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Aurora over Scotland (33 files)

Aurora Borealis or Northern Lights displays photographed taken over Aberdeeshire in Scotland since 1989 covering some 350 events with arc, rays, coronas with a wide rnage of shapes and colours
Aurora Glen Dye au61041jhp 
 Scotland Aurora Borealis underexposed grainy rays red 645 medium format autumn 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji RHP 400asa 6.4.5cm format film and it became visible just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I photographed using Fuji RHP 400asa medium format transparency film of which this photo is an underexposed example while bracketing exposures near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, slide, transparency, film, Fuji, RHP, 400asa, pushed, development, 1600asa, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Glen Dye au610410jhp 
 Scotland Aurora Borealis Glen Dye rays red 645 medium format autumn 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji RHP 400asa 6.4.5cm format film and it became visible just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I photographed using Fuji RHP 400asa medium format transparency film of which this photo is an example and bracketing exposures near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, slide, transparency, film, Fuji, RHP, 400asa, pushed, development, 1600asa, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Eslie Greater au61355jhp 
 Scotland Aurora Borealis Deeside Eslie Stone Circle display Agfa film October 1989 taken from the Recumbent Stone Circle called Esslie the Greater at Eslie to the SE of Banchory overlooking Feughside and Scolty Hill. This photo is from my second Aurora display I photographed using Agfa 1000 RS 6.4.5cm format film stock using my Bronica ETRS, from memory the fastest 120 film available at the time. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

This photograph using Agfa medium format transparency film of which this photo is an example was the one and only time I used it and I suspect it was underexposed as I would not have used my usual bracketing exposures near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS a slower lens to my usual f2.8 35mm primes. Push processing the 35mm 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons and because of this I stopped using medium format stock almost straight away. This photo has no great technical merit as far as an Aurora record goes except as an example of the 645 format, Agfa film and appears to be the only record I had of this second observed display on the 21st October – I have a note that I missed a display on the 20th. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Eslie, Banchory, Feughside, Esslie, Recumbent, Stone, Circle, Bronze, Age, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, October, medium, format, slide, transparency, film, Agfa, 1000 RS, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Eslie Greater au613514jhp 
 Scottish Northern Lights Esslie Stone Circle Greater Agfa 645 transparency October 1989 taken from the Recumbent Stone Circle called Esslie the Greater at Eslie to the SE of Banchory overlooking Feughside and Scolty Hill. This photo is from my second Aurora display I photographed using Agfa 1000 RS 6.4.5cm format film stock using my Bronica ETRS, from memory the fastest 120 film available at the time. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

This photograph using Agfa medium format transparency film of which this photo is an example was the one and only time I used it and I suspect it was underexposed as I would not have used my usual bracketing exposures near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS a slower lens to my usual f2.8 35mm primes. Push processing the 35mm 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons and because of this I stopped using medium format stock almost straight away. This photo has no great technical merit as far as an Aurora record goes except as an example of the 645 format, Agfa film and appears to be the only record I had of this second observed display on the 21st October – I have a note that I missed a display on the 20th. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Eslie, Banchory, Feughside, Esslie, Recumbent, Stone, Circle, Bronze, Age, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, October, medium, format, slide, transparency, film, Agfa, 1000 RS, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Glen Dye au61058jhp 
 Scottish Aurora Borealis display ray single Plough Aberdeenshire autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61054jhp 
 Scottish Aurora Borealis display Glen Dye faint multiple rays red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610536jhp 
 Scotland Aurora Borealis rays red clouds moving shapes Aberdeenshire autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film, the end of my first film, and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610535jhp 
 Scotland Aurora Borealis Glen Dye strong rays red clouds patterns autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610533jhp 
 Scottish Aurora Borealis Northern Lights display rays red clouds stars autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610531jhp 
 Scotland photo Aurora Borealis display rays pink clouds windy shapes autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61052jhp 
 Scotland Aurora Borealis display Glen Dye overexposed rays trailing stars red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610527jhp 
 Scotland Aurora Borealis night sky strong multiple rays red Arc autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610526jhp 
 Scotland Northern Lights Glen Dye many strong bright rays red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610525jhp 
 Scottish active Aurora Borealis Glen Dye rays large red clouds autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610524jhp 
 Scotland Merry Dancers display rays red stars several Aurora autumn September 26th & 27th 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610523jhp 
 Scotland Aurora Borealis Glen Dye rays red long exposure clouds 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610521jhp 
 Scotland Northern Lights Clachnaben hill rays mulitple red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610520jhp 
 Scotland Aurora Borealis display rays red clouds Jim Henderson Photo autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film, the first film I tried out, and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61051jhp 
 Scotland Aurora Borealis display Glen Dye rays clouds first photo autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo was the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible and some rays visible through the gaps. This was probably an underexposure, maybe 10 seconds or so. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610517jhp 
 Aberdeenshire Aurora Borealis display Glen Dye faint rays clouds gaps autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617120jhp 
 Scotland Aurora Borealis maximum bright strong display winter hills Boxing Day December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617119jhp 
 Scotland Aurora Borealis Boxing Day December rays bright Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617118jhp 
 Scottish Aurora Borealis display Boxing Day west rays Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, multiple, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617117jhp 
 Scotland Aurora Borealis moving ray red headlights Boxing Day Aberdeenshire December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617115jhp 
 Scotland Northern Lights multiple rays arc red yellow display 1989 Boxing Day December Cairn O’Mount taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617114jhp 
 Scotland Aurora Borealis several rays moving arc hill starting display Boxing Day December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617113jhp 
 Scottish Aurora Borealis early stage arc active Cairn O'Mount rays display Boxing Day December 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617111jhp 
 Scotland Aurora Borealis arc start display Aberdeenshire Jim Henderson Photograph Boxing Day December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61065jhp 
 Scotland Aurora Borealis display Clachnaben hill torr Glen Dye autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, upright, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610615jhp 
 Scottish Aurora Borealis Glen Dye red purple gas September 1989 slide film taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610613jhp 
 Scotland Aurora Borealis red display Glen Dye earliest first autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610612jhp 
 Scottish Aurora Borealis display Plough stars Glen Dye Aberdeenshire first autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610611jhp 
 Scotland Northern Lights Ursa Major red rays display Glen Dye earliest first autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured

