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Aurora over Scotland (4 files)

Aurora Borealis or Northern Lights displays photographed taken over Aberdeeshire in Scotland since 1989 covering some 350 events with arc, rays, coronas with a wide rnage of shapes and colours
Deeside Aurora au911436ajhp Aurora Borealis Scotland October 1991 Proton burst corona zenith rays treetops pink red green Inchmarlo Deeside Aberdeenshire taken in the early morning around 00.45hrs BST on 2nd October 1991 at Inchmarlo near Banchory, 18 miles west of Aberdeen looking to the north. An active display and this photo was one of three taken on a journey back from delivering prints for the Deeside Piper in Banchory. This session was a continuation of activity during the evening/night of the 1st October which had started around 21.00hrs BST. I had spotted activity over Torphins and the Hill of Fare on the way to Banchory via Sluie where I saw rays above the forest. Returning from Banchory I saw a strong single beam or ray going straight up over Inchmarlo so pulled off the road at the rough layby just by the speed zone west of Inchmarlo beyond the Craiglash Road. Suddenly this large coronal zenith appeared, swirling around the vortex and lasted long enough for me to take the last three exposures left on the film and then it faded as quickly as it appeared. It has been suggested as being a proton burst which would relate to the single large beam that preceded it. Later activity was photographed after I returned to Crooktree around 01.00hrs BST. This photo was scanned from a 35mm colour slide film, Fuji RSP11 processed for a 1600asa rating using a Nikon FM2 and usually 28mm f2.8 lens wide open at around 20 seconds. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Banchory, Inchmarlo, North, red, pink, green, Corona, vortex, zenith, Proton, burst, Rays, Northern Lights, Merry Dancers, 1991, October, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP11, exposed, time, long, forest
Deeside Aurora au911435jhp Aurora Borealis Scotland display Proton corona zenith vortex pink red green Inchmarlo Deeside Aberdeenshire taken in the early morning around 00.45hrs BST on 2nd October 1991 at Inchmarlo near Banchory, 18 miles west of Aberdeen looking to the north. An active display and this photo was one of three taken on a journey back from delivering prints for the Deeside Piper in Banchory. This session was a continuation of activity during the evening/night of the 1st October which had started around 21.00hrs BST. I had spotted activity over Torphins and the Hill of Fare on the way to Banchory via Sluie where I saw rays above the forest. Returning from Banchory I saw a strong single beam or ray going straight up over Inchmarlo so pulled off the road at the rough layby just by the speed zone west of Inchmarlo beyond the Craiglash Road. Suddenly this large coronal zenith appeared, swirling around the vortex and lasted long enough for me to take the last three exposures left on the film and then it faded as quickly as it appeared. It has been suggested as being a proton burst which would relate to the single large beam that preceded it. Later activity was photographed after I returned to Crooktree around 01.00hrs BST. This photo was scanned from a 35mm colour slide film, Fuji RSP11 processed for a 1600asa rating using a Nikon FM2 and usually 28mm f2.8 lens wide open at around 20 seconds. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Banchory, Inchmarlo, North, red, pink, green, Corona, vortex, zenith, Proton, burst, Rays, Northern Lights, Merry Dancers, 1991, October, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP11, exposed, time, long, forest
Deeside Aurora au911434ajhp Aurora Borealis Scottish display Proton corona zenith explosion red Inchmarlo Deeside Aberdeenshire taken in the early morning around 00.45hrs BST on 2nd October 1991 at Inchmarlo near Banchory, 18 miles west of Aberdeen looking to the north. An active display and this photo was one of three taken on a journey back from delivering prints for the Deeside Piper in Banchory. This session was a continuation of activity during the evening/night of the 1st October which had started around 21.00hrs BST. I had spotted activity over Torphins and the Hill of Fare on the way to Banchory via Sluie where I saw rays above the forest. Returning from Banchory I saw a strong single beam or ray going straight up over Inchmarlo so pulled off the road at the rough layby just by the speed zone west of Inchmarlo beyond the Craiglash Road. Suddenly this large coronal zenith appeared, swirling around the vortex and lasted long enough for me to take the last three exposures left on the film and then it faded as quickly as it appeared. It has been suggested as being a proton burst which would relate to the single large beam that preceded it. Later activity was photographed after I returned to Crooktree around 01.00hrs BST. This photo was scanned from a 35mm colour slide film, Fuji RSP11 processed for a 1600asa rating using a Nikon FM2 and usually 28mm f2.8 lens wide open at around 20 seconds. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Banchory, Inchmarlo, North, red, Corona, vortex, zenith, Proton, burst, Rays, Northern Lights, Merry Dancers, 1991, October, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP11, exposed, time, long, forest
Aurora Deeside au93432ajhp Aurora Borealis Scottish winter December 1993 rays red display Deeside Aberdeenshire taken on the evening of 7th December, 1993 at Crooktree, 25 miles west of Aberdeen looking mainly north from the cottage to left of a gean tree which is aligned to magnetic North. The display started early but very low grade around 22.45 with faint light towards North in between clouds. I had received a call on answerphone from a friend Gordon Brodie suggesting he had seen something and after returning from a lecture I spotted faint flashes and rays around 21.30hrs. Rang John MacNicol around 22.25 although still probably a frost haze. At 22.45 faint light in clouds although again could be frost haze, it was -5C but around 23.25 some rays started to appear. This photo was taken at 23.40hrs UT as the display strengthened but it died down around 00.05hrs on the morning of the 8th. The photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1993, December, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, gean, trees, North, Pole, Star

Egypt > Abydos & Dendara (3 files)

