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Aurora over Scotland (220 files)

Aurora Borealis or Northern Lights displays photographed taken over Aberdeeshire in Scotland since 1989 covering some 350 events with arc, rays, coronas with a wide rnage of shapes and colours
Aurora over Stone Circle SO0213981jhp Scotland Aurora Borealis Orion Pleiades Corona green zenith celestial wings from Tomnaverie Bronze Age stone circle site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south the last of the digital photos was taken at 00.18.10hrsUT for 10secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213980jhp Scotland flanker monolith Aurora Borealis Orion Pleiades Corona green zenith wings Tomnaverie Bronze Age stone circle site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 00.17.20hrsUT for 16secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213979jhp Scotland flanker Stones Aurora Borealis south Pleiades Corona green zenith wings Tomnaverie Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 00.16.23hrsUT for 16secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213978jhp Scottish flanker above Aurora Borealis south Orion Pleiades Corona zenith wings Tomnaverie Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 00.15.11hrsUT for 17secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213977jhp Scottish Stone Circle Aurora Borealis south Orion Pleiades Tarland Tomnaverie Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 00.14.32hrsUT for 13secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213975jhp Scotland Stone Circle Aurora Borealis above flanker red colours rays North Tarland Tomnaverie Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the north in the direction of Tarland was taken at 00.12.47hrsUT for 16secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213974jhp Scotland Stone Circle Aurora Borealis Corona red colours rays Plough North Tarland Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the north in the direction of Tarland was taken at 00.12.18hrsUT for 13secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213973jhp Scotttish Stone Circle Aurora Borealis Corona arms colours rays Tarland Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the north west in the direction of Morven was taken at 00.00.36hrsUT for 14secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213970jhp Deeside Stone Circle Aurora Borealis Corona dome rays Tarland Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the north west in the direction of Tarland was taken at 23.58.42hrsUT for 15secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213967jhp Scotland Stone Circle Aurora Borealis Corona rays recumbent Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.56.31hrsUT for 12secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213959jhp Scottish Stone Circle Aurora Borealis Corona red green rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.27.22hrsUT for 20secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213956jhp Scotland Aurora Borealis corona building red green rays dome stone Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.25.12hrsUT for 15secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213955jhp Scottish Aurora Borealis corona building red green rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.24.10hrsUT for 15secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213954jhp Scottish Aurora Borealis sweeping red green rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.23.29hrsUT for 14secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213952jhp Scotland Stone Circle Aurora Borealis sweeping red rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.21.36hrsUT for 19secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213951jhp Scottish Stone Circle Aurora Borealis sweeping arms Stars rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.20.58hrsUT for 13secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213949jhp Scottish Stone Circle Aurora Northern Lights Corona Orion Stars red rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.19.04hrsUT for 16secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213947jhp Scottish Stone Circle Aurora Borealis Corona Orion Stars rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.15.05hrsUT for 16secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213946jhp Scotland Stone Circle Aurora Borealis Corona activity rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.13.18hrsUT for 15secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213943jhp British Stone Circle Aurora Borealis Corona dome zenith Pleiades Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.08.44hrsUT for 13secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control but this early exposure is on the short side. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213942jhp Scottish Stone Circle Aurora Borealis Corona dome Pleiades Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.08.14hrsUT for 10secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control but this early exposure is on the short side. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213941jhp Stone Circle Aurora Borealis Corona Orion flanker red ray Tarland Deeside winter Scotland Tomnaverie recumbent and flankers of the Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo was taken at 22.57.10hrsUT for 13secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control but this early exposure is on the short side. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213940jhp Scottish Stone Circle RSC Aurora Borealis Corona west red ray Tarland Deeside Scotland Tomnaverie recumbent and flankers of the Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo was taken at 22.56.13hrsUT for 12secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control but this early exposure is on the short side. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213939jhp Stone Circle Aurora Borealis Corona Orion red ray Tomnaverie Deeside Scotland recumbent and flankers of the Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo was taken at 22.55.46hrsUT for 11secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control but this early exposure is on the short side. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213937jhp Scottish Stone Circle Aurora Borealis Corona Orion red ray Deeside Scotland Tomnaverie recumbent and flankers of the Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo was taken at 22.34.58hrsUT for 8secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control but this early exposure is on the short side. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, upright, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Cloudy Display aucf12838jhp Aurora Borealis Scotland Corona zenith green red rays Orion South stars cottage roof Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This last photo was taken at 02.28.39hrsUT for 23secs, showing strong red oxygen background light looking southwards marked by Orion in its winter position to the north and a very rare position in which to see Aurora displays at the end of this digital sequence and when cloud cover stopped further viewing. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora and Cloud aucf11103jhp Aurora Borealis Scotland autumn October clouds red ray northwards Deeside Aberdeenshire Scotland two photos taken on the evening of the 15th October, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 23.29.10hrsUT for 18secs showing strong red ray activity from a very low grade arc and the constellation Ursa Major, The Plough or Big Dipper is just hidden behind the increasing cloud cover. I took 4 frames over 30 mins, so cloud cover stopped me photographing more of the display using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. There was a full moon that night sitting off to the east of this north facing display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora and Cloud aucf11102jhp Aurora Borealis Scottish Ursa Major October clouds faint rays northwards Deeside Aberdeenshire Scotland two photos taken on the evening of the 15th October, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 23.05.37hrsUT for 17secs showing faint suggestion of ray activity with the yellow green oxygen gas in low grade arc and the constellation Ursa Major, The Plough or Big Dipper is just discernible behind the increasing cloud cover. I took 4 frames over 30 mins, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. There was a full moon that night sitting off to the east of this north facing display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Active Aurora Display aucf11704jhp Aurora Borealis Scottish October autumn fading rays west Deeside Aberdeenshire Scotland four photos taken on the evening of the 21st October, 2003 at Crooktree, 25 miles west of Aberdeen looking to the north. This photo was taken at 22.58.52hrsUT for 20secs showing fading red and ray activity from a fragmented green arc towards the west. I took 4 frames over 4mins, before the display faded away using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October and again I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Active Aurora Display aucf11703jhp Aurora Borealis Scottish October autumn active rays colourful Deeside Aberdeenshire Scotland four photos taken on the evening of the 21st October, 2003 at Crooktree, 25 miles west of Aberdeen looking to west of north. This photo was taken at 22.56.03hrsUT for 19secs showing strong red and green ray activity from a fragmented arc towards the west. I took 4 frames over 4mins, before the display faded away using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October and again I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Active Aurora Display aucf11702jhp Aurora Borealis Scottish Northern Lights autumn active rays colourful Deeside Aberdeenshire Scotland four photos taken on the evening of the 21st October, 2003 at Crooktree, 25 miles west of Aberdeen looking to the north. This photo was taken at 22.55.19hrsUT for 20secs showing strong red and green ray activity from a fragmented arc and the constellation Ursa Major, The Plough or Big Dipper. I took 4 frames over 4mins, before the display faded away using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October and again I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Active Aurora Display aucf11701jhp Aurora Borealis Scotland autumn active rays colourful Deeside Aberdeenshire Scotland four photos taken on the evening of the 21st October, 2003 at Crooktree, 25 miles west of Aberdeen looking to west of north in the direction of Kincardine O’Neil. This photo was taken at 22.54.41hrsUT for 19secs showing strong red and green ray activity from a fragmented arc and the tail of the constellation Ursa Major, The Plough or Big Dipper on the right of frame. I took 4 frames over 4mins, before the display faded away using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October and again I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9565jhp Aurora Northern Lights Plough nitrogen faint rays fading display Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.13.32hrsUT for 20secs showing faint multiple ray activity with the yellow green oxygen gas in a waning arc as the display fades and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9563jhp Aurora Northern Lights Big Dipper purple nitrogen faint rays Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.09.46hrsUT for 17secs showing faint multiple ray activity with the yellow green oxygen gas in a waning arc as the display fades and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9561jhp Aurora Borealis Scottish Plough August nitrogen ray eastwards Deeside Torphins lights Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.42.46hrsUT for 19secs showing faint purple nitrogen ray activity over Torphins lights with the yellow green oxygen gas in a breaking arc and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9557jhp Aurora Borealis Scotland August purple nitrogen faint rays fragmented arc northwards Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.37hrsUT for 19secs showing faint multiple ray activity with the yellow green oxygen gas in a breaking arc and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9553jhp Aurora Northern Lights Scottish summer purple nitrogen faint rays northwards Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.30.03hrsUT for 16secs showing faint multiple ray activity with the yellow green oxygen gas in a breaking arc and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9552jhp Aurora Borealis Scottish Ursa Major August purple nitrogen faint rays northwards Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.29.04hrsUT for 20secs showing faint multiple ray activity with the yellow green oxygen gas in a breaking arc and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9550jhp Aurora Borealis Scottish Northern Lights summer purple nitrogen rays northwwards Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 27.43hrsUT for 17secs showing faint multiple ray activity with the yellow green oxygen gas in a breaking arc and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9549jhp Aurora Borealis Scottish Big Dipper August purple nitrogen rays northwwards Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.26.59hrsUT for 17secs showing faint multiple ray activity with the yellow green oxygen gas in a breaking arc and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9547jhp Aurora Borealis Scotland East summer Torphins moon purple nitrogen ray Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.24.41hrsUT for 17secs showing single nitrogen ray activity with the yellow green oxygen gas in a breaking arc loking eastwards over the lights of Torphins with a full moon to the right of the frame. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9546jhp Aurora Borealis Scottish Plough summer yellow green arc North faint rays Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.19.41hrsUT for 17secs showing faint multiple ray activity with the yellow green oxygen gas in a breaking arc and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9545jhp Aurora Borealis Scotland Plough summer August 2003 green arc faint rays Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.19.04hrsUT for 20secs showing faint multiple ray activity with the yellow green oxygen gas in a breaking arc and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora First Digital auSM3916jhp Aurora Borealis Scottish red North waning winter March 2003 Deeside Aberdeenshire Scotland taken on the morning of the 30th March 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.35hrsUT showing a waning display behind treetop aligned North and was taken at the end of the second evening’s activity after I stopped using slide film around 23.40hrs UT. This photo was taken with a Fuji Finepix S2 digital camera, the first time I used a digital camera for Aurora photography and a major departure from the years of using 35mm slide film. It was set at an ISO of 1600 to match the same sensitivity used for slide film, push developing 400asa Fuji to 1600asa with exposures set around the 20 second mark and lens aperture of f2.8 and the quality results i.e. noise factor was better than a corresponding grain pattern with pushed slide film. This particular photo was exposed for 11 secs with a 19mm focal length. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 2003, March, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, Fuji, Finepix, S2Pro, DSLR, digital, camera, earliest
Aurora First Digital auSM3915jhp Aurora display Scotland clouds cover decreasing winter March 2003 Deeside Aberdeenshire Scotland taken on the morning of the 30th March 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.34hrsUT showing a waning display behind increasing cloud cover and was taken at the end of the second evening’s activity after I stopped using slide film around 23.40hrs UT. This photo was taken with a Fuji Finepix S2 digital camera, the first time I used a digital camera for Aurora photography and a major departure from the years of using 35mm slide film. It was set at an ISO of 1600 to match the same sensitivity used for slide film, push developing 400asa Fuji to 1600asa with exposures set around the 20 second mark and lens aperture of f2.8 and the quality results i.e. noise factor was better than a corresponding grain pattern with pushed slide film. This particular photo was exposed for 23 secs with a 19mm focal length. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 2003, March, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, Fuji, Finepix, S2Pro, DSLR, digital, camera, earliest
Aurora First Digital auSM3913jhp Aurora Borealis Scotland clouds active rays arc winter March 2003 Cassiopeia Deeside Aberdeenshire Scotland taken on the evening of the 30th March 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.30.30hrsUT showing strong patches of green arc with some strong ray activity developing and was taken at the end of the second evening’s activity after I stopped using slide film around 23.40hrs UT. This photo was taken with a Fuji Finepix S2 digital camera, the first time I used a digital camera for Aurora photography and a major departure from the years of using 35mm slide film. It was set at an ISO of 1600 to match the same sensitivity used for slide film, push developing 400asa Fuji to 1600asa with exposures set around the 20 second mark and lens aperture of f2.8 and the quality results i.e. noise factor was better than a corresponding grain pattern with pushed slide film. This particular photo was exposed for 16 secs with a 19mm focal length. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 2003, March, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, Fuji, Finepix, S2Pro, DSLR, digital, camera, earliest
Aurora First Digital auSM3912jhp Aurora display Cassiopeia Scottish cloud moving rays winter green arc March 2003 Deeside Aberdeenshire Scotland taken on the evening of the 30th March 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.30.12hrsUT showing strong patches of green arc with some strong ray activity developing and was taken at the end of the second evening’s activity after I stopped using slide film around 23.40hrs UT. This photo was taken with a Fuji Finepix S2 digital camera, the first time I used a digital camera for Aurora photography and a major departure from the years of using 35mm slide film. It was set at an ISO of 1600 to match the same sensitivity used for slide film, push developing 400asa Fuji to 1600asa with exposures set around the 20 second mark and lens aperture of f2.8 and the quality results i.e. noise factor was better than a corresponding grain pattern with pushed slide film. This particular photo was exposed for 16 secs with a 19mm focal length. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 2003, March, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, Fuji, Finepix, S2Pro, DSLR, digital, camera, earliest
Aurora First Digital auSM3903jhp Aurora Borealis Scotland cloud moving rays winter March 2003 Cassiopeia Deeside Aberdeenshire Scotland taken on the evening of the 30th March 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.24hrsUT showing strong patches of green arc and a hint of some ray activity developing and was taken at the end of the second evening’s activity after I stopped using slide film around 23.40hrs UT. This photo was taken with a Fuji Finepix S2 digital camera, the first time I used a digital camera for Aurora photography and a major departure from the years of using 35mm slide film. It was set at an ISO of 1600 to match the same sensitivity used for slide film, push developing 400asa Fuji to 1600asa with exposures set around the 20 second mark and lens aperture of f2.8 and the quality results i.e. noise factor was better than a corresponding grain pattern with pushed slide film. This particular photo was exposed for 11 secs with a 19mm focal length. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 2003, March, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, Fuji, Finepix, S2Pro, DSLR, digital, camera, earliest
Aurora First Digital auSM3907jhp Aurora Borealis Scotland cloud moving red north winter March 2003 Cassiopeia Deeside Aberdeenshire Scotland taken on the evening of the 30th March 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.27hrsUT showing strong patches of green arc and a hint of some red ray activity developing over a tree top on a north bearing and was taken at the end of the second evening’s activity after I stopped using slide film around 23.40hrs UT. This photo was taken with a Fuji Finepix S2 digital camera, the first time I used a digital camera for Aurora photography and a major departure from the years of using 35mm slide film. It was set at an ISO of 1600 to match the same sensitivity used for slide film, push developing 400asa Fuji to 1600asa with exposures set around the 20 second mark and lens aperture of f2.8 and the quality results i.e. noise factor was better than a corresponding grain pattern with pushed slide film. This particular photo was exposed for 11 secs with a 19mm focal length. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 2003, March, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, Fuji, Finepix, S2Pro, DSLR, digital, camera, earliest
Aurora Summer auSO7612jhp Aurora Northern Lights Scotland summer July north green arc purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.46hrsUT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.46hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open for 22 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, July, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera
Aurora Summer auSO7611jhp Aurora Borealis Scottish Cassiopeia eastwards summer purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.10hrBST showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera
Aurora Summer auSO7610jhp Aurora Borealis Scotland purple nitrogen rays green arc oxygen early morning Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.33hrsUT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open for 22 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera
Aurora Summer auSO7609jhp Aurora Borealis Scotland Northern Lights Plough summer purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.22hrsUT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide for open for 23 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera
Aurora Summer auSO7608jhp Aurora Borealis Scotland Plough stars summer rare purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.310hrsUT on 27th July showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open for 20 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera
Aurora Summer auSO7607jhp Aurora Borealis Scottish Northern Lights summer purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.30hrsUT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open for 18 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera
Aurora Summer auSO7606jhp Aurora Borealis Scotland Plough summer purple nitrogen rays green arc Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.29hrsUT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open for 18 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera
Aurora Summer auSO7604jhp Aurora Borealis Scottish Plough Big Dipper summer purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.28hrsUT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open for 15 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, July, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera
Aurora Summer auSO7603jhp Aurora Borealis Scotland Plough summer July 2003 purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.27hrsUT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open for 13 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera
Aurora Summer auSO7602jhp Aurora Borealis Scotland Plough summer July 2003 purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.26hrsUT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open for 8 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera
Deeside Aurora au721112ajhp Scotland Auroral Glow airglow Neuk Crathes Banchory Deeside spring 1990 night sky taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the morning of 9th October at 00.35hrs UT was observed as a regular occurrence on nights preceding active Aurora displays and the Auroral Glow was described in Neil Bone’s The Aurora: Sun-Earth Interactions p112 as against airglow see p147. This was in the days of no Internet predictive sites like Spaceweather.com and the only way I could see displays was to sit on every clear night and watch the skies. This noticeably brighter night sky, rather like twilight that should not have been there at midnight in October encouraged me to make sure of being on site the following evening, in this case at 21.47hrs UT on the 9th when the glow was visible. Activity started around 22.15 with faint beams visible. I have already added other photos taken using Fuji RSP-416 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Auroral Glow, airglow, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa Major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, blue, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, October, winter, 9th, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Deeside Aurora au02736jhp Aurora Borealis Scottish display Cassiopeia rays winter February 2002 Aberdeenshire taken on the morning of the 6th February, 2002 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.40hrsUT showing strong patches with ray activity and the constellation Cassiopeia clearly visible top lefthand area, with activity stopping soon after this photo, the display having started with a low grade arc around midnight. The film numbering of 2001 was that the previous Aurora display covered was in November 2001 with this February display being the first recorded in 2002. This photo was scanned from a 35mm colour slide film, Fuji RSP processed for a 1600asa rating using a Nikon FG20, 28mm f2.8 lens wide open with many exposures manually around 20 seconds because of the lower light levels. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 2002, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP, RSP-434, exposed, time, long, Nikon, FG20
Deeside Aurora au0210jhp Aurora Borealis Scotland Cassiopeia rays winter February 2002 Deeside Aberdeenshire Scotland taken on the morning of the 6th February, 2002 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.42hrsUT showing strong patches with ray activity and the constellation Cassiopeia clearly visible top lefthand area, with activity stopping soon after this photo, the display having started with a low grade arc around midnight. This photo was scanned from a 35mm colour slide film, Fuji RHP11 400asa film processed for a 1600asa rating using a Nikon FG20, 28mm f2.8 lens wide open with many exposures manually around 20 seconds because of the lower light levels. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 2002, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RHP 11, 400asa, exposed, time, long, Nikon, FG20
Urban Aurora au74015jhp Scotland Aurora display rays folding arc waning Deeside rooftops shed Aberdeenshire taken over Banchory itself and was active between 1.30 and 2am on the 11th April, 1990. This display was an hour or so after an earlier display which I photographed at The Neuk between 10.40 and 11.30pm on the 10th. This display developed from pulsating patches of light which I noticed from my house on Station Road next to the East Church Manse around 1 to 1.15am BST and which developed into a full blown arc with very strong rays. What cannot be recorded is the amount of movement of the rays especially when tracking right to left but here creates the curtain like effect with the arc folding to create a horseshoe shape. In the photos the blue colour is of lower level nitrogen gas excitation and with a hint of purple towards the end of the display as against the more common occurrence of red and green oxygen gas. Some of the colour is muted as there was a full moon, the light of which is evident in the brightness of the houses as well as the colour from tungsten lamps from street lights. Of humorous interest is the appearance on bathroom lights while I was photographing in two adjacent houses and neither of the occupants knew a display was underway when I enquired afterwards. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, town, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, pulsating, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, blue, pink, colourful, colorful, coloured, colored, colours, colors, moon, moonlight, tungsten, houses, sheds, urban, street, bathroom, lights, clouds, nature, dark, nights, night-time, 1990, April, 11th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Urban Aurora au74014jhp Scottish Aurora display rays folding arc horseshoe Cassiopeia clouds Deeside rooftops moonlight taken in Banchory itself and was active between 1.30 and 2am on the 11th April, 1990. This display was an hour or so after an earlier display which I photographed at The Neuk between 10.40 and 11.30pm on the 10th. This display developed from pulsating patches of light which I noticed from my house on Station Road next to the East Church Manse around 1 to 1.15am BST and which developed into a full blown arc with very strong rays. What cannot be recorded is the amount of movement of the rays especially when tracking right to left but here creates the curtain like effect with the arc folding to create a horseshoe shape. In the photos the blue colour is of lower level nitrogen gas excitation and with a hint of purple towards the end of the display as against the more common occurrence of red and green oxygen gas. Some of the colour is muted as there was a full moon, the light of which is evident in the brightness of the houses as well as the colour from tungsten lamps from street lights. Of humorous interest is the appearance on bathroom lights while I was photographing in two adjacent houses and neither of the occupants knew a display was underway when I enquired afterwards. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, town, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, pulsating, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, blue, pink, colourful, colorful, coloured, colored, colours, colors, moon, moonlight, tungsten, houses, sheds, urban, street, bathroom, lights, clouds, nature, dark, nights, night-time, 1990, April, 11th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Urban Aurora au74013ajhp Scottish Northern Lights Aurora rays folding arc horseshoe Cassiopeia rooftops moonlight Deeside taken in Banchory itself and was active between 1.30 and 2am on the 11th April, 1990. This display was an hour or so after an earlier display which I photographed at The Neuk between 10.40 and 11.30pm on the 10th. This display developed from pulsating patches of light which I noticed from my house on Station Road next to the East Church Manse around 1 to 1.15am BST and which developed into a full blown arc with very strong rays. What cannot be recorded is the amount of movement of the rays especially when tracking right to left but here creates the curtain like effect with the arc folding to create a horseshoe shape. In the photos the blue colour is of lower level nitrogen gas excitation and with a hint of purple towards the end of the display as against the more common occurrence of red and green oxygen gas. Some of the colour is muted as there was a full moon, the light of which is evident in the brightness of the houses as well as the colour from tungsten lamps from street lights. Of humorous interest is the appearance on bathroom lights while I was photographing in two adjacent houses and neither of the occupants knew a display was underway when I enquired afterwards. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, town, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, pulsating, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, blue, pink, colourful, colorful, coloured, colored, colours, colors, moon, moonlight, tungsten, houses, sheds, urban, street, bathroom, lights, clouds, nature, dark, nights, night-time, 1990, April, 11th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Urban Aurora au74012jhp Scotland Deeside Aurora Borealis rays folding arc horseshoe rooftops moonlight Deeside taken in Banchory itself and was active between 1.30 and 2am on the 11th April, 1990. This display was an hour or so after an earlier display which I photographed at The Neuk between 10.40 and 11.30pm on the 10th. This display developed from pulsating patches of light which I noticed from my house on Station Road next to the East Church Manse around 1 to 1.15am BST and which developed into a full blown arc with very strong rays. What cannot be recorded is the amount of movement of the rays especially when tracking right to left but here creates the curtain like effect with the arc folding to create a horseshoe shape. In the photos the blue colour is of lower level nitrogen gas excitation and with a hint of purple towards the end of the display as against the more common occurrence of red and green oxygen gas. Some of the colour is muted as there was a full moon, the light of which is evident in the brightness of the houses as well as the colour from tungsten lamps from street lights. Of humorous interest is the appearance on bathroom lights while I was photographing in two adjacent houses and neither of the occupants knew a display was underway when I enquired afterwards. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, town, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, pulsating, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, blue, pink, colourful, colorful, coloured, colored, colours, colors, moon, moonlight, tungsten, houses, sheds, urban, street, bathroom, lights, clouds, nature, dark, nights, night-time, 1990, April, 11th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Urban Aurora au7410jhp Scotland Aberdeenshire Aurora Borealis rays arc two houses bathroom lights funny folding arc horseshoe moonlight Deeside taken in Banchory itself and was active between 1.30 and 2am on the 11th April, 1990. This display was an hour or so after an earlier display which I photographed at The Neuk between 10.40 and 11.30pm on the 10th. This display developed from pulsating patches of light which I noticed from my house on Station Road next to the East Church Manse around 1 to 1.15am BST and which developed into a full blown arc with very strong rays. What cannot be recorded is the amount of movement of the rays especially when tracking right to left but here creates the curtain like effect with the arc folding to create a horseshoe shape. In the photos the blue colour is of lower level nitrogen gas excitation and with a hint of purple towards the end of the display as against the more common occurrence of red and green oxygen gas. Some of the colour is muted as there was a full moon, the light of which is evident in the brightness of the houses as well as the colour from tungsten lamps from street lights. Of humorous interest is the appearance on bathroom lights while I was photographing in two adjacent houses and neither of the occupants knew a display was underway when I enquired afterwards. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, town, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, pulsating, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, blue, pink, colourful, colorful, coloured, colored, colours, colors, moon, moonlight, tungsten, houses, sheds, urban, street, bathroom, lights, clouds, nature, dark, nights, night-time, 1990, April, 11th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Urban Aurora au7409jhp Scottish Aurora Borealis blue nitrogen two houses bathroom lights funny folding arc horseshoe moonlight Deeside taken in Banchory itself and was active between 1.30 and 2am on the 11th April, 1990. This display was an hour or so after an earlier display which I photographed at The Neuk between 10.40 and 11.30pm on the 10th. This display developed from pulsating patches of light which I noticed from my house on Station Road next to the East Church Manse around 1 to 1.15am BST and which developed into a full blown arc with very strong rays. What cannot be recorded is the amount of movement of the rays especially when tracking right to left but here creates the curtain like effect with the arc folding to create a horseshoe shape. In the photos the blue colour is of lower level nitrogen gas excitation and with a hint of purple towards the end of the display as against the more common occurrence of red and green oxygen gas. Some of the colour is muted as there was a full moon, the light of which is evident in the brightness of the houses as well as the colour from tungsten lamps from street lights. Of humorous interest is the appearance on bathroom lights while I was photographing in two adjacent houses and neither of the occupants knew a display was underway when I enquired afterwards. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, town, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, pulsating, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, blue, pink, colourful, colorful, coloured, colored, colours, colors, moon, moonlight, tungsten, houses, sheds, urban, street, bathroom, lights, clouds, nature, dark, nights, night-time, 1990, April, 11th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Urban Aurora au7408ajhp Scottish Aurora Borealis blue nitrogen rays urban houses bathroom light folding arc horseshoe moonlight Deeside taken in Banchory itself and was active between 1.30 and 2am on the 11th April, 1990. This display was an hour or so after an earlier display which I photographed at The Neuk between 10.40 and 11.30pm on the 10th. This display developed from pulsating patches of light which I noticed from my house on Station Road next to the East Church Manse around 1 to 1.15am BST and which developed into a full blown arc with very strong rays. What cannot be recorded is the amount of movement of the rays especially when tracking right to left but here creates the curtain like effect with the arc folding to create a horseshoe shape. In the photos the blue colour is of lower level nitrogen gas excitation and with a hint of purple towards the end of the display as against the more common occurrence of red and green oxygen gas. Some of the colour is muted as there was a full moon, the light of which is evident in the brightness of the houses as well as the colour from tungsten lamps from street lights. Of humorous interest is the appearance on bathroom lights while I was photographing in two adjacent houses and neither of the occupants knew a display was underway when I enquired afterwards. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, town, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, pulsating, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, blue, pink, colourful, colorful, coloured, colored, colours, colors, moon, moonlight, tungsten, houses, sheds, urban, street, bathroom, lights, clouds, nature, dark, nights, night-time, 1990, April, 11th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Urban Aurora au7405ajhp Scotland British Aurora Northern Lights blue nitrogen rays urban Banchory folding arc town houses horseshoe moonlight Deeside taken in Banchory itself and was active between 1.30 and 2am on the 11th April, 1990. This display was an hour or so after an earlier display which I photographed at The Neuk between 10.40 and 11.30pm on the 10th. This display developed from pulsating patches of light which I noticed from my house on Station Road next to the East Church Manse around 1 to 1.15am BST and which developed into a full blown arc with very strong rays. What cannot be recorded is the amount of movement of the rays especially when tracking right to left but here creates the curtain like effect with the arc folding to create a horseshoe shape. In the photos the blue colour is of lower level nitrogen gas excitation and with a hint of purple towards the end of the display as against the more common occurrence of red and green oxygen gas. Some of the colour is muted as there was a full moon, the light of which is evident in the brightness of the houses as well as the colour from tungsten lamps from street lights. Of humorous interest is the appearance on bathroom lights while I was photographing in two adjacent houses and neither of the occupants knew a display was underway when I enquired afterwards. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, town, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, pulsating, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, blue, pink, colourful, colorful, coloured, colored, colours, colors, moon, moonlight, tungsten, houses, sheds, urban, street, bathroom, lights, clouds, nature, dark, nights, night-time, 1990, April, 11th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Urban Aurora au7404jhp Scottish Aurora display blue nitrogen rays small changes folding arc Banchory urban town houses horseshoe moonlight Deeside taken in Banchory itself and was active between 1.30 and 2am on the 11th April, 1990. This display was an hour or so after an earlier display which I photographed at The Neuk between 10.40 and 11.30pm on the 10th. This display developed from pulsating patches of light which I noticed from my house on Station Road next to the East Church Manse around 1 to 1.15am BST and which developed into a full blown arc with very strong rays. What cannot be recorded is the amount of movement of the rays especially when tracking right to left but here creates the curtain like effect with the arc folding to create a horseshoe shape. In the photos the blue colour is of lower level nitrogen gas excitation and with a hint of purple towards the end of the display as against the more common occurrence of red and green oxygen gas. Some of the colour is muted as there was a full moon, the light of which is evident in the brightness of the houses as well as the colour from tungsten lamps from street lights. Of humorous interest is the appearance on bathroom lights while I was photographing in two adjacent houses and neither of the occupants knew a display was underway when I enquired afterwards. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, town, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, pulsating, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, blue, pink, colourful, colorful, coloured, colored, colours, colors, moon, moonlight, tungsten, houses, sheds, urban, street, bathroom, lights, clouds, nature, dark, nights, night-time, 1990, April, 11th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Urban Aurora au7403jhp Scottish Aurora Borealis blue nitrogen rays folding arc Banchory urban town houses horseshoe moonlight Deeside taken in Banchory itself and was active between 1.30 and 2am on the 11th April, 1990. This display was an hour or so after an earlier display which I photographed at The Neuk between 10.40 and 11.30pm on the 10th. This display developed from pulsating patches of light which I noticed from my house on Station Road next to the East Church Manse around 1 to 1.15am BST and which developed into a full blown arc with very strong rays. What cannot be recorded is the amount of movement of the rays especially when tracking right to left but here creates the curtain like effect with the arc folding to create a horseshoe shape. In the photos the blue colour is of lower level nitrogen gas excitation and with a hint of purple towards the end of the display as against the more common occurrence of red and green oxygen gas. Some of the colour is muted as there was a full moon, the light of which is evident in the brightness of the houses as well as the colour from tungsten lamps from street lights. Of humorous interest is the appearance on bathroom lights while I was photographing in two adjacent houses and neither of the occupants knew a display was underway when I enquired afterwards. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, town, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, pulsating, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, blue, pink, colourful, colorful, coloured, colored, colours, colors, moon, moonlight, tungsten, houses, sheds, urban, street, bathroom, lights, clouds, nature, dark, nights, night-time, 1990, April, 11th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Urban Aurora au7402ajhp Scotland Aurora Borealis rays folding arc Banchory urban town houses horseshoe blue nitrogen moonlight Deeside taken in Banchory itself and was active between 1.30 and 2am on the 11th April, 1990. This display was an hour or so after an earlier display which I photographed at The Neuk between 10.40 and 11.30pm on the 10th. This display developed from pulsating patches of light which I noticed from my house on Station Road next to the East Church Manse around 1 to 1.15am BST and which developed into a full blown arc with very strong rays. What cannot be recorded is the amount of movement of the rays especially when tracking right to left but here creates the curtain like effect with the arc folding to create a horseshoe shape. In the photos the blue colour is of lower level nitrogen gas excitation and with a hint of purple towards the end of the display as against the more common occurrence of red and green oxygen gas. Some of the colour is muted as there was a full moon, the light of which is evident in the brightness of the houses as well as the colour from tungsten lamps from street lights. Of humorous interest is the appearance on bathroom lights while I was photographing in two adjacent houses and neither of the occupants knew a display was underway when I enquired afterwards. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, town, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, pulsating, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, blue, pink, colourful, colorful, coloured, colored, colours, colors, moon, moonlight, tungsten, houses, sheds, urban, street, bathroom, lights, clouds, nature, dark, nights, night-time, 1990, April, 11th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au816ajhp Scotland Aurora Borealis Rays red oxygen strong colours Christmas Day 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 24th December at 22.15 hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, December, 25th, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au722816jhp Scottish Aurora display Neuk Arc Rays pink moonlight Plough October 1990 Aberdeenshire taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 29th October at 22.15 hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, purple, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, October, 29th, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au722815jhp Scotland Aurora Borealis Neuk Arc Rays pink moonlight Plough autumn 1990 Aberdeenshire taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 29th October at 22.15 hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, purple, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, October, 29th, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au721126ajhp Scotland Northern Lights Neuk Rays red Plough Deeside autumn 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 9th Octoberr at 22.15 hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, Octoberr, 9th, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au723636ajhp Scottish Aurora Northern Lights larch tree rays red Deeside November 1990 taken on the Harestone Road near the Banchory entrance. Taken on the 28 November at 00.33hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, winter, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, November, 28th, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au723622jhp Scotland Northern Lights larch tree rays red stars Deeside winter 1990 taken on the Harestone Road near the Banchory entrance. Taken on the 28 November at 00.21hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, November, 28th, winter, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora & Larch au721133ajhp Scottish Aurora display larch branches Rays red purple Deeside autumn 1990 taken on the Harestone Road near the Banchory end of the road by one of two large larch trees. Taken on the 9th Octoberr at 23.00 hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, October, 9th, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au720434ajhp Scottish Aurora Borealis display weak Arc Ray Plough Banchory autumn 1990 taken on the Harestone Road. Taken on the 21st September at 02.41 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos. This display was followed by a similar brighter display on the 14th of the month and in both displays the Plough Constellation was very prominent. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, September, 21st, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au720433ajhp Scotland Aurora Borealis weak Arc Ray red Plough Deeside autumn 1990 taken on the Harestone Road. Taken on the 21st September at 02.40 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos. This display was followed by a similar brighter display on the 14th of the month and in both displays the Plough Constellation was very prominent. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, September, 21st, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au720334ajhp Scottish Northern Lights dying display red faint rays Plough Banchory 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 14th September at 01.25 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos. This display was followed by a similar display on the 21st of the month. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, September, 14th, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au720317ajhp Scotland Northern Lights Active Arc red oxygen rays Plough constellation 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 14th September at 01.07 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos. This display was followed by a similar display on the 21st of the month. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, September, 14th, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au720316ajhp British Aurora Borealis Active Arc red oxygen rays Plough Crathes September 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 14th September at 01.06 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos. This display was followed by a similar display on the 21st of the month. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, September, 14th, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au720315ajhp Scottish Aurora Borealis Neuk Active Arc rays Plough Bid Dipper Deeside autumn 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 14th September at 01.05 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos. This display was followed by a similar display on the 21st of the month. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, September, 14th, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au720314ajhp Scotland Aurora Borealis Neuk Arc Plough Stars Ursa Major Deeside autumn 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 14th September at 01.00 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos. This display was followed by a similar display on the 21st of the month. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, September, 14th, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7756jhp Scottish Aurora Borealis arc morning nitrogen purple rays May telephone poles 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.48hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7753jhp Scotland Aurora new Borealis display arc morning nitrogen purple rays May 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.47hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au77526jhp British Aurora lights display Crathes Goddess dawn bright folding arc rays morning 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 03.15.30hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au77525jhp Scottish Aurora display Banchory Goddess dawn bright folding arc summer morning 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 03.15hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au77524jhp Scotland Aurora Borealis Deeside Goddess dawn light folding arc summer morning 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 03.10hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au77521jhp Dawn approach active lights display arc red purple nitrogen rays Scotland May 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.56hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au77520jhp Dawn approaching Aurora lights display red purple nitrogen rays Scotland May 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.57hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au77519jhp Aurora Borealis British active display arc red purple nitrogen rays poles Scotland May 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.55hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au77518jhp Aurora Borealis Deeside folded arc purple nitrogen rays poles Scotland May 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.53hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au77516jhp Aurora Borealis Deeside arc purple rays Ley poles silhouette Scotland May 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.53hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au77515jhp Aurora Borealis Deeside Banchory new arc purple large ray tree silhouette 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.52hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au77514jhp Aurora Borealis Aberdeenshire new arc purple red rays tree silhouette 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.51.30hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au77513jhp Scottish Northern Lights very active purple red rays tree siluoette May 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.51hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au77511jhp British Northern Lights arc active purple red rays tree stars Banchory 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.50hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au77510jhp British Aurora Borealis arc active nitrogen purple red rays tree silhouette 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.49hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7649ajhp British Northern Lights moon large red pink oxygen rays Aberdeenshire 1990 taken on the Harestone Road before The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.09hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7645ajhp Scotland Northern Lights Harestone Road large red rays Aberdeenshire 1990 taken on the Harestone Road before The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.06hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76432ajhp Scotland Aurora Borealis red oxygen rays larch branches silhouette Deeside display 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.26hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76431ajhp British Aurora Borealis rays larch branches silhouette Scottish display 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.25hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7642ajhp Scotland Aurora Borealis Harestone Road moon red rays Deeside spring 1990 taken on the Harestone Road before The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.05hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76427ajhp Scotland Aurora Borealis moving blurred red pink rays Banchory Deeside 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.23hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76426ajhp Scottish Aurora Borealis strong display red pink rays Jim Henderson Photo 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.22hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76425ajhp Scottish Aurora Borealis increasing display red pink rays spring summer 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.21hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76413ajhp Scottish Aurora Borealis moon setting patches faint rays Deeside May 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.13hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76412ajhp Aurora Borealis British rich pink rays beautiful larch tree branches silhouette 1990 taken on the Harestone Road before The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking and although I had seen some reddish hue was not expecting to see this vibrant pink. Taken on the early morning of the 1st May at 02.11.30hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76411ajhp Aurora Borealis Scotland large pink highup rays Deeside larch tree 1990 taken on the Harestone Road before The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking and although I had seen some reddish hue was not expecting to see this vibrant pink. Taken on the early morning of the 1st May at 02.11hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76410ajhp Scottish Northern Lights large pink candy floss rays Deeside larch tree 1990 taken on the Harestone Road before The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking and although I had seen some reddish hue was not expecting to see this vibrant pink. Taken on the early morning of the 1st May at 02.10hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76335jhp Scotland Northern Lights Tree folding curving arc rays bright colours display 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 00.49hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76334jhp Scottish Northern Lights Tree folding arc rays strong active display Banchory 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 00.47hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76331jhp Scotland Aurora Borealis Ley Tree folding arc strong active display Deeside 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 00.45hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76323jhp Scottish Aurora tree active rays red yellow silhouette Jim Henderson photo 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 00.41hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76322jhp British Northern Lights tree arc rays pink yellow spring silhouette 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 00.40hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76319jhp British Aurora Borealis moon arc rays yellow spring telephone pole silhouette 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 00.38hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76318jhp Scottish Aurora Borealis folding arc rays yellow Aberdeenshire spring telephone pole 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 00.37hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76313jhp Scotland Aurora Borealis Ley Tree Deeside arc rays red pink spring 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 00.31hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora with Moon au76227jhp British Aurora Borealis Ley moonlight moon Aberdeenside May spring morning 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. This is an excellent example that Aurora displays can be seen durting moonlight conditions. Taken on the early morning of the 1st May at 00.10 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au76224ajhp Scotland Aurora Borealis Neuk hayrake Cassiopeia moonlight Deeside spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 27th April at 23.15hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. This evening was followed a day later by a very active morning on the 1st May which started after midnight and lasted until after dawn. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 27th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7624ajhp Scotland Aurora Borealis Ley tree faint red rays Deeside Banchory spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 27th April at 22.50hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. This evening was followed a day later by a very active morning on the 1st May which started after midnight and lasted until after dawn. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 27th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76236ajhp Scottish Aurora Borealis telephone pole active rays stage display lights spring 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 00.20hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76228ajhp Scotland Aurora Borealis telephone pole early stage display Deeside spring 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 00.11hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Crathes Castle au83636jhp British spring Aurora Corona Crathes Castle zenith crown overhead shape pastel colours turrets located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 25th March 1991 at 00.10hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. The photos taken in this March sequence shows the huge scale of a Corona zenith completely overhead with a pastel mix of green and red rays from high level oxygen falling from directly overhead and dropping to the apparent ground level set against the useful scale of the castle. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Aurora, Borealis, Arc, Rays, Corona, zenith, arms, wings, overhead, huge, celestial, scale, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, pastel, colourful, colorful, coloured, colored, colours, colors, light, pollution, celestial, nature, dark, nights, night-time, forest, 1991, spring, winter, March, 25th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 24mm, f2.8, Sigma, scanned, scan, captured
Aurora Crathes Castle au83635jhp Scotland Aurora Corona Crathes Castle ghost ghostlike shape pastel colours turrets located at this National Trust for Scotland property at Crathes near Banchory, west of Aberdeen. Taken on the 25th March 1991 at 00.05hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. The photos taken in this March sequence shows the huge scale of a Corona zenith completely overhead with a pastel mix of green and red rays from high level oxygen falling from directly overhead and dropping to the apparent ground level set against the useful scale of the castle. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Aurora, Borealis, Arc, Rays, Corona, zenith, arms, wings, overhead, huge, celestial, scale, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, pastel, colourful, colorful, coloured, colored, colours, colors, light, pollution, celestial, nature, dark, nights, night-time, forest, 1991, spring, winter, March, 25th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 24mm, f2.8, Sigma, scanned, scan, captured
Aurora Crathes Castle au83634jhp Scotland Northern Lights midnight Corona Castle sheets pastel colours turrets located at this National Trust for Scotland property at Crathes near Banchory, west of Aberdeen. Taken on the 25th March 1991 at 00.00hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. The photos taken in this March sequence shows the huge scale of a Corona zenith completely overhead with a pastel mix of green and red rays from high level oxygen falling from directly overhead and dropping to the apparent ground level set against the useful scale of the castle. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Aurora, Borealis, Arc, Rays, Corona, zenith, arms, wings, overhead, huge, celestial, scale, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, pastel, colourful, colorful, coloured, colored, colours, colors, light, pollution, celestial, nature, dark, nights, night-time, forest, 1991, spring, winter, March, 25th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 24mm, f2.8, Sigma, scanned, scan, captured
Aurora Crathes Castle au83631jhp Scottish Northern Lights Corona Castle sheets pastel colours Jim Henderson photo located at this National Trust for Scotland property at Crathes near Banchory, west of Aberdeen. Taken on the 24th March 1991 at 23.59hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. The photos taken in this March sequence shows the huge scale of a Corona zenith completely overhead with a pastel mix of green and red rays from high level oxygen falling from directly overhead and dropping to the apparent ground level set against the useful scale of the castle. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Aurora, Borealis, Arc, Rays, Corona, zenith, arms, wings, overhead, huge, celestial, scale, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, pastel, colourful, colorful, coloured, colored, colours, colors, light, pollution, celestial, nature, dark, nights, night-time, forest, 1991, spring, winter, March, 24th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 24mm, f2.8, Sigma, scanned, scan, captured
Aurora Crathes Castle au83629jhp Scottish Aurora Borealis Corona Castle sheets light pastel pink green colours located at this National Trust for Scotland property at Crathes near Banchory, west of Aberdeen. Taken on the 24th March 1991 at 23.47hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. The photos taken in this March sequence shows the huge scale of a Corona zenith completely overhead with a pastel mix of green and red rays from high level oxygen falling from directly overhead and dropping to the apparent ground level set against the useful scale of the castle. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Aurora, Borealis, Arc, Rays, Corona, zenith, arms, wings, overhead, huge, celestial, scale, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, pastel, colourful, colorful, coloured, colored, colours, colors, light, pollution, celestial, nature, dark, nights, night-time, forest, 1991, spring, winter, March, 24th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 24mm, f2.8, Sigma, scanned, scan, captured
Aurora Crathes Castle au83628jhp British Aurora Borealis Corona Castle arms wings rays pastel pink green colours located at this National Trust for Scotland property at Crathes near Banchory, west of Aberdeen. Taken on the 24th March 1991 at 23.46hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. The photos taken in this March sequence shows the huge scale of a Corona zenith completely overhead with a pastel mix of green and red rays from high level oxygen falling from directly overhead and dropping to the apparent ground level set against the useful scale of the castle. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Aurora, Borealis, Arc, Rays, Corona, zenith, arms, wings, overhead, huge, celestial, scale, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, pastel, colourful, colorful, coloured, colored, colours, colors, light, pollution, celestial, nature, dark, nights, night-time, forest, 1991, spring, winter, March, 24th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 24mm, f2.8, Sigma, scanned, scan, captured
Aurora Crathes Castle au83627jhp Northern Lights Scottish Corona Crathes Castle arms scale cascade pastel located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 24th March 1991 at 23.45hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. The photos taken in this March sequence shows the huge scale of a Corona zenith completely overhead with a pastel mix of green and red rays from high level oxygen falling from directly overhead and dropping to the apparent ground level set against the useful scale of the castle. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Aurora, Borealis, Arc, Rays, Corona, zenith, arms, wings, overhead, huge, celestial, scale, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, pastel, colourful, colorful, coloured, colored, colours, colors, light, pollution, celestial, nature, dark, nights, night-time, forest, 1991, spring, winter, March, 24th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 24mm, f2.8, Sigma, scanned, scan, captured