Egypt > Abydos & Dendara (2 files)

Images of two important sites north of Luxor near the River Nile but usually visted as an extra tour either by road or a day cruise.
Abydos Well 5480EG07JHP 
 Abydos Temple Egypt Wells front largest royal monument built white limestone, situated at the most important and one of the oldest necropolis of ancient Egypt is the home of Osiris and the imposing structure in the photograph is The Temple of Seti/Sety 1 and added to by Ramses 11. These structures in the entrance courts are the remains of ablution wells supplying water for the priests to maintain the ritual purity required. 
 Keywords: Egypt, Egyptian, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Abedju, al-Madfunah, al-Ballyana, entrance, landscape, history, archaeology, ancient, Egyptology, temple, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, approach, entrance, pylon, court, hypostyle, painted, door, Ramses, colonnade, sunlight, ablution, wells, priests, ritual, purity, washing, cleanliness
Abydos Well 5479EG07JHP 
 Abydos Temple Ancient Egyptian Wells washing cleaning priests stone room, situated at the most important and one of the oldest necropolis of ancient Egypt is the home of Osiris and the imposing structure in the photograph is The Temple of Seti/Sety 1 and added to by Ramses 11. These structures in the entrance courts are the remains of ablution wells supplying water for the priests to maintain the ritual purity required. 
 Keywords: Egypt, Egyptian, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Abedju, al-Madfunah, al-Ballyana, entrance, landscape, history, archaeology, ancient, Egyptology, temple, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, approach, entrance, pylon, court, hypostyle, painted, door, Ramses, colonnade, sunlight, ablution, wells, priests, ritual, purity, washing, cleanliness

Egypt > Aswan in general (5 files)

Images in this gallery relate to Aswan in southern Egypt covering the city, the River Nile and related sites except for more important places such as Philae, The Nubian Museum and Seheil Island Rock carvings.
Aswan River Nile EG052854jhp 
 Aswan River Nile Egyptian cataract motorboats race close tourists water trip for on the river to the Nubian Village in this case and it is rather exhilerating race through the rock strewn cataracts by motorboat but can also be a more sedate felucca sail from the hotels or cruiseboat to Elephantine Island and Museum, Kitchener Botanical Gardens, the Nubian Village, Cataracts or the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the Aswan promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile. 
 Keywords: Egypt, Egyptian, Aswan, City, River, Nile, waterfront, riverside, promenade, esplanade, Nubian, Village, boat, trip, tourists, passengers, colourful, speeding, exhilerating, fun, motorboats, upright, wash, rocks, boulders, granite, islands
Aswan River Traders EG052842jhp 
 Egyptian Aswan river Nile boy boat rocks owner upset cataracts wash motorboats and part of a trip to visit an exhibition Nubian Village but passed by boats travelling to the cataract islands such as Seheil or on the traditional afternoon sail offered in most tour packages and one route for those visiting the Monastery of St Simeon. What is also important is the close awareness of the inhospitable nature of the cataracts, now benign because of the impact of the two dams across the river, but imagining these huge rocks in a Nile inundation and one could understand the barrier that it created for those travellers trying to head further south by boat. 
 Keywords: Egypt, Egyptian, ancient, Aswan, city, River, Nile, Nubia, Nubian, sand, dunes, motorboat, cataracts, water, riverside, riverbank, 2005, landscape, palm, trees, travel, tourists, tourism, cruise, islands, boys, boats, paddling, selling, traders, close, dangerous, trinkets, scented, nuts, necklace, owner, organiser, boss, upset, wash
Aswan Souk at Night EG02409jhp 
 Egypt Aswan Souk night-time night shop Egyptians general grocery jars packets near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices, toys, leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy all day and as in this photo during the cool of the evening and it runs adjacent to the main River Nile waterfront for a mile or so. 
 Keywords: Egypt, Egyptian, Egyptians, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, city, holiday, landscape, bazaar, souk, people, men, women, shopping, traders, night, shops, trading, colourful colorful, colours, colors, spices, merchandise, groceries, washing, powder, jars, tins, Coke-Cola, packets, baksheesh, caleche, exotic, 2002, Fuji, S3, DSLR
Nubian Village Colours EG05151JHP 
 Egypt Aswan Nubian Village Lifestyle Dress Beads Decoration Clothes Colours in a Nubian Village street often visited on trips in feluccas on the River Nile to the Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. This village on the West Bank is more of a tourist site as against a much more genuine village on Seheil Island which is only visited usually to see the Rock Carvings. These photos were taken with a compact camera to be less intrusive and I was advised by the tour guide not to use my professional gear. 
 Keywords: Egypt, Egyptian, Aswan, River Nile, westbank, waterfront, riverside, Nubian, village, street, display, washing, clothes, dress, beads, decoration, colourful, upright
Nubian Dresses EG051516JHP 
 Egyptian Aswan Nubian Village Lifestyle Dresses Beads Colourful Decoration Street in a Nubian Village often visited on trips in feluccas on the River Nile to the Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. This village on the West Bank is more of a tourist site as against a much more genuine village on Seheil Island which is only visited usually to see the Rock Carvings. These photos were taken with a compact camera to be less intrusive and I was advised by the tour guide not to use my professional gear. 
 Keywords: Egypt, Egyptian, Aswan, River Nile, westbank, waterfront, riverside, Nubian, village, landscape, clothes, dress, dresses, beads, decoration, colours, colourful, washing, hanging, street

