved of his Aunt, his bid to remove her existence benefited us in that the lower sections remained largely intact but higher sections were defaced by Akhenaten some 130 years later. Luckily this has been largely untouched and most of the carvings including Queen Hatshepsut are pristine as illustrated by this section with her and Amun in an embrace watched by the falcon God Horus in high quality carvings into this exceptionally hard stone. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, Amun, Hatshepsut, queen, woman, embrace, Horus, white, crown, upper, hedjet, obelisk, red, granite, fallen, obelisk, pyramidion, top, section, lying, horizontal, Sacred, Lake, blocks, pylon, fourth, fifth, transverse, hall, columns, truncated, well, sandstone, obelisks, court, pharaoh, ruler, huge, monumental, encased, protected, Thutmosis, Thutmose, Akhenaten, defaced, erased

Egypt > Luxor Deir el Medinah (33 files)

The pictures in this gallery are of the worker's village on the west bank of the River Nile at Luxor and the Ptolemaic Temple, the Great Pit and small chapels of Hathor and Amun
Ptolemaic Temple Interior EG051855JHP Deir al-Madinah el-Medina Egypt Luxor Ptolemaic Hathor Temple Interior is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, upright, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, portico, floral, capitals, entrance, sanctuaries, small, spiritual, quiet, uncrowded
Ptolemaic Temple Interior EG051843JHP Deir al-Madinah el-Medina Hathor Temple Egypt Luxor Interior Stairs Walls Carvings is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, upright, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, stairwell, stairway, roof, blocked, decorations, hieroglyphs, window, small, spiritual, quiet, uncrowded
Ptolemaic Temple Interior EG051842JHP Deir al-Madinah el-Medina Egyptian Temple Inside Walls Reliefs Painted Photo is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, upright, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, portico, interior, doorway, decorated, wall, reliefs, colours, colors, painted, sanctuaries, small, spiritual, quiet, uncrowded
Ptolemaic Temple Interior EG051838JHP Deir al-Madinah el-Medina Luxor Egypt West Bank Temple Hathor Columns Photograph Interior is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, face, Ptolemaic, Ptolemy, column, roon, chapel, floral, capitals, sanctuaries, small, spiritual, quiet, uncrowded
Ptolemaic Temple Interior EG051837JHP Deir al-Madinah Ptolemaic Hathor Face Temple Sanctuary Interior Photo Luxor is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, upright, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, face, Ptolemaic, portico, chapel, floral, capitals, sanctuaries, small, spiritual, quiet, uncrowded
Ptolemaic Temple Hieroglyphs EG051870JHP Deir el-Medina Temple Colourful Frieze Hieroglyphs Cobra Ankh Stars Painted Reliefs is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, door, jam, lintel, ceiling, underneath, hieroglyphs, colours, colors, ankh, senet, sanctuaries, small, spiritual, quiet, uncrowded
Ptolemaic Temple Gods EG051850JHP Deir al-Madinah Workers Temple Interior Relief Osiris Seated Atef Crown Baboon is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, God, Osiris, baboon, wall, relief, sanctuaries, small, spiritual, quiet, uncrowded
Ptolemaic Temple Gods EG051849JHP Deir al-Madinah Temple Reliefs Thoth Maat Anubis Children Carving Interior Wall is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abdâ el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, Thoth, Maat, Anubis, Horus, children, sanctuaries, small, spiritual, quiet, uncrowded
Ptolemaic Temple Gods EG051847JHP Deir el-Medina Luxor Egyptian Temple Reliefs Inside Maat Hathor Ptolemy Carving is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Imhotep, Maat, wall relief, sanctuaries, small, spiritual, quiet, uncrowded
Ptolemaic Temple Gods EG051845JHP Deir al-Madinah el-Medina Interior Photo Maat Hathor Isis Horus Luxor Egypt Temple is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Horus, Hathor, Maat, wall, relief, poor, sanctuaries, small, spiritual, quiet, uncrowded
Ptolemaic Temple Gods EG051844JHP Deir el-Medina Interior Photograph Pantheon Egyptian Gods Wall Relief Carving Painted is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, upright, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, Gods, wall, relief, Amun, Isis, Horus, hieroglyphs, solar, disc, sanctuaries, small, spiritual, quiet, uncrowded
Ptolemaic Temple Gods EG051839JHP Deir al-Madinah Workers Temple Amun Hathor Wall Painted Colours Carving Luxor is located on the West Bank of the River Nile and lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, upright, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abdâ el-Qurna, hill, Temple, Hathor, Amun, Ptolemaic, wall, panel, sanctuaries, small, spiritual, quiet, uncrowded
Ptolemaic Temple Entrance EG051836JHP Ancient Egypt Deir al-Madinah el-Medina Temple Columns Capitals Floral Interior is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, upright, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, portico, columned, hall, entrance, floral, capitals, sanctuaries, small, spiritual, quiet, uncrowded
Ptolemaic Temple EG051878JHP Deir al-Madinah Workers Village Street Temple Hathor Mudbrick Luxor Egypt Photo is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, street, house, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, portico, mud-brick, enclosure, pan bedding, panorama
Ptolemaic Temple EG051874JHP Deir al-Madinah Ptolemaic Temple Inside Enclosure Theban Hills Village Stonebuilt is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, upright, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, rear, Hathor, Ptolemaic, Ptolemy, portico, mud-brick, enclosure, pan bedding, sanctuaries, small, spiritual, quiet, uncrowded
Ptolemaic Temple EG051873JHP Deir el-Medina Luxor Egypt Ptolemaic Temple Stone Enclosure Small Building is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, rear, Hathor, Ptolemaic, Ptolemy, portico, mud-brick, enclosure, pan bedding, sanctuaries, small, spiritual, quiet, uncrowded
Ptolemaic Temple Deir el-Medina EG051877JHP Deir al-Madinah Temple Village Mudbrick Enclosure Walls Pan Bedding Construction Shape is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, portico, mud-brick, enclosure, pan bedding
Ptolemaic Temple Barque EG051851JHP Deir el-Medina Temple Interior Ancient Egyptian Solar Barque Henu Sokar Interior is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, barque, solar, henu, sokar, wall, relief, interior, sanctuaries, small, spiritual, quiet, uncrowded
Ptolemaic Painted Detail EG051859JHP Deir al-Madinah Egypt Temple Interior Painted Frieze Fragment Blue Red Carved is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, lintel, painted, detail, restoration, hieroglyphs, sanctuaries, small, spiritual, quiet, uncrowded
Ptolemaic Egyptian Gods EG051852JHP Deir al-Madinah Temple Wall Interior Hathor Osiris Ptolemy Photo Artificial Light Poor is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, upright, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, Gods, Osiris, Hathor, poor, quality, sanctuaries, small, spiritual, quiet, uncrowded
Pharaoh & Gods EG051875JHP Deir el-Medina Egyptian Temple Exterior Relief Ptolemy Hathor Arsinoe Wife Photo is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, exterior, relief, rear, wall, Gods, Hathor, Pharaoh, Ptolemy 1V, wife, Arsinoe, hieroglyphs, cartouche, small, spiritual, quiet, uncrowded
Goddess Hathor EG051866JHP Deir al-Madinah Temple Interior Luxor Egypt Hathor Goddess Face Column Painted is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, upright, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, portico, interior, face, colours, colors, sanctuaries, small, spiritual, quiet, uncrowded
Egyptian Temple Interior EG051867JHP Deir el-Medina Egyptian Workers Temple Hathor Sanctuary Face Cow Columns Colours is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, upright, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, chapel, curtain, hieroglyphs, sanctuaries, small, spiritual, quiet, uncrowded
Egyptian Royal Carving EG051876JHP Deir al-Madinah Black Granite Seated Statue Temple Luxor Egypt Ptolemy Outside is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, upright, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, seated, statue, broken, granite, small, spiritual, quiet, uncrowded
Egyptian Ptolemaic Temple EG051835JHP Deir al-Madinah Ptolemaic Temple Egypt Front Entrance Door Lintel Enclosed Wall is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, portico, inside, entrance, door, sanctuaries, small, spiritual, quiet, uncrowded
Egyptian Painted Stonework EG051860JHP Deir el-Medina Temple Interior Capital Floral Painted Frieze Colours Ceiling Stars is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, upright, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, portico, floral, capital, painted, lintel, striped, stars, ceiling, sanctuaries, small, spiritual, quiet, uncrowded
Egyptian Painted Relief EG051862JHP Deir al-Madinah Ptolemaic Temple Pantheon Gods Wall Relief Colours Paint Inside is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, portico, wall, hierogyyphs, Gods, Nephtys, Horus, Hathor, Osiris, Montu, Ptah, sanctuaries, small, spiritual, quiet, uncrowded
Egyptian Painted Lintel EG051865JHP Deir al-Madinah Winged Lintel Uraeus Temple Painted Colours Blue White Photo Interior is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, portico, lintel, painted, winged, uraeus, snake, blue, colours, colors, sanctuaries, small, spiritual, quiet, uncrowded
Egyptian Painted Cornice EG051863JHP Deir el-Medina Temple Interior Frieze Painted Carved Blue Red Colours Egypt Luxor is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, portico, lintel, painted, red, blue, striped, recessed, sanctuaries, small, spiritual, quiet, uncrowded
Egyptian Painted Ceiling EG051856JHP Deir al-Madinah el-Medina Workers Temple Ceiling Stars Winged Colours Paint is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, portico, ceiling, painted, colours, colors, wings, stars, sanctuaries, small, spiritual, quiet, uncrowded
Egyptian Gods Anubis & Min EG051854JHP Deir al-Madinah Ptolemaic Temple Interior Photo Min Anubis Gods Ptolemy Egypt Luxor is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, portico, Gods, Min, Anubis, solar, disc, offering, sanctuaries, small, spiritual, quiet, uncrowded
Deir el-Medina Temple EG051834JHP Deir al-Madinah Temple Mudbrick Enclosure Wall Pan Bedding Shaped Contours Exterior is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, portico, mud-brick, bricks, enclosure, wall, pan bedding, sanctuaries, small, spiritual, quiet, uncrowded
Deir el-Medina Temple EG051833JHP Deir el-Medina Temple Outside Photo Mudbrick Wall Pan Bedding Contoured Built Enclosure is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, upright, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, portico, mud-brick, bricks, enclosure, pan bedding, sanctuaries, small

Egypt > Luxor Nobles Tombs (2 files)

Photographs in this gallery are of the various Tombs of the Nobles on the West Bank if the Nile at Luxor in the area called Qurnet Murai
Luxor Ramose Tomb EG9622210jhp Ancient Egypt Noble Ramose Tomb Relief women beautiful banquet guests flowers, one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Ramose Tomb-Chapel in the Lower Enclosure [Tomb 55] was a Vizier and Governor towards the end of the reign of Amenhotep 111 and beginning of the Amarna period of Akhenaten and this is reflected in the change of style of the reliefs in his tomb. This was the first Tomb of the Nobles I visited in 1994 and I have noticed a fading of the coloured funerary procession frieze in the top left-hand corner since then. The area around the Tombs, especially the approach to Ramose, has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Ramose, Vizier, governor, tomb, painting, style, naturalistic, women, guests, banquet, braided, hair, black, eye, makeup, beautiful, flowers, lotus, delicate, quality, classic, workings, outlines, grids, perspective, colourful, colorful, colours, colors, painted, artificial, light, natural, 1996, slide, film, 35mm, Nikon, FM2 manual, scanned, scan
Rekhmire Tomb Corridor EG075701JHP Ancient Egyptian Rekhmire Tomb Luxor Rock Cut Construction Skills Engineering and one of the most impressive amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Rekhmire Tomb-Chapel [Tomb 100] was a Vizier during the reigns of Tuthmosis 11 and Amenhotep 11, part of a family with long service as administrators at Thebes. This highly decorated cruciform tomb is full images giving great understanding of Egyptian foreign policy, taxation and the justice system. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, Rekhmire, Vizier, administrator, tomb, corridor, height, alignment, lines, quality, constrcution, painting, colourful, colorful, colours, colors, painted, artificial, light, digital

Egypt > Luxor Temple (3 files)

Images in this gallery relate to the east bank of the Nile temple called Luxor Temple including night photos and the Avenue of Sphinxes
Luxor Temple EG00616jhp Luxor Temple Court Egypt Amenhotep peristyle columns broken carved papyrus-bud capitals, a glorious addition to the temple complex and the finest workmanship from the 18th Dynasty. Once it would have been covered and is still in generally good condition although some recent preservation work has been done because of the increasing water table. This photo was taken towards the end of the afternoon so hence it tends to be against the sun which sets over the West Bank. It can be a quiet time to visit the temple because most the main package tours have finished but also there is a lovely quality to the evening light casting a gentle golden glow over the limestone. Keywords: Egypt, Egyptian, Luxor, Luxor Temple, Temple, East Bank, River Nile, Thebes, landscape, carvings, court, sun, evening, afternoon, golden, light, peristyle, papyrus-bud, capitals, colonnade, Amenhotep 111, avenue, history, archaeology, ancient, Egyptology, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual
Luxor Temple EG00615jhp Luxor Temple Court Egyptian Amenhotep peristyle columns visitors scale shadows papyrus-bud capitals, a glorious addition to the temple complex and the finest workmanship from the 18th Dynasty. Once it would have been covered and is still in generally good condition although some recent preservation work has been done because of the increasing water table. This photo was taken towards the end of the afternoon so hence it tends to be against the sun which sets over the West Bank. It can be a quiet time to visit the temple because most the main package tours have finished but also there is a lovely quality to the evening light casting a gentle golden glow over the limestone. Keywords: Egypt, Egyptian, Luxor, Luxor Temple, Temple, East Bank, River Nile, Thebes, landscape, court, sun, evening, afternoon, golden, light, peristyle, papyrus-bud, capitals, colonnade, Amenhotep 111, avenue, history, archaeology, ancient, Egyptology, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual
Luxor Temple EG006110jhp Luxor Temple Court Amenhotep peristyle style columns papyrus-bud capitals, a glorious addition to the temple complex and the finest workmanship from the 18th Dynasty. Once it would have been covered and is still in generally good condition although some recent preservation work has been done because of the increasing water table. This photo was taken towards the end of the afternoon so hence it tends to be against the sun which sets over the West Bank. It can be a quiet time to visit the temple because most the main package tours have finished but also there is a lovely quality to the evening light casting a gentle golden glow over the limestone. Keywords: Egypt, Egyptian, Luxor, Luxor Temple, Temple, East Bank, River Nile, Thebes, landscape, upright, court, sun, evening, afternoon, golden, light, peristyle, papyrus-bud, capitals, colonnade, Amenhotep 111, avenue, history, archaeology, ancient, Egyptology, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual

Egypt > North of Cairo (2 files)

This gallery has photographs of the main sites North of Cairo, usually visited privately as not part of most Egyptian tours, and includes Heliopolis, Tell Basta near Zagazig and Tanis near the north coast of Egypt
Alexandria Granite Carving eg9613727jhp Egypt Alexandria broken fragment carved granite freize high status fine quality Rhakote hill modern Mediterranean coastal city no longer reminiscent of the ancient city from Pharaohic times and little of that ancient time remains. A few isolated sites can be visited and this is one is located on Rhakote Hill one of the earliest sites in the City with some Roman ruins and archaeology. On the hill is the dominant granite column called Pompey’s Pillar dating back to the reign of Emperor Diocletian around 297BC but associated with the later rival of Caesar when it was held, mistakenly, his head was placed on top of the column. Also of interest are some granite Sphinxes and underground burial vaults. It is also thought to have held some of the contents of the ancient Library after its sacking after the fall of the House of Ptolemy but nothing now remains of this smaller library probably sacked during the Fifth Century AD by Christian zealots. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours. Keywords: Egypt: Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Rhakote, hill, ancient, Rhakotis, Pharaonic, Serapis, Temple, Serapeum, Library, destroyed, Roman, Ptolemaic, Greek, Pompey, Pillar, Corinthian, carved, capital, top, Ptolemaic, red, granite, Sphinx, Sphinxes, granite, carving, carved, scarab, freize, open, air, exhibits, museum, garden, Coptic, cross, early, Christian, archaeology, ruins, Piscina, Roman, bath, house, excavations, gateway, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8, upright
Alexandria Granite Carving eg9613726jhp Egypt Alexandria carved mottled granite freize high status beautiful quality Rhakote hill modern Mediterranean coastal city no longer reminiscent of the ancient city from Pharaohic times and little of that ancient time remains. A few isolated sites can be visited and this is one is located on Rhakote Hill one of the earliest sites in the City with some Roman ruins and archaeology. On the hill is the dominant granite column called Pompey’s Pillar dating back to the reign of Emperor Diocletian around 297BC but associated with the later rival of Caesar when it was held, mistakenly, his head was placed on top of the column. Also of interest are some granite Sphinxes and underground burial vaults. It is also thought to have held some of the contents of the ancient Library after its sacking after the fall of the House of Ptolemy but nothing now remains of this smaller library probably sacked during the Fifth Century AD by Christian zealots. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours. Keywords: Egypt: Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Rhakote, hill, ancient, Rhakotis, Pharaonic, Serapis, Temple, Serapeum, Library, destroyed, Roman, Ptolemaic, Greek, Pompey, Pillar, Corinthian, carved, capital, top, Ptolemaic, red, granite, Sphinx, Sphinxes, granite, carving, carved, scarab, freize, open, air, exhibits, museum, garden, Coptic, cross, early, Christian, archaeology, ruins, Piscina, Roman, bath, house, excavations, gateway, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8

Egypt > Outlying Pyramids (19 files)