Aurora Crathes Castle au83624jhp Scotland Northern Lights Corona Crathes Castle turret Deeside rays pastel located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 24th March 1991 at 23.40hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. The photos taken in this March sequence shows the huge scale of a Corona zenith completely overhead with a pastel mix of green and red rays from high level oxygen falling from directly overhead and dropping to the apparent ground level set against the useful scale of the castle. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Aurora, Borealis, Arc, Rays, Corona, zenith, arms, wings, overhead, huge, celestial, scale, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, pastel, colourful, colorful, coloured, colored, colours, colors, light, pollution, celestial, nature, dark, nights, night-time, forest, 1991, spring, winter, March, 24th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 24mm, f2.8, Sigma, scanned, scan, captured
Aurora Crathes Castle au83620jhp Scottish Aurora Borealis Corona zenith centre Crathes Castle spring pastel colours overhead this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 24th March 1991 at 23.32hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. The photos taken in this March sequence shows the huge scale of a Corona zenith completely overhead with a pastel mix of green and red rays from high level oxygen falling from directly overhead and dropping to the apparent ground level set against the useful scale of the castle. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Aurora, Borealis, Arc, Rays, Corona, zenith, arms, wings, overhead, huge, celestial, scale, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, pastel, colourful, colorful, coloured, colored, colours, colors, light, pollution, celestial, nature, dark, nights, night-time, forest, 1991, spring, winter, March, 24th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 24mm, f2.8, Sigma, scanned, scan, captured
Aurora Crathes Castle au83619jhp Scotland Aurora Borealis Corona zenith Crathes Castle Deeside spring pastel colours located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 24th March 1991 at 23.30hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. The photos taken in this March sequence shows the huge scale of a Corona zenith completely overhead with a pastel mix of green and red rays from high level oxygen falling from directly overhead and dropping to the apparent ground level set against the useful scale of the castle. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Aurora, Borealis, Arc, Rays, Corona, zenith, arms, wings, overhead, huge, celestial, scale, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, pastel, colourful, colorful, coloured, colored, colours, colors, light, pollution, celestial, nature, dark, nights, night-time, forest, 1991, spring, winter, March, 24th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 24mm, f2.8, Sigma, scanned, scan, captured
Aurora Crathes Castle au721136ajhp Scottish autumn Northern Lights Crathes Castle Plough red glow faint beams 1990 located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 9th October at 23.49 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. This one was a short period of a strong red glow of high level oxygen and some beams were discernaible on the slides. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, autumn, October, 9th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Crathes Castle au721135ajhp British Northern Lights Crathes Castle Deeside oxygen red glow faint beams 1990 located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 9th October at 23.48 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, autumn, October, 9th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Crathes Castle au721134jhp British Aurora Borealis Crathes Castle golden cock autumn oxygen red weathervane reflection moonlight located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 9th October at 23.46 hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, autumn, October, 9th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Crathes Castle au721134ajhp Scotland Aurora Borealis Crathes Castle strong glow rays October oxygen red 1990 located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 9th October at 23.47hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, autumn, October, 9th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Crathes Castle au721133ajhp Scottish Aurora Borealis Crathes Castle Deeside oxygen gas strong red Plough located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 9th October at 23.50 hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, autumn, October, 9th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Crathes Castle au721132ajhp Scotland Aurora Borealis Crathes Castle Deeside autumn oxygen red 1990 located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 9th October at 23.45 hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, autumn, October, 9th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au718331jhp Scotland Aurora Borealis Neuk haystack clouds light pollution summer nitrogen purple 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 20th August at 02.11 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, pollution, orange, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, summer, August, 20th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au718326jhp Scotland Aurora Borealis Deeside summer nitrogen purple rays clouds 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 20th August at 02.07 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, summer, August, 20th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au718323jhp Scottish Northern Lights Neuk Deeside summer nitrogen purple rays clouds stars 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 20th August at 02.04 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, summer, August, 20th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au718321jhp British Aurora Borealis Neuk haystack clouds lights summer nitrogen purple rays 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 20th August at 02.01 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, summer, August, 20th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Crathes Castle au71838jhp Scotland Aurora Borealis Crathes Castle grounds Deeside summer nitrogen purple rays stars 1990 located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 20th August at 01.05 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, NTS, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, summer, August, 20th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Crathes Castle au71835jhp Scottish Aurora Borealis Crathes Castle nitrogen purple silhouette rays August display 1990 located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 20th August at 01.00hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, summer, August, 20th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Crathes Castle au71834jhp British Aurora Borealis Crathes Castle nitrogen purple early rays August display 1990 located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 20th August at 00.58 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, summer, August, 20th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Crathes Castle au718313jhp Scotland Aurora Borealis Crathes Castle summer nitrogen purple waning faint 1990 located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 20th August at 01.15hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, summer, August, 20th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au7517ajhp Scottish Aurora display Cassiopeia Deeside red purple rays stars spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 00.37 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RHP 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au7516ajhp Scotland Aurora Borealis Crathes hayrake Deeside red rays stars spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 00.35 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RHP 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au75136ajhp Scotland Aurora Borealis high rays purple nitrogen gas April spring 1990 taken on the Harestone Road just east of Banchory from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 01.45hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RHP 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and this is one of several taken over the space of 5-7 minutes illustrating the ever changing nature of an active display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au75136Ejhp Scotland Deeside Aurora Borealis rays purple nitrogen red oxygen gas April spring 1990 taken on the Harestone Road just east of Banchory from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken near the end of the display on the 18th April around 01.55hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RHP 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and this is one of several taken over the space of 5-7 minutes illustrating the ever changing nature of an active display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au75135ajhp Scotland Aurora hayrake rays Aberdeenshire Jim Henderson photo spring 1990 taken on the Harestone Road just east of Banchory from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 01.40hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RHP 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and this is one of several taken over the space of 5-7 minutes illustrating the ever changing nature of an active display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au75134ajhp Scottish Aurora Cassiopeia hayrake wheel silhouette rays Aberdeenshire spring 1990 taken on the Harestone Road just east of Banchory from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 01.38hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RHP 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and this is one of several taken over the space of 5-7 minutes illustrating the ever changing nature of an active display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au75133ajhp Scottish Northern Lights hayrake wheel silhouette stars several rays Aberdeenshire spring 1990 taken on the Harestone Road just east of Banchory from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 01.37 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RHP 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and this is one of several taken over the space of 5-7 minutes illustrating the ever changing nature of an active display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au75131ajhp Scottish Northern Lights Cassiopeia stars several rays Aberdeenshire spring 1990 taken on the Harestone Road just east of Banchory from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 01.36 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RHP 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and this is one of several taken over the psace of 5-7 minutes illustrating the ever changing nature of an active display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au75128ajhp Scotland Northern Lights Banchory Cassiopeia red purple nitrogen Deeside spring 1990 taken on the Harestone Road just east of Banchory from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 01.36 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RHP 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and this is one of several taken over the psace of 5-7 minutes illustrating the ever changing nature of an active display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au75127ajhp Scotland Aurora Borealis Crathes Cassiopeia red purple nitrogen Deeside spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 01.35 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RHP 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and this is one of several taken over the psace of 5-7 minutes illustrating the ever changing nature of an active display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au75119ajhp British Aurora Borealis clouds red purple colours rays April spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 01.25 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RHP 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au75116ajhp Scottish Aurora Northern Lights clouds red purple rays strong arc April spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 01.17 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RHP 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au75114ajhp Scottish Aurora new display clouds Deeside red purple rays arc April spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 01.12 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RHP 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au71129ajhp British Aurora Borealis February winter rays red Deeside west Hill Fare 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken after midnight on the 16th February, this one around 01.15hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left and also when streaming or flaring occurs with very bright patches starting at the base of the ray and moving rapidly upwards. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 16th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au71128ajhp Scotland Aurora Borealis eastwards February winter red large rays active 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken after midnight on the 16th February, this one around 01.05hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left and also when streaming or flaring occurs with very bright patches starting at the base of the ray and moving rapidly upwards. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 16th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au71125ajhp Scottish Aurora Borealis Neuk February winter rays streaming active movement 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken after midnight on the 16th February, this one around 00.59hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left and also when streaming or flaring occurs with very bright patches starting at the base of the ray and moving rapidly upwards. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 16th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au7514ajhp Scottish Aurora lights red strong rays Cassiopeia pink yellow Deeside April spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 00.03hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au7513ajhp Scotland Aurora Borealis red strong rays Cassiopeia stars Deeside spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 00.01hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In this case there was full moonlight behind me so hence the very obvious record of the landscape and the hayrake. It also gives a colour hue although some of the red is still visible. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au75120ajhp Scottish Aurora Borealis arc red strong rays Cassiopeia stars north April spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 01.29hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au7393jhp Scotland Aurora Borealis Neuk hayrake Cassiopeia moonlight Deeside spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 10th April at 22.25hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In this case there was full moonlight behind me so hence the very obvious record of the landscape and the hayrake. It also gives a colour hue although some of the red is still visible. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 10th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au73918ajhp Deeside Scotland Aurora Hill Fare rays pink fields Cassiopeia moonlight April spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 10th April at 23.00hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In this case there was full moonlight behind me so hence the very obvious record of the landscape and the hayrake. It also gives a colour hue although some of the red is still visible. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, farmland, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 10th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au73914ajhp Deeside Scotland Northern Lights rays pink hayrake Cassiopeia dyke moonlight spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 10th April at 22.37hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In this case there was full moonlight behind me so hence the very obvious record of the landscape and the hayrake. It also gives a colour hue although some of the red is still visible. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 10th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au73913ajhp Aberdeenshire Northern Lights rays pink hayrake Cassiopeia stars moonlight spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 10th April at 22.35hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In this case there was full moonlight behind me so hence the very obvious record of the landscape and the hayrake. It also gives a colour hue although some of the red is still visible. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 10th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au73912ajhp British Aurora display rays red hayrake Cassiopeia stars moonlight spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 10th April at 22.32hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In this case there was full moonlight behind me so hence the very obvious record of the landscape and the hayrake. It also gives a colour hue although some of the red is still visible. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 10th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au73911ajhp Scottish Aurora display rays red hayrake Cassiopeia moonlight Deeside spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 10th April at 22.30hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In this case there was full moonlight behind me so hence the very obvious record of the landscape and the hayrake. It also gives a colour hue although some of the red is still visible. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 10th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au72926ajhp Scotland Aurora Borealis Neuk hayrake Cassiopeia stars Deeside spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 27th March at 23.55hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, March, 21st, 22nd, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au72830Ejhp Scottish Aurora Borealis Neuk March spring ray cloud hayrake dramatic 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken after midnight on the 26nd March, this one at 01.45hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left and also when streaming or flaring occurs with very bright patches starting at the base of the ray and moving rapidly upwards. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, clouds, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, March, 26th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au72630hp Deeside Scotland Aurora Borealis red rays green yellow purple March 1990 spring taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken after midnight on the 22nd March, this one at 01.12hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs and the ray is thus thicker than it is in reality as it is moving from right to left along the base arc and the bright patch at the base is the start of some streaming activity. Also note the faint mauve colour on the extreme right evidence of nitrogen gas as well as the standard oxygen colours of red and green. I found this exposure time as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left and also when streaming or flaring occurs with very bright patches starting at the base of the ray and moving rapidly upwards. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, March, 21st, 22nd, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au72629jhp Scotland deeside Aurora Borealis Neuk March spring rays many strong colors 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken after midnight on the 22nd March, this one at 01.11hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left and also when streaming or flaring occurs with very bright patches starting at the base of the ray and moving rapidly upwards. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, March, 21st, 22nd, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au72628hp Aberdeenshire Aurora Borealis Cassiopeia red rays green yellow March 1990 spring taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken after midnight on the 22nd March, this one at 01.10hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs and the ray is thus thicker than it is in reality as it is moving from right to left along the base arc and thre bright patch at the base is the start of some streaming activity. I found this exposure time as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left and also when streaming or flaring occurs with very bright patches starting at the base of the ray and moving rapidly upwards. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, Cassiopeia, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, March, 21st, 22nd, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au72627jhp British Aurora Borealis Deeside rays moving streaming moving movement 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken after midnight on the 22nd March, this one at 01.01hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs and the ray is thus thicker than it is in reality as it is moving from right to left along the base arc and thre bright patch at the base is the start of some streaming activity. I found this exposure time as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left and also when streaming or flaring occurs with very bright patches starting at the base of the ray and moving rapidly upwards. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, March, 21st, 22nd, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au72626jhp Scotland Aurora Borealis Neuk spring rays moving streaming activity movement 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken after midnight on the 22nd March, this one at 01.hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs and the ray is thus thicker than it is in reality as it is moving from right to left along the base arc and thre bright patch at the base is the start of some streaming activity. I found this exposure time as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left and also when streaming or flaring occurs with very bright patches starting at the base of the ray and moving rapidly upwards. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, March, 21st, 22nd, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au72625jhp Scottish Aurora Borealis Neuk March strong ray moving streaming active movement 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken after midnight on the 22nd March, this one at 00.59hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs and the ray is thus thicker than it is in reality as it is moving from right to left along the base arc. I found this exposure time as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left and also when streaming or flaring occurs with very bright patches starting at the base of the ray and moving rapidly upwards. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, movement, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, March, 21st, 22nd, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au71819ajhp Scotland Aurora Borealis Ley tree dying down red rays winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February around 23.20hrs UT as it started to die down and was one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen pushed the development 2 stops. They were exposed around the 15 seconds sligthly less than the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Glen Dye au61041jhp Scotland Aurora Borealis underexposed grainy rays red 645 medium format autumn 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji RHP 400asa 6.4.5cm format film and it became visible just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I photographed using Fuji RHP 400asa medium format transparency film of which this photo is an underexposed example while bracketing exposures near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, slide, transparency, film, Fuji, RHP, 400asa, pushed, development, 1600asa, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Glen Dye au610415jhp Scottish Aurora display Glen Dye rays red 645 medium format autumn 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji RHP 400asa 6.4.5cm format film and it became visible just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I photographed using Fuji RHP 400asa medium format transparency film of which this photo is an example with an exposure near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, slide, transparency, film, Fuji, RHP, 400asa, pushed, development, 1600asa, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Glen Dye au610410jhp Scotland Aurora Borealis Glen Dye rays red 645 medium format autumn 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji RHP 400asa 6.4.5cm format film and it became visible just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I photographed using Fuji RHP 400asa medium format transparency film of which this photo is an example and bracketing exposures near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, slide, transparency, film, Fuji, RHP, 400asa, pushed, development, 1600asa, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Eslie Greater au61355jhp Scotland Aurora Borealis Deeside Eslie Stone Circle display Agfa film October 1989 taken from the Recumbent Stone Circle called Esslie the Greater at Eslie to the SE of Banchory overlooking Feughside and Scolty Hill. This photo is from my second Aurora display I photographed using Agfa 1000 RS 6.4.5cm format film stock using my Bronica ETRS, from memory the fastest 120 film available at the time. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. This photograph using Agfa medium format transparency film of which this photo is an example was the one and only time I used it and I suspect it was underexposed as I would not have used my usual bracketing exposures near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS a slower lens to my usual f2.8 35mm primes. Push processing the 35mm 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons and because of this I stopped using medium format stock almost straight away. This photo has no great technical merit as far as an Aurora record goes except as an example of the 645 format, Agfa film and appears to be the only record I had of this second observed display on the 21st October – I have a note that I missed a display on the 20th. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Eslie, Banchory, Feughside, Esslie, Recumbent, Stone, Circle, Bronze, Age, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, October, medium, format, slide, transparency, film, Agfa, 1000 RS, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Eslie Greater au613514jhp Scottish Northern Lights Esslie Stone Circle Greater Agfa 645 transparency October 1989 taken from the Recumbent Stone Circle called Esslie the Greater at Eslie to the SE of Banchory overlooking Feughside and Scolty Hill. This photo is from my second Aurora display I photographed using Agfa 1000 RS 6.4.5cm format film stock using my Bronica ETRS, from memory the fastest 120 film available at the time. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. This photograph using Agfa medium format transparency film of which this photo is an example was the one and only time I used it and I suspect it was underexposed as I would not have used my usual bracketing exposures near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS a slower lens to my usual f2.8 35mm primes. Push processing the 35mm 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons and because of this I stopped using medium format stock almost straight away. This photo has no great technical merit as far as an Aurora record goes except as an example of the 645 format, Agfa film and appears to be the only record I had of this second observed display on the 21st October – I have a note that I missed a display on the 20th. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Eslie, Banchory, Feughside, Esslie, Recumbent, Stone, Circle, Bronze, Age, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, October, medium, format, slide, transparency, film, Agfa, 1000 RS, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Glen Dye au61058jhp Scottish Aurora Borealis display ray single Plough Aberdeenshire autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61054jhp Scottish Aurora Borealis display Glen Dye faint multiple rays red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610536jhp Scotland Aurora Borealis rays red clouds moving shapes Aberdeenshire autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film, the end of my first film, and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610535jhp Scotland Aurora Borealis Glen Dye strong rays red clouds patterns autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610533jhp Scottish Aurora Borealis Northern Lights display rays red clouds stars autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610531jhp Scotland photo Aurora Borealis display rays pink clouds windy shapes autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61052jhp Scotland Aurora Borealis display Glen Dye overexposed rays trailing stars red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610527jhp Scotland Aurora Borealis night sky strong multiple rays red Arc autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610526jhp Scotland Northern Lights Glen Dye many strong bright rays red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610525jhp Scottish active Aurora Borealis Glen Dye rays large red clouds autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610524jhp Scotland Merry Dancers display rays red stars several Aurora autumn September 26th & 27th 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610523jhp Scotland Aurora Borealis Glen Dye rays red long exposure clouds 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610521jhp Scotland Northern Lights Clachnaben hill rays mulitple red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610520jhp Scotland Aurora Borealis display rays red clouds Jim Henderson Photo autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film, the first film I tried out, and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61051jhp Scotland Aurora Borealis display Glen Dye rays clouds first photo autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo was the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible and some rays visible through the gaps. This was probably an underexposure, maybe 10 seconds or so. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610517jhp Aberdeenshire Aurora Borealis display Glen Dye faint rays clouds gaps autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617120jhp Scotland Aurora Borealis maximum bright strong display winter hills Boxing Day December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617119jhp Scotland Aurora Borealis Boxing Day December rays bright Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617118jhp Scottish Aurora Borealis display Boxing Day west rays Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, multiple, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617117jhp Scotland Aurora Borealis moving ray red headlights Boxing Day Aberdeenshire December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617115jhp Scotland Northern Lights multiple rays arc red yellow display 1989 Boxing Day December Cairn O’Mount taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617114jhp Scotland Aurora Borealis several rays moving arc hill starting display Boxing Day December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617113jhp Scottish Aurora Borealis early stage arc active Cairn O'Mount rays display Boxing Day December 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617111jhp Scotland Aurora Borealis arc start display Aberdeenshire Jim Henderson Photograph Boxing Day December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61065jhp Scotland Aurora Borealis display Clachnaben hill torr Glen Dye autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, upright, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610615jhp Scottish Aurora Borealis Glen Dye red purple gas September 1989 slide film taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610613jhp Scotland Aurora Borealis red display Glen Dye earliest first autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610612jhp Scottish Aurora Borealis display Plough stars Glen Dye Aberdeenshire first autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610611jhp Scotland Northern Lights Ursa Major red rays display Glen Dye earliest first autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Deeside vbn0362jhp Aurora Borealis Scotland photograph Jim Henderson unusual summer moonlight Scottish green rays Deeside Aberdeenshire taken on the 27th August, 2015, 23.26hrsUT at Crooktree, 25 miles west of Aberdeen and the first display since February 2014. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm Nikkor f2.8 lens at f8 and ISO settings of 25600 which allowed for an extremely short exposure of 1.2 sec with hopefully more accurate recordings of these moving events although noise is noticeable becuase of a degree of underexposure with this stopped down aperture-further experiments are planned at f2.8. at this sort of expsoure time and also with the camera on auto rather than manual. The light conditions were not perfect as the background light was from the full moon but dispels any myths that Aurora’s cannot be seen under such conditions. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, colourful, colorful, colours, colors, celestial, night, morning, August, 2015, summer, moonlight, full, moon, moonlight, D700, Nikon, DSLR, digital, tripod, time, exposure, photo, photos, photography, photograph