Egypt > Medinet Habu (40 files)

Pictures from the great Mortuary temple of Ramasses 111 called the Medinet Habu on the West Bank of the River Nile at Luxor
Medinet Habu Courty EG053477JHP 
 Medinet Habu Temple Egypt Gateway Carving Pharaoh Ramses Amun Offering located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, this photograph looks through from the second court into the first, the second offering some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, doorway, second, courtyard, first, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053476JHP 
 Ancient Egyptian Medinet Habu Temple Second Court Wall Hieroglyphs Offering Scenes located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053475JHP 
 Medinet Habu Temple Egypt Second Court Ramp Portico Columns Thebes located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, landscape, second, courtyard, portico, court, pillars, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues
Medinet Habu Court EG053474JHP 
 Medinet Habu Temple Wall Carving Amun Kematef Ramses Egyptian Pharaoh Relief located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, portico, court
Medinet Habu Court EG053473JHP 
 Medinet Habu Temple Wall Carving Bull Ramesses Cartouche Second Court Interior located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, landscape, wall, cartouche, bull, ceiling, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053472JHP 
 Medinet Habu Temple Ancient Egypt Second Court Columns Wall Carvings located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, landscape, terrace, columns, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053471JHP 
 Medinet Habu Egyptian Temple Second Court Wall Coloured Painting Feast Offering located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, fruit, feast, cartouche, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053470JHP 
 Medinet Habu Temple Court Carved Columns Gods Ramses Hathor Horus Hieroglyphs located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, pillars, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053469JHP 
 Medinet Habu Temple Second Court Luxor Egypt Carved Columns Offering Scenes located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, pillars, Horus, Hathor, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053468JHP 
 Medinet Habu Temple Egypt Second Court Wall Covered Painted Carving Colours located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, landscape, wall, ceiling, barque, solar, funeral, procession, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053467JHP 
 Medinet Habu Temple Colorful Painted Wall Ceiling Luxor Second Court Natural Light located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, wall, funeral, procession, barque, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053466JHP 
 Medinet Habu Temple Wall Reliefs Colours Painted Carved Funeral Procession Barque located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, wall, funeral, procession, barque, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053465JHP 
 Medinet Habu Temple Egypt Second Court Colonnade Colours Carvings Columns Passage located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, terrace, passageway, pillars, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053464JHP 
 Medinet Habu Temple Ancient Egypt Painted Walls Ceiling Colourful Court located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, wall, ceiling, blue, stars, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053463JHP 
 Medinet Habu Temple Interior Court Colonnade Carved Wall Columns Colours located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, columns, pillars, terrace, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053462JHP 
 Ancient Egyptian Medinet Habu Temple Painted Colourful Columns Carving Ceiling located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, column, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053461JHP 
 Medinet Habu Temple Luxor Vista Second Court Columns Ceiling Colors located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, columns, roof, ceiling, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053460JHP 
 Egyptian Medinet Habu Temple Ramses Second Court Coloured Reliefs Colours located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, wall, funeral, procession, barque, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053459JHP 
 Medinet Habu Temple Egypt Court Column Walls Colours Carvings Gods Ramses located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, landscape, columns, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053458JHP 
 Medinet Habu Temple Second Court Luxor Egypt Colours Hieroglyphs Gods located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, columns, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053457JHP 
 Medinet Habu Temple Ancient Egypt Second Court Sunny Ramp Columns located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, landscape, columns, papyrus, capitals, ramp, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053456JHP 
 Medinet Habu Temple Luxor Egypt Hathor Amun Sekhmet Ptah Isis Gods located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Sekhmet, Ptah, Hathor, Isis, Gods, offering, feast, seated, thrones, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, portico, court
Medinet Habu Court EG053455JHP 
 Medinet Habu Temple Ancient Egypt Carved Columns Osiride Statue Supports located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, pillars, doorway, column, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053454JHP 
 Medinet Habu Ancient Egyptian Temple Second Court Osiride Statues Ramses located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, second, column, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053453JHP 
 Medinet Habu Temple Second Court Photograph Luxor Thebes Osiride Statues Corner located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, landscape, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053452JHP 
 Medinet Habu Temple Luxor Egypt Wall Carving Colors Papyrus Clump Mehyt located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053451JHP 
 Egyptian Medinet Habu Temple Carved Painted Wall Column Osiride Statue located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, column, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053450JHP 
 Medinet Habu Temple Ancient Egyptian Mortuary Ramses Colourful Carvings Wall Columns Lintels located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, columns, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053449JHP 
 Medinet Habu Temple Ramesses Second Court Columns Wall Carvings Colours Colors located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, landscape, columns, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053448JHP 
 Medinet Habu Temple Second Court Colorful Ceiling Roof Lintels Winged Solar Disc located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, roof, celing, doorway, lintels, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053447JHP 
 Medinet Habu Temple Gateway Lintel Underneath Painted Colours Wings Cartouche Hieroglyphs located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, lintel, ceiling, solar, disc, wings, landscape, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053446JHP 
 Medinet Habu Ancient Temple Egypt Court Ceiling Roof Lintels Carvings Colours located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, roof, ceiling, columns, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, portico, court
Medinet Habu Court EG053445JHP 
 Medinet Habu Temple Second Court Colours Painted Bas Reliefs Egypt located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, columns, lotus, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, portico, court
Medinet Habu Court EG053444JHP 
 Medinet Habu Temple Court Column Round Square Ceiling Carvings Colours located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, column, pillar, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053443JHP 
 Medinet Habu Egypt Temple Columns Wall Carved Ramses Amun Colours located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, coulmns, flowers, capitals, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Relief EG96208JHP 
 Medinet Habu Temple Luxor Egypt Court Osiride Statue Wall Reliefs Painted located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Relief EG96203JHP 
 Medinet Habu Temple Second Court Columns Painted Colourful Reliefs Photo located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Relief EG96202JHP 
 Medinet Habu Temple Second Court Wall Reliefs Gods Pharaoh Amun Hathor Isis located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu EG9620513JHP 
 Medinet Habu Temple Pylon Vista Tower High View Photograph Luxor West Bank located near the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111, here its first pylon viewed from the eastern fortified gate. Apart from being in excellent condition generally, the second court offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, landscape, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, colonnade, portico, court, pylon, gate
Medinet Habu SS983511JHP 
 Egyptian Medinet Habu Temple Second Pylon Gate Doorway Hieroglyphs Carvings located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111, this photo being the entrance into the second court. Apart from being in excellent condition generally, the second court offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately.