Pictures of pyramids and scenery related to them outwith the main sites of Giza and Saqqara such as Abusir, Dashur, El Lisht, Meydum and Hawara
Bent Pyramid Dashur eg961329ajhp Egypt Dahshur Bent Red North Pyramids entrance high view vehicle sand desert is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM, Tokina SD, 28-70 zoom lens
Bent Pyramid Dashur eg00725jhp Egyptian Dahshur Bent Pyramid construction limestone casing exposed stonework limestone blocks Snefru King burial cladding desert is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, upright, format
Bent Pyramid Dashur eg00724jhp Egypt Dahshur Bent Pyramid limestone cladding attachment construction plundered exposed corner of this famous and very distinct shape with its reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, tallest and most intact and is visible in the distance on the left. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, upright, landscape, format
Bent Pyramid Dashur eg00723jhp Egypt Dahshur Bent Pyramid limestone cladding attachment construction plundered exposed corner of this famous and very distinct shape with its reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, upright, format
Bent & Red Pyramid Dashur eg00722jhp Egypt Egyptian Dahshur Bent Red Pyramids Snefru King desert necropolis is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, landscape, format
Bent Pyramid Dashur eg961314jhp Egypt Dahshur Bent Pyramid Snefru burial limestone casing west side entrance hole is visible center top above plundered area of casing. The bent Pyramid is famous for its very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4
Bent Pyramid Dashur eg961312jhp Egyptian Dashur Bent Black Pyramid entrance west view limestone desert distance is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright, west, entrance, scale outside, highup
Bent Pyramid Dashur eg961311jhp Egypt Dahshur Bent Pyramid Snefru side Black limestone cladding desert high view near entrance on west side is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 111, mudbrick, black, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4
Bent Pyramid Dashur eg961306jhp Egyptian Dashur Bent Pyramid Snefru limestone cladding plundered construction blocks desert is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4
Bent Pyramid Dashur eg9613011jhp Egypt Dashur Bent Pyramid damage plundered robbed limestone blocks exposed construction casing desert is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright, south, corner, exposed, robbed
Bent Pyramid Dashur eg9613010jhp Egypt Dahshur Bent Pyramid damge plundered robbed limestone casing desert is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4
Bent Pyramid Dashur eg961297jhp Egypt Dahshur Bent Pyramid Snefru King burial causeway limestone cladding plundered north east corner desert is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, northeast corner
Bent Pyramid Dashur eg961296jhp Egypt Egyptian Dahshur Bent Pyramid Snefru King causeway limestone cladding desert north east corner is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, plundered, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright, northeast corner
Bent Pyramid Dashur eg9612915jhp Ancient Egyptian Dashur Bent Pyramid subsidiary south side rubble casing plundered is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, south, side, subsidiary, corner, plundered, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4
Bent Pyramid Dashur eg9612914jhp Egypt Egyptian Dahshur Bent Pyramid subsidiary small south side rubble desert is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, south, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4
Bent Pyramid Dashur eg9612913jhp Egypt Dahshur Bent Pyramid Sneferu chapel stelae mudbrick wall east side is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, chapel, stelae, mudbrick, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright
Bent Pyramid Dashur eg9612912jhp Egypt Egyptian Dashur Bent Pyramid Snefru King burial chapel stelae mudbrick wall is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, chapel, mudbrick, enclosure, stelae, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4
Bent Pyramid Dashur eg9612911jhp Egypt Egyptian Dahshur Bent Pyramid Snefru east side chapel sand desert is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, chapel, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright
Bent Pyramid Dashur eg9612910jhp Egypt Dashur Bent Pyramid Snefru King burial east side chapel desert is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, chapel, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4

Egypt > River Nile Cruise & Sites (17 files)

Photographs in this gallery show daily life along the River Nile mainly from the cruises I have undertaken over the past 10 years or so. Sites that border the Nile are included although the major temples visted have their own dedicated sites such as Edfu and Kom Ombo. One of the enjoyments of the Nile cruise is the tranquility of watching 'life go by' usually characterised by the friendliness of those you pass whether boatmen or farm workers as well as seeing wild birds close at hand. The other aspect is the service on the cruiseboats from friendly crews and the chance to relax after hectic and often crowded temple visits.
River Nile Esna Lock EG052098jhp Egypt Egyptian River Nile Esna lock cruiseboats entering exiting water photos taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, landscape, tansfer, coming, out, exiting, entering, riverbank, daily, life, cruiseboats, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Esna Lock EG052097jhp Egypt Egyptian River Nile Esna lock cruiseboat in coming out transfer photo taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, landscape, tansfer, coming, out, riverbank, daily, life, cruiseboats, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Cruiseboats EG052096jhp Egypt Egyptian River Nile Esna lock cruiseboats jammed together photograph taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation and while waiting boats were berthed side by side for several hours, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, upright, riverbank, daily, life, cruiseboats, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Cruiseboats EG052095jhp Egypt Egyptian River Nile Esna lock cruiseboats congested cramped many photo taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation which meant many boats were berthed six deep side by side while they waited, although an additional lock was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, landscape, riverbank, daily, life, cruiseboats, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Cruiseboat EG052093jhp Egypt Egyptian River Nile Esna cruiseboat still life washing deck life ropes photo taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, upright, daily, life, congestion, bottleneck, delays, anchored, water, cruise, cruiseboat, white, deck, detail, bollards, rope, washing, drying, hanging, generator, steps, hose, walkway, gangplank, colours, colors, colorful, still, life, arty, art
River Nile Esna Traders EG052090jhp Egypt Egyptians Nile Esna traders flotilla boats selling cotton goods colours water photo taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, upright, many, boats, flotilla, lineup, traders, sellers, selling, galabeas, carpets, rowing, oarsmen, men, riverbank, daily, life, cruiseboats, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Esna Traders EG052089jhp Egypt Egyptians Nile Esna traders many boats selling clothes cotton goods photos taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, landscape, multiple, many, crowded, competing, boats, traders, sellers, selling, galabeas, carpets, rowing, oarsmen, men, riverbank, daily, life, cruiseboats, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Esna Traders EG052085jhp Egypt Egyptian River Nile Esna lock cruiseboats traders boats RA water photos taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, landscape, boats, traders, sellers, selling, galabeas, carpets, rowing, oarsmen, men, riverbank, daily, life, cruiseboats, RA, Ambassador, Eastmar, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Esna Traders EG052080jhp Egypt River Nile Esna lock cruiseboat arriving traders boats selling carpets photo taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, landscape, boats, traders, sellers, selling, galabeas, carpets, rowing, oarsmen, men, riverbank, daily, life, cruiseboats, cruiseboat, RA, Eastmar, arriving, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Esna Traders EG052069jhp Egypt Egyptian River Nile Esna lock cruiseboat traders boat rowing water photos taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, landscape, boats, traders, sellers, selling, galabeas, carpets, rowing, oarsmen, men, riverbank, daily, life, cruiseboat, Beau, Soleil, crewmen, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Esna Traders EG052064jhp Egypt Egyptians Nile traders men negotiating boats selling shawl pointing water photos taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, landscape, boats, traders, sellers, selling, negotiating, pointing, gesticulating, galabeas, carpets, shawl, red, rowing, oarsmen, men, riverbank, daily, life, cruiseboats, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Esna Traders EG052062jhp Egypt Nile Esna cruiseboat passengers receiving checking galabea traders boats selling water photos taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, landscape, boats, traders, sellers, selling, galabeas, man, riverbank, daily, life, cruiseboats, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, woman, checking, receiving, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Esna Traders EG052061jhp Egypt Egyptians Nile Esna traders boats selling goods oarsmen packets water photos taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, upright, boats, traders, sellers, selling, galabeas, carpets, rowing, oarsmen, men, riverbank, daily, life, cruiseboats, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Esna Traders EG052060jhp Egypt Egyptian Nile Esna traders boat selling galabeas faces expressions photo taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, upright, boats, traders, faces, expressions, sellers, selling, galabeas, carpets, rowing, oarsmen, men, riverbank, daily, life, cruiseboats, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Esna Traders EG052059jhp Egyptians Nile Esna lock cruiseboats traders boat selling carpet shawl water photo taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, upright, boats, traders, sellers, selling, galabeas, carpet, shawl, rowing, oarsmen, men, riverbank, daily, life, cruiseboats, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Esna Traders EG052058jhp Egypt Egyptians Nile Esna cruise traders boats selling shawl carpet boy photo taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, landscape, boats, traders, sellers, selling, galabeas, carpet, shawl, rowing, oarsmen, men, boy, riverbank, daily, life, cruiseboats, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Esna Traders EG052056jhp Egypt Nile Esna lock cruiseboat Ruby traders boats selling clothes rowing photo taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, landscape, boats, traders, sellers, selling, galabeas, carpets, rowing, oarsmen, men, riverbank, daily, life, cruiseboat, Ruby, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful

Egypt > Saqqara & Memphis (14 files)

This gallery contains pictures of the two main sites usually visited together on a day trip south of Cairo - Saqqara with the famous Step Pyramid, a huge necropolis with many tombs and other pyramids and Memphis, the ancient capital of Egypt now will an open air museum with the alabaster sphinx and the huge partial statue of Ramasses 11.
Unas to Abusir EG02AA71jhp Saqqara Unas Unis Wenis Pyramid Abusir pyramids desert ancient Egypt ruin on the southwest corner near the Step Pyramid and which was the smallest of the pyramids built belonged to Unas, the last King of the 5th Dynasty around 2345BC and is a considerable state of disrepair although some of the finer quality Tura limestone casing still remains. The inside is now not accessible but is one of the easiest to enter and entry by Gaston Maspero was financed by Thomas Cook & Co where a highly decorated burial chamber covered in Pyramid Texts was uncovered along with a huge basalt sarcophagus. This photo looks northwards past the Pyramid of Unas across the desert to the distant outlines of the three small pyramids at Abusir. Keywords: Egypt, Egyptian, Saqqarah, Saqqara, Memphis, Bedrashein, necropolis, Unas, Unis, Wenis, texts, pyramid, pyramids, Abusir, small, landscape, limestone, Turah, Tura, casing, erosion, pitted, rubble, digital, recent, history, antiquity, Egyptology, archaeology, ancient, history, desert, sand, northwards
Two Pyramids Saqqara EG02AA70jhp Saqqara Saqqarah Unas Wenis Step Djoser Zozer Pyramids ancient Egyptian on the southwest corner near the Step Pyramid and which was the smallest of the pyramids built belonged to Unas, the last King of the 5th Dynasty around 2345BC and is a considerable state of disrepair although some of the finer quality Tura limestone casing still remains. The inside is now not accessible but is one of the easiest to enter and entry by Gaston Maspero was financed by Thomas Cook & Co where a highly decorated burial chamber covered in Pyramid Texts was uncovered along with a huge basalt sarcophagus. This view looking to the nearest pyramid of Unas takes in the Step Pyramid of King Djoser beyond. Keywords: Egypt, Egyptian, Saqqarah, Saqqara, Memphis, Bedrashein, necropolis, Unas, Unis, Wenis, texts, pyramid, Step, Zozer, Djoser, two, pyramids, small, entrance, sloping, steps, antechamber, burial, chamber, sarcophagus, basalt, causeway, upright, limestone, Turah, Tura, casing, erosion, pitted, rubble, digital, recent, history, antiquity, Egyptology, archaeology, ancient, history, desert, sand
Three Pyramids Saqqara EG02AA69jhp Saqqara Unas Step Djoser Userkaf Pyramids ancient Egyptian complex mastabas on the southwest corner near the Step Pyramid and which was the smallest of the pyramids built belonged to Unas, the last King of the 5th Dynasty around 2345BC and is a considerable state of disrepair although some of the finer quality Tura limestone casing still remains. The inside is now not accessible but is one of the easiest to enter and entry by Gaston Maspero was financed by Thomas Cook & Co where a highly decorated burial chamber covered in Pyramid Texts was uncovered along with a huge basalt sarcophagus. This view looking to the nearest pyramid of Unas takes in the Step Pyramid of King Djoser with the first 5th Dynasty pyramid of Userkaf in the distance to the botom right of the Step Pyramid. Keywords: Egypt, Egyptian, Saqqarah, Saqqara, Memphis, Bedrashein, necropolis, Unas, Unis, Wenis, texts, pyramid, Step, Zozer, Djoser, Userkaf, mastabas, small, entrance, sloping, steps, antechamber, burial, chamber, sarcophagus, basalt, causeway, landscape, limestone, Turah, Tura, casing, erosion, pitted, rubble, digital, recent, history, antiquity, Egyptology, archaeology, ancient, history, desert, sand
Three Pyramids Saqqara EG02AA65jhp Saqqarah Unas Step Djoser Userkaf Pyramids ancient Egypt shaft tomb on the southwest corner near the Step Pyramid and which was the smallest of the pyramids built belonged to Unas, the last King of the 5th Dynasty around 2345BC and is a considerable state of disrepair although some of the finer quality Tura limestone casing still remains. The inside is now not accessible but is one of the easiest to enter and entry by Gaston Maspero was financed by Thomas Cook & Co where a highly decorated burial chamber covered in Pyramid Texts was uncovered along with a huge basalt sarcophagus. This view looking to the nearest pyramid of Unas takes in the Step Pyramid of King Djoser with the first 5th Dynasty pyramid of Userkaf in the distance to the botom right of the Step Pyramid. Keywords: Egypt, Egyptian, Saqqarah, Saqqara, Memphis, Bedrashein, necropolis, Unas, Unis, Wenis, texts, pyramid, Step, Zozer, Djoser, Userkaf, mastabas, shaft, burial, tomb, small, entrance, sloping, steps, antechamber, burial, chamber, sarcophagus, basalt, causeway, landscape, limestone, Turah, Tura, casing, erosion, pitted, rubble, digital, recent, history, antiquity, Egyptology, archaeology, ancient, history, desert, sand
Saqqara Burial Shaft EG02AA63jhp Saqqarah Unas Pyramid ancient Egyptian burial shaft Amun-Tefnakht General on the southwest corner near the Step Pyramid and which was the smallest of the pyramids built belonged to Unas, the last King of the 5th Dynasty around 2345BC and is a considerable state of disrepair although some of the finer quality Tura limestone casing still remains. The inside is now not accessible but is one of the easiest to enter and entry by Gaston Maspero was financed by Thomas Cook & Co where a highly decorated burial chamber covered in Pyramid Texts was uncovered along with a huge basalt sarcophagus. This burial shaft is similiar to several round this part of the complex but is not the Persion Shaft which is much deeper and is accessed down a spiral staircase. Keywords: Egypt, Egyptian, Saqqarah, Saqqara, Memphis, Bedrashein, necropolis, Unas, Unis, Wenis, pyramid, small, entrance, burial, shaft, square, deep, General, Amun-Tefnakht, Saite, period, landscape, limestone, digital, recent, history, antiquity, Egyptology, archaeology, ancient, history, desert, sand
Unas Pyramid Saqqara EG02AA66jhp Saqqara Unas Unis Wenis Pyramid ancient Egyptian King small ruin on the southwest corner near the Step Pyramid and which was the smallest of the pyramids built belonged to Unas, the last King of the 5th Dynasty around 2345BC and is a considerable state of disrepair although some of the finer quality Tura limestone casing still remains. The inside is now not accessible but is one of the easiest to enter and entry by Gaston Maspero was financed by Thomas Cook & Co where a highly decorated burial chamber covered in Pyramid Texts was uncovered along with a huge basalt sarcophagus. Keywords: Egypt, Egyptian, Saqqarah, Saqqara, Memphis, Bedrashein, necropolis, Unas, Unis, Wenis, texts, pyramid, small, entrance, sloping, steps, antechamber, burial, chamber, sarcophagus, basalt, causeway, shaft, upright, limestone, Turah, Tura, casing, erosion, pitted, rubble, digital, recent, history, antiquity, Egyptology, archaeology, ancient, history, desert, sand
Unas Pyramid Saqqara EG02AA64jhp Saqqarah Unas Unis Wenis Pyramid Step ancient Egypt shaft burial ruin on the southwest corner near the Step Pyramid and which was the smallest of the pyramids built belonged to Unas, the last King of the 5th Dynasty around 2345BC and is a considerable state of disrepair although some of the finer quality Tura limestone casing still remains. The inside is now not accessible but is one of the easiest to enter and entry by Gaston Maspero was financed by Thomas Cook & Co where a highly decorated burial chamber covered in Pyramid Texts was uncovered along with a huge basalt sarcophagus. Keywords: Egypt, Egyptian, Saqqarah, Saqqara, Memphis, Bedrashein, necropolis, Unas, Unis, Wenis, texts, pyramid, small, entrance, sloping, steps, antechamber, burial, chamber, sarcophagus, basalt, causeway, landscape, limestone, Turah, Tura, casing, erosion, pitted, rubble, digital, recent, history, antiquity, Egyptology, archaeology, ancient, history, desert, sand, Step, right
Unas Pyramid Entrance EG02AA79hp Saqqara Unas Pyramid entrance steps Hotepsekhemwy tomb Egyptian North side on the southwest corner near the Step Pyramid and which was the smallest of the pyramids built belonged to Unas, the last King of the 5th Dynasty around 2345BC and is a considerable state of disrepair although some of the finer quality Tura limestone casing still remains. The inside is now not accessible but is one of the easiest to enter and entry by Gaston Maspero was financed by Thomas Cook & Co where a highly decorated burial chamber covered in Pyramid Texts was uncovered along with a huge basalt sarcophagus. This is the remains of the demolished tomb of Hotepsekhemwy, first ruler of the 2nd Dynasty and leads to a warren of rock cut chambers but not accessible to the public. Keywords: Egypt, Egyptian, Saqqarah, Saqqara, Memphis, Bedrashein, necropolis, Unas, Unis, Wenis, Hotepsekhemwy; Hetepsekhemwy; burial; tomb; demolished; entrance; texts, pyramid, small, north, side, sloping, steps, antechamber, burial, chambers; warren; basalt, causeway, upright, limestone, Turah, Tura, casing, erosion, pitted, rubble, digital, recent, history, antiquity, Egyptology, archaeology, ancient, history, desert, sand
Unas Pyramid Casing EG02AA78jhp Saqqara Unas Pyramid ancient Egyptian limestone casing erosion pitted blocks on the southwest corner near the Step Pyramid and which was the smallest of the pyramids built belonged to Unas, the last King of the 5th Dynasty around 2345BC and is a considerable state of disrepair although some of the finer quality Tura limestone casing still remains. The inside is now not accessible but is one of the easiest to enter and entry by Gaston Maspero was financed by Thomas Cook & Co where a highly decorated burial chamber covered in Pyramid Texts was uncovered along with a huge basalt sarcophagus. Keywords: Egypt, Egyptian, Saqqarah, Saqqara, Memphis, Bedrashein, necropolis, Unas, Unis, Wenis, texts, pyramid, small, entrance, sloping, steps, antechamber, burial, chamber, sarcophagus, basalt, causeway, landscape, limestone, Turah, Tura, casing, erosion, pitted, rubble, digital, recent, history, antiquity, Egyptology, archaeology, ancient, history, desert, sand
Unas Pyramid Casing EG02AA77jhp Saqqarah Unis Wenis Pyramid casing foundation Step Djoser Egypt ruin on the southwest corner near the Step Pyramid and which was the smallest of the pyramids built belonged to Unas, the last King of the 5th Dynasty around 2345BC and is a considerable state of disrepair although some of the finer quality Tura limestone casing still remains. The inside is now not accessible but is one of the easiest to enter and entry by Gaston Maspero was financed by Thomas Cook & Co where a highly decorated burial chamber covered in Pyramid Texts was uncovered along with a huge basalt sarcophagus. Keywords: Egypt, Egyptian, Saqqarah, Saqqara, Memphis, Bedrashein, necropolis, Unas, Unis, Wenis, texts, pyramid, small, entrance, sloping, steps, antechamber, burial, chamber, sarcophagus, basalt, causeway, upright, limestone, Turah, Tura, casing, erosion, pitted, rubble, digital, recent, history, antiquity, Egyptology, archaeology, ancient, history, desert, sand, foundation, Step, Djoser
Unas Pyramid Casing EG02AA76jhp Saqqara Wenis Step Zozer Pyramid ancient Egyptian limestone casing Tura on the southwest corner near the Step Pyramid and which was the smallest of the pyramids built belonged to Unas, the last King of the 5th Dynasty around 2345BC and is a considerable state of disrepair although some of the finer quality Tura limestone casing still remains. The inside is now not accessible but is one of the easiest to enter and entry by Gaston Maspero was financed by Thomas Cook & Co where a highly decorated burial chamber covered in Pyramid Texts was uncovered along with a huge basalt sarcophagus. Keywords: Egypt, Egyptian, Saqqarah, Saqqara, Memphis, Bedrashein, necropolis, Unas, Unis, Wenis, texts, pyramid, small, entrance, sloping, steps, antechamber, burial, chamber, sarcophagus, basalt, causeway, landscape, limestone, Turah, Tura, casing, erosion, pitted, rubble, digital, recent, history, antiquity, Egyptology, archaeology, ancient, history, desert, sand, foundation, Step, Djoser
Unas Pyramid Casing EG02AA75jhp Saqqarah Unas Pyramid Egypt Tura Turah limestone casing joints erosion on the southwest corner near the Step Pyramid and which was the smallest of the pyramids built belonged to Unas, the last King of the 5th Dynasty around 2345BC and is a considerable state of disrepair although some of the finer quality Tura limestone casing still remains. The inside is now not accessible but is one of the easiest to enter and entry by Gaston Maspero was financed by Thomas Cook & Co where a highly decorated burial chamber covered in Pyramid Texts was uncovered along with a huge basalt sarcophagus. Keywords: Egypt, Egyptian, Saqqarah, Saqqara, Memphis, Bedrashein, necropolis, Unas, Unis, Wenis, texts, pyramid, small, sloping, landscape, limestone, Turah, Tura, casing, joints, closeup, erosion, pitted, rubble, digital, recent, history, antiquity, Egyptology, archaeology, ancient, history, desert, sand, foundation
Unas Pyramid Casing EG02AA74jhp Saqqara Pyramid exterior casing limestone Tura rubble fill sloping smooth ruin on the southwest corner near the Step Pyramid and which was the smallest of the pyramids built belonged to Unas, the last King of the 5th Dynasty around 2345BC and is a considerable state of disrepair although some of the finer quality Tura limestone casing still remains. The inside is now not accessible but is one of the easiest to enter and entry by Gaston Maspero was financed by Thomas Cook & Co where a highly decorated burial chamber covered in Pyramid Texts was uncovered along with a huge basalt sarcophagus. Keywords: Egypt, Egyptian, Saqqarah, Saqqara, Memphis, Bedrashein, necropolis, Unas, Unis, Wenis, texts, pyramid, small, sloping, landscape, limestone, Turah, Tura, casing, erosion, pitted, rubble, digital, recent, history, antiquity, Egyptology, archaeology, ancient, history, desert, sand
Pyramid of Unas Saqqara 6900EG07JHP Ancient Egypt Pyramid Unas Saqqara Illustrates Poor Cheap Quality Foundations of the later pyramid construction but it is famed for its elaborate Pyramid Texts adorning the inner burial chamber. It is now seldom open to public visit. Keywords: Egypt, Egyptian, Saqqarah, Saqqara, Memphis, Bedrashein, necropolis, Unas, Unis, texts, pyramid, erosion, base, foundations, ruined, rubble, landscape, digital, recent, history, antiquity, Egyptology, archaeology, ancient, history, desert, sand, mastabas, tombs