Images of two important sites north of Luxor near the River Nile but usually visted as an extra tour either by road or a day cruise.
Abydos Temple Helicopter Lintel 5347EG07JHP Abydos Temple mystery Egyptian UFO carvings hypostyle hall palimpsest lintel in the the largest royal monument built in white limestone, situated at the most important and one of the oldest necropolis of ancient Egypt is the home of Osiris is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico viewed from this spot. In the entrance hyspostyle hall is a famous lintel on which some fascinating carvings appear to suggest modern military equipment such as an attack helicopter, tank, submarine but these are caused by superimpositions of different layers of plaster and carvings called palimpsest. Keywords: entrance, lintel palimpsest relief deep-cut overlays UFO helicopter submarine flying saucer jet plane heiroglyphic landscape, history, archaeology, ancient, Egyptology, temple, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, approach, entrance, pylon, court, first, hypostyle, painted, door, Ramses
Abydos Entrance 5320EG07JHP Abydos Ancient Egypt Sety Temple approach entrance pylon gate photo largest royal monument built in white limestone, situated at the most important and one of the oldest necropolis of ancient Egypt is the home of Osiris and the imposing structure in the photograph is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico viewed from this spot. Keywords: Egypt, Egyptian, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Abedju, al-Madfunah, al-Ballyana, entrance, upright, history, archaeology, ancient, Egyptology, temple, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, approach, entrance, pylon, court, hypostyle, painted, door, Ramses, colonnade, sunlight
Abydos Entrance 5319EG07JHP Abydos Temple Seti Egypt entrance pylon carved gate block hieroglyphs largest royal monument built in white limestone, situated at the most important and one of the oldest necropolis of ancient Egypt is the home of Osiris and the imposing structure in the photograph is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico viewed from this spot. Keywords: Egypt, Egyptian, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Abedju, al-Madfunah, al-Ballyana, entrance, landscape, history, archaeology, ancient, Egyptology, temple, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, approach, entrance, pylon, court, hypostyle, painted, door, Ramses, colonnade, sunlight

Egypt > Giza Pyramids & Sphinx (26 files)

Photographs of the three Giza pyramids of Khufu, Khafre and Menkaure, the Sphinx, temples, Solar Barque museum and western cemetery mastabas, including the Light and Sound Show night views.
Giza Tomb Sign EG050955jhp Neferbauptah Tomb Giza notice sign board information entrance Egyptian cemetery, who was Iymery’s son and a government official who held the title Steward of the Great estate like his father, and one of many private mastabas from the middle to late Dynasty V that make up the Western Cemetery near the Great Pyramid of Khufu at Giza with an interior painted wall relief in the tomb. Interior photography is difficult as flash and tripods are not usually allowed and interior lighting can be poor and gives inaccurate colour balances. This photo was taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions Keywords: Egypt, Egyptian, Giza, West, Western, Cemetery, digital, interior, landscape, noble, official, tomb, mastaba, mortuary, chapel, Great, Steward, Estate, Neferbauptah, son, Iymery, notice, board, information, burial, chamber, funeral, ceremonial, afterlife, religion, beliefs, death, burial
Giza Tomb Entrance EG050914jhp Tomb Chapel interior pillars carved Akhetmehu Khenementi carvings tombs Giza in this mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, landscape, Mastaba, Western, cemetery, Akhetmehu, Khenementi, royalty, nobles, officials, offerings, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, pillars, interior, rooms, hieroglyphs
Tomb Carving Neferbauptah EG050964jhp Neferbauptah Tomb Giza painted colours freize hieroglyphs carving ceiling Egypt, who was Iymery’s son and a government official who held the title Steward of the Great estate like his father, and one of many private mastabas from the middle to late Dynasty V that make up the Western Cemetery near the Great Pyramid of Khufu at Giza with an interior painted wall relief in the tomb. Interior photography is difficult as flash and tripods are not usually allowed and interior lighting can be poor and gives inaccurate colour balances. This photo was taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions Keywords: Egypt, Egyptian, Giza, West, Western, Cemetery, digital, interior, landscape, noble, official, tomb, mastaba, mortuary, chapel, Great, Steward, Estate, Neferbauptah, son, Iymery, interior, painted, reliefs, agricultural, scene, cattle, bovine, fish, boats, sailing, rowing, burial, chamber, funeral, ceremonial, afterlife, religion, beliefs, death, burial
Tomb Carving Neferbauptah EG050961jhp Neferbauptah Tomb Giza painted seated offering food colours ancient Egypt, who was Iymery’s son and a government official who held the title Steward of the Great estate like his father, and one of many private mastabas from the middle to late Dynasty V that make up the Western Cemetery near the Great Pyramid of Khufu at Giza with an interior painted wall relief in the tomb. Interior photography is difficult as flash and tripods are not usually allowed and interior lighting can be poor and gives inaccurate colour balances. This photo was taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions Keywords: Egypt, Egyptian, Giza, West, Western, Cemetery, digital, interior, landscape, noble, official, tomb, mastaba, mortuary, chapel, Great, Steward, Estate, Neferbauptah, son, Iymery, interior, painted, reliefs, offering, food, fruit, scene, burial, chamber, funeral, ceremonial, afterlife, religion, beliefs, death, burial
Tomb Carving Neferbauptah EG050960jhp Neferbauptah Tomb Giza Wall agricultural cattle Scene Interior carving Egypt, who was Iymery’s son and a government official who held the title Steward of the Great estate like his father, and one of many private mastabas from the middle to late Dynasty V that make up the Western Cemetery near the Great Pyramid of Khufu at Giza with an interior painted wall relief in the tomb. Interior photography is difficult as flash and tripods are not usually allowed and interior lighting can be poor and gives inaccurate colour balances. This photo was taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions Keywords: Egypt, Egyptian, Giza, West, Western, Cemetery, digital, interior, landscape, noble, official, tomb, mastaba, mortuary, chapel, Great, Steward, Estate, Neferbauptah, son, Iymery, interior, painted, reliefs, agricultural, scene, cattle, bovine, fish, boats, sailing, rowing, burial, chamber, funeral, ceremonial, afterlife, religion, beliefs, death, burial