. Apart from being in excellent condition generally, the second court offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, landscape, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, colonnade, portico, court, second, pylon, gate

Egypt > Minya, Amarna & Ashmunayn (2 files)

Photographs in this gallery cover the main sites of Amarna, its North Palace, Aten and Small Temple, Bani Hasan Rock cut chapels, Tuna el-Gebel with the Catacombs with baboon and ibis mummies, Stela of Akhenaten on the north boundary, Petosiris Tomb-Chapel, Chapels of Ptoemais and Isadora, Roman Water Wheel Well and Temple of Thoth and el Ashmunein with an Open Air Museum with huge granite statues of Baboons and nearby a Temple to Thoth with a later Christian Basilica all located along the River Nile between Cairo and Luxor accessed from the nearby university city of Minya
Amarna River Wash EG075816jhp 
 Water River Nile Egyptians woman girl baby washing Amarna riverbank life a necessity for those visiting this recently accessible site at Amarna is the crossing of the River Nile at al-Till on the public car ferry which is restful and interesting break from the hectic drive along the rural back road from Minya. Amarna, the ancient capital built by the heretic Pharaoh Akhetaten and his Queen Nefertiti which was later dismantled after their fall from power and much is now covered up by the desert although ongoing work Amarna Project has uncovered much of the temple area, increased the knowledge and understanding of this brief but important period in ancient Egyptian history as well as preserving and restoring much of the site. 
 Keywords: Egypt, Egyptian, River Nile, ferry, water, crossing, landscape, sailor, passengers, men, women, woman, girl, baby, washing, daily, life, colours, colors, dress, clothes, fabric, patterns, pots, pans, Persil, colourful, colorful, people, cattle, pick-up, animals, car, Traveline, riverbanks, palms, trees, upstream, downstream, water, boat, transport, mini-bus, al-Till, al-Amarnah, Amarna, blue, sky, sunshine
Minya Village Life 6360EG07JHP 
 Minya Countryside Town Scene Donkey Houses Street Car People River Nile between Cairo and Luxor. Taken from the mini bus this small village on the outskirts of the city gives a flavour of passing everyday life with modern and ancient styles of transport and the colourfulness of an Egyptian street scene. 
 Keywords: Egypt, Egyptian, Minya, village, landscape, street, houses, electric, lines, telephone lines, poles, life, donkeys, Egyptians, people, locals, cars, washing, railings, transport, trees, transport, mini-bus, journey, excursion

Egypt > North of Cairo (1 file)

This gallery has photographs of the main sites North of Cairo, usually visited privately as not part of most Egyptian tours, and includes Heliopolis, Tell Basta near Zagazig and Tanis near the north coast of Egypt
Alexandria Street Scene eg9613730jhp 
 Egypt Alexandria city back street scene people lorry modern houses apartments Mediterranean coast is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. This photo is a snapshot of modern local street life taken from the taxi as I drove around the City on a day trip. A few isolated ancient sites can be visited with some Greco-Roman ruins and archaeology. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours. 
 Keywords: Egypt: Egyptian, Africa, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, European, style, sea, street, scene, houses, balconies, washing, hanging, market, shoppers, Egyptians, women, men, children, shopping, random, snapshot, candid, back, streets, passing, view, sunshine, blue, sky, bright, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8, upright

Egypt > Outlying Pyramids (43 files)