Egypt > Valley of Kings Luxor (19 files)

Photographs of the Valley of the Kings from tomb interiors as well as exterior views of the valley including the tombs of Ramses 1V, KV 43 and 19.
Valley Kings EG0213077jhp Egypt Valley Kings Thutmosis Tomb KV43 star ceiling interior antechamber in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases and this was a very difficult one to take becuase of the huge differences in light levels from the floor lighting to the ceiling and regettably was not taken in RAW file which would have offered more control in post production. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213076jhp Egypt Luxor Thutmosis 1V Tomb KV43 steep interior passage steps in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Osiris, bearded, hedjet, white, crown, was, septer, ankh, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs, steps, passage, passageway, steep, bare
Valley Kings EG0213075jhp Egypt Valley Kings Thutmose Tomb KV43 Osiris was septer ankh hedjet; crown; in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Osiris, bearded, hedjet, white, crown, was, septer, ankh, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs, hieroglyphics, cartouche
Valley Kings EG0213074jhp Egypt Valley Kings Luxor Tuthmosis Tomb Hathor Goddess ankh dress pink different in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Osiris, bearded, hedjet, white, crown, was, septer, ankh, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs, hieroglyphics, cartouche, dress, pink, patterns, different
Valley Kings EG0213073jhp Egyptian Valley Kings Thutmosis Tomb KV43 Hathor ankh dress different patterns in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Osiris, bearded, hedjet, white, crown, was, septer, ankh, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs, hieroglyphics, cartouche, dress, red, diamonds, patterns, ureaus, different
Valley Kings EG0213072jhp Egypt Valley Kings Luxor Thutmose Tomb painting Hathor eye makeup wedjat in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Osiris, bearded, hedjet, white, crown, was, septer, ankh, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs, hieroglyphics, cartouche, dress, pink, patterns, different, eye
Valley Kings EG0213071jhp Egypt Valley Kings Thutmosis Tomb KV43 Maya restoration hieratic text in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya; the section shown was the least effected by reflections on the perspex screen. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213069jhp Egypt Valley Kings Thutmose Tomb KV43 sarcophagus screen bare room in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, red, granite, plastic, glass, screen, reflections, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213068jhp Egyptian Valley Luxor Thutmosis Tomb burial chamber sarcophagus Nephthys covered in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, red, granite, plastic, glass, screen, reflections, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213067jhp Egypt Valley Kings Luxor Thutmosis Tomb KV43 Nephthys sarcophagus Ka arms in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Nephthys, Ka, arms, outstreched, head, protection, corner, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, out-stretched, red, granite, plastic, glass, screen, reflections, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213066jhp Egyptian Valley Kings Thutmosis head sarcophagus Nephthys hieroglyphics protection in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Nephthys, Ka, arms, outstreched, head, protection, corner, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, out-stretched, red, granite, plastic, glass, screen, reflections, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213065jhp Egyptian Valley Kings Tuthmosis Tomb sarcophagus cartouche granite red in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, birth, name, Thutmosis, Thutmose, 1V, Menkheperure, throne, tomb, KV43, upright, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, red, grainte, cartouche, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213064jhp Egypt Valley Kings Luxor Thutmosis Tomb KV43 burial chamber interior in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213063jhp Egypt Valley Kings Thutmose 1V Tomb KV43 steep passageway inside in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieroglyphics, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs, hieroglyphics, passageway, steps, steep, bare
Valley Kings EG0213062jhp Egyptian Valley Kings Luxor Thutmosis Tomb passageway interior bare sloping floored in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieroglyphics, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs, hieroglyphics, passageway, steps, steep, bare
Valley Kings EG0213061jhp Egypt Valley Kings Thutmosis 1V Tomb KV43 Anubis painting colourful in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieroglyphics, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213060jhp Egypt Valley Kings Luxor Thutmose Pharaoh Tomb Osiris Anubis in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Osiris, bearded, hedjet, white, crown, was, septer, ankh, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, hieratic, writing, Maya, hieroglyphs, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213059jhp Egypt Valley Kings Luxor Thutmosis Tomb Hathor ankh cartouche solar disk in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Osiris, bearded, hedjet, white, crown, was, septer, ankh, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213058jhp Egypt Valley Kings Luxor Thutmosis 1V Tomb KV43 Osiris painting antechmaber in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Osiris, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs

Egypt > Victorian Albumen Prints (1 file)

A collection of copies of photographs of Egyptian sites taken in the 1870's by Victorian photographers Beato, Frith and Sebah and modern versions have been made as well.
JP Sebah Cairo Panorama 8420VQJHP Cairo City Panorama Citadel Mohammed Ali Mosque Egypt Albumen Print Sebah Photo recorded on a poor quality albumen print by the Turkish photographer J.P.Sebah around 1890-1900. Keywords: Egypt, Egyptian, River Nile, Cairo, city, Citadel, fortress, buildings, landscape, panorama, Mosques, Alabaster, Mohammed Ali, JP Sebah, Turkish, photographer, albumen, creased, print, old, copy

Scotland > Aberdeenshire (8 files)

This gallery includes rural, scenic and landscape subjects of the Shire, including Kincardineshire, Mearns, Garioch, Buchan Strathbogie and Mar.
Cairn Snow Fence bnm3011jhp Cairn Wooden Fence road Scotland spring eroded shiny moorland Aberdeenshire taken by roadside between Banchory on Royal Deeside and Fettercairn in the Mearns areas of Aberdeenshire in North East Scotland and near the summit of the hill called Cairn O'Mount looking northwards to Clachnaben with its distinctive tor and towards Royal Deeside past roadside snow fences showing a beautiful quality with an almost satin finish caused by years of sunshine, wind, rain, ice and snow erosion and maybe helped by passing wasps getting wood pulp for their nests. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, northwards, Kincardineshire, Clachnaben, Glen, Dye, Cairn, O'Mount, snow, fences, eroded, weathered, hills, landscape, spring, moorland, grass, walking, granite, boulders, lichen, heather, May, 2016, Nikon, camera, DSLR, D700, digital, photograph
Cairn Snow Fence bnm3010jhp Spring Cairn O'Mount Wooden Fence Scotland eroded pitted satin moorland Clachnaben eroded taken by roadside between Banchory on Royal Deeside and Fettercairn in the Mearns areas of Aberdeenshire in North East Scotland and near the summit of the hill called Cairn O'Mount looking northwards to Clachnaben with its distinctive tor and towards Royal Deeside past roadside snow fences showing a beautiful quality with an almost satin finish caused by years of sunshine, wind, rain, ice and snow erosion and maybe helped by passing wasps getting wood pulp for their nests. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, northwards, Kincardineshire, Clachnaben, Glen, Dye, Cairn, O'Mount, snow, fences, eroded, weathered, hills, landscape, spring, moorland, grass, walking, granite, boulders, lichen, heather, May, 2016, Nikon, camera, DSLR, D700, digital, photograph
Cairn Snow Fence bnm3009jhp Spring Cairn O'Mount Wooden Fence Scotland eroded Clachnaben hills moorland Clachnaben eroded taken by roadside between Banchory on Royal Deeside and Fettercairn in the Mearns areas of Aberdeenshire in North East Scotland and near the summit of the hill called Cairn O'Mount looking northwards to Clachnaben with its distinctive tor and towards Royal Deeside past roadside snow fences showing a beautiful quality with an almost satin finish caused by years of sunshine, wind, rain, ice and snow erosion and maybe helped by passing wasps getting wood pulp for their nests. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, northwards, Kincardineshire, Clachnaben, Glen, Dye, Cairn, O'Mount, snow, fences, eroded, weathered, hills, landscape, spring, moorland, grass, walking, granite, boulders, lichen, heather, May, 2016, Nikon, camera, DSLR, D700, digital, photograph
Cairn Snow Fence bnm3007jhp Cairn O'Mount Wooden Fence Scottish eroded Clachnaben hill shiny moorland May taken by roadside between Banchory on Royal Deeside and Fettercairn in the Mearns areas of Aberdeenshire in North East Scotland and near the summit of the hill called Cairn O'Mount looking northwards to Clachnaben with its distinctive tor and towards Royal Deeside past roadside snow fences showing a beautiful quality with an almost satin finish caused by years of sunshine, wind, rain, ice and snow erosion and maybe helped by passing wasps getting wood pulp for their nests. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, northwards, Kincardineshire, Clachnaben, Glen, Dye, Cairn, O'Mount, snow, fences, eroded, weathered, hills, landscape, upright, spring, moorland, grass, walking, granite, boulders, lichen, heather, May, 2016, Nikon, camera, DSLR, D700, digital, photograph
Cairn Snow Fence bnm3006jhp Cairn Wooden Fence post Scottish spring eroded Clachnaben hill shiny moorland taken by roadside between Banchory on Royal Deeside and Fettercairn in the Mearns areas of Aberdeenshire in North East Scotland and near the summit of the hill called Cairn O'Mount looking northwards to Clachnaben with its distinctive tor and towards Royal Deeside past roadside snow fences showing a beautiful quality with an almost satin finish caused by years of sunshine, wind, rain, ice and snow erosion and maybe helped by passing wasps getting wood pulp for their nests. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, northwards, Kincardineshire, Clachnaben, Glen, Dye, Cairn, O'Mount, snow, fences, eroded, weathered, hills, landscape, spring, moorland, grass, walking, granite, boulders, lichen, heather, May, 2016, Nikon, camera, DSLR, D700, digital, photograph
Cairn Boulders bnm3004jhp Cairn O'Mount Scottish Aberdeenshire moorland granite boulders lichen heather taken in a gully near the roadside between Banchory on Royal Deeside and Fettercairn in the Mearns areas of Aberdeenshire in North East Scotland near the summit of the hill called Cairn O'Mount looking northwards to Clachnaben with its distinctive tor and towards Royal Deeside past roadside snow fences showing a beautiful quality with an almost satin finish caused by years of sunshine, wind, rain, ice and snow erosion and maybe helped by passing wasps getting wood pulp for their nests. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, northwards, Kincardineshire, Clachnaben, Glen, Dye, Cairn, O'Mount, snow, fences, eroded, weathered, hills, landscape, upright, spring, moorland, grass, walking, granite, boulders, lichen, heather, May, 2016, Nikon, camera, DSLR, D700, digital, photograph
Cairn Boulders bnm3003jhp Spring Cairn O'Mount Scotland Aberdeenshire moorland granite boulders heather taken in a gully near the roadside between Banchory on Royal Deeside and Fettercairn in the Mearns areas of Aberdeenshire in North East Scotland near the summit of the hill called Cairn O'Mount looking northwards to Clachnaben with its distinctive tor and towards Royal Deeside past roadside snow fences showing a beautiful quality with an almost satin finish caused by years of sunshine, wind, rain, ice and snow erosion and maybe helped by passing wasps getting wood pulp for their nests. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, northwards, Kincardineshire, Clachnaben, Glen, Dye, Cairn, O'Mount, snow, fences, eroded, weathered, hills, landscape, spring, moorland, grass, walking, granite, boulders, lichen, heather, May, 2016, Nikon, camera, DSLR, D700, digital, photograph
Bennachie Kirkton Bourtie VQ8140JHP Bennachie Kirkton Bourtie Stone Circle panorama Inverurie Donside Aberdeenshire Scotland photograph of this colourful Bronze Age Recumbent Stone Circle sitting in a field with spectacular views westwards acroos western Aberdeenshire and the distinctive outline of the ancient Pictish fort on Bennachie hill near Inveruie. Sadly a new agricultural barn has been constructed which desecrates the once open rural vista from this site and says little for the quality of planning controls and the care of a countryside so dependent on tourism. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, Garioch, Bennachie, Kirkton, Garioch, stone, circle, panorama, spring, landscape

Scotland > Ancient Stones (3 files)

The gallery has photos of ancient Scottish sites such as recumbent stone circles, stone circles, long cairns, Pictish carvings and early fortifications including Tap ONoth, Bennachie, Kinord, and most of the following:
Aikey Brae RSC; Balquhain Stone Circle; Brandsbutt Stone; Broomend of Crichie Henge and Pictish Symbol Stone; Castle Fraser Stone Circle; Consumption Dykes, Kingswells; Corsedarder Memorial; Cothiemuir Wood RSC; Craigearn Standing Stone; Craw Stane, Rhynie; Cullerlie Stone Circle; Culsh earthhouse or souterrain; Easter Aquthorthies RSC; Eslie the Greater RSC; Eslie the Lessler RSC; Garrol Wood RSC; Glassel Stone Circle; Kinord Cross; Kirkton of Bourtie RSC; Loanhead of Daviot RSC; Long Cairn, Corsedarder; Maidenstone Symbol Stone; Mid Mar Stone Circle; Nine Staines RSC; Picardy Pictish Symbol Stone; Strichen RSC; Sueno Stone, Forres; Sunhoney RSC; Tomnaverie RSC;

Migvie Cross Slab jkl9308jhp Migvie Stone Cross-slab Christian symbol carved ancient Scottish relic stands in the kirkyard of Migvie Church and is easily accessible for the casual visitor. It is thought to date from the 9th century AD with a mixture of Pictish and early Christian symbols carved on gneiss stone, 2 metres high, similar to that at Kinord but held to be of inferior quality. The interlaced filled cross appears crudely squeezed into the stone but has interesting circular projections at the top, suggestive of something hanged. There are also iconic symbols carved into the angles of the cross, namely horseshoe, V-rod, double disc, Z-rod and a pair of shears as well as a horse and rider. Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Migvie, symbol, Stone, Logie, Coldstone, Tarland, archaeology, archaeological, history, Picts, Pictish, early, Christian, granite, pink, slab, Cross-slab, west, east, face, wide, landscape, spring, ring-headed, cross, spiral, interlace, knot-work, four, incised, symbols, historic, history, heritage, double-sided, comb, V-road, Z-rod, churchyard, kirk, yew, trees, countryside, farming, rural, nature, colourful, colorful, peaceful, Historic, council, public, access
Migvie Cross Slab jkl9301jhp Migvie Stone Cross-slab Deeside Scotland Pictish Christian symbol carved ancient Scottish relic stands in the kirkyard of Migvie Church and is easily accessible for the casual visitor. It is thought to date from the 9th century AD with a mixture of Pictish and early Christian symbols carved on gneiss stone, 2 metres high, similar to that at Kinord but held to be of inferior quality. The interlaced filled cross appears crudely squeezed into the stone but has interesting circular projections at the top, suggestive of something hanged. There are also iconic symbols carved into the angles of the cross, namely horseshoe, V-rod, double disc, Z-rod and a pair of shears as well as a horse and rider. Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Migvie, symbol, Stone, Logie, Coldstone, Tarland, archaeology, archaeological, history, Picts, Pictish, early, Christian, granite, pink, slab, Cross-slab, west, east, face, upright, spring, ring-headed, cross, spiral, interlace, knot-work, four, incised, symbols, historic, history, heritage, double-sided, comb, V-road, Z-rod, churchyard, kirk, yew, trees, countryside, farming, rural, nature, colourful, colorful, peaceful, Historic, council, public, access
Migvie Cross Slab jkl9300jhp Migvie Stone Cross-slab Aberdeenshire Pictish Christian symbol carved ancient Scottish relic stands in the kirkyard of Migvie Church and is easily accessible for the casual visitor. It is thought to date from the 9th century AD with a mixture of Pictish and early Christian symbols carved on gneiss stone, 2 metres high, similar to that at Kinord but held to be of inferior quality. The interlaced filled cross appears crudely squeezed into the stone but has interesting circular projections at the top, suggestive of something hanged. There are also iconic symbols carved into the angles of the cross, namely horseshoe, V-rod, double disc, Z-rod and a pair of shears as well as a horse and rider. Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Migvie, symbol, Stone, Logie, Coldstone, Tarland, archaeology, archaeological, history, Picts, Pictish, early, Christian, granite, pink, slab, Cross-slab, west, east, face, landscape, spring, ring-headed, cross, spiral, interlace, knot-work, four, incised, symbols, historic, history, heritage, double-sided, comb, V-road, Z-rod, churchyard, kirk, yew, trees, countryside, farming, rural, nature, colourful, colorful, peaceful, Historic, council, public, access