Tomb Carving Neferbauptah EG050959jhp Neferbauptah Tomb Giza carving donkey loads carrying ancient Egyptian interior, who was Iymery’s son and a government official who held the title Steward of the Great estate like his father, and one of many private mastabas from the middle to late Dynasty V that make up the Western Cemetery near the Great Pyramid of Khufu at Giza with an interior painted wall relief in the tomb. Interior photography is difficult as flash and tripods are not usually allowed and interior lighting can be poor and gives inaccurate colour balances. This photo was taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions Keywords: Egypt, Egyptian, Giza, West, Western, Cemetery, digital, interior, landscape, noble, official, tomb, mastaba, mortuary, chapel, Great, Steward, Estate, Neferbauptah, son, Iymery, interior, carved: relief, agricultural, scene, donkey, carrying, loads, back, sailing, rowing, burial, chamber, funeral, ceremonial, afterlife, religion, beliefs, death, burial
Tomb Carving Neferbauptah EG050957jhp Neferbauptah Tomb Giza Wall offering gifts list carved stone Scene carving Egypt, who was Iymery’s son and a government official who held the title Steward of the Great estate like his father, and one of many private mastabas from the middle to late Dynasty V that make up the Western Cemetery near the Great Pyramid of Khufu at Giza with an interior painted wall relief in the tomb. Interior photography is difficult as flash and tripods are not usually allowed and interior lighting can be poor and gives inaccurate colour balances. This photo was taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions Keywords: Egypt, Egyptian, Giza, West, Western, Cemetery, digital, interior, landscape, noble, official, tomb, mastaba, mortuary, chapel, Great, Steward, Estate, Neferbauptah, son, Iymery, interior, painted, reliefs, agricultural, scene, cattle, bovine, fish, boats, sailing, rowing, burial, chamber, funeral, ceremonial, afterlife, religion, beliefs, death, burial
Painted Carving Iymery EG050952jhp Iymery Steward Scribe offering scenes fruit food boxes carved colours Cairo Egypt Giza Western cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, upright, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050951jhp Iymery ancient egyptian tomb painting procession food fruit carrying cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, upright, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, procession, carrying, head, animals, herd, cattle, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050950jhp Iymery mortuary chapel wall relief cattle herding egrets Cairo Egypt Western cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, landscape, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, egrets, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050948jhp Iymery chapel tomb wall paintings cattle herd Giza Egyptian mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, landscape, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050947jhp Iymery doorway painted carving cattle boat water she pool Giza Egypt Western cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, upright, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boat, pool, she, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050946jhp Iymery mortuary wall painting boats fishing oar hemu beating water cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, landscape, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, fishing, beating, water, oar, hemu, marshes, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050945jhp Iymery ancient Egyptian burial wall reliefs boats fishing diving hunting Western cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, landscape, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, fishing, diving, swimming, beating, water, sticks, marshes, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050944jhp Iymery Steward chapel wall scene cattle bovines goats herding Giza Egypt Western cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, landscape, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, herding, cattle, bovines, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050943jhp Iymery Steward Tomb Painting Cattle herding wall colours bovines Giza Egyptian Western cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, landscape, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050940jhp Iymery Tomb wall reliefs coloured graffiti Greek painted desceration Egypt Western cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, landscape, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, graffiti, Greek script, letters, desecration, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050939jhp Iymery Steward door jam painted carvings Giza Egypt Western cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, upright, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, door, doorway, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050938jhp Iymery Steward procession figures painted wall chapel Giza Egypt Western cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, landscape, Mastaba, chapel, mortuary, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050934jhp Iymery Steward Scribe wall relief painted carved bovine cattle Giza Egypt Western cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, upright, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, bovine, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050933jhp Iymery Mastaba wall paintings reliefs carving daily life scenes Giza Egypt in the Western cemetery where he left this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, landscape, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, daily, life, wine, making, pouring, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050932jhp Iymery Tomb doorway painted reliefs Giza Egypt Western cemetery mastaba carvings left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, upright, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, doorway, doorjam, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050929jhp Iymery Steward Scribe Tomb door wine making painted relief Cairo Egypt Western cemetery mastaba carvings left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, upright, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050927jhp Iymery Steward Great Estate Scribe Archives Giza Egypt Western cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, landscape, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Giza Tomb Sign EG050926jhp Iymery Giza Egypt Western cemetery mortuary chapel sign information board at the entrance to this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, landscape, Mastaba, Western, cemetery, information, sign, marker, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Carved Statue Iymery EG050953jhp Iymery Steward serdab figure man carved statue stone alcove Giza Egypt Western cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, upright, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, serdab, statue, stone, carving, figure, man, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, marshes, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone

Egypt > Infra Red Photographs (5 files)

This is a collection of Infra Red Black & White film photographs taken of the main sites of mainly Ancient Egypt in the late 1990's and they give a very different feel to the sites with the particular ghostly effect of this specialised Kodak film. Sites covered include Abydos, Colossi of Memnon, Abydos temple, Osireion, Dendera Temple, Edfu Temple, Esna Temple, Esna Lock, Karnak Temple, Kom Ombo Temple, Luxor Temple, Philae Temple, Aswan Felucca; River Nile cruise, Pyramids of Giza and The Sphinx
Abydos InfR EG98116jhp Abydos Egyptian Temple infra red B&W ghostlike entrance Sety pylon carvings royal monument limestone, situated at the most important and one of the oldest necropolis sites of ancient Egypt is the home of Osiris and the imposing structure in the photograph is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico viewed from this spot. There are many important elements to this temple and include an extensive King’s List and the spectacular remains of the Cenotaph to Sety 1, the Osireion. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Visits to Abydos are not usually included in standard Nile cruise packages and are usually arranged a private excursions from Luxor usually by road. In addition the trip can be extended to visit the Ptolemaic Dendera Temple near Qena although this temple is often organised as a separate excursion as par of a day Nile cruise from Luxor. If visiting Abydos make extra time for a visit by foot to the nearby small temple of Ramasses 11 which has some of the most wonderfully colourful wall paintings open to daylight so easily photographed. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Ramses, painted, hieroglyphs, hall, ancestors, bulls, door, king-lists, second, approach, entrance, portico, pylon, court, flooded, water, table, island, Abedju, al-Madfunah, al-Ballyana, holiday, travel, upright, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, prehistory, prehistoric, dynastic, temples, palimpsest, layers, plaster, over-writing, UFO, lintel, helicopter, submarine, God, canine, necropolis, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, memnonium, ablution, tanks, first, hypostyle, Menes, Horus, Amun, Ptah, Re-Horakhty, Ptah-Sokar, Nefertem, Graeco-Roman, statues, colonnade, sunlight, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Abydos InfR EG98115jhp Abydos Egypt Temple infra red film B&W ghostly Osireion cenotaph Seti blocks white limestone, situated at the most important and one of the oldest necropolis sites of ancient Egypt is the home of Osiris and the imposing structure in the photograph is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico viewed from this spot. There are many important elements to this temple and include an extensive King’s List and the spectacular remains of the Cenotaph to Sety 1, the Osireion. The photograph illustrates the Osireion, a cenotaph to Sety, completed by Merenptah but also a symbolic tomb for the God Osiris. This is now open to the air and is partly submerged but still its awesome size can still be appreciated with its megalithic granite blocks similar in appearance to the Valley Temple at Giza. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Visits to Abydos are not usually included in standard Nile cruise packages and are usually arranged a private excursions from Luxor usually by road. In addition the trip can be extended to visit the Ptolemaic Dendera Temple near Qena although this temple is often organised as a separate excursion as par of a day Nile cruise from Luxor. If visiting Abydos make extra time for a visit by foot to the nearby small temple of Ramasses 11 which has some of the most wonderfully colourful wall paintings open to daylight so easily photographed. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Ramses, painted, hieroglyphs, hall, ancestors, bulls, door, king-lists, second, approach, entrance, portico, pylon, court, flooded, water, table, island, Abedju, al-Madfunah, al-Ballyana, holiday, travel, upright, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, prehistory, prehistoric, dynastic, temples, palimpsest, layers, plaster, over-writing, UFO, lintel, helicopter, submarine, God, canine, necropolis, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, memnonium, ablution, tanks, first, hypostyle, Menes, Horus, Amun, Ptah, Re-Horakhty, Ptah-Sokar, Nefertem, Graeco-Roman, statues, colonnade, sunlight, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Abydos InfR EG98114jhp Abydos Egyptian infra red film B&W ghost blocks Osireion water open white limestone, situated at the most important and one of the oldest necropolis sites of ancient Egypt is the home of Osiris and the imposing structure in the photograph is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico viewed from this spot. There are many important elements to this temple and include an extensive King’s List and the spectacular remains of the Cenotaph to Sety 1, the Osireion. The photograph illustrates the Osireion, a cenotaph to Sety, completed by Merenptah but also a symbolic tomb for the God Osiris. This is now open to the air and is partly submerged but still its awesome size can still be appreciated with its megalithic granite blocks similar in appearance to the Valley Temple at Giza. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Visits to Abydos are not usually included in standard Nile cruise packages and are usually arranged a private excursions from Luxor usually by road. In addition the trip can be extended to visit the Ptolemaic Dendera Temple near Qena although this temple is often organised as a separate excursion as par of a day Nile cruise from Luxor. If visiting Abydos make extra time for a visit by foot to the nearby small temple of Ramasses 11 which has some of the most wonderfully colourful wall paintings open to daylight so easily photographed. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Ramses, painted, hieroglyphs, hall, ancestors, bulls, door, king-lists, second, approach, entrance, portico, pylon, court, flooded, water, table, island, Abedju, al-Madfunah, al-Ballyana, holiday, travel, upright, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, prehistory, prehistoric, dynastic, temples, palimpsest, layers, plaster, over-writing, UFO, lintel, helicopter, submarine, God, canine, necropolis, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, memnonium, ablution, tanks, first, hypostyle, Menes, Horus, Amun, Ptah, Re-Horakhty, Ptah-Sokar, Nefertem, Graeco-Roman, statues, colonnade, sunlight, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Abydos InfR EG98113jhp Abydos Egypt interior Temple infra red film B&W ghostly carvings monument white limestone, situated at the most important and one of the oldest necropolis sites of ancient Egypt is the home of Osiris and the imposing structure in the photograph is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico viewed from this spot. There are many important elements to this temple and include an extensive King’s List and the spectacular remains of the Cenotaph to Sety 1, the Osireion. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Visits to Abydos are not usually included in standard Nile cruise packages and are usually arranged a private excursions from Luxor usually by road. In addition the trip can be extended to visit the Ptolemaic Dendera Temple near Qena although this temple is often organised as a separate excursion as par of a day Nile cruise from Luxor. If visiting Abydos make extra time for a visit by foot to the nearby small temple of Ramasses 11 which has some of the most wonderfully colourful wall paintings open to daylight so easily photographed. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Ramses, painted, hieroglyphs, hall, ancestors, bulls, door, king-lists, second, approach, entrance, portico, pylon, court, flooded, water, table, island, Abedju, al-Madfunah, al-Ballyana, holiday, travel, interior, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, prehistory, prehistoric, dynastic, temples, palimpsest, layers, plaster, over-writing, UFO, lintel, helicopter, submarine, God, canine, necropolis, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, memnonium, ablution, tanks, first, hypostyle, Menes, Horus, Amun, Ptah, Re-Horakhty, Ptah-Sokar, Nefertem, Graeco-Roman, statues, colonnade, sunlight, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Abydos InfR EG98112jhp Abydos Egypt Temple infra red black white ghostly entrance Seti royal monument limestone, situated at the most important and one of the oldest necropolis sites of ancient Egypt is the home of Osiris and the imposing structure in the photograph is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico viewed from this spot. There are many important elements to this temple and include an extensive King’s List and the spectacular remains of the Cenotaph to Sety 1, the Osireion. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Visits to Abydos are not usually included in standard Nile cruise packages and are usually arranged a private excursions from Luxor usually by road. In addition the trip can be extended to visit the Ptolemaic Dendera Temple near Qena although this temple is often organised as a separate excursion as par of a day Nile cruise from Luxor. If visiting Abydos make extra time for a visit by foot to the nearby small temple of Ramasses 11 which has some of the most wonderfully colourful wall paintings open to daylight so easily photographed. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Ramses, painted, hieroglyphs, hall, ancestors, bulls, door, king-lists, second, approach, entrance, portico, pylon, court, flooded, water, table, island, Abedju, al-Madfunah, al-Ballyana, holiday, travel, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, prehistory, prehistoric, dynastic, temples, palimpsest, layers, plaster, over-writing, UFO, lintel, helicopter, submarine, God, canine, necropolis, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, memnonium, ablution, tanks, first, hypostyle, Menes, Horus, Amun, Ptah, Re-Horakhty, Ptah-Sokar, Nefertem, Graeco-Roman, statues, colonnade, sunlight, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Egypt > Luxor Nobles Tombs (27 files)