Egypt > Cairo City (13 files)

Photos relating to the City itself and River Nile activities. The Museum and Giza Pyramids are in separate galleries.
Cairo Square EG072637jhp Egypt Cairo Kan al-Khalili square coaches street fountain clock tower mosque near this busy and often important site seeing stop-off for tourists to Egypt and offered as part of City Tour where many bargains can be picked up as part of that exotic shopping experience in an Arabic Bazaar. Bargaining is also part of the fun and is expected throughout so a new and often daunting experience for the traditional conservative British visitor. Better value can probably be obtained in Aswan or Luxor and certainly for those doing a Nile Cruise large, weighty or fragile items are best left to the last minute. Keywords: Egypt, Egyptians, Cairo, cruise Arabic, bargaining, tourism, tourists, landscape, capital, old, city, gates, Sultan, Qansuh, Fatimid, Kan al-Khalili, al-Kalili, souk, al-Badestan, maze, alleyways, alleys, shops, factories, bazaars, market, antiques, gold, jewellery, clothes, glass, leather, metal, wood, crafts, souvenirs, cafes, restaurants, sheeshas, trade, commercial, mosques, minaret, palm, trees, gardens, fountain, architecture, al-Azhar, Maydan, square, al-Hussein, Sayyidna, al-Husayn, building, 19C, Gothic
Cairo Mosque EG072639jhp Egypt Cairo Kan al-Khalili area square Mosque tower clock palms is a busy and often important area as well as being a popular stop-off for tourists to Egypt and offered as part of City Tour where many bargains can be picked up as part of that exotic shopping experience in an Arabic Bazaar. Bargaining is also part of the fun and is expected throughout so a new and often daunting experience for the traditional conservative British visitor. Better value can probably be obtained in Aswan or Luxor and certainly for those doing a Nile Cruise large, weighty or fragile items are best left to the last minute. Keywords: Egypt, Egyptians, Cairo, cruise Arabic, bargaining, tourism, tourists, landscape, capital, old, city, gates, Sultan, Qansuh, Fatimid, Kan al-Khalili, al-Kalili, souk, al-Badestan, maze, alleyways, alleys, shops, factories, bazaars, market, antiques, gold, jewellery, clothes, glass, leather, metal, wood, crafts, souvenirs, cafes, restaurants, sheeshas, trade, commercial, mosques, clock, tower, minaret, palm, trees, architecture, al-Azhar, Maydan, square, al-Hussein, Sayyidna, al-Husayn, building, 19C, Gothic
Cairo Mosque EG072638jhp Egypt Cairo Kan al-Khalili mosque minaret Sayyidna al-Husayn square Maydan near this busy and often important site being popular stop-off for tourists to Egypt and offered as part of City Tour where many bargains can be picked up as part of that exotic shopping experience in an Arabic Bazaar. Bargaining is also part of the fun and is expected throughout so a new and often daunting experience for the traditional conservative British visitor. Better value can probably be obtained in Aswan or Luxor and certainly for those doing a Nile Cruise large, weighty or fragile items are best left to the last minute. Keywords: Egypt, Egyptians, Cairo, cruise Arabic, bargaining, tourism, tourists, landscape, capital, old, city, gates, Sultan, Qansuh, Fatimid, Kan al-Khalili, al-Kalili, souk, al-Badestan, maze, alleyways, alleys, shops, factories, bazaars, market, antiques, gold, jewellery, clothes, glass, leather, metal, wood, crafts, souvenirs, cafes, restaurants, sheeshas, trade, commercial, mosques, minaret, palm, trees, architecture, al-Azhar, Maydan, square, al-Hussein, Sayyidna, al-Husayn, building, 19C, Gothic
Cairo Mosque EG072611jhp Egypt Cairo mosque minaret Sayyidna al-Husayn square trees plants Maydan near the busy and often important site of Kan al-khalili a popular stop-off for tourists to Egypt and offered as part of City Tour where many bargains can be picked up as part of that exotic shopping experience in an Arabic Bazaar. Bargaining is also part of the fun and is expected throughout so a new and often daunting experience for the traditional conservative British visitor. Better value can probably be obtained in Aswan or Luxor and certainly for those doing a Nile Cruise large, weighty or fragile items are best left to the last minute. Keywords: Egypt, Egyptians, Cairo, cruise Arabic, bargaining, tourism, tourists, upright, capital, old, city, gates, Sultan, Qansuh, Fatimid, Kan al-Khalili, al-Kalili, souk, al-Badestan, maze, alleyways, alleys, shops, factories, bazaars, market, antiques, gold, jewellery, clothes, glass, leather, metal, wood, crafts, souvenirs, cafes, restaurants, sheeshas, trade, commercial, mosques, minaret, palm, trees, architecture, al-Azhar, Maydan, square, al-Hussein, Sayyidna, al-Husayn, building, 19C, Gothic
Cairo Khan al-Kalili EG072634jhp Egypt Cairo Kan al-Khalili souk arch historic alleyway tourists owners cotton brass goods in a busy and often important site seeing stop-off for tourists to Egypt and offered as part of City Tour where many bargains can be picked up as part of that exotic shopping experience in an Arabic Bazaar. Bargaining is also part of the fun and is expected throughout so a new and often daunting experience for the traditional conservative British visitor. Better value can probably be obtained in Aswan or Luxor and certainly for those doing a Nile Cruise large, weighty or fragile items are best left to the last minute. Keywords: Egypt, Egyptians, Cairo, cruise Arabic, bargaining, tourism, tourists, landscape, capital, old, city, gates, Sultan, Qansuh, Fatimid, Kan al-Khalili, al-Kalili, souk, al-Badestan, maze, alleyways, alleys, shops, factories, bazaars, market, antiques, gold, jewellery, clothes, glass, leather, metal, wood, crafts, souvenirs, cafes, restaurants, sheeshas, trade, commercial, mosques, minaret, palm, trees, architecture, arch, al-Azhar, Maydan, square, al-Hussein, Sayyidna, al-Husayn, building, 19C, Gothic, historic
Cairo Khan al-Kalili EG072633jhp Egypt Cairo Kan al-Kalili souk street minaret shops houses Egyptians shopping crowded alleys a busy and often important site seeing stop-off for tourists to Egypt and offered as part of City Tour where many bargains can be picked up as part of that exotic shopping experience in an Arabic Bazaar. Bargaining is also part of the fun and is expected throughout so a new and often daunting experience for the traditional conservative British visitor. Better value can probably be obtained in Aswan or Luxor and certainly for those doing a Nile Cruise large, weighty or fragile items are best left to the last minute. Keywords: Egypt, Egyptians, Cairo, cruise Arabic, bargaining, tourism, tourists, upright, capital, old, city, gates, Sultan, Qansuh, Fatimid, Kan al-Khalili, al-Kalili, souk, al-Badestan, maze, alleyways, alleys, shops, factories, bazaars, market, antiques, gold, jewellery, clothes, glass, leather, metal, wood, crafts, souvenirs, cafes, restaurants, sheeshas, trade, commercial, mosques, minaret, palm, trees, architecture, al-Azhar, Maydan, square, al-Hussein, Sayyidna, al-Husayn, building, 19C, Gothic
Cairo Khan al-Kalili EG072632jhp Egypt Cairo Kan al-Khalili minaret building street front houses contrast in a busy and often important site seeing stop-off for tourists to Egypt and offered as part of City Tour where many bargains can be picked up as part of that exotic shopping experience in an Arabic Bazaar. Bargaining is also part of the fun and is expected throughout so a new and often daunting experience for the traditional conservative British visitor. Better value can probably be obtained in Aswan or Luxor and certainly for those doing a Nile Cruise large, weighty or fragile items are best left to the last minute. Keywords: Egypt, Egyptians, Cairo, cruise Arabic, bargaining, tourism, tourists, upright, capital, old, city, gates, Sultan, Qansuh, Fatimid, Kan al-Khalili, al-Kalili, souk, al-Badestan, maze, alleyways, alleys, shops, factories, bazaars, market, antiques, gold, jewellery, clothes, glass, leather, metal, wood, crafts, souvenirs, cafes, restaurants, sheeshas, trade, commercial, mosques, minaret, palm, trees, architecture, al-Azhar, Maydan, square, al-Hussein, Sayyidna, al-Husayn, building, 19C, Gothic
Cairo Khan al-Kalili EG072623jhp Egypt Cairo Kan al-Kalili souk street old Arabic script carved historic part of this busy and often important site seeing stop-off for tourists to Egypt and offered as part of City Tour where many bargains can be picked up as part of that exotic shopping experience in an Arabic Bazaar. Bargaining is also part of the fun and is expected throughout so a new and often daunting experience for the traditional conservative British visitor. Better value can probably be obtained in Aswan or Luxor and certainly for those doing a Nile Cruise large, weighty or fragile items are best left to the last minute. Keywords: Egypt, Egyptians, Cairo, cruise Arabic, script, carved, bargaining, tourism, tourists, landscape, capital, old, city, gates, Sultan, Qansuh, Fatimid, Kan al-Khalili, al-Kalili, souk, al-Badestan, maze, alleyways, alleys, shops, factories, bazaars, market, antiques, gold, jewellery, clothes, glass, leather, metal, wood, crafts, souvenirs, cafes, restaurants, sheeshas, trade, commercial, mosques, minaret, palm, trees, architecture, al-Azhar, Maydan, square, al-Hussein, Sayyidna, al-Husayn, building, 19C, Gothic
Cairo Khan al-Kalili EG072622jhp Egypt Cairo Kan al-Khalili souk alleyway old historic pots brass metalware Egyptian in a busy and often important site seeing stop-off for tourists to Egypt and offered as part of City Tour where many bargains can be picked up as part of that exotic shopping experience in an Arabic Bazaar. Bargaining is also part of the fun and is expected throughout so a new and often daunting experience for the traditional conservative British visitor. Better value can probably be obtained in Aswan or Luxor and certainly for those doing a Nile Cruise large, weighty or fragile items are best left to the last minute. Keywords: Egypt, Egyptians, Cairo, cruise Arabic, bargaining, tourism, tourists, upright, capital, old, city, gates, Sultan, Qansuh, Fatimid, Kan al-Khalili, al-Kalili, souk, al-Badestan, maze, alleyways, alleys, shops, factories, bazaars, market, antiques, gold, jewellery, clothes, glass, leather, metal, wood, crafts, souvenirs, cafes, restaurants, sheeshas, trade, commercial, mosques, minaret, palm, trees, architecture, al-Azhar, Maydan, square, al-Hussein, Sayyidna, al-Husayn, building, 19C, Gothic
Cairo Khan al-Kalili EG072617jhp Egypt Cairo Kan al-Khalili souk street shop Egyptians shopping crowded a busy and often important site seeing stop-off for tourists to Egypt and offered as part of City Tour where many bargains can be picked up as part of that exotic shopping experience in an Arabic Bazaar. Bargaining is also part of the fun and is expected throughout so a new and often daunting experience for the traditional conservative British visitor. Better value can probably be obtained in Aswan or Luxor and certainly for those doing a Nile Cruise large, weighty or fragile items are best left to the last minute. Keywords: Egypt, Egyptians, Cairo, cruise Arabic, upright, capital, old, city, gates, Sultan, Qansuh, Fatimid, Kan al-Khalili, al-Kalili, souk, busy, crowded, locals, shopping, throng, al-Badestan, maze, alleyways, alleys, shops, factories, bazaars, market, antiques, gold, jewellery, clothes, glass, leather, metal, wood, crafts, souvenirs, cafes, restaurants, sheeshas, trade, commercial, mosques, minaret, palm, trees, architecture, al-Azhar, Maydan, square, al-Hussein, Sayyidna, al-Husayn, building, 19C, Gothic
Cairo Khan al-Kalili EG072616jhp Egypt Cairo Kan al-Khalili souk Egyptians shopping crowded throng people a busy and often important site seeing stop-off for tourists to Egypt and offered as part of City Tour where many bargains can be picked up as part of that exotic shopping experience in an Arabic Bazaar. Bargaining is also part of the fun and is expected throughout so a new and often daunting experience for the traditional conservative British visitor. Better value can probably be obtained in Aswan or Luxor and certainly for those doing a Nile Cruise large, weighty or fragile items are best left to the last minute. Keywords: Egypt, Egyptians, Cairo, cruise Arabic, landscape, capital, old, city, gates, Sultan, Qansuh, Fatimid, Kan al-Khalili, al-Kalili, souk, street, scene, modern, busy, crowded, locals, shopping, throng, al-Badestan, maze, alleyways, alleys, shops, factories, bazaars, market, antiques, gold, jewellery, clothes, glass, leather, metal, wood, crafts, souvenirs, cafes, restaurants, sheeshas, trade, commercial, mosques, minaret, palm, trees, architecture, al-Azhar, Maydan, square, al-Hussein, Sayyidna, al-Husayn, building, 19C, Gothic
Cairo Khan al-Kalili EG072614jhp Egypt Cairo Kan al-Kalili street shop Egyptians leather exotic colourful a busy and often important site seeing stop-off for tourists to Egypt and offered as part of City Tour where many bargains can be picked up as part of that exotic shopping experience in an Arabic Bazaar. Bargaining is also part of the fun and is expected throughout so a new and often daunting experience for the traditional conservative British visitor. Better value can probably be obtained in Aswan or Luxor and certainly for those doing a Nile Cruise large, weighty or fragile items are best left to the last minute. Keywords: Egypt, Egyptians, Cairo, cruise Arabic, bargaining, tourism, tourists, landscape, capital, old, city, gates, Sultan, Qansuh, Fatimid, Kan al-Khalili, al-Kalili, souk, al-Badestan, maze, alleyways, alleys, shop, street, front, colourful, cluttered, factories, bazaars, market, antiques, gold, jewellery, clothes, glass, leather, metal, wood, crafts, souvenirs, cafes, restaurants, sheeshas, trade, commercial, mosques, minaret, palm, trees, architecture, al-Azhar, Maydan, square, al-Hussein, Sayyidna, al-Husayn, building, 19C, Gothic
Cairo Khan al-Kalili EG072612jhp Egypt Cairo Kan al-Khalili souk streets shops tourists Egyptians shopping crowded alleys a busy and often important site seeing stop-off for tourists to Egypt and offered as part of City Tour where many bargains can be picked up as part of that exotic shopping experience in an Arabic Bazaar. Bargaining is also part of the fun and is expected throughout so a new and often daunting experience for the traditional conservative British visitor. Better value can probably be obtained in Aswan or Luxor and certainly for those doing a Nile Cruise large, weighty or fragile items are best left to the last minute. Keywords: Egypt, Egyptians, Cairo, cruise Arabic, bargaining, tourism, tourists, landscape, capital, old, city, gates, Sultan, Qansuh, Fatimid, Kan al-Khalili, al-Kalili, souk, al-Badestan, maze, alleyways, alleys, shops, shoppers, men, women, children, street, factories, bazaar, market, antiques, gold, jewellery, clothes, glass, leather, metal, wood, crafts, souvenirs, cafes, restaurants, sheeshas, trade, commercial, mosques, minaret, palm, trees, architecture, al-Azhar, Maydan, square, al-Hussein, Sayyidna, al-Husayn, building, 19C, Gothic