Scotland > Clouds, Sunsets, Dawns and Weather (164 files)

The gallery has images of weather related subjects from clouds to dawns and sunrises, NLC or noctilucent clouds nights, moon to sun rings, rainbows, double rainbows, meteors, shooting stars, Perseids. The range of clouds includes cirrus, storm clouds, white puffy fair weather clouds, monster cloud formations, haar, sun beams, lenticular, mama, a wide range of different meteorological structures and types.
Deeside-Dawn-wsc6986jhp Scotland Deeside Aberdeenshire December dawn golden colours shapes lenticular clouds colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. This photo was taken on 16th December, 2023 at 8.36hrs UT towards Beltie hill and the SE looking in the Glassel direction down Deeside. The camera was a D700 Nikon FX body with 28-300mm Nikkor AF-S ED zoom lens with focal length of 48mm at f11 aperture with a 1/30 sec exposure at ISO of 200. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, morning, dawn, sun, sunrise, winter, December, east, southeast, landscape, panorama, clouds, shapes, lenticular, cumulus, dramatic, countryside, rural, fields, bales, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, pastel, weather, meteorological, Nikon, D700, FX, digital, camera, D700, 28-300mm zoom lens, 48mm, telephoto
Deeside-Dawn-wsc6984jhp Scottish Deeside Grampian December dawn rich golden colours shapes lenticular clouds colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. This photo was taken on 16th December, 2023 at 8.35hrs UT towards Beltie hill and the SE looking in the Glassel direction down Deeside. The camera was a D700 Nikon FX body with 28-300mm Nikkor AF-S ED zoom lens with focal length of 82mm at f8 aperture with a 1/60 sec exposure at ISO of 200. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, morning, dawn, sun, winter, December, east, southeast, landscape, panorama, clouds, shapes, lenticular, cumulus, dramatic, countryside, rural, fields, bales, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, pastel, weather, meteorological, Nikon, D700, FX, digital, camera, D700, 28-300mm zoom lens, 82mm, telephoto
Deeside-Dawn-wsc6982jhp Scotland Deeside Grampian winter rural field bales panorama dawn rich golden colours clouds Glassel forest colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. This photo was taken on 16th December, 2023 at 8.32hrs UT towards Beltie hill and the SE looking in the Glassel direction down Deeside. The camera was a D700 Nikon FX body with 16-35mm Nikkor AF-S ED zoom lens with focal length of 16mm at f8 aperture with a 1/20 sec exposure at ISO of 200. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, morning, dawn, sun, winter, December, east, southeast, landscape, panorama, clouds, shapes, lenticular, cumulus, dramatic, countryside, rural, fields, bales, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, pastel, weather, meteorological, Nikon, D700, FX, digital, camera, D700, 16-35mm zoom lens, 16mm
Deeside-Dawn-wsc6981jhp Scotland Deeside Aberdeenshire winter dawn rich golden colours clouds Glassel forest colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. This photo was taken on 16th December, 2023 at 8.32hrs UT towards Beltie hill and the SE looking in the Glassel direction down Deeside. The camera was a D700 Nikon FX body with 16-35mm Nikkor AF-S ED zoom lens with focal length of 35mm at f8 aperture with a 1/40 sec exposure at ISO of 200. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, morning, dawn, sun, winter, December, east, southeast, landscape, clouds, shapes, lenticular, cumulus, dramatic, countryside, rural, fields, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, pastel, weather, meteorological, Nikon, D700, FX, digital, camera, D700, 16-35mm zoom lens, 35mm
Deeside-Dawn-wsc6980jhp Scottish Aberdeenshire winter strong dawn rich orange colours clouds Deeside forest colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. This photo was taken on 16th December, 2023 at 8.32hrs UT towards Beltie hill and the SE looking in the Glassel direction down Deeside. The camera was a D700 Nikon FX body with 16-35mm Nikkor AF-S Ed zoom lens with focal length of 25mm at f8 aperture with a 1/30 sec exposure at ISO of 200. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, morning, dawn, sun, winter, December, east, southeast, landscape, clouds, shapes, lenticular, cumulus, dramatic, countryside, rural, fields, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, pastel, weather, meteorological, Nikon, D700, FX, digital, camera, D700, 16-35mm zoom lens, 25mm
Super-Blue-Moon-wsc6525jhp Scotland super full blue moon details structure closest perigee Aberdeenshire looking to Ord Fundlie from Crooktree near Kincardine O’Neil in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Photo of the super blue moon, second full moon in August was taken on evening of 31st August at 21.39BST using a Nikkor AF-S 28-300 mm zoom lens on a tripod with a cable release as the exposure time was 1/200sec at 11 with an ISO of 200. This is not what would be deemed astronomical quality but gives the false impression it is bigger than it is as so close to a natural foreground whereas a few hours later it will appear much smaller high in the night sky-in fact it is exactly the same size in reality. This was taken the evening of the fullest moon-the last time this close and as 'big' was 1948. It is all relative to the beholder and certainly other full moons appear much the same-taken as it clears the hill top as gives more of a sense of scale. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, hill, forest, Kincardine O’Neil, Torphins, summer, moon, craters, details, full, rising, super, large, super-moon, blue, two, one month, perigee, earth, close, closest, rotation, decades, evening, landscape, countryside, rural, leaves, outlines, nature, weather, meteorological, August, 2023, hill-line, top, telephoto, D700, Nikon, zoom, DSLR, digital, Nikkor AF-S, ED, 3.5-5.6G, 28-300mm, photograph
Super-Blue-Moon-wsc6499jhp Scotland super full blue moon closest perigee trees clouds Deeside looking to Ord Fundlie from Crooktree near Kincardine O’Neil in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Photo of the super blue moon, second full moon in August was taken on evening of 30th August at 21.48BST using a Nikkor AF-S 28-300 mm zoom lens on a tripod with a cable release as the exposure time was .3sec at f8 with an ISO of 2500. This is not what would be deemed astronomical quality but gives the false impression it is bigger than it is as so close to a natural foreground whereas a few hours later it will appear much smaller high in the night sky-in fact it is exactly the same size in reality. This was taken the evening of the fullest moon-the last time this close and as 'big' was 1948. It is all relative to the beholder and certainly other full moons appear much the same-taken as it clears the hill top as gives more of a sense of scale. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, hill, forest, Kincardine O’Neil, Torphins, summer, moon, full, rising, super, large, super-moon, blue, two, one month, perigee, earth, close, closest, rotation, decades, evening, landscape, countryside, rural, trees, clouds, nature, weather, meteorological, August, 2023, hill-line, top, telephoto, D700, Nikon, zoom, DSLR, digital, Nikkor AF-S, ED, 3.5-5.6G, 28-300mm, photograph
Super-Blue-Moon-wsc6493jhp Scottish super full blue moon closest perigee Deeside looking to Ord Fundlie from Crooktree near Kincardine O’Neil in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Photo of the super blue moon, second full moon in August was taken on evening of 30th August at 21.41BST using a Nikkor AF-S 28-300 mm zoom lens on a tripod with a cable release as the exposure time was 1/10sec at f8 with an ISO of 6400. This is not what would be deemed astronomical quality but gives the false impression it is bigger than it is as so close to a natural foreground whereas a few hours later it will appear much smaller high in the night sky-in fact it is exactly the same size in reality. This was taken the evening of the fullest moon-the last time this close and as 'big' was 1948. It is all relative to the beholder and certainly other full moons appear much the same-taken as it clears the hill top as gives more of a sense of scale. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, hill, forest, Kincardine O’Neil, Torphins, summer, moon, full, rising, super, large, super-moon, blue, two, one month, perigee, earth, close, closest, rotation, decades, evening, landscape, countryside, rural, nature, weather, meteorological, August, 2023, hill-line, top, telephoto, D700, Nikon, zoom, DSLR, digital, Nikkor AF-S, ED, 3.5-5.6G, 28-300mm, photograph
Winter-Dawn-Aberdeenshire-wsc1515jhp Scottish Aberdeenshire January strong dawn rich red colours clouds Deeside forest colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. This portrait style photo was taken on 22 January, 2022 at 8.30hrs UT towards Ord Fundlie hill line. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2022, digital, camera, D700, 28-300mm zoom lens, 44mm
Winter-Dawn-Aberdeenshire-wsc1514jhp Scottish Aberdeenshire winter January dawn rich red colours clouds Deeside hill colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. This portrait style photo was taken on 22 January, 2022 at 8.30hrs UT towards the Hill of Fare. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2022, digital, camera, D700, 28-300mm zoom lens, 58mm
Winter-Dawn-Aberdeenshire-wsc1513jhp Scotland Aberdeenshire winter dawn rich red colours clouds shapes Deeside hilltop colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. This portrait style photo was taken on 22 January, 2022 at 8.30hrs UT looking Eastwards. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2022, digital, camera, D700, 28-300mm zoom lens, 50mm, normal, perspective, upright, portrait
Winter-Dawn-Aberdeenshire-wsc1512jhp Scotland winter January dawn rich red colours clouds shapes Deeside hilltop colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. This photo was taken on 22 January, 2022 at 8.29hrs UT looking Eastwards. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2022, digital, camera, D700, 28-300mm zoom lens, 68mm, cropped, telephoto
Winter-Dawn-Aberdeenshire-wsc1511jhp Scotland Aberdeenshire winter January dawn rich red colours clouds shapes Deeside colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. This photo was taken on 22 January, 2022 at 8.29hrs UT looking Eastwards. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2022, digital, camera, D700, 28-300mm zoom lens, 28mm
Winter-Dawn-Aberdeenshire-wsc1510jhp Scottish Aberdeenshire winter January sunrise rich red colours clouds shapes Deeside colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. This photo was taken on 22 January, 2022 at 8.29hrs UT looking Eastwards. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2022, digital, camera, D700, 28-300mm zoom lens, 34mm
Winter-Dawn-Aberdeenshire-wsc1509jhp Scottish winter 2022 sunrise rich red colours clouds shapes Deeside colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. This photo was taken on 22 January, 2022 at 8.29hrs UT looking Eastwards. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2022, digital, camera, D700, 28-300mm zoom lens, 44mm
Comet-Neowise-over-Deeside-qax7215jhp Comet Neowise telephoto fan tails summer northwards Scottish July Deeside night sky rare event. This is taken looking magnetic 330 degrees from Crooktree Northwards of the Comet nearly centre with a telephoto lens, not of the ideal quality; the Plough was off to the upper left and a small NLC eastwards on the lower right and 25 miles west of Aberdeen in North East Scotland. Taken at 23.33UT [after midnight in BST] on 18th July 2020 using a D700 Nikon DSLR with a Nikkor 28-300mm at maximum focal length at f7.1, ISO 640 for 6sec. Many examples of the Comet from around the world can be seen in the gallery at www.Spaceweather.com. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal Deeside, Deeside, Torphins, Noctilucent, clouds, cumulus, landscape, telephoto, NLC, north, Comet, Neowise, The Plough, Ursa Major, Big, Dipper, tails, high, atmosphere, ice, crystals, cirrus, reflections, twilight, summer, sun, stars, latitude, Northern, hemisphere, silvery, blue, cobwebs, filaments, detail, structure, waves, ripple, patterns, eerie, rare, beautiful, night, mesosphere, meteorological, phenomenon, phenomena, atmospheric, upper atmosphere, night, shining, meaning, northern, sky, ultraviolet, radiation, sky, layers, Nikon, D700 FX, DSLR, digital, ISO 200, 640, Nikkor 24mm, f2.8, 50mm, f1.8, Tokina SD, 28-70mm, AS Nikkor, 28-300mm, lens, 2020, July, 17th, 18th
Deeside Dawn bnm5769jhp Deeside autumn dawn orange painted clouds abstract shapes colourful Scotland silhouette looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, autumn, east, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, October, 2016, digital, camera, D700, photograph, photo
Deeside Dawn bnm5768jhp Scotland dawn orange colourful clouds rich telephoto hilltop silhouette contrast Deeside colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, autumn, east, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, October, 2016, digital, camera, D700, photograph, photo, upright
Deeside Dawn bnm5766jhp Scotland autumn dawn orange clouds rich telephoto hilltop silhouette colours Deeside colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, autumn, east, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, October, 2016, digital, camera, D700, photograph, photo
Deeside Dawn bnm5762jhp Scottish October dawn orange clouds shapes colours Aberdeenshire Deeside colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, autumn, east, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, October, 2016, digital, camera, D700, photograph, photo, upright
Deeside Dawn bnm5759jhp Scotland autumn dawn bright orange hilltop clouds shapes Deeside colourful outline looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, autumn, east, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, October, 2016, digital, camera, D700, photograph, photo
Deeside Dawn bnm5758jhp Scottish autumn dawn orange puffy clouds shapes details closeup Deeside colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, autumn, east, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, October, 2016, digital, camera, D700, photograph, photo
Deeside Dawn bnm5756jhp Scottish autumn dawn orange yellow clouds hills outline colours Deeside colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, autumn, east, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, October, 2016, digital, camera, D700, photograph, photo
Deeside Dawn fgh7317jhp Scottish winter dawn sunrise red sheep fields clouds colourful Deeside colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed and this winter dawn is a wonderful illustration of just that; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, south, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, sheep, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, rising, sun, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, digital, DSLR, camera, D700, photograph, photo, December, 2013
Deeside Dawn fgh7304jhp Scottish December dawn red strong cloud shapes sheep field Deeside Aberdeenshire colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen on the next morning after the softer pastel display. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed and this winter dawn is a wonderful illustration of just that; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, south, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, sheep, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, rising, sun, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2017, digital, DSLR, camera, D700, photograph, photo, December, 2013, upright
Deeside Dawn fgh7298jhp Scotland winter dawn red strong clouds shapes Deeside Aberdeenshire colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen on the next morning after the softer pastel display. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed and this winter dawn is a wonderful illustration of just that; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, south, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, sheep, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, rising, sun, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2017, digital, DSLR, camera, D700, photograph, photo, December, 2013
Deeside Dawn fgh7288jhp Scottish winter dawn sheep field pink clouds pastel colours rural Deeside colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen taken on the next morning from the previous very strong vibrant reds. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed and this winter dawn is a wonderful illustration of just that; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, south, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, sheep, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, rising, sun, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2017, digital, DSLR, camera, D700, photograph, photo, December, 2013
Deeside Dawn fgh7281jhp Scottish winter dawn south eastwards panorama sheep grazing rural red pink clouds shapes colours Deeside colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen last of this particular morning. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed and this winter dawn is a wonderful illustration of just that; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, south, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, sheep, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, rising, sun, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2017, digital, DSLR, camera, D700, photograph, photo, December, 2013
Deeside Dawn fgh7280jhp Scottish winter dawn spread purple sky red pink clouds shapes colours Deeside colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed and this winter dawn is a wonderful illustration of just that; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, south, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, sheep, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, rising, sun, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2017, digital, DSLR, camera, D700, photograph, photo, December, 2013
Deeside Dawn fgh7279jhp Scotland winter dawn December red clouds shapes strong colours Deeside colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed and this winter dawn is a wonderful illustration of just that; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, south, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, sheep, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, rising, sun, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2017, digital, DSLR, camera, D700, photograph, photo, December, 2013
Deeside Dawn fgh7277jhp Scottish winter dawn colour red pink clouds abstract painted shapes Deeside colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed and this winter dawn is a wonderful illustration of just that; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, south, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, sheep, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, rising, sun, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2017, digital, DSLR, camera, D700, photograph, photo, December, 2013
Deeside Dawn fgh7276jhp Scottish winter dawn closeup details layers red pink clouds shapes colours Deeside colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed and this winter dawn is a wonderful illustration of just that; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, south, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, sheep, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, rising, sun, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2017, digital, DSLR, camera, D700, photograph, photo, December, 2013
Deeside Dawn fgh7272jhp Scottish winter dawn red pink clouds shapes Deeside colourful Aberdeenshire looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed and this winter dawn is a wonderful illustration of just that; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, south, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, sheep, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, rising, sun, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2017, digital, DSLR, camera, D700, photograph, photo, December, 2013, upright
Deeside Dawn fgh7270jhp Scotland Aberdeenshire dawn red pink clouds abstract shapes colours Deeside colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed and this winter dawn is a wonderful illustration of just that; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, south, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, sheep, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, rising, sun, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2017, digital, DSLR, camera, D700, photograph, photo, December, 2013, upright
Deeside Dawn fgh7267jhp Scottish winter dawn abstract surreal rich colours sunrise red pink clouds shapes Deeside colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed and this winter dawn is a wonderful illustration of just that; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, south, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, sheep, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, rising, sun, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2017, digital, DSLR, camera, D700, photograph, photo, December, 2013
Deeside Dawn fgh7266jhp Scottish winter dawn rural panorama mauve red pink clouds shapes colours Deeside colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed and this winter dawn is a wonderful illustration of just that; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, south, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, sheep, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, rising, sun, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2017, digital, DSLR, camera, D700, photograph, photo, December, 2013
Deeside Dawn fgh7262jhp Scotland winter dawn wide spread Beltie Hill red pink clouds shapes colours Deeside colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed and this winter dawn is a wonderful illustration of just that; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, south, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, sheep, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, rising, sun, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2017, digital, DSLR, camera, D700, photograph, photo, December, 2013
Deeside Dawn fgh7256jhp Scottish winter dawn expanding sunrise red pink clouds shapes colours sheep rural Deeside colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed and this winter dawn is a wonderful illustration of just that; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, south, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, sheep, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, rising, sun, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2017, digital, DSLR, camera, D700, photograph, photo, December, 2013
Deeside Dawn fgh7254jhp Scottish dawn mauve red pink clouds shapes colours bands Deeside colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed and this winter dawn is a wonderful illustration of just that; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, south, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, sheep, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, rising, sun, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2017, digital, DSLR, camera, D700, photograph, photo, December, 2013, upright
Deeside Dawn fgh7239jhp Scotland winter sunrise red clouds vibrant colours sheep grazing Deeside colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed and this winter dawn is a wonderful illustration of just that; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, south, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, sheep, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, rising, sun, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2017, digital, DSLR, camera, D700, photograph, photo, December, 2013
Deeside Dawn fgh7235jhp Scottish winter dawn sunrise red clouds colourful field sheep Deeside Aberdeenshire looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed and this winter dawn is a wonderful illustration of just that; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, south, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, sheep, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, rising, sun, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2017, digital, DSLR, camera, D700, photograph, photo, December, 2013
Deeside Dawn fgh7233jhp Scottish winter dawn sunrise red pink clouds shapes colours Deeside colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed and this winter dawn is a wonderful illustration of just that; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, south, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, sheep, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, rising, sun, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2017, digital, DSLR, camera, D700, photograph, photo, December, 2013
Deeside Winter Sunrise qaz0328jhp Scotland Aberdeenshire winter sunrise silhouette rich orange colours clouds Deeside colourful looking from Ord Fundlie to Beltie Hill and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, landscape, upright, clouds, shapes, dramatic, countryside, rural, icy, fields, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2018, digital, camera, D700, January, 2nd
Deeside Winter Sunrise qaz0326jhp Scottish winter hill top sunrise silhouette rich red colours clouds shapes Deeside colourful looking from Ord Fundlie to Beltie Hill and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, landscape, upright, clouds, shapes, dramatic, countryside, rural, icy, fields, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2018, digital, camera, D700, January, 2nd
Deeside Winter Sunrise qaz0325jhp Scotland hill outline trees winter New Year sunrise rich red colours clouds shapes Deeside colourful looking from Ord Fundlie to Beltie Hill and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2018, digital, camera, D700, January, 2nd
Deeside Winter Sunrise qaz0322jhp Scottish winter dawn rich red colours clouds frosty foreground tree shapes Deeside colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2018, digital, camera, D700, January, 2nd
Deeside Winter Sunrise qaz0318jhp Scottish winter frosty farmland sunrise rich red colours clouds shapes Deeside colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2018, digital, camera, D700, January, 2nd
Deeside Winter Sunrise qaz0311jhp Scotland winter sunrise rich red colours clouds shapes Deeside trees colourful looking from Ord Fundlie to Beltie Hill near Kincardine O'Neil in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen on 2nd January 2018. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2018, digital, camera, D700, January, 2nd
Deeside Winter Sunrise qaz0308jhp Scottish winter Torphins fields panorama sunrise pink frosty colours clouds shapes Deeside colourful looking from Ord Fundlie to Torphins and Hill of Fare in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen on 2nd of January 2018. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2018, digital, camera, D700, January, 2nd
Deeside Winter Sunrise qaz0305jhp Scottish winter New Year January sunrise rich red colours clouds Deeside hilltop colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, landscape, upright, clouds, shapes, dramatic, countryside, rural, icy, fields, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2018, digital, camera, D700, January, 2nd
Deeside Winter Sunrise qaz0301jhp Scottish winter New Year hill trees silhoutette sunrise rich red colours clouds shapes Deeside colourful looking from Ord Fundlie to Beltie Hill and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2018, digital, camera, D700, January, 2nd
Deeside Winter Sunrise qaz0297jhp Scottish winter New Year 2018 sunrise rich red colours clouds shapes Deeside colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2018, digital, camera, D700, January, 2nd
Deeside Winter Sunrise qaz0294jhp Scottish New Year January winter frosty sunrise clouds shapes colours Deeside colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen taken on New Year's morning 2018. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2018, digital, camera, D700, January, New Year, 1st
Deeside Winter Sunrise qaz0279jhp Scottish winter sunrise red pink clouds sheep field Deeside panorama colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. In this photo I had the company of a flock of sheep making their way down the field and careful not to spook them they offered a veryattractive foreground. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, sheep, flock, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2017, digital, camera, D700, December
Deeside Winter Sunrise qaz0274jhp Scotland sunrise red ornage golden clouds structure waves colours Deeside colourful looking over Ord Fundlie to Beltie forest in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2017, digital, camera, D700, December
Deeside Winter Sunrise qaz0272jhp Scotland Aberdeenshire winter sunrise red orange clouds shapes colours Deeside colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2017, digital, camera, D700, December
Deeside Winter Sunrise qaz0268jhp Scottish sunrise yellow orange cloud waves detail shapes colours colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2017, digital, camera, D700, December
Deeside Winter Sunrise qaz0264jhp Scottish Aberdeenshire sunrise red pink clouds shapes colours colourful looking eastwards from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, landscape, upright, clouds, shapes, dramatic, countryside, rural, icy, fields, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2017, digital, camera, D700, December
Deeside Winter Sunrise qaz0260jhp Scottish winter sunrise orange clouds shapes colours Deeside colourful looking over Ord Fundlie to Beltie forest skyline near Kincardine O'Neil in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, Kincardine, O'Neil, sunrise, dawn, sun, winter, east, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, orange, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2017, digital, camera, D700, December
Deeside Winter Sunrise qaz0256jhp Scotland Torphins Hill Fare winter dawn sunrise red pink clouds shapes colours Deeside colourful looking from Ord Fundlie to Hill of Fare, and Craigmyle with lights of Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2017, digital, camera, D700, December
Deeside Winter Sunrise qaz0254jhp Scottish sunrise red pink clouds shapes structure closeup colours colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2017, digital, camera, D700, December
Deeside Winter Sunrise qaz0253jhp Scotland winter sunrise details red rich clouds shapes strong colours Deeside colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2017, digital, camera, D700, December
Deeside Winter Sunrise qaz0251jhp Scottish winter December sunrise red pink clouds shapes colour Deeside colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, landscape, upright, clouds, shapes, dramatic, countryside, rural, icy, fields, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2017, digital, camera, D700, December
Deeside Winter Sunrise qaz0248jhp Scottish winter dawn sunrise red pink clouds shapes colours Deeside colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2017, digital, camera, D700, December
Deeside Dawn bnm9792jhp Scottish autumn dawn sunrise red pink clouds shapes colours Deeside colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, autumn, landscape, clouds, shapes, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, pastel, weather, meteorological, Nikon, 2017, digital, camera, D700, October
Big Moon bnm5845jhp Scottish super full moon November 2016 closest perigee Torphins Deeside looking from Ord Fundlie to Learney Hill above Torphins Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Using a 300 mm zoom lens fully extended on a tripod with a cable release as the exposure time was .4 of a second at f8 with an ISO of 640. This is not what would be deemed astronomical quality but gives the false impression it is bigger than it is as so close to a natural foreground whereas a few hours later it will appear much smaller high in the night sky-infact it is exactly the same size in reality. This was taken the evening after the fullest moon when less cloud let it be visible-the last time this close and as 'big' was 1948. It is all relative to the beholder and certainly other full moons appear much the same-taken as it clears the hill top as gives more nof a sense of scale. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Kincardine O’Neil, Torphins, winter, moon, full, rising, super, large, super-moon, perigee, earth, close, closest, rotation, decades, evening, landscape, countryside, rural, nature, weather, meteorological, November, 2016, hillline, top, telephoto, D700, Nikon, zoom, DSLR, digital, 300mm, photograph
Deeside Dawn bnm6102jhp Scotland sunrise Deeside Panorama rural golden orange red colours grazing sheep wind shaped clouds Beltie Hill Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. This year there has been several colourful displays in December, the particular photo was taken on the morning of the 30th at around 08.45. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, grazing, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, December
Deeside Dawn bnm6100jhp Scotland sunrise surreal abstract golden orange red colourful painted shapes wind shaped clouds Beltie Hill Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. This year there has been several colourful displays in December, the particular photo was taken on the morning of the 30th at around 08.45. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, surreal, abstract, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, December
Deeside Dawn bnm6099jhp Scottish sunrise surreal abstract golden orange red colours layers shapes wind shaped clouds Beltie Hill Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. This year there has been several colourful displays in December, the particular photo was taken on the morning of the 30th at around 08.44. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, upright, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, December
Deeside Dawn bnm6098jhp Scottish British sunrise dawn golden orange red colours layers shapes wind shaped clouds Beltie Hill Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. This year there has been several colourful displays in December, the particular photo was taken on the morning of the 30th at around 08.44. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, upright, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, December