Pictures of pyramids and scenery related to them outwith the main sites of Giza and Saqqara such as Abusir, Dashur, El Lisht, Meydum and Hawara
Abu Rawash Pyramid eg961339jhp 
 Egyptian Rawash pyramids site view Cairo Giza Great Khafre Menkaure plateau this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, view, pyramids, Great, Khufu, Khafre, Menkaure, River, Nile, Abu, Roash, village, Ruwash, Rawash, pharaoh, royal, Djedefre, Ra’djedef, Pyramid, 4th Dynasty, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, September, 1996, 645, transparency, film, Fuji, RDP, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright
Abu Rawash Pyramid eg961338jhp 
 Egypt Abu Roash pyramids site view Cairo Giza Great Khafre plateau this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Great, Khufu, Khafre, Menkaure, view, distance, Abu, Roash, village, Ruwash, Rawash, pharaoh, royal, Djedefre, Ra’djedef, Pyramid, 4th Dynasty, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, September, 1996, 645, transparency, film, Fuji, RDP, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4
Abu Rawash Pyramid eg961335jhp 
 Egypt Abu Ruwash pyramid remains masonry Djedefre construction techniques limestone blocks this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, pharaoh, royal, Djedefre, Ra’djedef, Pyramid, 4th Dynasty, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, September, 1996, 645, transparency, film, Fuji, RDP, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright
Abu Rawash Pyramid eg961334jhp 
 Egypt Abu Roash pyramid ruins pharaoh Djedefre construction erosion limestone this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, pharaoh, royal, Djedefre, Ra’djedef, Pyramid, 4th Dynasty, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, September, 1996, 645, transparency, film, Fuji, RDP, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4
Abu Rawash Pyramid eg961332jhp 
 Egyptian 4th Dynasty Abu Ruwash Roash pyramid limestone blocks pharaoh Djedefre mortuary temple this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, pharaoh, royal, Djedefre, Ra’djedef, Pyramid, 4th Dynasty, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, September, 1996, 645, transparency, film, Fuji, RDP, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright
Abu Rawash Pyramid eg961331jhp 
 Egypt Abu Rawash Roash pyramid ruins pharaoh Djedefre mortuary temple boat pit this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, pharaoh, royal, Djedefre, Ra’djedef, Pyramid, 4th Dynasty, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, September, 1996, 645, transparency, film, Fuji, RDP, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4
Abu Rawash Pyramid eg9613232jhp 
 Egypt Abu Roash pyramid ruins pharaoh Djedefre destroyed quarry blocks this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern 1800's Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, pharaoh, royal, Djedefre, Ra’djedef, Pyramid, 4th Dynasty, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, September, 1996, 35mm, slide, film, Fuji, RD-128, 100asa, colour, scanned, scan, Nikon, FM2, Tokina SD, 28-70mm lens
Abu Rawash Pyramid eg9613231jhp 
 Egyptian Abu Ruwash pyramid Djedefre boat pit adjacent alongside excavated this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, pharaoh, royal, Djedefre, Ra’djedef, Redjedef, Pyramid, 4th Dynasty, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, September, 1996, 35mm, slide, film, Fuji, RD-128, 100asa, colour, scanned, scan, Nikon, FM2, Tokina SD, 28-70mm lens
Abu Rawash Pyramid eg9613230jhp 
 Egypt Abu Rawash ruins pharaoh Djedefre boat pit excavated hole empty this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, pharaoh, royal, Djedefre, Ra’djedef, Pyramid, 4th Dynasty, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, September, 1996, 35mm, slide, film, Fuji, RD-128, 100asa, colour, scanned, scan, Nikon, FM2, Tokina SD, 28-70mm lens, upright
Abu Rawash Pyramid eg9613229jhp 
 Egypt Abu Roash pyramid pharaoh Djedefre mortuary temple boat pit hole this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, pharaoh, royal, Djedefre, Ra’djedef, Pyramid, 4th Dynasty, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, September, 1996, 35mm, slide, film, Fuji, RD-128, 100asa, colour, scanned, scan, Nikon, FM2, Tokina SD, 28-70mm lens, upright
Abu Rawash Pyramid eg076765jhp 
 Egyptian Abu Roash pyramid boat pit restoration French excavation empty hole this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, Rowash, pharaoh, royal, Djedefre, Ra’djedef, Redjedef, Pyramid, 4th Dynasty, complex, restoration, conservation, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, funerary, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, October, 2007, 35mm, Fuji, Finepix, S5Pro, DSLR, digital, camera, colour, photograph, photo
Abu Rawash Pyramid eg076763jhp 
 Egypt Abu Rawash pyramid 4th Dynasty Djedefre restored boat pit long shape this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, Rowash, pharaoh, royal, Djedefre, Ra’djedef, Redjedef, Pyramid, 4th Dynasty, complex, restoration, conservation, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, funerary, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, October, 2007, 35mm, Fuji, Finepix, S5Pro, DSLR, digital, camera, colour, photograph, photo, upright
Abu Rawash Pyramid eg076762jhp 
 Egyptian Abu Rowash pyramid natural limestone hill attached blocks quarried damaged this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, Rowash, pharaoh, royal, Djedefre, Ra’djedef, Redjedef, Pyramid, 4th Dynasty, complex, restoration, conservation, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, funerary, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, October, 2007, 35mm, Fuji, Finepix, S5Pro, DSLR, digital, camera, colour, photograph, photo
Abu Rawash Pyramid eg076760jhp 
 Egypt Abu Rawash pyramid natural rock core limestone blocks attached this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: royal, Djedefre, Ra’djedef, Redjedef, Pyramid, 4th Dynasty, complex, restoration, conservation, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, funerary, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, October, 2007, 35mm, Fuji, Finepix, S5Pro, DSLR, digital, camera, colour, photograph, photo
Abu Rawash Pyramid eg076759jhp 
 Egyptian ancient Abu Ruwash pyramid 4th Dynasty Djedefre natural rock core hillock this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, Rowash, pharaoh, royal, Djedefre, Ra’djedef, Redjedef, Pyramid, 4th Dynasty, complex, restoration, conservation, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, funerary, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, October, 2007, 35mm, Fuji, Finepix, S5Pro, DSLR, digital, camera, colour, photograph, photo
Abu Rawash Pyramid eg076758jhp 
 Egypt Abu Rawash pyramid 4th Dynasty Djedefre embedded Aswan granite block this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, Rowash, pharaoh, royal, Djedefre, Ra’djedef, Redjedef, Pyramid, 4th Dynasty, complex, restoration, conservation, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, funerary, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, October, 2007, 35mm, Fuji, Finepix, S5Pro, DSLR, digital, camera, colour, photograph, photo
Abu Rawash Pyramid eg076757jhp 
 Egyptian Abu Rawash pyramid 4th Dynasty building method fitted blocks exposed natural bedrock this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, Rowash, pharaoh, royal, Djedefre, Ra’djedef, Redjedef, Pyramid, 4th Dynasty, complex, restoration, conservation, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, funerary, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, October, 2007, 35mm, Fuji, Finepix, S5Pro, DSLR, digital, camera, colour, photograph, photo
Abu Rawash Pyramid eg076756jhp 
 Egypt Abu Rawash pyramid construction natural bedrock inspection pit edge this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, Rowash, pharaoh, royal, Djedefre, Ra’djedef, Redjedef, Pyramid, 4th Dynasty, complex, restoration, conservation, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, funerary, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, October, 2007, 35mm, Fuji, Finepix, S5Pro, DSLR, digital, camera, colour, photograph, photo
Abu Rawash Pyramid eg076755jhp 
 Egypt Abu Rowash pyramid Djedefre platfrom inclined inspection hole boundary this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, Rowash, pharaoh, royal, Djedefre, Ra’djedef, Redjedef, Pyramid, 4th Dynasty, complex, restoration, conservation, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, funerary, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, October, 2007, 35mm, Fuji, Finepix, S5Pro, DSLR, digital, camera, colour, photograph, photo, upright
Abu Rawash Pyramid eg076754jhp 
 Egypt Abu Rawash pyramid 4th Dynasty Djedefre closeup blocks mortar masonry cut this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, Rowash, pharaoh, royal, Djedefre, Ra’djedef, Redjedef, Pyramid, 4th Dynasty, complex, restoration, conservation, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, funerary, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, October, 2007, 35mm, Fuji, Finepix, S5Pro, DSLR, digital, camera, colour, photograph, photo
Abu Rawash Pyramid eg076753jhp 
 Egypt Abu Rawash pyramid 4th Dynasty Djedefre surviving dressed limestone blocks in situ this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, Rowash, pharaoh, royal, Djedefre, Ra’djedef, Redjedef, Pyramid, 4th Dynasty, complex, restoration, conservation, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, funerary, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, October, 2007, 35mm, Fuji, Finepix, S5Pro, DSLR, digital, camera, colour, photograph, photo
Abu Rawash Pyramid eg076752jhp 
 Egypt Abu Rawash pyramid Djedefre building technique natural rock outcrop blocks attached this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, Rowash, pharaoh, royal, Djedefre, Ra’djedef, Redjedef, Pyramid, 4th Dynasty, complex, restoration, conservation, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, funerary, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, October, 2007, 35mm, Fuji, Finepix, S5Pro, DSLR, digital, camera, colour, photograph, photo