Egypt > Colossi of Memnon (1 file)

Photos of this most visited site on the west bank of the River Nile at Luxor -popular coach stopover for photo shoot.
Colossi of Memnon 5749EG07JHP Colossi Memnon Luxor Egypt statues seated palm tree West Bank Nile most photographed as it is stopped at enroute to the main West Bank monuments by nearly all coaches and taxis as is roadside stopover just to take photos. Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, River Nile, landscape, history, archaeology, ancient, Egyptology, temples, Colossi, Memnon, roadside, coachstop, excavations, palm, tree

Egypt > Fayoum & Desert (1 file)

Pictures in this gallery cover the Fayoum area, Lake Qarun, Karanis, Qasr al-Saghah and Soknopaiou Nesos
Lake Qarum al-Fayyum eg947034jhp Egypt el-Fayoum Lake Qarun Moeris peaceful quiet lakeshore restaurant was a peaceful coffee stop during hectic visit to The Fayyum [Crocodilopolis Nome] province of Egypt south of Cairo which included visits to Meydum and Hawara pyramids, the waterwheels of Madinat al-Fayyum Town, Lake Qarun and then returning to Cairo via Karanis. Many years later I returned to the Lake and stayed at the historic Auberge Helnan Hotel on its shores before a journey across the desert to Soknopaiou Nesos [Dimyah-al-Siba] and Qasr al-Saghah Temple. The Lake has a long history from Neolithic times but major development started under Amenemhat 1 in the 12th Dynasty with water management and drainage schemes. Very productive area for various crops, wildfowl and fish with increase development during the Ptolemaic and Roman times as it is still to modern days. Keywords: Egypt, Egyptian, Egyptology, el-Fayoum, Madinat, al-Fayyum, al-Faiyum, Medinet, Fayum, Lake, Qarun, Moeris, lakeshore, restaurant, peaceful, quiet, waterfront, chairs, tables, archaeology, ancient, history, landscape, desert, Neolithic, isolated, 12th Dynasty, development, drainage, marshes, fertile, crops, fishing, wildfowl, Ptolemaic, Roman, grain, water, wheels, October, 1994, 35mm, slide, film, Fuji, RDP11, Nikon, FM, scanned

Egypt > Giza Pyramids & Sphinx (4 files)

Photographs of the three Giza pyramids of Khufu, Khafre and Menkaure, the Sphinx, temples, Solar Barque museum and western cemetery mastabas, including the Light and Sound Show night views.
Giza Pyramids EG951251jhp Giza Pyramids Southern aspect sand desert three Cairo Egypt blue sky sunny in the distance and tkane from the main coach stop and photo call from the hundred’s of thousands of tourists who came every year to see these wonders of the ancient world. Left to right there is the Great Pyramid of Khufu, the Turah limestone capped Khafre Pyramid and to the right the smaller of the three, that of Menkaure. Keywords: Egypt, Cairo, Giza, Gizah, landscape, pyramid, royalty, nobles, officials, burial, tombs, Khufu, Cheops, Khafre, Chephren, Menkaure, Mycerinus, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, capped, desert, sand, 1995, scanned, scan, 645, slide, film, transparency, Bronica, ETRSi
Menkaure Pyramids EG02016JHP Menkaure Mycerinus Queens Pyramids Giza Egypt Cairo Desert southern aspect with the modern city in the far distance and a favourite coach stop and photo call from the hundred’s of thousands of tourists who came every year to see these wonders of the ancient world. Here we have the smaller of the three, that of Menkaure with its distinctive three small Queen's pyramids by its side. Keywords: Egypt, Cairo, Giza, Gizah, landscape, royalty, burial, tombs, Menkaure, Mycerinus, Queens, pyramids, limestone, ancient, Egyptian, Egyptology, archaeology, history, desert, sand, crowds
Giza Tourists EG076684JHP Giza Pyramids Southern Aspect Cairo Visitors Tourists Desert Hazy in the far distance and a favourite coach stop and photo call from the hundred’s of thousands of tourists who came every year to see these wonders of the ancient world. Left to right there is the Great Pyramid of Khufu, the Turah limestone capped Khafre Pyramid and to the right the smaller of the three, that of Menkaure with its distinctive three small Queen's pyramids by its side. Keywords: Egypt, Cairo, Giza, Gizah, landscape, pyramid, royalty, burial, tombs, Khufu, Cheops, Khafre, Chephren, Menkaure, Mycerinus, Queens, pyramids, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, capped, desert, sand, crowds, visitors, tourists, photocall, hazy
Giza Sphinx 6704EG07JHP Sphinx Giza Ruins Temple Painted Headdress Face Gizah Egyptian Photograph located near near Cairo. Note the remains of painted headdress, the nemes, on the forehead. Underneath the headdress is the cement support added in the past 200 years to stop any possible damage to the ancient nemes headdress. Keywords: Egypt, Egyptian, Giza, Sphinx, nemes, headdress, face, soft, erosion, limestone, casing, Tura, Valley, temple, causeway, Western, Cemetery, entrance, approach, upright, Egyptology, archaeology, ancient, telephoto, closeup

Egypt > Infra Red Photographs (3 files)

This is a collection of Infra Red Black & White film photographs taken of the main sites of mainly Ancient Egypt in the late 1990's and they give a very different feel to the sites with the particular ghostly effect of this specialised Kodak film. Sites covered include Abydos, Colossi of Memnon, Abydos temple, Osireion, Dendera Temple, Edfu Temple, Esna Temple, Esna Lock, Karnak Temple, Kom Ombo Temple, Luxor Temple, Philae Temple, Aswan Felucca; River Nile cruise, Pyramids of Giza and The Sphinx
Egyptian Giza InfR EG020413jhp Egyptian Cairo Giza Pyramid Khafre Great Khufu infra red film with Cairo in the far distance and by the road to the favourite coach stop and photo call from the hundred’s of thousands of tourists who came every year to see these wonders of the ancient world. Left to right from this viewpoint there is the Great Pyramid of Khufu, the Turah limestone capped Khafre Pyramid and to the right the smaller of the three, that of Menkaure. These are taken from the roadside of the metalled road that runs through the Giza site from Giza up to the high ground to the south. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, pyramid, royalty, nobles, officials, burial, tombs, Khufu, Cheops, Khafre, Chephren, Menkaure, Mycerinus, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, capped, desert, sand, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020412jhp Egypt Cairo Giza Pyramid Khafre Great Southern aspect road infra red film with Cairo in the far distance and a favourite coach stop and photo call from the hundred’s of thousands of tourists who came every year to see these wonders of the ancient world. Left to right from this viewpoint there is the Great Pyramid of Khufu, the Turah limestone capped Khafre Pyramid and to the right the smaller of the three, that of Menkaure. These are taken from the roadside of the metalled road that runs through the Giza site from Giza up to the high ground to the south. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, pyramid, royalty, nobles, officials, burial, tombs, Khufu, Cheops, Khafre, Chephren, Menkaure, Mycerinus, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, capped, desert, sand, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020411jhp Egypt Cairo Giza Pyramid Menkaure South road infra red film Queens with Cairo in the far distance and a favourite coach stop and photo call from the hundred’s of thousands of tourists who came every year to see these wonders of the ancient world. Left to right there is the Great Pyramid of Khufu, the Turah limestone capped Khafre Pyramid and to the right the smaller of the three, that of Menkaure which is featured in this photograph along with the three Queen’s satellite pyramids. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, pyramid, royalty, nobles, officials, burial, tombs, Khufu, Cheops, Khafre, Chephren, Menkaure, Mycerinus, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, capped, desert, sand, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egypt > Luxor City & Misc West Bank (5 files)

Images in this gallery cover modern Luxor, general agriculture and photos not specific to other groups such as the recent excavations of the Sphinx Avenue, the alabaster factory and workers and the residential houses bordering the various roads to the main sites. It also includes the balloon flights and views from the balloon.
Luxor Alabaster EG006134jhp Egyptian Luxor alabaster carving working drawing worker traditional skill drawing outlines perhaps showing the many visitors to this part of ancient Egypt some of the techniques used by ancient Egyptians working alabaster crystal stone. These stops such as papyrus, perfumes, carpet making all give the visitor a chance to purchase souvenirs while no doubt imparting some idea of how the ancients did make the artefacts found in tombs. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, Gurna, Qurna, Qurnah, Qurnat, Mura’I, Shaykh, Abd al-Qurnah, Sheikh Abd, el-Qurna, alabaster, working, workers, galabea, clothes, men, techniques, skills, stone, factory, tourism, landscape, carved, plaster, head, tourist, trap, stopover, sell, buy, haggle, workers, Egyptians, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual
Luxor Alabaster EG006133jhp Egypt Luxor West Bank alabaster factory workers traditional skills scraping bowl perhaps showing the many visitors to this part of ancient Egypt some of the techniques used by ancient Egyptians working alabaster crystal stone. These stops such as papyrus, perfumes, carpet making all give the visitor a chance to purchase souvenirs while no doubt imparting some idea of how the ancients did make the artefacts found in tombs. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, Gurna, Qurna, Qurnah, Qurnat, Mura’I, Shaykh, Abd al-Qurnah, Sheikh Abd, el-Qurna, alabaster, working, workers, galabea, clothes, men, techniques, skills, stone, factory, tourism, landscape, upright, tourist, trap, stopover, sell, buy, haggle, workers, Egyptians, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual
Luxor Alabaster Workers EG02097jhp Egypt Egyptian Luxor alabaster factory workers traditional skills scraping bowl perhaps showing the many visitors to this part of ancient Egypt some of the techniques used by ancient Egyptians working alabaster crystal stone. These stops such as papyrus, perfumes, carpet making all give the visitor a chance to purchase souvenirs while no doubt imparting some idea of how the ancients did make the artefacts found in tombs. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, Gurna, Qurna, Qurnah, Qurnat, Mura’I, Shaykh, Abd al-Qurnah; Sheikh Abd, el-Qurna, alabaster, working, workers, techniques, skills, stone, factory, tourism, landscape
Luxor Alabaster Workers EG02096jhp Egypt Egyptian Luxor Thebes Theban West Bank tourism alabaster factory workers traditional skills perhaps showing the many visitors to this part of ancient Egypt some of the techniques used by ancient Egyptians working alabaster crystal stone. These stops such as papyrus, perfumes, carpet making all give the visitor a chance to purchase souvenirs while no doubt imparting some idea of how the ancients did make the artefacts found in tombs. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, Gurna, Qurna, Qurnah, Qurnat, Mura’I, Shaykh, Abd al-Qurnah; Sheikh Abd, el-Qurna, alabaster, working, workers, techniques, skills, stone, factory, tourism, landscape
Luxor Alabaster Workers EG02095jhp Egypt Egyptian Luxor West Bank tourists alabaster factory workers tools traditional skills perhaps showing the many visitors to this part of ancient Egypt some of the techniques used by ancient Egyptians working alabaster crystal stone. These stops such as papyrus, perfumes, carpet making all give the visitor a chance to purchase souvenirs while no doubt imparting some idea of how the ancients did make the artefacts found in tombs. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, Gurna, Qurna, Qurnah, Qurnat, Mura’I, Shaykh, Abd al-Qurnah; Sheikh Abd, el-Qurna, alabaster, working, workers, techniques, skills, stone, factory, tourism, tourists, tools, galabea, turban, dress, ethnic, landscape

Egypt > Luxor Nobles Tombs (29 files)

Photographs in this gallery are of the various Tombs of the Nobles on the West Bank if the Nile at Luxor in the area called Qurnet Murai
Luxor Nakht Tomb EG00679jhp Egyptian Luxor Tombs Nobles Nakht grapes fish ducks food preparing Tomb Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00678jhp Egypt ancient food Nakht grapes figs fish ducks baskets food feast pile Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00677jhp Egypt Luxor Astronomer Nakht honey wine food feast colours wall painting Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00676jhp Egyptian Luxor Tombs Nobles Nakht female harp player Tomb painted Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, musicians, women, flute, lute, harp, naked, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00675jhp Egyptian Luxor Tomb Noble Nakht food feast Tomb Colour Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00674jhp Egypt Luxor Nakht Tomb women servant lotus flower Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00673jhp Egypt Luxor Tombs Nobles Nakht women musicians naked Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, musicians, women, flute, lute, harp, naked, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00672jhp Egypt Luxor Tombs Nobles Nakht grapes food feast pile Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006714jhp Egypt Luxor Nakht Tomb tree Goddess Hathor food feast papyrus Colours Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006713jhp Egypt Luxor Tombs Nobles Nakht grapes wine making workmen Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006712jhp Egypt Luxor Tomb Noble Nakht grapes treading wine fowls workers Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006730jhp Egyptian Thebes Tombs Nobles Menna Marshland scene boat fishing fish water is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG9410023jhp Egypt Luxor Menna Wife Banquet eye damage food details Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 as this photo records and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji RDP 100asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 1994, Fuji, RDP, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006733jhp Egypt Luxor Tombs Nobles Menna colourful wine lotus flowers Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006732jhp Egypt Luxor Tomb Noble Menna marshland ducks ibis food hunting Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006731jhp Egyptian Luxor Noble Menna marshland fishing nets fish colours details Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006729jhp Egypt Luxor Tomb Mena herding Isis Horus mother unusual Anubis cattle Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. This depiction of the Goddess which I believe is Isis is very unusual with Horus on her head and I have not been able to find it elsewhere shown in my reference books or on the Internet. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006728jhp Egypt Thebes Noble Menna Scribe cattle Isis Horus ankh Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006727jhp Egypt Luxor Tombs Nobles Menna Banquet Wall covering colourful Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006726jhp Egyptian Luxor Tomb Noble Menna Scribe Royal Tomb Reliefs walls room is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006725jhp Egypt Luxor Tomb Noble Menna Wife Banquet scene Scribe Royal Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006724jhp Egypt Luxor Tombs Nobles Menna Scribe harvest farming scenes painted is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006723jhp Egypt Thebes Tomb Noble Mena Osiris seated colourful Relief God offering is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006722jhp Egypt Luxor Noble Menna Wife offering Osiris God food Scribe Royal Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006721jhp Egypt Luxor Menna Tomb Osiris Offering scenes Room ceiling walls is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006720jhp Egypt Luxor Tombs Nobles Menna Scribe Royal banquet eyes missing colors is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006719jhp Egypt Luxor Tombs Nobles Menna Mena Scribe offering table colours details Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Sennefer Guest House EG075712JHP Luxor West Bank Modern Qurna Sennefer Guesthouse Hotel Egyptian Vista along with Old Qurna houses is interspersed with the Tombs of the Nobles is undergoing a major modernisation programme with the houses being removed, occupants relocated and the entrances to the various tombs made more accessible. Obviously a programme without some pain and opposition especially from locals who have lived in the area and over the tombs for generations but part of the necessary management and control of these irreplaceable ancient sites and the artefacts contained therein. The Hotel I understand from the owner is destined to stay - a pleasant stop for refreshment after the heat of walking to several tombs. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, hotel, resthouse, restaurant, guesthouse, cafe, drinks, modern art, murals, village, modernisation, removal, houses, clearances, relocation, preservation
Sennefer Guest House EG075709JHP Colourful Wall Murals Egypt Luxor Nile West Bank Sennefer Guesthouse along with Old Qurna houses is interspersed with the Tombs of the Nobles is undergoing a major modernisation programme with the houses being removed, occupants relocated and the entrances to the various tombs made more accessible. Obviously a programme without some pain and opposition especially from locals who have lived in the area and over the tombs for generations but part of the necessary management and control of these irreplaceable ancient sites and the artefacts contained therein. The Hotel I understand from the owner is destined to stay - a pleasant stop for refreshment after the heat of walking to several tombs. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, hotel, resthouse, restaurant, guesthouse, cafe, drinks, modern art, murals, village, modernisation, removal, houses, clearances, relocation, preservation

Egypt > North of Cairo (1 file)

This gallery has photographs of the main sites North of Cairo, usually visited privately as not part of most Egyptian tours, and includes Heliopolis, Tell Basta near Zagazig and Tanis near the north coast of Egypt
Alexandria Railway Station eg9614115jhp Egypt Egyptian Alexandria city railway station Misr Masr oldest stylish modern Mediterranean coast city is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. This photo is of the Railway Station “mahatit masr”, originating from the late 1850’s when the first Egyptian railway line was made to Cairo by Robert Stephenson. The original building has been refurbished after this photo was taken, part of a quick stop from the taxi as I drove around the City on a day trip. A few isolated ancient sites can be visited with some Greco-Roman ruins and archaeology. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours. Keywords: Egypt: Egyptian, Africa, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, European, style, sea, railways, 1850’s, Railway, Station, Misr, Masr, mahattat, mahatit, Mansha, district, oldest, upgraded, refurbished, architecture, style, street, furniture, lamps, balls, scene, passing, view, sunshine, blue, sky, bright, colours, colourful, landscape, September, 1996, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright

Egypt > Philae Temple Aswan (40 files)