Deeside Dawn bnm6097jhp Scottish sunrise winter dawn panorama rural scene red colours layers shapes wind shaped clouds Beltie Hill Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. This year there has been several colourful displays in December, the particular photo was taken on the morning of the 30th at around 08.44. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, panorama, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, December
Deeside Dawn bnm6095jhp Scotland sunrise winter dawn red colours layers shapes wind shaped clouds Beltie Hill Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. This year there has been several colourful displays in December, the particular photo was taken on the morning of the 30th at around 08.37. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, December
Deeside Dawn bnm6093jhp Scotland Aberdeenshire winter dawn red colours layers shapes clouds Beltie Hill Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. This year there has been several colourful displays in December, the particular photo was taken on the morning of the 30th at around 08.37. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, December
Deeside Dawn bnm6091jhp Scotland sunrise red flaming colours layers shapes clouds weather sky Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. This year there has been several colourful displays in December, the particular photo was taken on the morning of the 30th at around 08.36. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, flames, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, December
Deeside Dawn bnm6071jhp Scottish winter sunrise red colours layers shapes clouds Beltie Hill Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. This year there has been several colourful displays in December, the particular photo was taken on the morning of the 30th at around 08.16. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, December
Deeside Dawn bnm6066jhp Scottish winter dawn sunrise sheep field pink colour Beltie Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. This year there has been several colourful displays in December, the particular photo was taken on the morning of the 30th at around 08.14. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, December
Deeside Dawn bnm6065jhp Aberdeenshire panorama winter rural scene sheep dawn red clouds hills colourful Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. This year there has been several colourful displays in December, the particular photo was taken on the morning of the 29th at around 08.31. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, panorama, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, December
Deeside Dawn bnm6062jhp Scotland trees forest winter dawn rich red clouds hill colourful Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. This year there has been several colourful displays in December, the particular photo was taken on the morning of the 29th at around 08.25. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, hilline, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, December
Deeside Dawn bnm6059jhp Scottish winter sunrise rich red pastel clouds hill colourful Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. This year there has been several colourful displays in December, the particular photo was taken on the morning of the 29th at around 08.24. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, December
Deeside Dawn bnm6058jhp Scottish December snow sheep sunrise red pastel grey clouds sky hill colours Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. This year there has been several colourful displays in December, the particular photo was taken on the morning of the 29th at around 08.23. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, upright, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, December
Deeside Dawn bnm6054jhp Scotland winter sheep sunrise pink red pastel grey clouds sky hill colours Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. This year there has been several colourful displays in December, the particular photo was taken on the morning of the 29th at around 08.21. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, December
Deeside Dawn bnm6053jhp Scottish winter rural sunrise pink pastel grey clouds sky hill colours Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. This year there has been several colourful displays in December, the particular photo was taken on the morning of the 29th at around 08.19. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, December
Deeside Dawn bnm6050jhp Scotland sunrise winter hills snow filed Beltie orange clouds golden colourful Aberdeenshire looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. This year there has been several colourful displays in December, the particular photo was taken on the morning of the 28th at around 08.48. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, upright, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, December
Deeside Dawn bnm6049jhp Scotland sunrise winter hills orange clouds only golden colourful Aberdeenshire looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. This year there has been several colourful displays in December, the particular photo was taken on the morning of the 28th at around 08.48. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, December
Deeside Dawn bnm6047jhp Scottish dawn glorious sunrise orange clouds only golden colourful Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. This year there has been several colourful displays in December, the particular photo was taken on the morning of the 28th at around 08.47. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, December
Deeside Dawn bnm6044jhp Scottish winter dawn glorious sunrise orange clouds colourful Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. This year there has been several colourful displays in December, the particular photo was taken on the morning of the 28th at around 08.47. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, December
Deeside Dawn bnm6039jhp Scottish winter dawn sunrise orange clouds snow colours Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. This year there has been several colourful displays in December, the particular photo was taken on the morning of the 28th at around 08.46. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, snow, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, December
Deeside Dawn bnm5989jhp Scottish Deeside December dawn sunrise golden clouds yellow puffy colours looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. This year there has been several colourful displays in December, the particular photo was taken on the morning of the 17th at around 08.56. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, upright, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, December
Deeside Dawn bnm5987jhp Scottish Aberdeenshire winter dawn golden clouds yellow puffy colourful colours trees looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings, in this case puished up to 640. This year there has been several colourful displays in December, the particular photo was taken on the morning of the 17th at around 08.55. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, wide, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, December
Deeside Dawn bnm5984jhp Scottish Deeside winter dawn golden clouds yellow puffy colourful trees looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings, in this case puished up to 640. This year there has been several colourful displays in December, the particular photo was taken on the morning of the 17th at around 08.54. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, upright, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, December
Deeside Dawn bnm5981jhp Scotland panorama rural Deeside winter sunrise golden clouds yellow puffy colours looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings, in this case puished up to 640. This year there has been several colourful displays in December, the particular photo was taken on the morning of the 17th at around 08.54. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, panorama, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, December
Deeside Dawn bnm5980jhp Scotland weather Deeside winter sunrise golden clouds yellow puffy colours looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings, in this case puished up to 640. This year there has been several colourful displays in December, the particular photo was taken on the morning of the 17th at around 08.54. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, December
Deeside Dawn bnm5978jhp Scottish winter dawn sunrise golden clouds yellow puffy colours Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. This year there has been several colourful displays in December, the particular photo was taken on the morning of the 17th at around 08.54. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, December
Deeside Dawn bnm5939jhp Scottish Deeside winter dawn panorama sheep colourful clouds mix colours orange pink red sky hill Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings this however is an example of the noise problem from a 3200ISO hand held lazy option. This year there has been several colourful displays in December, the particular photo was taken on the morning of the 11th at around 08.32hrs. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, panorama, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, December
Deeside Dawn bnm5937jhp Scotland winter sunrise sky colourful bands clouds mix colours orange pink red sky hill Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings this however is an example of the noise problem from a 3200ISO hand held lazy option. This year there has been several colourful displays in December, the particular photo was taken on the morning of the 11th at around 08.30hrs. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, December
Deeside Dawn bnm5936jhp Scottish winter sunrise blue sky colourful bands clouds many colours orange pink red sky hill Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings this however is an example of the noise problem from a 3200ISO hand held lazy option. This year there has been several colourful displays in December, the particular photo was taken on the morning of the 11th at around 08.30hrs. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, upright, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, December
Deeside Dawn bnm5935jhp Scottish Deeside rural sheep scene winter sunrise blue sky streaks bands clouds orange pink red sky hill colours trees Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings this however is an example of the noise problem from a 4000ISO hand held lazy option. This year there has been several colourful displays in December, the particular photo was taken on the morning of the 11th at around 08.30hrs. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, upright, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, December
Deeside Dawn bnm5933jhp Scotland Deeside winter dawn sunrise blue sky streaks bands clouds orange pink red sky hill colours trees Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings this however is an example of the noise problem from a 4000ISO hand held lazy option. This year there has been several colourful displays in December, the particular photo was taken on the morning of the 11th at around 08.29hrs. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, December
Deeside Dawn bnm5927jhp Scotland Deeside panorama winter dawn sunrise blue sky clouds orange pink red sky hill colours trees Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings this however is an example of the noise problem from a 4000ISO hand held lazy option. This year there has been several colourful displays in December, the particular photo was taken on the morning of the 11th at around 08.28hrs. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, wide, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, December
Deeside Dawn bnm5924jhp Scotland Deeside treeline winter dawn sunrise colourful clouds orange pink red sky hill colours trees Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings this however is an example of the noise problem from a 4000ISO hand held lazy option. This year there has been several colourful displays in December, the particular photo was taken on the morning of the 11th at around 08.27hrs. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, December
Deeside Dawn bnm5922jhp Scotland Deeside winter dawn sunrise rich clouds orange pink red sky hill colours trees Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings this however is an example of the noise problem from a 4000ISO hand held lazy option. This year there has been several colourful displays in December, the particular photo was taken on the morning of the 11th at around 08.27hrs. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, December
Deeside Dawn bnm5920jhp Scotland Aberdeenshire winter dawn sunrise rich clouds layers orange sky hill colours trees Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings this however is an example of the noise problem from a 4000ISO hand held lazy option. This year there has been several colourful displays in December, the particular photo was taken on the morning of the 11th at around 08.24hrs. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, upright, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, December
Deeside Dawn bnm5918jhp Scotland December winter dawn sunrise rich clouds orange sky hill colours trees Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings this however is an example of the noise problem from a 4000ISO hand held lazy option. This year there has been several colourful displays in December, the particular photo was taken on the morning of the 11th at around 08.23hrs. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, upright, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, December
Deeside Dawn bnm5915jhp Scotland December winter dawn sunrise clouds pink sky hill colours Beltie Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings this however is an example of the noise problem from a 4000ISO hand held lazy option. This year there has been several colourful displays in December, the particular photo was taken on the morning of the 11th at around 08.23hrs. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, December
Deeside Dawn bnm5911jhp Scottish winter dawn sunrise clouds pink soft sky hill colours Beltie Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. This year there has been several colourful displays in December, the particular photo was taken on the morning of the 1st at around 08.18hrs. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, upright, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, December
Deeside Dawn bnm5910jhp Scottish winter dawn sunrise pink soft blue sky hill colours Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. This year there has been several colourful displays in December, the particular photo was taken on the morning of the 1st at around 08.17hrs. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, upright, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, December
Autumn Sunrise bnm5751jhp Scottish autumn dawn colourful morning red orange colours hill Beltie trees Deeside Aberdeenshire looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, autumn, landscape, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, October
Autumn Sunrise bnm5748jhp Scottish autumn dawn streaks blue jet trail silhouette Deeside Aberdeenshire looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, autumn, landscape, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, October
Autumn Sunrise bnm5746jhp Scotland autumn dawn streaks blue colours hill silhouette Deeside Aberdeenshire looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, autumn, landscape, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, October
Autumn Sunrise bnm5745jhp Scotland autumn sunrise clouds jet trail cross blue colours hill Deeside Aberdeenshire looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, autumn, landscape, upright, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, October
Autumn Sunrise bnm5744jhp Scotland autumn sunrise clouds jet trail cross red ornage colours hill Beltie Deeside Aberdeenshire looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, autumn, landscape, upright, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, October
Autumn Sunrise bnm5743jhp Scotland autumn sunrise clouds colourful morning red orange colours hill Beltie Deeside Aberdeenshire looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, autumn, landscape, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, jet, trails, crisscross, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological, Nikon, 2016, digital, camera, D700, October
Misty Dawn Torphins bnm4758jhp Scottish summer dawn orange streaks mist blue sky hill Deeside Learney looking from Ord Fundlie to Learney, Hill Fare, Craigmyle near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, summer, landscape, orange, clouds, dramatic, countryside, rural, nature, surreal, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, pink, orange, yellow, pastel, weather, meteorological, Nikon, 2016, August, digital, camera, D700
Full Moon Beltie vbn0405jhp Scottish August summer full moon hill silhouette Deeside looking from Ord Fundlie to Beltie Hill and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Using a 300 mm zoom lens on a tripod with a cable release as the exposure time was 6th of a second. This is not what would be deemed astronomical quality but gives the false impression it is bigger than it is as so close to a natural foreground whereas a few hours later it will appear much smaller high in the night sky-infact it is exactly the same size in reality. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Beltie, Glassel, Torphins, summer, evening, landscape, countryside, rural, nature, weather, meteorological, August, 2015, trees, copse, hillline, top, telephoto, D700, Nikon, zoom, fields, sheep, cattle, farming, farmland
Misty Deeside Morning vbn0095jhp Scotland morning sunshine mist bales harvest summer golden Deeside photo looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, summer, landscape, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, orange, yellow, pastel, weather, meteorological, August, 2015, mist, misty, dew, glinting
Misty Deeside Morning vbn0093jhp Scottish summer misty sunrise dew mist fields sunshine Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, summer, landscape, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, orange, yellow, pastel, weather, meteorological, August, 2015, mist, misty, dew, glinting
Glassel Dawn xcv6659jhp Rural Scotland Aberdeenshire winter dawn red streaks dyke sky hill silhouette Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, upright, 2015, February, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological
Glassel Dawn xcv6656jhp Scottish winter dawn red streaks Glassel sky hill silhouette Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, 2015, February, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological
Glassel Dawn xcv6653jhp Scotland winter dawn red Beltie fields blue sky hill silhouette Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, 2015, February, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological
Glassel Dawn xcv6645jhp Scottish Aberdeenshire winter dawn red Jim Henderson Photograph hilline clouds looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, upright, 2015, February, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological
Glassel Dawn xcv6642jhp Scotland Grampian winter dawn red streaks bands dramatic sky silhouette Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, 2015, February, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological
Glassel Dawn xcv6641jhp Scottish vista winter dawn red streaks blue sky fields frost Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, upright, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological
Glassel Dawn xcv6637jhp Rural winter dawn red frost fields fences cold Deeside photo looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, 2015, February, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological
Glassel Dawn xcv6495jhp Scottish winter dawn yellow golden streaks stone sky hill silhouette Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, upright, stone, 2015, January, DSLR, Nikon, D700, camera, digital, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological
Glassel Dawn xcv6494jhp Scotland winter dawn golden flecks clouds blue sky hill silhouette Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, 2015, January, DSLR, Nikon, D700, camera, digital, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological
Glassel Dawn xcv6490jhp Scottish winter scene rural Glassel dawn yellow golden clouds grey sky Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, upright, 2015, January, DSLR, Nikon, D700, camera, digital, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological
Glassel Dawn xcv6488jhp Scottish rural winter scene dawn yellow clouds sky hill Beltie Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, 2015, January, DSLR, Nikon, D700, camera, digital, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological
Deeside Dawn jkl7608jhp Scottish winter dawn red clouds sunrise sky Aberdeenshire dyke stone wall looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, dyke, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological
Deeside Dawn jkl7764jhp Scotland winter dawn red streaks trees stones hill silhouette Aberdeenshire looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, stones, twigs, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological
Deeside Dawn jkl7761jhp Scottish winter dawn orange brushed streaks sky hill silhouette Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological
Deeside Dawn jkl7759jhp Scottish winter dawn red clouds streaks blue sky forest hill silhouette Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, upright, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological
Deeside Dawn jkl7758jhp Scottish winter dawn red brushed wind hills trees silhouette Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological
Deeside Dawn jkl7610jhp Scottish winter dawn red clouds orange panorama sky hill Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, panorama, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological
Deeside Dawn jkl7609jhp Scotland winter dawn red clouds sheep dyke fields silhouette Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, dyke, upright, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological
Deeside Dawn jkl7600jhp Scottish winter dawn red clouds sheep field streaks hill trees silhouette Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, field, upright, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological
Deeside Dawn jkl7599jhp Scottish winter dawn red patches sheep sky hill silhouette Deeside looking from Ord Fundlie to Beltie, Hill Fare, Craigmyle and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, sheep, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological
Wintry Golden Sunrise asd4598jhp Scottish wintry snow showers sunrise golden sheep field shadows silhouette Royal Deeside looking towards Hill Fare Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Learney, Hill, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, wintry, clouds, dramatic, countryside, rural, nature, sheep, grazing, fields, snow, showers, swirling, spectacular, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, orange, yellow, fiery, weather, meteorological
Wintry Golden Sunrise asd4593jhp Scottish winter dawn sunrise golden sheep field yellow shadows silhouette Royal Deeside looking towards Learney Hill Craigmyle near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Learney, Hill, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, wintry, clouds, dramatic, countryside, rural, nature, sheep, grazing, fields, snow, showers, swirling, spectacular, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, orange, yellow, fiery, weather, meteorological
Wintry Golden Sunrise asd4589jhp Scottish wintry storm clouds orange yellow sunrise hill copse silhouetted Aberdeenshire Deeside looking towards Beltie Hill Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Beltie, Hill, Glassel, Ord, Fundlie, Torphins, sunrise, dawn, sun, winter, upright, wintry, clouds, dramatic, countryside, rural, nature, sheep, grazing, fields, snow, showers, swirling, spectacular, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, orange, yellow, fiery, weather, meteorological, trees, silhouette, black, stormy
Wintry Golden Sunrise asd4588jhp Scotland dramatic wintry storm clouds golden sunrise hill trees silhouetted Royal Deeside looking towards Beltie Hill Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Beltie, Hill, Glassel, Ord, Fundlie, Torphins, sunrise, dawn, sun, winter, upright, wintry, clouds, dramatic, countryside, rural, nature, sheep, grazing, fields, snow, showers, swirling, spectacular, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, orange, yellow, fiery, weather, meteorological, trees, silhouette, black, stormy
Wintry Golden Sunrise asd4586jhp Scottish winter dawn sunrise Beltie Hill trees yellow shadows silhouette Royal Deeside looking towards Beltie Hill Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Beltie, Hill, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, telephoto, wintry, clouds, stormy, dramatic, countryside, rural, nature, snow, showers, swirling, spectacular, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, orange, yellow, fiery, weather, meteorological
Wintry Golden Sunrise asd4583jhp Scottish winter sunrise sheep field yellow shadows hill Aberdeenshire strong light Royal Deeside looking towards Hill Fare Craigmyle near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, wintry, clouds, dramatic, countryside, rural, nature, sheep, grazing, fields, snow, showers, swirling, spectacular, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, orange, yellow, fiery, weather, meteorological
Wintry Golden Sunrise asd4579jhp Scotland winter snow showers clouds swirling sunrise golden sheep field yellow shadows silhouette Royal Deeside looking towards Hill Fare Craigmyle Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Hill, Fare, Craigmyle, Glassel, Beltie, Torphins, sunrise, dawn, sun, winter, landscape, panorama, wintry, clouds, dramatic, countryside, rural, nature, sheep, grazing, fields, snow, showers, swirling, spectacular, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, orange, yellow, fiery, weather, meteorological
Wintry Golden Sunrise asd4576jhp Scottish wintry storm clouds sunrise Beltie Hilltop trees silhouette golden Royal Deeside looking towards Beltie Hill Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Beltie, Hill, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, wintry, clouds, dramatic, countryside, rural, nature, sheep, grazing, fields, snow, showers, swirling, spectacular, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, orange, yellow, fiery, weather, meteorological, trees, silhouette, black, stormy
Wintry Golden Sunrise asd4575jhp Scotland dramatic wintry storm clouds showers swirling golden sunrise hills trees Royal Deeside looking towards Beltie Hill Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Beltie, Hill, Glassel, Ord, Fundlie, Torphins, sunrise, dawn, sun, winter, landscape, wintry, clouds, dramatic, countryside, rural, nature, sheep, grazing, fields, snow, showers, swirling, spectacular, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, orange, yellow, fiery, weather, meteorological, trees, silhouette, black, stormy
Deeside Pastel Sunrise asd4565jhp Scottish winter snow dawn pastel golden sunrise snowing soft Aberdeenshire looking towards Beltie Hill Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen and this sunrise was taken during a snow shower so hence the very soft pastel nature and texture in the sky. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, snow, shower, snowing, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, soft, texture, pastel, weather, meteorological
Deeside Pastel Sunrise asd4563jhp Scottish winter snow dawn pastel sunrise snowing soft Royal Deeside looking towards Beltie Hill Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen and this sunrise was taken during a snow shower so hence the very soft pastel nature and texture in the sky. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, upright, snow, snowing, pstel, soft, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, weather, meteorological
Deeside Pastel Sunrise asd4561jhp Scotland winter snowy dawn rural pastel sunrise snowing Deeside fields looking towards Beltie Hill Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen and this sunrise was taken during a snow shower so hence the very soft pastel nature and texture in the sky. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, snowing, snow, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, pastel, weather, meteorological
Deeside Pastel Sunrise asd4558jhp Scotland winter snow dawn pastel sunrise snowing shower Deeside looking towards Beltie Hill Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen and this sunrise was taken during a snow shower so hence the very soft pastel nature and texture in the sky. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, snow, snowing, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, pastel, weather, meteorological
Deeside Red Dawn asd4556jhp Scotland winter dawn sunrise red layers hilltop trees silhouette Deeside looking towards Hill Beltie Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Beltie, Hill, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, snow, clouds, dramatic, countryside, trees, hilltop, silhouette, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, bands, layers, pastel, weather, meteorological
Deeside Red Dawn asd4555jhp Scottish winter snow dawn red clouds sky orange bands Royal Deeside looking towards Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, snow, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, golden, bronze, pink, orange, yellow, red, bands, layers, pastel, weather, meteorological
Deeside Red Dawn asd4544jhp Scottish winter snow dawn red purple mauve trees silhouette Deeside looking towards Beltie Hill Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Beltie, Hill, Glassel, Torphins, sunrise, dawn, sun, winter, upright, snow, clouds, dramatic, countryside, trees, hilltop, silhouette, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, bands, layers, pastel, weather, meteorological
Deeside Red Dawn asd4543jhp Scotland winter snow red mauve sunrise bands trees silhouette Deeside looking towards Hill Beltie Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Beltie, Hill, Glassel, Torphins, sunrise, dawn, sun, winter, upright, snow, clouds, dramatic, countryside, trees, hilltop, silhouette, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, bands, layers, pastel, weather, meteorological
Deeside Red Dawn asd4540jhp Scottish winter sunrise dawn morning red mauve orange sky trees silhouette on Royal Deeside looking towards Hill Beltie Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Beltie, Hill, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, snow, clouds, dramatic, countryside, trees, hilltop, silhouette, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, bands, layers, pastel, weather, meteorological
Deeside Red Dawn asd4538jhp Scottish winter snow fields dawn red orange trees silhouette Aberdeenshire on Royal Deeside looking towards Beltie Hill Fare Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Beltie, Hill, Fare, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, snow, clouds, dramatic, countryside, trees, hilltop, silhouette, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, bands, layers, pastel, weather, meteorological
Deeside Winter Dawn asd4335jhp Scotland Deeside winter snow dawn red clouds dyke trees silhouette on Royal Deeside looking towards Ord Fundlie Hill Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, dyke, snow, stone, wall, covered, treees, outline, branches, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological
Deeside Winter Dawn asd4328jhp Scottish winter dawn red orange streaks sky trees forest silhouette on Royal Deeside looking towards Ord Fundlie Hill Fare Craigmyle Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, upright, snow, clouds, dramatic, countryside, rural, forest, outline, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological
Deeside Winter Dawn asd4326jhp Winter dawn red orange clouds sunrise forest outline silhouette Scotland on Royal Deeside looking towards Ord Fundlie Hill Fare Craigmyle Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, forest, outline, snow, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological
Deeside Winter Dawn asd4304jhp Scottish winter snow dawn red clouds blue sky trees silhouette on Royal Deeside looking towards Ord Fundlie Hill Fare Craigmyle Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, trees, outline, snow, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological
Deeside Winter Dawn asd4300jhp Fields winter snow dawn red clouds blue sky Aberdeenshire Deeside looking towards Hill Fare Craigmyle Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, field, covered, snow, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological
Deeside Winter Dawn asd4296jhp Scottish winter snow dawn red field covered fence Royal Deeside looking towards Ord Fundlie Hill Fare Craigmyle Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, upright, snow, covered, field, fence, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological
Deeside Winter Dawn asd4292jhp Scotland winter dawn orange clouds blue sky trees silhouette Deeside looking towards Ord Fundlie Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, snow, clouds, dramatic, countryside, rural, trees, outline, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological
Deeside Winter Dawn asd4291jhp Scottish winter snow sunrise clouds red streaks forest field silhouetted on Royal Deeside looking towards Ord Fundlie Hill Fare Craigmyle Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, field, snow, covered, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological
Deeside Winter Dawn asd4289jhp Winter snow dawn red streaks blue sky tree pine silhouette on Royal Deeside looking towards Ord Fundlie Hill Fare Craigmyle Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Torphins, sunrise, dawn, sun, winter, landscape, snow, pine, tree, silhouette, outline, clouds, dramatic, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, orange, yellow, red, fiery, pastel, weather, meteorological