Abu Rawash Pyramid eg076751jhp 
 Egypt Abu Ruwash pyramid 4th Dynasty Ra'djedef construction method masonry blocks this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, Rowash, pharaoh, royal, Djedefre, Ra’djedef, Redjedef, Pyramid, 4th Dynasty, complex, restoration, conservation, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, funerary, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, October, 2007, 35mm, Fuji, Finepix, S5Pro, DSLR, digital, camera, colour, photograph, photo, upright
Abu Rawash Pyramid eg076750jhp 
 Egyptian Abu Rawash pyramid Djedefre construction blocks limestone bedrock technique this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, Rowash, pharaoh, royal, Djedefre, Ra’djedef, Redjedef, Pyramid, 4th Dynasty, complex, restoration, conservation, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, funerary, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, October, 2007, 35mm, Fuji, Finepix, S5Pro, DSLR, digital, camera, colour, photograph, photo, upright
Abu Rawash Pyramid eg076749jhp 
 Egypt Abu Rowash pyramid Redjedef inclined bedrock core blocks this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, Rowash, pharaoh, royal, Djedefre, Ra’djedef, Redjedef, Pyramid, 4th Dynasty, complex, restoration, conservation, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, funerary, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, October, 2007, 35mm, Fuji, Finepix, S5Pro, DSLR, digital, camera, colour, photograph, photo
Abu Rawash Pyramid eg076747jhp 
 Egypt Abu Rawash Djedefre broken stones granite chisel marks tool remants this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, Rowash, pharaoh, royal, Djedefre, Ra’djedef, Redjedef, Pyramid, 4th Dynasty, complex, restoration, conservation, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, funerary, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, October, 2007, 35mm, Fuji, Finepix, S5Pro, DSLR, digital, camera, colour, photograph, photo
Abu Rawash Pyramid eg076746jhp 
 Egypt Abu Rawash pyramid 4th Dynasty Djedefre remaining building blocks masonry this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, Rowash, pharaoh, royal, Djedefre, Ra’djedef, Redjedef, Pyramid, 4th Dynasty, complex, restoration, conservation, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, funerary, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, October, 2007, 35mm, Fuji, Finepix, S5Pro, DSLR, digital, camera, colour, photograph, photo
Abu Rawash Pyramid eg076745jhp 
 Egypt Abu Roash pyramid Djedefre rare granite casing block quarried sloping this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, Rowash, pharaoh, royal, Djedefre, Ra’djedef, Redjedef, Pyramid, 4th Dynasty, complex, restoration, conservation, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, funerary, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, October, 2007, 35mm, Fuji, Finepix, S5Pro, DSLR, digital, camera, colour, photograph, photo
Abu Rawash Pyramid eg076744jhp 
 Egypt Abu Rawash pyramid 4th Dynasty Djedefre rockcut entrance channel hewn bedrock this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, Rowash, pharaoh, royal, Djedefre, Ra’djedef, Redjedef, Pyramid, 4th Dynasty, complex, restoration, conservation, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, funerary, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, October, 2007, 35mm, Fuji, Finepix, S5Pro, DSLR, digital, camera, colour, photograph, photo
Abu Rawash Pyramid eg076743jhp 
 Egypt Abu Rawash pyramid 4th Dynasty Djedefre corridor bedrock approach entrance this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, pharaoh, royal, Djedefre, Ra’djedef, Redjedef, Pyramid, 4th Dynasty, complex, restoration, conservation, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, October, 2007, 35mm, Fuji, Finepix, S5Pro, DSLR, digital, camera, colour, photograph, photo, upright
Abu Rawash Pyramid eg076742jhp 
 Egypt Roash Rawash pyramid 4th Dynasty Djedefre bottom rockcut entrance corridor bedrock trench this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, pharaoh, royal, Djedefre, Ra’djedef, Redjedef, Pyramid, 4th Dynasty, complex, restoration, conservation, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, October, 2007, 35mm, Fuji, Finepix, S5Pro, DSLR, digital, camera, colour, photograph, photo
Abu Rawash Pyramid eg076741jhp 
 Egypt Abu Rawash pyramid 4th Dynasty Djedefre entrance corridor bedrock trench this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, pharaoh, royal, Djedefre, Ra’djedef, Redjedef, Pyramid, 4th Dynasty, complex, restoration, conservation, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, October, 2007, 35mm, Fuji, Finepix, S5Pro, DSLR, digital, camera, colour, photograph, photo
Abu Rawash Pyramid eg076739jhp 
 Egypt Abu Rowash pyramid 4th Dynasty Radjedef French excavation information map layout this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, Rowash, pharaoh, royal, Djedefre, Ra’djedef, Redjedef, Pyramid, 4th Dynasty, complex, restoration, conservation, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, funerary, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, October, 2007, 35mm, Fuji, Finepix, S5Pro, DSLR, digital, camera, colour, photograph, photo
Abu Rawash Pyramid eg076738jhp 
 Egypt Abu Rawash pyramid 4th Dynasty Djedefre constrcution technique inclining bedrock this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, pharaoh, royal, Djedefre, Ra’djedef, Redjedef, Pyramid, 4th Dynasty, complex, restoration, conservation, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, funerary, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, October, 2007, 35mm, Fuji, Finepix, S5Pro, DSLR, digital, camera, colour, photograph, photo
Abu Rawash Pyramid eg076737jhp 
 Egyptian Abu Rawash pyramid 4th Dynasty Djedefre rocky outcrop natural hillock this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, pharaoh, royal, Djedefre, Ra’djedef, Redjedef, Pyramid, 4th Dynasty, complex, restoration, conservation, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, funerary, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, October, 2007, 35mm, Fuji, Finepix, S5Pro, DSLR, digital, camera, colour, photograph, photo
Abu Rawash Pyramid eg076735jhp 
 Egypt Abu Rawash pyramid 4th Dynasty Djedefre second enclosure clearance this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, pharaoh, royal, Djedefre, Ra’djedef, Redjedef, Pyramid, 4th Dynasty, complex, restoration, conservation, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, funerary, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, October, 2007, 35mm, Fuji, Finepix, S5Pro, DSLR, digital, camera, colour, photograph, photo
Abu Rawash Pyramid eg076734jhp 
 Egyptian Cairo Abu Rawash pyramid pharaoh Djedefre mortuary temple restoration cleanup this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, pharaoh, royal, Djedefre, Ra’djedef, Redjedef, Pyramid, 4th Dynasty, complex, restoration, conservation, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, October, 2007, 35mm, Fuji, Finepix, S5Pro, DSLR, digital, camera, colour, photograph, photo
Abu Rawash Pyramid eg076733jhp 
 Egypt Abu Rawash pyramid ruins pharaoh Djedefre boat pit restoration cleanup this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 as this photo records and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, pharaoh, royal, Djedefre, Ra’djedef, Redjedef, Pyramid, 4th Dynasty, complex, restoration, conservation, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, October, 2007, 35mm, Fuji, Finepix, S5Pro, DSLR, digital, camera, colour, photograph, photo, upright
Abu Rawash Pyramid eg076732jhp 
 Egypt Abu Rawash pyramid 4th Dynasty Djedefre backdrop restored mortuary temple complex column bases this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, pharaoh, royal, Djedefre, Ra’djedef, Redjedef, Pyramid, 4th Dynasty, complex, restoration, conservation, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, funerary, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, October, 2007, 35mm, Fuji, Finepix, S5Pro, DSLR, digital, camera, colour, photograph, photo, column, bases
Abu Rawash Pyramid eg076731jhp 
 Egypt Abu Roash pyramid 4th Dynasty Djedefre mortuary temple funerary restoration this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, pharaoh, royal, Djedefre, Ra’djedef, Redjedef, Pyramid, 4th Dynasty, complex, restoration, conservation, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, funerary, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, October, 2007, 35mm, Fuji, Finepix, S5Pro, DSLR, digital, camera, colour, photograph, photo
Abu Rawash Pyramid eg076730jhp 
 Egypt Abu Rawash pyramid 4th Dynasty Djedefre graveyard scrap blocks rubbish this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, pharaoh, royal, Djedefre, Ra’djedef, Redjedef, Pyramid, 4th Dynasty, complex, restoration, conservation, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, October, 2007, 35mm, Fuji, Finepix, S5Pro, DSLR, digital, camera, colour, photograph, photo
Abu Rawash Pyramid eg076729jhp 
 Egypt Abu Rawash pyramid pharaoh Djedefre restoration mortuary temple boat pit this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 as this photo shows, was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, pharaoh, royal, Djedefre, Ra’djedef, Redjedef, Pyramid, 4th Dynasty, complex, restoration, conservation, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, October, 2007, 35mm, Fuji, Finepix, S5Pro, DSLR, digital, camera, colour, photograph, photo
Abu Rawash Pyramid eg076728jhp 
 Egypt Abu Rawash pyramid 4th Dynasty Djedefre natural massif masonry remants this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit. 
 Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, pharaoh, royal, Djedefre, Ra’djedef, Redjedef, Pyramid, 4th Dynasty, complex, restoration, conservation, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, October, 2007, 35mm, Fuji, Finepix, S5Pro, DSLR, digital, camera, colour, photograph, photo