Photographs in this gallery are of Philae Temple dedicated to the Goddess Isis, a relocated site on an island in the flooded River Nile at Aswan including the Light and Sound Show night photos
Philae Light Show EG961647jhp Philae Light Show Aswan Egypt outer wall carvings lights night Gods offering in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited but this area on the outer wall after leaving the second pylon was slightly easier as the lights stayed on longer. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Aswan, River, Nile, Nubia, Agilkia, Philae, Temple, landscape, stele, outer, wall, second, pylon, pylons, Trajan, Kiosk, stele, Ptolemaic, Island, Sound, Light, Son, Lumiere, surreal, experience, spectacular, fantasy, dramatic, colours, colors, colourful, colorful, history, antiquity, ancient, Egyptian, walk, through, sitting, dark, night, stars, holiday, travel, tourists, tourism, boat, water, Egyptology, entrance, courtyard, colonnades, 1996, slide, film, medium, format, transparency, 645, Bronica, ETRSi, tungsten, daylight, balanced, scanned, scan
Aswan Philae in Moonlight EG02931jhp Philae Temple Light Show Aswan Egypt night moonlight water reflections in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited after arriving at the Temple by boat and in this case under moonlight. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Aswan, River, Nile, Nubia, Agilkia, Philae, Temple, upright, moonlight, first, second, pylon, pylons, Trajan, Kiosk, stele, Ptolemaic, Island, Sound, Light, Son, Lumiere, surreal, experience, spectacular, fantasy, dramatic, colours, colors, colourful, colorful, history, antiquity, ancient, Egyptian, walk, through, sitting, dark, night, stars, holiday, travel, tourists, tourism, boat, water, Egyptology, entrance, courtyard, colonnades, 2002, Fuji, S2, DSLR, reflections
Aswan Philae Light Show EG02952jhp Philae Temple Light Show Pylons Aswan Egypt Trajan Kiosk night in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening as illustrated in this photo is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Aswan, River, Nile, Nubia, Agilkia, Philae, Temple, landscape, first, second, pylon, pylons, Trajan, Roman, Kiosk, stele, Ptolemaic, Island, Sound, Light, Son, Lumiere, surreal, experience, spectacular, fantasy, dramatic, colours, colors, colourful, colorful, history, antiquity, ancient, Egyptian, walk, through, sitting, dark, night, stars, holiday, travel, tourists, tourism, boat, water, Egyptology, entrance, courtyard, colonnades, 2002, Fuji, S2, DSLR
Aswan Philae Light Show EG02950jhp Philae Temple Light Sound Show Aswan Egypt colours two pylons in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening as illustrated in this photo is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Aswan, River, Nile, Nubia, Agilkia, Philae, Temple, landscape, first, second, pylon, pylons, Trajan, Kiosk, stele, Ptolemaic, Island, Sound, Light, Son, Lumiere, surreal, experience, spectacular, fantasy, dramatic, colours, colors, colourful, colorful, history, antiquity, ancient, Egyptian, walk, through, sitting, dark, night, stars, holiday, travel, tourists, tourism, boat, water, Egyptology, entrance, courtyard, colonnades, 2002, Fuji, S2, DSLR
Aswan Philae Light Show EG02949jhp Philae Temple Lumiere Son First Pylon Aswan Egypt colours lights night in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening as illustrated in this photo is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Aswan, River, Nile, Nubia, Agilkia, Philae, Temple, landscape, first, pylon, Trajan, Kiosk, stele, Ptolemaic, Island, Sound, Light, Son, Lumiere, surreal, experience, spectacular, fantasy, dramatic, colours, colors, colourful, colorful, history, antiquity, ancient, Egyptian, walk, through, sitting, dark, night, stars, holiday, travel, tourists, tourism, boat, water, Egyptology, entrance, courtyard, colonnades, 2002, Fuji, S2, DSLR
Aswan Philae Light Show EG02948jhp Philae Temple Light Sound Aswan Egypt coloured pylon pink night in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Aswan, River, Nile, Nubia, Agilkia, Philae, Temple, upright, first, pylon, pylons, Trajan, Kiosk, stele, Ptolemaic, Island, Sound, Light, Son, Lumiere, surreal, experience, spectacular, fantasy, dramatic, colours, colors, pink, red, colourful, colorful, history, antiquity, ancient, Egyptian, walk, through, sitting, dark, night, stars, holiday, travel, tourists, tourism, boat, water, Egyptology, entrance, courtyard, colonnades, 2002, Fuji, S2, DSLR
Aswan Philae Light Show EG02946jhp Philae Light Show Aswan Egypt Trajan Kiosk color lit night in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening as illustrated in this photo is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Aswan, River, Nile, Nubia, Agilkia, Philae, Temple, landscape, Trajan, Kiosk, columns, floral, capitals, Roman, Island, Sound, Light, Son, Lumiere, surreal, experience, spectacular, fantasy, dramatic, colours, colors, colourful, colorful, history, antiquity, ancient, Egyptian, walk, through, sitting, dark, night, stars, holiday, travel, tourists, tourism, boat, water, Egyptology, 2002, Fuji, S2, DSLR
Aswan Philae Light Show EG02944jhp Philae Light Show Aswan Egypt second pylon stele lights night in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Aswan, River, Nile, Nubia, Agilkia, Philae, Temple, landscape, stele, second, pylon, pylons, Trajan, Kiosk, stele, Ptolemaic, Island, Sound, Light, Son, Lumiere, surreal, experience, spectacular, fantasy, dramatic, colours, colors, colourful, colorful, history, antiquity, ancient, Egyptian, walk, through, sitting, dark, night, stars, holiday, travel, tourists, tourism, boat, water, Egyptology, entrance, courtyard, colonnades, 2002, Fuji, S2, DSLR
Aswan Philae Light Show EG02940jhp Philae Temple Light Show Aswan colonnade reliefs colours light night in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited as in this photo. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Aswan, River, Nile, Nubia, Agilkia, Philae, Temple, landscape, first, second, pylon, pylons, Trajan, Kiosk, stele, Ptolemaic, Island, Sound, Light, Son, Lumiere, surreal, experience, spectacular, fantasy, dramatic, colours, colors, colourful, colorful, history, antiquity, ancient, Egyptian, walk, through, sitting, dark, night, stars, holiday, travel, tourists, tourism, boat, water, Egyptology, entrance, courtyard, colonnades, blue, wall, reliefs, carvings, 2002, Fuji, S2, DSLR
Aswan Philae Light Show EG02937jhp Philae Temple Light Show Aswan colonnades pylon colours lights night in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Aswan, River, Nile, Nubia, Agilkia, Philae, Temple, landscape, first, second, pylon, pylons, Trajan, Kiosk, stele, Ptolemaic, Island, Sound, Light, Son, Lumiere, surreal, experience, spectacular, fantasy, dramatic, colours, colors, colourful, colorful, history, antiquity, ancient, Egyptian, walk, through, sitting, dark, night, stars, holiday, travel, tourists, tourism, boat, water, Egyptology, entrance, courtyard, colonnades, 2002, Fuji, S2, DSLR
Aswan Philae Light Show EG02936jhp Philae Temple Light Sound Show first pylon Aswan Egypt colours night in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Aswan, River, Nile, Nubia, Agilkia, Philae, Temple, upright, first, pylon, pylons, Trajan, Kiosk, stele, Ptolemaic, Island, Sound, Light, Son, Lumiere, surreal, experience, spectacular, fantasy, dramatic, colours, colors, colourful, colorful, history, antiquity, ancient, Egyptian, walk, through, sitting, dark, night, stars, holiday, travel, tourists, tourism, boat, water, Egyptology, entrance, courtyard, colonnade, 2002, Fuji, S2, DSLR
Aswan Philae Light Show EG02933jhp Philae Light Show Aswan Egyptian red orange colours Pylon courtyard in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Aswan, River, Nile, Nubia, Agilkia, Philae, Temple, landscape, first, pylon, pylons, Trajan, Kiosk, stele, Ptolemaic, Island, Sound, Light, Son, Lumiere, surreal, experience, spectacular, fantasy, dramatic, colours, colors, red, orange, yellow, colourful, colorful, history, antiquity, ancient, Egyptian, walk, through, sitting, dark, night, stars, holiday, travel, tourists, tourism, boat, water, Egyptology, entrance, courtyard, colonnades, 2002, Fuji, S2, DSLR
Philae Light Show EG052906JHP Ancient Philae Temple Modern Light Show Trajan Kiosk Aswan Egypt in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, temple, light, sound, show, upright, Trajan, kiosk, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052905JHP Philae Temple Trajan Kiosk Sound Light Show Aswan Egypt Night-time Photo in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, temple, light, sound, show, upright, Trajan, kiosk, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052904JHP Philae Temple Pylon Night Dark Sound Son Lumiere Light Show Aswan in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, temple, light, sound, show, landscape, upright, pylons, colonnade, court, entrance, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052903JHP Ancient Philae Temple Light Show Pylons Exterior Night Dark Coloured Colourful Aswan in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, temple, light, sound, show, landscape, pylons, colonnade, court, entrance, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052902JHP Ancient Philae Egyptian Temple Blue Light Trajan Kiosk Pylons Show Aswan in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, temple, light, sound, show, landscape, pylons, colonnade, court, entrance, Trajan, kiosk, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, blue, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052901JHP Philae Temple Pylons Carved Etched Light Night Dark Show Aswan Photo in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, temple, light, sound, show, landscape, pylons, colonnade, court, entrance, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052900JHP Philae Roman Trajan Kiosk Blue White Columns Capitals Light Show Aswan Egypt in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, temple, Trajan, Kiosk, light, sound, show, landscape, colonnade, court, entrance, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, blue, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052899JHP Trajan Kiosk Philae Temple Light Sound Son Lumiere Show Egyptian Agilkia Island Aswan in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, temple, Trajan, kiosk, light, sound, show, landscape, colonnade, court, entrance, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, blue, yellow, purple, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052897JHP Philae Temple Pylons Kiosk Vista Dark Night-time Light Show Aswan Egypt in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, light, Philae, temple, sound, show, landscape, pylons, Trajan, kiosk, entrance, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052896JHP Philae Temple Light Show Panorama Kiosk Pylons Sanctuary Nile Island Aswan in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, light, Philae, temple, pylons, Trajan, kiosk, sound, show, upright, landscape, colonnade, court, entrance, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052895JHP Philae Temple Pylons Blue Light Sound Show Egypt River Nile Island Aswan in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, temple, pylons, light, sound, show, landscape, colonnade, court, entrance, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052894JHP Philae Temple Trajan Kiosk Blue Light Show Vista Aswan Island Agilkia in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, temple, pylons, Trajan, kisok, light, sound, show, landscape, colonnade, court, entrance, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, blue, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052893JHP Ancient Egyptian Philae Temple Exterior Walls Light Show Highlight Carvings at Aswan in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, light, sound, show, exterior, wall, outside, landscape, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052892JHP Philae Temple Highlight Carvings Outer Walls Sound Light Show Aswan Egypt in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, temple, light, sound, show, landscape, exterior, Gods, erased, damaged, hieroglyphs, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052891JHP Philae Egyptian Temple Light Show Interior Sanctuary Columns Spiritual Photo at Aswan in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, temple, light, sound, show, upright, hypostyle, hall, columns, sanctuary, interior, altar, Son, Lumiere, spectacular, fantasy, dramatic, night, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052890JHP Philae Temple Light Show Second Pylon Stele Carvings Etched Night at Aswan in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, Horus, temple, light, sound, show, upright, second, pylon, stele, Ptolemy, Philometer, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052889JHP Philae Temple Light Show Ptolemy Pylon Face Carvings Etched Shadows Stele at Aswan in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, Horus, temple, light, sound, show, upright, second, pylon, stele, Ptolemy, Philometer, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052888JHP Philae Temple Light Show Stele Pylon Carvings Horus Ptolemy Night-time at Aswan in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, Horus, temple, light, sound, show, landscape, second, pylon, stele, Ptolemy, Philometer, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052884JHP Philae Temple Light Show at Aswan in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, Horus, temple, light, sound, show, upright, second, pylon, Ptolemy, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052883JHP Philae Temple Light Show Pylon Stone Outcrop Stele Isis Ptolemy at Aswan in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, Horus, temple, light, sound, show, landscape, second, pylon, stele, Ptolemy, Philometer, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052882JHP Philae Temple Egypt Light Show First Courtyard Pylon East Colonnade Aswan in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, temple, light, sound, show, landscape, pylon, colonnade, court, entrance, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, red, yellow, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052881JHP Philae Temple Son Lumiere Vista Approach Colonnade East Western Pylon at Aswan in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, temple, Isis, light, sound, show, landscape, colonnades, court, entrance, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052880JHP Philae Temple Light Show Aswan Island Egypt Pylon First Courtyard Night in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, temple, light, sound, show, landscape, first, pylon, colonnade, court, entrance, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052878JHP Egyptian Philae Temple Light Show First Pylon Night Shadows Etched Carvings at Aswan in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, light, Philae, temple, Ptolemy, Isis, sound, show, pylon, landscape, colonnade, court, entrance, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052877JHP Philae Temple Light Show Panorama Entrance West East Colonnade Pylon Night at Aswan in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, temple, light, sound, show, pylon, landscape, colonnade, court, entrance, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, red, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052875JHP Philae Temple Egypt Light Sound Show East Colonnade Pylon First Aswan Night in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, Temple, light, sound, show, pylon, landscape, colonnade, eastern, temples, court, entrance, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052874JHP Philae Temple Sound Light Show East Colonnade Litup Highlighted Columns Aswan in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, Philae, temple, island, light, sound, show, landscape, colonnade, eastern, court, entrance, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052873JHP Philae Temple Blue Light Show First Courtyard Colonnades Dark Night-time Aswan in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, temple, light, sound, show, pylon, landscape, colonnades, court, entrance, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, blue, colours, colors, colourful, colorful, spiritual, surreal

Egypt > River Nile Cruise & Sites (17 files)

Photographs in this gallery show daily life along the River Nile mainly from the cruises I have undertaken over the past 10 years or so. Sites that border the Nile are included although the major temples visted have their own dedicated sites such as Edfu and Kom Ombo. One of the enjoyments of the Nile cruise is the tranquility of watching 'life go by' usually characterised by the friendliness of those you pass whether boatmen or farm workers as well as seeing wild birds close at hand. The other aspect is the service on the cruiseboats from friendly crews and the chance to relax after hectic and often crowded temple visits.
River Nile Esna Lock EG052098jhp Egypt Egyptian River Nile Esna lock cruiseboats entering exiting water photos taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, landscape, tansfer, coming, out, exiting, entering, riverbank, daily, life, cruiseboats, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Esna Lock EG052097jhp Egypt Egyptian River Nile Esna lock cruiseboat in coming out transfer photo taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, landscape, tansfer, coming, out, riverbank, daily, life, cruiseboats, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Cruiseboats EG052096jhp Egypt Egyptian River Nile Esna lock cruiseboats jammed together photograph taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation and while waiting boats were berthed side by side for several hours, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, upright, riverbank, daily, life, cruiseboats, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Cruiseboats EG052095jhp Egypt Egyptian River Nile Esna lock cruiseboats congested cramped many photo taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation which meant many boats were berthed six deep side by side while they waited, although an additional lock was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, landscape, riverbank, daily, life, cruiseboats, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Cruiseboat EG052093jhp Egypt Egyptian River Nile Esna cruiseboat still life washing deck life ropes photo taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, upright, daily, life, congestion, bottleneck, delays, anchored, water, cruise, cruiseboat, white, deck, detail, bollards, rope, washing, drying, hanging, generator, steps, hose, walkway, gangplank, colours, colors, colorful, still, life, arty, art
River Nile Esna Traders EG052090jhp Egypt Egyptians Nile Esna traders flotilla boats selling cotton goods colours water photo taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, upright, many, boats, flotilla, lineup, traders, sellers, selling, galabeas, carpets, rowing, oarsmen, men, riverbank, daily, life, cruiseboats, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Esna Traders EG052089jhp Egypt Egyptians Nile Esna traders many boats selling clothes cotton goods photos taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, landscape, multiple, many, crowded, competing, boats, traders, sellers, selling, galabeas, carpets, rowing, oarsmen, men, riverbank, daily, life, cruiseboats, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Esna Traders EG052085jhp Egypt Egyptian River Nile Esna lock cruiseboats traders boats RA water photos taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, landscape, boats, traders, sellers, selling, galabeas, carpets, rowing, oarsmen, men, riverbank, daily, life, cruiseboats, RA, Ambassador, Eastmar, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Esna Traders EG052080jhp Egypt River Nile Esna lock cruiseboat arriving traders boats selling carpets photo taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, landscape, boats, traders, sellers, selling, galabeas, carpets, rowing, oarsmen, men, riverbank, daily, life, cruiseboats, cruiseboat, RA, Eastmar, arriving, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Esna Traders EG052069jhp Egypt Egyptian River Nile Esna lock cruiseboat traders boat rowing water photos taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, landscape, boats, traders, sellers, selling, galabeas, carpets, rowing, oarsmen, men, riverbank, daily, life, cruiseboat, Beau, Soleil, crewmen, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Esna Traders EG052064jhp Egypt Egyptians Nile traders men negotiating boats selling shawl pointing water photos taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, landscape, boats, traders, sellers, selling, negotiating, pointing, gesticulating, galabeas, carpets, shawl, red, rowing, oarsmen, men, riverbank, daily, life, cruiseboats, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Esna Traders EG052062jhp Egypt Nile Esna cruiseboat passengers receiving checking galabea traders boats selling water photos taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, landscape, boats, traders, sellers, selling, galabeas, man, riverbank, daily, life, cruiseboats, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, woman, checking, receiving, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Esna Traders EG052061jhp Egypt Egyptians Nile Esna traders boats selling goods oarsmen packets water photos taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, upright, boats, traders, sellers, selling, galabeas, carpets, rowing, oarsmen, men, riverbank, daily, life, cruiseboats, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Esna Traders EG052060jhp Egypt Egyptian Nile Esna traders boat selling galabeas faces expressions photo taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, upright, boats, traders, faces, expressions, sellers, selling, galabeas, carpets, rowing, oarsmen, men, riverbank, daily, life, cruiseboats, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Esna Traders EG052059jhp Egyptians Nile Esna lock cruiseboats traders boat selling carpet shawl water photo taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, upright, boats, traders, sellers, selling, galabeas, carpet, shawl, rowing, oarsmen, men, riverbank, daily, life, cruiseboats, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Esna Traders EG052058jhp Egypt Egyptians Nile Esna cruise traders boats selling shawl carpet boy photo taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, landscape, boats, traders, sellers, selling, galabeas, carpet, shawl, rowing, oarsmen, men, boy, riverbank, daily, life, cruiseboats, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Esna Traders EG052056jhp Egypt Nile Esna lock cruiseboat Ruby traders boats selling clothes rowing photo taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, landscape, boats, traders, sellers, selling, galabeas, carpets, rowing, oarsmen, men, riverbank, daily, life, cruiseboat, Ruby, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful

Scotland > Aberdeenshire Coast (12 files)