Scotland > Historic Properties (41 files)

This gallery has photographs of Scottish Castles and Fortresses, Stately Homes and Gardens, old churches or kirks and includes most of the following:
Auchindoir Church; Auchindoun Castle; Balmoral Castle; Balvenie Castle; Bass of Inverurie; Bellabeg Motte; Braemar Castle; Brodie Castle; Castle Fraser; Corgarff Castle; Corrichie Monument; Corse O’Neil Castle; Craigellachie Bridge; Crathes Castle; Crathie Kirk; Dalgetie Castle; Deer Abbey; Drum Castle; Duff House; Duffus Castle; Dunnideer; Dunnottar Castle; Elgin Cathedral; Esslemont Castle; Fasque House; Fetternear House; Findlater; Fordyce; Fyvie Castle; Gairnshiel Bridge; Glenbuchat Castle; Haddo House; Hallforest Castle; Huntly Castle; Inchdrewer Castle; Invercauld Bridge O’Dee; Kildrummy Castle; Kincardine O’Neil Kirk; Kindrochit Castle; Kinloss Abbey; Kinneff Church; Knock Castle; Leith Hall; Mar Lodge; Marnoch Kirkyard; Mid Mar Kirk; Monymusk Kirk; Peel of Lumphanan; Pitmedden Gardens; Pluscarden Priory or Abbey; Ruthven Barracks; Slains Castle; Tolquhon Castle; Tullich Kirk; Fort George;
Balnacraig-Viaduct-Torphins-6159jhp-8April89 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, blocks, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph
Balnacraig-Viaduct-Torphins-6158jhp-8April89 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, blocks, brick, arch, rings, rubble, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph, topside, top, hardcore
Balnacraig-Viaduct-Torphins-6156jhp-8April89 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, rough, granite, blocks, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph
Balnacraig-Viaduct-Torphins-6155jhp-8April89 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph, road, roadside, Beltie, Burn
Balnacraig-Viaduct-Torphins-6154jhp-8April89 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, blocks, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph, road, roadside
Balnacraig-Viaduct-Torphins-6153jhp-8April89 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph
Balnacraig-Viaduct-Torphins-6152jhp-8April89 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, topside, hardcore, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph
Balnacraig-Viaduct-Torphins-6151jhp-8April89 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, road, Beltie, Burn, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph
Balnacraig-Viaduct-Torphins-61515jhp-8April89 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph
Balnacraig-Viaduct-Torphins-61514jhp-8April89 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, Beltie, Burn, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph
Balnacraig-Viaduct-Torphins-61512jhp-8April89 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, westwards, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph
Balnacraig-Viaduct-Torphins-5159jhp-22June88 Balnacraig Viaduct Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 22 June 1988. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph
Balnacraig-Viaduct-Torphins-5158jhp-22June88 Balnacraig Viaduct Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 22 June 1988. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph
Balnacraig-Viaduct-Torphins-51514jhp-22June88 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 22 June 1988. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph, overgrown, roadside, view, dogrose
Balnacraig-Viaduct-Torphins-51513jhp-22June88 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 22 June 1988. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph, overgrown, ivy, creepers, eastwards
Balnacraig-Viaduct-Torphins-51512jhp-22June88 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 22 June 1988. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, block, granite, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph
Balnacraig-Viaduct-Torphins-51511jhp-22June88 Balnacraig Viaduct Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 22 June 1988. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, hills, trees, overgrown, ivy, top, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph
Balnacraig-Viaduct-Torphins-51510jhp-22June88 Balnacraig Viaduct Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 22 June 1988. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, blocks, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph
Crathes Castle June Border 15765jhp Crathes Castle Gardens June Border summer red poppies blue sky white clouds Deeside Aberdeenshire Scotland summer view taken before the borders were relayed borders from 2003-2004, probably the best display of flowers I have seen in the June border over the years. The June Border is the summer jewel of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant. The tower house is one of the finest examples of the period and some of the original wall paintings still survive. At the bottom of the walled garden overlooking the path between the June Borders is a Doocot an attractive feature and useful high point for looking up the June Border with the Castle as its impressive backdrop. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property situated about 15 miles west of Aberdeen and is open to the public all the year round. On a technical note this photo was taken in the years prior to digital photography, when all high end publishing quality photographs were taken using transparency film, in this case Fuji Astia 100asa 120 stock and were scanned in by the publishing house. Submissions of work were made with mounted transparencies being sent to the customer; damage loss could be high. Photographing the June Border with all its flowers required stillness as a polarising filter was used dropping the ASA to 50 or lower which required the camera mounted on a tripod for a cable release exposure often as low as ¼ second. Early morning was best before the heat caused the breeze to start but too early, prior to 9am meant the sun was not on the full face of the Castle. By mid morning visitors had started to arrive, especially the coach tours and the June Border was no longer free of people. Keywords: Scotland, Scottish, Grampian, North, East, Aberdeenshire, Kincardineshire, Royal, Deeside, Crathes, Castle, Banchory, fort, NTS, National, Trust, landscape, Burnett, June, Border, Doocot, garden, gardens, herbaceous, border, borders, summer, flowers, flora, display, lupins, irises, poppies, pyrethrum, lilium, aster, poppy, phlox, red, yellow, pink, mauve, purple, white, orange, croquet, lawn, Camel, historic, history, heritage, colours, colors, masses, colourful, colorful, coloured, colored, peaceful, yew, hedges, topiary, 1998, Fuji, Astia, RAP, transparency, slide, film, chrome, colour, Bronica, 645, medium, format, 40mm, wide, polarised, filter, tripod, cable, release, slow, exposure, still
Crathes Castle June Border 15761jhp Crathes Castle Gardens June Border summer large red poppy closeup Deeside Aberdeenshire Scotland summer view taken before the borders were relayed borders from 2003-2004, probably the best display of flowers I have seen in the June border over the years. The June Border is the summer jewel of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant. The tower house is one of the finest examples of the period and some of the original wall paintings still survive. At the bottom of the walled garden overlooking the path between the June Borders is a Doocot an attractive feature and useful high point for looking up the June Border with the Castle as its impressive backdrop. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property situated about 15 miles west of Aberdeen and is open to the public all the year round. On a technical note this photo was taken in the years prior to digital photography, when all high end publishing quality photographs were taken using transparency film, in this case Fuji Astia 100asa 120 stock and were scanned in by the publishing house. Submissions of work were made with mounted transparencies being sent to the customer; damage loss could be high. Photographing the June Border with all its flowers required stillness as a polarising filter was used dropping the ASA to 50 or lower which required the camera mounted on a tripod for a cable release exposure often as low as ¼ second. Early morning was best before the heat caused the breeze to start but too early, prior to 9am meant the sun was not on the full face of the Castle. By mid morning visitors had started to arrive, especially the coach tours and the June Border was no longer free of people. Keywords: Scotland, Scottish, Grampian, North, East, Aberdeenshire, Kincardineshire, Royal, Deeside, Crathes, Castle, Banchory, fort, NTS, National, Trust, landscape, Burnett, June, Border, Doocot, garden, gardens, herbaceous, border, borders, summer, flowers, flora, display, lupins, irises, poppies, pyrethrum, lilium, aster, poppy, phlox, red, yellow, pink, mauve, purple, white, orange, croquet, lawn, Camel, historic, history, heritage, colours, colors, masses, colourful, colorful, coloured, colored, peaceful, yew, hedges, topiary, 1998, Fuji, Astia, RAP, transparency, slide, film, chrome, colour, Bronica, 645, medium, format, 40mm, wide, polarised, filter, tripod, cable, release, slow, exposure, still, upright
Crathes Castle June Border 15751jhp Crathes Castle Gardens June Border summer sunny colours riot Banchory Deeside Aberdeenshire Scotland summer view taken before the borders were relayed borders from 2003-2004, probably the best display of flowers I have seen in the June border over the years. The June Border is the summer jewel of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant. The tower house is one of the finest examples of the period and some of the original wall paintings still survive. At the bottom of the walled garden overlooking the path between the June Borders is a Doocot an attractive feature and useful high point for looking up the June Border with the Castle as its impressive backdrop. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property situated about 15 miles west of Aberdeen and is open to the public all the year round. On a technical note this photo was taken in the years prior to digital photography, when all high end publishing quality photographs were taken using transparency film, in this case Fuji Astia 100asa 120 stock and were scanned in by the publishing house. Submissions of work were made with mounted transparencies being sent to the customer; damage loss could be high. Photographing the June Border with all its flowers required stillness as a polarising filter was used dropping the ASA to 50 or lower which required the camera mounted on a tripod for a cable release exposure often as low as ¼ second. Early morning was best before the heat caused the breeze to start but too early, prior to 9am meant the sun was not on the full face of the Castle. By mid morning visitors had started to arrive, especially the coach tours and the June Border was no longer free of people. Keywords: Scotland, Scottish, Grampian, North, East, Aberdeenshire, Kincardineshire, Royal, Deeside, Crathes, Castle, Banchory, fort, NTS, National, Trust, landscape, Burnett, June, Border, Doocot, garden, gardens, herbaceous, border, borders, summer, flowers, flora, display, lupins, irises, poppies, pyrethrum, lilium, aster, poppy, phlox, red, yellow, pink, mauve, purple, white, orange, croquet, lawn, Camel, historic, history, heritage, colours, colors, masses, colourful, colorful, coloured, colored, peaceful, yew, hedges, topiary, 1998, Fuji, Astia, RAP, transparency, slide, film, chrome, colour, Bronica, 645, medium, format, 40mm, wide, polarised, filter, tripod, cable, release, slow, exposure, still
Crathes Castle June Border 157512jhp Crathes Castle June Border Scottish summer sunny poppies pink red Deeside Aberdeenshire summer view taken before the borders were relayed borders from 2003-2004, probably the best display of flowers I have seen in the June border over the years. The June Border is the summer jewel of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant. The tower house is one of the finest examples of the period and some of the original wall paintings still survive. At the bottom of the walled garden overlooking the path between the June Borders is a Doocot an attractive feature and useful high point for looking up the June Border with the Castle as its impressive backdrop. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property situated about 15 miles west of Aberdeen and is open to the public all the year round. On a technical note this photo was taken in the years prior to digital photography, when all high end publishing quality photographs were taken using transparency film, in this case Fuji Astia 100asa 120 stock and were scanned in by the publishing house. Submissions of work were made with mounted transparencies being sent to the customer; damage loss could be high. Photographing the June Border with all its flowers required stillness as a polarising filter was used dropping the ASA to 50 or lower which required the camera mounted on a tripod for a cable release exposure often as low as ¼ second. Early morning was best before the heat caused the breeze to start but too early, prior to 9am meant the sun was not on the full face of the Castle. By mid morning visitors had started to arrive, especially the coach tours and the June Border was no longer free of people. Keywords: Scotland, Scottish, Grampian, North, East, Aberdeenshire, Kincardineshire, Royal, Deeside, Crathes, Castle, Banchory, fort, NTS, National, Trust, landscape, Burnett, June, Border, Doocot, garden, gardens, herbaceous, border, borders, summer, flowers, flora, display, lupins, irises, poppies, pyrethrum, lilium, aster, poppy, phlox, red, yellow, pink, mauve, purple, white, orange, croquet, lawn, Camel, historic, history, heritage, colours, colors, masses, colourful, colorful, coloured, colored, peaceful, yew, hedges, topiary, 1998, Fuji, Astia, RAP, transparency, slide, film, chrome, colour, Bronica, 645, medium, format, 40mm, wide, polarised, filter, tripod, cable, release, slow, exposure, still
Crathes Castle June Border 15749jhp Crathes Castle Gardens June Border summer morning lupins path shadows sunshine Deeside Aberdeenshire Scotland summer view taken before the borders were relayed borders from 2003-2004, probably the best display of flowers I have seen in the June border over the years. The June Border is the summer jewel of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant. The tower house is one of the finest examples of the period and some of the original wall paintings still survive. At the bottom of the walled garden overlooking the path between the June Borders is a Doocot an attractive feature and useful high point for looking up the June Border with the Castle as its impressive backdrop. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property situated about 15 miles west of Aberdeen and is open to the public all the year round. On a technical note this photo was taken in the years prior to digital photography, when all high end publishing quality photographs were taken using transparency film, in this case Fuji Astia 100asa 120 stock and were scanned in by the publishing house. Submissions of work were made with mounted transparencies being sent to the customer; damage loss could be high. Photographing the June Border with all its flowers required stillness as a polarising filter was used dropping the ASA to 50 or lower which required the camera mounted on a tripod for a cable release exposure often as low as ¼ second. Early morning was best before the heat caused the breeze to start but too early, prior to 9am meant the sun was not on the full face of the Castle. By mid morning visitors had started to arrive, especially the coach tours and the June Border was no longer free of people. Keywords: Scotland, Scottish, Grampian, North, East, Aberdeenshire, Kincardineshire, Royal, Deeside, Crathes, Castle, Banchory, fort, NTS, National, Trust, landscape, Burnett, June, Border, Doocot, garden, gardens, herbaceous, border, borders, summer, flowers, flora, display, lupins, irises, poppies, pyrethrum, lilium, aster, poppy, phlox, red, yellow, pink, mauve, purple, white, orange, croquet, lawn, Camel, historic, history, heritage, colours, colors, masses, colourful, colorful, coloured, colored, peaceful, yew, hedges, topiary, 1998, Fuji, Astia, RAP, transparency, slide, film, chrome, colour, Bronica, 645, medium, format, 40mm, wide, polarised, filter, tripod, cable, release, slow, exposure, still
Crathes Castle June Border 15747jhp Crathes Castle Gardens June Border summer pink red poppies sunshine Deeside Aberdeenshire Scotland summer view taken before the borders were relayed borders from 2003-2004, probably the best display of flowers I have seen in the June border over the years. The June Border is the summer jewel of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant. The tower house is one of the finest examples of the period and some of the original wall paintings still survive. At the bottom of the walled garden overlooking the path between the June Borders is a Doocot an attractive feature and useful high point for looking up the June Border with the Castle as its impressive backdrop. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property situated about 15 miles west of Aberdeen and is open to the public all the year round. On a technical note this photo was taken in the years prior to digital photography, when all high end publishing quality photographs were taken using transparency film, in this case Fuji Astia 100asa 120 stock and were scanned in by the publishing house. Submissions of work were made with mounted transparencies being sent to the customer; damage loss could be high. Photographing the June Border with all its flowers required stillness as a polarising filter was used dropping the ASA to 50 or lower which required the camera mounted on a tripod for a cable release exposure often as low as ¼ second. Early morning was best before the heat caused the breeze to start but too early, prior to 9am meant the sun was not on the full face of the Castle. By mid morning visitors had started to arrive, especially the coach tours and the June Border was no longer free of people. Keywords: Scotland, Scottish, Grampian, North, East, Aberdeenshire, Kincardineshire, Royal, Deeside, Crathes, Castle, Banchory, fort, NTS, National, Trust, landscape, Burnett, June, Border, Doocot, garden, gardens, herbaceous, border, borders, summer, flowers, flora, display, lupins, irises, poppies, pyrethrum, lilium, aster, poppy, phlox, red, yellow, pink, mauve, purple, white, orange, croquet, lawn, Camel, historic, history, heritage, colours, colors, masses, colourful, colorful, coloured, colored, peaceful, yew, hedges, topiary, 1998, Fuji, Astia, RAP, transparency, slide, film, chrome, colour, Bronica, 645, medium, format, 40mm, wide, polarised, filter, tripod, cable, release, slow, exposure, still