Egypt > River Nile Cruise & Sites (4 files)

Photographs in this gallery show daily life along the River Nile mainly from the cruises I have undertaken over the past 10 years or so. Sites that border the Nile are included although the major temples visted have their own dedicated sites such as Edfu and Kom Ombo. One of the enjoyments of the Nile cruise is the tranquility of watching 'life go by' usually characterised by the friendliness of those you pass whether boatmen or farm workers as well as seeing wild birds close at hand. The other aspect is the service on the cruiseboats from friendly crews and the chance to relax after hectic and often crowded temple visits.
River Nile Cruiseboat EG052093jhp 
 Egypt Egyptian River Nile Esna cruiseboat still life washing deck life ropes photo taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. 
 Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, upright, daily, life, congestion, bottleneck, delays, anchored, water, cruise, cruiseboat, white, deck, detail, bollards, rope, washing, drying, hanging, generator, steps, hose, walkway, gangplank, colours, colors, colorful, still, life, arty, art
River Nile Riverside Scene EG052009jhp 
 Egypt Egyptian Nile village houses mudbrick animals cruise modern children the journey from Luxor to Aswan by cruiseboat offers a peaceful way to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. 
 Keywords: Egypt, Egyptian, modern, contemporary, West, East, Bank, River, Nile, riverbank, village, town, houses, trees, traditional, bricks, mudbricks, daily, life, mudbrick, cruise, cruising, water, landscape, children, washing, drying, colourful, clothes, colours, colors, painted, street, donkey, cattle, bovine, mud, brick, design, architecture, patterns
River Nile Riverside Scene EG052005jhp 
 Egyptian Nile house mudbrick washing man dog riverbank cruise modern photograph on the journey south from Luxor to Aswan by cruiseboat offers a peaceful way to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. 
 Keywords: Egypt, Egyptian, modern, contemporary, West, East, Bank, River, Nile, riverbank, village, town, houses, trees, traditional, bricks, mudbricks, daily, life, mudbrick, cruise, cruising, water, landscape, man, washing, drying, colourful, clothes, colours, colors, painted, street, cattle, bovine, mud, brick, design, architecture, patterns, wooden, shutters, green
Riverside Farm Animals EG052008JHP 
 Egypt Egyptian River Nile Houses Animals Bricks Riverbank Cruising Photo the journey from Luxor to Aswan by cruiseboat offers a peaceful way to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. 
 Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, village, houses, farm, animals, washing, daily, life, mudbrick, cruise, cruising, landscape