Photographs in this gallery are of the various Tombs of the Nobles on the West Bank if the Nile at Luxor in the area called Qurnet Murai
Luxor Nakht Tomb EG00679jhp Egyptian Luxor Tombs Nobles Nakht grapes fish ducks food preparing Tomb Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00678jhp Egypt ancient food Nakht grapes figs fish ducks baskets food feast pile Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00677jhp Egypt Luxor Astronomer Nakht honey wine food feast colours wall painting Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00676jhp Egyptian Luxor Tombs Nobles Nakht female harp player Tomb painted Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, musicians, women, flute, lute, harp, naked, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00675jhp Egyptian Luxor Tomb Noble Nakht food feast Tomb Colour Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00674jhp Egypt Luxor Nakht Tomb women servant lotus flower Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00673jhp Egypt Luxor Tombs Nobles Nakht women musicians naked Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, musicians, women, flute, lute, harp, naked, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00672jhp Egypt Luxor Tombs Nobles Nakht grapes food feast pile Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006714jhp Egypt Luxor Nakht Tomb tree Goddess Hathor food feast papyrus Colours Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006713jhp Egypt Luxor Tombs Nobles Nakht grapes wine making workmen Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006712jhp Egypt Luxor Tomb Noble Nakht grapes treading wine fowls workers Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006730jhp Egyptian Thebes Tombs Nobles Menna Marshland scene boat fishing fish water is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG9410023jhp Egypt Luxor Menna Wife Banquet eye damage food details Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 as this photo records and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji RDP 100asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 1994, Fuji, RDP, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006733jhp Egypt Luxor Tombs Nobles Menna colourful wine lotus flowers Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006732jhp Egypt Luxor Tomb Noble Menna marshland ducks ibis food hunting Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006731jhp Egyptian Luxor Noble Menna marshland fishing nets fish colours details Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006729jhp Egypt Luxor Tomb Mena herding Isis Horus mother unusual Anubis cattle Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. This depiction of the Goddess which I believe is Isis is very unusual with Horus on her head and I have not been able to find it elsewhere shown in my reference books or on the Internet. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006728jhp Egypt Thebes Noble Menna Scribe cattle Isis Horus ankh Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006727jhp Egypt Luxor Tombs Nobles Menna Banquet Wall covering colourful Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006726jhp Egyptian Luxor Tomb Noble Menna Scribe Royal Tomb Reliefs walls room is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006725jhp Egypt Luxor Tomb Noble Menna Wife Banquet scene Scribe Royal Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006724jhp Egypt Luxor Tombs Nobles Menna Scribe harvest farming scenes painted is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006723jhp Egypt Thebes Tomb Noble Mena Osiris seated colourful Relief God offering is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006722jhp Egypt Luxor Noble Menna Wife offering Osiris God food Scribe Royal Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006721jhp Egypt Luxor Menna Tomb Osiris Offering scenes Room ceiling walls is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006720jhp Egypt Luxor Tombs Nobles Menna Scribe Royal banquet eyes missing colors is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006719jhp Egypt Luxor Tombs Nobles Menna Mena Scribe offering table colours details Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm

Egypt > Outlying Pyramids (1 file)

Pictures of pyramids and scenery related to them outwith the main sites of Giza and Saqqara such as Abusir, Dashur, El Lisht, Meydum and Hawara
El Lisht Camel Train eg00727jhp Lisht village Egyptian life camels transporting palm fronds street scene was spotted driving through the village enroute to the two Lisht pyramids of Amenemhet and Senwsoret on the desert escarpment south of a trip from visiting the Dashur necropolis. Definitely need a great taxi driver who can navigate his way to these outlying sites, finding the local custodian and also managing not to get bogged down in the sand once away from the plantations. Keywords: Egypt, Egyptian, River, Nile, al-Lisht, el-Lisht, village, street, scene, camel, camels, train, historic, animals, beasts, carrying, transporting, palm, fronds, el-Fayoum, Faiyum, Fayyum, daily, life, natural, native, fuel, tanker, houses, flats, balcony, Libayni, canal, al-Mataniyyah, desert, escarpment, ancient, history, antiquity, holiday, travel, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape

Scotland > Aberdeen City (1 file)

This gallery includes all photographs connected with Aberdeen city from buildings, churches, streets, public parks, gardens, the University, Harbour and the beach. Places covered included Union Terrace Gardens, Cowdray Hall, Rosemount, HM Theatre, William Wallace Statue, Union Street, Castlegate, Citadel, Town House, Provost Skene House, Marsicahl College, Woolmanhill, Denburn Carpark, Johnston Gardens, Victoria Park, Duthie Park, Hazlehead Park, Piper Alpha Memorial, Seaton Park, Kings College, Elphinstone, Old Aberdeen, Fittie, Bridge of Don, AECC, Garthdee, Torry, Nigg, Pocra Quay
Aberdeen Johnston Garden xvv2927jhp Johnston Gardens Aberdeen City Scottish autumn lily golden rayed to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, restaurant, pond, bridge, Britain in Bloom, flowers, lily, golden, rayed, pink, red, spotted, rhododendrons, azaleas, seat, rest, roses, pink, red, yellow, green, summer, vibrant, colorful, colourful, colours, colors

Scotland > Aberdeenshire (5 files)