Crathes Castle June Border 157412jhp Crathes Castle Gardens June Border summer lupins border path sunshine Aberdeenshire Scotland Deeside summer view taken before the borders were relayed borders from 2003-2004, probably the best display of flowers I have seen in the June border over the years. The June Border is the summer jewel of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant. The tower house is one of the finest examples of the period and some of the original wall paintings still survive. At the bottom of the walled garden overlooking the path between the June Borders is a Doocot an attractive feature and useful high point for looking up the June Border with the Castle as its impressive backdrop. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property situated about 15 miles west of Aberdeen and is open to the public all the year round. On a technical note this photo was taken in the years prior to digital photography, when all high end publishing quality photographs were taken using transparency film, in this case Fuji Astia 100asa 120 stock and were scanned in by the publishing house. Submissions of work were made with mounted transparencies being sent to the customer; damage loss could be high. Photographing the June Border with all its flowers required stillness as a polarising filter was used dropping the ASA to 50 or lower which required the camera mounted on a tripod for a cable release exposure often as low as ¼ second. Early morning was best before the heat caused the breeze to start but too early, prior to 9am meant the sun was not on the full face of the Castle. By mid morning visitors had started to arrive, especially the coach tours and the June Border was no longer free of people. Keywords: Scotland, Scottish, Grampian, North, East, Aberdeenshire, Kincardineshire, Royal, Deeside, Crathes, Castle, Banchory, fort, NTS, National, Trust, landscape, Burnett, June, Border, Doocot, garden, gardens, herbaceous, border, borders, summer, flowers, flora, display, lupins, irises, poppies, pyrethrum, lilium, aster, poppy, phlox, red, yellow, pink, mauve, purple, white, orange, croquet, lawn, Camel, historic, history, heritage, colours, colors, masses, colourful, colorful, coloured, colored, peaceful, yew, hedges, topiary, 1998, Fuji, Astia, RAP, transparency, slide, film, chrome, colour, Bronica, 645, medium, format, 40mm, wide, polarised, filter, tripod, cable, release, slow, exposure, still, upright
Crathes Castle bnm7851jhp Crathes Castle Gardens June Border poor quality grey clouds 2017 summer sunshine Deeside Aberdeenshire Scotland summer view of the relayed borders from 2003-2004, probably not one of the best display of flowers I have seen in the June border over the years although the lateness of this 2017 summer with several days of heavy rain made it one of the scrappiest for some years.. The June Border is the summer jewel of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant. The tower house is one of the finest examples of the period and some of the original wall paintings still survive. At the bottom of the walled garden overlooking the path between the June Borders is a Doocot an attractive feature and useful high point for looking up the June Border with the Castle as its impressive backdrop. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property situated about 15 miles west of Aberdeen and is open to the public all the year round. Keywords: Scotland, Scottish, Grampian, North, East, Aberdeenshire, Kincardineshire, Royal, Deeside, Crathes, Castle, Banchory, fort, NTS, National, Trust, landscape, upright, Burnett, June, Border, Doocot, garden, gardens, herbaceous, border, borders, summer, flowers, poor, display, late, grey, clouds, flora, display, lupins, irises, poppies, pyrethrum, lilium, aster, poppy, phlox, red, yellow, pink, mauve, purple, white, orange, croquet, lawn, Camel, historic, history, heritage, colours, colors, masses, colourful, colorful, coloured, colored, peaceful, yew, hedges, topiary, 2017, camera, Nikon, D700, digital, DSLR
Glenbuchat View xvv1455jhp Glenbuchat Castle View Glen Strathdon Donside Aberdeenshire Scotland mock military house built in 1590 overlooking the River Don at one entrance into Glenbuchat and although of no great historical note has some fine examples of local masons workmanship with a feel of ‘solid grace and comfortable display’ and evidence of lavish interior expenditure with high quality interior ashlar work. As this is a Historic Scotland property the photograph should be used for editorial, scenic or tourist related use. The property is accessed off the A97 Ballater/Huntly road and is open all the year round and is an unmanned property at which no entrance fee is applicable. Continuing along this road in the direction of Huntly Kildrummy Castle is the next property visited. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Glenbuchat, Castle, glen, view, rooftop, summer, water, Buchat, landscape, ruin, shell, Z-plan, corbelled, caphouse, crowsteps, angular, arches, ashlar
Glenbuchat Castle Window xvv1474jhp Glenbuchat Castle Window View Glen Strathdon Donside Aberdeenshire Scotland mock military house built in 1590 overlooking the River Don at one entrance into Glenbuchat and although of no great historical note has some fine examples of local masons workmanship with a feel of ‘solid grace and comfortable display’ and evidence of lavish interior expenditure with high quality interior ashlar work. As this is a Historic Scotland property the photograph should be used for editorial, scenic or tourist related use. The property is accessed off the A97 Ballater/Huntly road and is open all the year round and is an unmanned property at which no entrance fee is applicable. Continuing along this road in the direction of Huntly Kildrummy Castle is the next property visited. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Glenbuchat, Castle, glen, window, view, framed, summer, water, Buchat, landscape, ruin, shell
Glenbuchat Castle Tree xvv1492jhp Glenbuchat Castle Approach Tree Strathdon Donside Aberdeenshire Scotland mock military house built in 1590 overlooking the River Don at one entrance into Glenbuchat and although of no great historical note has some fine examples of local masons workmanship with a feel of ‘solid grace and comfortable display’ and evidence of lavish interior expenditure with high quality interior ashlar work. As this is a Historic Scotland property the photograph should be used for editorial, scenic or tourist related use. The property is accessed off the A97 Ballater/Huntly road and is open all the year round and is an unmanned property at which no entrance fee is applicable. Continuing along this road in the direction of Huntly Kildrummy Castle is the next property visited. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Glenbuchat, Castle, glen, approach, tree, framed, summer, water, Buchat, landscape, ruin, shell, Z-plan, corbelled, caphouse, crowsteps, angular, arches, ashlar
Glenbuchat Castle Frontdoor xvv1441jhp Glenbuchat Castle Entrance Front Door Strathdon Donside Aberdeenshire Scotland mock military house built in 1590 overlooking the River Don at one entrance into Glenbuchat and although of no great historical note has some fine examples of local masons workmanship with a feel of ‘solid grace and comfortable display’ and evidence of lavish interior expenditure with high quality interior ashlar work. As this is a Historic Scotland property the photograph should be used for editorial, scenic or tourist related use. The property is accessed off the A97 Ballater/Huntly road and is open all the year round and is an unmanned property at which no entrance fee is applicable. Continuing along this road in the direction of Huntly Kildrummy Castle is the next property visited. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Glenbuchat, Castle, glen, summer, water, Buchat, landscape, front, door, entrance, ruin, shell, Z-plan, corbelled, caphouse, crowsteps, angular, arches, ashlar
Glenbuchat Castle Front xvv1432jhp Glenbuchat Castle Facade Front Strathdon Donside Aberdeenshire Scotland mock military house built in 1590 overlooking the River Don at one entrance into Glenbuchat and although of no great historical note has some fine examples of local masons workmanship with a feel of ‘solid grace and comfortable display’ and evidence of lavish interior expenditure with high quality interior ashlar work. As this is a Historic Scotland property the photograph should be used for editorial, scenic or tourist related use. The property is accessed off the A97 Ballater/Huntly road and is open all the year round and is an unmanned property at which no entrance fee is applicable. Continuing along this road in the direction of Huntly Kildrummy Castle is the next property visited. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Glenbuchat, Castle, glen, front, entrance, summer, water, Buchat, landscape, ruin, shell, Z-plan, corbelled, caphouse, crowsteps, angular, arches, ashlar
Glenbuchat Castle Approach xvv1489jhp Glenbuchat Castle Approach Carpark Strathdon Donside Aberdeenshire Scotland mock military house built in 1590 overlooking the River Don at one entrance into Glenbuchat and although of no great historical note has some fine examples of local masons workmanship with a feel of ‘solid grace and comfortable display’ and evidence of lavish interior expenditure with high quality interior ashlar work. As this is a Historic Scotland property the photograph should be used for editorial, scenic or tourist related use. The property is accessed off the A97 Ballater/Huntly road and is open all the year round and is an unmanned property at which no entrance fee is applicable. Continuing along this road in the direction of Huntly Kildrummy Castle is the next property visited. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Glenbuchat, Castle, glen, carpark, approach, summer, water, Buchat, landscape, ruin, shell, Z-plan, corbelled, caphouse, crowsteps, angular, arches, ashlar
Castle Roof View xvv1457jhp Glenbuchat Castle roof top view Glen Strathdon Donside Aberdeenshire Scotland mock military house built in 1590 overlooking the River Don at one entrance into Glenbuchat and although of no great historical note has some fine examples of local masons workmanship with a feel of ‘solid grace and comfortable display’ and evidence of lavish interior expenditure with high quality interior ashlar work. As this is a Historic Scotland property the photograph should be used for editorial, scenic or tourist related use. The property is accessed off the A97 Ballater/Huntly road and is open all the year round and is an unmanned property at which no entrance fee is applicable. Continuing along this road in the direction of Huntly Kildrummy Castle is the next property visited. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Glenbuchat, Castle, glen, summer, highview, roofto, water, Buchat, landscape, ruin, shell, Z-plan, corbelled, caphouse, crowsteps, angular, arches, ashlar
Glenbuchat Castle Scotland VS2759JHP Glenbuchat Scottish Castle Approach Carpark Tree Trunks Foreground Framed Photo but is a mock military house built in 1590 and although of no great historical note has some fine examples of local masons workmanship with a feel of ‘solid grace and comfortable display’ and evidence of lavish interior expenditure with high quality interior ashlar work. As this is a Historic Scotland property the photograph should be used for editorial, scenic or tourist related use. The property is accessed off the A97 Ballater/Huntly road and is open all the year round and is an unmanned property at which no entrance fee is applicable. Continuing along this road in the direction of Huntly Kildrummy Castle is the next property visited. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Glenbuchat, Alford, Castle, glen, water, Buchat, river, burn, ravine, landscape, ruin, historic, preserved, shell, Z-plan, 1590, Gordon Carnegie, corbelled, caphouse, square, crowsteps, angular, arches, ashlar, French trompes, squinch, gun-loops, great, hall, laird, chamber, quarters, grace, defence
Glenbuchat Castle Scotland VS2751JHP Glenbuchat Castle Window Interior View Stone Walls Fort Fortified House from this mock military house built in 1590 and although of no great historical note has some fine examples of local masons workmanship with a feel of ‘solid grace and comfortable display’ and evidence of lavish interior expenditure with high quality interior ashlar work. As this is a Historic Scotland property the photograph should be used for editorial, scenic or tourist related use. The property is accessed off the A97 Ballater/Huntly road and is open all the year round and is an unmanned property at which no entrance fee is applicable. Continuing along this road in the direction of Huntly Kildrummy Castle is the next property visited. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Glenbuchat, Alford, Castle, glen, water, Buchat, river, burn, ravine, upright, window, framed, ruin, historic, preserved, shell, Z-plan, 1590, Gordon Carnegie, corbelled, caphouse, square, crowsteps, angular, arches, ashlar, French trompes, squinch, gun-loops, great, hall, laird, chamber, quarters, grace, defence
Glenbuchat Castle Scotland VS2750JHP Glenbuchat Castle Tower Scottish Mock Military House Corbels Turrets Photograph built in 1590 and although of no great historical note has some fine examples of local masons workmanship with a feel of ‘solid grace and comfortable display’ and evidence of lavish interior expenditure with high quality interior ashlar work. As this is a Historic Scotland property the photograph should be used for editorial, scenic or tourist related use. The property is accessed off the A97 Ballater/Huntly road and is open all the year round and is an unmanned property at which no entrance fee is applicable. Continuing along this road in the direction of Huntly Kildrummy Castle is the next property visited. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Glenbuchat, Alford, Castle, glen, water, Buchat, river, burn, ravine, upright, ruin, historic, preserved, shell, Z-plan, 1590, Gordon Carnegie, corbelled, caphouse, square, crowsteps, angular, arches, ashlar, French trompes, squinch, gun-loops, great, hall, laird, chamber, quarters, grace, defence
Glenbuchat Castle Scotland VS2746JHP Glenbuchat Castle Photo Scotland Facade Sunshine Stone Walls Tower Corbel in keeping with a mock military house built in 1590 and although of no great historical note has some fine examples of local masons workmanship with a feel of ‘solid grace and comfortable display’ and evidence of lavish interior expenditure with high quality interior ashlar work. As this is a Historic Scotland property the photograph should be used for editorial, scenic or tourist related use. The property is accessed off the A97 Ballater/Huntly road and is open all the year round and is an unmanned property at which no entrance fee is applicable. Continuing along this road in the direction of Huntly Kildrummy Castle is the next property visited. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Glenbuchat, Alford, Castle, glen, water, Buchat, river, burn, ravine, landscape, ruin, historic, preserved, shell, Z-plan, 1590, Gordon Carnegie, corbelled, caphouse, square, crowsteps, angular, arches, ashlar, French trompes, squinch, gun-loops, great, hall, laird, chamber, quarters, grace, defence
Glenbuchat Castle Scotland VS2740JHP Glenbuchat Castle Northerly Aspect Stock Photo Library Photograph Aberdeenshire suits a mock military house built in 1590 and although of no great historical note has some fine examples of local masons workmanship with a feel of ‘solid grace and comfortable display’ and evidence of lavish interior expenditure with high quality interior ashlar work. As this is a Historic Scotland property the photograph should be used for editorial, scenic or tourist related use. The property is accessed off the A97 Ballater/Huntly road and is open all the year round and is an unmanned property at which no entrance fee is applicable. Continuing along this road in the direction of Huntly Kildrummy Castle is the next property visited. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Glenbuchat, Alford, Castle, glen, water, Buchat, river, burn, ravine, upright, ruin, historic, preserved, shell, Z-plan, 1590, Gordon Carnegie, corbelled, caphouse, square, crowsteps, angular, arches, ashlar, French trompes, squinch, gun-loops, great, hall, laird, chamber, quarters, grace, defence
Glenbuchat Castle Scotland VS2739JHP Glenbuchat Castle Northerly Aspect Exterior Stone Walls Ruin Historic Scotland suits a mock military house built in 1590 and although of no great historical note has some fine examples of local masons workmanship with a feel of ‘solid grace and comfortable display’ and evidence of lavish interior expenditure with high quality interior ashlar work. As this is a Historic Scotland property the photograph should be used for editorial, scenic or tourist related use. The property is accessed off the A97 Ballater/Huntly road and is open all the year round and is an unmanned property at which no entrance fee is applicable. Continuing along this road in the direction of Huntly Kildrummy Castle is the next property visited. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Glenbuchat, Alford, Castle, glen, water, Buchat, river, burn, ravine, landscape, ruin, historic, preserved, shell, Z-plan, 1590, Gordon Carnegie, corbelled, caphouse, square, crowsteps, angular, arches, ashlar, French trompes, squinch, gun-loops, great, hall, laird, chamber, quarters, grace, defence
Glenbuchat Castle Scotland VS1175JHP Glenbuchat Castle Approach Carpark Entrance Outline Hills Tree Branch Overhanging but is a mock military house built in 1590 and although of no great historical note has some fine examples of local masons workmanship with a feel of ‘solid grace and comfortable display’ and evidence of lavish interior expenditure with high quality interior ashlar work. As this is a Historic Scotland property the photograph should be used for editorial, scenic or tourist related use. The property is accessed off the A97 Ballater/Huntly road and is open all the year round and is an unmanned property at which no entrance fee is applicable. Continuing along this road in the direction of Huntly Kildrummy Castle is the next property visited. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Glenbuchat, Alford, Castle, glen, water, Buchat, river, burn, ravine, upright, ruin, historic, preserved, shell, Z-plan, 1590, Gordon Carnegie, corbelled, caphouse, square, crowsteps, angular, arches, ashlar, French trompes, squinch, gun-loops, great, hall, laird, chamber, quarters, grace, defence
Glenbuchat Castle Scotland VS1172JHP Glenbuchat Castle Carpark Entrance Aberdeenshire Scotland Ruin Rural Setting Photo is a mock military house built in 1590 and although of no great historical note has some fine examples of local masons workmanship with a feel of ‘solid grace and comfortable display’ and evidence of lavish interior expenditure with high quality interior ashlar work. As this is a Historic Scotland property the photograph should be used for editorial, scenic or tourist related use. The property is accessed off the A97 Ballater/Huntly road and is open all the year round and is an unmanned property at which no entrance fee is applicable. Continuing along this road in the direction of Huntly Kildrummy Castle is the next property visited. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Glenbuchat, Alford, Castle, glen, water, Buchat, river, burn, ravine, landscape, ruin, historic, preserved, shell, Z-plan, 1590, Gordon Carnegie, corbelled, caphouse, square, crowsteps, angular, arches, ashlar, French trompes, squinch, gun-loops, great, hall, laird, chamber, quarters, grace, defence