Pictures in this library relate to the sea and the coasts around Aberdeenshire from St Cyrus to the Moray Firth along to Cullen and include fishing villages of Gourdon, Johnshaven, the town of Stonehaven, beach at Balmedie, Cruden Bay, Forvie, Bodham Point near Peterhead, Fraserburgh, Rosehearty, Pennan, Macduff, Banff, Whitehills, Portsoy, Sandend, Portknockie, Bow Fiddle Rock.
Cruden Bay Coast 191868jhp Cruden Bay estuary golf green village houses coast dunes October Aberdeenshire Scotland also has small harbour for local fishing boats on Aberdeenshire North Sea coast south of Peterhead with historical links back to a battle that stopped the Danish invaders in 1012 and is near to the famous ruined mansion house called Slains Castle with links to Bram Stoker and Dracula. Keywords: Scotland, Scottish, Aberdeenshire, Buchan, Cruden, Water, Cruden Bay, Erroll, estuary, north, east, sea, landscape, coast, coastal, autumn, beach, golf, links, green, flag, dunes, sand, rocks, water, grass, maritime, walks, October, 2002, Fuji, RAP, 35mm, 100asa, slide, film, Tokina, zoom, FM2, 28mm-70mm, f3.5
Cruden Bay Coast 191865jhp Cruden Bay estuary bales fields coastal view October Aberdeenshire Scotland also has a links golf course on Aberdeenshire North Sea coast south of Peterhead with historical links back to a battle that stopped the Danish invaders in 1012 and is near to the famous ruined mansion house called Slains Castle with links to Bram Stoker and Dracula. Keywords: Scotland, Scottish, Aberdeenshire, Buchan, Cruden, Water, Cruden Bay, Erroll, estuary, north, east, sea, landscape, coast, coastal, autumn, October, bales, fields, clifftop, dunes, sand, rocks, water, grass, maritime, walks, 2002, Fuji, RAP, 35mm, 100asa, slide, film, Tokina, zoom, FM2, 28mm-70mm, f3.5
Cruden Bay fgh0838jhp Cruden Bay estuary summer beach sea nets drying boat rudder Aberdeenshire also has a links golf course on Aberdeenshire North Sea coast south of Peterhead with historical links back to a battle that stopped the Danish invaders in 1012 and is near to the famous ruined mansion house called Slains Castle with links to Bram Stoker and Dracula. Keywords: Scotland, Scottish, Aberdeenshire, Buchan, Cruden, Water, Cruden Bay, Erroll, estuary, north, east, sea, landscape, harbour, fishing, boats, rope, boat, rudder, propeller, coast, coastal, summer, beach, golf, links, dunes, sand, rocks, water, nets, drying, flowers, wild, mayweed, daisy, matricaria, maritime, white, petals, yellow, disc
Cruden Bay fgh0837jhp Cruden Bay estuary summer beach sea nets boat Aberdeenshire Scotland also has a links golf course on Aberdeenshire North Sea coast south of Peterhead with historical links back to a battle that stopped the Danish invaders in 1012 and is near to the famous ruined mansion house called Slains Castle with links to Bram Stoker and Dracula. Keywords: Scotland, Scottish, Aberdeenshire, Buchan, Cruden, Water, Cruden Bay, Erroll, estuary, north, east, sea, landscape, harbour, fishing, boats, rope, boat, rudder, propeller, coast, coastal, summer, beach, golf, links, dunes, sand, rocks, water, nets, drying, flowers, wild, mayweed, daisy, matricaria, maritime, white, petals, yellow, disc
Cruden Bay fgh0835jhp Cruden Bay estuary beached fishing boat summer nets Aberdeenshire Scottish also has a links golf course on Aberdeenshire North Sea coast south of Peterhead with historical links back to a battle that stopped the Danish invaders in 1012 and is near to the famous ruined mansion house called Slains Castle with links to Bram Stoker and Dracula. Keywords: Scotland, Scottish, Aberdeenshire, Buchan, Cruden, Water, Cruden Bay, Erroll, estuary, north, east, sea, landscape, beached, harbour, fishing, boats, rope, boat, rudder, propeller, coast, coastal, summer, beach, golf, links, dunes, sand, rocks, water, nets, drying, flowers, wild, mayweed, daisy, matricaria, maritime, white, petals, yellow, disc
Cruden Bay fgh0834jhp Cruden Bay estuary summer sandy beach sea rocks water Aberdeenshire Scotland also has a links golf course on Aberdeenshire North Sea coast south of Peterhead with historical links back to a battle that stopped the Danish invaders in 1012 and is near to the famous ruined mansion house called Slains Castle with links to Bram Stoker and Dracula. Keywords: Scotland, Scottish, Aberdeenshire, Buchan, Cruden, Water, Cruden Bay, Erroll, estuary, north, east, sea, landscape, harbour, fishing, boats, rope, boat, rudder, propeller, coast, coastal, summer, beach, golf, links, dunes, sand, rocks, water, nets, drying, flowers, wild, mayweed, daisy, matricaria, maritime, white, petals, yellow, disc
Cruden Bay fgh0833jhp Cruden Bay old harbour summer empty water sea mayweed daisy Aberdeenshire Scotland also has a links golf course on Aberdeenshire North Sea coast south of Peterhead with historical links back to a battle that stopped the Danish invaders in 1012 and is near to the famous ruined mansion house called Slains Castle with links to Bram Stoker and Dracula. Keywords: Scotland, Scottish, Aberdeenshire, Buchan, Cruden, Water, Cruden Bay, Erroll, estuary, north, east, sea, landscape, old, empty, harbour, fishing, boats, rope, boat, rudder, propeller, coast, coastal, summer, beach, golf, links, dunes, sand, rocks, water, nets, drying, flowers, wild, mayweed, daisy, matricaria, maritime, white, petals, yellow, disc
Cruden Bay fgh0831jhp Cruden Bay boats harbour Scottish summer sea mayweed flowers Aberdeenshire also has a links golf course on Aberdeenshire North Sea coast south of Peterhead with historical links back to a battle that stopped the Danish invaders in 1012 and is near to the famous ruined mansion house called Slains Castle with links to Bram Stoker and Dracula. Keywords: Scotland, Scottish, Aberdeenshire, Buchan, Cruden, Water, Cruden Bay, Erroll, estuary, north, east, sea, upright, harbour, fishing, boats, rope, boat, rudder, propeller, coast, coastal, summer, beach, golf, links, dunes, sand, rocks, water, nets, drying, flowers, wild, mayweed, daisy, matricaria, maritime, white, petals, yellow, disc
Cruden Bay fgh0830jhp Cruden Bay harbour summer flowers sea mayweed daisy Aberdeenshire Scotland also has a links golf course on Aberdeenshire North Sea coast south of Peterhead with historical links back to a battle that stopped the Danish invaders in 1012 and is near to the famous ruined mansion house called Slains Castle with links to Bram Stoker and Dracula. Keywords: Scotland, Scottish, Aberdeenshire, Buchan, Cruden, Water, Cruden Bay, Erroll, estuary, north, east, sea, landscape, harbour, fishing, boats, rope, boat, rudder, propeller, coast, coastal, summer, beach, golf, links, dunes, sand, rocks, water, nets, drying, flowers, wild, mayweed, daisy, matricaria, maritime, white, petals, yellow, disc
Cruden Bay fm Slains UP704428JHP Cruden Bay Autumn Fields Slains castle view Scottish Aberdeenshire North Sea coast south of Peterhead this coastal viiage has historical links back to battle that stopped the Danish invaders in 1012 and is near to the famous ruined mansion house called Slains Castle with links to Bram Stoker and Dracula. Keywords: Scotland, Scottish, Aberdeenshire, Buchan, Cruden, Water, Cruden Bay, Erroll, Slains Castle, view, southwards, estuary, north, east, sea, landscape, clouds, coast, coastal, autumn, fields, bales, harvest
Coastline nr Slains UP704418JHP Slains Rocky Coastline Cirrus Clouds dramatic light photograph Aberdeenshire North Sea coast south of Peterhead and north of Cruden Bay which has historical links back to battle that stopped the Danish invaders in 1012 and is near to the famous ruined mansion house called Slains Castle with links to Bram Stoker and Dracula. Keywords: Scotland, Scottish, Aberdeenshire, Buchan, Cruden Bay, Slains, Castle, rocks, cirrus, clouds, dramatic, northwards, north, east, sea, landscape, clouds, coast, coastal, autumn
Inverbervie Evening TO17704JHP Royal Burgh Inverbervie Aberdeenshire Scottish coast south of Stonehaven Bervie Water North Sea with historical links to Scotlands earliest Kings and a charter in 1341 from King David gave it Royal Status. A popular stopping off place and holiday base on the coastal route from Montrose to Aberdeen, known for its famous Fish and Chip Restuarant as well as being the birthplace for Hercules Linton designer of the Cutty Sark tea clipper. Keywords: Scotland, Scottish, Grampian, North, sea, East, Aberdeenshire, Kincardineshire, Inverbervie, Royal, Burgh, coast, heights, evening, spring, sunshine, shadows, strong, light

Scotland > Ancient Stones (10 files)

The gallery has photos of ancient Scottish sites such as recumbent stone circles, stone circles, long cairns, Pictish carvings and early fortifications including Tap ONoth, Bennachie, Kinord, and most of the following:
Aikey Brae RSC; Balquhain Stone Circle; Brandsbutt Stone; Broomend of Crichie Henge and Pictish Symbol Stone; Castle Fraser Stone Circle; Consumption Dykes, Kingswells; Corsedarder Memorial; Cothiemuir Wood RSC; Craigearn Standing Stone; Craw Stane, Rhynie; Cullerlie Stone Circle; Culsh earthhouse or souterrain; Easter Aquthorthies RSC; Eslie the Greater RSC; Eslie the Lessler RSC; Garrol Wood RSC; Glassel Stone Circle; Kinord Cross; Kirkton of Bourtie RSC; Loanhead of Daviot RSC; Long Cairn, Corsedarder; Maidenstone Symbol Stone; Mid Mar Stone Circle; Nine Staines RSC; Picardy Pictish Symbol Stone; Strichen RSC; Sueno Stone, Forres; Sunhoney RSC; Tomnaverie RSC;

Loanhead Daviot RSC wyy8181jhp Loanhead Daviot Recumbent Stone Circle altar flankers monolith Scottish wide view Aberdeenshire located near the village of Daviot, west of Inverurie on the B9001 Rothienorman Road. Well signed from the road via the village, with a Historic Scotland carpark and easy access. One of the largest sites in the North East with evidence suggesting early use over a few centuries but possibly stopped around the Beaker period c 2000BC. There is evidence, along with much bone and skull fragments, of extensive cremation use and a possible wooden mortuary structure from the finds of postholes in the middle of the central area. One of the monoliths has five cup-marks in a line on its inner face. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Gordon, Inverurie, Daviot, village, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, 2011, Nikon D700, DSLR, landscape, panorama, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, cup-marks, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, enclosed, cemetery, children, skull, fragments, Beaker, pottery, charcoal, hut, mortuary, wooden, adult, bones, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, summer, clouds, white, grey
Loanhead Daviot RSC wyy8189jhp Loanhead Daviot Recumbent Stone Circle monolith framed closeup summer Scottish Aberdeenshire located near the village of Daviot, west of Inverurie on the B9001 Rothienorman Road. Well signed from the road via the village, with a Historic Scotland carpark and easy access. One of the largest sites in the North East with evidence suggesting early use over a few centuries but possibly stopped around the Beaker period c 2000BC. There is evidence, along with much bone and skull fragments, of extensive cremation use and a possible wooden mortuary structure from the finds of postholes in the middle of the central area. One of the monoliths has five cup-marks in a line on its inner face. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Gordon, Inverurie, Daviot, village, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, 2011, Nikon D700, DSLR, landscape, close, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, cup-marks, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, enclosed, cemetery, children, skull, fragments, Beaker, pottery, charcoal, hut, mortuary, wooden, adult, bones, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, summer, clouds, white, grey
Loanhead Daviot RSC wyy8188jhp Loanhead Daviot Recumbent Stone Circle flankers large monolith Scottish foreground Aberdeenshire located near the village of Daviot, west of Inverurie on the B9001 Rothienorman Road. Well signed from the road via the village, with a Historic Scotland carpark and easy access. One of the largest sites in the North East with evidence suggesting early use over a few centuries but possibly stopped around the Beaker period c 2000BC. There is evidence, along with much bone and skull fragments, of extensive cremation use and a possible wooden mortuary structure from the finds of postholes in the middle of the central area. One of the monoliths has five cup-marks in a line on its inner face. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Gordon, Inverurie, Daviot, village, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, 2011, Nikon D700, DSLR, landscape, upright, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, cup-marks, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, enclosed, cemetery, children, skull, fragments, Beaker, pottery, charcoal, hut, mortuary, wooden, adult, bones, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, summer, clouds, white, grey
Loanhead Daviot RSC wyy8186jhp Loanhead Daviot Recumbent Stone Circle flankers large close monolith Scotland Gordon district Aberdeenshire located near the village of Daviot, west of Inverurie on the B9001 Rothienorman Road. Well signed from the road via the village, with a Historic Scotland carpark and easy access. One of the largest sites in the North East with evidence suggesting early use over a few centuries but possibly stopped around the Beaker period c 2000BC. There is evidence, along with much bone and skull fragments, of extensive cremation use and a possible wooden mortuary structure from the finds of postholes in the middle of the central area. One of the monoliths has five cup-marks in a line on its inner face. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Gordon, Inverurie, Daviot, village, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, 2011, Nikon D700, DSLR, landscape, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, cup-marks, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, enclosed, cemetery, children, skull, fragments, Beaker, pottery, charcoal, hut, mortuary, wooden, adult, bones, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, summer, clouds, white, grey
Loanhead Daviot RSC wyy8184jhp Loanhead Daviot Recumbent Stone Circle summer clouds Historic Scotland Aberdeenshire located near the village of Daviot, west of Inverurie on the B9001 Rothienorman Road. Well signed from the road via the village, with a Historic Scotland carpark and easy access. One of the largest sites in the North East with evidence suggesting early use over a few centuries but possibly stopped around the Beaker period c 2000BC. There is evidence, along with much bone and skull fragments, of extensive cremation use and a possible wooden mortuary structure from the finds of postholes in the middle of the central area. One of the monoliths has five cup-marks in a line on its inner face. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Gordon, Inverurie, Daviot, village, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, 2011, Nikon D700, DSLR, landscape, panorama, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, cup-marks, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, enclosed, cemetery, children, skull, fragments, Beaker, pottery, charcoal, hut, mortuary, wooden, adult, bones, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, summer, clouds, white, grey
Loanhead Daviot RSC wyy8170jhp Loanhead Daviot Recumbent Stone Circle stones monoliths Scotland Aberdeenshire trees located near the village of Daviot, west of Inverurie on the B9001 Rothienorman Road. Well signed from the road via the village, with a Historic Scotland carpark and easy access. One of the largest sites in the North East with evidence suggesting early use over a few centuries but possibly stopped around the Beaker period c 2000BC. There is evidence, along with much bone and skull fragments, of extensive cremation use and a possible wooden mortuary structure from the finds of postholes in the middle of the central area. One of the monoliths has five cup-marks in a line on its inner face. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Gordon, Inverurie, Daviot, village, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, 2011, Nikon D700, DSLR, landscape, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, cup-marks, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, enclosed, cemetery, children, skull, fragments, Beaker, pottery, charcoal, hut, mortuary, wooden, adult, bones, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, summer, clouds, white, grey
Loanhead Daviot RSC wyy8176jhp Loanhead Daviot Recumbent Stone Circle stones monolith Scotland Aberdeenshire photo located near the village of Daviot, west of Inverurie on the B9001 Rothienorman Road. Well signed from the road via the village, with a Historic Scotland carpark and easy access. One of the largest sites in the North East with evidence suggesting early use over a few centuries but possibly stopped around the Beaker period c 2000BC. There is evidence, along with much bone and skull fragments, of extensive cremation use and a possible wooden mortuary structure from the finds of postholes in the middle of the central area. One of the monoliths has five cup-marks in a line on its inner face. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Gordon, Inverurie, Daviot, village, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, 2011, Nikon D700, DSLR, landscape, upright, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, cup-marks, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, enclosed, cemetery, children, skull, fragments, Beaker, pottery, charcoal, hut, mortuary, wooden, adult, bones, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, summer, clouds, white, grey
Loanhead Daviot RSC wyy8174jhp Loanhead Daviot Recumbent Stone Circle monoliths closeup Scottish summer Aberdeenshire located near the village of Daviot, west of Inverurie on the B9001 Rothienorman Road. Well signed from the road via the village, with a Historic Scotland carpark and easy access. One of the largest sites in the North East with evidence suggesting early use over a few centuries but possibly stopped around the Beaker period c 2000BC. There is evidence, along with much bone and skull fragments, of extensive cremation use and a possible wooden mortuary structure from the finds of postholes in the middle of the central area. One of the monoliths has five cup-marks in a line on its inner face. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Gordon, Inverurie, Daviot, village, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, 2011, Nikon D700, DSLR, landscape, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, cup-marks, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, enclosed, cemetery, children, skull, fragments, Beaker, pottery, charcoal, hut, mortuary, wooden, adult, bones, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, summer, clouds, white, grey
Loanhead Daviot RSC wyy8173jhp Loanhead Daviot Stone Circle stones flankers monoliths overview Scottish Aberdeenshire located near the village of Daviot, west of Inverurie on the B9001 Rothienorman Road. Well signed from the road via the village, with a Historic Scotland carpark and easy access. One of the largest sites in the North East with evidence suggesting early use over a few centuries but possibly stopped around the Beaker period c 2000BC. There is evidence, along with much bone and skull fragments, of extensive cremation use and a possible wooden mortuary structure from the finds of postholes in the middle of the central area. One of the monoliths has five cup-marks in a line on its inner face. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Gordon, Inverurie, Daviot, village, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, 2011, Nikon D700, DSLR, landscape, panorama, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, cup-marks, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, enclosed, cemetery, children, skull, fragments, Beaker, pottery, charcoal, hut, mortuary, wooden, adult, bones, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, summer, clouds, white, grey
Loanhead Daviot RSC wyy8169jhp Loanhead Daviot Recumbent Stone Circle stones flankers monolith Scottish Aberdeenshire located near the village of Daviot, west of Inverurie on the B9001 Rothienorman Road. Well signed from the road via the village, with a Historic Scotland carpark and easy access. One of the largest sites in the North East with evidence suggesting early use over a few centuries but possibly stopped around the Beaker period c 2000BC. There is evidence, along with much bone and skull fragments, of extensive cremation use and a possible wooden mortuary structure from the finds of postholes in the middle of the central area. One of the monoliths has five cup-marks in a line on its inner face. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Gordon, Inverurie, Daviot, village, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, 2011, Nikon D700, DSLR, landscape, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, cup-marks, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, enclosed, cemetery, children, skull, fragments, Beaker, pottery, charcoal, hut, mortuary, wooden, adult, bones, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, summer, clouds, white, grey

Scotland > Deeside Towns and Villages (6 files)