This gallery includes rural, scenic and landscape subjects of the Shire, including Kincardineshire, Mearns, Garioch, Buchan Strathbogie and Mar.
Pitfichie Castle bnm7480jhp River Don Pitfichie Castle Bennachie summer sunshine farmland Monymusk bridge Donside Aberdeenshire in North East Scotland looking westwards towards Pitfichie Castle, a private building, and the forest of the same name in the shadow on sunny morning. This spot on the road bridge over the River Don between Blairdaff and Monymusk is also distinct view to Bennachie summit is the small dimple on the right and is the site of a vitrified Pictish fort including the River Don after it leaves Paradise Woods and hill is a distinct outline clearly viewed from many parts of Aberdeenshire Keywords: Scotland, Scottish, Grampian, Aberdeenshire, River, Don, Donside, Mar, Pitfichie, Castle, Monymusk, Bennachie, hill, landscape, road, bridge, sunshine, sun, sunny, summer, morning, sparkling, water, reflections, glass, shining, riverbanks, trees, vitrified, fort, forest, Paradise Woods, colours, trees, bridge, June, 2017, DSLR, digital, Nikon, D700
Bognie Ruin bnm2033jhp Bognie Castle house Huntly road Aberchirder Scottish winter ruined sunny photo taken from the roadside north of Huntly on the A97 to Aberchirder and very easily spotted to the east side. The ruin, probably originally a large four storey family house with little evidence of being a defensive fort in the usual manner seen around Aberdeenshire is thought to have been built in the 17th Century by the Clan Morrison around 1660. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Buchan, Huntly, Aberchirder, Bognie, Mains, Bogniebrae, Conzie, castle, ruin, farming, trees, landscape, upright, March, winter, 17th Century, Morrisons, Clan, 2016, Nikon, camera, DSLR, digital, telephoto
Bognie Ruin bnm2030jhp Bognie Conzie Castle Buchan Aberdeenshire Scotland ruin Bogniebrae winter March photo taken from the roadside north of Huntly on the A97 to Aberchirder and very easily spotted to the east side. The ruin, probably originally a large four storey family house with little evidence of being a defensive fort in the usual manner seen around Aberdeenshire is thought to have been built in the 17th Century by the Clan Morrison around 1660. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Buchan, Huntly, Aberchirder, Bognie, Mains, Bogniebrae, Conzie, castle, ruin, farming, trees, landscape, March, winter, 17th Century, Morrisons, Clan, 2016, Nikon, camera, DSLR, digital, telephoto
Wintry Morven Leys View VS3372JHp Morven Hill Snow Loch Leys autumn reeds Royal Deeside Scottish Aberdeenshire near the town of Banchory and situated some 18 miles west of Aberdeen in North East Scotland. The hill covered in early snow is many miles west near Tarland but because of the topography shows clearly on the horizon from the low spot to the north of Banchory and was often the first real sign of the on set of winter. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Banchory, Loch, Leys, Morven, Hill snow, autumn, Royal Deeside, scrub, bushes, trees, landscape
Virgin Balloon Bennachie VS2037JHP Hot Air Balloon in this opportunist photograph with good timing when I spotted the Virgin hot-air balloon flying towards the summit of Bennachie near the Pittodrie Hotel in Aberdeenshire Keywords: Scotland, Scottish, Grampian, Aberdeenshire, River Don, Donside, Mar, Chapel Garioch, Bennachie, Virgin, balloon, hot air, excursion, evening, autumn, floating, flying, soaring, landscape, vitrified, fort, Picts, woods, public, walks, sky, countryside, rural, nature, colourful, colorful, coloured, colored, peaceful, quiet

Scotland > Clouds, Sunsets, Dawns and Weather (2 files)

The gallery has images of weather related subjects from clouds to dawns and sunrises, NLC or noctilucent clouds nights, moon to sun rings, rainbows, double rainbows, meteors, shooting stars, Perseids. The range of clouds includes cirrus, storm clouds, white puffy fair weather clouds, monster cloud formations, haar, sun beams, lenticular, mama, a wide range of different meteorological structures and types.
Cloud Shape bnm9349jhp Cloud interesting shape white blue sky Deeside Dinnet Scotland broom summer weather and although not perhaps calendar material are none the less great photography subjects. Their shapes and size make them a subject I enjoy photographing and are a truer reflection perhaps of the great mix of weather and light we have in the North East of Scotland. These clouds were taken at the Dinnet Glider strip layby were a morning but they changed very quickly for when I first spotted them they were far more like a large question mark but when I got to the layby, the first safe pull off place in about 5 mins they had moved and compacted quite significantly. Part of the old adage, always have your camera handy, as capturing those unusual natural events can be a matter of minutes. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, River, Dee, Aboyne, Dinnet, glider, landing, club, layby, Royal, Deeside, 2017, summer, August, Nikon, D700, DSLR, digital, camera, landscape, morning, clouds, unusual, shapes, weather, meteorological, classification, groups, low, medium, high, altitude, Cl, Cm, Ch, optical, phenomena, cumulus, vertical, extent, cumulonimbus, fibrous, altocumulus, altostratus, nimbostratus, countryside, rural, forest, fields, farmland, nature, colourful, colorful, coloured, colored, peaceful, quiet, sun, rain, showers, storms, haze, dust, ice, water, droplets, blue, white, grey, brown, beautiful, shapes, scale, size, height, highlights, sunshine, edges, broom
Cloud Shape bnm9348jhp Clouds interesting shapes white blue sky Deeside Dinnet Scottish summer weather and although not perhaps calendar material are none the less great photography subjects. Their shapes and size make them a subject I enjoy photographing and are a truer reflection perhaps of the great mix of weather and light we have in the North East of Scotland. These clouds were taken at the Dinnet Glider strip layby were a morning but they changed very quickly for when I first spotted them they were far more like a large question mark but when I got to the layby, the first safe pull off place in about 5 mins they had moved and compacted quite significantly. Part of the old adage, always have your camera handy, as capturing those unusual natural events can be a matter of minutes. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, River, Dee, Aboyne, Dinnet, glider, landing, club, layby, Royal, Deeside, 2017, summer, August, Nikon, D700, DSLR, digital, camera, landscape, upright, morning, clouds, unusual, shapes, weather, meteorological, classification, groups, low, medium, high, altitude, Cl, Cm, Ch, optical, phenomena, cumulus, vertical, extent, cumulonimbus, fibrous, altocumulus, altostratus, nimbostratus, countryside, rural, forest, fields, farmland, nature, colourful, colorful, coloured, colored, peaceful, quiet, sun, rain, showers, storms, haze, dust, ice, water, droplets, blue, white, grey, brown, beautiful, shapes, scale, size, height, highlights, sunshine, edges, broom

Scotland > Flora and Fauna (6 files)