Scotland > Aberdeenshire Coast (2 files)

Pictures in this library relate to the sea and the coasts around Aberdeenshire from St Cyrus to the Moray Firth along to Cullen and include fishing villages of Gourdon, Johnshaven, the town of Stonehaven, beach at Balmedie, Cruden Bay, Forvie, Bodham Point near Peterhead, Fraserburgh, Rosehearty, Pennan, Macduff, Banff, Whitehills, Portsoy, Sandend, Portknockie, Bow Fiddle Rock.
Sands of Forvie asd4710jhp 
 Scottiosh beach waves sand washing incoming tide Ythan Estuary winter photo along Aberdeenshire coastline on North East coast of Scotland north of Aberdeen. 
 Keywords: Scotland, Grampian, Scottish, North, sea, East, Aberdeenshire, Newburgh, Forvie, sands, river, Ythan, estuary, sea, northwards, landscape, winter, spring, beach, dunes, sand, waves, foam, breaking
Cairnbulg Washing Greens TO18051JH 
 Cairnbulg Communual Washing Green Grass Poles Line Cottages Aberdeenshire Coast in what was once a major fishing port in the years of smaller boats capable of being berthed on the foreshore, which is situated south of Fraserburgh on the coast of Aberdeenshire overlooking the North Sea 
 Keywords: Scotland, Grampian, Scottish, North, sea, East, Aberdeenshire, Buchan, Fraserburgh, houses, Cairnbulg, village, washing, greens, communal, washing, green, grass, dandelions, daisies, flowers, yellow, white, cottages, wooden, fishing, boats, conservation, SSSI, wind, landscape, coast, cove, beach, headland, white, clouds, clear, sky, colours, colors, colourful, colorful

Scotland > Morayshire (2 files)

The photographs in this gallery are located in Morayshire and include ancient sites, historic buildings and properties, churches, cathedrals, towns, the countryside and the coast.
Stones on Beach TO3367444JHP 
 Scottish River Estuary Spey Bay Beach Stones Pebbles Sea Washed Smooth Shapes where it enters the Moray Firth near the villages of Garmouth and Kingston, small fishing hamlets amongst the shingle banks of this Morayshire north coast. Garmouth has the historical link with the landing of Charles 11 in 1650. The shingle banks along the mouth of the Spey are ever changing owing to longshore drift with the constant threat of the river outlet being closed and the area is known for salmon netting at the Tugnet spit as well extensive bird life. 
 Keywords: Scotland, Scottish, Moray Firth, Morayshire, Kingston, Garmouth, upright, Spey Bay, shingle, Speyside Way, walking, beach, stones, waves, sea, sand, shadows, pattern
Sea Washed Stones TO3367447JHP 
 River Spey Estuary Bay Shingle Stones Smooth Sea Erosion Tumbling Wash enters the Moray Firth near the villages of Garmouth and Kingston, small fishing hamlets amongst the shingle banks of this Morayshire north coast. Garmouth has the historical link with the landing of Charles 11 in 1650. The shingle banks along the mouth of the Spey are ever changing owing to longshore drift with the constant threat of the river outlet being closed and the area is known for salmon netting at the Tugnet spit as well extensive bird life. 
 Keywords: Scotland, Scottish, Moray Firth, Morayshire, Kingston, Garmouth, landscape, Spey Bay, River Spey, shingle, beach, stones, waves, sea, smooth, rubbed, tumbled, patterns, shapes, colours, colors

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