Photos of the main towns and villages along the River Dee from Banchory westwards to Braemar with villages bordering the north and south sides of the river such as Torphins and Tarland to Strachan on the south.
Deeside Train bnm3543jhp Crathes Deeside Way Railway train diesel trees Scottish summer Aberdeenshire taken near this busy and large Deeside town on the River Dee some 18 miles west of Aberdeen in North East Scotland. This view is taken by the North Deeside Road from Aberdeen to Braemar adjacent to Crathes Castle. Scolty Hill with its memorial tower is a distinctive landscape pointer to the town and can be seen along this stretch of restored railway line which runs from Crathes, just opposite to the main entrance to Crathes Castle, an important National Trust for Scotland property in North East Scotland. The line stops at the outskirts of Banchory on its eastern face although prior to the Beeching cuts the line ran from Aberdeen west along the River Dee to its terminus at Ballater. Large parts of the disused railway line have now been incorporated in a walking and cycling path called the Deeside Way and offer the enthusiastic rambler a substantial dedicated route from Aberdeen to Ballater. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Banchory, River, Dee, Royal, Deeside, Crathes, Milton, railway, line, train, steam, diesel, preservation, restored, relayed, track, landscape, north, road, Scolty, hill, tower, forest, trees, field, summer, sunshine, grass, green, 2016, Nikon, D700, photo, digital, June, sunshine, sunny, colourful, colorful, colours, colors
Deeside Train bnm3541jhp Banchory Crathes Deeside Way Railway train diesel Scotland summer Aberdeenshire taken near this busy and large Deeside town on the River Dee some 18 miles west of Aberdeen in North East Scotland. This view is taken by the North Deeside Road from Aberdeen to Braemar adjacent to Crathes Castle. Scolty Hill with its memorial tower is a distinctive landscape pointer to the town and can be seen along this stretch of restored railway line which runs from Crathes, just opposite to the main entrance to Crathes Castle, an important National Trust for Scotland property in North East Scotland. The line stops at the outskirts of Banchory on its eastern face although prior to the Beeching cuts the line ran from Aberdeen west along the River Dee to its terminus at Ballater. Large parts of the disused railway line have now been incorporated in a walking and cycling path called the Deeside Way and offer the enthusiastic rambler a substantial dedicated route from Aberdeen to Ballater. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Banchory, River, Dee, Royal, Deeside, Crathes, Milton, railway, line, train, steam, diesel, preservation, restored, relayed, track, landscape, north, road, Scolty, hill, tower, forest, trees, field, summer, sunshine, grass, green, 2016, Nikon, D700, photo, digital, June, sunshine, sunny, colourful, colorful, colours, colors
Inchmarlo Daffodils asd5754jhp Banchory Inchmarlo daffodils spring birch trees Goach Hill Deeside Aberdeenshire Scottish view taken to the west of this first and largest Deeside town some 18 miles west of Aberdeen in North East Scotland. It is situated to the north of the River Dee and this view taken from the roadside opposite the Inchmarlo retirment complex looks south across the river to the Hhill of Goach visible through the trees. It has always been a main visitor centre either for day trippers from Aberdeen or the usual flow of coaches and other visitors heading from Aberdeen westwards to Braemar and from there south to Perth or north to Inverness. It is also offers a very scenic route southwards over the Cairn O’Mount to Mearns. Scolty Hill with its memorial tower is a distinctive landscape pointer to the town with easily accessible forest walks and a not too strenuous walk to its summits with pleasing views of much of Royal Deeside as well as interesting views to the north and south. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Banchory, Inchmarlo, Royal, Deeside, west, Goach, hill, Scolty, roadside, daffodils, yellow, bus, stop, covered, perspex, River, Dee, field, landscape, countryside, rural, Nature, trees, silver, birches, common, beech, colourful, colorful, coloured, colored, sun, sunshine, spring
Inchmarlo Daffodils asd5752jhp Banchory Inchmarlo daffodils bus stop spring trees Kincardineshire Royal Deeside Scotland view taken to the west of this first and largest Deeside town some 18 miles west of Aberdeen in North East Scotland. It is situated to the north of the River Dee. It has always been a main visitor centre either for day trippers from Aberdeen or the usual flow of coaches and other visitors heading from Aberdeen westwards to Braemar and from there south to Perth or north to Inverness. It is also offers a very scenic route southwards over the Cairn O’Mount to Mearns. Scolty Hill with its memorial tower is a distinctive landscape pointer to the town with easily accessible forest walks and a not too strenuous walk to its summits with pleasing views of much of Royal Deeside as well as interesting views to the north and south. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Banchory, Inchmarlo, Royal, Deeside, west, roadside, daffodils, yellow, bus, stop, covered, perspex, River, Dee, field, landscape, countryside, rural, Nature, trees, common, beech, colourful, colorful, coloured, colored, sun, sunshine, spring
Inchmarlo Daffodils asd5748jhp Banchory Inchmarlo daffodils roadside spring trees Kincardineshire Deeside Scotland view taken to the west of this first and largest Deeside town some 18 miles west of Aberdeen in North East Scotland. It is situated to the north of the River Dee. It has always been a main visitor centre either for day trippers from Aberdeen or the usual flow of coaches and other visitors heading from Aberdeen westwards to Braemar and from there south to Perth or north to Inverness. It is also offers a very scenic route southwards over the Cairn O’Mount to Mearns. Scolty Hill with its memorial tower is a distinctive landscape pointer to the town with easily accessible forest walks and a not too strenuous walk to its summits with pleasing views of much of Royal Deeside as well as interesting views to the north and south. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Banchory, Inchmarlo, Royal, Deeside, west, roadside, daffodils, yellow, bus, stop, covered, perspex, River, Dee, field, landscape, countryside, rural, Nature, trees, common, beech, colourful, colorful, coloured, colored, sun, sunshine, spring
Aboyne Autumn Colour rty2194jhp Aboyne Victory Hall autumn trees Green Royal Deeside Aberdeenshire Scotland viewed from main North Deeside Road of this mid Deeside town lying between Aberdeen and Braemar on the River Dee on Royal Deeside. Popular tourist stopover with shops, restaurants, hotels and two golf courses is busy throughout the summer months with long established Highland Games and a recent and very successful Arts Festival based around a thriving Community Centre and Theatre. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Aboyne, River Dee, Royal Deeside, autumn, landscape, Victory, Hall, Green, main, road, bus, stop, lime, trees, colours, leaves, turning, golden, peaceful, high, street, shops

Scotland > Historic Properties (13 files)

This gallery has photographs of Scottish Castles and Fortresses, Stately Homes and Gardens, old churches or kirks and includes most of the following:
Auchindoir Church; Auchindoun Castle; Balmoral Castle; Balvenie Castle; Bass of Inverurie; Bellabeg Motte; Braemar Castle; Brodie Castle; Castle Fraser; Corgarff Castle; Corrichie Monument; Corse O’Neil Castle; Craigellachie Bridge; Crathes Castle; Crathie Kirk; Dalgetie Castle; Deer Abbey; Drum Castle; Duff House; Duffus Castle; Dunnideer; Dunnottar Castle; Elgin Cathedral; Esslemont Castle; Fasque House; Fetternear House; Findlater; Fordyce; Fyvie Castle; Gairnshiel Bridge; Glenbuchat Castle; Haddo House; Hallforest Castle; Huntly Castle; Inchdrewer Castle; Invercauld Bridge O’Dee; Kildrummy Castle; Kincardine O’Neil Kirk; Kindrochit Castle; Kinloss Abbey; Kinneff Church; Knock Castle; Leith Hall; Mar Lodge; Marnoch Kirkyard; Mid Mar Kirk; Monymusk Kirk; Peel of Lumphanan; Pitmedden Gardens; Pluscarden Priory or Abbey; Ruthven Barracks; Slains Castle; Tolquhon Castle; Tullich Kirk; Fort George;
Findlater Doocot vbn1273jhp Findlater Barnyards Dovecot doocot Aberdeenshire Scottish autumn turnips coast clouds restored sits above the cliffs above Findlater Castle and is located between Portsoy, Sandend and Cullen. A carparking area is signed from the main coastal road just after leaving the junction for Sandend, west of Portsoy. The dovecot is easily accessible from the carpark at Barnyards Farm going off the path to the cliff top and access to Findlater Castle. The Dovecot is possibly 16th Century, about the time that Findlater Castle ceased to be used and would have been a food source. It is a circular stone built beehive shaped building with three tiers each defined by the rat or string course that gave a horizontal impediment to stop rats crawling up the outside to get access to the 700 nesting boxes inside. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Moray, Firth, Portsoy, Sandend, Banff, Cullen, Findlater, Barnyards, Castle, cliffs, Dovecot, doocot, 16th, Century, farm, field, crops, pigeons, food, north, east, landscape, blue, sky, clouds, coast, coastal, windows, walls, stonework, beehive, shape, rat, course, string, deter, climbing, access, 2015, October, autumn, Nikon, D700, digital, DSLR, sun, sunny, sunshine, colours, colors, colourful, colorful, blue, sky
Findlater Doocot vbn1249jhp Findlater Barnyards Dovecot Aberdeenshire Scotland autumn crops farmland doocot restored sits above the cliffs above Findlater Castle and is located between Portsoy, Sandend and Cullen. A carparking area is signed from the main coastal road just after leaving the junction for Sandend, west of Portsoy. The dovecot is easily accessible from the carpark at Barnyards Farm going off the path to the cliff top and access to Findlater Castle. The Dovecot is possibly 16th Century, about the time that Findlater Castle ceased to be used and would have been a food source. It is a circular stone built beehive shaped building with three tiers each defined by the rat or string course that gave a horizontal impediment to stop rats crawling up the outside to get access to the 700 nesting boxes inside. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Moray, Firth, Portsoy, Sandend, Banff, Cullen, Findlater, Barnyards, Castle, cliffs, Dovecot, doocot, 16th, Century, farm, field, crops, pigeons, food, north, east, landscape, blue, sky, clouds, coast, coastal, windows, walls, stonework, beehive, shape, rat, course, string, deter, climbing, access, 2015, October, autumn, Nikon, D700, digital, DSLR, sun, sunny, sunshine, colours, colors, colourful, colorful, blue, sky
Loanhead Daviot zxc4666jhp Loanhead Daviot stones cremation cemetery enclosed photograph Scottish Aberdeenshire located near the village of Daviot, west of Inverurie on the B9001 Rothienorman Road. Well signed from the road via the village, with a Historic Scotland carpark and easy access. One of the largest sites in the North East with evidence suggesting early use over a few centuries but possibly stopped around the Beaker period c 2000BC. There is evidence, along with much bone and skull fragments, of extensive cremation use and a possible wooden mortuary structure from the finds of postholes in the middle of the central area. One of the monoliths has five cup-marks in a line on its inner face. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Gordon, Inverurie, Daviot, village, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, 2014, Nikon D700, DSLR, landscape, autumn, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, cup-marks, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, enclosed, cemetery, children, skull, fragments, Beaker, pottery, charcoal, hut, mortuary, wooden, adult, bones, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, clouds, white, grey
Loanhead Daviot zxc4684jhp Loanhead Daviot Recumbent Stone Circle stones flanker monoliths ring cairn Scottish Aberdeenshire located near the village of Daviot, west of Inverurie on the B9001 Rothienorman Road. Well signed from the road via the village, with a Historic Scotland carpark and easy access. One of the largest sites in the North East with evidence suggesting early use over a few centuries but possibly stopped around the Beaker period c 2000BC. There is evidence, along with much bone and skull fragments, of extensive cremation use and a possible wooden mortuary structure from the finds of postholes in the middle of the central area. One of the monoliths has five cup-marks in a line on its inner face. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Gordon, Inverurie, Daviot, village, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, 2014, Nikon D700, DSLR, landscape, autumn, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, cup-marks, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, enclosed, cemetery, children, skull, fragments, Beaker, pottery, charcoal, hut, mortuary, wooden, adult, bones, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, clouds, white, grey
Loanhead Daviot zxc4683jhp Loanhead Daviot Recumbent Stone Circle stones flankers Scotland Gordon Aberdeenshire located near the village of Daviot, west of Inverurie on the B9001 Rothienorman Road. Well signed from the road via the village, with a Historic Scotland carpark and easy access. One of the largest sites in the North East with evidence suggesting early use over a few centuries but possibly stopped around the Beaker period c 2000BC. There is evidence, along with much bone and skull fragments, of extensive cremation use and a possible wooden mortuary structure from the finds of postholes in the middle of the central area. One of the monoliths has five cup-marks in a line on its inner face. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Gordon, Inverurie, Daviot, village, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, 2014, Nikon D700, DSLR, landscape, upright, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, cup-marks, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, enclosed, cemetery, children, skull, fragments, Beaker, pottery, charcoal, hut, mortuary, wooden, adult, bones, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, summer, clouds, white, grey
Loanhead Daviot zxc4678jhp Loanhead Daviot Stone Circle stones enclosed cremation cemetery Scottish Aberdeenshire located near the village of Daviot, west of Inverurie on the B9001 Rothienorman Road. Well signed from the road via the village, with a Historic Scotland carpark and easy access. One of the largest sites in the North East with evidence suggesting early use over a few centuries but possibly stopped around the Beaker period c 2000BC. There is evidence, along with much bone and skull fragments, of extensive cremation use and a possible wooden mortuary structure from the finds of postholes in the middle of the central area. One of the monoliths has five cup-marks in a line on its inner face. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Gordon, Inverurie, Daviot, village, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, 2014, autumn, sunshine, Nikon D700, DSLR, landscape, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, cup-marks, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, enclosed, cemetery, children, skull, fragments, Beaker, pottery, charcoal, hut, mortuary, wooden, adult, bones, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, clouds, white, grey
Loanhead Daviot zxc4671jhp Loanhead Daviot Recumbent Stone Circle flankers autumn closeup Scottish Aberdeenshire located near the village of Daviot, west of Inverurie on the B9001 Rothienorman Road. Well signed from the road via the village, with a Historic Scotland carpark and easy access. One of the largest sites in the North East with evidence suggesting early use over a few centuries but possibly stopped around the Beaker period c 2000BC. There is evidence, along with much bone and skull fragments, of extensive cremation use and a possible wooden mortuary structure from the finds of postholes in the middle of the central area. One of the monoliths has five cup-marks in a line on its inner face. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Gordon, Inverurie, Daviot, village, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, 2014, autumn, Nikon D700, DSLR, landscape, upright, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, cup-marks, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, enclosed, cemetery, children, skull, fragments, Beaker, pottery, charcoal, hut, mortuary, wooden, adult, bones, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, closeup, clouds, white, grey
Loanhead Daviot zxc4670jhp Loanhead Daviot Recumbent Stone Circle large monolith close Scotland photo Aberdeenshire located near the village of Daviot, west of Inverurie on the B9001 Rothienorman Road. Well signed from the road via the village, with a Historic Scotland carpark and easy access. One of the largest sites in the North East with evidence suggesting early use over a few centuries but possibly stopped around the Beaker period c 2000BC. There is evidence, along with much bone and skull fragments, of extensive cremation use and a possible wooden mortuary structure from the finds of postholes in the middle of the central area. One of the monoliths has five cup-marks in a line on its inner face. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Gordon, Inverurie, Daviot, village, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, 2014, Nikon D700, DSLR, landscape, upright, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, cup-marks, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, enclosed, cemetery, children, skull, fragments, Beaker, pottery, charcoal, hut, mortuary, wooden, adult, bones, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, autumn, clouds, white, grey
Loanhead Daviot zxc4669jhp Loanhead Daviot RSC Stone Circle stones ring cairn monolith Scottish Aberdeenshire located near the village of Daviot, west of Inverurie on the B9001 Rothienorman Road. Well signed from the road via the village, with a Historic Scotland carpark and easy access. One of the largest sites in the North East with evidence suggesting early use over a few centuries but possibly stopped around the Beaker period c 2000BC. There is evidence, along with much bone and skull fragments, of extensive cremation use and a possible wooden mortuary structure from the finds of postholes in the middle of the central area. One of the monoliths has five cup-marks in a line on its inner face. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Gordon, Inverurie, Daviot, village, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, 2014, Nikon D700, DSLR, landscape, autumn, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, cup-marks, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, enclosed, cemetery, children, skull, fragments, Beaker, pottery, charcoal, hut, mortuary, wooden, adult, bones, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, clouds, white, grey
Loanhead Daviot zxc4668jhp Loanhead Daviot Stone Circle stones ring cairn centre Scotland Aberdeenshire located near the village of Daviot, west of Inverurie on the B9001 Rothienorman Road. Well signed from the road via the village, with a Historic Scotland carpark and easy access. One of the largest sites in the North East with evidence suggesting early use over a few centuries but possibly stopped around the Beaker period c 2000BC. There is evidence, along with much bone and skull fragments, of extensive cremation use and a possible wooden mortuary structure from the finds of postholes in the middle of the central area. One of the monoliths has five cup-marks in a line on its inner face. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Gordon, Inverurie, Daviot, village, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, 2014, Nikon D700, DSLR, landscape, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, cup-marks, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, enclosed, cemetery, children, skull, fragments, Beaker, pottery, charcoal, hut, mortuary, wooden, adult, bones, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, autumn, clouds, white, grey
Loanhead Daviot zxc4665jhp Loanhead Daviot Recumbent Stone Circle stones flanker Scotland slope autumn trees Aberdeenshire located near the village of Daviot, west of Inverurie on the B9001 Rothienorman Road. Well signed from the road via the village, with a Historic Scotland carpark and easy access. One of the largest sites in the North East with evidence suggesting early use over a few centuries but possibly stopped around the Beaker period c 2000BC. There is evidence, along with much bone and skull fragments, of extensive cremation use and a possible wooden mortuary structure from the finds of postholes in the middle of the central area. One of the monoliths has five cup-marks in a line on its inner face. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Gordon, Inverurie, Daviot, village, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, 2014, Nikon D700, DSLR, landscape, autumn, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, cup-marks, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, enclosed, cemetery, children, skull, fragments, Beaker, pottery, charcoal, hut, mortuary, wooden, adult, bones, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, clouds, white, grey
Loanhead Daviot zxc4664jhp Loanhead Daviot Recumbent Stone Circle wind turbines Scotland history modern Aberdeenshire located near the village of Daviot, west of Inverurie on the B9001 Rothienorman Road. Well signed from the road via the village, with a Historic Scotland carpark and easy access. One of the largest sites in the North East with evidence suggesting early use over a few centuries but possibly stopped around the Beaker period c 2000BC. There is evidence, along with much bone and skull fragments, of extensive cremation use and a possible wooden mortuary structure from the finds of postholes in the middle of the central area. One of the monoliths has five cup-marks in a line on its inner face. In the distance are a symbol of modern Scotland, the relentess encroachment of wind turbines-wonder if they will be around in 2000 years time. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Gordon, Inverurie, Daviot, village, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, 2014, Nikon D700, DSLR, landscape, autumn, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, cup-marks, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, enclosed, cemetery, children, skull, fragments, Beaker, pottery, charcoal, hut, mortuary, wooden, adult, bones, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, wind, turbines, clouds, white, grey
Loanhead Daviot zxc4660jhp Loanhead Daviot Bennachie Stone Circle entrance Historic Scotland Scottish Aberdeenshire located near the village of Daviot, west of Inverurie on the B9001 Rothienorman Road. Well signed from the road via the village, with a Historic Scotland carpark and easy access and at the entracne is this view of Bennachie. One of the largest sites in the North East with evidence suggesting early use over a few centuries but possibly stopped around the Beaker period c 2000BC. There is evidence, along with much bone and skull fragments, of extensive cremation use and a possible wooden mortuary structure from the finds of postholes in the middle of the central area. One of the monoliths has five cup-marks in a line on its inner face. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Gordon, Inverurie, Daviot, village, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, 2014, Nikon D700, DSLR, landscape, autumn, entrance, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, cup-marks, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, enclosed, cemetery, children, skull, fragments, Beaker, pottery, charcoal, hut, mortuary, wooden, adult, bones, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, summer, clouds, white, grey

Scotland > Morayshire (2 files)

The photographs in this gallery are located in Morayshire and include ancient sites, historic buildings and properties, churches, cathedrals, towns, the countryside and the coast.
Sueno Stone Forres TO3357373JHP The Sueno Stone Cross-slab Pictish Record Battle Defeat Forres Moray Scotland of the Danes in 1014AD. It stands 23 feet high, the tallest such medieval sculpture in Scotland and the 7.6 ton sandstone slab is decorated with warriors, war scenes, the vanquished corpses, animals and Celtic interlaced spiral knotwork. It has been covered in this huge Perspex canopy to stop the weathering that is caused by modern acid rain. Keywords: Scotland, Moray, Morayshire, Firth, Highlands, Scottish, Forres, Sueno, Stone, cross-slab, upright, Royal Burgh, Pictish, battle, victory, Norse, Orkney, 9th century, AD, medieval, sculpture, sandstone, ring-headed, interlace, spiral, knot-work, bearded, figures, war, report, covered, conservation
Sueno Stone Forres TO3357371JHP Sueno Stone Cross-slab Pictish Battle Record Covered Perspex Weathering describing the defeat of the Danes in 1014AD. It stands 23 feet high, the tallest such medieval sculpture in Scotland and the 7.6 ton sandstone slab is decorated with warriors, war scenes, the vanquished corpses, animals and Celtic interlaced spiral knotwork. It has been covered in this huge Perspex canopy to stop the weathering that is caused by modern acid rain. Keywords: Scotland, Moray, Morayshire, Firth, Highlands, Scottish, Forres, Sueno, Stone, cross-slab, upright, Royal Burgh, Pictish, battle, victory, Norse, Orkney, 9th century, AD, medieval, sculpture, sandstone, ring-headed, interlace, spiral, knot-work, bearded, figures, war, report, covered, conservation

Scotland > Rivers, Glens & Lochs (1 file)

The gallery has photographs of Scottish lochs, glens and pictures associated directly with particular rivers in Scotland such as the River Dee, Don, Feugh, Urie, Deveron, Tanar, Dye, and Glen of Dee, Glen Muick and Glenbuchat.
Autumn-Deeside-Potarch-qax8134jhp Potarch Bridge Deeside Way start bus stop Scotland riverbank colours maples orange autumn at this well known crossing point over the river from the North Deeside Road between Banchory and Kincardine O’Neil for heading eastwards to Feughside or south to join the southern route from Aboyne to Finzean. In the summer the riverbank can be mobbed with picnickers and swimmers while it is also a popular salmon fishing stretch and the narrow turbulent water good for canoeing. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, Potarch, Kincardine, O’Neil, Ballogie, bridge, water, rocks, forest, fields, riverside, riverbanks, Hotel, Way, River, Dee, autumn, landscape, dyke, road, path, maples, maple, tree, early, first, larch, beech, oak, birch, trees, clouds, countryside, walking, cycling, sheep, russet, colours, colour, orange, golden, brown, leaves, stormy, clouds, dark, backdrop, October, 2020, Nikon, D700, DSLR, digital, camera, photograph

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