Gallery of Scottish photographs of plants, flowers, such as bluebells, harebells, Dames Rocket, broom, gorse, fox gloves, poppies; trees such as gean, silver birch, pines, Scots Pines, larch, and a few wild animals such as birds, hare, pheasants, roe deer, red squirrels, insects, butterflies such as peacocls, red admirals, tortoiseshell, although I am not a wildlife photographer as such.
Peacocks Sun Bathing qax2868jhp Butterfly peacocks sun basking dorsal reflectance concrete slab ground Deeside Scottish summer photograph taken as they fly from the buddleia’s for short periods to these spots directly in the sun here they will boost their body temperatures both from the sun and also the heat stored in this case a concrete slabon the ground. Butterflies are cold blooded and require a certain body heat to be able to fly and this is one method they use to keep them mobile and on this day it was clouding over periodically. Numbers this summer of 2018 are marginally down on a decade ago but my maximum daily count by the end of August 2018 on the most sunny days has been well in excess of 50 peacocks, three Red Admirals and an occasional Small Tortoiseshell. I am hoping that my planned planting of another dozen buddleias around the wild garden to add to the 6 established ones will boost numbers. The bees have been very busy all summer and a bumper crop of apples is evidence they did their job in the spring. Keywords: Scotland, Scottish, Britain, Grampian, Aberdeenshire, Deeside, countryside, rural, wildlife, landscape, autumn, sunny, sunlight, heat, basking, reflectance, dorsal, butterfly, butterflies, aristocrats, peacock, inachis io, eyes, defence, pattern, wings, red, admiral, vanessa, atalanta, buddleia, bright, colours, black, white, stone, wall, house, gable, concrete, slab, August, 2018, Nikon, DSLR, D700, camera, 28-200mm, digital camera, photograph, photo
Peacocks Sun Bathing qax2856jhp Butterfly peacocks sun basking dorsal reflectance wall house gable Deeside Scotland summer photograph taken as they fly from the buddleia’s for short periods to these spots directly in the sun here they will boost their body temperatures both from the sun and also the heat stored in the stone or concrete. Butterflies are cold blooded and require a certain body heat to be able to fly and this is one method they use to keep them mobile. Numbers this summer of 2018 are marginally down on a decade ago but my maximum daily count by the end of August 2018 on the most sunny days has been well in excess of 50 peacocks, three Red Admirals and an occasional Small Tortoiseshell. I am hoping that my planned planting of another dozen buddleias around the wild garden to add to the 6 established ones will boost numbers. The bees have been very busy all summer and a bumper crop of apples is evidence they did their job in the spring. Keywords: Scotland, Scottish, Britain, Grampian, Aberdeenshire, Deeside, countryside, rural, wildlife, landscape, autumn, sunny, sunlight, heat, basking, bathing, reflectance, dorsal, butterfly, butterflies, aristocrats, peacock, inachis io, eyes, defence, pattern, wings, red, admiral, vanessa, atalanta, buddleia, bright, colours, black, white, stone, wall, house, gable, concrete, slab, August, 2018, Nikon, DSLR, D700, camera, 28-200mm, digital camera, photograph, photo
Peacock & Fritillary bnm9025jhp Butterfly peacock aristocrat fritillary dark green buddleia feeding Deeside Scottish Aberdeenshire summer photograph as they feed and fly between different buddleia bushes. Numbers are better this year, 2017, although still down on 20 years ago when 100plus was not unusual. So far this year I have counted over 50 at one time, mainly Peacocks and Red Admirals with a couple of Small Tortoiseshells and one Dark Green Fritillary but some good sunny spells seems to have got them active. One surprise was to find a Golden Ringed Dragonfly hanging from a buddleia early in the morning, no movement of any kind while I photographed it but it had gone 10 mins later when I came out again. Keywords: Scotland, Scottish, Britain, Grampian, Aberdeenshire, Deeside, countryside, rural, wildlife, landscape, summer, sunny, butterfly, peacock, Inachis io, butterflies, fritillaries, Argynnis aglaja, defence, lively, skimming, skittish, pattern, wings, black, small, dark, green, underside, hind, spotted, curves, dots, triangles, arrow-heads, brown, wings, caterpillars, spiny, red spots, buddleia, bright, colours, colourful, purple, mauve, orange, August, 2017, Nikon, DSLR, D700, camera, 28-105mm macro lens, AF Nikkor
Red Admiral Butterfly fgh3390jhp Butterfly red admiral Aristocrat buddleia feeding Deeside Scotland summer photograph as they feed and fly between different buddleia bushes. Photographed towards the end of August after a spell of hot weather this was the only one spotted this year. Numbers are certainly down on previous years but a spell of sunny weather seems to have got them active especially the Peacocks which are in abundance. Keywords: Scotland, Scottish, Britain, Grampian, Aberdeenshire, Deeside, countryside, rural, wildlife, landscape, summer, sunny, butterfly, butterflies, aristocrats, defence, pattern, wings, red, black, white, patches, admiral, admirable, vanessa, atalanta, buddleia, bright, colours, black, white
Large White Butterfly fgh3410jhp Butterfly large white cabbage Pieris brassicae buddleia red admiral Scottish summer photographed as it feeds and flies between different buddleia bushes and in this case sharing it with a Red Admiral. Several where regular feeders this year but are very easily disturbed compared to the peacocks and tortoiseshell’s which were in abundance this summer. Keywords: Scotland, Scottish, Britain, Grampian, Aberdeenshire, Deeside, countryside, rural, wildlife, landscape, summer, sunny, butterfly, butterflies, whites, large, cabbage, pieris, brassicae, white, black, spots, wingtips, aristocrats, defence, pattern, wings, red, patches, admiral, admirable, vanessa, atalanta, buddleia, bright, colours, black, white
Large White Butterfly fgh3407jhp Butterfly large white cabbage Pieris brassicae buddleia feeding Deeside Scottish summer photographed as it feeds and flies between different buddleia bushes. Several where regular feeders this year but are very easily disturbed compared to the peacocks and tortoiseshell’s which were in abundance this summer. Keywords: Scotland, Scottish, Britain, Grampian, Aberdeenshire, Deeside, countryside, rural, wildlife, landscape, summer, sunny, butterfly, butterflies, whites, large, cabbage, pieris, brassicae, white, black, spots, wingtips, defence, pattern, wings, buddleia, bright, colours, black, white

Scotland > Historic Properties (2 files)