Scotland > Morayshire (6 files)

The photographs in this gallery are located in Morayshire and include ancient sites, historic buildings and properties, churches, cathedrals, towns, the countryside and the coast.
MacBeath s Hill Brodie UP280339jhp Scotland Morayshire Brodie Macbeth Hill Witches spring yellow gorse sunny green grass is situated near Brodie Castle on a small back road to the north of the A96 at Hardmuir. Tradition claims is was the site claimed by Shakespeare in his play Macbeth where the King of the same name met the three Witches. It is identified on Ordnance Survey maps as Macbeth’s Hillock. Nearby Brodie Castle which lies between Forres and Nairn in Morayshire Scottish Highlands is home of the Brodie family, the castle perhaps dates back as far as 1160 and came under attack from Montrose’s army but survived. Many additions were made subsequently and the collections of various items are extensive and of high quality. This became a National Trust for Scotland property in 1980 and is situated about 4.5 miles west of Forres and the grounds are open to the public all the year round. The castle is open April to October at various times. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office. Keywords: Scotland, Scottish, Moray, Morayshire, North, East, Highlands, Brodie, Castle, Macbeth, hill, Hardmuir, Feddan, Cotterton, Blinkbonny, witches, Shakespeare, folklore, tradition, history, walks, woodlands, spring, gorse, yellow, flowers, sunny, sunshine, sun, shining, green, grass, landscape
Brodie Walled Garden UP280335JHP Brodie Castle Walled Garden Forres Nairn Morayshire Scottish Highlands is home of the Brodie family, the castle perhaps dates back as far as 1160 and came under attack from Montrose’s army but survived. Many additions were made subsequently and the collections of various items are extensive and of high quality. This became a National Trust for Scotland property in 1980 and is situated about 4.5 miles west of Forres and the grounds are open to the public all the year round. The castle is open April to October at various times. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Wemyss House, 28 Charlotte Square, Edinburgh, EH2 4ET. Keywords: Scotland, Scottish, Moray, Morayshire, North, East, Highlands, NTS, history, 16th Century, tower house, walled, garden, sliver, birch, bark, seat, walks, woodlands, spring, daffodils, landscape
Brodie Spring Walk UP280313JHP Brodie Castle Daffodil Walk Daffodils Spring Forres Nairn Morayshire Scottish is home of the Brodie family, the castle perhaps dates back as far as 1160 and came under attack from Montrose’s army but survived. Many additions were made subsequently and the collections of various items are extensive and of high quality. This became a National Trust for Scotland property in 1980 and is situated about 4.5 miles west of Forres and the grounds are open to the public all the year round. The castle is open April to October at various times. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Wemyss House, 28 Charlotte Square, Edinburgh, EH2 4ET. Keywords: Scotland, Scottish, Moray, Morayshire, North, East, Highlands, NTS, history, 16th Century, tower house, gardens, walks, woodlands, spring, daffodils, landscape
Brodie Castle Wall UP280338JHP Brodie Castle Scotland Forres Nairn Morayshire Walled Garden Entrance Photo Scottish Highlands is home of the Brodie family, the castle perhaps dates back as far as 1160 and came under attack from Montrose’s army but survived. Many additions were made subsequently and the collections of various items are extensive and of high quality and viewed here from the wall near the garden. This became a National Trust for Scotland property in 1980 and is situated about 4.5 miles west of Forres and the grounds are open to the public all the year round. The castle is open April to October at various times. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Wemyss House, 28 Charlotte Square, Edinburgh, EH2 4ET. Keywords: Scotland, Scottish, Moray, Morayshire, North, East, Highlands, NTS, history, 16th Century, tower house, gardens, walks, woodlands, spring, daffodils, landscape
Brodie Castle Springtime UP280297JHP Brodie Castle Spring Daffodils NTS Property Moray Scotland Foreground Flowers near Forres and Nairn in Morayshire Scottish Highlands is home of the Brodie family, the castle perhaps dates back as far as 1160 and came under attack from Montrose’s army but survived. Many additions were made subsequently and the collections of various items are extensive and of high quality. This became a National Trust for Scotland property in 1980 and is situated about 4.5 miles west of Forres and the grounds are open to the public all the year round. The castle is open April to October at various times. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Wemyss House, 28 Charlotte Square, Edinburgh, EH2 4ET. Keywords: Scotland, Scottish, Moray, Morayshire, North, East, Highlands, NTS, history, 16th Century, tower house, gardens, walks, woodlands, spring, daffodils, landscape
Brodie Castle Daffodils UP280301JHP Brodie Castle Daffodils Springtime Scotland Stock Library Photos Moray Forres Nairn in Morayshire Scottish Highlands is home of the Brodie family, the castle perhaps dates back as far as 1160 and came under attack from Montrose’s army but survived. Many additions were made subsequently and the collections of various items are extensive and of high quality. This became a National Trust for Scotland property in 1980 and is situated about 4.5 miles west of Forres and the grounds are open to the public all the year round. The castle is open April to October at various times. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Wemyss House, 28 Charlotte Square, Edinburgh, EH2 4ET. Keywords: Scotland, Scottish, Moray, Morayshire, North, East, Highlands, NTS, history, 16th Century, tower house, gardens, walks, woodlands, spring, daffodils, landscape

Scotland > Rivers, Glens & Lochs (3 files)

The gallery has photographs of Scottish lochs, glens and pictures associated directly with particular rivers in Scotland such as the River Dee, Don, Feugh, Urie, Deveron, Tanar, Dye, and Glen of Dee, Glen Muick and Glenbuchat.
Lochnagar fm Cairn qax3492jhp Cairn O'Mount Scotland Aberdeenshire moorland Lochnagar mountain view winter taken by roadside between Banchory on Royal Deeside and Fettercairn in the Mearns areas of Aberdeenshire in North East Scotland and just below the summit of the hill called Cairn O'Mount looking westwards to the distant Lochnagar, Britain’s fourth highest mountain with its distinctive outline past roadside snow fences showing a beautiful quality with an almost satin finish caused by years of sunshine, wind, rain, ice and snow erosion and maybe helped by passing wasps getting wood pulp for their nests. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, northwards, Kincardineshire, Clachnaben, Glen, Dye, Cairn, O'Mount, Lochnagar, mountain, frost, snow, fences, eroded, weathered, hills, landscape, moorland, grass, walking, granite, boulders, lichen, heather, winter, spring, March, 2019, Nikon, D700, camera, digital, DSLR, photograph, photo, telephoto, zoom
Cairn O Mount View qax3491jhp Cairn O'Mount Wooden Fence frosty Scotland Aberdeenshire moorland Lochnagar winter taken by roadside between Banchory on Royal Deeside and Fettercairn in the Mearns areas of Aberdeenshire in North East Scotland and just below the summit of the hill called Cairn O'Mount looking westwards to the distant Lochnagar, Britain’s fourth highest mountain with its distinctive outline past roadside snow fences showing a beautiful quality with an almost satin finish caused by years of sunshine, wind, rain, ice and snow erosion and maybe helped by passing wasps getting wood pulp for their nests. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, northwards, Kincardineshire, Clachnaben, Glen, Dye, Cairn, O'Mount, Lochnagar, mountain, frost, snow, fences, eroded, weathered, hills, landscape, moorland, grass, walking, granite, boulders, lichen, heather, winter, spring, March, 2019, Nikon, D700, camera, digital, DSLR, photograph, photo, upright
Cairn O Mount View qax3489jhp Cairn O'Mount Wooden Fence Scottish Aberdeenshire moorland Lochnagar winter taken by roadside between Banchory on Royal Deeside and Fettercairn in the Mearns areas of Aberdeenshire in North East Scotland and just below the summit of the hill called Cairn O'Mount looking westwards to the distant Lochnagar, Britain’s fourth highest mountain with its distinctive outline past roadside snow fences showing a beautiful quality with an almost satin finish caused by years of sunshine, wind, rain, ice and snow erosion and maybe helped by passing wasps getting wood pulp for their nests. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, northwards, Kincardineshire, Clachnaben, Glen, Dye, Cairn, O'Mount, Lochnagar, mountain, frost, snow, fences, eroded, weathered, hills, landscape, moorland, grass, walking, granite, boulders, lichen, heather, winter, spring, March, 2019, Nikon, D700, camera, digital, DSLR, photograph, photo

Scotland > Snow Scenes Deeside (3 files)

Snow scene photographs of Deeside in North East Scotland generally excluding Historic Properties which will include snow scenes with the castles etc.
Winter Deeside Sunset asd4479jhp Scotland winter snow covered ash trees sunset evening cold Deeside Aberdeenshire looking towards Ord Fundlie Hill Fare Craigmyle Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Upper, Craigton, hill, Leyton, ash, tree, trees, sunset, misty winter, upright, snow, clouds, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine
Winter Deeside Sunset asd4477jhp Scottish winter snow covered ash trees sunset mist Craigton Deeside Aberdeenshire looking towards Ord Fundlie near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Upper, Craigton, hill, Leyton, ash, tree, trees, sunset, misty winter, landscape, upright, snow, clouds, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine
Winter Deeside Sunset asd4473jhp Scottish winter sunset silhouette clouds colours mist Royal Deeside Aberdeenshire looking towards Ord Fundlie Hill near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that this phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the light levels mean longer exposures especially at best quality ISO settings. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Upper, Craigton, hill, Leyton, pine, larch, tree, trees, sunset, misty winter, landscape, snow, clouds, countryside, rural, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine

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