This gallery has photographs of Scottish Castles and Fortresses, Stately Homes and Gardens, old churches or kirks and includes most of the following:
Auchindoir Church; Auchindoun Castle; Balmoral Castle; Balvenie Castle; Bass of Inverurie; Bellabeg Motte; Braemar Castle; Brodie Castle; Castle Fraser; Corgarff Castle; Corrichie Monument; Corse O’Neil Castle; Craigellachie Bridge; Crathes Castle; Crathie Kirk; Dalgetie Castle; Deer Abbey; Drum Castle; Duff House; Duffus Castle; Dunnideer; Dunnottar Castle; Elgin Cathedral; Esslemont Castle; Fasque House; Fetternear House; Findlater; Fordyce; Fyvie Castle; Gairnshiel Bridge; Glenbuchat Castle; Haddo House; Hallforest Castle; Huntly Castle; Inchdrewer Castle; Invercauld Bridge O’Dee; Kildrummy Castle; Kincardine O’Neil Kirk; Kindrochit Castle; Kinloss Abbey; Kinneff Church; Knock Castle; Leith Hall; Mar Lodge; Marnoch Kirkyard; Mid Mar Kirk; Monymusk Kirk; Peel of Lumphanan; Pitmedden Gardens; Pluscarden Priory or Abbey; Ruthven Barracks; Slains Castle; Tolquhon Castle; Tullich Kirk; Fort George;
Bognie Castle qwe3055jhp Bognie Conzie Castle Huntly Buchan Aberdeenshire Scotland ruin Bogniebrae photo taken from the roadside north of Huntly on the A97 to Aberchirder and very easily spotted to the east side. The ruin, Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Buchan, Huntly, Aberchirder, Bognie, Mains, Bogniebrae, Conzie, castle, ruin, farming, trees, landscape, March, spring, 17th Century, Morrisons, Clan
Bognie Castle qwe3053jhp Bognie Conzie Castle Huntly Buchan Aberdeenshire Scotland ruin Bogniebrae photo taken from the roadside north of Huntly on the A97 to Aberchirder and very easily spotted to the east side. The ruin, Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Buchan, Huntly, Aberchirder, Bognie, Mains, Bogniebrae, Conzie, castle, ruin, farming, trees, landscape, March, spring, 17th Century, Morrisons, Clan

Scotland > Other Scotland (5 files)

Photographs taken in the mid 90's mainly for the AA Publishing & Ordnance Survey Highland and Islands Guide book using transparency film covering the Highlands of Scotland from Inverness, northwards through Easter Ross to Wick and Thurso, along the Northern Coast, down the West Coast, including the Islands of Skye and Mull. Other material included was gathered for other AA Publishing Guides including Shetland, Pitlochry and Tayside. New photographs are now included from 2012 book commission travels in Angus, Perth, Kinross, Trossachs and Tayside.
Queens View Tummel rty0068jhp Loch Tummel Queen’s View westwards moody evening Schiehallion water clouds looking westwards to Rannoch with the mountain of Schiehallion on the left, a popular tourist spot near Pitlochry in the Tayside region of central Scotland run by Forest Enterprise with large pay carpark and visitors centre and restaurant. Keywords: Scotland, Scottish, Tayside, Pitlochry, Loch, Tummel, viewpoint, water, trees, hills, Schiehallion, mountain, Queen’s View, landscape, summer, Rannoch, Faskally, forest, enterprise, centre, clouds, evening, moody, light, reflections
Queens View Tummel rty0063jhp Loch Tummel Queen’s View public viewpoint Tayside Scotland Schiehallion clouds looking westwards to Rannoch with the mountain of Schiehallion on the left, a popular tourist spot near Pitlochry in the Tayside region of central Scotland run by Forest Enterprise with large pay carpark and visitors centre and restaurant. Keywords: Scotland, Scottish, Tayside, Pitlochry, Loch, Tummel, viewpoint, water, trees, hills, Schiehallion, mountain, Queen’s, View, upright, summer, Rannoch, Faskally, forest, enterprise, centre, clouds, evening, moody, light, reflections
Queens View Tummel rty0060jhp Loch Tummel Queen’s View viewpoint Scottish Schiehallion west moody clouds looking westwards to Rannoch with the mountain of Schiehallion on the left, a popular tourist spot near Pitlochry in the Tayside region of central Scotland run by Forest Enterprise with large pay carpark and visitors centre and restaurant. Keywords: Scotland, Scottish, Tayside, Pitlochry, Loch, Tummel, viewpoint, water, trees, hills, Schiehallion, mountain, Queen’s View, landscape, summer, Rannoch, westwards, Faskally, forest, enterprise, centre, clouds, evening, moody, light, reflections
Queens View Tummel 131078JHP Loch Tummel Queen's View public viewpoint westwards Rannoch Scotland Tayside with distant distinct shape of the mountain of Schiehallion on the left, a popular tourist spot near Pitlochry in the Tayside region of central Scotland. Keywords: Scotland, Scottish, Tayside, Pitlochry, Loch, Tummel, viewpoint, water, trees, hills, Schiehallion, Queen's View, upright, scanned, transparency, Rannoch
Loch Tummel Queens View 131072JHP Loch Tummel Queen's View viewpoint west Rannoch Scottish Schiehallion mountain on the left, a popular tourist spot near Pitlochry in the Tayside region of central Scotland. Keywords: Scotland, Scottish, Tayside, Pitlochry, Loch, Tummel, viewpoint, water, trees, hills, Schiehallion, mountain, Queen’s View, landscape, scanned, transparency, Rannoch

Scotland > Rivers, Glens & Lochs (2 files)

The gallery has photographs of Scottish lochs, glens and pictures associated directly with particular rivers in Scotland such as the River Dee, Don, Feugh, Urie, Deveron, Tanar, Dye, and Glen of Dee, Glen Muick and Glenbuchat.
Crathes Rainbow bnm6581jhp Double rainbow colourful Deeside spring Scottish River Dee Crathes bridge weather evening sunlight and although not perhaps calendar material are none the less great photography subjects. Captured by accident returning from dropping friends off at Aberdeen Train Station and spotted the bright sunshine and showers, always a goof oemn for rainbows. The shapes, size and often awesome sense of power of clouds and often couple with rain storms and rainbows make them a subject I enjoy photographing and are a truer reflection perhaps of the great mix of weather and light we have in the North East of Scotland. One big headache is the rain that creates them so lenses have to be kept dry or covered as much as possible and it also appears in the images are short lines as it falls catching the sunlight although in these photos not a problem. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, River Dee, Dee, Crathes, Bridge, road, south, eastwards, landscape, rainbow, double, colours, colors, clouds, bands, prism, unusual, shapes, weather, meteorological, phenomena, cumulus, countryside, nature, field, grass, autumn, evening, sun, sunshine, sunny, rain, raining, showers, storms, white, brown, grey, curved, bend, shapes, height, dramatic, moody, Nikon, 2017, April, digital, FX camera, D700, DSLR, 16mm wide angle
Invercauld Dee Heather UP663703JHP River Dee Invercauld Royal Deeside Aberdeenshire Scotland heather downstream riverbank by Old Brig with its famous shape and popular tourist spot giving walking access to the western part of Balmoral Castle. Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, River Dee, Royal Deeside, summer, heather, landscape, rocks, water, Ballochbuie, forest, trees

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